Kate’s Review: “Yesteryear”

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Book: “Yesteryear” by Caro Claire Burke

Publishing Info: Knopf, April 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel.

My name was Natalie Heller Mills, and I was perfect at being alive.

Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it.

Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.

A gripping, electrifying novel that is as darkly funny as it is frightening,  Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I remember when the announcement for the book “Yesteryear” by Caro Claire Burke hit the publishing news, and the very concept completely had me hook line and sinker. A tradwife homesteader influencer being possibly transported to the early 1800s (aka a time where women had no power or choices in their lives) that she has always claimed to want to experience? And tries to sell it as something that all women SHOULD want to experience? Only to find it to be ABSOLUTELY HORRIBLE?

Oh the sweet sweet irony (source)

So yes, I had pretty high hopes for “Yesteryear”. And “Yesteryear” blew them out of the water.

“Yesteryear” keeps a lot of its secrets hidden away, slowly unveiling them through a couple of unfolding narratives. We start on a typical day on Yesteryear Ranch, with tradwife influencer Natalie Heller Mills going through the motions of content creation for her millions of followers. She presents a front of traditional Christian values, rustic and ‘natural’ living, and a perfect family of multiple children, a perfect husband, and a ranch she runs herself (no one has to see the multiple nannies, the fact husband Caleb is an aimless dolt, or the fact they have MULTIPLE hired hands). You get the sense that something on this day is off, with tension building between Natalie, Caleb, and one of her producers. Then, Natalie awakens to find herself in a dank ranchhouse that looks like Yesteryear but is far more dilapidated, with children that aren’t the children she knows, and a husband who seems like Caleb but is violent and controlling. Not to mention it seems like she has really been transported back in time to the early 1800s, a time she claims to long for where women were submissive to their husbands and eager to fulfill their gendered duties, but is in actuality a nightmare. So the narratives become going to the past to see Natalie’s journey from devout Christian gal to the mogul of an empire that seems to be on the brink, and then the new reality that has her feeling trapped and desperate to escape. I loved the framing of this as they slowly start to converge, and the building tension and questions about what the HELL has happened to Natalie to get from Ballerina Farms-esque wealth and status to actual tradwife hell. It kept me guessing the whole time, presenting not only nightmare scenarios of Natalie’s new normal and her seeking out of answers, but also a clear villain story of how she got to her dream and the people she stepped on to get there. All will be revealed, and done so nearly perfectly, but the slow burn of it all crackles and kept me so hooked I read this in two days.

But the heart of this story (even if it’s a bit of a rancid one, and I mean that in a good way) is Natalie and her trad wife influencer ambitions and how far she will go to achieve them. In other trad wife books I’ve read in the past year, we have protagonists who are definitely complex and are seeking out fame and status with this highly damaging platform and influence, but ultimately they have learning moments and kind of see the error of their ways, or came to their positions through means that are ultimately empathetic and give them some grace. This isn’t a bad thing, really, and I did enjoy the ability to give them grace with the context that we get as the tale goes on. But Natalie? Natalie is also a well rounded character who doesn’t feel like a moustache twirling villain, but she is smug, she is a hypocrite, she is judgmental and cruel, and she is a sly and subtle monster who knows how to hide behind a veneer of piety in order to achieve her goals. Sure there is a Ballerina Farms vibe to her, but there is also a very clear undercurrent of Ruby Franke in her cruelty and her thirst for power at any cost. I was thrilled to see Burke take her places that others haven’t, like the fact that she is more than willing to cozy up with white supremacists and spew bigoted talking points (but in a gentle way) if she can feel superior to everyone else, especially the ‘angry women’ who she feels incredibly victimized by even though she’s hardly a victim. She’s just venomous, and it felt like it was epitomizing the darkest realities of the trad wife movement and its ties to Christo-fascism and white supremacy, and how it gets enmeshed with far right political movements. It’s the harshest critique of the movement I’ve seen and it is spectacular, even if it is deeply, DEEPLY uncomfortable.

“Yesteryear” is phenomenal. It kept me guessing, kept me engaged, and is sure to be a favorite read of the year for me. I’m blown away.

Rating 10: Mind blowing. A fantastic critique of the performance of conservative (to far right) femininity that trad wife content bolsters that is rife with suspense and building dread.

Reader’s Advisory:

“Yesteryear” is included on the Goodreads list “Tradwife Thrillers”.

Highlights: April 2026

Per our predictions from the last Highlights post, March was indeed a tricksy month, with the odd 50 degree days followed by a lovely snowstorm smack in the middle of the month. But sure, SURELY, April will be actually spring?? Right?? Either way, we always have our books to get us through the odd weather events. Here are a few we’re looking forward to this month!

Serena’s Picks

Book: “Burn the Kingdom Down” by Addie Thorley

Publication Date: April 7, 2026

Why I’m Interested: To be honest, this one wasn’t on my radar at all until I received an ARC in the mail unexpectedly. But a quick perusal of the book description revealed several tropes that I particularly enjoy! A revenge story built around avenging the death of a beloved sister, an unwanted engagement, and plenty of court politics set in a fantasy world. I also really like the unique cover art on this one, and am excited to see if the story lives up to the same high!

Book: “The Tricky Business of Faerie Bargains” by Reena McCarty

Publication Date: April 7, 2026

Why I’m Interested: I’ve been chasing the high of the “Emily Wilde” books for a while now, so naturally this one stood out once I came upon it this spring. Aside from my normal interest in Fae/Faerie stories, I’m intrigued by many aspect of this book. A heroine who was stolen away as a child and spent one hundred years in Faerie before coming back to the human world and working as a sort of go-between? The entire concept of the Faerie world intersecting with the human one through the bureaucratic process of creating a business to run their bargains through? All interesting stuff!

