Kate’s Review: “As Good As Dead”

Book: “As Good As Dead” (A Good Girl’s Guide to Murder #3) by Holly Jackson

Publishing Info: Delacorte Press, September 2021

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: The highly anticipated, edge-of-your-seat conclusion to the addictive A Good Girl’s Guide to Murder series that reads like your favorite true crime podcast or show. By the end, you’ll never think the same of good girls again.

Pip’s good girl days are long behind her. After solving two murder cases and garnering internet fame from her crime podcast, she’s seen a lot.

But she’s still blindsided when it starts to feel like someone is watching her. It’s small things at first. A USB stick with footage recording her and the same anonymous source always asking her: who will look for you when you’re the one who disappears? It could be a harmless fan, but her gut is telling her danger is lurking.

When Pip starts to find connections between her possible stalker and a local serial killer, Pip knows that there is only one choice: find the person threatening her town including herself–or be as good as dead. Because maybe someone has been watching her all along

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Whenever I get to a final book of a series I have genuinely enjoyed, I am torn between wanting to devour it to see how it all plays out, and savoring it to stave off the end as long as possible. When I saw that “As Good As Dead”, the last book in Holly Jackson’s “A Good Girl’s Guide To Murder” series was coming out, I was thrilled and saddened. I think part of me had hoped that perhaps Jackson would make Pippa Fitz-Amobi, true crime obsessive and amateur detective, a series a la Temperence Brennan or Amelia Peabody. But if this is truly the end for Pip, I have to say that, while I was sad to say goodbye, this goodbye was so satisfying that I have few regrets.

Me saying goodbye to this series (though all three books are on my shelf to revisit whenever). (source)

When we left Pip at the end of “Good Girl, Bad Blood”, she had just survived a house fire and witnessed the brutal murder of sometimes ally, sometimes thorn in her side Stanley, who had been revealed as the son of a notorious murderer and who was killed out of revenge though he himself was a child at the time of the murders. Pip has been downward spiraling ever since, as while she’s counting the days down until she leaves for college, she’s also been taking Xanax on the sly to help her sleep, having PTSD episodes in secret, and fighting back unbridled rage issues. Especially since serial rapist Max Hastings, whose actions had far reaching consequences for Pip and those she cares about, has gone free. I had a very clear idea of what I thought was going to happen with this book. Pip is very unwell, understandably so, and I figured that we were going to get an exploration of a detective on the edge, who is after one last case to try and absolve herself of her roles in past cases and tragedies that came from them. As well as trying to solve the newest case of who is stalking her before it is too late.

In terms of these things, Jackson soars. I completely believed Pip’s mental state, and I loved that Jackson decided to go in this direction. I also found the slowly escalating stalker events in her life to be very creepy and unsettling, and through a combination of narrative as well as pictures, graphs, and epistolary segments (much like the previous books), we have a new case of a long supposedly solved serial killer that Pip now has to attend to, lest she be the next victim. Did this seem a little out there? Sure. But I was totally willing to buy in. Mostly because Jackson really knows how to plot a thriller that has wonderful characters and good connections to previous books/cases in the series.

It was about halfway through this book that I realized that Jackson had something else in store for the reader, and when I realized where it was all going, I was both blown away and a little bit horrified. I’m not going to spoil anything here, as it’s definitely worth keeping close to the vest. But “As Good As Dead” does away with preconceived notions of where this final book could go, even more so than just making Pip a complete emotional wreck. At first I was skeptical and a little bit incredulous, but as the plot goes on, it becomes very clear that Jackson has plans for Pip, and they are probably a foregone conclusion for her storyline given how things have been building since the first book. It’s so well done, and so suspenseful, and it made this final book a serious firecracker of a thriller. And I found myself going back to the previous two books to look for clues to see just how far back Jackson was planning this whole thing. It’s very well done. As mentioned above, while the main issue that Pip is facing (being the target of a potential dormant serial killer) did feel a little bit much, Jackson tells that story and the whole new other story so well that I was just enjoying the hell out of the ride. As well as getting my emotions totally run through the wringer. Sweet, sweet agony.

“As Good As Dead” is a satisfying end to a very enjoyable series! I look forward to seeing what Jackson writes next, and I wouldn’t mind revisiting Pip and all her loved ones down the road.

Rating 9: A supremely satisfying (and at times very very bleak) conclusion to a YA series I love, “As Good As Dead” takes Pip on her darkest case yet.

Reader’s Advisory:

“As Good As Dead” is included on the Goodreads lists “Young Adult THRILLERS”, and “Can’t Wait Crime, Mystery, and Thrillers 2021”.

Find “As Good As Dead” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Previously reviewed:

Kate’s Review: “Slewfoot: A Tale of Bewitchery”

Book: “Slewfoot: A Tale of Bewitchery” by Brom

Publishing Info: Tor Nightfire, September 2021

Where Did I Get This Book: I received an eARC from NetGalley, and a preview from Tor Nightfire via a giveaway.

Book Description: A spirited young Englishwoman, Abitha, arrives at a Puritan colony betrothed to a stranger – only to become quickly widowed when her husband dies under mysterious circumstances. All alone in this pious and patriarchal society, Abitha fights for what little freedom she can grasp onto, while trying to stay true to herself and her past.

Enter Slewfoot, a powerful spirit of antiquity newly woken… and trying to find his own role in the world. Healer or destroyer? Protector or predator? But as the shadows walk and villagers start dying, a new rumor is whispered: Witch.

Both Abitha and Slewfoot must swiftly decide who they are, and what they must do to survive in a world intent on hanging any who meddle in the dark arts.

Review: Thank you to NetGalley for providing me with an eARC of this novel, as well as Tor Nightfire for sending me a preview with illustrations.

I’ve crowed on here about how much I love the historical horror film “The Witch” probably dozens of times. If you are sick of it, sorry! But I really love the story of a Puritan family being tormented by a coven that lives in the woods by their farm…. Or is it their own hubris and mistreatment of their teenage daughter Thomasin that is the true horror of that movie? Who can say? Best movie ending EVER. When I was reading up on “Slewfoot: A Tale of Bewitchery” by Brom, I was getting serious “The Witch” vibes, which made me super eager to get my grubby little paws on it, and I sat down one night thinking I’d start it, and enjoy the first few chapters. But then the ol’ Soup Brain happened, because I basically read this book in one sitting.

