Kate’s Review: “Child Star”

44280824Book: “Child Star” by Box Brown

Publishing Info: First Second, June 2020

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Child Star is a fictional documentary-style graphic novel about how growing up in the spotlight robs young actors of a true childhood.

Child star Owen Eugene had it all: a hit sitcom on prime time, a Saturday morning cartoon, and a memoir on the bestseller list. The secret to his success was his talent for improvisation . . . and his small size. On screen he made the whole world laugh, but behind the scenes his life was falling apart. Hollywood ate him alive.

Inspired by real-life child stars, bestselling author Brian “Box” Brown created Owen Eugene, a composite character whose tragic life is an amalgam of 1980s pop culture.

Review: Thanks to NetGalley for sending me an eARC of this graphic novel!

My love for “The Lost Boys” meant that when Corey Haim died I sat down and cried very deeply. He (and his costar and friend Corey Feldman) were two child stars who were plagued by personal demons that were brought on by fame (and all the bad things and people that come with it), so his death by overdose was tragic, but not surprising. He was just one in a long line of child stars whose life turned to tragedy. I would be lying if I said that I wasn’t thinking of Corey Haim, Corey Feldman, Gary Coleman, and so many others as I read Box Brown’s new graphic novel “Child Star”. Which is, of course, the point.

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My heart….. (source)

This is kind of new for Brown, as up until now his graphic novels have been non-fiction. “Child Star” is written in a faux documentary style, so the approach feels like a ‘True Hollywood Story’ kind of tale. I definitely found it interesting that even in a fictional take (though arguably this is the life of Gary Coleman, fictionalized) Brown approaches the content in a just the facts manner. We are told the story of Owen Eugene, a child actor whose popularity exploded due to a 1980s family sitcom, and his small stature as caused by a genetic disorder. We see Eugene’s rise and fall through the eyes of family, friends, and colleagues, and trace how his life in Hollywood changed, and ruined, his life. I really enjoyed the documentary style put on the page, and liked how it truly felt like I was watched a seedy VH1 TV show as I read it. From his parents who clearly took advantage of their son’s fame to the predatory higher ups in Hollywood to the people who knew Eugene due to personal and professional settings, Brown creates a very well thought out, and incredibly tragic, tale of a person all based on the perceptions of those around him, and the reliability and unreliability of their words. Owen Eugene as a character is always a bit of a mystery because of this secondary source template, but I think that we get a nuanced and complex characterization, even if it’s being told through the eyes of others. He has a lot of analogs in real life, and while Gary Coleman is clearly the main influence the sad truth is that so many child stars suffer similar paths and fates that you can see many others inside of this tale.

There is a certain nostalgia on these pages to go with the pathos, and that is for 1980s family sitcoms. I was a little too young to experience it in real time, though I saw my share of reruns of “Growing Pains” and “Who’s The Boss” thanks to syndication. “Child Star” taps into the feel for how these sitcoms would play out, their plots derivative and their casts charming if not a little generic. What struck me the most, however, was how Box worked in the whole way that politics and Nancy Reagan’s ideals would weasel their way into these shows and put forth ‘very special episodes’ about various societal ills. Looking back at those episodes through more modern lenses usually means that we see how cloying they are (especially the ‘don’t do drug’ episodes; I remember rewatching the “Growing Pains episode where frat boys offer Michael cocaine and then mock him when he says no. Coke is EXPENSIVE. No one is going to mock you for saying no, it’s more for them!). It also comments on how Owen was just used in a whole different way for other peoples motives, even if those other people were the President and First Lady.

I will say that while I haven’t had issues with Brown’s art style in the past, for some reason in “Child Star” it felt a little out of place and took away from the impact. I think that part of it is because in the other books I’ve read by him, the stories do have emotional aspects, but are also filled with hope and a little bit of whimsy. In “Child Star” it just feels like a tragedy, and therefore seeing the very cartoony illustrations was a little jarring.

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(source)

Overall, “Child Star” is another well done graphic novel by Box Brown. It’s a bummer to be sure, but also interesting to look at these issues that no doubt still haunt various celebrities.

Rating 7: A poignant and sad faux documentary graphic novel that explores the wrecked life of a child actor, “Child Star” makes you think about the dark side of fame, especially for those who are too young to handle it.

Reader’s Advisory:

“Child Star” isn’t included on many Goodreads lists, but honestly any memoirs by former child actors, like Corey Haim’s “Coreyography”, and Tatum O’Neal’s “A Paper Life”.

Find “Child Star” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “I Killed Zoe Spanos”

50202540Book: “I Killed Zoe Spanos” by Kit Frick

Publishing Info: Margaret K. McElderry Books, June 2020

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: This gripping thriller follows two teens whose lives become inextricably linked when one confesses to murder and the other becomes determined to uncover the real truth no matter the cost.

What happened to Zoe won’t stay buried…

When Anna Cicconi arrives to the small Hamptons village of Herron Mills for a summer nanny gig, she has high hopes for a fresh start. What she finds instead is a community on edge after the disappearance of Zoe Spanos, a local girl who has been missing since New Year’s Eve. Anna bears an eerie resemblance to Zoe, and her mere presence in town stirs up still-raw feelings about the unsolved case. As Anna delves deeper into the mystery, stepping further and further into Zoe’s life, she becomes increasingly convinced that she and Zoe are connected–and that she knows what happened to her.

Two months later, Zoe’s body is found in a nearby lake, and Anna is charged with manslaughter. But Anna’s confession is riddled with holes, and Martina Green, teen host of the Missing Zoe podcast, isn’t satisfied. Did Anna really kill Zoe? And if not, can Martina’s podcast uncover the truth?

Review: Thank you to NetGalley for sending me an eARC of this novel!

