Serena’s Reviews – The Library Ladies

Serena’s Review: “The Grimoire of Grave Fates”

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Book: “The Grimoire of Grave Fates” by Hanna Alkaf and Margaret Owen

Publishing Info: Delacorte Press, June 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Professor of Magical History Septimius Dropwort has just been murdered, and now everyone at the Galileo Academy for the Extraordinary is a suspect.

A prestigious school for young magicians, the Galileo Academy has recently undergone a comprehensive overhaul, reinventing itself as a roaming academy in which students of all cultures and identities are celebrated. In this new Galileo, every pupil is welcome–but there are some who aren’t so happy with the recent changes. That includes everyone’s least favorite professor, Septimius Dropwort, a stodgy old man known for his harsh rules and harsher punishments. But when the professor’s body is discovered on school grounds with a mysterious note clenched in his lifeless hand, the Academy’s students must solve the murder themselves, because everyone’s a suspect.

Told from more than a dozen alternating and diverse perspectives, The Grimoire of Grave Fates follows Galileo’s best and brightest young magicians as they race to discover the truth behind Dropwort’s mysterious death. Each one of them is confident that only they have the skills needed to unravel the web of secrets hidden within Galileo’s halls. But they’re about to discover that even for straight-A students, magic doesn’t always play by the rules. . . .

Review: I was definitely intrigued when I heard about this upcoming fantasy anthology. Not only was it a collaboration between a huge number of famous authors, but the idea of a murder mystery taking place in a school of magic as the foundation upon which the anthology is built upon is compelling as heck. Add an eye-popping cover, and you’ve got me! This is definitely a change of pace from the types of fantasy stories that I typically read, so I was very excited and curious to see what it had to offer.

I’m going to skip over my usual summary paragraph here, as I think the description given by the publisher is more than enough, and it’s hard to add more with anthologies that are, by their nature, built upon many layers of different characters, themes, and stories. So let’s get right to the review! First of all, I’d like to state how impressive of a project I think this book is. Collaborations are always tricky, but I have to imagine the more authors you include, the harder it is to ensure that the finished product feels complete and even. This is all the more difficult when you’re writing a murder mystery, a specific genre that requires careful plotting, close regulation of what information is made known and when, and a neat balance of pace to keep the reader engaged while not also losing them as the book builds to its final conclusion. But I think, overall, this aspect of the book came together very well, and none of the individual stories stood out as ill-fitting with the larger story as a whole.

That said, I didn’t wholly love this read. On one hand, this is purely a subjective opinion as I’m not a huge fan of anthology stories, in general. I have a long record here on the blog of my struggles with a book rising at the exact rate at which an author adds POV characters. The more you have, the more I’m going to have a difficult time connecting to the story. Obviously, that is unavoidable here. I did like several of the individual chapters, but this then lead me to become increasingly frustrated as, again and again, I lost these characters just when I was beginning to become invested in them. And even in multi-POV stories, there’s always the anticipation of returning to a beloved character, which isn’t the case here. I also liked the level of diversity that is included, but there were also moments where it began to feel a bit like “diversity Bingo” and less like a natural and organic collection of individuals.

I did like the magical elements we had in the story as well. There were a few particular characters who had very unique ways of practicing their magic that I was especially interested in. But, again, I was always left wanting just a bit more. And, while every chapter did move the murder mystery along, bit by bit, the overall experience did begin to feel a bit tedious. However, as I said, I struggle with this approach to story-telling in general, so this could definitely be more of “me” problem than an actual problem with the book itself. On top of that, the writing style did err towards the younger side of YA; again something that is really subjective to the preferences of the reader. If you’re a fan of anthologies or love any of the authors involved in this project, this is likely a book you’ll enjoy. If you tend to enjoy adult fantasy more, this might not work quite as well.

Rating 7: A cool concept and an impressive feat of collaboration, but the large cast of characters and the slow pace of the larger mystery itself left me struggling to fully connect to the book.

Reader’s Advisory:

“The Grimoire of Grave Fates” can be found on this Goodreads lists: YA Releases June 2023

Serena’s Review: “The Thorns Remain”

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Book: “The Thorns Remain” by J.J.A. Harwood

Publishing Info: Magpie, May 2023

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: A dance with the fae will change everything

1919. In a highland village forgotten by the world, harvest season is over and the young who remain after war and flu have ravaged the village will soon head south to make something of themselves.

Moira Jean and her friends head to the forest for a last night of laughter before parting ways. Moira Jean is being left behind. She had plans to leave once – but her lover died in France and with him, her future. The friends light a fire, sing and dance. But with every twirl about the flames, strange new dancers thread between them, music streaming from the trees.

The fae are here.

Suddenly Moira Jean finds herself all alone, her friends spirited away. The iron medal of her lost love, pinned to her dress, protected her from magic.

For the Fae feel forgotten too. Lead by the darkly handsome Lord of the Fae, they are out to make themselves known once more. Moira Jean must enter into a bargain with the Lord to save her friends – and fast, for the longer one spends with the Fae, the less like themselves they are upon return. If Moira Jean cannot save her friends before Beltine, they will be lost forever…

Completely bewitching, threaded with Highland charm and sparkling with dark romance, this is a fairytale that will carry you away.

Review: Here’s another example of cover lust! But I was also drawn in by the fact that I’ve been on a bit of a good run with Fae/Faerie books in the last few months. I gave high ratings to both “The Fairy Bargains of Prospect Hill” and “Emily Wilde’s Encyclopaedia of Faeries”. I was also particularly intrigued by the description of this one and its inclusion of dancing with the Fae. It’s a pretty well-established piece of fairy lore (I’ve always loved the “Seven Dancing Sisters” fairytale especially!) and it can swing either romantic or highly dangerous. With hints at powerfully dark Fae and bargains, I have to guess this one might swing towards the latter. Either way, count me in!