Jumping for joy at this book, truly. (source)

I never knew that I needed a “Beauty and the Beast” meets “The Witch” story, and yet here we are and “Slewfoot” gave me LIFE. Brom has created two compelling main characters who are isolated, angry, scared, and in need of companionship, and makes you care about both of them so, so much. Our first is Abitha, an Englishwoman who was sent to The Colonies to become a bride for a farmer (at a price, of course, as her father had no need for her but need for drinking cash). Abitha’s husband Edward is caring and a little awkward, and while they aren’t really romantic there is an intimacy there that is lovely, as well as short lived. When Edward dies tragically, Abitha takes over the farm, lest his nasty brother Wallace take it over and take her in as an indentured servant. And then we have a nameless forest spirit who awakens after a slumber, hungry and egged on by other spirits to kill and feed, in hopes that a mysterious Pawpaw tree will rebloom and recapture the magic of the forest. When Abitha and this being meet, thus begins a slow burn friendship, quasi-romance that both their worlds don’t approve of.

For me Abitha’s story was the more compelling one, as she is a headstrong woman in a Puritan community, and tales of this kind of strife are always my jam (especially if there is hope for the woman taking her freedom… and maybe a little revenge). Abitha is very easy to root for, and watching her slowly start to trust ‘Slewfoot’ (as her community calls The Devil, and she isn’t so sure this being she befriends ISN’T a devil of some kind) and come into her own ‘cunning’ powers through his assistance and friendship is so, so gratifying. You want her to remain powerful, you want her to get the best of Wallace as he plots against her and turns the town against her, and you want her and Slewfoot to just be together, be it romantic or platonic or a third kind of love that transcends both.

I also liked seeing Slewfoot slowly learn that he can be more than just a slayer and avenger for nature, which is what the wildfolk Forest, Creek, and Air have told him he is. Slewfoot has no memory of what he was before he went into this stasis, and while he starts out hungry and violent and frankly a bit terrifying, he starts to yearn to be more than this, and to connect with Abitha as they tentatively begin to interact with each other. I did find some of the folklore stuff to be interesting, though it KIND OF also felt a bit appropriative as Brom does take stories from Indigenous cultures of the region and applies them to this tale in some ways. It sounds like he did a lot of research and also spoke to members of the Pequot community to be as accurate and respectful as possible, which is definitely good, but there were some elements of the story that felt glossed over in regards to themes involving Indigenous people and their role in the narrative.

And the horror elements of this story are pretty on point, though they are few and far between until they are REALLY front and center. I would almost consider this more of a dark fairy tale or fantasy than a horror story, but that said I’m going to keep it as horror because there are definitely moments of body horror and just the horror of terrible humans that set me on edge. Slewfoot has his moments (especially when he’s still in the cave at the beginning of the book), but it’s really more the horrors of a fanatical community that will commit terrible acts in the name of God that really made me uncomfortable. As this kind of story always does. Abitha is so beaten down and abused by most of the town (with a few exceptions), that by the time she has to make a choice about mercy or revenge, you almost assuredly will be rooting for revenge. But that is also interesting, because as the story goes on and Slewfoot’s true identity is slowly parsed out, it becomes clear that sometimes the things we see as evil are actually neutral in the big scheme of things, and the things we consider righteous and good are deeply insidious. It’s a direction that I am all for, and I was wholly satisfied with how everything in this book gets wrapped up.

And finally, I have to mention the illustrations. The eARC that I received from NetGalley didn’t have any illustrations, but I was lucky enough to win a giveaway of a preview of the book from Tor Nightfire, which had a written sample of the story and a sampling of some of the artwork that Brom has included in the book. It’s haunting and feels very traditional in its design, and I know that when I do eventually get the book in print (as I need this to be a part of my home library) I will be excited to see what other images there are beyond the handful in the preview.

“Slewfoot: A Tale of Bewitchery” is one of the most enjoyable reads I’ve had this year to be sure. If you like “The Witch”, this book will probably be a good fit for you. It’s just so damn good.

Rating 10: Magical, dark, angry, and wondrous, “Slewfoot” is a fantastic tale of witchcraft and finding out where you belong.

Reader’s Advisory:

“Slewfoot: A Tale of Bewitchery” is included on the Goodreads list “2021 Horror Releases”, and would fit in on “Witch Hunts”.

Find “Slewfoot: A Tale of Bewitchery” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Locke & Key (Vol. 1): Welcome to Lovecraft”

Book: “Locke & Key (Vol. 1): Welcome to Lovecraft” by Joe Hill and Gabriel Rodríguez (Ill.).

Publishing Info: IDW Publishing, 2008

Where Did I Get This Book: I own it.

Book Description: Locke & Key tells of Keyhouse, an unlikely New England mansion, with fantastic doors that transform all who dare to walk through them. Home to a hate-filled and relentless creature that will not rest until it forces open the most terrible door of them all…

Review: Back when I was still in graduate school, I decided to look into Joe Hill’s comic series “Locke and Key”. I didn’t know that much about it outside of the fact that I loved Joe Hill, and I checked out Volume 1, “Welcome to Lovecraft” from the library with very little to go off of. I eventually tore through the whole series, with my husband giving me the complete set as my graduation present in 2015. Since I’ve had a good time re-reading graphic series that I’ve loved, I thought that I would make my next re-read “Locke and Key”. I remembered how much I enjoyed the series overall. But I had forgotten how bleak the first volume is. Like, holy shit this is relentless in its bleakness bleak.