Book: “We Become Darkness” by Grace Morrow

Publication Date: April 7, 2026

Why I’m Interested: As opposed to my first pick on this list, I’m interested in this one despite the cover. I’m not sure what is happening here, but I don’t love it. Character art is always a bit of a hard sell, but this one is particularly off-putting. Anyways, the story itself sounds interesting. It is yet another arranged marriage story, so that particular romance may be overrepresented this month. But it also features what sounds like a unique take on Vampyrs, so I’m excited to see how that all plays out here!

Kate’s Picks

Book: “Yesteryear” by Caro Claire Burke

Publication Date: April 7, 2026

Why I’m Interested: The march of the tradwife thrillers/horror/satire continues, and this was the first one that actually caught my eye in this trend when it was announced a couple years ago. Natalie is an influencer with millions of followers, a perfect looking family, and a platform that espouses the joys and benefits of living a ‘traditional’ Christian lifestyle, even though she hides scandals behind a smug disposition. So when she wakes up one morning and finds herself to be an actual traditional wife on a farmstead in what appears to be the early 1800s, she realizes that perhaps the ‘good old days’ aren’t so good after all. I’m far from being sick of this kind of trad wife satire and this one sounds like it pushes many boundaries, so I’m very stoked.

Book: “Japanese Gothic” by Kylie Lee Baker

Publication Date: April 14, 2026

Why I’m Interested: After really loving “Bat Eater and Other Names for Cora Zeng” I was totally thrilled seeing that Kylie Lee Baker had a new adult horror novel coming out this year! And this one sounds like it’s a two time period time travel horror? In the present, Lee has to flee the U.S. after killing his roommate and ends up back in Japan, living in his father’s abandoned house. In the past, disgraced samurai Sen is hiding from Imperial soldiers in a house off the beaten path. Both of them are seeing the other over centuries. I cannot wait to see what Baker does with this one!

Book: “Molka” by Monika Kim

Publication Date: April 28, 2026

Why I’m Interested: Another follow up to a horror novel I just loved! Monika Kim really stood out with “The Eyes Are The Best Part”, and with “Molka” she takes on voyeurism and stalking. Dahye and Hyukjoon have fallen into passionate love, but are caught in a compromising position on video. Then that video gets posted all over the internet, causing a scandal. Hyukjoon is wealthy and he can flee South Korea until the heat dies down. Dahye cannot. When she becomes the new target of another voyeur, she starts to find her rage overflowing, especially as her past secrets start coming out. Sounds salacious. I can’t wait.

What books are you looking forward to this month? Let us know in the comments!

Serena’s Review: “Wolf Worm”

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Book: “Wolf Worm” by T. Kingfisher

Publishing Info: Tor Nightfire, March 2026

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: The year is 1899 and Sonia Wilson is a scientific illustrator without work, prospects, or hope. When the reclusive Dr. Halder offers her a position illustrating his vast collection of insects, Sonia jumps at the chance to move to his North Carolina manor house and put her talents to use. But soon enough she finds that there are darker things at work than the Carolina woods. What happened to her predecessor, Halder’s wife? Why are animals acting so strangely, and what is behind the peculiar local whispers about “blood thiefs?”

With the aid of the housekeeper and a local healer, Sonia discovers that Halder’s entomological studies have taken him down a dark road full of parasitic maggots that burrow into human flesh, and that his monstrous experiments may grow to encompass his newest illustrator as well.

Review: Here I am, back with another T. Kingfisher review! Honestly, this one might have fallen better under Kate’s genres, but I got here first! Seems like every other month I’m reviewing a book by this author, but that’s the great thing about prolific authors, especially when they always deliver.

There was a lot to enjoy about this one for sure. Most especially, I enjoyed the combination of the time period of history alongside the classic gothic trappings of a mysterious house hidden away in the woods and under the care of an even more mysterious owner. But unlike the typical gothic story, there’s no romance to be found here, just body horror galore.

I wouldn’t say that I’m the sort of person who is squeamish about bugs. If anything, my husband is always busy squashing them on first sight while I quietly work behind the scenes to simply transport them to safety outside. All my protestations about spiders being useful bugs seem to fall on deaf ears. THAT SAID, Kingfisher may have turned me around on all things creepy crawly. I don’t live in the south (obviously), but after reading this book, I pretty much never want to visit there again. Bot flies?? No thank you! Forget the creepy mushrooms that reanimated the dead, this thing takes body horror to an entirely new level and man, was it gross at times. Even thinking about some of the scenes now gives me a major ick. That said, it was definitely successful in being creepy for this very same reason. Your fear factor will likely greatly depend on your relationship to bugs, but, like I said, even the most hardened are likely to be grossed out here.

As for the rest of it, we have many of the staples of Kingfisher books. A solid, sympathetic, yet funny, leading lady character. A cast of assorted quirky side characters. And a villainous presence lurking behind it all. Of these all, I think the main character stood out the most. I enjoyed the side characters and villain (such as it was), but they also felt fairly familiar at this point. The main character also felt familiar, but her experiences as a woman working in a male-dominated world and her struggles with imposter syndrome were a compelling personal arc to follow.

I will say that this book is on the slower side. While the characters are the true heart of the story and were enough to pull me in right away, the story takes a while to truly set its scene. There’s a lot of slow buildup as Sonia begins her work and only gradually begins to suspect that all is not right around her. Once the midpoint of the book hits, things pick up from there. But it does create a situation where readers really need to stick with it through some of the quieter moments in the beginning to get to the payoff in the end. For my part, I feel that a lot of this slow buildup is a staple of gothic horror, slowly ratcheting up tension and atmosphere before building to a crisis point. However, it does leave for a bit of an uneven reading experience.