Moira Jean and her friends have always know there was future was to depart their small village and make lives for themselves out in the greater world. As young women, this departure and future would largely be tied to their marriages. But when Moira Jean’s beloved dies in the war, her world is rocked and her future torn to shreds. When her friends go out into the forest to dance and celebrate one last time before they leave home, Moira Jean joins them. There, they are joined in their dancing by the wild and dangerous Fae and one by one, Moira Jean’s friends are stolen away. Now it up to her to rescue them, entering into dangerous bargains with Lord of the Fae who is as mysterious as he is beguiling.

So this book both was and wasn’t what I was expecting. It’s always interesting to see the balance that different authors take with their Fae, some leaning towards the more human and romantic versions, while others delve deeper into the cruelty and danger the Fae represent. This book neatly presents both options, and I think this was probably the biggest strength of the book. There is a romantic plotline, but we are never allowed to forget that the Lord of the Fae is distinctly not human. Furthermore, many aspects of the relationship that Moira Jean develops with him is comprised of supremely unhealthy dynamics, and much of the story is Moira Jean confronting these realities. This is also tied into Moira Jean’s overall arch, one that sees her struggling to define herself and her life outside of the rather co-dependent relationships she has traditionally relied upon.

That said, I struggled with the end of this book. On one hand, I liked the resolution to the romance and how that was handled. But there were many questions left unanswered about just how these actions worked within the larger Fae world and rules that we had been presented with. Further, the manner in which Moira Jean escapes her situation undercut her agency. I wish she had been more actively involved in solving her problems, and I think this would have been the button that was missing on her character arc. The pacing was also a bit all over the place. The ending, especially, felt rushed and thus a bit anti-climatic.

As a character, Moira Jean was enjoyable when she was spunky and active. But there were also times that she read as very annoying and those were the times that it became hard to understand what a powerful Fae lord would see in her. Kind of like the pacing and the world-building, there was such a mix of good and bad elements that I was often left feeling off-kilter and struggling to connect to the story. I think there were a lot of good ideas here, it just didn’t feel like everything came together the way one would want. If you’re a big fan of Fae stories that focus on the darker element of these magical beings, than this book is probably worth checking out. But I do think there are more complete versions of a similar story to be found.

Rating 7: A bit of a frustrating read as I really enjoyed it at times and then, conversely, struggled at others.

Reader’s Advisory:

“The Thorns Remain” can be found on these Goodreads lists: Books like Hozier songs and Can’t Wait Sci-Fi/Fantasy of 2023

Year of Sanderson: “The Hero of Ages”

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“Year of Sanderson” is an on-going, monthly series that will post on the last Friday of each month in which I will cover various Brandon Sanderson-related things. This will largely be comprised of book reviews (some from his back catalog and some from the books being released this year), as well as assorted other topics like reviews of the items in the swag boxes that will be coming out as part of Sanderson’s Kickstarted campaign. Frankly, we’ll just have to see what we get from this series, very much like the Kickstarter itself!

Book: “The Hero of Ages” by Brandon Sanderson

Publishing Info: Tor Fantasy, October 2009

Where Did I Get this Book: own it

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Who is the Hero of Ages?

To end the Final Empire and restore freedom, Vin killed the Lord Ruler. But as a result, the Deepness—the lethal form of the ubiquitous mists—is back, along with increasingly heavy ashfalls and ever more powerful earthquakes. Humanity appears to be doomed.

Having escaped death at the climax of The Well of Ascension only by becoming a Mistborn himself, Emperor Elend Venture hopes to find clues left behind by the Lord Ruler that will allow him to save the world. Vin is consumed with guilt at having been tricked into releasing the mystic force known as Ruin from the Well. Ruin wants to end the world, and its near omniscience and ability to warp reality make stopping it seem impossible. Vin can’t even discuss it with Elend lest Ruin learn their plans!

Previously Reviewed: “Mistborn” and “The Well of Ascension”

Review: Here we are, the last book in Sanderson’s first Mistborn trilogy! And this is very much where the proof was in the pudding as far as his future as a rock star fantasy author goes! It’s one thing to write a great started to a series. Another to not get caught up in the sophomore slump of the second novel. But it’s an entirely different beast to tackle an ending. And boy oh boy, what an ending it is!

Things are not looking up for Vin and Elend. Yes, Elend evaded death by becoming a Mistborn himself, but balancing his duties as leader with learning to master the powerful abilities now at his hands is more than most can accomplish. For her part, Vin is grappling with the world-changing results of her actions after she accidentally released Ruin, an almost all-powerful destructive force, back into the world. Now, with the very world around them turning against them, Vin and Elend must fight once again not just for the freedom of their people, but for their very survival.

What can I saw about this book that hasn’t been said a million times before and isn’t just me reduced to incoherent gushing?? I mean, simply put, it’s an excellent book and a fantastic finisher for the trilogy as a whole. It is the conclusion of large character arcs for both Vin and Elend which has seen each character grow from fairly simple beginnings to the very complex beings we see here. As the challenges they face have grown more complicated, so, too, do we see Elend and Vin grapple with decisions that seemingly have no “good” answer. Vin, in particular, a being who is almost all-powerful in her own way, must learn navigate the complicated fall-out of the decisions she made in the previous book. And, for his part, Elend, now granted the abilities that Vin wields so masterfully, must face where his strengths and Vin’s differ.

In many ways, this book has a much darker, more grim overall tone. The world is literally falling apart around our cast and crew, and, like I mentioned above, the decisions they are facing have no easy answers. That said, these dire circumstances are prime ground for more world-building and the exploration of this planet’s complicated history. There is one particular reveal that comes over the course of this trilogy that is truly impressive. In fact, there are so many reveals about how certain beings and magic systems work that come to light in this last book that it is proving fairly hard to review it! Suffice to say, one of the true joys of reading this book is seeing how it weaves together loose threads (and even things that the reader didn’t know was a threat at all!) from the previous two books.