In case you were wondering, I’m still on my bullshit when it comes to True Crime podcasts. I haven’t really strayed into new territory outside of the old reliables, but if you have some recommendations, send them my way! More and more we’re seeing podcast themes making their way into mysteries, perhaps in part due to this true crime boom within the listening world. Sometimes it works, other times it doesn’t, but I’m always game to try that kind of book out. So of COURSE “I Killed Zoe Spanos” by Kit Frick caught my eye! It has elements that I greatly enjoy in my thrillers: a luxurious summer setting, a missing girl, secrets that the privileged and the non-privileged alike keep close to their vests. SO, you throw in a podcast angle and I am gonna be there! “I Killed Zoe Spanos” really hooked me in, and it was just the kind of read I could see myself reading on the beach. You know, if I was going to the beach this summer. Which I’m not.

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Goddamn pandemic. (source)

“I Killed Zoe Spanos” follows two distinct perspectives. The first is of Anna Cicconi, a teenager who has come to the Hamptons town of Herron Mills to be a live in babysitter. Herron Mills has a lot of money, a lot of privilege, and is currently haunted by the fact that local girl Zoe Spanos has gone missing that past New Year’s. Eventually Anna confesses to killing Zoe, even though as far as anyone knows there is no connection between the two. The other perspective is that of Martina Green, a local teen who is best friends with Zoe’s sister Aster, and puts out a podcast about the case. Anna’s perspective is mostly in the past and in the first person, while Martina’s is in the present and in the third. Sometimes I have a hard time when there are two kinds of POV styles in a book unless I feel it’s warranted, and with “I Killed Zoe Spanos” I felt like it worked fairly well. It made it so that we could get both the unreliability of Anna’s perspective, given that we have no idea what her connection to Zoe is, even though there is clearly something going on, and also the outside third person lens that Martina has as she is trying to solve the mystery herself. Throw in the transcripts for Martina’s podcast, which adds a whole other layer of potential unreliability (or at least bias), and you have a lot of potential for looking at Zoe’s disappearance and death from all sides. I thought that these three views all complemented each other pretty well, and had enough potential for red herrings within them all to make the mystery interesting. I enjoyed a few of the twists and turns quite a bit, though I will admit that I think that there was a bit of an overreach that came up right at the end. You don’t have to overdo it is all I’m saying.

As far as the characters go, no one really stood out too much in terms of going beyond their templates. Anna is unreliable and mysterious, perhaps threatening but maybe not. Martina is tenacious and truth seeking. I think that there was some interesting potential in some of the side characters, particularly Zoe’s boyfriend Caden, a transracial adoptee whose skin Others him within a very wealthy, and white, insular community. But we didn’t really go looking too deeply into many of these side characters, no matter how interesting they might be.

“I Killed Zoe Spanos” is definitely the kind of book that will take you in this summer! If you are a thriller fan and do find yourself able to safely go to a beach, or sit by a pool, this would be a great read to accompany that kind of excursion!

Rating 7: A fun mystery with some interesting turns, “I Killed Zoe Spanos” is a reliable summer read for thriller fans and fans of true crime podcasts alike.

Reader’s Advisory:

“I Killed Zoe Spanos” is included on the Goodreads lists “What’s My YA Name Again”, and “Can’t Wait Crime, Mystery, & Thrillers 2020”.

Find “I Killed Zoe Spanos” at your library using WorldCat, or a local independent bookstore using IndieBound!

Serena’s Review: “The Merciful Crow”

36483378._sx318_Book: “The Merciful Crow” by Margaret Own

Publishing Info: Henry Holt, July 2019

Where Did I Get this Book: audiobook from the library!

Book Description: A future chieftain.

Fie abides by one rule: look after your own. Her Crow caste of undertakers and mercy-killers takes more abuse than coin, but when they’re called to collect royal dead, she’s hoping they’ll find the payout of a lifetime.

A fugitive prince.

When Crown Prince Jasimir turns out to have faked his death, Fie’s ready to cut her losses—and perhaps his throat. But he offers a wager that she can’t refuse: protect him from a ruthless queen, and he’ll protect the Crows when he reigns.

A too-cunning bodyguard.

Hawk warrior Tavin has always put Jas’s life before his, magically assuming the prince’s appearance and shadowing his every step. But what happens when Tavin begins to want something to call his own?

Review: As with many popular YA fantasy series (there are just too many!), I often don’t get around to them until I see the sequel start popping up on early release sites. And then in a temporary lapse of judgement I request the sequel only to quickly realize that means, oh wait, I have to get my hands on the first one, get it read, and review it before I can even start the book I just so eagerly requested. I do this again and again, and do I ever learn? Nope! It’s even more frustrating when I read the first book and don’t care for it, knowing I’ve already committed myself to the sequel. Luckily, that’s not the case with this one!

Fie belongs to the lowest of the low, a caste of people whose only job is to care for the dead and dying of a deadly plague that sporadically grips various villages and townships. While completely necessary to the function of society, Crows are at best ignored and at worst hunted in the night. So, when one of their typical jobs caring for two dying young men ends up with Fie and her fellow caught up in a plan of an escaping prince and his comrade, Fie takes the opportunity for all its worth, bargaining for a better future for her and her people. But first, she must find a way to deliver these two to safety, despite everything set against them.

Every once in a while when I read an audiobook, I’m aware of how my reading experience is probably affecting my overall take on the book in hand. This can go two ways, of course, with a poor narrator sinking a book almost immediately, and a skilled one catching my in more quickly than I might have been had I been reading in the traditional manner. I think this is one of the latter experiences. The narrator for this book was excellent, giving many characters, especially Fie herself, unique accents and ways of speaking. The book was certainly written to suggest that Fie had a Scottish accent of sorts, so it was great that the narrator was able to fully capture this aspect of the story. She was also able to add a lot of understated tension and emotion to Fie, something that I think probably wasn’t as obvious just on the page itself.