Overall, this was an excellent horror, gothic novel. The bug stuff was truly horrifying, and there are more than one scenes that I wish to scrub from my memory permanently. I have been missing the romance in the last few Kingfisher books I’ve read, but this one is a solid entry in the gothic genre and well worth checking out, especially for those who enjoy body horror.

Rating 8: Bugs have never been more gross, and I mean that in the best way possible.

Reader’s Advisory:

“Wolf Worm” can be found on these Goodreads lists: Horror to Look Forward to in 2026 and Nature Horror.

Kate’s Review: “We Call Them Witches”

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Book: “We Call Them Witches” by India-Rose Bower

Publishing Info: Poisoned Pen Press, April 2026

Where Did I Get This Book: I received an ARC from the publisher

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Most people have been devoured by the eldritch creatures, but Sara and her family have been fighting for survival, armed with their knowledge of folklore and pagan rituals – the only weapon that seems to work against these monsters.

And then a young woman, Parsley, comes out of nowhere into Sara’s life. Found in their garden, they have no idea where she is from.

Sara and Parsley begin to fall in love, but disaster strikes when Sara’s brother Noah is taken by the creatures. They set out to find him, across a landscape of merciless terror, haunted by death.

But can Parsley truly be trusted in a world where humanity is as scarse as humans themselves?

Review: Thank you to Poisoned Pen Press for sending me an ARC of this novel!

It’s been a bit since I read a post-apocalyptic horror tale. It wasn’t really a purposeful decision to do that, and it’s not like I’ve been having the same anxieties about it as I did during COVID (though I will say this war in Iran hasn’t exactly been giving me confidence about global stability at the moment). It just hasn’t been on my radar as much. But when “We Call Them Witches” by India -Rose Bower ended up in my mailbox I realized it had been some time, and that this one sounded like it was going to tell an end of the world story that felt different from previous ones I’ve read as of late.

It’s such a unique take on the end of the world and a post-apocalyptic life, and some of the ways that it is presented felt like “28 Days Later” just in how the environment and the survivors are coping and living a more unstable life by necessity. Our family at the heart of the story is close knit but stressed to the bone, with Sara feeling connected but the constant worry bearing down on all of them. We are seeing the tensions by the time the mysterious Parsley arrives, and while Sara gets closer to her, it causes strife between her and some family members, especially oldest sibling Danny. Sara is a pretty straight forward protagonist, and while in some ways her characterization read a bit more ‘young adult’ to me I liked the hints of tension of a family that has been pushed to the brink, and how that pushes her more towards a new and seemingly open person like Parsley. I don’t know if I bought the insta-love that Sara and Parsley fell into, but I do believe the way that Sara could be looking for that connection given how dangerous the world is and how her family has been buckling under the pressure.

It was the mystery and body horror/folk horror elements of the ‘witches’ that worked best for me in this book. We aren’t given a full on explanation as to what exactly happened to bring these creatures forth, but their menace is intense from the jump, opening with their arrival and a particularly brutal massacre that sends Sara and her family on the run to try and stay alive in a new dangerous world. Some of the descriptions were really nasty, and I really enjoyed the differences between some of the creatures and how we never really get big answers about why they function the way they do. I also liked the use of folklore and mythologies and how it does tend to work as a weapon against them to some degree. As mentioned above, it’s a fun way to explore an end of the world scenario that we haven’t seen as much before in the sub-genre.

“We Call Them Witches” was entertaining and strange. I liked the unique take on the end of the world and the monsters that lurk within.

Rating 7: A creative take on a post apocalyptic world with some interesting folk horror elements.

Reader’s Advisory:

“We Call Them Witches” is included on the Goodreads list “Folk Horror” .

Serena’s Review: “Aicha”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Aicha” by Soraya Bouazzaoui

Publishing Info: Orbit, March 2026

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: The ultimate female rage fantasy, Aicha is a fierce and devastatingly powerful romantic epic fantasy perfect for fans of The Priory of the Orange Tree and She Who Became the Sun.

The Portuguese flag has been planted across Morocco, its empire ruling with an iron fist. But eventually, all empires must fall.

Aicha, the daughter of a Moroccan freedom-fighter, was born for battle. She has witnessed the death of her people, their starvation and torture at the hands of the occupiers, and it has awakened an anger within her. An anger that burns hot and bright, and speaks to Aicha’s soul.

Only Aicha’s secret lover Rachid, a rebellion leader, knows how to soothe her. But as the fight for Morocco’s freedom reaches it violent climax, the creature that simmers beneath Aicha’s skin begs to be unleashed. It hungers for the screams of those who have caused her pain, and it will not be ignored.

Review: I’ve gone on rants about this before, but simplistic writing is by no means synonymous with “YA.” However, the reality is that, for whatever reason, books published as young adult are more prone to watered-down writing. Whether this is due to the publisher pushing an author in this direction or some combination of both the publisher and the author not trusting their audience, the stereotype here is based on at least something. All of this is to say, had this book not included a random-feeling spicy scene, it reads like an example of one of those YA books that is lacking in the writing department.

Not only was the writing fairly bland, but the book heavily relied on telling the readers everything: how the characters felt, how a scene should be interpreted, how the reader should feel about everything that is going on. This wasn’t helped by the slow pacing and the lack of any real tension. For a book about a rebellion and a siege on the horizon, I felt incredibly removed from what was going on on the page and struggled to retain even the barest hint of interest in what was going to happen next. Again, why would I need to invest much in all of this when the author would surely lay it all out for me explicitly shortly thereafter?