I also think that Sanderson nails the end of this book. Almost all of the characters ended up in situations that were completely different than what I had expected going in. The stakes are high and the end result is appropriately bittersweet. This story is also fairly action packed from start to finish, as can only be expected in a plot focused on preventing the literal destruction of an entire people and world! In a similar vein as the “threads you didn’t know where threads” aspect of the first two books, this book lays out very subtle hints about Sanderson’s larger Cosmere universe as a whole that pay off nicely for fan who go on to read his other works.

Rating 9: An excellent conclusion to the trilogy and proof that Brandon Sanderson has all the goods, from start to finish!

Reader’s Advisory:

“The Hero of Ages” is on these Goodreads lists: Most Interesting Magic System and Best Heroine in a Fantasy Book.

Serena’s Review: “Witch King”

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Book: “Witch King” by Martha Wells

Publishing Info: Tor, May 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: “I didn’t know you were a… demon.”
“You idiot. I’m the demon.”
Kai’s having a long day in Martha Wells’ Witch King….

After being murdered, his consciousness dormant and unaware of the passing of time while confined in an elaborate water trap, Kai wakes to find a lesser mage attempting to harness Kai’s magic to his own advantage. That was never going to go well.

But why was Kai imprisoned in the first place? What has changed in the world since his assassination? And why does the Rising World Coalition appear to be growing in influence?

Kai will need to pull his allies close and draw on all his pain magic if he is to answer even the least of these questions.

Review: While I’m not up-to-date with Martha Well’s current, very popular “Murderbot” series, I am a big fan of her in general. I read all of her “Books of Raksura” series a decade or so ago, for example. As with many SFF authors, it can become quite intimating to start up on a long-running series, regardless of how much one likes the author in general. So when I saw that she was releasing a stand-alone fantasy novel, I jumped on the opportunity to get back to reading her work. Let’s dive in!

After awakening from his own murder, Kai is fairly disturbed. As a demon, changing bodies is not pleasant, but it is manageable. What’s more worrying is the loss of time and the changing political movements of the world at large. With generations of lives making up his own long life-span, Kai is dependent on the few allies he has who have also experienced both his past and his present. But now they, too, are missing, and Kai is desperate not only to find them but to uphold a promise made long ago.

Brandon Sanderson is indisputably the current master of fantasy world-building. But I think what is not acknowledged is Martha Wells’ dynasty as a master of original character work. Not only are all of her characters enfolded in complex, layered arcs in each of their books, but she also has a real skill at writing non-human protagonists that, none the less, reflect very human challenges, joys, and sorrows but through very unique angles. The “Murderbot” series is an obvious example, but the series I read about a decade ago also featured an entire world “peopled” by alien creatures without a humanoid in sight (that I remember at least). And here, in this book, Wells is back at it, presenting us not only with Kai, a demon, but with an entire society built up around various peoples, many humanoid but not quite human either.

But, of course, Kai is our main character. And while some of the typical lore around demons is touched on, it is clear early on that Kai is not the sort of demon we are familiar with. Instead, his kind have formed a symbiotic pact with a group of human people where both societies benefit from the intermingling of their kind. But, through a series of flashbacks seen throughout the book, a powerful and ruthless new group of magic users began a marching conquest of the known world that resulted in the decimation not only of demon kind but also of the many peoples who make up this world.

The use of these flashbacks was incredibly effective, though I will say they highlight another crucial aspect of Wells’ writing style. She’s definitely of those high fantasy authors who creates incredibly complex and nuanced worlds and just plops her readers down right in the middle of the action. You basically have to be comfortably not understanding everything you’re currently reading on the page. Instead, the joy is found in trusting that understanding will come, and it will come in a very specifically constructed and directed manner laid out by the author. In this book, as the story is about a being who has lived for generations, these flashbacks do a lot of work to really set up the stakes of the current situation. Not only the history behind the current political upheaval, but also the relationships Kai has formed with his small band of allies, all of whom we slowly meet throughout the story.

The writing and plotting is also incredibly tight. There were moments when I was laughing out loud at the dialogue and Kai’s distinctly unhuman manner of looking at the world. But then there would be heart-wrenching scenes that perfectly highlighted that while not all of these characters are human, they still experience the same sense of love and betrayal, hope and despair. The pace was steady and even throughout the story, and I enjoyed the themes of found family, trust, and the struggle of individual cultures and peoples when facing a powerful enemy. Overall, I can’t recommend this book enough to SFF readers. It’s definitely not an “entry level” story, but if you’re a fantasy fan who enjoys slowly building an understanding of a world and story, than this is the perfect book for you!

Rating 10: A sprawling world and history to explore alongside the best grumpy, snark demon I can imagine!

Reader’s Advisory:

“Witch King” can be found on this Goodreads list: Can’t Wait Books of 2023

Serena’s Review: “Atalanta”

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Book: “Atalanta” by Jennifer Saint

Publishing Info: May 2023, Flatiron Books

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Princess, Warrior, Lover, Hero

When Princess Atalanta is born, a daughter rather than the son her parents hoped for, she is left on a mountainside to die. But even then, she is a survivor. Raised by a mother bear under the protective eye of the goddess Artemis, Atalanta grows up wild and free, with just one condition: if she marries, Artemis warns, it will be her undoing.

Although she loves her beautiful forest home, Atalanta yearns for adventure. When Artemis offers her the chance to fight in her name alongside the Argonauts, the fiercest band of warriors the world has ever seen, Atalanta seizes it. The Argonauts’ quest for the Golden Fleece is filled with impossible challenges, but Atalanta proves herself equal to the men she fights alongside. As she is swept into a passionate affair, in defiance of Artemis’s warning, she begins to question the goddess’s true intentions. Can Atalanta carve out her own legendary place in a world of men, while staying true to her heart?

Full of joy, passion, and adventure, Atalanta is the story of a woman who refuses to be contained. Jennifer Saint places Atalanta in the pantheon of the greatest heroes in Greek mythology, where she belongs.