The book obviously had certain things in its favor regardless of media format. I really liked the bird-based caste system and world-building that the author set up. There were interesting connections and powers that neatly aligned with the type of bird that was used to represent a certain caste. Crows, obviously, deal with the dead. Hawks are skilled hunters and warriors. And so on.

While overall I understood the role the Crows played in this society, I did question the vehemence at which they were often hated by those around them. They seem to perform a pretty essential task, dealing with the plague-ridden, and as the only caste that doesn’t suffer from this plague, they’re really the only options for people. We also learn that pretty dire things happen if a plague ridden body isn’t dealt with properly. Given all of this, I can get how a Caste like this might inspire wariness from the general public, but how do we get to the state where they’re literally hunted down and killed at times? Seems pretty backward for really the only Caste that is actually necessary to the ongoing survival of a people. There were bits and pieces of the world-building like this that I never felt were fully explained or lined up properly. It was often distracting when these questions came up, as I was usually able to sink into just enjoying the main character and her journey and was only jarred out of it when these moments arose.

Fie herself was an excellent main character. She’s rough and tumble and perfectly exemplifies the type of no-nonsense person that would survive and grow into a leadership position in this type of society. She’s seen things and has no time for the nonsense of others. Her very different relationships with Tavin and Jasimir are also very interesting. The romantic relationship was perhaps a bit too easy and obvious. But I enjoyed the struggles that she went through in understanding the prince and of them both coming to a place of mutual respect. Each had to learn of the restrictions placed on the other and how their own worldviews influenced how they saw change happening going forward.

While I was interested in Fie’s own personal story, the book did drag a bit in the middle. There’s a lot of traveling.  A lot. And often if felt like not much was really happening in between some of the bigger scenes. It’s also the type of book that, while I enjoyed it in the moment, it hasn’t stuck with me as much as I had hoped. Even now, only a week or so after I finished it, I’m struggling a bit to remember exactly how things lay in the set-up for book two. That said, however, I definitely enjoyed it enough to be looking forward to the sequel and conclusion of this story. It will be interesting to see how it does not in audio format as well.

Rating 7:  A bit forgettable with some questionable world-building, but a strong main character and audiobook narrator really sold this one for me.

Reader’s Advisory:

“The Merciful Crow” for some reason isn’t on many interesting Goodreads lists, but it is on “Crows and Ravens.”

Find “The Merciful Crow” at your library using WorldCat!

 

 

Kate’s Review: “Grace Is Gone”

44890088Book: “Grace Is Gone” by Emily Elgar

Publishing Info: Harper Paperbacks, January 2020

Where Did I Get This Book: I received a paperback copy from Harper.

Book Description: From the bestselling author of If You Knew Her comes this harrowing tale of suspense—a story ripped from today’s headlines—of a tight-knit English community, who’s rocked by the murder of a mother and the mysterious disappearance of her daughter, and the secrets that lie concealed beneath a carefully constructed facade.

A small town’s beloved family.

A shocking, senseless crime—and the dark secret at the heart of it all.

Everyone in Ashford, Cornwall, knows Meg Nichols and her daughter, Grace. Meg has been selflessly caring for Grace for years, and Grace—smiling and optimistic in spite of her many illnesses—adores her mother. So when Meg is found brutally bludgeoned in her bed and her daughter missing, the community is rocked. Meg had lived in terror of her abusive, unstable ex, convinced that he would return to try and kidnap Grace…as he had once before. Now it appears her fear was justified.

Jon Katrin, a local journalist, knows he should avoid getting drawn back into this story. The article he wrote about Meg and Grace caused rifts within his marriage and the town. Perhaps if he can help find Grace, he can atone for previous lapses in judgment. The Nichols’ neighbor, Cara—contending with her own guilt over not being a better friend to Grace—becomes an unexpected ally. But in searching for Grace, Jon and Cara uncover anomalies that lead to more and more questions.

Through multiple viewpoints and diary entries, the truth about Grace emerges, revealing a tragedy more twisted than anyone could have ever imagined… 

Review: Thank you to Harper for sending me a paperback copy of this book!

I always love when I find surprise books, be they ARCs or otherwise, in my mailbox! I never expect it, and it feels like my birthday every time. So when “Grace Is Gone” arrived on my doorstep, I was tickled pink, and threw it on my ARC pile until it was time to take it on. I hadn’t heard of “Grace Is Gone” until that moment, and didn’t know what it was about until I started reading it. Well folks, we have another thriller about Munchausen’s By Proxy on our hands. Perhaps one might think I’d be bored with that by now, but I can assure you that I am absolutely not.

While I had read “Darling Rose Gold” in the past few months and while the parallels are there (given that Gypsy Rose and Dee Dee Blanchard once again seem to serve inspiration), “Grace Is Gone” not only came out first, but approaches the whole story in a different way. While “Darling Rose Gold” was from the perspectives of the mother and daughter duo, “Grace Is Gone” is from the outsiders who may have missed the signs that something was terribly wrong. The first perspective is Cara, the friend of Grace, the girl who has gone missing after her mother Meg was found murdered. Cara always thought that Grace was an ill and naive teenage girl, and she never questioned Meg’s love for her daughter. But now that Grace has disappeared, and things start coming out about Meg, Cara starts to blame herself for not seeing that her friend was in trouble. Along with Cara we get Jon, a journalist whose marriage is on the rocks and who wrote an unfavorable story about Meg and Grace in the months before the murder and disappearance. This story made him a target for the angry public, and now he’s wondering if his misgivings were worse than he thought. As we see these two people work together to try and find Grace, we get to see how abusers can present a certain face to those around them to hide their true selves. I really liked that we had two outsiders telling this story, as while I right away knew what this was based on, the mystery at the heart has good bones and a different way to explore a theme that we’ve seen before.