Had it been a weekend evening as opposed to a midday during the week that I finished this volume, I would have been Roy Kent upon finishing. (source)

“Welcome to Lovecraft” introduces us to the Locke family, which has just experienced an unspeakable tragedy. The family patriarch Rendell was a principal of a high school, and two of his students broke into his home, raped his wife, murdered him, and attempted to hunt down his three children Tyler, Kinsey, and Bode. Now the surviving family members are moving back to Rendell’s childhood home out east, a humungous and strange mansion called Keyhouse where Rendell’s brother Duncan lives. What appears to be a couple of psychopathic teenagers run amok is, anything but, however, as the surviving assailant, Sam, is communicating with something otherworldly that is living in the well of Keyhouse from his prison cell across the country. This first volume does a lot of heavy lifting, from giving voice and perspective to all of the Locke kids (and how they are all faring after this tragedy), to slowly unfolding the demonic presence in the well, to staring to sprinkle in the magical systems and objects that Keyhouse has hidden within its walls. It is a LOT, but Hill manages to fit it all in without it feeling overwrought or hurried. Granted, the magical systems are barely touched upon as of yet, but I am a-okay with building up the family members and their dynamics first. Hill isn’t in a rush, and I think that the characterizations benefit.

The magical elements we do have remain shrouded in mystery. We know that there are keys, and we know that they can do different things, like make you be able to leave your body and travel in a ghostly manner, or change from male to female. But where they come from, and what the deal is with the demon in the well, who is communicating with both murderer Sam and youngest Locke, Bode. They keys are important, and we get a taste as to why. I loved how we slowly see how the demon in the well (unnamed as of yet) inserts itself into both Sam’s consciousness, and the role that it plays in Sam’s violence AND how it manipulates Bode because of his age and naivete. Again, we don’t know much about this demon yet. The creepiness is well established through other means.

But I had really forgotten how freakin’ dark this first volume is. From the attack on the Locke Family at the beginning to Sam’s cross country murder spree after he is set free by the well demon, I found this volume harder to read now than it was the first time I dove in. I will say that some of the worse stuff is left off page in terms of graphic content (specifically Nina Locke’s rape, and it is a relief that we didn’t have to see it), but Hill absolutely pulls out the horrors in the aftermath of it all. I don’t remember the rest of this series being this upsetting, but who knows, maybe I blocked it out? My point is that there are lots of content warnings here. None of this seems exploitative to me in how Hill writes it, but it’s still disturbing.

And finally, I had forgotten about how much I really like the art of Gabriel Rodríguez. It definitely has a ‘cartoon-y’ vibe, but he really knows how to capture pain, sadness, joy, and all things macabre in his designs.

Even though diving back into “Locke and Key” was a bit rough with “Welcome to Lovecraft”, I have a feeling that this is once again going to be a successful re-read. This is old school Joe Hill, and it was clear even then that he was a horror and dark fantasy force to be reckoned with.

Rating 9: A fantastical and incredibly grim start to a dark fantasy series I love, “Locke and Key (Vol.1): Welcome to Lovecraft” will suck you in from the get go.

Reader’s Advisory:

“Locke & Key (Vol.1): Welcome to Lovecraft” is included on the Goodreads lists “Best Horror Comics/Graphic Novels”, and “Comics + Graphic Novels To Read for Halloween”.

Find “Locke & Key (Vol.1): Welcome to Lovecraft” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “White Smoke”

Book: “White Smoke” by Tiffany D. Jackson

Publishing Info: Katherine Tegen Books, September 2021

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: The Haunting of Hill House meets Get Out in this chilling YA psychological thriller and modern take on the classic haunted house story from New York Times bestselling author Tiffany D. Jackson!

Marigold is running from ghosts. The phantoms of her old life keep haunting her, but a move with her newly blended family from their small California beach town to the embattled Midwestern city of Cedarville might be the fresh start she needs. Her mom has accepted a new job with the Sterling Foundation that comes with a free house, one that Mari now has to share with her bratty ten-year-old stepsister, Piper.

The renovated picture-perfect home on Maple Street, sitting between dilapidated houses, surrounded by wary neighbors has its . . . secrets. That’s only half the problem: household items vanish, doors open on their own, lights turn off, shadows walk past rooms, voices can be heard in the walls, and there’s a foul smell seeping through the vents only Mari seems to notice. Worse: Piper keeps talking about a friend who wants Mari gone. But “running from ghosts” is just a metaphor, right?

As the house closes in, Mari learns that the danger isn’t limited to Maple Street. Cedarville has its secrets, too. And secrets always find their way through the cracks.

Review: Thanks to NetGalley for providing me with an eARC of this novel!

Tiffany D. Jackson is one of my must read authors, whose books I clamor to get my hands on as soon as they come out. It comes as no shocker that when I heard she was writing a horror novel I was even more eager, insofar as I not only requested it from NetGalley, but I also pre-ordered it so that I could just have a copy for my own physical collection. That book is “White Smoke”, a YA horror novel that is described as “The Haunting of Hill House” meets “Get Out”, two big horror flexes if there ever were some. I dove in with high hopes, and Jackson didn’t disappoint.

I’m not going to to into spoilers here, as “White Smoke” is a book that greatly benefits from letting all of its twists and turns jump forth when they are ready to do so. But what I will say is that it is a haunted house story that has a bit of a twist. Mari and her (newly blended) family move into a new house, strange things start happening, and she has to figure out if these things are real, or if they are manifestations of her high anxiety and/or her history with drug use. These themes are, of course, the perfect recipe for a Gothic horror story, and if it was just this it would have been golden. But Jackson takes it a few steps further and not only has a potentially ghostly horror, but also the horrors of systemic racism that takes down communities and holds Black people down under the boot of white supremacy. Mari and her family are part of a neighborhood revitalization project, as they have moved into a long abandoned house in hopes of bringing people back to the neighborhood, but all is not what it seems in the community of Cedarville, which has a dark history of racial disparities and injustice, from prison pipelines to property discrimination. I loved how Jackson wove in these themes along with the strange and terrifying things that are happening in Mari’s house. She also addresses the issues of race and racism in Mari’s own family, as Mari’s mother, Raquel, has married a white man named Alec who has moments of not considering the experiences and grievances of his wife and stepchildren, as he as a white man has never had to deal with it. Jackson makes sure to give all the members of this family moments of being less than optimal, but also gives them all moments of grace to show that they are all adjusting to a new family situation, as well as a new home (WHICH MAY BE HAUNTED!). Mari is also a character whose experiences as a Black teenage girl have shaped some of her as a person, from being criminalized more easily due to her race to being expected to be strong when she has plenty of perfectly reasonable fragilities, like mental health issues and past trauma. All of these real world horror themes work very, very well.

