Serena’s Review “In the After”

12157407Book: “In the After” by Demitria Lunetta

Publishing Info: HarperTeen, June 2013

Where Did I Get this Book: audiobook from the library!

Book Description: They hear the most silent of footsteps.
They are faster than anything you’ve ever seen.
And They won’t stop chasing you…until you are dead.

Amy is watching TV when it happens, when the world is attacked by Them. These vile creatures are rapidly devouring mankind. Most of the population is overtaken, but Amy manages to escape—and even rescue “Baby,” a toddler left behind in the chaos. Marooned in Amy’s house, the girls do everything they can to survive—and avoid Them at all costs.

After years of hiding, they are miraculously rescued and taken to New Hope, a colony of survivors living in a former government research compound. While at first the colony seems like a dream with plenty of food, safety, and shelter, New Hope slowly reveals that it is far from ideal. And Amy soon realizes that unless things change, she’ll lose Baby—and much more.

Review: This is the kind of book that walks the line between Kate’s preferred genres and mine. There is definitely horror and suspense, but it’s also a post-apocalyptic story, the type which, especially in YA fiction, often falls under the all-encompassing “speculative fiction” category. Either way, it was a nice change from my usual reading, and while I can’t say that it was necessarily a “fun” read, its very lack of “fun” is what lends me to rating it more highly.

This book could easily be split into two separate books. The first is a fairly typical survival story. Strange creatures have invaded the earth and swiftly killed off the majority of the population. Our heroine, Amy, survives purely due to lucky circumstances (a fact that is refreshingly not glossed over), but over the course of years, she grows to become an expert at living in this new “After” world. There were several portions of this first part that I really enjoyed.

First is the inclusion of Baby, a toddler that Amy finds and adopts after the first month of devastation. These two’s relationship is key to the plot and it was so refreshingly new. All too often the primary relationships in these types of YA books are romantic. This, a sisterhood/parental relationship between a teenage girl who raises a toddler for several years alone, is completely unique. Further, I was very impressed with the author’s ability to portray Baby so completely. As a small child, it would have been very easy to simply gloss over her as an actual person while instead simply relying on general child attributes as fill-ins.

Second, the use of a substantial time jump is well executed. Through clever positioning of flashbacks, we see Amy’s journey through this new world and the events at each step that directed her ability to survive the many challenges of this new world, from how to survive the creatures themselves to how she evolved her approach to interacting with other survivors. Amy doesn’t just become a badass survivor out of nowhere. We see her mistakes and understand what lessons she had to learn to become who she is in the present day.

The second half of the book is a complete switch to what living in a community built in this post-apocalyptic world would be like. The horror, too, takes a sharp turn away from the monsters-in-the-night to what monsters humans can be. This part, while maybe slower than the first half, was even more horrifying to me. It was a strange reading experience because I was so frustrated, angry, and uncomfortable on Amy and Baby’s behalf throughout it all that I had a hard time enjoying reading it. In this section, you know that something awful is coming and you’re just watching these beloved characters walk towards their doom. (I wish I had read this book before we did our “Walking Dead Read Alikes” list as this would definitely have been included based purely on its similar exploration of the different ways that communities of people find to live in a world where society has fallen away.)

In the later half, there were a few twists that I felt were a bit expected. It’s definitely not a unique set up, but I don’t think that lessens the overall effect. It’s also a bit jarring to suddenly have many other characters introduced halfway through the story, and while I enjoyed many of them, I was sad to see Baby fading into the background a bit. However, I did enjoy most of these characters. I also appreciated the fact that what little romance is introduced in this part of the book is very light and never overpowers both the action/horror of the story or the primary relationship between Baby and Amy.

I also listened to this as an audiobook and I thought the reader did a very good job. Especially in the second half of the book, she made some clever choices with her general reading style that allows listeners to immediately identify flashback sequences from the other portions.

Ultimately, I very much enjoyed this book and will be checking out the final book in the duology. I might need to give myself a break between the two as they are definitely not light reading, but I’ll be getting there soon, I hope. This book does end on a cliffhanger, fo sorts, so for anyone going into it, beware of that.

Rating 7: An intense ride with a unique primary relationship, though it did get a bit predictable towards the end.

Reader’s Advisory:

“In the After” is included on these Goodreads lists: :Less Known Doulogies/Trilogies I Might Check Out” and “Strong Womances In YA.”

Find “In the After” at your library using Worldcat!

Serena’s Favorite Reads of 2016: Picks 5 Through 1

The end of the year is upon us, and we are about to embark into 2017. Given that we both did a lot of reading this past year, and had a lot of opinions about what we read, we thought that we would reveal our top picks of the year this entire week! Today I’m finishing my countdown with my top 5 favorite books of the year!

 22567184Pick Number 5: “Den of Wolves” by Juliet Marillier

“Den of Wolves” Review

Juliet Marillier is one of my absolute favorite authors, so it’s no surprise that any book published by her will most likely end up on a list like this. This year we had the final (what looks to be the final, at least) book in her “Blackthorn and Grim” trilogy. I’ve really enjoyed this whole series as it represent a combination of many of Marillier’s staples (lyrical writing, an Irish historical fantasy setting, romance/adventure) and mixes it with new aspects (two lead characters, both older, a healthy dash of mystery/suspense, and a much slower burn romance). While I’m sad that the series seems to be over, “Den of Wolves” was an excellent final chapter for Blackthorn and Grim.

