Publishing Info: Houghton Mifflin Harcourt, April 2012
Where Did I Get this Book: audiobook from the library!
Book Description: Seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where the sisters still serve the gods of old. Here she learns that the god of Death Himself has blessed her with dangerous gifts—and a violent destiny. If she chooses to stay at the convent, she will be trained as an assassin and serve as a handmaiden to Death. To claim her new life, she must destroy the lives of others.
Ismae’s most important assignment takes her straight into the high court of Brittany—where she finds herself woefully under prepared—not only for the deadly games of intrigue and treason, but for the impossible choices she must make. For how can she deliver Death’s vengeance upon a target who, against her will, has stolen her heart?
Review: Our bookclub theme this go-around is books that have been on our TBR list for over two years. And there are a lot. My lists is somewhere in the mid-300s though, so cut me some slack! But while going through it, I tried to match up a few titles with ones that are currently available at the library in audiobook format and I struck across “Grave Mercy” and thought “Why not? Killer nuns sounds pretty neat.” And here we are. Sadly, killer nuns were not, in fact neat. But one could argue that the story wasn’t really about that anyways, so some other author could still cash in on what sounds like a cool idea.
Just as Ismae’s life is taking a distinct turn for the worst (an arranged marriage, said husband being an abusive jerk, etc. etc.), she’s caught up by a mysterious organization., a convent that follows an old god, one who calls upon his followers to take out evil in the world. The convents train in these deadly arts to carry out this work. With a new route before her, Ismae excels in her new life and role. But when the straight-forward plan of killing targets gets caught up in a much more murky world of courtly politics, Ismae finds herself out of her depth. Add in some romantic feelings, and she’s in a real mess.
To start with any pros, the best thing this book has going for it is the cool premise. I was excited to pick up this book, as assassins always seem like they would be good for an action-packed story full of potentially interesting moral quandaries. Unfortunately, the book itself fails to follow through on this premise, so even that is a pretty luke warm pro.
My biggest problem with this book comes down to the writing itself, both the style of sentences construction as well as the numerous plotting issues. I’m not personally a fan of first person present tense writing, and this one definitely falls prey to the weaknesses of this tense. The voice is often wooden and off-putting. Her emotions are conveyed using a handful of cliches that do nothing to really show us Ismae’s feelings, rather just informing us of them, as a matter of fact. I’m not sure I would have loved the character of Ismae had she been presented in another way, but this definitely didn’t help.
The other big problem with the writing is the way numerous writing crutches are used. The story opens with Ismae’s abusive first day of married life, quickly moves on to her being taken in by the convent and informed, succinctly, of their role in the world. Then two seconds later Ismae’s all on board and we have a time jump. Suddenly, she’s now this badass assassin out on her first mission. It all happens too fast and readers are left to just swallow it all, no questions. There is far too much telling and no showing. We never see Ismae gain any of these so-called skills, and with the introduction of a magical knife that kills with just the barest touch, we’re left wondering why any training is needed at all.
Frankly, it feels as if the author did the barest amount of work in the beginning of her story to get to the part she really wanted to write about. Which, fine. But if that’s your goal, just skip it all together and introduce these pieces of history as the current story plays out. This method would have worked much better and solved several of these problems.
I also struggled with the romance. It’s pretty much just what you would think, so I don’t really need to even bother explaining any of the details. But given Ismae’s early marriage (which, by the way, seems fairly valid and never is addressed again) and the abuse that came with it, I would have hoped for a more nuanced approach to her love story. Instead, we have generic googly eyes at the hawt guy and, again, a long list of cliched descriptions and emotions.
Assassin books are a strange thing for me, now. I feel like I really like them. But when I try to think of examples of books with this theme that I’ve enjoyed, there are really very few. And on the other hand, a rather long list of books with this plot that I’ve absolutely hated. It makes sense: how do you write about something as brutal as assassination without also taking the time to really address the moral issues at the heart of it? Far too many authors simply want the badass points of it all without the latter responsibility to the emotions and decisions behind it. So we end up with books like this, where we’re told that our main character is a badass and then proceed on to a pretty bland love story that is more focused on court politics that assassinations, anyways.
Rating 4: The weak writing really killed this one for me.
Where Did I Get This Book: I received an eARC from NetGalley!
Book Description:No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen’s new job as an apartment sitter at the Bartholomew, one of Manhattan’s most high-profile and mysterious buildings. Recently heartbroken and just plain broke, Jules is taken in by the splendor of her surroundings and accepts the terms, ready to leave her past life behind.
As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid, who comfortingly, disturbingly reminds her of the sister she lost eight years ago. When Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her, Jules brushes it off as a harmless ghost story . . . until the next day, when Ingrid disappears.
Searching for the truth about Ingrid’s disappearance, Jules digs deeper into the Bartholomew’s dark past and into the secrets kept within its walls. Her discovery that Ingrid is not the first apartment sitter to go missing at the Bartholomew pits Jules against the clock as she races to unmask a killer, expose the building’s hidden past, and escape the Bartholomew before her temporary status becomes permanent.
Review: Thanks to NetGalley for sending me an eARC of this book!
While the combined phrase of ‘urban Gothic’ may seem like it contradicts itself, it’s a genre that can be really effective when done well. One example that comes to mind is “Rosemary’s Baby”, about a woman who has been isolated within the confines of a luxury apartment building in the middle of New York City (and she happens to be carrying the devil’s baby, but that’s neither here nor there for this comparison). The ability to make a character feel completely alone in the Gothic sense in the middle of a huge metropolis like Manhattan can take some finagling, and I’m happy to say that like Ira Levin before, Riley Sager has tapped into this theme with his newest thriller “Lock Every Door”. And while there’s no devil baby to be found, strange things are still afoot within the narrative and within the walls of the luxury apartment building The Bartholomew.
“Lock Every Door” follows Jules, a woman who has found herself nearly flat broke and without housing, so it’s natural that the strange offer of ‘apartment sitting’ in a glamorous building off of Central Park would be snatched up by her, odd rules be damned. We slowly learn that Jules isn’t just a naive woman who willfully ignores strange warning signs; she’s literally desperate. Being without a job, without housing, and with a dwindling bank account means that twelve thousand dollars is going to be worth more than rigid, downright draconian rules she has to abide by. I liked Jules a lot because she ISN’T foolish; she feels like she’s in a corner and has no choice. Because of this I had huge sympathy for her and wasn’t as fast to want to shake some sense into her. And she hasn’t necessarily willfully isolated herself for the most part; outside of her friend Chloe, she is basically alone in the world, as her parents are dead and her sister has been missing for years. For her these rules are very easy to live by simply because she is already isolated, even within a large metropolis. She is a complex and also tragic main character who I liked following, if only because of the believability with her in all aspects of the story. While some have suggested that she should have at least been more willing to ditch out as soon as the bad things start happening, I still maintain that sunk cost fallacies, desperation, and the constant gaslighting by modern society towards women and their anxieties made this believable to me. There were also well done supporting characters, from the helpful doorman Charlie who has personal pain of his own, and Chloe, who wants to support Jules in any way she can, but whose generosity can come off as condescension.