Review: While nothing has quite reached the high that was “Circe” when we read that for bookclub last year, I’m still feeling fairly positive about Greek retellings as a whole. There are just so many great female characters in that pantheon and collection of stories that are only mentioned briefly but who hint at fascinating, untold histories. Such is the case with Atalanta, a character who is only briefly mentioned as a member of the Argonauts and then has some brief adventures as a runner until, predictably, she’s tricked by a man into marriage and they both suffer tragedy at the hands of the gods. So…there’s a lot of small mentions, but not much of an overall arch. All of this to say, I was incredibly excited to see that Jennifer Saint was giving this powerful woman a story all of her own!

Left for dead on the side of a mountain as an infant, Atalanta’s life seemed destined to be short and cruel. But instead, the goddess Artemis takes her under her wing, raising her to become a powerful huntress. As a grown woman, Atalanta begins to long to test her skills in a human world that she has only ever seen from a distance. So when Artemis tasks her to join the heroic quest of Jason and his Argonauts, Atalanta is eager to join the adventure and bring glory to her goddess. As she journeys, she begins to understand that what makes a hero may be very different than what she had previously suspected. And that, as women, she and the other women she meets bring their own form of power in a world that often sees them shunted to the side.

So, I won’t skate around the main point: I loved this book! As I said, it’s been fairly hit and miss for me with these retellings from the perspectives of lesser known female characters from various pantheons. And when we read “The Witch’s Heart” for bookclub, it began to highlight one of the things I was starting to struggle with. While “Circe” was a powerful look at womanhood and motherhood, after reading a few other similar titles, I began to feel like they were all telling similar versions of these women’s experiences. And, yes, these are important insights into the challenges, joys, and sorrows of the life of these women. But, as with any good thing, too much of one version of any character can begin to feel reductive. So, into this landscape, Atalanta arrived like a breath of fresh air.

In Atalanta, we find a powerful woman who never questions her own value, even when faced with the doubters of the world. She remains confident in her abilities and is determined to gain glory for her goddess, not to just prove men wrong, but because it is simple what she desires to do. Atalanta joins a crew of men and sets out to live a life just as unrestrained as those around her, unwilling to be limited by false chains that others would place upon her based on her sex. I loved the fact that the author forego the tendency to force her powerful female character to suffer an onslaught of self-doubt in the face of ugliness from the world.

Not only was she an excellent character in all of these ways, but as the story progresses and the adventures take us through the lives of other Greek female characters, Atalanta provides a running commentary on the way these women’s lives are shaped by the men around them. And while poignant, the book never feels preachy about any of these points.

I also really appreciated the way this book dealt with the romance and motherhood aspects of Atalanta’s story. Here, the book really makes a name for itself as different than the other books in this genre that I have read. There are two romances in this story, and I very much appreciated the different ways that Atalanta experienced these relationships. They both do important work to further highlight Atalanta’s story as a human’s story, not just a woman’s. She, too, like the men around her, can enjoy a romance without wishing to tie her life to another. But then her experiences of pregnancy do focus in on the way that the biological reality of women is very different. However, again, I enjoyed this different experience of motherhood. Here we have a woman who never wished to have a child, who is not swept away by a magical sense of attachment when her baby arrives. Instead, she feels responsibility and duty to do best by this child, but recognizes that the best life for both her son and herself may be one apart from one another. I really liked this different approach, and it felt true to the character we had been reading about up to this point.

The last part of the book is devoted to the famous race that Atalanta takes part in. Here, too, I liked the subtle changes the author made to not reduce Atalanta’s agency in her own story. I also really liked the way the end of the story was dealt with, providing a unique, and, again, true-feeling conclusion to this heroic woman’s tale. I will say, however, that the last quarter of the story did feel a bit rushed. Overall, if I had one qualm about the book, it would be the pacing. In some ways, the story feels very much like it is ticking away at the bullet point references to Atalanta that we have from the original stories. But, again, I enjoyed this character and the highlighted experiences of the various women included too much to have many complaints about pacing and a rushed ending. This is a must-read for any fans of fantasy stories like “Circe” that feature strong, female characters.

Rating 9: Powerful and sure-handed, Jennifer Saint brings to life a new hero, a woman who knows her value and will not let any man shunt her to the side.

Reader’s Advisory:

“Atalanta” can be found on these Goodreads lists: Feminist Retellings Of Greek Myths and Historical Fiction – Greece.

Blog Tour: “The Late Mrs. Willoughby”

This post may contain affiliate links for books we recommend. Read the full disclosure here.

Book: “The Late Mrs. Willoughby” b y Claudia Gray

Publishing Info: Vintage, May 2023

Where Did I Get this Book: from the marketer!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Catherine and Henry Tilney of Northanger Abbey are not entirely pleased to be sending their eligible young daughter Juliet out into the world again: the last house party she attended, at the home of the Knightleys, involved a murder—which Juliet helped solve. Particularly concerning is that she intends to visit her new friend Marianne Brandon, who’s returned home to Devonshire shrouded in fresh scandal—made more potent by the news that her former suitor, the rakish Mr. Willoughby, intends to take up residence at his local estate with his new bride.

Elizabeth and Fitzwilliam Darcy of Pemberley are thrilled that their eldest son, Jonathan—who, like his father, has not always been the most socially adept—has been invited to stay with his former schoolmate, John Willoughby. Jonathan himself is decidedly less taken with the notion of having to spend extended time under the roof of his old bully, but that all changes when he finds himself reunited with his fellow amateur sleuth, the radiant Miss Tilney. And when shortly thereafter, Willoughby’s new wife—whom he married for her fortune—dies horribly at the party meant to welcome her to town.

With rumors flying and Marianne—known to be both unstable and previously jilted by the dead woman’s newly made widower—under increased suspicion, Jonathan and Juliet must team up once more to uncover the murderer. But as they collect clues and close in on suspects, eerie incidents suggest that the killer may strike again, and that the pair are in far graver danger than they or their families could imagine.