40158Pick Number 4: “The Queen of Attolia” by Megan Whalen Turner

“The Queen of Attolia” Review

Many of the books I’ve already listed have been the final entry into a series, so this is perhaps a strange choice as it is the second book in an ongoing series (there have been two that followed it with a third on its way this spring). But this book was really a game changer for the series. “The Thief” was brilliant with its sudden reveal towards the end of the book, but that just set the bar all the higher for this book. How do you keep your series interesting when the cat’s out of the bag with regards to your protagonist’s brilliance? Further, Whalen Turner sets the stakes even high by attempting a complete 180 with the villain of the previous book, bringing to life the nuanced and complex inner-workings of the Attolia herself. This book highlights how to do YA political fantasy right.

City of StairsPick Number 3: “City of Stairs” by Robert Jackson Bennett

“City of Stairs” Review

This book caught me completely off guard. It had been on my list for a while, but honestly, whenever I looked at it I was put off my an uninspiring cover and rather confused book description. But man, this book was great. It’s lead characters were brilliant: Shara, a “Hermione Granger” like chatacter, and her “secretary,” Sigrund, a giant Viking of a man. The world-building was amazing and creative: a world full of complicated history regarding colonialism and religion. Philosophical musings! Witty mannerisms! It was great. It’s technically the first in a series, but can also be read as a stand alone. I have to admit, it was such a high that I’m still scared to pick up the second. Maybe in 2017…

9591398Pick Number 2: The “Fairyland” series by Catherynne M. Valente

  1. “The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making” Review
  2. “The Girl Who Fell Beneath Fairyland and Led the Revels There” Review
  3. “The Girl Who Soared Over Fairyland and Cut the Moon in Two” Review
  4. “The Boy Who Lost Fairyland” Review
  5. “The Girl Who Raced Fairyland All the Way Home” Review

Look, I had to just include this whole series, other wise the entire list would have just been populated with individual entries for each, and no one wants that! The “Fairyland” series features some of the most beautiful, creative writing that I have read in…maybe forever. It’s a modern day “Alice in Wonderland” with more heart. September, Saturday, A Through L, and the many friends (and enemies!) they meet throughout the story are just so brilliant. Valente walks the perfect line between nonsense and poignant wisdom. What could have come across as saccharine in another author’s hand, instead reads as a beautiful and insightful look into childhood, friendship, love, and growing up.

311326Pick Number 1: The “Amelia Peabody” series by Elizabeth Peters

  1. “The Crocodile on the Sandbank” Review
  2. “The Curse of the Pharaohs” Review
  3. “The Mummy Case” Review
  4. “Lion in the Valley” Review
  5. Deeds of the Disturber” Review
  6. “The Last Camel Died at Noon” Review

Second verse, same as the first! All ten entries could have been just this and the “Fairyland” series, essentially. But truly, I do find it fitting that my top two spots went to a young adult fantasy series and a historical/mysteries series, covering all of my loves! This series made it to the top spot based on the pure, unadulterated enjoyment that all of the books delivered. There are probably other entries on this list with stronger, over all writing. Other books with more creative worlds. Still others with more complex plots. But none of them were as much fun to read as all six of these have been so far. What’s most impressive is the longevity of the series. It was easy to worry that the “shtick”  could wear off with repetition. How could the books retain their charm? Wouldn’t the wittiness of the characters become tired? Just how many murders can happen around this family? But hats off to  Elizabeth Peters. Thank you for bringing Amelia Peabody to life.

So there’s my list. So many great reads in just one year! Challenge to you, 2017.

 

 

 

Serena’s Favorite Reads of 2016: Picks 10 Through 6

The end of the year is upon us, and we are about to embark into 2017. Given that we both did a lot of reading this past year, and had a lot of opinions about what we read, we thought that we would reveal our top picks of the year this entire week! So today I’m going to countdown from ten to six.

22840421Pick Number 10: “My Lady Jane” by Cynthia Hand, Brodi Ashton, and Jodi Meadows

“My Lady Jane” Review

My first pick is this quirky, historical comedy that completely blindsided me. It was a book that I had thrown on to a Highlights lists simply based on the wackiness of the plot synopsis (Lady Jane Grey’s story re-told in a manner similar to “The Princess Bride” and featuring a love interest who turns into a horse during the day). But it sold me! It sold me on solid writing, hilarious dialogue, a great heroine, and just the right amount of camp to become a real page turner. Just teaches me not to judge a book based on the weirdness of its description!

18068907Pick Number 9: “Court of Fives” & “Poisoned Blade” by Kate Elliot

“Court of Fives” Review & “Poisoned Blade” Review

Ok, so this is kind of cheat-y, but I literally rated these two equally in my reviews of them both, and as they are part of a series…yeah, I can justify this decision all day long, if you want! Featuring a spunky heroine, a diverse and unique world, and lots of action (not just the typical fantasy fare of sword fighting and such, but actual sports competitions) these two books were a blast. As a few more cherries on the top, it presented a YA heroine who has her priorities in the correct order and a love interest/romance plot that is believable and enjoyable.

17378527Pick Number 8: “The Raven King” by Maggie Stiefvater

“The Raven King” Joint Review

Kate and I read and reviewed this entire series, and it was one that only got better as it went along. So, while I loved them all, I chose to feature this, the last book in the series, as my pick for this list. Enough can’t be said about Stiefvater’s skills as a young adult fantasy novelist. Her writing is so incredibly poignant and lyrical, her world-building is unique and often quite dark and daring, and her characters always pull at the heart strings. The balancing act that she pulls off with this series (especially with nailing an ending in this book that she had been laying the groundwork for from the very start), featuring so many distinct characters, perspectives and voices, all while never losing her way with a complex plot, is truly impressive.