But the strongest aspect of “Lock Every Door” was the incredibly suspenseful plot and setting of a gorgeous, but perhaps insidious, luxury apartment building. Described with intimidating architecture and disturbing gargoyles, and a tainted past to boot, it felt like a healthy mix of The Cecil Hotel and the Shandor Building in “Ghostbusters”. We know that something is happening inside and that the residents and realtors are hiding something, but Sager did a good job of keeping the details pretty close to the vest. Harkening back to Ira Levin and “Rosemary’s Baby”, the question of whether everyone is out to get your or you are just paranoid is prevalent in this book, as a vast conspiracy of neighbors simply couldn’t be possible in Jules’s mind. At least at first. The clues are dropped and the pieces are set out at a meticulous pace, and by the time we did find out what was going on I was pleasantly duped, and could also see how we got there, even if I didn’t notice it. The pacing was such that I had a very hard time putting this book down, and I needed to know what was going to happen next at the end of each chapter.
“Lock Every Door” was a creepy and nervewracking read, and another well done book by Riley Sager. The paranoia and tension will make this a great book to take on vacation this summer, but perhaps reading it alone at night would be second guessed.
Rating 8: An addictive thriller with shades of Hitchcock and “Rosemary’s Baby”, “Lock Every Door” will put you on edge and keep you guessing until the end.
Where Did I Get this Book: audiobook from the library!
Book Description: “Shadows of Self” shows Mistborn’s society evolving as technology and magic mix, the economy grows, democracy contends with corruption, and religion becomes a growing cultural force, with four faiths competing for converts.
This bustling, optimistic, but still shaky society now faces its first instance of terrorism, crimes intended to stir up labor strife and religious conflict. Wax and Wayne, assisted by the lovely, brilliant Marasi, must unravel the conspiracy before civil strife stops Scadrial’s progress in its tracks.
Review: This is another series that I’ve been reading in audiobook format, and as such, am at the mercy of a more limited holds list at the library. But oh well! Not only is the narrator of Sanderson’s books excellent (I’m pretty sure he does them all), but I also have my own weird thing about switching formats halfway through a series. Yes, I know, I’m a freak. Anyways! My hold finally came through and it was on to the next installment in this second trilogy in the Mistborn world featuring our favorite lawmen, Wax and Wayne!
A year after the events of the first book, Wax and Wayne are still doing their thing, solving crimes in the city of Elendel. All the while, however, Wayne is having to balance his crime-solving with also be the lord of his house and planning a wedding with his fiance. The latter takes a back-burner position in priorities when a new enemy appears on the scene, one who seems to be able to predict their every action and disappear into any crowd. Wax and Wayne struggle to keep up, but also to put together a possible motive and endgame for this mysterious villain. Marasi, working as a more official officer of the law, joins the action, and soon enough they all find themselves caught up in a conspiracy that is set to rock the entire city.
While this story still is very much Wax’s, one of the things that stood out to me the most in this book was how I felt it was improved by giving Wayne his own chapters as well as Marasi. I’ve always liked Wax, but I also don’t feel super drawn to his character. I think this is because he’s essentially Batman in the Mistborn world. Wealthy, powerful, fighting crime, and, of course, brooding. Just as Batman isn’t my favorite superhero for this reason, I don’t feel a lot of draw to Wayne in the same way. But I do very much like Wayne and Marasi. Both seem a bit more complicated, with internal struggles and story arcs that seem ripe for more exploration. Wayne, of course, is a very amusing narrator, though here I do wish that some of the clever lines would give away more often to the actual heart of the matter (something that, conversely, he is very good at identifying, unlike Wax at times). And I appreciate Marasi’s journey to prove herself worthy of working along the famed Wax and to carve her own place in the police force, one that she earns through her abilities and not through her connections to her notable family or Wayne himself.
I very much enjoyed the story itself. This entire trilogy so far has been tending much more towards Westerns and thrillers than fantasy (take out the fantasy elements and the stories themselves would hold up pretty easily). Neither of those are really favorite genres of mine, but this one counterbalances that with the introduction of a very compelling villain. The villain has really great abilities that truly challenge Wax (similar to Batman, it’s tough to create a villain that poses an actual threat when you’re hero is so established as a badass). I really liked how it wasn’t clear what the motivation or connection was behind the villain’s actions throughout the book as well. So not only are readers caught up in the fast-paced action, but there is a legitimate mystery at the heart of it all. And the best part is the incredible shock at the end of the story. Obviously, I won’t spoil it. But it’s not only huge for this book, but for the series as a whole. I’m excited to see how things play out from here!
My one criticism of the book (other than my own personal hang-ups on Wax’s character) has to do with some of the action scenes. I’m not really sure how to articulate the issue I had. It was by no means large, but it was almost as if there were times when some of the action read as a bit cheesy, with Wax pulling stunts that seemed a bit too similar to the likes of what you may see in the “Fast and the Furious” or some other corny action movie. Many of these scenes read well and the cool magic system that Sanderson has built up for this world continues to entertain. But there were just a few moments that walked the line of “cool for coolness-sake” a bit too closely for my taste.
Overall, however, I very much enjoyed this book. The ending itself with the surprise reveal probably helped bump the book up a whole point in my estimation. And it’s the kind of reshuffle that will have lasting impact, so it creates added interest for the next book in the series.
Rating 8: Some action points were a bit much at times, but some incredible twists and the addition of a viewpoint for Wayne made this a fun read.
Publishing Info: Knopf Books for Young Readers, March 2019
Where Did I Get This Book: The library!
Book Description:It’s a school completely off the grid, hidden by dense forest and surrounded by traps. There’s no electricity, no internet, and an eye-for-an-eye punishment system. Classes include everything from Knife-Throwing and Poisons to the Art of Deception and Historical Analysis. And all of the students are children of the world’s most elite strategists—training to become assassins, counselors, spies, and master impersonators. Into this world walks November Adley, who quickly discovers that friends are few in a school where personal revelations are discouraged and competition is everything. When another student is murdered, all eyes turn to November, who must figure out exactly how she fits into the school’s bizarre strategy games before she is found guilty of the crime…or becomes the killer’s next victim.
