Serena’s Review: “Storm Breaker”

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Book: “Storm Breaker” by Nisha J. Tuli

Publishing Info: Entangled: Mayhem Books, May 2026

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: For nineteen-year-old Poet Graves, New Manhattan has always promised safety―if she obeys. Raised within the ruling Houses and betrothed to a powerful heir, she enters Amery Academy knowing her future has already been decided.

But Amery is nothing like she imagined. Its trials are brutal, its loyalties conditional, and its rules designed to expose weakness. As Poet struggles to survive, she must hide the truth that could get her executed: the storms don’t fear her―they answer back.

When a dangerous outsider from beyond the city walls enters the academy, Poet is drawn to him despite everything she’s been taught to believe. He threatens the life she’s been promised. And choosing him could cost her not just her future, but her freedom.

Review: It’s fun that dystopian novels are having a bit of a resurgence, it seems. Kate, of course, is doing her timely Hunger Games read-through, and there have been several new romance/romantasy dystopian books coming out that I’ve enjoyed reading. Not least of which was Seek the Traitor’s Son by the OG Veronica Roth, which I read and loved recently! That being the case, I was excited to check out another such novel when the publisher approached me about reviewing this book.

So, while this book didn’t blow me away, I will say that it is a dystopian novel that will please those who deeply love dystopian novels. That is, if you’re familiar with the tropes and storylines that come with this sort of book and that’s your jam, well, this one has that all in spades. On the other hand, this isn’t the most original story that’s ever existed, so if you’re looking for a fresh take on the dystopian romance story, this probably isn’t it.

To start with what I liked, I feel like this book was very fast-paced, very readable, and very approachable to readers who aren’t necessarily super familiar with genre conventions. The world-building isn’t super complex, but it’s easy to understand what’s going on here and who the major players are. This, of course, leaves a lot of room in the story for characterization and the romance plotline to take over as the main features. Thus, how well this book works for you will largely come down to how you feel about Poet and the MMC.

For me, however, I thought Poet was a weaker example of a female main character. In many ways, she read as very familiar and very YA, using the worse interpretation of that term. Many YA heroines are excellent, but there is also an unfortunate habit of writing them to be inconsistent, inscrutable, and rather unlikable. And we saw that all here. Poet makes decision after decision that not only makes no sense for her as a character but also makes no sense for pretty much anyone ever. It could be argued that this is part of her growth, but if so, I found it to be an unsatisfying arc. Look, adults continue to learn and grow too. But Poet was learning some pretty basic lessons that had me viewing her as a sixteen-year-old teen (on the young side, even) rather than an adult woman.

The romance was also just OK. It was a hard sell when I was struggling so much already to enjoy Poet, and unfortunately, the MMC didn’t do enough to compensate. I didn’t hate him by any means (which should probably be chalked up to a huge win given how I feel about other MMC characters in romantasies), but he was also just kind of there much of the time.

I know this author is fairly beloved for her YA books, and maybe I’d feel better about her writing if I had started there. Unfortunately, I went into this one with the promise of reading an adult dystopian romance, and with that came different expectations, especially with regards to characterization. Ultimately, it’s hard to read an adult spicy romance novel when the main character feels like she’s 16.

Rating 7: Fans of this author will likely love this. But it read as too YA for what I was expecting going in, especially with regards to the portrayal of the FMC.

Reader’s Advisory:

“Storm Breaker” can be found on these Goodreads lists: YA Dystopian Books With Female Lead and Apocalypses and Dystopias.

Kate’s Review: “Welcome to Hell”

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Book: “Welcome to Hell: From the West Bank to Gaza” by Mohammad Sabaaneh

Publishing Info: Street Noise Books, June 2026

Where Did I Get This Book: I received an eARC from the publisher

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A new graphic novel memoir chronicling the recent horrific days in Palestine, from Mohammad Sabaaneh, the winner of the Palestine Book Award.

This powerful graphic novel sheds light on the reality of life in both the West Bank and Gaza during this terrifying time. Told from the perspective of the author’s brother’s experience in prison and that of those in Gaza struggling to survive displacement, starvation, and attack.

In October of 2023, Sabaaneh went on a tour in Europe to promote his book about life under occupation in Palestine. Whether a Palestinian is inside a detention center or in any city or village, they are all in a big prison. The book ends with one message: ‘we will not leave.’ Upon his return to Palestine, he was trapped within the walls of his home—unable to see his aging parents, or his brother, who was locked away in an Israeli detention center.

So begins this vital story of struggle and survival.

Review: Thank you to Street Noise Books for sending me an eARC of this graphic memoir!

Memoirs are always a bit harder for me to evaluate because I never feel super comfortable critiquing a person’s lived experience, but what I do like to look for his how candid a memoir is and how it makes me feel. And because of this it’s probably not super surprising that many of the books that I’ve read about the Israel/Palestine conflict over the years that have resonated with me have been in graphic memoir or journalism form. Whether it was Joe Saccos’s book “Palestine”, or, interestingly enough, two books by “American Splendor’s Harvey Pekar, “Our Cancer Year” (written with his wife Joyce Brabner) and “Not the Israel My Parents Promised Me” (which was published after his death), I’ve found comics to be the things that have resonated most with this topic. So I was eager to check out “Welcome to Hell” by Mohammad Sabaaneh, expecting it to have a similar impact as the previous ones, and I was mostly right. Perhaps even more as this was written by a man who has been living the current genocide first hand, and speaks the truth that he, his family, and many others are facing at the moment.