27190613Pick Number 7: “As I Darken” by Kiersten White

“As I Darken” Review

I’m pretty sure I featured this book in the same bizarre “Highlights” post that included “My Lady Jane” and pretty much for the same reason: too weird not to read! And again I was blown away by another fantastic story! What if Vlad the Impaler was a woman? And she had a brother? And they had a complicated relationship, made all the more complicated by growing up as royal hostages and developing feelings for their mutual friend, the prince who will one day rule? This book is dark and deeply lovely, setting up complicated characters whose struggles are heartbreaking and wonderful.

The Last Mortal BondPick Number 6: “The Last Mortal Bond”

“The Last Mortal Bond” Review

I reviewed this entire trilogy on the blog, but only read this, the last in the series, for the first time this year. As we all know, sticking the landing is challenging in the best of situations. Even more so here, as Staveley had set up his three protagonists, the siblings and children of the recently passed Emperor, as at odds with each other, each one with different pieces of a very large puzzle at their disposal. The world building and plot are driven by a complex web of different political, religious, and cultural perspectives, so if you’re in the mood for detailed high fantasy that does have an ending not only in sight but in print (coughGAMEOFTHRONEScough), then this series is for you!

So that’s ten through six. Next time I will give a countdown of my top five. What have been some of your favorite reads of 2016?

Serena’s Review: “Ice”

6321845Book: “Ice” by Sarah Beth Durst

Publishing Info: Margaret K. McElderry Books, October 2009

Where Did I Get this Book: the library!

Book Description: When Cassie was a little girl, her grandmother told her a fairy tale about her mother, who made a deal with the Polar Bear King and was swept away to the ends of the earth. Now that Cassie is older, she knows the story was a nice way of saying her mother had died. Cassie lives with her father at an Arctic research station, is determined to become a scientist, and has no time for make-believe.

Then, on her eighteenth birthday, Cassie comes face-to-face with a polar bear who speaks to her. He tells her that her mother is alive, imprisoned at the ends of the earth. And he can bring her back — if Cassie will agree to be his bride.

That is the beginning of Cassie’s own real-life fairy tale, one that sends her on an unbelievable journey across the brutal Arctic, through the Canadian boreal forest, and on the back of the North Wind to the land east of the sun and west of the moon. Before it is over, the world she knows will be swept away, and everything she holds dear will be taken from her — until she discovers the true meaning of love and family in the magical realm of Ice.

Review: I recently read and liked “Conjured” by Sarah Beth Durst, and after putting together our list of favorite holiday reads that included a re-telling of “East of the Sun, West of the Moon,” I discovered the perfect combination of the two with “Ice!” Or…what I thought would be the perfect combination. Sigh.

The story starts out strong enough. I enjoyed the unique approach of setting the story in the modern world with Cassie and her father living in a research station in the Arctic. Cassie herself is introduced as a capable and intelligent protagonist. She conducts research herself and knows much about the Arctic environment and local wildlife. Enough to know that the polar bear tracks she’s seeing are much too large for the regular animals that roam the area.

Another plus has to do with some of the fairytale aspects and their interpretation in this story. The mythology and characters that were introduced were interesting and cleverly tied together, working well within the original fairytale mold while not feeling too tied down by it. The author struck a nice balance between incorporating these portions while also tying the story neatly into Intuit culture and folklore. I also enjoyed the more proactive role that Cassie originally takes in this tale> She makes a bargain of her own with Bear, insisting that she would only agree to marry him if she saved her mother. That said, this initial level of competence and independence on Cassie’s part only serves against the story later when she loses these exact traits in rather disturbing ways.

Most of the portions of the book that I enjoyed most arrived in the first half of the book, and I was pretty fully on board. But then…look, one of the main falling points for retellings of this story is giving the character of Bear a strong enough personality that he stands on his own and makes the slow-burn romance believable. And, while Bear does have somewhat of a personality, the story starts faltering right off that bat. Their relationship, one based on distrust and a forced situation, develops far too quickly to friendship and love. And while this is frustrating, it’s a familiar pitfall. But then…it’s the story takes a nosedive into “Breaking Dawn” territory with a forced pregnancy. Essentially, Bear magically deactivates Cassie’s birth control and then informs her of this after she’s three months pregnant. And from there on out the story just kind of died for me.

While Cassie is initially angry, she comes around to things way too easily. Bear as a romantic lead was killed for me, as this type of behavior is the epitome of abusive. Further, not only has Bear treated Cassie as the human equivalent of an incubator taking no consideration for her own choices about motherhood (she’s 18, remember!), but for the last half of the story, almost every other character she interacts with takes the same approach. Her decisions are constantly questioned with the worry that she’s “risking the baby” and it all gets to be too much. First, the fact that there is no concern expressed for Cassie herself, but only for the child, is saddening. And secondly, Cassie has already had the decision to be a parent taken out of her hands, but now her decisions for how to prioritize her life, protect those she loves, not just the baby, and operate as an individual are being questioned at every moment, as if she has no other purpose than to be pregnant. All of this was incredibly frustrating to read. And I could never get back on board with any romance between Cassie and Bear.

This was a very disappointing read for me. I have read other books by this author and really enjoyed them, so I had high expectations for this story. And the first half is so strong that it makes the large missteps of the latter half all the more frustrating for potential squandered. I really can’t recommend this book. There are much better re-tellings of this story, like “East,” the one I recommended in our “Holidays Favorites” post.