Previously Reviewed: “The Murder of Mr. Wickham”

Review: I really loved “The Murder of Mr. Wickham” when I read it last year. So much so that it became my preferred present for the many readers in my family. Not only was it an excellent mystery, but the author managed to do the near-impossible and accurately depict not one, not two, but a huge cast of Jane Austen’s most popular characters. And on top of that, she created two new characters who were able to hold their own in this very competitive cast. All of this to say, I was incredibly pleased to see that there was a sequel coming out this year!

When Juliet Tilney sets out on another social visit, she’s confident in assuring her parents that there is no possibility of murder this go around. Oh, how wrong she will be. For, when visiting the still-struggling Marianna Brandon, Juliet Tilney is introduced to the Willoughbys, and during one note-worthy dinner party, what should happen but that Mrs. Willoughby drops dead of poison. Now, with the help of her friend Jonathan Darcy, Juliet once again sets out to get to the bottom of the mystery.

I was really excited to see what this book had in store. While I was very impressed with the first book, it was also very much a product of the specific circumstances that made up the plot. Jonathan and Juliet were excellent new characters, but the work of carrying the plot and the interest of the reader, was largely hefted by the sprawling cast of popular Jane Austen heroes and heroines. This book is a much more tightly focused story with a much more limited cast of characters. In this way, Jonathan and Juliet had more work to do to carry the book largely on their own. And I think they were more than capable of the job!

I really liked the continued exploration of Jonathan’s low level autism and how his life has been shaped by the reactions of others and their ability or inability to accept or understand him. Here, we get an insight into Jonathan’s past as a victim of bullying at the hands of none other than Mr. Willoughby himself. We also see Jonathan struggle to understand his changing feelings for Juliet and realizing that he, and not only others, has been placing limitations on himself. It was an interesting and subtle exploration that I thought worked very well. For her part, Juliet’s story is much more straight-forward. But I particularly enjoyed the small commentary that ran through the book that acknowledges the limited choices that young women like Juliet faced. A social visit such as this, where Juliet travels to live with her friends the Brandons for several weeks, would not just be a trip of leisure. No, a large chunk of the expectations and motivation would be that a young woman would gain access to new society and new opportunities for marriage. Juliet reflects several times on the challenges between balancing the very practical concerns of a woman such as herself, one with only limited financial support from her family, with her own romantic preferences.

I also really enjoyed the mystery in this one. I was able to predict a few of the secondary aspects of the mystery, but the author did a great job of laying out believable red herrings and misdirecting the reader effectively from the larger truth behind what had happened and why. The motivation, in particular, was interesting and played into a plotline that I had been thinking of as a completely separate thing up until the end.

I will say, however, that this one did suffer a bit by the loss of the other Jane Austen characters. While I enjoyed Juliet and Jonathan immensely, my own preferences for Austen’s characters would not have me picking a focus on “Sense and Sensibility” and all of the secondary characters that make up this book’s cast. As these characters connect to the first book, I understand why this choice was made, and I also think that, as a whole, they were all done very well. I really liked getting to see Eleanor and Edward, in particular. But Brandon and Marianne just aren’t top choices for me, personally, so I couldn’t help being a bit less interested in their dynamics.

This was a very solid follow-up to the first book! In many ways, Claudia Gray made more a statement with this book than with the first: that wasn’t just a happy chance! No, she’s just that legitimately talented. Fans of the first book will definitely enjoy this, and I recommend both of these books to any fans of historical mysteries or Jane Austen.

Rating 8: With the first book, Gray made a splash as one of the best authors tackling Jane Austen re-imaginings today. With this one, she cements her place in the genre.

Reader’s Advisory:

“The Late Mrs. Willoughby” isn’t on any Goodreads lists, but it should be on Jane Austen Re-tellings.

Serena’s Review: “Fractal Noise”

This post may contain affiliate links for books we recommend. Read the full disclosure here.

Book: “Fractal Noise” by Christopher Paolini

Publishing Info: Tor, May 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: July 25th, 2234: The crew of the Adamura discovers the Anomaly.

On the seemingly uninhabited planet Talos VII:a circular pit, 50 kilometers wide.

Its curve not of nature, but design.

Now, a small team must land and journey on foot across the surface to learn who built the hole and why. But they all carry the burdens of lives carved out on disparate colonies in the cruel cold of space. For some the mission is the dream of the lifetime, for others a risk not worth taking, and for one it is a desperate attempt to find meaning in an uncaring universe. Each step they take toward the mysterious abyss is more punishing than the last.

And the ghosts of their past follow.

Review: I was aware that Christopher Paolini had written a science fiction novel in the last few years. I’m pretty sure it’s somewhere on my monstrous Goodreads TBR list. But as is the case so often, once a bit of time has passed, it’s very hard for me to make room in my reading schedule to scour back through these past picks. Instead, I saw this new sci-fi novel coming out by him this spring and decided, ah, yes, here is where I will make up for missing the first one! So let’s see what’s in store!

A small crew, while out on a typical, exploratory mission, comes across something that confounds all explanation: a monstrously huge hole, dug on the surface of an uninhabited planet, and so perfectly circular that it cannot be natural. But with no signs of intelligent life, who or what created this hole and what is its purpose? Alex, a man running from his past, lands on the surface and sets out with a small team to cross the barren wasteland to reach the hole. But as they travel, the constant, resonating “boom” produced by the hole begins to test their sanity and their will.