“Welcome to Hell” is a short book, but within it’s fewer pages are a lot of gut punches and a lot of truths that are difficult to digest but also important to acknowledge. Sabaaneh is telling two different stories here; the first is that of his brother Thamer, who is a prisoner in an Israeli prison, and the second is that of numerous Palestinian families living in Gaza during the bombings done by Israel after October 7th, 2023. Sabaaneh draws comparisons between the way that his brother has to live in the literal prison, with violence, starvation, torture, and abuse being heaped upon him and his fellow prisoners, and the constant movement, starvation, fear, and violence that civilians living their lives in Gaza have to face, showing that the two realities aren’t terribly different and both are horrific. It’s not a very long graphic memoir, but Sabaaneh doesn’t waste a page and has a lot of important and devastating things to say, and does so effectively. Sabaaneh centers his brother as well as other people, though he does address his own experiences after October 7th and how getting home was perilous and then how restricted he was as well, unable to visit his family for months. It’s a harrowing and incredibly personal story, and it was a difficult read even though it’s absolutely a necessary one, especially as things just keep escalating in the Middle East at the moment and the death toll going up.

The art in this book is so incredibly unique it immediately stood out. It’s very much a cubist style, which makes the Israeli IDF/guards at the prison all the more surrealistic and monstrous, but also finds a way to find the vulnerability of Thamer and others who are being abused and displaced. At first I didn’t really know what I thought of the style (I am not a person who has a lot of knowledge of or connection to the cubist style and its history), but as the story went on and through my various revisits before reviewing it really grew on me. It made some of the violence less graphic, but didn’t take away the emotional impact.

(source: Street Noise Books)

“Welcome to Hell” is a timely and powerful graphic memoir. It’s a difficult read, but one that feels incredibly necessary to understand and reckon with.

Rating 9: A powerful and deeply personal read about the people of Palestine who experience trauma, violence, and displacement at the hands of an oppressive regime and their fight to survive.

Reader’s Advisory:

“Welcome to Hell” isn’t on any Goodreads lists as of yet, but it would fit in on “Palestine Reading List”.

Serena’s Review: “Seek the Traitor’s Son”

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Book: “Seek the Traitor’s Son” by Veronica Roth

Publishing Info: Tor Books, May 2026

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Elegy Ahn did not ask for destiny to find her.

She is happy with her life as a soldier, defending her small country from the Talusar, a powerful nation who worships a deadly Fever. A fever that blesses half of its victims with mysterious gifts.

But then she’s summoned to hear a prophecy–her, and the most ruthless of Talusar generals, Rava Vidar. Brought face to face, they learn that one of them will lead their people to victory over the other…but they don’t know which. And at the center of both of their fates: a man. A man that, Elegy is told, she will fall in love with.

In just one day, Elegy’s old life–her job, her purpose, and her future–is over. She and Rava are destined to collide, with the fate of their nations hanging in the balance. And when they do, only one will be left standing.

Elegy intends to make sure it’s her.

Review: A book box I’m subscribed to announced that this would be their featured book one month. I, of course, was super excited. I was dismayed to see how many people were skipping it in the comments, however! What’s worse, many of them were referencing being burned by the “Divergent” trilogy all those years ago. And look, I get it. I, too, have been burned by authors and have had a hard time going back. But Veronica Roth has been so solid and so good in the adult fantasy genre over the last years that it’s truly saddening to see how many fantasy readers out there are completely sleeping on her latest books based on a trilogy that came out over a decade ago. So, all of this to say, if you’re one of those reluctant Roth readers, this is your sign to give her another shot because this book was absolutely fantastic!

There is so much to love about this book that it’s hard to figure out where to start. But let’s start with the world-building and genre-blending. It’s truly impressive to really look at the complicated Venn diagram of different types of stories that make up this book. You have science fiction, futuristic dystopia, classic hero’s quest fantasy, romance, and so much more. And all of these elements are seemingly blended together in a way that is seamless and natural.

At its heart, the story revolves around an ongoing war between two factions of the world and their differing views on a deadly virus that has run rampant. For one, this virus is a religious experience and brings with it fantastical powers to those who survive (this is the fantasy side of the novel). The other sees the virus as nothing more than a killer and has done everything they can to protect themselves from exposure, including devoting much time to the progress of science (the science fiction side). So, of course, the story spends a decent amount of time on the conflicting views of these two sides and the very complicated cultures that have sprouted out from this one differing point of view. But what could have been simplistic and moralistic is instead presented carefully and realistically, with both sides being made up of stronger and weaker individuals, just as fallible to human foibles regardless of their own perspective.

However, beyond the exploration of this theme itself, the molding together of science fiction, fantasy, dystopia, and romance leaves the novel in a place where the reader is getting the best of so many worlds. We get the creativity of science fiction, the whimsy of fantasy, the horror of dystopia, and the swooniness of romance all in one book. So when the story isn’t rollicking through exciting action sequences, the romance and character work are right there waiting to pick up the reins. And that’s not even touching on the prophecy that drives the plot or the excellent character arcs that make up the majority of the prose.

The story is broken up between three characters, but there are two that primarily carry the story. Elegy’s story is that of a reluctant hero, someone called upon by a prophecy but who very much doesn’t want to change a life she loves. As the story continues, themes of grief, love, and the burdens of leadership are all central to her arc. Theren, the other main character, was just as compelling. I don’t want to get into much regarding his story as there are some big twists and turns throughout, but suffice it to say, his story explores themes that you typically don’t see touched upon in a character like this, and it was done so, so well. The third POV character, Hela, felt a bit secondary to the other two, but her story also introduces a plotline that feels like it will be the driving force of the story as a whole, so I’m excited to see more from her in the future.