And now the haunted house aspect. Mari’s new house is notorious in Cedarville, specifically in her Maplewood neighborhood, for supposedly being haunted by The Hag. The moment I saw reference to “The Hag”, I could have exploded in excitement, as this is one of my favorite ghost stories/pieces of folklore of all time. The Hag is a spirit that supposedly sucks your essence out of you as you sleep, and will ride you until you have nothing left. The Hag will then take your skin and appearance and wreak havoc. I first heard of this when I was visiting Savannah, Georgia the first time, and it scared the shit out of me. So Jackson using The Hag folklore in this story as the thing that is maybe haunting Mari’s house is SO perfect, as not only is it a bit unique, it is also said that The Hag targets young women who are especially susceptible to mental and emotional problems. And Jackson captures every aspect of the tale and makes it INCREDIBLY scary in this book, from strange shadows and noises to vocal mimicry and manifestations. There were moments where I was on the edge of my seat with suspense, and happy that I still had the lights on as I was reading on my eReader. Not that I was completely spared from jumping out of my skin.

At one point my cat jumped on the bed and I could have fainted. (source)

“White Smoke” is a great horror novel from Tiffany D. Jackson. You don’t want to miss this one with the upcoming Halloween season being right around the corner.

Rating 9: Tiffany D. Jackson effortlessly crosses into the horror genre, and presents a haunted house story that also takes on systemic injustices in American society.

Reader’s Advisory:

“White Smoke” is included on the Goodreads lists “Black Heroines 2021”, and “ATY 2022: Gothic Elements”.

Find “White Smoke” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Nice Girls”

Book: “Nice Girls” by Catherine Dang

Publishing Info: William Morrow, September 2021

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: A pulse-pounding and deviously dark debut, written with the psychological acuity and emotional punch of Luckiest Girl Alive and All the Missing Girls, that explores the hungry, angry, dark side of girlhood and dares to ask what is most dangerous to a woman: showing the world what it wants to see, or who she really is?

What did you do?

Growing up in Liberty Lake, Minnesota, Mary was chubby, awkward, and smart. Earning a scholarship to an Ivy League school was her ticket out; she was going to do great things and never look back. Three years later, “Ivy League Mary” is back—a thinner, cynical, and restless failure. Kicked out of Cornell at the beginning of senior year, she won’t tell anyone why. Working at the local grocery store, she sees familiar faces from high school and tries to make sense of the past and her life.

When beautiful, magnetic Olivia Willand, a rising social media star, goes missing, Mary—like the rest of Liberty Lake—becomes obsessed. Best friends in childhood, Mary and Olivia haven’t spoken in years. Everyone admired Olivia, but Mary knows better than anyone that behind the Instagram persona hid a willful, manipulative girl with sharp edges. As the world worries for perfect, lovely Olivia, Mary can’t help but hate her. She also believes that her disappearance is tied to another missing person—a nineteen-year-old girl named DeMaria Jackson whose disappearance has gone under the radar.  

Who was the true Olivia Willand, and where did she go? What happened to DeMaria? As Mary delves deeper into the lives of the two missing girls, old wounds bleed fresh and painful secrets threaten to destroy everything. Maybe no one is really a nice girl, after all.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Though I know that my home state does have a fair amount of problems in some ways, ultimately I love being a Minnesota girl. I am always tickled when I’m reading a book that takes place here, and if that book falls into my preferred genres then it will almost assuredly get some priority on my reading list. Enter “Nice Girls” by Catherine Dang, a suburban (maybe exurban?) thriller written by a local woman. I can honestly say that I was drawn in because of 1) setting, 2) general plot, and 3) the title lettering on the cover of the book. I’m not usually one who takes cover into account (I know Serena loves a good cover!), but the hot pink glowy neon of the book title made me go ‘now THIS is a design!’ Okay, I’m done gushing about the cover. Let’s get into the nitty gritty of “Nice Girls”, a thriller that oozes potential but never quite reaches it.

But I’m going to start with what did work for me, as is tradition. Dang captures the place and setting of Liberty Lake, Minnesota (a made up city/exurb), a community that’s a bit out state and small town-esque with a commanding lake and an insulated population. As I read it I was thinking about the lake town I found myself driving out to to get my COVID shots back when that shit was in demand (p.s., PLEASE get vaccinated if you can, folks). Liberty Lake feels fleshed out in terms of the community itself and how the people view each other, with the expected underbelly of not spoken of racism, misogyny, and stifling community repression. Our main character, Mary, wanted to get out of Liberty Lake, and exceeded the town’s expectations when she was accepted to Cornell. But the usual theme of pride mingling with resentment is there, as when she returns to town after being expelled there is a certain sense of ‘though you were better than us, but look at you now’ that she has to face. Though a fair amount of that may also be her own resentments about being unable to escape a community that she never quite fit into. Along with that, Dang compares and contrasts our two missing women through the lens of the missing white woman syndrome, a theme that is always important to note when it comes to whose stories get picked up and paid attention to when they are potential victims of violent crimes. The victim we hear of first is Olivia, a town darling who is white, blonde, and a social media influencer whose lifelong popularity makes her disappearance front page news. Search parties are going out day after day, the headlines are dominated by her disappearance, and everyone is praying for her safe return. But before Olivia disappeared, DeMaria disappeared, with far less fanfare, even as her body parts are found in the lake. DeMaria is a lower income, Black, single mother, and no one seems to be interested in what happened to her. It’s a comment on systemic and ingrained racism that we’ve started to see more of in fictional stories, but I still welcome the topic because it’s still a huge problem.