Before I get into the review itself, I want to address what has happened on the Goodreads page for this book. It came out that the cover art chosen for this book was created using AI technology. In response, many reviewers took to Goodreads to protest this decision, and the loss of livelihood that it represented for illustrators, by review bombing this book with one star ratings. I think there is a very complicated, interesting, and unavoidable conversation to be had about how AI will impact many industries going forward, including this one. By no means do I feel that I have the answers to this. However, one thing I am firmly against is the cognitive dissonance displayed by review bombers tanking the ratings of a book, A WORK OF ART BY AN AUTHOR, to protest the decision of the publisher to forego supporting cover artists by using AI technology. There are places to have this conversation and protest this decision, but to destroy the rating for a book (again, created by an artist, the author) in the name of supporting artists…there’s just something supremely disjointed and misplaced about this. Obviously, Paolini is a big-name author, but I don’t think that should even have a place in the conversation. He’s still an artist who created a work of art and is now being trashed by readers for a decision a publisher made…all in the name of supporting artists. It’s unfortunate in every way and a shame to see. But on to the actual review…

I really enjoyed this book! As I said, I’ve haven’t read anything by Paolini since the “Inheritance Cycle” so many years ago. And while I enjoyed those, I also felt the writing itself lacked a bit of polish. But I can definitely see the improvements that time has played on Paolini’s style. Here, the writing felt confident and tidy, neatly weaving in and out between the events of Alex’s past and the building terror and dread that is his current situation. I also liked the exploration of grief, regret, and the mental barriers that we can create for ourselves. Alex’s journey is one largely of self-destruction and a search for meaning when he has begun to doubt that such a thing will ever exist for him again.

I also really liked the science fiction elements of this story. In many ways, this was a very restrained story, taking place largely on a barren planet with very few alien aspects. Instead, it very much reads as a survival story, with more and more things going wrong for the team and their struggles to continue on in the face of growing dangers. On top of this, the description of the corrosive effects on the mind that are the constant powerful winds the team must walk into and the ever-present, mind-numbing “booms” that are emitted from the hole are excellent. The increasing sense of doom is pervasive and very effective. I also will say that I’ve found that science fiction is a great release for my love of survival stories. With stories set in our own world, all too often I find myself bogged down on the details of survival stories and whether or not I find them believable. But science fiction? Who am I to say what is and isn’t possible? Honestly, it’s kind of a relief, since I really do enjoy survival stories and no one is more annoyed by my obsessive ways with these types of tales than me!

Overall, I thought the pacing was pretty good, but I do think it floundered a bit at the end. For all of the psychological build up, Alex’s experiences and reflections in the end all felt a bit too predictable and trite. I really like the general concept of the end, especially the reflections on the vast unknown that the hole represents, but it did feel a bit clumsy. And then it kind of just ended, which was also a bit jarring. But, still, I really enjoyed this one. I can’t speak to how similar or not this is to his first book, but I think this one will be enjoyable to most science fiction fans, especially those who enjoy survival stories and a slower, carefully paced story.

Rating 8: The brutal and harsh alien terrain perfectly parallels the mental and emotional journey of a protagonist who struggles with grief and finding meaning in a life full of wonder and tragedy.

Reader’s Advisory: Obnoxiously, “Fractal Noise” is mostly on Goodreads lists about AI art which, while an interesting conversation on its own…is not a useful list for readers actually looking for recommendations for similar reads. It is on 52 Book Club 2023: #32 Published By Macmillan.

Serena’s Review: “A Crown of Ivy and Glass”

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Book: “A Crown of Ivy and Glass” by Claire Legrand

Publishing Info: Sourcebooks Casablanca, May 2023

Where Did I Get this Book: ARC from the author!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Lady Gemma Ashbourne seemingly has it all. She’s young, gorgeous, and rich. Her family was Anointed by the gods, blessed with incredible abilities. But underneath her glittering façade, Gemma is deeply sad. Years ago, her sister Mara was taken to the Middlemist to guard against treacherous magic. Her mother abandoned the family. Her father and eldest sister, Farrin—embroiled in a deadly blood feud with the mysterious Bask family—often forget Gemma exists.

Worst of all, Gemma is the only Ashbourne to possess no magic. Instead, her body fights it like poison. Constantly ill, aching with loneliness, Gemma craves love and yearns to belong.

Then she meets the devastatingly handsome Talan d’Astier. His family destroyed themselves, seduced by a demon, and Talan, the only survivor, is determined to redeem their honor. Intrigued and enchanted, Gemma proposes a bargain: She’ll help Talan navigate high society if he helps her destroy the Basks. According to popular legend, a demon called The Man With the Three-Eyed Crown is behind the families’ blood feud—slay the demon, end the feud.

But attacks on the Middlemist are increasing. The plot against the Basks quickly spirals out of control. And something immense and terrifying is awakening in Gemma, drawing her inexorably toward Talan and an all-consuming passion that could destroy her—or show her the true strength of her power at last.

Review: First off, thanks so much to Sourcebooks Casablanca for sending me an ARC of this book! I was so excited when I received it in the mail, as it’s been sitting pretty high on my wishlist of books to read in 2023. I wasn’t Legrand’s most ardent fan with her YA trilogy (I found that it began to fall into a few too many YA fantasy tropes for my preference), but there was never any question regarding her overall skill as an author. Her writing always came across as supremely confident and competent. That made me all the more excited to check out her first foray into adult fantasy, especially adult fantasy romance! Let’s dive in!

Gemma has grown up with a very priveleged existence: rich, beautiful, and a member of one of the most powerful families in the land. But, at the same time, Gemma has always felt herself to be on the outside looking in. Not only does she not possess any of the magical talent that her family is known for, and that both of her older sisters excel at in their own ways, but magic actively hurts Gemma, causing her to move through life in a very magical world experiencing constant levels of pain. When Gemma meets Talan, a young man who also feels that he exists outside the strictures of society, she finally begins to see a way forward, teaming up with him to hunt a powerful demon who may be the answer to her struggles with magic. But along the way, she begins to suspect that there is much more going on with Talan and the larger world as a whole.

So, I’ll be honest, I’ve had this post started for a few weeks now and every time I pull it up to actually write my review, I become super intimidated and find excuses to do other things. Mostly this is because I’m still not quite sure how I feel about this book! I have some extremely opposing feelings about almost every part of it. But one thing I think I can confidently start with is one of the things I referred to in my introduction: this author knows how to write. I immediately felt drawn into this world and these characters. As the story progressed, the magic and world itself felt as if it was unrolling before me, presenting more and more insights into the world-building that was on a much more grandiose scale than I had originally thought. Regardless of anything else in this review, the appeal of Legrand’s prose is enough to keep me reading this trilogy going forward.