And, of course, I absolutely loved the romance. Elegy and Theren have many obstacles to their relationship, and they’re the sort of obstacles that you don’t often see dealt with in romance novels. These aren’t fluffy “enemies” who instantly fall in lust and that’s that. No, they are both adults who have been through hard things that impact the way they each form connections with others. But for all of the more serious aspects of this relationship, it also had the lovely, swoonworthy moments that one looks for in a romance story.

This book did so many things all at once. What’s more, it did so many things all at once and was excellent at all of them. Looking back at my review, it’s already quite long, and I didn’t even get into any of the sibling or parent relationships that also make up a huge portion of the emotional stakes of the story. Or really how the prophecy works. Or the true interplay of the virus with these societies. Or…or…or. So, I’ll just leave it here: I loved it, I can’t wait for the next one, and genre fiction fans should definitely give it a read!

Rating 10: Truly masterful, Roth tackles deep themes of grief and destiny while also weaving together a lovely romance and packages it all into a futuristic dystopian world stricken by warfare.

Reader’s Advisory:

“Seek the Traitor’s Son” can be found on these Goodreads lists: Epic High Fantasy/Romance/Mythology in 2026 and Dystopias I Would Like To Make An Exception For.

Kate’s Review: “Abyss”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Abyss” by Nicholas Binge

Publishing Info: Tor Nightfire, May 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Severance meets Lovecraft in this surreal tale of corporate horror and existential dread.

Joe always had potential, but he doesn’t expect much, and he hopes that his new job as an admin assistant won’t expect much of him. But when he enters the offices of Ponos—a company he’s never heard of and knows nothing about—he discovers that potential is exactly what they want from him.

A feverish dive into the inhumanity of both late-stage capitalism and the crippling anxieties of modern life, Abyss adds a new level of meaning to ‘wage slave’.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I feel like I’ve been reading a lot of novellas lately, or at least more than usual. Sometimes novellas can worry me in the same way short stories do in that it can be trickier to convey a story with a more limited page count, but it obviously can be done, and I’ve had a pretty good run of novellas as of late. “Abyss” by Nicholas Binge is the most recent one, and I was able to get through it in about a day. Not only because of the length, but how fast paced it flowed as a horror story about not only dimensional monstrosities, but also the monstrosities of corporate culture and late stage capitalistic greed and exploitation.

I’ve never had a corporate job, but from what I’ve heard from my friends who have the metaphors in this book work. (source)

I’ve made mention before that cosmic horror isn’t exactly a sub-genre that I delve into often, but “Abyss”‘s hook was too good to pass up, and as a Lovecraftian kinda tale it is pretty good at hitting the components that are expected. There is a slow building unease as our protagonist Joe starts his new menial job at Ponos, a corporation he isn’t familiar with but will pay the bills. From the jump there are strange things about it, like the complete lack of people outside of a few oddballs he stumbles upon, an over enthusiastic A.I. ‘assistant’ who keeps messaging him in stranger and stranger ways, and the skittishness of his higher up. As the job goes on the tension rises, as the reader follows Joe into creepier and creepier situations until he his fully confronted with a cosmic threat that is not only running this lucrative and powerful company, but is possibly using the blood of the workers to fuel itself. I like the high strangeness of the being and the creepiness of the peons that are trying to please it, with a solid backstory to why it is here contrasted with a stodgy and boring but also threatening corporate setting. I know “Severance” is how people are comparing, but I kept thinking about “Office Space” as a horror story, and that’s a good thing.

The true beating heart of this novella, though, are the satirical elements and messages that Binge puts forth. The main metaphor at hand is that the cosmic being that is being fed at Ponos has been put in place by the wealthy to maintain their power and to suck as much from the workers as possible all in the name of profits, and while that’s certainly a cathartic and relevant bit of satire, it’s kind of an obvious one when it comes to a story like this. For wholly understandable reasons we’ve seen a lot of commentary about the uber wealthy and their money hoarding within horror stories by sacrificing and downplaying the working class, so much so that it’s a little obvious. But there is a whole other point in “Abyss” that is connected to Joe and the story at hand, and that is the concept of the isolation and ennui of modern worker life, especially post pandemic. We live in a time where technology should theoretically make it all the easier to connect thanks to social media and varied means of communication. But Joe’s life is incredibly isolated, as he goes to work, goes home and dicks around online, and that’s about it. He isn’t really in touch with his mother and doesn’t seem to have any in real life friends. One of the main defenses against the horror and ruin at the hands of the cosmic in this is the idea of connection, with tech making it harder to connect under guise of bringing people together. That, to me, was a far more interesting avenue to explore because it felt so emotionally resonant.

“Abyss” is sure to please those who like cosmic horror as well as satirical observances of modern late stage capitalism. It’s a fast read, so consider adding it to your list!

Rating 7: The satire is a little on the nose but the message at the heart resonates. Add in some fun cosmic horror and a nefarious corporate setting and you have an enjoyable horror novella.

Reader’s Advisory:

“Abyss” is included on the Goodreads list “Horror to Look Forward to in 2026”.

Highlights: May 2026

In Minnesota, Spring can be a little bit waxing and waning. It was a little bit of a cooler April, but we have hope that May will bring more Spring-y weather. And we also have Memorial Day weekend to look forward to, as well as our new tradition of book club weekend at Kate’s family cabin in Wisconsin! And with a new month comes a new crop of books we can’t wait to pick up!