But here is where things don’t work as well in “Nice Girls”. Mary as a character is something we have seen before in a thriller like this: she’s damaged, she returns home with a dark secret, and she starts to spiral more and more when she gets embroiled in the local secrets. This kind of thing can work if the main character is compelling in other ways, but Mary is fairly two dimensional who is defined by her dourness, and her deep seated insecurities make her a very unlikable person and hard to root for. She doesn’t really have any growth during this book, and she makes huge missteps that feel convenient to the plot while feeling a bit haphazard even for her slightly unhinged personality. And Mary isn’t the only unlikable character, as there are very few people in this book that I actually liked and wanted to know more about, and those who I did like were relegated to the sidelines for the most part. These kinds of things could be easier to overlook if the mystery itself was addictive, but overall it was pretty standard, with a reveal that felt shaky in the laid out groundwork that held it up. There were a few moments that were genuinely surprising, but the pay off was rushed.

I have no doubt in my mind that I will be picking up the next book by Catherine Dang, as her ability to write and create a setting filled with rich descriptions was definitely there. “Nice Girls” is probably worth the read for casual thriller fans, but if you’ve been steeped in the genre for awhile it may not have the pay off you want.

Rating 6: I saw a lot of potential here and there were some good themes, but the characters were two dimensional and the mystery itself was fairly average.

Reader’s Advisory:

“Nice Girls” is included on the Goodreads list “Mystery and Thriller 2021”.

Find “Nice Girls” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Never Saw Me Coming”

Book: “Never Saw Me Coming” by Vera Kurian

Publishing Info: Park Row, September 2021

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Meet Chloe Sevre. She’s a freshman honor student, a leggings-wearing hot girl next door, who also happens to be a psychopath. Her hobbies include yogalates, frat parties, and plotting to kill Will Bachman, a childhood friend who grievously wronged her.

Chloe is one of seven students at her DC-based college who are part of an unusual clinical study for psychopaths—students like herself who lack empathy and can’t comprehend emotions like fear or guilt. The study, led by a renowned psychologist, requires them to wear smart watches that track their moods and movements.

When one of the students in the study is found murdered in the psychology building, a dangerous game of cat and mouse begins, and Chloe goes from hunter to prey. As she races to identify the killer and put her own plan into action, she’ll be forced to decide if she can trust any of her fellow psychopaths—and everybody knows you should never trust a psychopath.

Never Saw Me Coming is a compulsive, voice-driven thriller by an exciting new voice in fiction, that will keep you pinned to the page and rooting for a would-be killer.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I’ve made it very well known that I enjoy thriller novels that will spotlight creepy or unsettling characters, and if they are doing bad things, well, hey, I’m still in. I also have mentioned before that I got my B.A. in Psychology with a focus on Abnormal Psych, with another focus on Psychopathy. If a person writes a book from a psychopath’s POV, and they do it well, AND they make it amusing from time to time, sign me right up please! And that brings us to “Never Saw Me Coming” by Vera Kurian. Not only do we have one psychopath character, we have multiple! And not only that, they have to band together to figure out who is trying to kill them! All of this sounded like a hoot, and I was eager to dive in.

The mystery of who is killing off these psychopaths one by one sets up for an interesting dilemma that our characters find themselves in. After all, psychopaths tend to have little loyalties outside of themselves, and therefore in this context that means that it could be any one of them, so they can’t trust each other, even though they HAVE to trust each other. I liked that concept to be sure, and seeing Chloe, Charles, and Andre try and calculate how they could get information from each other, manipulate each other, AND confide in each other without being worried about being stabbed in the back by each other. The mystery itself had some pretty well done twists and details (and a VERY creative death involving an MRI machine), though in the end I kind of saw the solution coming from aways away. That didn’t make the journey to the solution less fun, per se, but I think that had it blown me away it would have been better. But another big plus is that we get to see psychopaths (for the most part) as not necessarily pop culture serial killers, but as people who can be nonviolent and successful… as well as manipulative, fearless, and lacking empathy. We don’t really think of that side of psychopaths as much, which is far more common.

But it’s the characters that this story gets its best strengths, as Kurian has a fun cast, most of whom are deeply, deeply unsettling. We follow three for most of the narrative. The first is Charles, a wealthy and somewhat spoiled frat boy who is doing his best to keep up appearances and to appear normal, with a lovely girlfriend, a group of friends, and a solid academic record. The second in Andre (and we’re going to come back to him), who has a full scholarship to the school because of his participation in the study, but who isn’t ACTUALLY a psychopath. And the third and most prominent is Chloe, who gets third AND first person perspectives, because not only is she trying not to be killed by a mystery killer, she is ALSO planning a bloody revenge on a student named Will. Chloe knew Will when they were younger, and after he assaulted her she has been planning to take her revenge, and now being a target herself could screw all that up. Chloe is definitely the star of the show, and she has some creepy and enjoyable moments. But it’s Andre that I wanted to know the most about, as his story is one that connects to institutional racism. Andre is Black, and when he was a kid his older sister died unexpectedly and tragically. Andre, unable to process this trauma, began acting out, and a counselor just wrote him off as having Conduct Disorder because of his race, and Andre decided to roll with it as a joke… Until he was offered a full scholarship that would change his life. NOW he has to try and keep up appearances, AND he has to try and stay alive. I thought that this was the best storyline, personally, and I wish we had more of him. That said, all of the characters were entertaining, as was the book itself in a gallows humor kind of way.

“Never Saw Me Coming” joins the ranks of other unreliable or psychopathic narrators, but gives us a bit more of a look into how many psychopaths function when you strip away the idea of a serial killer (mystery killer and Chloe notwithstanding). Thriller fans with a wicked streak should definitely pick it up!

Rating 8: A dark, unsettling, and wickedly fun thriller that gets you rooting for a few psychopaths, “Never Saw Me Coming” has some creepy but intriguing characters that will suck you in.

Reader’s Advisory:

“Never Saw Me Coming” is included on the Goodreads lists “Dark Academia”, and “I Like Serial Killers”.

Find “Never Saw Me Coming” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “My Heart Is a Chainsaw”

Book: “My Heart Is a Chainsaw” by Stephen Graham Jones

Publishing Info: Gallery/Saga Press, August 2021

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: “Some girls just don’t know how to die…”

Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange.

Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.

Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I’m going to be repeating myself a bit here, given that back in July I reviewed “The Final Girl Support Group” by Grady Hendrix, and I waxed poetic about my deep deep love for slasher movies. I don’t know why it was that a super anxious teenager like me was so enthralled by horror, especially horror that involved slicing and dicing teenagers, but I’m sure it’s the ability to explore such anxieties in a safe way. So you can imagine how thrilled I was when I found out that Stephen Graham Jones, one of my favorite horror writers writing today, was writing a book that was an ode to the slasher genre. “My Heart Is a Chainsaw” is that ode, and I was excited to see what a well known slasher lover like he would do with it, especially since he’s also SO good at weaving in social issues and metaphors into his horror stories that make them all the more brilliant. And holy moly, did “My Heart Is a Chainsaw” NOT disappoint. I assure you, this book is FANTASTIC.

Would I steer you wrong? (source)

There are so many things I want to talk about in regards to this book, but let’s start with the obvious: the slasher stuff. Jones is, as I mentioned, a well known fan of the slasher genre (as seen on his social media but also in her previous ‘Final Girl’ novel “The Last Final Girl”, which I reviewed on this blog as well). In “My Heart Is a Chainsaw”, our main character, Jade, is a slasher movie fanatic of epic proportions. And since she is the one that we are mostly seeing the story through, we, too, get to bathe in all the slasher movie knowledge and lore as she is convinced that her small town of Proofrock, Idaho is falling victim to the start of a slasher massacre. Jade is working out theories based on all kinds of movies and franchises, and we are hard hit with references to so many movies that it was tricky (but super fun) to keep up. From the well known lore of the likes of “Friday the 13th” and “Halloween”, to lesser known treasures like “Trick or Treat” (not “Trick R Treat’, “Trick or Treat” a movie about a heavy metal musician whose ghost comes back to wreak havoc through a record, IT IS THE BEST) and the like, this book hits so many movies with love and affection. We even get history lessons and thematic breakdowns via essays that Jade has written to her favorite teacher, Mr. Holmes, which then tie into the plot line as it is progressing in real time. It’s meticulous and incredibly well done, and Jones balances all of it without it ever feeling overdone or hokey.

But the thing that really, really made this stand out for me and brings it to a whole other level is the layered and heartbreaking portrayal of Jade, and her circumstances. One of the big issues is that of the town itself, as Proofrock is seeing an influx of outsider cash and influence as a gentrified community called Terra Nova is starting to move in (and it is this group of people that seems to be dropping like flies). It’s not the first time a community has had this kind of development, while the new people move in and their influence of money and value start to make things harder for the less fortunate. There are also references to the Indigenous community there, of which Jade is a part, as her father is Native, and the way that they are perceived and in a number of ways left behind or forgotten about. This also plays into the overall horror arc, as, without giving too much away, the violence of Colonialism against the Indigenous groups who lived there is still being felt in this community, and there are repercussions that are starting to bubble up.

And this leads into the brightest part of this story, and that is the character of Jade herself. When we first meet her, Jade is very easy to fit in the box of weirdo teenage girl who loves horror movies, who humorously could find herself living a horror movie and her know how will surely make her plucky and easy to root for. And yes, that is true, but Jones slowly unfolds layer after layer of Jade, and what we get is an incredibly complex girl who has experienced numerous traumas and heartbreaks over the years. She has an abusive father, an absent mother, no friends, and cannot see any escape out of her life except through slasher films, which she clings to because they are a better alternative to the horrors that she has seen and experienced. So when she thinks that an actual horror movie is unfolding in her town, now is her time to shine. BUT THAT SAID, there is also this heartbreaking aspect that comes forth, as while Jade has all of the components of a slasher in her mind that are unfolding, and while she is definitely piecing things together, she has such a struggle with how she views herself that she cannot see the value or part that she could be playing when all is said and done. And that is why not only is “My Heart Is a Chainsaw” a super fun slasher homage, it’s also an incredibly emotional story about a girl who is dealing with a lot of terrible shit.

I loved “My Heart Is a Chainsaw”. If you have been sleeping on the genius that is Stephen Graham Jones, I implore you, STOP IT. Go get this book! ESPECIALLY if you love slasher movies! But even if you don’t! There is so much to love about this story! JUST READ IT!

Rating 10: Intense, heartfelt, and filled with slasher goodies, “My Heart Is a Chainsaw” is my favorite Stephen Graham Jones book yet.

Reader’s Advisory:

“My Heart Is a Chainsaw” is included on the Goodreads lists “2021 Horror Releases”, and “Horror To Look Forward to in 2021”.

Find “My Heart Is a Chainsaw” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “How We Fall Apart”

Book: “How We Fall Apart” by Katie Zhao

Publishing Info: Bloomsbury YA, August 2021

Where Did I Get This Book: I received and eARC from NetGalley.

Book Description: Students at an elite prep school are forced to confront their secrets when their ex-best friend turns up dead.

Nancy Luo is shocked when her former best friend, Jamie Ruan, top ranked junior at Sinclair Prep, goes missing, and then is found dead. Nancy is even more shocked when word starts to spread that she and her friends–Krystal, Akil, and Alexander–are the prime suspects, thanks to “The Proctor,” someone anonymously incriminating them via the school’s social media app.

They all used to be Jamie’s closest friends, and she knew each of their deepest, darkest secrets. Now, somehow The Proctor knows them, too. The four must uncover the true killer before The Proctor exposes more than they can bear and costs them more than they can afford, like Nancy’s full scholarship. Soon, Nancy suspects that her friends may be keeping secrets from her, too.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Awhile back, probably the early Spring, I saw a really interesting book cover and read an interesting description. And then, being a dope, I didn’t write down the title of the book, because surely, SURELY, I would remember it. Shockingly enough, I didn’t, and I kept trying to remember what it was called. I knew that it was a thriller, and that it had an all Asian American cast of characters. Eventually I did stumble back upon it, and that was when I finally added “How We Fall Apart” by Katie Zhao to my reading list. After the self-inflicted strife of trying to remember the title, I was eager to sink into it and read it, sure that my anticipation and need to remember would be worth it, but I’m sad to say that “How We Fall Apart” didn’t quite live up to the self made hype.