None of this was helped by the main character, a woman who, again, read as very immature, both in her actual decision-making and then later in her inability to take responsibility for the poor outcomes of her own choices. The magic system, such as it was, came into play with her powers. These only came into play late in the book and were more confusing than anything by the time they arrived.

I’m also convinced that somewhere in the process someone, be it publisher or agent, told the author that she had to have a smut scene to catch the romantasy gravy train. This scene felt so strange alongside the juvenile writing and shallow characterization, which otherwise would have made it solidly read like a teen book. Beyond that, the romance itself was lackluster, so this scene failed to deliver even there.

Overall, I was very disappointed by this book. This is a debut, so I hate having to write such a negative review for it right out of the gate. But honestly, the writing itself left a lot to be desired. While I think there were some good ideas here, a few solid editorial passes could have helped in a myriad of ways, from tightening up transitions from paragraph to paragraph to reducing the “telling” style of the prose itself. I can’t honestly recommend this book at this time.

Rating 5: A disappointing read. What should have been a tension-filled plot was instead mired in a “telling” style of prose and lackluster characterization.

Reader’s Advisory:

“Aicha” can be found on these Goodreads lists: Debut Poc Authors of 2026 and The Most Beautiful Covers of 2026.

Kate’s Review: “The Curse of Hester Gardens”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Curse of Hester Gardens” by Tamika Thompson

Publishing Info: Erewhon Books, March 2026

Where Did I Get This Book: I received an eARC from the publicist via NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: We Need to Talk about Kevin as if written by Jason Reynolds and Tananarive Due meets Model Home by Rivers Solomon in an innovative twist on the haunted house about a mother desperate to protect her sons from the twin specters of gun violence and otherworldly menace in their public housing project.

Nona McKinley raised three boys in the Hester Gardens section of Medford, Michigan, an impoverished community divided by those who follow their faith in God and those who turn to crime to survive. With her drug dealer husband behind bars and her eldest son shot to death at eighteen, Nona has devoted herself to ensuring her other children escape their brother’s fate.

Her second son Marcus is on the right path. He’s a valedictorian heading to an Ivy League school. He can get out.

But then, strange things start happening to Nona and other mysterious footsteps are heard when she’s alone, people have phantom encounters in the streets, unattended appliances go off at all hours. Even more concerning is the state of Nona’s living sons. Her youngest, Lance, is hanging around with a bad crowd, and Marcus becomes moody and secretive. Sometimes he even seems to act like a different person entirely.

Nona has her secrets too. Her affair with the married church pastor has been weighing on her conscience, but that’s not the only guilt haunting her. She fears that someone—or something— is seeking revenge for an act she made in a moment of weakness to protect her family. And now everyone in Hester Gardens must pay the price

Review: Thank you to Sparkpoint Studio for sending me an eARC of this novel via NetGalley!

I read Tamika Thompson’s short story collection “Unshod, Cackling, and Naked” a few years ago and really enjoyed it. There were so many horror tales that she had in it that were so well done and so compelling, and when I was asked to read her debut novel “The Curse of Hester Gardens” I was really eager to take a look. After all, she had some really strong short stories, and I wanted to see what she could do with a full length novel. And once I started reading, it became quite clear quite quickly how special of a book it was I was reading. I was hooked immediately, knowing that it was going to destroy me.

Given that this is a horror story, I will talk about the supernatural and slow burn dread first. In a similar vein to the film “Candyman” (it’s not a one to one comparison but I was thinking about its themes as I read), we have a housing project that is not only dealing with violence and poverty and being left to the wayside, but is also dealing with hauntings and ghosts of those who once lived there, and an escalating presence. It starts with a bang right from the start, with our protagonist Nona getting ready for her son Marcus’s graduation from high school, and believes that someone, or something, has entered her home, only to be alone. I was hooked from the start, and the creep factor slowly builds and builds with occurences that seem ghostly, but could also be explainable by the realities of living at Hester Gardens. But Thompson does a great job with the kind of weird to the all out terrifying, with resident ghosts making their presences known, and a potential possession of Marcus as he starts acting strange and out of character. There were so many beats with ghosts that could either just be straight forward realities (like a little boy ghost who just pops in and out and the residents are used to it), or something that seems to be growing in malevolence, and Thompson was able to pull different vibes from the various kinds of hauntings and they all worked. There is also some really quiet beats of creepiness, like a stove that keeps turning on, or a voice that could be a family member in the hallway but may NOT be, or straight up nightmare fuel, like a ghost climbing out of a wall to try an grab someone. I loved EVERY level, and the tension builds and builds until it’s unbearable and in need or release.

But the most impactful aspect of this book is the way that Thompson has taken a haunted house and ghost story theme and made it more explicitly about the spectre of American Racism, bringing in aspects of poverty, housing projects that fall to the wayside and become run down and left behind, gun violence and gang violence and the desperation of the residents who feel there is no other way to survive, and the infighting between people who have similar experiences but can’t get past their trauma that just keeps on cycling. Nona has experienced so much loss, whether it’s her husband who has been incarcerated (and whom she has a great anger towards), or her son Kendall who was murdered in a senseless drive by shooting. She is desperate to hold onto Marcus and Lance, and tries to do everything right by pushing Marcus to pursue his education, leaning into the Church (and getting too close to the married pastor), and looking down at Lance’s choices with who he’s hanging out with (which alienates him all the more), as if she has control in a situation where all of the odds are stacked against her and her sons because of their race. So much of my anxiety in this book was directly related to the seemingly insurmountable circumstances that Nona and her boys had to deal with, and as Marcus seems to be come possessed by a rageful spirit, there is also just the stark reality that systemic racism has built these traps for the Black community that directly lead to tragedy and more cycles of violence and loss and trauma, ghost involvement or not. It’s a devastating aspect of this book and I thought that Thompson captures the complicated natures of these things. I loved how complex so many of these characters were, even those who would so easily just be moustache twirly evil in the hands of other authors (such as a local gang leader who is violent and scary, but also adores his baby son and cares for his kind and well loved grandmother). Thompson really shows the pain and also the sense of community of the people at Hester Gardens, and decries the racist systems that keep these traumatic cycles going. It’s stunning work. I was weeping openly by the end.