As characters, neither Cara nor Jon really break away from tropes that we’ve seen before. Cara is the sullen but curious young woman drawn into something bigger than she imagines, and feels like her unwitting complicity means she needs to do right by Grace. Jon, on the other hand, is the disgraced reporter who has something to prove, though his obsession with one story may cost him more than he imagines. While looking at the overall story through outsiders eyes is new to me, the outsiders themselves are pretty standard, and not as interesting as perhaps a focus on Grace and Meg may have been. But all of that said, the mystery at hand is compelling enough that I think it will keep the reader going just to see how it ends. Hell, even though I kind of knew where it was going to go, I was perfectly alright taking the journey to get to the destination.

“Grace Is Gone” is a decent thriller that kept me interested. If you want to explore a familiar story from another angle, it will suit you just fine.

Rating 7: A solid mystery thriller about small town secrets and uncovering disturbing truths, “Grace Is Gone” is a familiar theme with some interesting angles to explore it, even if the characters are some we’ve seen before.

Reader’s Advisory:

“Grace Is Gone” isn’t on many Goodreads lists as of yet, but it would fit in on “Intense Female Relationships”.

Find “Grace Is Gone” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Bookclub Review: “My Invented Country”

16528We are part of a group of librarian friends who have had an ongoing bookclub running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “Around the World”, in which we each picked a continent and had to match a book that takes place there and/or is written by an author from that continent.

For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “My Invented Country: A Nostalgic Journey Through Chile” by Isabel Allende

Publishing Info: Harper, May 2003

Where Did We Get This Book: Kate owns it;

Continent: South America

Book Description: Isabel Allende’s first memory of Chile is of a house she never knew. The “large old house” on the Calle Cueto, where her mother was born and which her grandfather evoked so frequently that Isabel felt as if she had lived there, became the protagonist of her first novel, The House of the Spirits. It appears again at the beginning of Allende’s playful, seductively compelling memoir My Invented Country, and leads us into this gifted writer’s world.

Here are the almost mythic figures of a Chilean family — grandparents and great-grandparents, aunts, uncles, and friends — with whom readers of Allende’s fiction will feel immediately at home. And here, too, is an unforgettable portrait of a charming, idiosyncratic Chilean people with a violent history and an indomitable spirit. Although she claims to have been an outsider in her native land — “I never fit in anywhere, not into my family, my social class, or the religion fate bestowed on me” — Isabel Allende carries with her even today the mark of the politics, myth, and magic of her homeland. In My Invented County, she explores the role of memory and nostalgia in shaping her life, her books, and that most intimate connection to her place of origin.

Two life-altering events inflect the peripatetic narration of this book: The military coup and violent death of her uncle, Salvador Allende Gossens, on September 11, 1973, sent her into exile and transformed her into a writer. The terrorist attack of September 11, 2001, on her newly adopted homeland, the United States, brought forth from Allende an overdue acknowledgment that she had indeed left home. My Invented Country, whose structure mimics the workings of memory itself, ranges back and forth across that distance accrued between the author’s past and present lives. It speaks compellingly to immigrants, and to all of us, who try to retain a coherent inner life in a world full of contradictions.

Kate’s Thoughts

I am sorry to say that while Isabel Allende has been on my reading list for a long time, I haven’t actually picked up any of her novels. So “My Invented Country” was my first interaction with her as an author. In terms of the history of Chile, I did have a small familiarity with the Pinochet government/dictatorship, as in high school we learned about him. But all of my experience reading about him was through an American lens, which is problematic enough on its own without even adding in the fact that the CIA was the one to help put him into power in the first place. So I went into this wanting to get familiar with Allende, and to see a perspective on Pinochet through a Chilean’s eyes.

“My Invented Country” is a collection of recollections of Allende’s childhood in Chile, and what her life was like when she had to flee after Pinochet came to power. She also makes a lot of connections to how her childhood influenced her books, with a lot of references to “The House of the Spirits”. Given that I haven’t read her other books, I didn’t feel like I was getting as much from this book as one who had read them might have. Along with that, it took a long while to actually get to the information about Pinochet and what that dictatorship did to the country. By the time we did get to that, however, I really liked seeing her insights and how complicated it was in society, and even within her own family. And it’s undeniable that Allende’s writing is gorgeous. The way she described the people in her life, the people in Chile, the landscapes and settings, I felt like I was there and getting a full view.

So while I probably didn’t get as much from “My Invented Country” as I might have, it has encouraged me to actually pick up some of Allende’s books in the near future.

Serena’s Thoughts

I have to echo a lot of what Kate already said. I had heard of Allende before, but of all the subgenres of fantasy, “magic realism” is probably my least preferred. So while her books have been on my radar for a while, I’ve never actually gotten around to reading any of them. And, like Kate said, that might have helped my reading experience with this.

In many ways it was clear that Allende was directing this book almost exclusively to her fans. There were a lot of references to her previous books, and this type of insider knowledge is just the sort of information I would gobble up if one of my favorite fantasy authors wrote a biography of this sort. It was also clear in the overall tone of the book. The writing was often light and witty, obviously tailored to be appealing to even the most strident “only fiction” readers out there who may be new or less used to memoirs. I think she was very successful in this regard, as I would fall in that category of readers who rarely picks up memoirs, and I found her writing to be very engaging.

On the other side of that coin, however…I also know very little about Chilean history, and I had been looking forward to learning more. Like Kate said, it takes quite a while to really get into the more informative aspects of the story, and here the writing style worked a bit against what I was looking for. She had some very good insights here and there, but all too often the actual deeper analysis of the time, people, and political upheaval was only briefly skimmed over. She would often continue to throw in the light, airy commentary amidst all of this. And while still entertaining, I was left wanting more.