Review: Adriana Mather is one of those authors whose books I am probably always going to pick up no matter what. I so enjoy the “How to Hang a Witch” series, and when I saw that Mather had a new book that started off a new one I was a little bummed that I had to wait a bit longer before she revisits Samantha and Elijah, but excited at the prospect of a new series with new characters. And, lo and behold, this new series takes place at a BOARDING SCHOOL WITH A SHADY SET UP!! Bring on the drama! I will gladly bask in all of it!
“Killing November” is definitely more focused on being a thriller and mystery that Mather’s previous series, and I think that this is both a strength and a weakness. The reason it’s a strength is because of the character of November herself. We know that her father has been involved with some espionage and secret government work, so when she awakens in a strange room and at a strange school she’s never heard of, we know that while she’s heard of shit and seen some shit in theory, she will still have some adjusting to do. November is a fun protagonist, because she’s both pragmatic in her personality (aka I completely believed her as being a bit more cynical and world weary thanks to her family background), and yet still in the dark enough that she has HUGE adjustments to make at this new, bizarre school that focuses more on combat, violence, and duplicity than your average educational institution might. November finds herself having to learn about knife throwing, poisons, and psychological warfare, without being given any kind of background, so she is the perfect stand in for the reader in terms of learning everything she can, with severe consequences if she can’t catch on fast enough. Because of this gulf between her and the other students, watching connections and friendships form was more unique than we might usually expect from a story with a similar premise, mostly because of the inherent distrust between the students based on social structures and the violent skills they’re learning. November’s closest ally is her roommate Layla, who is astute and sharp and cunning, but doesn’t hold friendships at the same value level as November, and therefore the readers, do. Because of this, watching their social interactions (along with the social interactions between November and Layla’s brother Ash, who may or may not be hiding his own motivations) was fascinating and rewarding as they slowly unfolded, in spite of the inherently distrustful setting of the school. Along with that I liked how the underlying social structures of this school worked. It’s a bit of a spoiler to go into it in too great of detail, but think of it like Hogwarts Houses, but revved up rivalries to deadly degrees. Throw in some good old fashioned blood feuds and you have for a plot line that I could sink my teeth into.
I think that the biggest drawback, however, is that while Mather is great when it comes to building these foundations and relationships, the main question of who is trying to hurt November and why didn’t pull me in as much. I cared about her as a character and wanted her to be safe, but I didn’t feel all that invested in who the killer at the school was, and why they would be going after November specifically. It wasn’t even that the ultimate solution was bare boned or too predictable; it was well plotted out and I found it to be believable as well as a surprise. It was just that ultimately, this plot wasn’t where the storytelling was richest for me. I liked the characterizations and the world building far more than the main plotline of this first book. My hope is that, should this series continue, in the next books with all the world building and November’s alliances and trustworthy cohorts established (as of now), I will be more interested in the twists and turns that are thrown into whatever adventure she and her classmates go on next.
“Killing November” has some very solid promise to be a fun new series from Adriana Mather. And while I’m still waiting for the next “How To Hang A Witch” book, I can now add the next “November” book to my list of anticipated reads!
Rating 7: With interesting characters and a compelling background story for the school, “Killing November” has promise, even if the main mystery didn’t grab me as much as I’d hoped it would.
The weather has still been somewhat mercurial, with days of super hot sun and then returns to the 60s with rain. But we’ll take what we can get. If only the bugs would disappear. (We can find something to whine about during every season, just you watch.) And yes, we both should probably get outside more to appreciate the long days, but…oh well! Here are some things other than books that we’ve enjoyed this last month!
Confession: I haven’t read the book this was based on. But I’ve read a good number of other works by Neil Gaiman and Terry Pratchett, so I feel like it should count. In all honesty, however, my all-abiding love for David Tennant was the real draw behind my immediate interest in this show. While the subject matter (an angel and a demon team up to try to prevent the end of the world) would always be a pretty big appeal for me, Tennant is just one of those actors whose work I will always check out. There were a few moments where the complete absurdity was a bit too much for me, but overall, I loved heart of this story that is built up in the lovely relationship between said angel and demon. Overall, I really enjoyed it.
I actually fell a bit behind on this series and ended up binging season six earlier this fall. As usual, I quite enjoyed it. And, with doing no further research, I assumed the show was over. The ending of that season certainly implies as much with Sherlock and Watson both relocated to 221B Baker St, London and waxing poetic about how it feels as if they are where they’re meant to me. But, much to my surprise, while dinking around on the Internet I discover that there is in fact a season seven! And it started up only a few weeks ago! This is only a short, half season but it seems like it is confirmed to be the last, so I’m super excited to see what they’re going to do with it. Fingers crossed for a return of Moriarty! And let’s hope that they don’t ruin what could have been a perfectly satisfying end with the final episode of the previous season.
This is super weird and I know it. But hey, a girl’s got to do something with all of those hours spent feeding a fussy baby. And what’s better to do when you baby boy is being a little idiot than watch someone play the Sims and have a character deal with raising 100 of these little monsters. There’s something bizarrely cathartic about it, I’ve got to tell you. Maybe it’s of particular interest to frustrated new mothers, but I do think it’s pretty hilarious to watch all on its own, too. Especially if you’re just looking for a good 20-30 minute distraction here and there.
When “Pose” first aired last year I had every intention of watching it, but never got around to it. I mean, my goodness, it covers themes and settings that I absolutely love: the New York City Ball Culture, the 80s, glamour, self actualization. When I saw that Season One was on Netflix, I decided to finally start it… and then proceeded to binge all of it in the course of two days. “Pose” takes place in 1987, and follows the rising House of Evangelista, led by Blanca, a trans woman who left her previous house and mentor to start a house of her own. Not only does “Pose” have great music, great characters, and a strong grasp of what was going on in the Ball and LGBTQ communities in the 1980s (with a very real and upsetting look at how the AIDS virus was affecting said communities), it also has a cast that is mostly trans actresses of color, reflecting the people whose stories they are telling. And Billy Porter is AMAZING as the snarky emcee Pray Tell. On top of all that, Season 2 has started, and there’s no way I’m missing it in real time this time around.