“The Curse of Hester Gardens” is an incredible debut novel from Tamika Thompson. It’s scary and sad and kind of hopeful and just so, so well done. Horror fans, get your hands on this book.

Rating 10: Haunting, evocative, devastating, and powerful, “The Curse of Hester Gardens” is a haunted house story, but is also the story of racism, gun violence, cyclical trauma, and a woman desperate to keep her sons safe in a world in which they are constantly in danger, ghosts or not.

Reader’s Advisory:

“The Curse of Hester Gardens” is included on the Goodreads list “Horror to Look Fordward to in 2026”.

Not Just Books: March 2026

While we do love us some books, believe it not, we do have a life outside of reading. So to highlight our other pop culture interests, on the last Monday of each month, we each will highlight three other “happenings” from the last month. Big events on favorite TV shows, new movies we’ve watched, old movies we’ve “discovered,” etc. Pretty much whatever we found of particular interest outside of the book world during the last month. Share your own favorite things in the comments!

Serena’s Picks

Movie: “F1”

Look, I’m not super into car racing, but I do seem to enjoy the odd assortment of movies that Brad Pitt seems to choose. You never quite know what kind of character you’re going to get from him: the traditional, heroic sort of guy, or some complete oddball performance where you’re left wondering whether the character was written that way or if he just went off script. But this movie was kind of a mix of both! And, somehow, it managed to make a story about car racing compelling. Honestly, by the end I was on the edge of my seat worrying way too much about the time it might take to change a wheel on the car the next time it came in for a pit stop.

Netflix Show: “Seven Dials”

This is the kind of show that I knew I was going to watch the minute I saw the trailer. I love mysteries, and I really love historical mysteries. The cast is also incredibly strong throughout. While I feel like some of the actual mystery was telegraphed too clearly and then other parts never really made much sense, I still very much enjoyed it. What can I say, put the cast in period specific clothes and set the scenes on sprawling estates and I’m going to be in! That aside, this particular point of history, the 1920s, doesn’t usually get as much attention for stories like this, so that added a fun extra flair to affairs.

Documentary: “Reality Check: Inside America’s Next Top Model”

Like pretty much every woman in my generation, I watched the heck out of this show for almost all the seasons that it was out. I looked it up, and I think I only fell off at the very end, missing the two seasons. So, naturally, the minute I saw this pop up, I texted Kate and arranged to get together to watch it. And it definitely lived up to expectations! But honestly, most of the shock value came from the time period more than anything really revealed in the interviews. Reality TV was such a new thing, and it’s clear watching this show how very different it was back when it started, both from the expectations of the contestants (nowadays reality TV contestants all are “in” on the joke, mostly there to get started a “career” as a reality TV star than anything having to do with show in question) and the approach of the show itself (a lot of focus was put on what the show chose to film, and it’s obvious that no one really had a clear understanding of what should and shouldn’t be filmed). And, of course, the unhealthy standards of modeling in general was the other primary focus. So yeah, a few new juicy tidbits specific to the show, but as a look into a particular point in “history” and culture, this was definitely a great watch!

Kate’s Picks

Film: “28 Years Later: The Bone Temple”

After loving “28 Years Later” I had intended to go to “The Bone Temple”, but by the time I had the time to get to the theater it was already gone. Which is a travesty because when I did sit down and watch it this month I absolutely LOVED “The Bone Temple”. We pick up directly after the end of “28 Years Later”, with Spike being recruited/abducted by the violent Jimmies cult. Jimmy Crystal (Jack O’Connell) is the leader, who has told his followers that he’s the son of Old Nick (aka Satan) and has them do his violent biddings to anyone they meet by proselytizing a bastardized version of Satanism filtered through his father’s zealotry as an Anglican Vicar before the infection hit. Meanwhile Dr. Kelson has started making progress with Alpha infected Samson, actually making tenuous connections with him and tapping into his lingering humanity, which could lead to a breakthrough in understanding the infection as a whole. Both storylines were great. But it was the storyline between Kelson and Samson that REALLY worked for me, extending the themes of humanity, death, memory, and connection from the previous film. Also, the soundtrack has a lot of Duran Duran and is banging. It’s a great sequel, and I’m relieved the third got a green light so we can finish the story. Especially given the ending. If you know, you know.

TV Show: “Deadloch”

This was at the recommendation of one my friends, who told me that he binged it in a weekend and really enjoyed it and I would too. And he was right! “Deadloch” is an addictive and darkly funny murder mystery with an Australian flair. In the small Tasmanian seaside town of Deadloch, the body of a local washes ashore, shocking the town and creating a crisis for steady and dedicated Sergeant Dulcie Collins, who USED to be a detective but stepped down at the request of her overbearing wife. Reinforcements come from the mainland in the form of Detective Redcliffe, a brash and outlandish investigator who is the COMPLETE opposite of Dulcie. But the two women will need to team up to solve the mystery, as small town secrets start to bubble to the surface as well. It’s quite funny (even if it’s kind of morbid), and it has a solid mystery and a great cast of characters (my favorite is Sven, a quippy and somewhat ditzy member of the force who had me laughing out loud a lot). A good mix of humor and procedural (and also super queer)! And Season 2 started this month too! So you will probably see that in a near future Not Just Books post!