Overall, while this may have not been the best introduction to Allende’s work, it did confirm that I enjoy her writing style itself. Her books will remain on my reading list, and I hope to get to one of them soon!

Kate’s Rating 7: Her writing is gorgeous and I really liked the information about the rise of Pinochet, but having not read other books by Allende I feel like I didn’t connect as much as I could have.

Serena’s Rating 7: Struck an awkward balance between a great writing style but one that seemed to, at times, work against the more informative take on the country and times that I was looking for.

Book Club Questions

  1. Had you read anything by Isabel Allende before reading this book? Did you see the connections that she made between her life and her other writings?
  2. How familiar were you with the history of Chile before reading this book? Did you feel like you got a sense of the history and the people who live there? Why or why not?
  3. What kinds of parallels can you draw between Allende’s childhood and your own childhood?
  4. Did this book make you want to visit Chile someday? Why or why not?
  5. Allende talks about moving from one place to another, and how having two homes an sometimes make you feel like you don’t quite fit in perfectly in either. Have you ever experienced anything similar?
  6. If you haven’t read anything else by Allende, did this book make you want to explore her bibliography more?

Reader’s Advisory

“My Invented Country” is included on the Goodreads lists “Chilean Literature”, and “South America: History and Culture”.

Find “My Invented Country” at your library using WorldCat, or a local independent bookstore using IndieBound!

Next Book Club Book: “Picnic at Hanging Rock” by Joan Lindsay

Kate’s Review: “The Silence of Bones”

44280973Book: “The Silence of Bones” by June Hur

Publishing Info: Feiwel & Friends, April 2020

Where Did I Get This Book: I own it.

Book Description: I have a mouth, but I mustn’t speak;
Ears, but I mustn’t hear;
Eyes, but I mustn’t see.

1800, Joseon (Korea). Homesick and orphaned sixteen-year-old Seol is living out the ancient curse: “May you live in interesting times.” Indentured to the police bureau, she’s been tasked with assisting a well-respected young inspector with the investigation into the politically charged murder of a noblewoman.

As they delve deeper into the dead woman’s secrets, Seol forms an unlikely bond of friendship with the inspector. But her loyalty is tested when he becomes the prime suspect, and Seol may be the only one capable of discovering what truly happened on the night of the murder.

But in a land where silence and obedience are valued above all else, curiosity can be deadly.

June Hur’s elegant and haunting debut The Silence of Bones is a bloody tale perfect for fans of Kerri Maniscalco and Renée Ahdieh.

Review: Book buying is my version of retail therapy, so you can imagine that lately I’ve been doing a lot of it. While I mostly decide to get print books I can hold from local booksellers, on occasion I will snag something for my Kindle, to save space on my physical shelf and to get some instant gratification as well. “The Silence of Bones” was that kind of scenario, as I had heard of it on and off various book circles online and was interested to check it out and just have it at the ready. I finally dove in over the weekend as chaos and unrest overtook the Twin Cities, needing moments of escape to a completely different place. 19th Century Korea seemed like the perfect place to visit, so “The Silence of Bones” by June Hur was the right book to pick up.

What struck me most is the time and place of this YA mystery thriller. While you can find oodles of historical mysteries that take place in the U.S., or Europe, or other Western cultures, I’m not as aware of the genre branching out to other parts of the world that often. That very well just may be my own levels of exposure to such things, but because of this “The Silence of Bones” felt incredibly unique to me. I know so little about Korean history that I felt like I was learning a lot as I was following Seol as she tried to solve a series of murders as she works as an indentured servant for the police. The descriptions of the urban settings and rural settings alike were vibrant and detailed, and I felt like I could picture the places in my mind and got a good sense for how the society was structured. June Hur clearly did her research, and it really paid off. I especially liked the way that geopolitics of the time entered into it, with hints and whispers of Western Influences starting to move in no matter how local Governments try to stamp them out, sometimes in extreme and violent ways. The sense of impending threat from Catholicism, and the actions taken towards Catholics and other Western traditions, was a very fascinating angle to throw into this story, as knowing what we know about Imperialism in that part of the world now (and other parts not addressed in this book) there was a lot of nuance to parse through.

I also just really liked Seol as a protagonist and the mystery at hand. Seol definitely felt like a sixteen year old girl, even though she was living in incredibly difficult and different circumstances than one sees for sixteen girls in YA today. Her story addresses indentured servitude, the oppression of lower classes, misogyny, and trauma, and her perseverance (and at times stubbornness) was really satisfying to read. Being taken from her home and losing everything to go serve as an indentured servant is quite the backstory, and I really liked it. She sometimes makes mistakes and jumps to conclusions, which makes her all the more real and complex, but overall you can’t help but really want her to figure out what is going on, especially when she begins to find herself in danger. The mystery of who killed a local noblewoman is very well crafted, and Hur throws in a lot of twists and turns that keep the reader wondering and on their toes. There is also the mystery of what is up with Seol’s boss, Inspector Han, who Seol is drawn to and forms a friendship with before he becomes a suspect in the mystery. Han feels like he is steeped in a lot of greys, and I was genuinely on the edge of my seat wondering if Seol’s faith in him is unfounded. By the time everything comes together, you can trace how it does so and it is done seamlessly.

“The Silence of Bones” is a unique and thrilling mystery, and if you like historical mysteries I cannot recommend it enough!

Rating 7: A unique and fascinating historical mystery in a not as seen setting, “The Silence of Bones” has a lot to offer to fans of YA mysteries!

Reader’s Advisory:

“The Silence of Bones” is included on the Goodreads lists “Historical Fiction: Korea”, and “2020 YA/MG Books with POC Leads”.