This will undoubtedly surprise no one, but I love Sir Elton John for his flamboyance, passion, and catchy/heartfelt tunes. When I first saw a trailer for “Rocketman” I turned to my husband and said ‘YOU NEED TO TAKE ME TO THIS’. And, good sport that he is, he did so once it came out. This movie is part musical fantasy, part biopic about John and his rise to fame and the hardships he had to overcome, from lonely childhood, to mental health issues, to addiction. Taron Egerton is remarkable as John, not only nailing his look and mannerisms, but performing his songs with zeal and gusto. He did so well that there were moments where I had to blink and squint because I could have SWORN John himself had slipped into the scene. But one of my favorite depictions on the screen was the friendship John has with his longtime writing partner, Bernie Taupin. Taupin is played by Jamie Bell and he and Egerton have such magical chemistry, really bringing their partnership and friendship to the screen. If you do go see this movie, bring tissues. Well all know things worked out for John, but man, the road was rough, and this movie has the emotional punches that come with it.
Even though I have an unabated love for just about anything that Joe Hill writes, as of now my favorite of his novels is “NOS4A2”. It’s about Charlie Manx, a vampire-like being that kidnaps children. He takes their essences to keep himself forever young, and traps them in an ‘inscape’ (a supernatural alternative plane he can manipulate) he calls Christmasland. But he meets his match when he runs into Vic McQueen, a teenage girl who can create her own inscapes, and may have the power to stop him. I was very interested to see what AMC was going to do with it when I heard that they were going to make it into a TV show. And let me tell you, thus far I am VERY happy with what they are doing with it. I knew that I was going to be one hundred percent satisfied with Zachary Quinto as Manx, but was worried about any portrayal of Vic, as she is one of my favorite literary characters. But Ashleigh Cummings is FABULOUS, bringing the spunk and vulnerability that the character needs. And, most importantly, the show really achieves the creepy and unsettling tone that this story requires. It’s suspenseful and eerie, and I’m eager to watch as it unfolds.
Where Did I Get this Book: audiobook from the library!
Book Description: Picking up where book two left off (in China, Macau) Captain Will Laurence and his extraordinary dragon, Temeraire, are ordered to retrieve and escort a precious cargo of valuable dragon eggs from Istanbul to England. They take the Old Silk Road from China to Istanbul, crossing deserts and mountains. En route to England, they help the beleaguered Prussians battle Napoleon.
Review: Trucking along with this series! Once you get me started, there’s no stopping me! Well, the waiting list at the library for the audiobook does hold me up…mostly because I love the narrator for this book so much that I refuse to read it in any other format now. So really, it’s my own pickiness that is holding me up. But really, it’s also probably for the best, as it’s always nice to have a solid series on the back burner that one can return to if ever caught in the midst of a string of bad luck reads. That’s not the case right now, really. I just couldn’t resist.
Lawrence and Temeraire are anxious to return home to England and rejoin their fellows in the war against Napoleon. They are also tasked with picking up a few dragon eggs on their way home. After a few unfortunate events, a sea voyage ends up being off the table as means of travel, and they’re forced to prepare for an over-land expedition. Along the way they face challenges of terrain, both mountain and desert, as well as rogue dragons and shady political figures. They also eventually find themselves caught up in the war itself on the continent, pulled before dueling loyalties: their honor to the foreign allies and the urgency to deliver the dragon eggs before they hatch.
As my reviews indicate, the first two books in this series took me a bit by surprise. I wasn’t sure exactly what I was getting into when I started the series (many books that feature dragons have clear tropes, none of which were found here), and the second book went in a new direction even from that. But now I think I’m starting to settle in and it all comes down to a similar theme: Lawrence and Temeraire go on adventures! Not only has each book taken place in very different locations and featured very difference challenges, foes, and comrades. But within each book are a series of mini adventures that the two friends must navigate.
In this one, we have another travel adventure for the first half of the book, as the pair and their crew leave China and make their way across Asia towards their home. Along the way, they must battle the elements, getting into some dire circumstances in the mountains and in a sandstorm. I was also excited when they ran into a group of feral dragons. As the series has progressed, it’s become clear that Lawrence and many people in general, don’t truly understand dragons and what they are capable of. There have been a lot of preconceptions that Temeraire has proved false, about dragon intelligence and individuality. Throughout it all, we’ve often heard about feral dragons as those that can’t be tamed or made to work with people. I very much enjoyed the way they were worked into the story and the foibles of the mini dragon society we see here.
I was also excited to see a return to the military aspect of the story. The first book had a brief battle scene towards the end of the book, and the second one had very little in this regard. But half way through this book, we really dive into the military tactics of dragons. I like the way Novik highlighted how different countries have had different approaches to how they use their aerial corps, a detail that continues the heighten the believability of dragons fighting in the Napoleonic wars.
Further, we began to see how dragons themselves can contribute to these types of military strategies, with Temeraire putting to use his knowledge for formations and strategy for in-air battle. I also really liked the way we see Napoleon use his dragons in very clever ways, making his military brilliance transfer just as well to this fantastical element. We also see how the presence of dragons could influence the outcome of some of these historic events in ways that you wouldn’t necessarily anticipate.
The ending did seem to kind of come out of the blue, however, with things building up to a climax and then quickly ending. I’m not sure the pacing of the story overall was quite right, in this regard. But other than, I’m still thoroughly enjoying this series!
Rating 8: I particularly enjoyed the return to the military aspects of the story in this one.
Book: “The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick” by Mallory O’Meara
Publishing Info: Hanover Square Press, March 2019
Where Did I Get This Book: The library!
Book Description:The Lady from the Black Lagoonuncovers the life and work of Milicent Patrick—one of Disney’s first female animators and the only woman in history to create one of Hollywood’s classic movie monsters.
As a teenager, Mallory O’Meara was thrilled to discover that one of her favorite movies, The Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick. But for someone who should have been hailed as a pioneer in the genre there was little information available. For, as O’Meara soon discovered, Patrick’s contribution had been claimed by a jealous male colleague, her career had been cut short and she soon after had disappeared from film history. No one even knew if she was still alive.
As a young woman working in the horror film industry, O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went.
A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since.
Review:As someone who loves horror movies, I’m actually not very well versed in a lot of the Universal ‘Monster’ Flicks. Though we watched all of Karloff’s “Frankenstein” and parts of Lugosi’s “Dracula” in a college class, I am dreadfully uneducated when it comes to the lion’s share of the film canon. That said, I have seen “Creature from The Black Lagoon”, and it’s one that has a special place in my heart if only because The Creature, or Gill-man, or what have you, is such a tragic figure in this “Beauty and the Beast”-esque tale. As opposed to his Universal Monster counterparts, Gill-man looks more sad and lonely than frightening and foreboding. As the weird girl in middle and high school who had her fair share of crushes on more popular guys, I feel that longing and loneliness the Gill-man kind of has.