But as always, we’ll look to the positive first. “How We Fall Apart” has its greatest strength in the characters and how Zhao shows a wide range of circumstances between them. Nancy, Akil, Krystal, Alexander, and even possible murder victim Jamie all have similar cultural backgrounds, as they are all Asian American and many of whom have immigrant parents. But they also have varying circumstances, from the very wealthy and privileged to the lower income with many financial hurdles to overcome. In flashbacks Jamie lords her wealth and power over her best frenemy Nancy, always happy to point out that Nancy’s mother is the family maid, along with other moments of classist bullshit. And unlike a couple of her friends, Nancy has a LOT more to lose if things come out, as her scholarship could very well be on the line if she is revealed to be part of some past controversies and ‘incidents’. It’s nice seeing the complexities within a community, and this book shows them in a simple and easy to understand way. There are also moments where Zhao reminds us that no matter how privileged some of these students are, they still have to face racism from their white student counterparts, and it was moments of nuance like these that worked for me.

But in terms of a thriller, “How We Fall Apart” doesn’t really have much new to offer to the genre. It has a very similar premise to a few popular YA thriller series, from a group of kids who are suspected of a murder they didn’t commit to an anonymous tormenter who is slowly making their lives living hellscapes, the tropes are well worn and not really expanded upon. It just feels a lot like “Pretty Little Liars” (even with a student/teacher relationship subplot, though the good news is that here it is NOT glorified at all nor is it portrayed in any positive light) meets “One of Us Is Lying”, and I was hoping that we would get something a bit more than that. I didn’t really find myself invested in who “The Proctor” was, or how things were going to shake out for Nancy and company in terms of the future as well as in the past (there are many references to an ‘incident’ that Nancy is trying to hide). Ultimately, I felt like I’ve seen this before, and that made for not as enjoyable reading.

But that said, there are absolutely people out there (especially Young Adults) who aren’t as seasoned as I am when it comes to YA thrillers (is “PLL” even a thing anymore?). I have no doubt that “How We Fall Apart” would probably be effective for them. But for someone who has done more than just dipping their toes into the genre, it will probably leave you feeling like there could have been more.

Rating 5: Not offering much beyond what we’ve seen many times before (outside of some well done character insight), “How We Fall Apart” would probably be a good read for those new to the genre, but will probably disappoint old pros.

Reader’s Advisory:

“How We Fall Apart” is included on the Goodreads lists “Dark Academia”, and “Asian MG/YA 2021”.

Find “How We Fall Apart” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Bath Haus”

Book: “Bath Haus” by P.J. Vernon

Publishing Info: Doubleday Books, June 2021

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Oliver Park, a young recovering addict from Indiana, finally has everything he ever wanted: sobriety and a loving, wealthy partner in Nathan, a prominent DC trauma surgeon. Despite their difference in age and disparate backgrounds, they’ve made a perfect life together. With everything to lose, Oliver shouldn’t be visiting Haus, a gay bathhouse. But through the entrance he goes, and it’s a line crossed. Inside, he follows a man into a private room, and it’s the final line. Whatever happens next, Nathan can never know. But then, everything goes wrong, terribly wrong, and Oliver barely escapes with his life. He races home in full-blown terror as the hand-shaped bruise grows dark on his neck. The truth will destroy Nathan and everything they have together, so Oliver does the thing he used to do so well: he lies.

What follows is a classic runaway-train narrative, full of the exquisite escalations, edge-of-your-seat thrills, and oh-my-god twists. P. J. Vernon’s Bath Haus is a scintillating thriller with an emotional punch, perfect for readers curious for their next must-read novel.

Review: Thank you to NetGalley for sending me an eARC of this novel!

I love seeing the books that some of my favorite authors are reading. Usually I can gauge if I’m going to mesh well with a book if an author I really trust is raving about it. So when Caroline Kepnes made mention of “Bath Haus” by P.J. Vernon, I was definitely curious to pick it up. I went in with certain expectations, most of them falling into the lurid. But almost immediately I realized that “Bath Haus” was going to be not only high octane and like a runaway freight train, it was also going to be super, super dark and disturbing.

From the jump “Bath Haus” is off the rails, and while that may not work in some authors hands, Vernon has no problem starting at fifty and working his way ever upward. We have two perspectives in this book. The first is Oliver, the young former addict who has found himself in a lavish, and highly controlled, relationship with Nathan. Oliver’s POV starts with almost getting strangled while attempting a hook up at a bath house, who then finds himself having to lie to his lover, and then being stalked by his attacker. While another thriller may have kept it here on this familiar trajectory, we have a second POV, of Nathan, Oliver’s older partner. Nathan is controlling, hot tempered but able to mask it, and suspicious of anyone and anything that may get between him and Oliver. And it’s because of this that “Bath Haus” has a whole other layer of suspense. Because not only is Oliver finding himself in a web with Kristian, his mysterious and menacing attacker, you as the reader see that he is ALSO potentially in danger due to his relationship with Nathan, which is unhealthy at best and possibly deranged. Not that Oliver knows this. Because of all these angles, the suspense was at a constant and Vernon managed to amp it up without it feeling histrionic or melodramatic. The flip side of this, however, is that at times the complexity wasn’t there for the characters. This applies more to Nathan, as he has a number of tropes that are pretty par for the course when it comes to his characterization. It didn’t take away from the entertainment, but it wasn’t really doing anything new in that regard.

And what’s more, it kept me guessing! There are enough twists, well crafted red herrings, and revelations in this book that I was in the dark a majority of the time. Things that could have been tacked on in other instances felt necessary, and by the time we did hit surprise after surprise I realized that while I perhaps came close to guessing a twist or two, I was off enough that the reveals felt fresh and surprising. I also really enjoyed how Vernon told the story through not only two different perspectives, but also through a bit of time jumping. This was mostly for Oliver’s benefit, as it really let the reader get into his mind, his past, and his traumas that helped explain a lot about the decisions that he makes as the book goes on. Being able to get this insight really helped, especially when Oliver makes decisions that may come off as really, really stupid. At least you get information as to why he’s making the stupid choice. Especially when stupid choice after stupid choice builds up to so. many. moments where the tension is so taut it felt like it would snap. There were numerous moments where my jaw dropped open and I gasped, or had to close my Kindle and walk away for a bit just to gather my bearings.