Serena’s Picks

Book: “Seek the Traitor’s Son” by Veronica Roth

Publication Date: May 12, 2026

Why I’m Interested: I feel like I’ve had the opposite trajectory with Veronica Roth as many other fantasy readers. Others loved “Divergent” but still seem to be burnt by this author to this day based on the ending of that series (this book was selected by a book box for May and I was surprised by the number of people skipping it based purely on on having read “Divergent” a decade ago and still unwilling to give the author another go, now a decade later). On the other hand, I didn’t love the “Divergent” series and didn’t even finish it. I only later picked up another book by her years later, and that I absolutely loved, to the point that Roth is now an automatic read for me! I’ve had favorites for sure, but over the last three to four years, I can’t think of a single book by her that I haven’t enjoyed. All of this to say, I’m incredibly excited about her latest book, an adult dystopian romance novel that seems to be melding many genres all under one hat. Usually, this would be a cause for concern, but I have a good deal of faith built up in this author, so I’m confident that she will manage it well!

Book: “The Tapestry of Fate” by Shannon Chakraborty

Publication Date: May 12, 2026

Why I’m Interested: I’ve only been obsessively checking the Goodreads page for this book for the last several years! It feels like it’s been forever and a day since the first book in this series came out, and ever since I’ve been desperate to return to this world of pirates and magic! Most especially, I’m excited to yet again follow the tale of Amina, the oh so brave, oh so stubborn, oh so adventurous pirate captain. The story itself sounds like it will be introducing some interesting new magical elements, particularly the magical spindle she’s tasked with retrieving. There are a lot of “Odyssey” vibes coming from this one, and I can’t wait to see what Chakraborty does with it all!

Book: “A Curse of Beasts and Magic”

Publication Date: May 26, 2026

Why I’m Interested: Well, it’s a gender-swapped “Beauty and the Beast” story, so obviously I’m interested! However, it also sounds like this is an urban fantasy, which does make me a bit nervous. While there are urban fantasy stories/authors that I really enjoy, I also find there’s a certain style to the dialogue and inner monologues often found in urban fantasy that I particularly struggle with. It all comes off as either “try hard” or cringe-y. But, like I said, there are urban fantasy books that are also favorites, so I’m crossing my fingers that this will be another one of those!

Kate’s Picks

Book: “Bone of My Bone” by Johanna van Veen

Publication Info: May 26, 2026

Why I’m Interested: I have so enjoyed van Veen’s horror stories because of the unique takes on the genre that bring the reader to unique settings and time periods that aren’t seen as much in the genre. In her newest nove we go back to the 17th century in Germany, with a young nun named Sister Ursula fleeing her convent as war rages around her and into the forest, where she meets a peasant named Elsebeth. And as they try to survive in the woods they find a gilded skull of a Saint. The lore is that if you can bring a saint’s skull back to their body you will get a wish, which is a great motivator to the two women. But Ursula and Elsebeth aren’t the only ones who want the magic of the skull. And to make things worse, the skull itself seems to be talking to them. It sounds dark and weird, and I’m very into the concept.

Book: “Dead Weight” by Hildur Knútsdóttir

Publication Date: May 26, 2026

Why I’m Interested: I liked the strange dreaminess that was Knútsdóttir’s previous novella, with its mysteries kept close to the vest and a creepy growing dread. Because of that I wanted to read “Dead Weight”, the new novella from the Icelandic author. In “Dead Weight” an unassuming woman named Unnur is living a fairly solitary life until a random black cat wanders into her home. The cat’s owner Ásta comes looking, and the two women start up a friendship. But Ásta is in a, abusive relationship that only seems to be escalating, and both women find themselves in danger. It sounds nerve-wracking and I have high hopes.

Book: “Honey” by Imani Thompson

Publication Date: May 5, 2026

Why I’m Interested: Lord knows I’ve been vibing with the recent spate of ‘good for her’ stories we’ve ben seeing in the past few years, and “Honey” sounds like it’s going to be another interesting entry into the sub-genre. Yrsa is a Ph.D candidate who feels like she’s stagnating, while also dealing with the sexism that can be found in academia. After confronting a professor who had an affair with her friend and stole her work, the man dies due to happenstance… but it makes Yrsa realize that she likes the way the death of a bad man makes her feel. Thus begins a crusade against misogynists with murder and mayhem. It sounds pretty fun!

What books are you reading this month? Let us know in the comments!

Serena’s Review: “West of Wicked”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “West of Wicked” by Nikki St. Crowe

Publishing Info: Bramble, April 2026

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Dorothy Gale doesn’t know where she came from. She has only the vaguest memory of her life before landing in the dull, gray world of the vast Kansas prairie.

Then a cyclone rips through the night and carries her, her dog, and the farmhouse somewhere a lot farther than Dorothy imagined. She’s in a strange land that’s apparently cursed, shrouded in shadow. And to get home, Dorothy needs to seek out a wizard, following a treacherous path and watch out for a never-ending list of forest beasts, witches, a cursed mercenary, and perhaps most dangerous of all, the wizard himself.

Nikki St. Crowe vividly reimagines the world of the Wizard of Oz, where the villain gets the girl…and the girl gets the power.

Review: I had heard of this author before because I looked into a “Peter Pan” retelling that she wrote at one point. That one seemed like it was a “reverse harem” romance, so I gave it a pass. But this one sounded like the more straightforward “enemies to lovers” trope, and, combined with my nostalgic love of “Wizard of Oz,” I thought this might be a good entry point to this author.

And, while I didn’t outright love it, I can also see the appeal of this author for sure. Right from the start, she has a very compelling style of storytelling. The pacing is quick, but I never felt like the author was skimping on the characterization or world-building. I had a decent understanding of just who Dorothy was and what was important to her fairly early in the story. As her arc continues, there were added layers given to her motivations and changes in perspective, so I appreciated that growth was there.

I also enjoyed the twists and turns taken with the world of Oz and the original characters. Frankly, this carried much of the book for me, as I was always eager to meet new characters or see new locations and explore the unique take the author was bringing to these classic elements. That said, if you feel at all “precious” about these originals, this book might not be for you. The author plays fast and loose with any original characteristics; I found this fun, but it could also be jarring if you were hoping to find characters that were more in line with their original versions.

