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Book: “A Dark and Wild Wood” by Sarah Nicole Lemon
Publishing Info: Harper Voyager, May 2026
Where Did I Get this Book: ARC from the publisher!
Where Can You Get this Book: WorldCat.org | Amazon | IndieBound
Book Description: Ever since she was a child, Salomé has been plagued by visions of spirits and dangerous powers she can’t control. After watching her foster mother burn as a witch, she and her beloved sister Rochelle are raised together in a convent, a grim and dreary existence. Until one day, Rochelle vanishes.
Determined to find a way to save her, Salomé runs: first to a brothel, and then, after a terrible accident, away from the village and into the woods. Deep amongst the trees of the wild Black Forest, she comes face-to-face with Lord Death.
Rather than taking her life, he brings her to his home at the heart of the woods, a strange manor full of locked rooms and mysterious corridors, crumbling one moment, magnificent the next. He promises to make her his apprentice and teach her how to harness her mind and magic. His words are as seductive as his presence—but should one trust Death?
A swirling mirage of dark fairy tale, gothic romance, and historical fantasy, A Dark and Wild Wood is a novel best devoured all at once. But proceed with caution, as everything is not what it seems…
Review: So, unfortunately, I think we’re running headfirst into another case of a book being poorly marketed right from the top. Whether marketers were trend-chasing or honestly didn’t consider the differences, this book says right there in the summary that this is a gothic romance. And oh boy, it is not. (To be fair, it seems that the author has been clear that this is not a romance, but it’s too bad that they seem to be putting forward a message that is now at odds with their own publisher’s summary.)
Yes, there is a “romance,” but there is a gaping gulf between books that have romance elements and books that are “romances,” gothic or otherwise. The latter has many conventions that are expected, such as happy endings, relationships that readers root for, etc. The former can be found in all kinds of different books (horror, thriller, fantasy, etc.), and there’s no guarantee that the romance is even a good thing at all. And the latter is definitely the case here. And that’s fine! But unfortunately, when the book puts itself forward as a “gothic romance,” I feel like a lot of readers are going to pick this one up and be massively disappointed by what they find.
That aside, once I settled into the sort of book I was reading, there were elements that I enjoyed. While the pacing was a bit all over the place (slow at the beginning, only to pick up speed later in the story), it did work with the sort of gothic fairytale that was being spun here. In this way, the comparisons to “Bluebeard,” a deeply disturbing fairytale in its own right, are much more apt for this book. Fairytales often start from the very beginning, and such is the case here, starting with the birth of our main character. The writing itself was also often beautiful and further established the dark fairytale tone of the overall story.
I was more conflicted about the characters themselves. As I mentioned, this is not a romance in any way, mostly because the relationship itself is deeply unhealthy and abusive, and Death is not a hero, romantic or otherwise. Given the “Bluebeard” comparisons, it’s clear that you are not meant to root for this relationship or like Death at all. However, I also struggled with Salome. At best, she was incredibly naive, but at worst, the reader was never given enough information to truly understand the connection she felt with Death or why she craved that relationship in the way that she did. On one hand, abusive relationships are never understandable to outsiders looking in. But on the other, I do think more could have been done to show Salome’s twisted understanding of this relationship and her own manipulated feelings.
Further, I think the actual fantasy elements and magic system were interesting but not fully explored. I kept wanting just a bit more from this aspect of the story.
Overall, this book showed a lot of potential on the part of the author, but it just wasn’t quite as polished as I would have liked with its characterization of the main character and some of its fantasy elements. I think the writing itself was quite strong, and the primary missteps come down to the way the book has been presented. If readers go in with the understanding that they are reading a gothic dark fantasy novel first and foremost, I think they are much more likely to enjoy what they find here.
Rating 7: While not a romance story in any way, the writing had some beautiful moments. I only wish the main character was a bit more fleshed out.
Reader’s Advisory:
“A Dark and Wild Wood” can be found on these Goodreads lists: Bluebeard Retellings and 2026 Gothic.



