Long Running Comedy Bit: The Walker Texas Ranger Lever

So full disclosure from the jump: I did not like Chuck Norris. I didn’t care for his opinions about many things, I never found Chuck Norris jokes funny, and I remember my grandparents enjoying “Walker, Texas Ranger” on our visits to Iowa as a kid and I always found it very dumb. But I absolutely LOVED Conan O’Brien’s comedy bit “The Walker Texas Ranger Lever”, which happened when he was hosting “Late Night” when I was in college. The concept: there was a silly lever that Conan had at his desk and he would pull it and a random out of context clip of “Walker, Texas Ranger” would play and Conan, having not seen them, would react. Because, you see, this started when NBC and Universal merged (a harbinger of recent events if there ever was one) and they could play clips for free now. It was absolutely hysterical. It highlighted the absurdism and the cheesy earnestness of this ridiculous show with the most random bits of sappy sentimentality or over the top dramatics, and almost certainly explosions and roundhouse kicks. So I spent a good amount of time watching clips of it the day after Chuck Norris died. Not really in honor of Norris, but in honor of one of the most amazing comedy bits I have ever seen in my life. I have vivid memories of watching THIS clip as it originally aired and falling off my couch laughing, my then boyfriend now husband also crying with laughter. GOD it was such a good bit.

Serena’s Review: “The Geomagician”

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Book: “The Geomagician” by Jennifer Mandula

Publishing Info: Del Rey, March 2026

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Mary Anning wants to be a geomagician—a paleontologist who uses fossils to wield magic—but since the Geomagical Society of London refuses to admit women, she’s stuck selling her discoveries to tourists instead. When an ancient egg hatches in her hands, revealing a loveable baby pterodactyl Mary names Ajax, she knows this is the kind of scientific find that could make her career—if she’s strategic.

Mary contacts the Society about her discovery, and they demand to take possession of Ajax. Their emissary is none other than Henry Stanton, a distinguished (and infuriatingly handsome) scholar… and the man who once broke Mary’s heart.

Henry claims he believes in the brilliant Mary, and that he only wants to help her obtain the respect she deserves. She knows she can’t trust her fellow scholars, who want to discredit her and claim Ajax for their own—but can she even trust Henry, who seems intent on winning Mary back?

Now Mary has a new mystery to solve that’s buried deeper than any dinosaur She must uncover the secrets behind the Society and the truth about Henry. As her conscience begins to chafe against her ambition, Mary must decide what lengths she’s willing to go to finally belong—and what her heart really wants.

Review: This book wasn’t quite what I expected. That didn’t necessarily make it bad, but I definitely had to realign myself to the sort of book that I was reading. Once I did that, I was better able to enjoy what this book had to offer.

For one thing, it’s clear that the author had a lot to say about faith, religion, and the marriage between them and science. It’s a worthwhile theme for sure, as so many people in either camp are resistant to the idea of merging these two sides in any way. So I applaud what the author was trying to do with this theme. That said, because of this focus, there’s a lot of emphasis on religion and faith throughout. I found these discussions interesting and could appreciate the aspirations here, but it may not be for everyone.

What I enjoyed the most, however, was the world itself. I always love books like this that marry a historical period of time with some sort of fantasy element. The “Emily Wilde” books come to mind as the most recent examples of this. And it felt like that trilogy was a bit of an influence here as well. However, instead of faeries, we have dinosaurs. I enjoyed exploring how the existence of magic in this world affected its history, economics, and political landscape. While, at the same time, some things remain the same, like Mary’s struggles to be taken seriously for her achievements in a male-dominated field.

I did enjoy the characters for the most part, particularly Mary’s internal reflections throughout. That said, readers who are expecting any serious amount of romance here will likely be disappointed. While there are tiny hints of a love story, it’s the barest of subplots, and even by the end, there wasn’t necessarily the grand conclusion that readers often expect from romances.

This was also a fairly long book, all things considered. I feel like it was fairly readable and easily approachable, but it also did start to drag a bit toward the middle and the end. I think it accomplishes what it sets out to do, and if it gets in the hands of the right readers, it will do well. However, for general fantasy romance fans who go in with an expectation of the second coming of “Emily Wilde,” I think they may end up disappointed.

Rating 7: I enjoyed the exploration of themes regarding science and faith, but the story itself felt a bit plodding and the romance was decidedly in the background.

Reader’s Advisory:

“The Geomagician” can be found on these Goodreads lists: Light Academia Fantasy Books and Adventure academia.

Serena’s Review: “Daughter of Crows”

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Book: “Daughter of Crows” by Mark Lawrence

Publishing Info: Ace, March 2026

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: The Academy of Kindness exists to create agents of retribution, cast in the image of the Furies—known as the kindly ones—against whom even the gods hesitate to stand. Each year a hundred girls are sold to the Academy. Ten years later only three will emerge.

The Academy’s halls run with blood. The few that survive its decade-long nightmare have been forged on the sands of the Wound Garden. They have learned ancient secrets amid the necrotic fumes of the Bone Garden. They leave its gates as avatars of vengeance, bound to uphold the oldest of laws.

Only the most desperate would sell their child to the Kindnesses. But Rue … she sold herself. And now, a lifetime later, a long and bloody lifetime later, just as she has discovered peace, war has been brought to an old woman’s doorstep.

That was a mistake.

Review: Somehow I’ve never gotten around to reading a book by Mark Lawrence up to this point. He’s put out several duologies/trilogies that have sparked my interest (I think I even had a few loaded on my Kindle), but for whatever reason, I just never managed to pick one up. Well, THAT will be changing now!