Probably not surprising anyone, I mostly had gripes with the romance and the spice. On the spice side, the story starts out with a completely unnecessary erotic scene between the main character and a throwaway character. Now, I know that some readers enjoy spice for spice’s sake. But for me, these kinds of unnecessary spice scenes so early in a book make me feel as if the author thinks that readers are just hornballs who will put down a book if they don’t get a sex scene in the first 25 pages. This scene literally had zero impact on the story and could have been removed with no one the wiser. I wish it had been.

The romance itself was more interesting and developed at a slower pace (this made the initial jump right into a sex scene with the soon-to-be ex all the more weird!). There were also some big twists that came toward the end that I enjoyed. However, as always it seems, the book definitely sets up a secondary romance in the end as well. This is purely a subjective thing, and readers who enjoy love triangles and bait-and-switch romances may enjoy this aspect more.

As it stands, I think I’ll wait and spoil myself on how the entire trilogy ends before committing to reading more of the series, largely due to my feelings regarding the romance. I enjoyed the overall writing and Dorothy as a character, but the romance is a big question mark, and I’ve been burned too many times in the past to blindly keep going.

Rating 7: I liked this interpretation of “The Wizard of Oz” and its classic characters, but the spice and romance raised some big question marks for me personally. Other romance readers who enjoy certain tropes, however, may enjoy it more!

Readers Advisory:

“West of Wicked” can be found on this Goodreads list: April 2026 Most Anticipated Romance Releases.

Fire’s Catching: “The Ballad of Songbirds and Snakes”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

It’s been eighteen years since Suzanne Collins wrote “The Hunger Games”, the smash hit literary sensation that continues to feel relevant and capture the attention of readers. This ongoing series will be a review series of both the Suzanne Collins books, as well as the film adaptations of the novels. I will post my review on the last Thursday of the month as we revisit the totalitarian world of Panem and the hope of the Mockingjay.

Book: “The Ballad of Songbirds and Snakes” by Suzanne Collins

Publishing Info: Scholastic Press, May 2020

Where Did I Get This Book: I own it

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Ambition will fuel him.

Competition will drive him.

But power has its price.

It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute.

The odds are against him. He’s been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined — every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute… and must weigh his need to follow the rules against his desire to survive no matter what it takes.

Review: A few years after “The Hunger Games” trilogy wrapped up with “Mockingjay”, the announcement was made that Suzanne Collins was going to write a prequel story. It was a bit vague at first, and I remember the buzz and anticipation that was tittering throughout the fandom. Who could it be about? Maybe Haymitch’s Games? Or maybe it was going to be about Mags? I was thinking it was maybe going to be about my gal Johanna Mason to see how she played everyone to think she was a scaredy cat and then eventually came out on top through brutality and managed expectations. And then it was announced that it was going to be about Coriolanus Snow, the brutal dictator in charge of Panem in the original trilogy. And I remember people being PISSED.

I will admit that as someone who always thinks that fandoms do the absolute most sometimes, I was pretty amused by the tantrums people were throwing. (source)

I wasn’t as put off by the concept. It did take me some time to read the book initially, but I did enjoy it, and re-reading it this year made me appreciate it even more. Because once again, Suzanne Collins knows EXACTLY WHAT SHE IS DOING.

So I will say right off the bat that this is probably my least favorite of the “Hunger Games” books, but that isn’t because it’s a bad book. I still really like this book. But there is a big narrative shift from the original trilogy to follow Katniss Everdeen and all of her innermost thoughts to Coriolanus Snow as a teenager and all of his innermost thoughts. But it’s still a very well written book that only expands more of the lore of Panem and builds the world even more in a way that makes it all the more intriguing. When we follow Coriolanus as he mentors Lucy Gray Baird from District 12 in the 10th Hunger Games, we get to see Panem in a transition period. It’s post-War/Rebellion, and the Capitol is still in shambles (which means you know the districts are having a rougher time as a whole). The Games right now aren’t the big entertainment event that they are when Katniss is reaped; if anything they are kind of run down and gritty. I really loved seeing the huge difference between the two time frames, and it goes to show just how much Snow influenced the Games and how much inspiration he took from his mentee Lucy Gray. Because Lucy Gray is the first one to weaponize her personality to be likable and to make it a bit of a spectacle with her singing and performance to make people root for her. If Coriolanus is a grating narrator (as he is supposed to be), Lucy Gray is a shining light of a character who has moxie and a drive to survive at all costs, even if it means cuddling up with Coriolanus (though I do believe that she DID care for him at one point, even if it wasn’t at the level of obsession and possession that he saw her at; notice I say obsession and possession as opposed to love). I also really liked seeing Lucy Gray’s Covey community, as by the time we get to the original trilogy in the timeline The Covey, a group that was trapped in District 12 after the rebellion after years of being nomadic, have all but disappeared, at least culturally. Seeing how Panem has changed between this book and the original trilogy is jarring but also so, so interesting.

I also liked getting some insight into the Capitol side of things in this book, be it with Coriolanus and his fellow students at The Academy being recruited to mentor the Tributes for the games, or the faculty indoctrinating them and manipulating their every move. We spend so much time in the Districts in the “Hunger Games” trilogy and only see the opulent and decadent Capitol in very specific instances, and in “Ballad” we see a Capitol that is grimy and, as I said, in transition, but it still has the superiority complex and the hints of totalitarianism that is still in shaky stages and is only waiting for a truly ruthless leader to bring it to its full horrific potential. It’s also interesting seeing the politics and ideologies of how the Capitol views the Districts at this point, still dehumanizing them but in a far more overt way at this point, like the Tributes being held in literal zoo cages. Or the way fellow students and Coriolanus look at Sejanus Plinth, who grew up in District 2 and whose family became wealthy and was able to essentially able to buy its way into the Capitol through loyalty and money, but is still looked down upon by others and feels like he is in an identity crisis. There are so many layers here and I greatly appreciated seeing this side of Panem, if only to get context.