Find “The Silence of Bones” at your library using WorldCat, or a local independent bookstore using IndieBound!

Serena’s Review: “The Will and the Wilds”

44646004._sy475_Book: “The Will and the Wilds” by Charlie N. Holmberg

Publication Info: 47North, January 2020

Where Did I Get this Book: NetGalley

Book Description: Enna knows to fear the mystings that roam the wildwood near her home. When one tries to kill her to obtain an enchanted stone, Enna takes a huge risk: fighting back with a mysting of her own.

Maekallus’s help isn’t free. His price? A kiss. One with the power to steal her soul. But their deal leaves Maekallus bound to the mortal realm, which begins eating him alive. Only Enna’s kiss, given willingly, can save him from immediate destruction. It’s a temporary salvation for Maekallus and a lingering doom for Enna. Part of her soul now burns bright inside Maekallus, making him feel for the first time.

Enna shares Maekallus’s suffering, but her small sacrifice won’t last long. If she and Maekallus can’t break the spell binding him to the mortal realm, Maekallus will be consumed completely—and Enna’s soul with him.

Review: I read “The Paper Magician” by this author a few years back. It was a simple, straight-forward, enjoyable little fantasy story that I quite enjoyed (though I haven’t gotten around to reading any of the other books in the series). But when I came across this title by the same author, I was excited to see what looked like a new fairytale story. It’s always refreshing to find something that isn’t a retelling and the element involving the exchange of souls between the main characters was intriguing.

Enna has always yearned to study mystings that roam the wildwood near her home. But they are as dangerous as they are mysterious, so much of her time is spent instead on warding her home against them in an attempt to protect her and her father from the viscous death her mother suffered when Enna was just a baby. Soon enough, however, she finds herself tangled up with a mysting named Maekallus, a powerful being who steals the soul with a kiss. Now, entwined in a deal that is dooming them both, Enna and Maekallus must unravel the secrets of an enchanted stone Enna’s father stole from the mystings long ago and that may be more powerful than Enna ever imagined.

Like “The Paper Magician,” this was another sweet, little story. There wasn’t anything particularly challenging or unique about the story itself. The world-building was pretty straight-forward. And the characters were all likable. Putting it all together it sounds like I’m criticizing the book for being bland, but I think that a story such as this has just a much a place on most readers’ shelves as even the most complex and deep stories do. While I may not have found myself blown away by any aspect of it, the entire experience of the story was like sinking into a nice warm bath with some low level candles flickering. It was comfortable and safe, something that is even easier to appreciate in times such as this when frankly all I want to do is re-read comfort books all day long.

The most intriguing part of this story was around the idea of the soul and what it provides to those who possess it. Enna, a human girl, naturally goes about life never questioning the role her soul plays in her existence. But when she meets Maekallus and enters into a sort of transactional agreement with him that sees her slowly losing pieces of her soul, we begin to see what it costs her. And, conversely, what Maekallus lacked before gaining pieces bit by bit. The romance between the two is accordingly a slow burn love story.

I will say that there were points in the middle of the book where the plot began to feel a bit repetitive and meandering. There isn’t a whole lot of fast-paced action in this story, and some of the conflicts, such as they are, feel relatively low stakes and don’t add much tension to the proceedings. The main plot line, of course, has some action to it. But as that takes part mostly in the beginning and end of the book, there are some side quests in the middle that don’t seem to add a lot. I also felt like the main confrontation at the end of the  book was fairly anticlimactic, all things considered.

But, like I said, the love story was sweet and our two main characters were interesting enough. If one is looking for a quick fairytale fantasy, this is a good go-to. But if you’re looking for anything of the more “epic” or grand variety, this isn’t going to do the trick. It’s definitely a “right mood” kind of book, and I think I was in it when I read it. Objectively, I think it was probably a bit slower and less developed than it could be, though.

Rating 7: A nice little story, but not one that is pushing any sort of boundaries.

Reader’s Advisory:

“The Will and the Wilds” isn’t on many relevant Goodreads lists, but it is on  “slow-burn romance.”

Find “The Will and the Wilds” at your library using WorldCat!

Serena’s Review: “The City We Became”

42074525._sy475_Book: “The City We Became” by N.K. Jemisin

Publishing Info: Orbit, March 2020

Where Did I Get this Book: Edelweiss+

Book Description: Every city has a soul. Some are as ancient as myths, and others are as new and destructive as children. New York City? She’s got five.

But every city also has a dark side. A roiling, ancient evil stirs beneath the earth, threatening to destroy the city and her five protectors unless they can come together and stop it once and for all.

Review: I’ve been a fan of Jemisin’s since years ago when I first read “The Hundred Thousand Kingdoms.” But my love for her didn’t really set in until after I read the “Broken Earth” trilogy. Those books blew me away with the sheer scope of imagination and dexterity of language that were required to pull off such a feat. With those in mind, I went into this book knowing that if anyone could handle the strange set-up that was offered in the book description, it would be Jemisin. And she definitely does! Sadly, this book didn’t hit quite the same mark as the others of hers that I’ve read, but I suspect much of that is just down to my own reading preferences.

Birth is a painful, messy business. It can be as frightening as it is beautiful. A city’s birth is no different, especially for one such as New York City, a behemoth whose very soul can’t be contained in one vessel. Instead, when things begin to go wrong as NYC strives towards its own new life, five individuals are selected to represent the myriad of faces and lives that make up this one spirit. Together they must become the protectors the city needs and fight off a great evil that threatens this new life.