All of this said, I really need to tell people that this book is FILLED with content warnings. I almost described this as an erotic thriller at first, just because of some of the themes and elements, but stopped myself because the content isn’t really meant to be titillating. From sexual assault to mental and physical abuse to really disturbing scenes of violence, “Bath Haus” is dark and graphic and it doesn’t pull punches. It never felt distasteful to me, but it pushes boundaries and it is incredibly unsettling.

“Bath Haus” isn’t going to be for the faint of heart, but I think that it’s going to be talked about by those who do read it. It has a way of settling into your consciousness and twisting it about. I was left thinking about it for a few days after finishing, and oof. Recommended, but for a very specific reader.

Rating 8: Suspenseful and unsettling, “Bath Haus” is a twisted thriller that will get under your skin.

Reader’s Advisory:

“Bath Haus” is included on the Goodreads list “2021 Releases Featuring Queer Men”.

Find “Bath Haus” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “The Family Plot”

Book: “The Family Plot” by Cherie Priest

Publishing Info: Tor Books, September 2016

Where Did I Get This Book: I own the audiobook.

Book Description: Music City Salvage is a family operation, owned and operated by Chuck Dutton: master stripper of doomed historic properties, and expert seller of all things old and crusty. But business is lean and times are tight, so he’s thrilled when the aged and esteemed Augusta Withrow appears in his office, bearing an offer he really ought to refuse. She has a massive family estate to unload – lock, stock, and barrel. For a check and a handshake, it’s all his. It’s a big check. It’s a firm handshake. And it’s enough of a gold mine that he assigns his daughter Dahlia to personally oversee the project.

Dahlia preps a couple of trucks, takes a small crew, and they caravan down to Chattanooga, Tennessee, where the ancient Withrow house is waiting – and so is a barn, a carriage house, and a small, overgrown cemetery that Augusta Withrow left out of the paperwork.

Augusta Withrow left out a lot of things.

The property is in unusually great shape for a condemned building. It’s empty, but it isn’t abandoned. Something in the Withrow mansion is angry and lost. This is its last chance to raise hell before the house is gone forever, and there’s still plenty of room in the strange little family plot.

Review: I’m always on the hunt for a haunted house read, as Gothic horror almost always sends shivers up my spine. If the story involves a ghost or two, all the better! I was perusing a book list of such things, and I saw “The Family Plot” by Cherie Priest was one of the selections. I had never heard of this book, and decided that I would add it to my audiobook list to have going while walking around the neighborhood or running weekend errands. And almost immediately I knew that I was in for a fun ride. A Southern Gothic haunted house story that takes full aim at the secrets that the wealthy keep? Hell yes.

“The Family Plot” is a ghost story that hits a lot of the things I love about the sub-genre. The first is that the setting just felt so real and well explored. Withrow Mansion was incredibly well described and detailed, and as I listened to the book I felt like I could see the rooms, the remnants of the life it had within, every aspect of the grounds and the house that was built there. It was also a really cool concept to have the people being haunted NOT being a new owner, or a descendant, or someone who has come to the mansion to live there, but a salvage crew that is there to gut it and make a buck. As Dahlia and her crew interact in the house, and as things get more and more dire, the reason they stay is very believable: if this job doesn’t work out, they will almost certainly be out of business. It makes the stakes a bit higher, and feels like a more tangible reason to not turn tail and run (though to be fair, homeowners almost always have sunk everything into a new house and leaving may not be much of an option for them either). Dahlia also has a well explained backstory, and as we slowly find out the backstory to the house and the spirits that are within in, we can draw parallels between her and the aggrieved spirits that I thought made it feel even scarier as the story went on.

And yes, this is a well done ghost story to boot. The dread builds and the scares are done in varying ways, from subtle shifts in scenery to full on jump scares as written on the page. But Priest also manages to avoid a few overdone tropes. Instead of Dahlia and her crew being stubborn nonbelievers, for the most part they all accept the fact that there are, in fact, ghosts in the house they are working on. One of the most frustrating themes in stories like this is that the person who knows that something is seriously wrong is usually pooh-poohed by those around them, and frankly, it’s usually a woman being told she’s being hysterical by the man in her life. But in “The Family Plot”, Dahlia is never seen as crazy, and is never treated as such by her colleagues. That said, there is tension between her and her cousin Bobby, which just adds a whole other level of intensity to the story, especially as the situation worsens. On top of all of this, our narrator did a great job with all of the characters, and her reading of it set the mood just perfectly.

But then, the goodwill that I had toward this story soured a bit at the end. I’m going to try not to spoil anything, as ultimately I think that this is worth the read if you’re looking for a solid haunted house story. But we get a final twist right at the end, like the VERY end, that just felt a bit like a cheat. As someone who LOVES horror, like loves loves loves it, I’m a bit of an outlier perhaps in that I’m not a fan of a last moment about face in regards to the resolution of the plot. Like, say that your protagonist escapes the pit of the psycho killer, only to stumble upon one of the psycho killer’s henchmen they didn’t know was a henchman while they’re escaping, then they get thrown back into the pit and we get a smash cut to the credits. That kind of sudden turn around doesn’t work for me on screen or on page, and any whiff of such just turns me off. And unfortunately, we get one of those twists here, and I’m just never going to like that kind of thing, and it tainted my overall enjoyment.

Frustrating end moment aside, I genuinely had a good time listening to “The Family Plot”. Halloween season isn’t so far away, so add this one to your pile of creepy reads you may be saving for that time of year!

Rating 7: A genuinely spooky haunted house story that is a bit derailed in the last couple of paragraphs, “The Family Plot” was a bit frustrating at the end, but was overall a fun horror experience.

Reader’s Advisory:

“The Family Plot” is included on the Goodreads lists “Haunted Houses”, and “Eerie Fictions Written by Women”.

Find “The Family Plot” at your library using WorldCat, or a local independent bookstore using IndieBound!