Now, I may be treading into some kind of controversial territory here, but I kind of want to address one of the biggest hang ups people have about this book. There were a lot of people I saw, be it in my own life or online, who were very put off by the idea of this book following something of an origin story for President Snow. I had a few people say ‘I am not interested in getting a villain origin story that humanizes PRESIDENT SNOW’, and I mean, hey, that’s a valid worry about the book because there have been some stories where a clearly bad or villainous person gets some kind of redemption arc because of a sad backstory. But I never really had the fear that Collins was going to do that with Snow, as I know that she isn’t going to be an apologist for a fascist dictator just based on the original trilogy. Yes, Coriolanus Snow grew up during a time or war that left his life in shambles, even if his family was on the ‘winning’ side. He and his cousin Tigris are living with their completely indoctrinated grandmother in abject poverty, and while he comes from a prestigious family with name recognition (especially at the school he is attending), he has a huge victim complex because he isn’t living the life he was promised as a Snow. And that victim complex simmers as resentment, then turns into ambition, then turns into a thirst for power at any cost which turns into violence. I have always said that Collins’s “Hunger Games” stories always, ALWAYS have something to say, and the clear message of “The Ballad of Songbirds and Snakes” is about the way that young men can be radicalized by fascist ideology in times of instability within their lives, and while she explains it, she never excuses it with young Coriolanus, especially since we get into his head so deeply and he is just awful. This came out in 2020 when we had been seeing the starts of the Manosphere, and white male grievances were motivating a lot of young white men to embrace far right values, and unfortunately it has only gotten worse since then. So while I understand people not wanting to read about Coriolanus Snow as anything but an irredeemable villain, I also think that turning away from uncomfortable truths about radicalization of people like him in real life just helps the problem grow and grow. Collins doesn’t excuse his actions throughout the book, which are reprehensible even before he becomes president. But to dismiss this kind of exploration as being apologia for his actions is missing the point Collins is trying to make.

So while “The Ballad of Songbirds and Snakes” is probably my least favorite of the books about Panem, I still really enjoy it whether it’s the new lore and expanded world building of Panem, how it has changed over time and how the Games themselves have changed, and how it explores the dangers of radicalization through one of the biggest monsters in the series. Suzanne Collins does not miss. Next up I take on the next prequel book and the final book in the series “Sunrise on the Reaping”. Haymitch’s moment is upon us.

Rating 8: While it’s probably the weakest of the books for me, I still find it to be compelling and complex with a lot of relevant things to say. Also, I love seeing the huge differences in Panem between Katniss’s time and Snow’s time as a mentor.

Reader’s Advisory:

“The Ballad of Songbirds and Snakes” is included on the Goodreads list “YA Dystopia Novels”.

Serena’s Review: “Smoke and Summons”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Smoke and Summons” by Charlie N. Holmberg

Publishing Info: 47North, February 2019

Where Did I Get this Book: own it!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: As a human vessel for an ancient spirit, Sandis lives no ordinary life. At the command of her master, she can be transformed against her will into his weapon—a raging monster summoned to do his bidding. Unlike other vessels, Sandis can host extremely powerful spirits, but hosting such creatures can be fatal. To stay alive, she must run. And in a city fueled by smoke and corruption, she finds a surprising ally.

A cunning thief for hire, Rone owns a rare device that grants him immortality for one minute every day—a unique advantage that will come in handy in Sandis’s fight for freedom. But Sandis’s master knows how powerful she is. He’s determined to get her back, and he has the manpower to find her, wherever she runs.

Now, to outwit her pursuers, Sandis must put all her trust in Rone and his immortal device. For her master has summoned more than mere men to hunt her down…

Review: After absolutely loving “The Shattered King” and “The Half-Hearted Queen,” I eagerly jumped into Holmberg’s back catalog. Seriously, I think I bought probably two or three e-books in one night after turning the last page on that duology. Out of the many options I purchased for myself, I wanted to try another series, so I picked up this, the first in a complete trilogy.

This didn’t quite live up to the high that was “The Shattered King” duology, but I definitely enjoyed it for what it was! And, honestly, if the bar hadn’t been set quite so high, this one would have landed even better, so any/all qualms I had felt very much a product of unreasonable expectations more than anything else.

To start, I absolutely loved the world-building and magic system introduced here. For the world, our characters live in a highly corrupt city-state, essentially, that eats up its poor and doesn’t allow any past their gates. Right from the start, we see a system that doesn’t care about justice and, if you’re poor or unimportant, you can be disappeared without so much as a bat of the eye. In this world, our MMC, Rone, has pried out a life for himself and his mother by creating a name for himself in the criminal underworld. As for our FMC, Sandis, her side of the coin is the more unfortunate tale of those who have lost everything and been lost themselves, caught up by powerful players with very few options for escape.

The magic system was also great. There are hints of an ancient world that had magical resources that have been lost to this time, except for a few rare trinkets, including a device that allows Rone to be unkillable for a very short period of time once every 24 hours. Sandis’s story, however, is the one that centers more fully around the true magic of this series, that of summoners and the powerful beings that can be called forth from within them. But the process by which this happens is brutal and oppressive, with dire requirements for the body of the one who turns into the summoned creature and a horribly oppressive dynamic often coming from the summoner who controls them.