Even though this book wasn’t the huge hit for me that I was hoping for, there is still a lot to praise it for. As always, Jemisin’s creativity is without bounds. The idea of great cities developing souls is just fantastic, and the book takes that theme and runs with it into some crazy and unexpected places. The strength of writing needed to make some of these completely foreign fantasy elements make sense is mind boggling, and it’s here that Jemisin has always shined. There were a bunch of lines that not only jumped off the page, but more so slammed into my unprepared mind with all the beauty and shock of a firework. It was truly impressive.

Part of my struggle, however, also had to do with the writing. Not so much maybe the writing, but the way that it was so clearly an homage to New York City and the many cultures made up within that huge city. I’ve only visited NYC on one frantic, 24 hour period visit. So I know very little about the actual city itself. And for a book so focused on the heart of this city and the pieces that make it unique and tick, I was often left feeling like I was an outsider looking in. Many of the stronger pieces of writing I could see objectively as great, but I couldn’t connect to personally as it was so clearly talking about a specific place and people that I personally don’t know much about. And, unlike most second world fantasy where all readers are “newbies” learning about a world they don’t understand, this was clearly written to some extent with the idea that readers would know and connect to some of these elements, without the book itself needing to do that extra legwork. So, in this way, some of the mileage of this book might depend on the reader’s own familiarity, and to a lesser extent, interest, in New York City itself.

I also had a hard time feeling truly connected to many of the POV characters. The story starts off quite quickly and doesn’t spend much time laying out many details for readers. In some regards, this is a staple trick of Jemisin’s and one can have faith that the answers will come eventually. They do here as well. But this trick then depends on the reader connecting to and investing in the main characters themselves early on to carry one through until plot details begin to clarify. I’m not sure quite what the problem was here for me. Perhaps there were just too many characters, and combining that with the slow moving pieces of putting the plot together, was just too much.

Jemisin is also well-known for putting diverse characters first and foremost in her books, often strong women of color. And here, too, the cast is diverse across all kinds of lines. But there were also moments where I felt like the message (for lack of a better word) was a bit more hamfisted here than the incredibly powerful observations and mirrors that were held up in her previous works.  Really, it felt in some ways like this entire book was a bigger statement (particularly in response to the Lovecraft stuff that has pervaded SFF for so long) that the author needed to get out into the world.  And that’s a good thing! But it also, again, left it a bit harder for me to fully sink into this book as a reading experience.

Overall, I think this book is incredibly powerful and highlights again the strength of Jemisin’s skill as an author, both in her masterful world-building as well as just the strength of her writing. That this one didn’t really hit home for me could, in part, simply be due to my own lack of knowledge of (or real interest in) NYC itself. But for those with a stronger connection to that city, I’m sure some of these elements in particular will strike a much stronger chord. Fans of Jemisin’s work should definitely still try this out and those looking for an urban fantasy novel that breaks the mold for what urban fantasy typically offers are sure to be intrigued!

Rating 7: Incredibly unique with a widely diverse cast, but it was a bit harder to become invested in than other works by this author.

Reader’s Advisory:

“The City We Became” is on these Goodreads lists: “Adult Sci-Fi/Fantasy Releases of 2020” and “SFF Set in Global Cities (No YA).”

Find “The City We Became” at your library using WorldCat!

 

Serena’s Review: “The Cerulean Queen”

45046550Book: “A Cerulean Queen” by Sarah Kozloff

Publishing Info: Tor Books, April 2020

Where Did I Get this Book: from the publisher!

Book Description: The true queen of Weirandale has returned.

Cerulia has done the impossible and regained the throne. However, she’s inherited a council of traitors, a realm in chaos, and a war with Oromondo.

Now a master of her Gift, to return order to her kingdom she will use all she has learned—humility, leadership, compassion, selflessness, and the necessity of ruthlessness.

Previously Reviewed: “A Queen in Hiding” and “The Queen of Raiders” and “A Broken Queen”

Review: Well, we’re finally here. “Finally” being the debatable word. Yes, it’s been a full four months of reading to get to this point, but also no, because we’re getting the last book in an epic fantasy series within, again, only four months since the first book came out! I get that not many authors write in a way that would make this type of publication style an option, but I do love me some binging in pretty much any media format! This final book successfully ties up a lot of loose strings while also going into details that I hadn’t expected. Overall, it’s a satisfying conclusion to this series.

After years and years, Cerulia has finally returned home and reclaimed the throne that was hers. But what should be a celebration soon turns into one conflict after another. Fighting her own doubts about the role of monarchy in her country, Cerulia must also contend with a council whose loyalties remain unclear, a war, and the general upheaval of a country that has quickly experienced big changes. With the future before her, now is the time for Cerulia to step up and establish what type of ruler she wants to be.

Overall, I was satisfied with this conclusion to the story. At this point, after three fairly long books, I’m pretty invested in Cerulia’s story. I’ve also highlighted that the villains have often been complex and well-realized and that carries over here in the end. Between Cerulia herself and these interesting antagonists, I remained interested in the story even when it took a few turns I wasn’t expect. For example, Cerulia gets her throne back very fast. Like, super fast. The majority of this story is then spent with her figuring out how to rule, weeding out the traitors from around her, and dealing with the tremulous state of a realm that isn’t quite sure how it feels about aristocrats anymore. To be fair, the book description itself hints at these points being a big part of the story, but for some reason my brain was still expecting more on the front end of things with her actual struggle to regain the throne. I’m not saying it went a bad route with how this was dealt with, just an unexpected one.

For the most part, I did very much enjoy the turn towards the ins and outs of what ruling would really be like for a newly established queen who’s living in a court full of people who may or may not have supported the previous ruler. I enjoy political fantasy often, so I found this aspect of the story to be interesting, especially when paralleled with the general state of uncertainty that the entire kingdom now faces with regards to its monarchy. Cerulia’s challenges operate on the micro and macro levels. The author also wisely paces the story between action scenes and emotional moments to ensure that the story never lags.