Rating 2: A strong start brought down by some really poor story decisions and an icky non-romance.

Reader’s Advisory:

Note: I don’t agree with this book’s deserving of being on these lists, quality-wise,  but hopefully there are some better ones to be found!

“Ice” is included on these Goodreads lists: “Fairy Tale Retellings: Hidden Gems” and “Fractured Fairy Tales & Story Retellings.”

Find “Ice” at your library using WorldCat.

 

Serena’s Review: “Northanger Abbey” – Jane Austen Project #2

18778806Book: “Northanger Abbey: Jane Austen Project #2” by Val McDermid

Publishing Info: Grove Press, April 2014

Where Did I Get this Book: the library!

Book Description: Cat Morland is ready to grow up. A homeschooled minister’s daughter in the quaint, sheltered Piddle Valley in Dorset, she loses herself in novels and is sure there is a glamorous adventure awaiting her beyond the valley’s narrow horizon. So imagine her delight when the Allens, neighbors and friends of her parents, invite her to attend the Fringe Festival in Edinburgh as their guest. With a sunny personality, tickets every night and a few key wardrobe additions courtesy of Susie Allen, Cat quickly begins to take Edinburgh by storm and is taken into the bosom of the Thorpe family, particularly by eldest daughter Bella. And then there’s the handsome Henry Tilney, an up-and-coming lawyer whose family home is the beautiful and forbidding Northanger Abbey. Cat is entranced by Henry and his charming sister Eleanor, but she can’t help wondering if everything about them is as perfect as it seems. Or has she just been reading too many novels?

Review: I found this book while wandering around my library one afternoon. I have a usual reading test that I apply to re-tellings of Jane Austen stories which simply involves reading the first chapter. Mostly this is due to the fact that Austen’s signature writing style is so tricky to duplicate and it is often what sinks many re-imaginings. I’ve wasted too many hours where what might have been a good book on its own is ruined for me by the simple fact that I am too distracted by the writing style itself to focus on the story. Well, this one passed this initial test and so I gave it a go!

First off, since style of writing is usually a major factor for me with these types of books, I will give credit to McDermid for what she does with it in this story. The book is helped by the fact that it is set in the modern day so there is no need to replicate the style of speaking and writing that came with the original. Beyond this, McDermid does a good job converting several of the scenes and dialogue from the original directly into the story with very minimal changes that are both believable and, in some cases, quite creative. Perhaps at times some of the slang that is used for the teenagers who are speaking is a bit much, but for the most part, McDermid avoided overdoing it in this area.

I also appreciated the parallels that were drawn between the original and this book with regards to the parody angle. Austen’s “Northanger Abbey” was largely written in response to the over-done, and often poorly written, gothic horror/romances that were popular in the time. Her heroine loves these stories, but throughout the book learns an important lesson with regards to these books’ failures to depict real people and real life. In this, gothic romance is substituted for the “Twilight” series, which is not only funny, but very accurate when it comes to being a wildly popular book/now genre that is much loved by teenage girls. It has also been highly criticized for portraying unrealistic people and unhealthy world views for these same adoring fans. So to use that series/genre in a re-telling like this is very true to the message and structure of the original.

That said, there are some big problems using this set up as well. In the original, Catherine fears the Tilneys are hiding dark secrets having to do with the suspicious death of the mother, perhaps at the father’s hand. In this, Catherine suspects the Tilneys…are vampires. Look, this is just not the same. Murder, especially at the hands of an emotionally abusive spouse, while rare, is an actual thing. So Catherine’s suspicions can be offensive to the family, but ultimately can be forgiven as fanciful foolishness. In this story, Cat’s suspicions of actual vampires are ridiculous. Every time it came up, I immediately lost respect for Cat. And in the end, when she actually puts voice to her suspicions, it made me judge Henry as well for not dumping her on the spot. If a love interest suddenly made it known to me that not only do they actually believe vampires exist, but they suspect me and my family are these monsters (very specific sort of vampires ala “Twilight” nonetheless who can go out and about in the day and eat rare meat to survive), I’d be out of there immediately.

Image result for gif sparkly Edward
Apparently, real vampires sparkle. (source)

Cat is supposed to be on the verge of adulthood, and these imaginings are worrisome with regards to her actual sanity, not just teenage silliness like the original character.

Further, Henry was downgraded even more as a romantic hero when it came to the reason that Cat is evicted from the family home and his belief in that reason himself, not just the General’s belief. I don’t want to spoil things, but the changed reason was ridiculous, and almost offensive, in many ways. I honestly don’t quite know why this had to be changed at all. The original reason, Catherine’s not having a fortune at her disposal, is still a legitimate stumbling block for the type of snobby, pretentious father that the General is made out to be in both books.

To end on a good note, I very  much enjoyed the portrayal of the villains in this story. Bella, Johnny, and the eldest Tilney, Freddie, were all spot on as modern adaptations of the original characters. They were all three highly entertaining and the types of characters you loved to have around just to hate them.

All in all, I was very disappointed with this book. The language was so strong (my usual criticism for this type of story) and many of the characters were perfect. But for some reason the author felt it necessary to adapt portions of the book in ways that severely detracted from the story as a whole. For a book that was so on-the-nose as an adaptation (there were many scenes and conversations that were almost directly lifted from the original), it was shame to have it fail due to unnecessary and weak plot changes.