What I hadn’t realized was that The Creature was designed by a woman named Milicent Patrick, so when “The Lady from the Black Lagoon” by Mallory O’Meara came upon my radar I was immediately interested in learning about her story. What I wasn’t ready for was how personal this part biography, part investigation story would be, for O’Meara AND for women in Hollywood AND horror.
O’Meara is the perfect person to tell Milicent’s story, in that not only has she been invested in Patrick’s life’s work since she was a teenager, but she herself has certain parallels to Patrick. Like Patrick, O’Meara is a young woman working in Hollywood, specifically as a producer of horror films. And like Patrick, O’Meara has faced rampant sexism and misogyny in her day to day life at her job, from people assuming she isn’t a producer based on her age and gender. So this story isn’t just an interesting biography of a woman whose contributions to horror have been lost, but also an investigation into her life led by another woman who still sees the same problems within the industry. While Patrick’s life is undoubtedly fun to read about (for example, she was one of the ink and color animators for the “Night on Bald Mountain” segment in Disney’s “Fantasia”, which has ALWAYS been my favorite sequence in one of my favorite Disney movies!), it’s also a familiar and frustrating look into how women were treated in show business during this time period… and how they still are treated today. Patrick was ultimately black balled from design after Bud Westmore, a famous designer who was jealous of her success, insisted that she not be given credit for the monster that SHE CREATED. Even recently people still argue that she wasn’t the actual creative mind behind it, in spite of the evidence that she was. O’Meara successfully takes it upon herself to get her legacy out there, and the reader not only gets to read about the life of a pretty neat woman, but the time, effort, and experiences of what it took to uncover the story. From Hearst Castle to Hollywood to Las Vegas, Patrick’s life is laid out because of O’Meara’s hard work and diligence.
But the part of this story that I found I was the most invested in, and the most galling, was the sexism and misogyny aspects of this story, both experienced by Patrick AND O’Meara. It’s not a big secret that Hollywood can be incredibly toxic for the women who work there, but that doesn’t make both Patrick’s AND O’Meara’s experiences any less upsetting. Though O’Meara hasn’t lost her job due to jealous male colleagues, she has her own personal stories to tell of others mistreating her, the most glaring being a story about an actor working on one of her movies making sexual innuendos about her in a ‘does the carpet match the drapes’ kind of way (and I did a little digging and have a theory as to just who this actor was, as she left his name out out of fear of retaliation. Sadly, it doesn’t surprise me if I’m right). Given that women are STILL shut out of so many opportunities when it comes to film and television behind the scenes, especially genre films like horror and fantasy, hearing that those who ARE there get treated like this is very upsetting, especially as a lady horror fan. While O’Meara’s experiences certainly aren’t unique, that is the exact reason that these experiences need to be shared.
“The Lady from The Black Lagoon” was a very interesting and rewarding read for this horror fan. I definitely think that horror fans everywhere really ought to give it a go, if only so Milicent Patrick can continue to finally get her due long after it was stolen from her.
Rating 8: A thorough, eye opening, and emotional book that tells the story of a forgotten creative mind, and how the problems she faced in her industry are far from fixed.
Book Description: Sometimes you find love in the most unexpected of places…
This is not one of those times.
Everyone expects Billie Bridgerton to marry one of the Rokesby brothers. The two families have been neighbors for centuries, and as a child the tomboyish Billie ran wild with Edward and Andrew. Either one would make a perfect husband… someday.
Sometimes you fall in love with exactly the person you think you should…
There is only one Rokesby Billie absolutely cannot tolerate, and that is George. He may be the eldest and heir to the earldom, but he’s arrogant, annoying, and she’s absolutely certain he detests her. Which is perfectly convenient, as she can’t stand the sight of him, either.
But sometimes fate has a wicked sense of humor…
Because when Billie and George are quite literally thrown together, a whole new sort of sparks begins to fly. And when these lifelong adversaries finally kiss, they just might discover that the one person they can’t abide is the one person they can’t live without…
Review: I don’t read straight up romance fiction very often, but when I do, it’s usually historical romance. And there’s no one better at writing historical romance than Julia Quinn at this point. She’s so successful that her “Bridgerton” series has been picked up by Netflix to be produced by Shonda Rhymes. I can’t say that that was my reason for initially starting this book, but I did discover that fact halfway through which made it feel a bit like fate, since I’ll definitely check out the show when it finally shows up.
The Bridgertons and Rokesbys have been neighbors for years, and as two of the most prominent families in the area, the children of both families have practically grown up together. None of them more close than Billie Bridgerton and Edward and Andrew Rokesby. Together, they’ve run wild throughout the countryside, often lead into the most trouble by Billie herself. Left out of these affairs has always been the eldest Rokesby, the serious and responsible George. But, as adults, when Billie’s bravery and gumption has translated into a sincere feeling of responsibility for caring for her father’s lands and George has come to appreciate the benefit of a bright smile and a joke, the two find themselves beginning to come to understand the other better and better.
I’m by no means a completeist of Quinn’s original Bridgerton series. I’ve read a few here and there. That being the case, it took me a bit to realize that this is essentially a prequel series to that one. The main chunk of Bridgerton books cover the exploits of the next generation, the children of Billie’s older brother. I’m not sure how many of these characters who up in that series, but I, at least, wasn’t familiar with any of them or their stories and backgrounds. But in this vacuum of my knowledge, I very much enjoyed what was presented here.
What stands out the most is the fact that this book doesn’t follow the traditional format of romance novels. The typical steps are as follows: 1.) Hero and heroine meet and while not understanding the other, sparks immediately fly 2.) Hero and heroine are compelled to marry for some reason or another 3.) Steamy scenes throughout the middle of the book while each character realizes they have feelings for the other 4.) Something happens to make the hero (typically) feel that he doesn’t deserve the heroine and he pulls away 5.) Heroine misunderstands this as the hero not truly having feelings for her and having just been forced into the whole thing 6.) Something occurs to force them to come clean to each other and happily ever after begins. The fact that these steps are often so predictable isn’t a criticism in and of itself. I know I, for one, reads romance novels like this exactly because I can predict what is going to happen for the most part. No nasty surprises or sad endings here! But what’s great about this book is that while still getting to the happy ending, it does so in a less traditional manner.