But where my opinions become more divided is with the characters and the pacing of this story. Let’s start with the pacing and plotting. This book was blurbed as “Bridgerton meets ACOTAR.” Maybe I should have know right from there that I would be conflicted about this book! I mean, I really enjoy Bridgerton and I absolutely loathe ACOTAR. And I can confirm that both of those references feel very on point and accurate to what you’ll get if you pick up this book. I’ll even go as far as to say that the ACOTAR aspects were by no means as frustrating to me as ACOTAR itself. Indeed, I very much liked these parts of the story! No, the problem came in a very unique way. The book almost literally feels as if it has been split down the middle by these two comparisons. The first half is Bridgerton, with fantastical balls, social hierarchies, fancy gowns, and romance. And then, boom! The second half hits and we’re full on ACOTAR with magical barriers and fantasy creatures and magical systems. And, again, I enjoyed this half too! The problem is that, overall, it left the book feeling very disjointed and created a jarring reading experience. I was all down for the regency fantasy, and then it was like a bait and switch to suddenly be dropped down into a much more “traditional” fantasy setting. And due to the fact that much of the plot really takes place in the second half, I was left feeling as if the book could have been edited down quite a bit from the Bridgerton stuff of the beginning, as much as I liked it on its own.

Now, to the characters. First, I think that Legrand did an excellent job of portraying the experiences and life of someone who lives with chronic pain. Gemma is very straight-forward with her struggles while also never becoming self-pitying. She is frustrated with her limitations, while also not belittling herself. I also really like the way this aspect of her character plays out over the entire arc of the book. Unfortunately, that was about all I liked about Gemma. I get that the author was very intentionally writing this character as rather frivolous and selfish; indeed, Gemma herself comments on these aspects of her personality. And I think the book used these traits to also do a great job of diving into self-loathing and self-harm. But over the course of the book, while Gemma does experience growth, I still struggled to really like her or feel invested in her story.

But, here comes the other side of the character issue: I REALLY liked both of her sisters. Honestly, fairly quickly into the book I realized that I was mostly reading on for the glimpses we get of these two and trying to piece together the stories we’ll get from them. I was even more invested into the glimpses of what I can only guess will be the central romance for one of the sisters than I was in Gemma’s own romance. There, too, I struggled with Gemma’s story. Talan felt very one-note when he was first introduced. And then as he went on, he had a few scenes that made him incredibly unlikable. The story does go on to make this a fairly central part of the plot, but it’s hard to recover from on the romance front when the author sets the reader on a path of questioning and disliking the romantic hero from the very start.

So, overall, this was a very mixed bag for me. I think, in the end, I didn’t end up loving this book. But, BUT!, on the other hand, I’m supremely invested in the next book in this series and can’t wait to get my hands on it! Given the nature of my complaints with this book, they all feel of the very specific sort that won’t be a problem in the books going forward. Both sisters seem like much more interesting characters than Gemma. The romantic interest/plot for one of them is already laid out and is incredibly appealing. And I think the world-building is now established enough that we won’t have the same plotting/pacing issue going forward where the tone is unclear between Bridgerton or ACOTAR. So, all of this to say, while I did struggle with this book, I do recommend it for fantasy romance readers based on my faith that the trilogy will turn out to be well worth it as a whole.

Rating 7: A very mixed bag for this book specifically, but I was definitely sold on the concept and anxiously await the next entry in the trilogy!

Reader’s Advisory:

“A Crown of Ivy and Glass” can be found on these Goodreads lists: Novels with “Crown” in the Title and Epic High Fantasy/Romance/Mythology in 2023.

Serena’s Review: “Beauty Reborn”

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Book: “Beauty Reborn” by Elizabeth Lowham

Publishing Info: Shadow Mountain Publishing, May 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Beauty’s life is the stuff of fairy tales. The youngest in her family, Beauty isn’t trying to catch Stephan’s eye. He is the lord baron’s heir, well above her family’s modest station, but when he kisses her hand at a party, Beauty is swept away by his charm, his wit, and his passionate declarations of love.

Hearts can be untamable creatures, especially when touched by the fires of first love, and Beauty doesn’t see the truth of Stephan’s intentions until it is too late. Until he stops asking for Beauty’s love—and simply takes it from her one night despite her refusal.

Beauty locks away the secret of what happened to her, and when her father emerges from the enchanted forest with a stolen rose in his hand and the tale of a vicious beast on his breath, Beauty seizes the chance to run as far from Stephan as possible.

She has some experience with beasts, after all. Certainly the one in the forest couldn’t be any worse than the one she’s already encountered.

Breaking the Beast’s curse might be the key to discovering her own path to healing—and finding the courage to allow herself to feel reborn.

Review: First of all, thank you so much to Shadow Mountain Publishing for sending me an ARC of this book! This was definitely one those cover lust situations when it came to my initial interest. I’m on the record as not necessarily loving covers with models or people, but I think this one is dramatic and lovely in all the best ways. It instantly conveys the general tone of the book and immediately draws the eye of the type of reader who I think will likely be interested in this one. When I read on to discover this was a “Beauty and the Beast” retelling, requesting it became a no-brainer!

Beauty’s first experiences with “love” left her traumatized and untrusting. So when her family’s destitution forces them to move from the city to a smaller house in the country, Beauty is relieved to escape the man of her nightmares. And when her father returns from the forest one night raving about a monster, Beauty sees an opportunity to make some use from the tatters that is her current life. But when she arrives at the magical castle and encounters this beastly being, Beauty begins to understand that we are more than the marks that life has left upon us. And that perhaps love can still be in her future.

While this book wasn’t a hit for me, I always want to start with the strengths. One thing that stood out right away was the general readability of the style of writing. The story was very approachable and I think the style of storytelling will appeal to a lot of readers. The use of flashbacks also keeps the pacing zipping along, allowing to Beauty to arrive at the castle and meet the Beast quite quickly. It’s a short book, as well, so this is definitely the kind of fast-moving read that will appeal to fairytale fantasy lovers who want something they can finish over a weekend.