Rating 3: One point for strong writing, another for good villains, and a third for adapting original scenes and dialogue for a modern setting in a believable way. Ultimately, a failing rating for a terrible choice with regards to Cat’s belief in actual, real life vampires.

Reader’s Advisory:

“Northanger Abbey” is included on these Goodreads lists: “YA Gothic Retellings” and “Retellings of Jane Austen’s ‘Northanger Abbey’.”

Find “Northanger Abbey” at your library using WorldCat.

Serena’s Review: “The School of Good and Evil”

16248113Book: “The School of Good and Evil” by Soman Chainani

Publication Info: HarperCollins, May 2013

Where Did I Get this Book: audiobook from the library!

Book Description: The first kidnappings happened two hundred years before. Some years it was two boys taken, some years two girls, sometimes one of each. But if at first the choices seemed random, soon the pattern became clear. One was always beautiful and good, the child every parent wanted as their own. The other was homely and odd, an outcast from birth. An opposing pair, plucked from youth and spirited away.

This year, best friends Sophie and Agatha are about to discover where all the lost children go: the fabled School for Good & Evil, where ordinary boys and girls are trained to be fairy tale heroes and villains. As the most beautiful girl in Gavaldon, Sophie has dreamed of being kidnapped into an enchanted world her whole life. With her pink dresses, glass slippers, and devotion to good deeds, she knows she’ll earn top marks at the School for Good and graduate a storybook princess. Meanwhile Agatha, with her shapeless black frocks, wicked pet cat, and dislike of nearly everyone, seems a natural fit for the School for Evil.

But when the two girls are swept into the Endless Woods, they find their fortunes reversed—Sophie’s dumped in the School for Evil to take Uglification, Death Curses, and Henchmen Training, while Agatha finds herself in the School For Good, thrust amongst handsome princes and fair maidens for classes in Princess Etiquette and Animal Communication.. But what if the mistake is actually the first clue to discovering who Sophie and Agatha really are…?

Review: This book seemed to hit a peak a few years ago with everyone raving about it, and finally now, years later, I’ve finally gotten to it. I don’t read a lot of middle grade fiction, but this one, with its fun premises and, I’ll admit, very catchy cover seemed worth checking out!

This book is a bit tricky to review, now that I’m getting to it. I finished reading the book about a week ago and am only now writing the review. And that one week, I think, has made an impact on my opinion of the book. Either way, ultimately, I did very much enjoy the story. But with the extra time, I feel there are a few things that were a bit clunky and problematic about it.

I breezed through this story, guys. I mean, fast. Its biggest strengths are the exact things that particularly appeal to me: very creative world building, character-based stories, and a strong dash of wit. I loved all the ties to fairytales in this book, both the direct reference to Snow White, Jack and the Beanstalk, Beauty and the Beast and others, as well the way it poked fun at the generalities of these stories. In the school of Good, princesses must learn how to speak to animals and wait patiently for their princes to save them. In the school of Evil, witches must learn how to curse household items like apples and hairpins and uglify themselves to scare off heroes and heroines. The schools and their history and connection to fairytales were so much fun. Much of it was parody, but parody with heart.

There were also a lot of great characters in this story, other than just Agatha and Sophie, who I’ll get to in a moment. There was Tedros, the most popular prince in school, and son of the famed Arthur and Guenevere who struggles with his mother’s legacy and its impact on his relationship with the women around him. Sophie’s witch roommates, Hester, Dot, and Anadil are each great, particularly Hester whose badassery knows no bounds. The teachers for both school reminded me a lot of the professors from the Harry Potter novels. They are all quirky and teach particular classes. This is one area of the story that I wish there had been more of. The few classroom scenes we had were some of my favorites in the whole story.

And then there are Agatha and Sophie. There was so much I loved about these two. Their friendship is complicated not only by the fact that they are in different schools, but by the very nature of their own beings and their struggles to define themselves. Poor Agatha with her broken down self-esteem. And poor Sophie, trying so hard without realizing the huge mistakes she’s making at almost every step. Neither are simple characters, and I appreciated the time that the author gave to these two and the attention to the difficulties of growing up and recognizing the power we all hold to mold who we want to be.

Packed into this romp of a fairytale are a lot of messages, and some of them are handled better than others. As I said before, there is a lot of parody going on here. This, of course, opens the door for the parody to go unrecognized and for the more harmful aspects of some of these messages to stand as true. The author does a lot of work to speak to the fact that actions speak louder than looks, to the power of goodness and love, and many other very important points. But due to binary set-up of the story and the parallels placed between goodness/beauty and villainy/ugliness, it’s possible for some unwanted aspects to slip through. Ultimately, I feel that if the story is read in the tone that it is meant, much of this comes through very clearly. But this book might not be for everyone, due to this.

While I was able to get on board with many of these points, there was one that was a sticking point, even for me. I love stories about girls’ friendships, and at its core, that it was this is. There is a lot to be said for forgiveness and understanding in friendship, but there were a few too many times where this line was crossed far to completely to be simplified in this way. It is the same as romantic relationships, in this way: at a certain point, if you are being actively hurt by another person, that person is not your friend, even if they truly do have good feelings toward you. So, while I love the message of Agatha saving her friend through sheer will, forgiveness, and kindness, the story also, unfortunately, sets up a bad example of friendships in general. Through large portions of this story, this is not a healthy friendship. And, while we can sympathize for Sophie, it should not stand as an example that just because we (or Agatha) love a friend/boyfriend, that we should tolerate bad treatment with the hope that they will get better.