Because I loved this book. Pretty much everything about it, from the fantastic characters, to the brutal world, to the dry wit, to the rising stakes as the book progressed. I’ll also note that it was a bit refreshing to read a fantasy book that didn’t feature a romance. My favorite genre, honestly by far, is probably fantasy romance. But lately I’ve felt so burned by what feels like the cannibalization of the genre by romantasy slop that I’ve gotten to the point that I see a romance introduced, and I’m immediately put on high alert. No one is sadder about this fact than me. But Lawrence was here to remind me of the absolute gems that can be found back in the good ole “basic” epic fantasy genre.

One of the notable features of this book is the format in which it is told. The book description kind of mildly hints at this, but throughout the book, the story alternates between two timelines: Rue’s current life, when she’s well beyond her prime but facing a rising challenge, and the past, where students fight for their lives in the brutal Academy of Kindnesses. This seems like a simple enough set up, one that is familiar in many ways. But Lawrence took all of my expectations for how this formula would play out and tossed them straight out the window.

It was one major twist after another, to the point that by the halfway mark, I was careful not to take anything for granted. It was destabilizing in the best of ways. The problem with a format like this is that the future section could spoil events from the past. That is in no way the case here! This book is only the first entry, and sure, I can see where Rue has ended up, but I probably have even more questions than I started out with in regard to her life up to this point.

The characters were also fantastic. Of course, Rue is the main character, and her current POV chapters were sharp, poignant, and heartbreaking at various points. No punches are pulled about the realities of age and its effects on the body, but this juxtaposition between Rue’s physical state and her unkillable spirit only served to heighten the tension playing out in this timeline. Her story ends on a definite cliffhanger, and, like I said, by the time we reached this final page, I was left with only burning questions about not only what happened in her past but where the story was going to go from here. There were a few late-game reveals that truly ratcheted this up; the next book can’t come fast enough.

As for the other timeline, it’s harder to go into many details without spoiling some truly epic and surprising moments. It’s been a long time since I was truly as shocked as I was by a few of these twists and turns. Even by the time I had a better idea of the type of book I was reading, there were still swerves in the road that I wasn’t expecting.

I will say, I think the Academy was a brilliant interpretation of a very tired trope: the deadly school/trials plotline. We can all name a half dozen books like this off the top of our head at this point, and one of the biggest challenges for this trope is the premise. The author has to come up with a believable world/system in which a school with a death rate like this would be in any way believable or viable. Well, Lawrence knocked it out of the park. At every turn, there he was with an explanation behind the philosophy of the school, the greater role it plays in society, and the how/why of the people who participate within it.

Further, once we begin to follow students through the day-to-day life of the Academy, he doesn’t overplay his hand with the brutality. Instead, it lingers in the background, building a simmering sort of tension that then explodes at the most unexpected times. Instead of non-stop violence and death, the story focuses on the lives of the girls going through this grueling life. It was immersive in the best way, where I easily became invested in even some of the side characters involved. And, of course, this building of emotional stakes only highlights the horror and terror of the school when it hones in on the more brutal moments.

Beyond this, the story’s greater geopolitical world, its religions, its society, were all incredibly well done. While the true heroes of the story are its characters, the world-building effectively set the stage for the more grand conflicts that we can see simmering in the future.

So, yes. I loved this book. If you enjoy epic fantasy, this is a must-read for sure. You also better believe that Lawrence’s back catalog has taken a massive leap up my TBR list!

Rating 10: Brutal and heartbreaking; a must-read for all epic and grimdark fantasy readers!

Reader’s Advisory:

“Daughter of Crows” can be found on these Goodreads lists: 2026 Adult Fantasy & Science Fiction and Most Anticipated Adult Fantasy & Sci-fi of 2026 (Standalones & New Series)

Fire’s Catching: “Mockingjay”

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It’s been eighteen years since Suzanne Collins wrote “The Hunger Games”, the smash hit literary sensation that continues to feel relevant and capture the attention of readers. This ongoing series will be a review series of both the Suzanne Collins books, as well as the film adaptations of the novels. I will post my review on the last Thursday of the month as we revisit the totalitarian world of Panem and the hope of the Mockingjay.

Book: “Mockingjay” by Suzanne Collins

Publishing Info: Scholastic Press, August 2010

Where Did I Get This Book: I own it

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: My name is Katniss Everdeen. Why am I not dead? I should be dead.

Katniss Everdeen, girl on fire, has survived, even though her home has been destroyed. Gale has escaped. Katniss’s family is safe. Peeta has been captured by the Capitol. District 13 really does exist. There are rebels. There are new leaders. A revolution is unfolding.

It is by design that Katniss was rescued from the arena in the cruel and haunting Quarter Quell, and it is by design that she has long been part of the revolution without knowing it. District 13 has come out of the shadows and is plotting to overthrow the Capitol. Everyone, it seems, has had a hand in the carefully laid plans—except Katniss.

The success of the rebellion hinges on Katniss’s willingness to be a pawn, to accept responsibility for countless lives, and to change the course of the future of Panem. To do this, she must put aside her feelings of anger and distrust. She must become the rebels’ Mockingjay—no matter what the personal cost.

Review: We are now coming to the end of the initial “Hunger Games” Trilogy, and I finally took on the final book in the series “Mockingjay”. Much like “Catching Fire”, I skipped this book in my initial read because I was told that it wasn’t very good. Nay, I was told that it was boring. BORING. After finishing “Catching Fire” and really liking it, I knew that I would probably have a similar experience with this one. Little did I know that I would actually end up ranking it almost as high as the first book. Yeah, I loved “Mockingjay”. It destroyed me (probably thanks in part to listening to Tatiana Maslaney read it, God she was good). As we follow Katniss into her final arc of this saga, I was moved and on edge, even though I knew what was coming thanks to the movies. Suzanne Collins always has something to say. And this time, as we rejoin Katniss, newly whisked away from the wreckage and chaos of the destroyed arena, she is already so damaged and alone, with Peeta captured and Haymitch revealed as hiding the rebellion he helped force her into. Collins’s message this time: War is Hell, and no one comes out unchanged.