I also really liked both Rone and Sandis. This might actually be one of the rare books where I think I enjoyed the MMC POV more than the FMC. Sandis was a great character, but she was also a bit too perfect and too naive at times. She treaded the ground of the “perfect victim” stereotype a few times. That said, I did still very much enjoy her. For his part, I think Rone’s voice was stronger, and his character was often the driving force behind much of the action of the story. His arc is also the more complicated, with his attempts to balance protecting his mother as well as this new woman he finds himself working alongside. He doesn’t always make all the right decisions, and I liked him all the more for it.

Overall, I really liked this one! The pacing was a bit uneven at times, with Sandis and Rone playing out a bit of a circular pattern of being on the run, finding temporary safety, and then being found again and again. But their love story was lovely, and the end of this one set up some pretty high stakes for the next book. Of course, I already own it and will be jumping in again soon!

Rating 8: The FMC was a bit weaker than I prefer, but the world-building, magic, and MMC were all excellent, and I’m excited to see where the trilogy goes from here!

Reader’s Advisory:

“Smoke and Summons” can be found on these Goodreads lists: Slow-Burn Romance and Best Kindle Unlimited Books.

Kate’s Review: “Molka”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Molka” by Monika Kim

Publishing Info: Erewhon Books, April 2026

Where Did I Get This Book: I received an ARC at PLA 2026 from the publisher!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: molka (n): the Korean term for spy cameras secretly and illegally installed, often to capture voyeuristic images and videos

Dahye can’t believe her luck when she finds herself in a whirlwind romance with handsome, charismatic Hyukjoon, the heir to a multi-million dollar fortune.

But then a shocking revelation threatens: the couple has been caught on a spycam amid Korea’s growing molka epidemic, and the video is all over the internet. When Hyukjoon flees the country to avoid the intense public scrutiny, Dahye is left to grapple with the ramifications on her own; and the demons from her childhood, long dormant, begin to surface.

Amid the chaos, she catches the attention of Junyoung, a nerdy, introverted IT tech at work. Junyoung harbours a dark secret: he has been spying on the women at work with his own hidden cameras. As Dahye’s life begins to unravel, she unknowingly becomes the sole target of Junyoung’s perverse obsession.

When the facts surrounding the invasion of her privacy come to light, Dahye is faced with the humiliating truth. Her pain and hurt turn to rage as she faces her past. Her desire for vengeance is insatiable, and she will not rest until the men who have wronged her have paid in blood…

Review: Thank you to Erewhon Books for giving me an ARC at PLA 2026!

Okay, before I even go into my introduction to my review, I want to let people know that this review is going to be covering some triggering topics like rape/sexual assault, and sexual exploitation. So just be aware that it’s going to get heavy.

As I was reading “Molka” by Monika Kim the disgusting revelations of a so called online ‘Rape Academy’ broke in the news cycle, where men would drug their partners, rape them, film it, and then upload it for other users to see. It was horrifying but not all that surprising, and it just made me shake my head because the book I was reading was unfolding in real life in a lot of ways. “Molka” is a horror story to be sure, with a good majority of the horrors being completely man made, and Kim doesn’t hold back in her storytelling even if it makes for an incredibly triggering read. But a necessary one, as evidenced by the fact this shit is happening off page and in reality.

Our story takes place in Seoul and has two main POVs. The first is of Dahye, a young woman who has been swept off her feet by Hyukjoon, the son of a millionaire who showers her with gifts and incredible experiences… until footage of them having sex pops up online, seemingly filmed without their knowledge. While Hyukjoon has the wealth and privilege to ride the storm (being a man also helps… more on that in a bit), Dahye does not, and finds herself spiraling as the footage is everywhere, bringing up memories of her sister Euhnye, who killed herself years ago at seventeen after being impregnated by an older man and being terrified of the fallout. Our second POV is that of Junyoung, one of the IT guys at her work who has installed his own hidden cameras, or molkas, in the women’s restrooms so he can spy on unsuspecting women and see their privates, with Dahye catching his eye. Both POVs are so upsetting, whether it’s getting into the head of a predator like Junyoung, or seeing how absolutely wrecked Dahye is because of the violation and because of how women in molka cases are blamed, ignored, and shamed. And seeing them both escalate in their own ways, whether it’s Junyoung’s obsession becoming more dangerous, or Dahye’s mental health spiraling and her rage building, makes for such suspense and tension. Especially when it seems like Eunyhe’s ghost may be manifesting more and more as Dahye becomes more and more frenzied. I loved the bits with Eunyhe, with little hints of water and fleeting glances turning into a full on vengeful ghost egging Dahye on.

But potential supernatural themes aside, the really scary aspect of “Molka” were the real life themes of violent misogyny, sexual exploitation, and gender double standards within societies when it comes to sexuality. For characters like Dahye and Eunhye, as women who experience violence because of their sexuality (whether it’s the assault and exploitation in Dahye’s case or Eunhye killing herself after her out of wedlock teen pregnancy is revealed) are shamed and shunned and driven to the brink. But for people like Hyukjoon and Junyoung, who are men, they can either be wholly unaffected by scandal, or even be abusers either out in the open or hidden in the shadows, and even if their nastiness becomes known they are excused because boys will be boys. There were so many infuriating moments in this book that had to do with the disgusting ways Dahye was sexualized and violated, and Kim makes sure to tread a very fine line that makes sure the reader knows exactly what’s going on without making it feel all the more exploitative of, even worse, titillating. It is a VERY difficult read at times, especially when we see how objectified and dehumanized women are in the eyes of their abusers, but it’s also a searing and unflinching portrayal of feminist rage that has moments of catharsis to balance out the incredibly triggering moments.