Instead of the rather quick build up to the mid-book steamy scenes, this one spends about 85% of the story building up the relationship between George and Billie. We get a bunch of casual scenes between the two where we can see the changes in their relationship slowly taking place. These characters have grown up knowing each other, so there’s a lovely balance of the familiar in their banter, but also the new wonder that comes with realizing that someone you’ve known forever isn’t necessarily the person you’ve always thought them to be. The romance is built more slowly and their relationship comes together much later in the book than I’ve typically seen, and I enjoyed this change very much.
Billie is an excellent character and she remains true to the heart of her character throughout the story. Often, when we get to the last two thirds section of the typical romance plot, even the most brave and confident heroine must fall prey to the insecurities that make her question the hero’s attachment to her. Thankfully, while Billie still has her doubts and misinterpretations, she also doesn’t wilt or fall prey to this typical arc. I was pleased to see these types of misunderstandings cleared up much more quickly through the type of frank conversation and steady sense of self that was originally built into both of these characters.
The book was also simply laugh-out-loud funny at times. The dialogue is fantastic. George and Billie’s conversations are great, of course. But George’s brother and Billie’s close friend Andrew really takes the cake for holding up the comedic side of things. I also really appreciated the strong friendship that was built between Billie and Andrew, one that remained solid throughout the book and wasn’t plagued with jealousy or unnatural rifts to serve some dramatic purpose.
Overall, I very much enjoyed this book. It’s light, funny, and the romance took a less expected route when getting to the happily ever after that we’re all there for. Billie was one of the more fun romance heroines I’ve read in a while, and I liked George’s solid sense of self and responsibility to those he cares about. Fans of historical romance fiction will enjoy this. And if you’re looking to get ahead of the Netflix show, this is an excellent place to start (though it’s unclear how much of these prequel stories will make it into the series itself.)
Rating 8: A fun romance novel that truly made me laugh out loud at times.
Book: “The Betrayal” (The Fear Street Saga #1) by R.L. Stine
Publishing Info: Simon Pulse, 1993
Where Did I Get This Book: The library!
Book Description:The Secret is Out!
Why do so many horrifying things happen on Fear Street? Nora knows.
She knows how the terror began. She knows about the young girl who burned at the stake–and the bloody feud between two families that caused the unspeakable horror that has lasted 300 years!
She knows, and she wants to tell.
Are you sure you want to hear it?
Had I Read This Before: No
The Plot: I thought that the best and most appropriate way to end my “Fear Street” re-read would be to read the trilogy that gives an origin story to Fear Street itself. So we’re going back in time!
We start in the Village of Shadyside in 1900. A girl named Nora Goode is watching Fear Mansion as it burns to the ground, hoping that her beau Daniel Fear will come out. But it looks like everyone is trapped inside. As the other neighbors speculate that the fire will burn forever and that the family is cursed, Nora holds the necklace that Daniel gave her in her hands. In a fit of desperation she runs to the window to look inside, and inside she sees a lot of distorted faces in agony, including that of a young girl tied to a stake. The window explodes outwards thanks to the heat, but Nora still stares inside.
Now we’re going even further back to the Wickham Colony of Massachusetts in 1692! We’re now following a teenage Puritan named Susannah Goode, who lives with her mother Martha, her father William, and baby brother George. Martha dotes on the baby and already sees Susannah as a nuisance it seems, and I’m getting shades of the dysfunctional family in “The Witch” here because CLEARLY teenage girls are sinful or some shit. That said, Susannah has been thinking a lot about a certain special boy in town.
Susannah says she needs to got get firewood and her mother says that walking outside alone is dangerous these days because the local Magistrate, Benjamin Fier, has been targeting young women as witches for doing ANYTHING suspicious, like living their lives. The most recent ‘witch’ is Abigail Hopping, whom Benjamin claims was singing songs of The Evil One (honestly same). Susannah can’t believe that her friend is a witch, but promises to be careful. She goes to gather firewood and passes Benjamin Fier as he’s going to no doubt interrogate Abigail because she was probably not wearing her cap right or something. But Susannah knows that Benjamin is not only a ‘fair and righteous man’ (GAG), but he is also the richest man in town along with his brother Matthew. And obviously they are so successful and prosperous because they are SO RIGHTEOUS. Benjamin Fier also has a history of conducting other witch trials and executions across Massachusetts, and insists that the witches have to burn as opposed to hanging, probably because it sounds more brutal. Also, Susannah has a thing for Benjamin’s son Edward, who is almost assuredly NOTHING like this tyrannical father or anything like that, right?
Susannah decides to take a quick detour into the woods, even though she’s been told that the witches in town like to go there to worship The Evil One. I mean, it’s not like random girls are being persecuted as witches for any old thing, right? No problem! Suddenly someone grabs her, but instead of The Evil One it’s Edward! He scolds her for even thinking that he could be The Evil One because the village is full of witches no according to his father. Susannah says she’s so upset about her friend Faith, who had just recently been burned as a witch, and Edward assures her that his father no doubt has AMPLE proof of her evil ways! She says that they have to stop meeting in secret, because it could get her in trouble, and he brushes that off in the way that only a certain kind of privilege can bring. She jokes that what if The Evil One is watching them and he straight up scolds her for joking about that, and he sure seems like a fun date to bring to parties. They hear the townsfolk getting ready to burn Abigail, and when she expresses sadness about it he says that if she’s a witch she deserves to burn. She asks when he’ll tell his father about them, and he says when the time is right he will, and hey buddy, that’s all well and good for you because YOU won’t be accused of being a witch just for looking at a person of the opposite sex in a way that isn’t deemed ‘righteous’! She is excited that she’s going to be married to Edward Fier, and I think it sounds like a raw deal for her.
Over dinner that night the Goodes wonder aloud how it is that even though they grow in the same soil the Fiers always have bigger and more plentiful vegetables than they do. Martha also casually wonders just where it is that this new family came from, because they know it wasn’t England. William then confronts Susannah about the fact he’s seen her meeting with Edward in secret. He tells her that’s super dangerous, but Susannah insists that they’re in love and doing nothing wrong, and that he’s going to marry her. But William has to break the news to her that Benjamin Fier told him just that morning that Edward was engaged to be married to a girl from Portsmouth! Heartbroken, Susannah goes to bed and cries her eyes out. Cut your losses, Susannah. YOU CAN STILL GO TO THE WOODS AND JOIN THE WITCHES! LIVE YOU BEST LIFE!