We get some new insight to some previous characters, and also meet new characters who become power players for the last book in the series. The biggest stand out for previous characters for me is Plutarch Heavensbee, the game maker for the Quarter Quell who was actually part of the rebellion the entire time. I love Plutarch, not because he’s a good guy (he’s not, really), but because I appreciate his goal of trying to overthrow Snow and the Capitol and think he’s very interesting because he is ruthless and willing to do a lot of bad to achieve his goals. We are also introduced to Alma Coin, the President of District 13, a long forgotten District that has been biding its time underground waiting for a spark of revolution so she can swoop in and help overthrow the Capitol. As Katniss worries about Peeta, who has been captured by the Capitol and is now being used in propaganda as the uprising turns into all out war, she is thrown into the role of being the Mockingjay leading a rebellion when she doesn’t know how to be a leader. It’s just a new situation where a teenage girl is being used by ambitious and power hungry adults for their own ends, and her mental health and PTSD is tossed aside as she is constantly pushed to the brink. Is she a bit more of a passive player in this one? Sure. But while that was used as a criticism by those around me, I actually think it makes complete sense. Katniss never wanted this and is still a child. Her struggles may seem repetitive but she is riddled with trauma. To portray it as anything other than messy and complicated would be unrealistic and, frankly, irresponsible.

I was also struck by how Collins makes it pretty clear from the jump that the Rebellion’s alliance with District 13 is a complicated, possibly even dangerous, one. Katniss is thrown into the depths of District 13’s underground bunker with its highly authoritarian society, finding out that it has been there the entire time living off the grid after striking a deal with the Capitol to be able to walk away in exchange for not using nuclear weapons against Snow’s regime (the absolute gall). We will talk more about the portrayal of 13 in the movies when we get to the film reviews, but in the book? I was immediately put off by President Coin and her government and its brutal ways, both towards its supporters and towards the people who have been pulled in from the rebellion as allies. Hell, EVERYTHING about 13 feels like its own nightmare, with no dissent allowed, dehumanization of anyone seen as collaborators (one instance with Katniss’s Prep Team, who feel like fish a barrel being shot for funsies, really disturbed me), and a very officious and scary power structure that Katniss is suspicious of while her closest friend Gale becomes more and more indoctrinated and into the totalitarian ethos that Coin is feeding him.

And I love that Collins was more than willing to portray that way that a war being fought can have horrific tactics from both sides, even the side that is ultimately more ‘in the right’, and this book really hits it home in the most devastating ways as Katniss has to be the face of a rebellion and to try and keep herself safe from Coin, who clearly wants her gone so she can take over and become the person with the power going forward. She is used as a tool by Coin and Heavensbee (I love the guy and his moral grey character, but man he’s a dick), only a means to an end because they know that Coin won’t cut it, and she is repeatedly victimized in hopes that she can just keep Peeta and Prim safe…and we all know what happens to Prim. Prim and the children of the Capitol, who all become targets of the ‘righteous’ side and are slaughtered to finally put down Snow’s regime in one final bombing… and it is sickening. Collins isn’t going to let the ‘correct’ side off, not only having Katniss’s side commit war crimes that are similar to her enemies, but also murder the person that she sacrificed everything for, almost making all of her suffering and purpose moot. GOD it’s so, so sad. It’s such a harsh truth that people forget all the time, that war, as a whole, is BAD, and ANYONE participating can do MONSTROUS things (even if they are on the side that is OBJECTIVELY more moral) because that is war at its heart. “Mockingjay” tells this truth by spilling more child blood, done by the side that the reader wants to succeed. Fuck Coin. But fuck Gale more. And Katniss is left to pick up the pieces. Again, war. Is. Hell.

The way I sobbed as this book was coming to a close. (source)

But then there is the rebirth. Because Katniss has to keep going. And Peeta has to keep going. The book ends with Panem starting a new path, and it feels hopeful, but tenuous. But for Katniss and Peeta, they have to keep moving forward, and rebuild, and the gentle aftermath of them slowly starting to do so is bittersweet to say the least. But it felt correct and satisfying. Collins doesn’t pretty it up. They are forever changed. They are forever haunted. Katniss and Peeta don’t get better just because they are free and their goals are achieved. But they keep going and find hope and happiness with each other. I know that there are people who hate that Katniss has kids in the future, thinking that it betrays her character because of her refusal to have kids in the first book. But to that I say, her and Peeta having kids is actually the best way to end it, because it shows that Katniss finally, FINALLY, can feel safe enough to live her life because the oppressive society she grew up in and helped overthrow is truly gone. It’s lovely.

I loved “Mockingjay”. It wasn’t flashy and it wasn’t cheerful. But it feels realistic to me in how it portrays trauma, war, and trying to start over after having experienced so much grief, and finding love and peace in spite of it. Next up I will review the first prequel, “The Ballad of Songbirds and Snakes”, where we go back to one of the first Hunger Games, and see the origins of President Coriolanus Snow.

Rating 9: A heavy and bittersweet conclusion to a series that still feels resonant, “Mockingjay” focuses on the hell that is war, the lingering affects of trauma, and picking up the pieces even in the wake of victory that may not feel wholly victorious.

Reader’s Advisory:

“Mockingjay” is included on the Goodreads lists “Best Survival Stories”, and “YA Dystopia Novels”.