This last point is what has stuck with me through this last week of building up to this review. I sped through this book and it was wildly entertaining as I was reading. But with distance comes more clarity, and there were problematic aspects of it, as I mentioned. That said, I will definitely continue on with the series. However, I will keep my eyes open for how some parts of it are handled in the future, most notably, this friendship.

Rating 7: Really great world-building and a lot of great lessons about self-worth and self-esteem; unfortunately, lessened by some questionable portrayals of healthy friendships.

Reader’s Advisory:

“The School of Good and Evil” is included on these Goodreads lists: “Best Books About Special Schools” and “Fairy Tales in All Their Ways.”

Find “The School of Good and Evil” at your library using Worldcat!

 

Serena’s Review: “Conjured”

17286817Book: “Conjured” by Sarah Beth Durst

Publication Info: Walker Childrens, September 2013

Where Did I Get this Book: the library!

Book Description: Eve has a new home, a new face, and a new name—but no memories of her past. She’s been told that she’s in a witness protection program. That she escaped a dangerous magic-wielding serial killer who still hunts her. The only thing she knows for sure is that there is something horrifying in her memories the people hiding her want to access—and there is nothing they won’t say—or do—to her to get her to remember.

At night she dreams of a tattered carnival tent and buttons being sewn into her skin. But during the day, she shelves books at the local library, trying to not let anyone know that she can do things—things like change the color of her eyes or walk through walls. When she does use her strange powers, she blacks out and is drawn into terrifying visions, returning to find that days or weeks have passed—and she’s lost all short-term memories. Eve must find out who and what she really is before the killer finds her—but the truth may be more dangerous than anyone could have ever imagined.

Review: I’ve read several of Sarah Beth Durst’s books in the past, and they are if anything, always unique. So when I discovered this one, with its creepy carnival imagery, amnesia, and serial killer nemesis, I knew that the story would be in the hands of an author capable of fully taking advantage of these elements.

The story started off slowly for me, to be honest. While Eve’s amnesia is an important part of the story, it also leaves the reader in an awkward place being equally (perhaps even more so!) in the dark as she is. We’re pretty much plopped down into a situation with no background information and a narrator who doesn’t know anymore than we do, but who is clearly involved in something nefarious, with hints being thrown every direction by other characters. Durst also wasn’t in a rush to resolve this. I was about a third of the way into the book before I started feeling truly invested in the story. And while this is a rather large hurdle to leap for many readers, I would say the later pay off is definitely worth it.

Eve herself is such a unique narrator. Her voice is so strange and it speaks to the deftness of Durst’s abilities that she can show Eve’s growth through even the most minute of changes in Eve’s outlook on what goes on around her. When the reveal comes towards the end of the story, I actually found myself paging back through the book trying to spot these change points, many of which I missed in my initial read through.

As for the twist itself, parts of it I was able to guess, but others came completely out of the blue. The motivation of the villain, Eve’s true back story in relation to the villain, was both heart breaking and distinctly chilling. I particularly appreciated the fact that the story is not quickly wrapped up once some of these twists become clear and we get to fully explore the reality of these developments and spend time in this new world order.

Further, the confusion and distrust that leads to these reveals were excellent. Eve has been told everything, she remembers/knows none of it for herself. So as she begins to question those around her, so do we, the reader. Her bouts of amnesia were both frustrating and refreshingly new to this type of story. She isn’t just a narrator who doesn’t remember her past but whose stories unfolds neatly from there on out. Eve keeps forgetting. Between chapters even! Like I said, frustrating, but also very interesting.

As for supporting characters, these were a bit more hit and miss. I loved Malcom from the get go, and grew to love his partner as well. However, I was less thrilled with the three other teens Eve meets: Aiden, Victoria, and Topher. They seemed like a neat idea, but ultimately, I feel like they didn’t even need to be in the story. Very little of the outcome would have been changed, and they were often so unlikable that I found myself wanting to skim read through their portions.

And as for the love interest, Zack…I just don’t know. There are elements of his character that I liked, but he never fully recovered for me from his introductory line of dialogue when first meeting Eve:“I think it’s a shame that it’s customary to shake hands upon greeting when what I really want to do is kiss your lips and see if you taste like strawberries.”

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Personally, if a guy introduced himself to me that way the door would be slammed on the chance of us even be acquaintances, let alone romantically involved, right then and there. It’s supposed to be twisted together with Zack’s defining characteristic: he does not tell lies. And while this plays an important role later in the story, I think there is an obvious miss between “not telling lies” and “not spewing out every ridiculous-bordering-on-creepy thought that comes into your head to a complete stranger.”

Slow start and creepy Zack aside, once pieces of the mystery started fitting together, I couldn’t put this book down. If you like dark, fantasy stories and can be patient with unreliable narrators and a slow start, definitely check this one out!

Rating 8: Slow build to an awesome resolution.

Reader’s Advisory:

“Conjured” is included on these Goodreads lists: “Fairy Tales for Grown Children” and “YA & Middle Grade Circus/Carnivals/Amusement Parks.”

Find “Conjured” at your library using WorldCat.

 

Serena’s Review: “Glamour in Glass”

12160890Book: “Glamour in Glass” by Mary Robinette Kowal

Publishing Info: Tor, April 2012

Where Did I Get this Book: the library!

Book Description: In the tumultuous months after Napoleon abdicates his throne, Jane and Vincent go to Belgium for their honeymoon. While there, the deposed emperor escapes his exile in Elba, throwing the continent into turmoil. With no easy way back to England, Jane and Vincent’s concerns turn from enjoying their honeymoon…to escaping it. Left with no outward salvation, Jane must persevere over her trying personal circumstances and use her glamour to rescue her husband from prison…and hopefully prevent her newly built marriage from getting stranded on the shoals of another country’s war.