Meanwhile, across town, Edward is talking with his asshole of a father Benjamin, saying that he refuses to marry Anne Ward. Benjamin tells him that Anne Ward is a good match for the families (I assume it has to do with wealth and land ownership), but Edward tells him that he’s not in love with Anne. No fucking duh, you moron, this kind of thing isn’t about love, and Benjamin tells him as much when he reminds his weenie son that when he and Matthew first came to America they had to eat rats to survive, and doesn’t want that for his kid. By marrying Anne he will get access to a tea importing fortune and become even MORE wealthy, in spite of the fact that Benjamin is already town Magistrate and Matthew is the most successful farmer. Edward confesses that he loves Susannah, and Benjamin says that she’s poor as fuck so THAT’S not going to do. Edward says he intends to marry for love, not money, and Benjamin tells him he’s not marrying Susannah and that’s that.
Some time later Martha and Susannah are preparing dinner, Susannah still sulking about Edward’s engagement, when Benjamin and a couple of Puritan thugs bust into their home. He tells the thugs to watch the women as he looks for proof, and he reaches into a pot and pulls out a vial with a chicken’s foot, a charm, and perhaps blood. He says that this proves that they are witches! Susannah says that they’ve never seen that before, and Benjamin says they’re lying and they’re going to be taken to the jail. Martha and Susannah are horrified, but manage to pass baby George off to a neighbor named Mary Halsey as they’re hauled away. And honestly, this seems pretty accurate given that it’s said that sometimes accusations of witchcraft were done for political gains during this time period. Hell, during ANY time period!
Mom and daughter are standing together in a prisoner’s box in the town hall, and will be tried and convicted and burned before the week is done. Susannah says that the people in town KNOW they aren’t bad, but Martha is far more pragmatic and knows that they’ll see what they’re told to see. When a bat flies into the room, Matthew Fier accuses the women of conjuring it. William stands up and demands that his family be released as Matthew KNOWS that they aren’t witches, and Benjamin says that they don’t put innocent women on trial. They try to goad the ladies to confess, but they both refuse, and Susannah STILL thinks that Edward will come and save her. John Halsey, who has been watching baby George with Mary, says that they need to let William speak but he’s ignored and William is removed from the courtroom, but not before getting roughed up a bit. Benjamin shows off a bag of items he has deemed associated with witch craft, and Susannah and Martha still say it isn’t theirs. When they refuse to confess, he finds them guilty and sentences them to death by burning the next night.
As Susannah and Martha lie in their cell, Edward suddenly appears at the cell window. Susannah asks if he’s come to save them, but LOL NO WAY, he’s come to yell at her about being a witch!
He asks how she could betray him, and OH BOY IS THAT A JOKE. He says that she tried to lead him astray with The Evil One, and when she says she’s innocent he says that there’s no WAY because he told his father his feelings about her and would his FATHER HURT HIM SO BY FALSELY ACCUSING HER? NO WAY! He tells her off and ditches her, leaving her heartbroken.
Across town William is probably trying not to have a nervous breakdown, and Matthew Fier knocks on his door. Matthew says that he can help change his brother’s mind, but it’s going to cost William money to do so. 100 pounds, to be exact. William says that he only has 80 pounds to his name, and Matthew says that that won’t be enough, but is more than willing to accept a fancy belt buckle and whatever else William has instead. William gives Matthew the money and the finery and Matthew says he’ll take care of everything. William notices a fancy amulet around Matthew’s neck, and it has the phrase ‘Dominatio per malum’ engraved on it. William asks him what it means, and Matthew doesn’t give an answer. When William asks him about the bird claw design and says it’s sometimes called a demon’s claw, Matthew freezes, and then says that HE knows nothing about that and neither should William. He then rides off.
The next night William is elated that his wife and daughter are going to be freed, but, in a big fucking surprise, he gets to the town commons and Martha and Susannah are STILL being led off to be burned! William confronts the officers and tells them that he paid the Fiers to let them go, where are they so they can confirm it? And haven’t you heard? THE FIER FAMILY DISAPPEARED INTO THE NIGHT! No one knows where they are, and they didn’t give any word about stopping the execution. So Susannah and Martha are burnt at the stake anyway. William, absolutely devastated, returns to his home. He thinks about how not only did they die for things they didn’t do, but how he was totally bamboozled by their accusers. Mary brings George back and tells William that the baby needs his father, and William says that she has to hold onto him a little longer because he has something to do first. And THIS is where things get interesting. William enters a secret room in the house, one that Susannah and Martha never knew about, and PULLS OUT HIS OWN MAGICAL ITEMS!! William Goode IS a practicing Warlock (though I’m still pretty sure that those Fier assholes planted the witchcraft evidence because it sounds like William hid all his shit in this room, so fuck them)!!! And now he’s seeking his revenge!!!
Quick stop back to 1900, as we find out that Nora Goode is writing out her family history, trying to trace her lineage and the curse that is upon the Fear Family that as of now they have so richly deserved. She doesn’t remember how she got from the lawn of the burning mansion to safety, but knows that there was a reason for it.
Jumping back to 1710, we meet up with the Fier family once more. They’ve moved to Western Pennsylvania, and have made quite the lives for themselves. Edward didn’t end up marrying Anne Ward, but he did marry some woman named Rebecca and now they have a bratty son named Ezra. Matthew and his wife Constance now have a teenage daughter named Mary. They all seem very pleased with themselves, in spite of the fact Benjamin has been muttering that he feels like the family is cursed, mostly because the new shingles on the roof came off in a storm. Edward says he’ll take a look after supper, and assures Mary that the only curse the family has is his ‘crotchety old father’. I would argue psychopathic zealous father, but hey, potato, potahto. Meanwhile, someone is standing outside, hiding behind a tree. It’s William Goode, and after twenty years of searching he’s finally found the assholes who ruined his life. He watches Edward as he climbs up onto the roof, with Mary holding the ladder for him. She asks him to be careful and he brushes her off, so it’s no big shock when he manages to plummet off the roof. Mary screams, and everyone rushes out of the house (and Constance accidentally cut her wrist when she heard Mary scream, so she’s bleeding like a stuck pig). Edward is alive but his arm is broken. Benjamin keeps muttering about a curse.