I also liked the general premise of the book, that in many ways Beauty chose to go to the castle as a way of dealing with her own trauma. In theory, she was given a fairly solid arch of her own that she could develop while also falling in love with the Beast and undoing his curse. Unfortunately, this book really struggled to portray either the Beast or Beauty as nuanced, fully realized characters. Beauty’s narration and story felt oddly flat, never giving me anything unique or interesting to really latch on to. Many other authors have played on the starkness of the name “Beauty” to highlight how their version of the heroine is so much more than just a pretty face. Alas, here, this Beauty read just as one-note has her name would suggest.

Beast was even worse, sadly, in that we’re really given next to nothing to go on. He doesn’t have any POV, but there are plenty of other stories that have created interesting and fully realized love interests without getting into the head of the hero. But while he was sweet and kind enough, he was also supremely dull. Again, the term “one note” comes to mind. With both of these characters reading so lackluster on their own, it was almost inevitable that the romance between them would also be a bit of a let down.

Finally, there is really no world building to be found in this book. Randomly it’s mentioned that there are fairies in this world, and that, while rare, they are perfectly understood to just be around. But that’s it. I had a hard time really picturing many of the locations we visit, and ultimately just felt rather unmoored and struggling to fully commit to the story. Ultimately, I think fantasy fans who are very devoted to fairytale retellings miiiiiight want to check this one out, but I do think there are many better versions of “Beauty and the Beast” out there. It’s really too bad though, because there is always room for another excellent version! This just wasn’t it.

Rating 6: Unfortunately, the one-note characters and lackluster world-building left me underwhelmed with this retelling of “Beauty and the Beast.”

Reader’s Advisory:

“Beauty Reborn” is on this Goodreads list: YA Releases May 2023

Serena’s Review: “The Bone Shard Daughter”

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Book: “The Bone Shard Daughter”

Publishing Info: Orbit, September 2020

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: The emperor’s reign has lasted for decades, his mastery of bone shard magic powering the animal-like constructs that maintain law and order. But now his rule is failing, and revolution is sweeping across the Empire’s many islands.

Lin is the emperor’s daughter and spends her days trapped in a palace of locked doors and dark secrets. When her father refuses to recognise her as heir to the throne, she vows to prove her worth by mastering the forbidden art of bone shard magic.

Yet such power carries a great cost, and when the revolution reaches the gates of the palace, Lin must decide how far she is willing to go to claim her birthright – and save her people.

Review: Per the usual for me it seems, sometimes what it takes to get me to finally pick up a trilogy…is for that trilogy to end! Such is the case with this fantasy series. I had seen this one floating around on readings lists for a year or two now, but when Orbit sent out there titles for this spring and I saw the final book the trilogy was due to drop, I figured now was the time! So, let’s see what all the fuss has been about!

Lin continues to work day and night to earn the approval of her father and her place as the heir to his kingdom. But she is hindered by the large blank that is her memory past the point of a few years ago. She may not remember what happened in her past, but she knows that her future hinges on her ability to learn the magic behind her father’s ability to use bone shards to build the powerful magical constructs to allow their vast empire to run. And in other parts of the world, a smuggler who has been on a years-long search for his missing wife, runs across the darker price this bone shard magic extracts from the populace.

There was a lot to like about this book! The first thing that struck me was the interesting world-building and magic system at the heart of the story. And much of this information is unfurled slowly to the reader as one goes along, so there’s a sense of exploration and wonder as new layers of this world are pealed back. Things like the fact that the large islands that make up this empire move through the ocean in a way that must be carefully navigated by all those who travel between them. Hints that there may be more to the constructs than straight-forward magical tools that they seem to be. The discovery of magical creatures that are unknown to even the characters of this world. It made the reading experience, in a simple term, fun.

I also really liked the characters of the story. The POVs switch between four different characters, but Lin and Jovis, the smuggler, are by far the more main characters of the group. I really liked both of them; they each had solid character arcs and voices that lent excitement and interest to their chapters. Lin’s story is very much the heart of this book (as evidenced by the title of the book), but I almost found myself enjoying Jovis’s story the most. For one thing, he’s the one that ends up with the adorable, magical animal companion. And I’m always going to gravitate towards and adorable, magical animal companion. But his story was also full of adventure and danger, leading his chapters to feel fast-moving and action-packed. For her part, Lin’s story is much more one of self-discovery and the slow pealing back of the truths at the heart of her father’s dynasty. Due to her own lack of memories, it’s only naturally that her story plays out a bit slower.

But I also have to say I really didn’t understand the inclusion of the other two characters. They have something like 4-5 chapters between them in the entire book! And the chapters they did have I found frustrating to read. Each, in their own way, seemed to operate in a world of black and whites, neither able to understand the nuances of the other’s position (this was the classic romantic tension of one member being from an upper class and the other a lower). Neither character felt like they were bringing anything unique to the table, either to this conversation about societal structures (which I’ve seen done better) or to this book overall. As this is a trilogy, there’s a possibility that these two will gain importance in future books. But I wish the author had just introduced them then, instead of shoe-horning them in here in a way that left them feeling out of place. I’m not sure why authors are so nervous about doing this, adding characters in as they go, but it’s definitely possible and can definitely enhance a reading experience if done right!

The writing was also solid and neatly laid out themes of power, family, and the lengths we will go to for those we love. The story also ended in such a way that definitely left me eager to check out the next book. I can definitely see why this trilogy got off to such a great start and I recommend it to any fantasy reader who enjoys multi-POV fantasy stories with a strong focus on world-building.

Rating 8: Full of exploration and adventure, this fantasy novel arrives on the scene with a bang and leaves the reader aching for more by the end.

Reader’s Advisory:

“The Bone Shard Daughter” can be found on these Goodreads lists: Most unique, original, and interesting magical systems and Adult-targeted secondary-world fantasy with noteworthy heroines or female protagonists