Review: The second in the “Glamourist Histories” sereis, “Glamour in Glass” resolved many of the issues I had with the first book and introduced an expanded world and magic system.

While the appeal of the first book lay largely in its comparisons to a Jane Austen novel with magic, this aspect was also its biggest downfall. Let’s face it: more often than not, being compared to a Jane Austen novel is a kiss of death for many historical books since it will only raise expectations to impossible heights. While “Shades of Milk and Honey” wasn’t sunk by the comparison, it didn’t do the story any favors either. The plot devices or characters who struck to closely to aspects of “Emma,” “Sense and Sensibility,” or “Pride and Prejudice” were at best distractions and at worst lacking the heart and wit that lies at the core of these originals. However, this book, taking place after the marriage of Jane and Vincent, is freed from these comparisons as it ventures into unknown territory to Jane Austen stories: Life after the wedding.

I enjoyed reading about Jane and Vincent’s struggles learning to adjust to married life. While very much in love, the reality is that they still have much to learn about each other, both in regards to their own personal relationship, and with how they balance their “professional” lives as gifted glamourists, each in their own way.

The expanded descriptions and explanations for this magic system were particularly interesting. It is a very unique take on magical and I enjoyed discovering more about how it work and the varying ways it can be adapted for different uses. I remember noting in my last review that this type of magic seemed as if it would have more important applications than simply as an art form, and this book explores this concept, much to my delight. Particularly, the book dives into the ways that glamour magic is used as strategy in military maneuvering.

As the description highlights, there is much more action in this story, particularly for Jane. I enjoyed watching her make proactive choices, rather than simply react to the circumstances presented to her.

My only complaint was the decreased role that some of the original characters played in this story. While the setting places some obvious constraints on the involvement of these characters (obviously Melody would not be on their honeymoon with them!), I still missed them.

All in all, this book improved on both of my complaints of the original: freeing itself from comparisons and expanding the use of its magic system. If you were only half-sold on the first book, definitely check this one out as I see it as a great improvement in the series.

Rating 8: A step in the right direction for the series as a whole!

Reader’s Advisory:

“Glamour in Glass” is included on these Goodreads lists: :Regency Fantasy” and “Historical Paranormal Romance.”

Find “Glamour in Glass” at your library using WorldCat.

Previously Reviewed:“Shades of Milk and Honey”

Serena’s Review: “The Bloodbound”

20949421Book: “The Bloodbound” by Erin Lindsey

Publishing Info: Ace, September 2014

Where Did I Get this Book: audiobook from the library!

Book Description: A cunning and impetuous scout, Alix only wishes to serve quietly on the edges of the action. But when the king is betrayed by his own brother and left to die at the hands of attacking Oridian forces, she winds up single-handedly saving her sovereign.

Suddenly, she is head of the king’s personal guard, an honor made all the more dubious by the king’s exile from his own court. Surrounded by enemies, Alix must help him reclaim his crown, all the while attempting to repel the relentless tide of invaders led by the Priest, most feared of Oridia’s lords.

But while Alix’s king commands her duty, both he and a fellow scout lay claim to her heart. And when the time comes, she may need to choose between the two men who need her most…

Review: Another book that landed on my to-read pile quite a while ago that now I have no memory of selecting. But, luckily for me, my past self must have been on top of things, because this lesser known fantasy novel hit just the spot!

I’m going to whip through the basic review portions to devote the rest of this post to two things that I feel make this book noteworthy in the long list of fantasy fiction being published currently.

General worldbuilding: pretty typical European-centric, medieval fantasy world. The bloodbinding magic used to create super weapons is interesting, but isn’t breaking any hugely new ground. I was fairly well into the book when I started questioning whether this even was a fantasy novel given how little these magical elements were mentioned. Later, however, it did play a bigger role, but if you’re interested in complex magical systems, this is not that book.

Characters: Alix is great. She’s a competent, funny, independent character whose abilities and intelligence are never questioned. She makes mistakes and is flawed, but her character arc takes her through these struggles smoothly, never undermining the stronger aspects of her character. The dialogue, both her own and those around her, was witty and I caught myself laughing out loud several times.

So, all of that aside there were two things that I found notable about this story. First, I was dismayed to find a love triangle smack dab in the middle of my adult fantasy novel.

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As we all know, I do not appreciate most love triangles. I find them unrealistic, and they often seem to bring out the worst in all characters involved (selfish heroines, ridiculous-verging-on-abusive love interests). Now, I won’t say that I loved the inclusion of a love triangle even here. I’ve just never really been too entertained by the drama of multiple love interests. Seems like it would be stressful and, for me, it is the exact opposite of wish fulfillment. That said, this one righted many of the wrongs I’m used to seeing with love triangles. Perhaps the simple fact that the author is writing about adults and for adults makes the difference here. There are real consequences to the choices that are made. Hearts are broken. Confusion is unpleasant, not thrilling. And the relationships between all characters involved are real and priorities are rightly placed beyond the romance of it all. I still struggled with some of Alix’s internal musings about the situation, as it still seems unrealistic to me to be equally drawn to two different people. However, the author provided a decent explanation for this, if one that I still somewhat questioned in reality. Further, the reaction of the two men involved was a highlight. No silly posturing. No abusive possessiveness. Actual hurt and confusion. They are people who have real feelings involved. Further, they have lives, relationships, friendships, duties, and families outside of Alix that they rightly keep in perspective throughout all of this. I was particularly pleased with the way this love triangle resolved itself. So, all of that said, while I still don’t find love triangles particularly entertaining, this book proves that they can be told from a more realistic and appealing angle.