“Molka” is a dark and upsetting horror novel, but it also feels like a very timely read, unfortunately. I definitely recommend it to any reader who likes a ‘good for her’ story.

Rating 9: A dark and difficult but unfortunately timely horror story about misogyny, violence against women, and the double standards between the treatment of genders in sexual situations. “Molka” is filled with content warnings, but the message is cathartic and the feminist rage burns bright.

Reader’s Advisory:

“Molka” is included on the Goodreads list “2026 Women in Horror”.

Not Just Books: April 2026

While we do love us some books, believe it not, we do have a life outside of reading. So to highlight our other pop culture interests, on the last Monday of each month, we each will highlight three other “happenings” from the last month. Big events on favorite TV shows, new movies we’ve watched, old movies we’ve “discovered,” etc. Pretty much whatever we found of particular interest outside of the book world during the last month. Share your own favorite things in the comments!

Serena’s Picks

Movie: “Project Hail Mary”

Like everyone this month it seems, I dutifully left my house and booked a ticket to see what feels like the only true blockbuster of a film that’s come out in oh, I don’t know, years at this point! Ok, I joke. But it does seem like it’s been quite some time since there’s been a movie that has been so widely enjoyed. I didn’t get around to seeing this until it had been out in theaters for three weeks, and even then, my evening showing on a Thursday night was a packed house! I can’t remember the last time I’ve seen that! And the movie was well worth all of these sales. There was adventure, there was humor, there was heart. But most of all, it was an optimistic film with a central message about the need for true connection. In many ways, I feel like it’s the sort of movie that hit at just the right time. But even besides that, it was just a great movie-going experience, and I highly recommend a theater showing if you can swing it!

TV Show: “Top Chef”

Fall is for “Bake Off” and spring is for “Top Chef!” It’s a nice little tradition for my husband and to watch together: two shows where we can judge contestants as they create dishes we have zero chance of making ourselves! “Why, why would you try to do a soup for a quickfire? There’s not enough time to develop the flavors!” We definitely sound like we know what we’re talking about, and that’s all that matters. In this season in particular, we’ve spent a lot of time criticizing the one contestant whose arm seems to be more injured when she’s doing poorly or doesn’t want to do a quickfire but then magically repairs itself for the challenges where she feels more confident!

Video Game: “Eternal Strands”

This was a fun little palatte cleanser of a game between my obsessive “Baldur’s Gate 3” runs and my continued effot to work myself up to trying “Warhammer 40K: Rogue Trader.” This was a much more manageable length, around 35 hours, and had a very fun game play loop. Most of all, I loved fighting the giant constructs and the various unique approaches you had to take to defeat each one. The voice acting was also incredible throughout, and by the end, I was quite attached to everyone in this odd little group. If you’re looking for a fun, fairly straightforward action game, this is a nice option to consider!

Kate’s Picks

Netflix Show: “Something Very Bad Is Going to Happen”

It’s been a bit since I’ve watched a horror TV show that completely pulled me in and left me going WHAT ON EARTH DID I JUST WATCH. It’s been awhile since Mike Flanagan created a ghost story for Netflix, but if you have been missing that or something along those vibes, look no further than “Something Very Bad Is Going to Happen”, because this show MESSED WITH ME. Rachel is a woman who is going to meet her fiancé Nicky’s family for the first time, with their remote cabin setting being the spot for their small wedding that weekend. But things are very strange at the house and with the family, with people acting weird, and an overwhelming sense of dread that Rachel can’t shake. To make matters worse, the family lore of a creature in the woods makes Rachel all the more nervous. But things are even more horrifying than she realizes as family curses and secrets start to come out of the woodwork. This show kept me on edge basically the whole time, with crazy reveals, incredibly unsettling imagery, and a great cast who all seem unhinged.

TV Show: “Deadloch”

As mentioned last month, “Deadloch” Season 2 dropped and now I am back with another entry focusing on this darkly funny Australian murder mystery! Dulcie and Eddie have left the small Tasmanian town and have headed for the mainland when Eddie wants to follow up on the death of her detective partner. But they don’t stay in Darwin long, because some body parts in the mouth of a crocodile in the small town of Barra Creek brings them there to investigate… And brings up the fact that Eddie has a past and connection to the community that she was hiding from Dulcie. And this time it’s involving crocs, feuding tourist companies, and MORE body parts washing ashore. Dulcie and Eddie still have great chemistry, and the mystery this time around is just as engaging and complex. We also have some new supporting characters, as well as some familiar faces (really happy to see Abby has returned and is fully into forensics, and wow, Cath is actually really fun this season after being wholly insufferable last time around!), and it’s still super funny, super queer, and kept me on my toes. I don’t know if we’re going to get more seasons after this one, but if it’s the end, it ended on a high note.

TV Show: “Dark Winds”

Another procedural on my list, though I was waiting awhile for “Dark Winds” to come back after season three, especially since we left on a bit of a cliffhanger (Emma left Joe!! NOOO!). And now “Dark Winds” is back, which means Joe Leaphorn and Jim Chee are back on the case. In Season four they are looking for a missing Navajo girl, who ran away from a Catholic boarding school and then vanished, last seen with a young man with a criminal past. Their search takes them to Los Angeles, where they get tangled up in the seedy underbelly of the crime world, as well as become targets of a meticulous killer. Meanwhile Joe is still reeling from Emma leaving him, and Bernadette has newly rejoined the Navajo Tribal Police after leaving her position with the border patrol, though her relationship with Chee is still new and growing, and the thought of a workplace romance feels complicated. I’m so glad this show is back, as I absolutely love Leaphorn and Chee, and still love how Indigenous perspective centered it is.