There were times, perhaps, when it became a bit predictable with Cerulia’s decisions always turning into the correct ones. But I’m not sure what else could really be done at this point; it is a last book in a series, and a series that has devoted quite a lot of time to the development of Cerulia’s decision-making. She should be doing well by this point and, while a long wrap up, a wrap up this book is. We don’t want added mysteries and conflicts at this point.

I did have a few quibbles with the end of the book, as, strangely, it was here that I felt the pacing did seem to stutter a bit. For a series that had such a strong opening chapter, I wanted a bit more from the final pages of this book. But, in the end, I was very satisfied with this conclusion to the series! And don’t forget to check out our giveaway for this book!

Rating 7: A satisfying end to a wild ride over the last four months!

Reader’s Advisory: 

“The Cerulean Queen” is a newer title so isn’t on any Goodreads lists other than “Upcoming 2020 SFF with female leads or co-leads.”

Find “The Cerulean Queen”at your library using WorldCat!

Kate’s Review: “The Book of Koli”

51285749Book: “The Book of Koli” by M.R. Carey

Publishing Info: Orbit, April 2020

Where Did I Get This Book: I was sent a copy by the publisher.

Book Description: Beyond the walls of the small village of Mythen Rood lies an unrecognizable world. A world where overgrown forests are filled with choker trees and deadly vines and seeds that will kill you where you stand. And if they don’t get you, one of the dangerous shunned men will.

Koli has lived in Mythen Rood his entire life. He knows the first rule of survival is that you don’t venture beyond the walls.

What he doesn’t know is – what happens when you aren’t given a choice?

The first in a gripping new trilogy, The Book of Koli charts the journey of one unforgettable young boy struggling to find his place in a chilling post-apocalyptic world. Perfect for readers of Station Eleven and Annihilation.

Review: Thanks to Orbit for sending me a copy of this novel!

I requested to read “The Book of Koli” in early March. The plot of a post-apocalyptic ravaged world overrun by killer plants sounded both wholly unique and super intriguing, Given that, in general, post-apocalyptic wasteland dystopias are my jam, I was excited to get a book not only about that very subject, but by M.R. Carey, whose works I have mostly enjoyed.

And then the COVID-19 shit hit the fan and it started to feel like we were living in an actual precursor to a post-apocalyptic world.

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The timing…. wasn’t great. (source)

I honestly cannot get on board the ‘let’s read all the apocalyptic fiction!’ train that I’ve seen as of late. My husband joked about starting to read our baby “The Stand” and I pretty much yelled at him that he wasn’t and has never been funny. So yeah, the idea of reading this book had me a bit wound up. Anxieties off the charts, I knew that I needed to read this book so I jumped in trying not to think of the doom and gloom of the real world. And what happened next was not at all “The Book of Koli”‘s fault. Extenuating circumstances like whoa made it so I didn’t enjoy this book as much as I thought I would.

But there is a lot that this book has going for it, and I’m going to really focus on that. Because the fact this book didn’t connect as much with me at this moment in time probably has very little to do with the actual content. The first thing that struck me was how Carey was toying with the idea of language, and how the language in this world (a future set England) has changed and evolved over time. It’s not as slang driven as “A Clockwork Orange” does with it’s dystopia, but it tweaks things enough that it’s slightly off, but you know what the characters are trying to say. There is also a bit of toying with the idea of technology and what can happen when it is lost to us, which is implied to have happened with the plants (genetically altered and then out of control) overtook civilization and drove humanity into heavily protected clusters (and allowed some to consolidate power). The first half of this book is the heavy world building to create this world, and to let us as readers get to know Koli as a character and who he is as a character. After he snags some tech from the Ramparts (aka those in charge of the tech) in the town he lives in, he meets Monono Aware, the AI within the tech he takes. Monono and Koli have a fun banter, and through him meeting her he discovers that tech can be wielded by anyone… which would be bad for the Ramparts if that secret got out. Sometimes this section dragged, but overall Carey used his time very well to show us what kind of society/dystopia we are dealing with. And I liked Monono a lot, even if she sometimes felt a little twee.

The second half of the book is after Koli has been banished into the wilderness, in danger of being killed by either killer plants, or roving bands of ‘shunned men’. This is where the book really started to build upon the action and the tension, and this was the part that I enjoyed most even if it was the part that stressed me out the most as well. Carey is no stranger to post-apocalyptic scenarios, and this one feels like he’s thinking outside of the box. He creates enough here that I can definitely see how he’s going to be able to pull enough material from this world and its characters to make a complex and well paced trilogy. I especially liked Ursala, a doctor who Koli meets while he’s still at Mythen Rood. She is the key to Koli starting to learn the truth of things, and her place in the story becomes even more apparent once Koli is out in the wilderness.

As I mentioned above, I had a hard time dealing with a post-apocalyptic story when it feels like we are at the start of our own. I think that it’s really just a matter of timing, as were we not in the middle of COVID-19 I truly believe that I would have been able to get into this story more. So while “The Book of Koli” didn’t connect with me as much as I thought I would, I really do think that that’s on me and not on Carey at all. So if you are one of those people who has been reading “The Stand” or watching “Contagion” in these trying times, and you also like dystopian fiction, “The Book of Koli” will fit the bill SO well. Once all of this is over, I will probably go on to the next book in the series, as I recognize that any of my apprehensions are solely on me during a literal global traumatic event.

Rating 7: While I had a hard time enjoying it as much as I could have in the moment of global pandemic, “The Book of Koli” is fresh and deep dystopic fiction.

Reader’s Advisory:

“The Book of Koli” is included on the Goodreads lists “Sword and Laser Sci-Fi List”, and “Can’t Wait Sci-Fi/Fantasy of 2020”.

Find “The Book of Koli” at your library using WorldCat!