My second notable aspect of the story was its treatment of women. I am continually frustrated by stories that justify the maltreatment of its women characters (or, frankly, the glorification of very objectionable material) and the creation of generally very traditionally sexist societies by hand-waving it all under the claim that this is somehow “more realistic.” You’re writing a damn fantasy novel with magic, unicorns, and zombies for heaven’s sake. You’ve left “realistic” far behind, so why is this one aspect somehow imperative to the “reality” of your story? This book highlights how to create a fairly typical medieval fantasy world while leaving that all behind. It’s not preaching “woman power.” It’s not bashing anyone over the head with A MESSAGE. It’s just telling a story in a world where women simply are there in the army, are there in politics, are there representing the head of their family. No big deal. Sure, it’s mentioned that as women are not as physically strong, they’re often found as archers in the military. But this is by no means a rule, with the doors to others roles left wide open. And no one blinks an eye at any of this. This book is a perfect example and response to the aforementioned narrative that it is somehow impossible to balance this type of typical fantasy world with a more inclusive approach to women’s roles.

All said, I very much enjoyed this book. It’s not breaking any walls as far as plot, following a pretty simple plot structure. But the strong characters, entertaining dialogue, and well-represented world recommend it to anyone who enjoys traditional fantasy fare with a dash of romance.

Rating 7: A fun fantasy story, notable for a not-gag-worthy love triangle and a strong representation of a more inclusive fantasy world.

Reader’s Advisory:

“The Bloodbound” is included on these Goodreads lists: “Female Bodyguards” and “High Fantasy” with Female Leads / protoganists.”

Find “The Bloodbound” at your library using WorldCat!

 

Serena’s Review: “The King of Attolia”

40159Book: “The King of Attolia” by Megan Whalen Turner

Publishing Info: Greenwillow Books, January 2006

Where Did I Get this Book: the library!

Book Description: By scheming and theft, the Thief of Eddis has become King of Attolia. Eugenides wanted the queen, not the crown, but he finds himself trapped in a web of his own making.

Then he drags a naive young guard into the center of the political maelstrom. Poor Costis knows he is the victim of the king’s caprice, but his contempt for Eugenides slowly turns to grudging respect. Though struggling against his fate, the newly crowned king is much more than he appears. Soon the corrupt Attolian court will learn that its subtle and dangerous intrigue is no match for Eugenides.

Review: We’re back for some more of Eugendides’ hi-jinks and even more fantasy political drama. After the shake-up with narrative style that came with the previous book (going from a first person narrative from Gen’s perspective in the first book, to a third person POV with multiple characters in the second), I wasn’t sure what to expect with this one. How can an author keep her main character so tricky when readers are on to the cons after two books? Well, without spoiling it, Whalen Turner is definitely up to the task!

Our story starts with poor Gen exactly where he never wanted to be: ruling a country. Further, he’s now the King in a land ruled by a clear-headed, hard-handed Queen who rules over a land that was often at odds with his own native Eddis. I very much enjoyed the exploration of this relationship. This is by no means the happy, fluffy, “ever after” story that one is used to seeing after a royal wedding. Gen and Attolia have a complicated relationship, both in regards to their own rather, ahem, strife-ridden history, but also due to the aforementioned political power posturing that comes with a foreigner gaining a position of authority in a new land. Attolia is not the easiest woman to understand, as is made clear in the last book. And Gen plays his own thoughts and feelings close, for all that he seems so lackadaisical about everything. The exploration of this relationship was excellent.

Further, while the third person POV style was kept for this book, we are introduced to a new character, Costis, a guard in Attolia’s court. Costis is our eyes and ears representing both the feelings of many in the land of Attolia after Gen’s ascension to the throne, but also the necessary fop to be conned by Gen’s playacting. And while it is, of course, immensely enjoyable watching Costis’s eyes be opened to the true genius that is Gen, I continue to be impressed by how effectively Whalen Turner can still con the reader, as well. From the last two books, it is clear that Gen is the type of character who would chafe under the restrictions of royal life. This being the case, even I had a hard time knowing what was or was not an act on his part.

Other than Gen’s struggles at court, the larger plot of this story deals with the continued political turmoil going on in this region between the three main power houses: Attolia, Eddis, and the often-aggressive, Sunnis. Between this and the corruption in Attolia’s own court, the book’s plot is mainly political strategy and lighter on the action than both previous books (though after the action-packed “The Thief,” the previous book’s action was also much lighter). With this, the third in the series, it increasingly feels as if the first book stood alone in many ways, both in style, tone, and the type of story it was telling. These last two books seem represent the true direction that Whalen Turner is wanting to take this series. While I very much enjoyed “The Thief,” I’m loving these last two. If you’re looking for a series that doesn’t fall into any of the tropes or familiar storylines that are often present in fantasy series, definitely check out this series!

Rating 9: Excellent. I continue to be impressed with the author’s ability to retain Gen’s “trickiness!”

Reader’s Advisory:

“The King of Attolia” is on these Goodreads lists: “Political themed YA fiction” and “Jesters, Fools, and tricksters.”

Find “The King of Attolia” at your library using WorldCat!

Previously Reviewed: “The Thief” and “The Queen of Attolia”