After breakfast the next day Mary is returning from the henhouse (and thinking about the chaos from the night before), when she’s approached by a handsome young man on the road. He says that he’s looking for the owner of the estate, and she says that it’s her father Matthew Fier. She says she’ll take him to see him and he carries the egg basket like a true gentleman. She tells him that the farm has been growing steadily since before she was born, and Matthew lumbers out like some oafish bear on quaaludes. The man says his name is Jeremy Thorne and he’s looking for work, and while Matthew first tells him they don’t need help Edward comes out and is like ‘hello, my arm is broken?’. Once Jeremy tells them all that his father is ill and he’s the only one who can bring in income, Matthew decides to hire him. Mary is excited because he’s a hottie.
That afternoon Mary finds Jeremy by the well and they do some light flirting, and just as he’s about to kiss her Rebecca comes running out asking Mary if she’s seen Matthew or Edward, as something terrible has happened! Mary follows her back to the house and Benjamin in collapsed on the floor, staring up at the ceiling as if in a trance. He snaps out of it as Edward arrives, and while he’s not dead his left leg is suddenly paralyzed for no discernible reason. I’d say it’s karma, but we know it’s far more intentional.
Three days later, Mary has snuck off to meet Jeremy in a field where he’s clearing brush, and it seems that they’re already head over heels for each other as they’re already talking about how they can’t live without each other. Mary says that her uncle would never approve of this, but given that his entire left side is paralyzed at this point he has bigger worries to think about, I’d say. They kiss, and Mary is head over heels. Later that night she and Edward are walking through the woods on the property, and he is saying that not only is his father ill, but now Rebecca is acting sullen and distant, and maybe it’s because you leave her to care for your shitty child as if you didn’t have some hand in his creation. As they’re walking, however, they see that some of the trees are on fire! But when they get closer, it’s not trees that are on fire, it looks like a girl! A girl is ablaze and Edward starts to scream that it’s Susannah Goode! As the vision fades, Edward continues to scream.
Two days later Mary is telling Jeremy about what she saw, and he says it was probably a trick of the light, but she insists that it was something far more sinister. She says she’s going to bring sweet rolls to Rebecca to lift her spirits, and Jeremy asks her if she’s told her father about them yet. She says no, because when she told him about the girl in the fire he reacted very poorly, in that he grabbed the silver amulet around his mouth and got very quiet. She says she needs to get to Rebecca and Edward’s before the incoming storm starts, and then asks Jeremy if HE’S told HIS father about HER? He says no. So they’re both dragging their feet. When Mary gets to her cousin’s house, it starts to rain. She hopes that the sweet rolls will raise the spirits of her cousin, as his father’s paralysis got worse in the night and now Benjamin can only move his head and his right arm. As she searches through the house for her family, she stumbles upon something really upsetting: Rebecca has hung herself from the rafters! Mary screams, pukes, and then runs outside into the rain like a lunatic. She calls frantically for Edward, but then runs into what she thinks is a scarecrow. Except, it’s not. IT’S BENJAMIN, PROPPED UP LIKE A SCARECROW AND DEAD AS A DOORNAIL!
A couple days later the funerals have happened. Edward is practically catatonic and Ezra is now in the care of Constance because, once again, why would a father parent his own child when a woman can do it? Mary saw her father late at night chanting ‘Dominatio per malum’, but doesn’t know what it means, because not only do girls not get educated, they certainly aren’t educated in Latin. Mary sees Jeremy at the edge of the group, and follows him to the toolshed. He tells her that he knows who killed her uncle and Edward’s wife: it’s his father! His father isn’t a sick old man, his name is William Goode, and he is evil, but only because evil has been done to him! He’s been obsessed with the Fier family ever since Martha and Susannah were murdered, so much so that Jeremy’s older brother George returned to Massachusetts to escape his anger. Jeremy tells her about Benjamin murdering Susannah and Martha, Edward doing nothing to stop it, and Matthew stealing the money. He says that his father will keep seeking revenge unless they stop him, and he says that can do this if they get married. That way the families will unite in goodness. Mary accepts, and they embrace, but unfortunately Edward had followed her like a creep and now that he’s seen everything he fully intends on narcing on them because even STILL he believes his father was right in burning Susannah and her mother. PRICK! Though, he thinks about the vision he saw in the woods, and starts to have doubts. So he goes to confront Matthew (making sure to shove his son away when the little boy wants to see him, like the model father he is), who of course denies it all. But when Mary arrives Matthew relents, and then confesses everything to both of them, though he says it was all in Edward’s best interests. Why that had to involve stealing all of William’s money remains to be seen. Mary says she wants to marry Jeremy Goode, and Matthew says NO WAY, he’ll never marry her off to the son of a murderer. Edward and Mary remind him that he is ALSO a murderer, but they were poor WOMEN so who gives a shit, right? They fight and Mary says that she loves Jeremy and intends to marry him, and then Matthew suddenly relents, and says that after the mourning period has passed they will invite Jeremy AND William to dinner, and the feud will end. Mary is ecstatic.
So after a week passes Jeremy arrives and Mary is convinced that Matthew is going to give him her hand in marriage. But when Matthew enters the room, instead of shaking his hand, he yanks off his amulet and chucks it at Jeremy’s head… which in turn EXPLODES with graphic detail of brains and blood and everything. And up comes the head of someone else. WILLIAM GOODE! There never was a Jeremy, it had been William the whole time trying to steal Matthew’s only child away from him! But Matthew, who is ALSO a warlock, was too clever, and a wizard fight ensues, as Mary keeps calling out for Jeremy, Constance looks on in horror, and Edward just kinda stands there. Eventually Matthew yells out ‘Dominatio per malum, power through evil!’, and the spell turns William into dust. Matthew starts laughing, and once he starts he literally cannot stop. As Constance begs him to stop, Edward grabs Mary and Ezra and runs out of the house.
Another time jump, this time to 1725 in the Pennsylvania wilderness. Now Ezra is an adult, and reflecting upon what has happened since they ran away. Edward tried to raise him and Mary up on his own, but he eventually died of exhaustion and Mary, who was driven crazy by what happened that night, killed herself. Ezra blames the Goode family for everything that happened, and unfortunately he wasn’t privy to how his grandfather and father and great uncle were complete assholes. Hoping to get any info he can, he goes back to Matthew and Constance’s farm, not sure of what he’ll find. The place is basically abandoned. He does eventually find the skeletons of Matthew and Constance, and a diary left by Matthew talking about how he walled them in for safety and bashed Constance over the head when she tried to escape. The last pages are about how the Goodes and their treachery did this. Very convenient that he made NO mention of two innocent women who were burnt at the stake, hm? Ezra swears that he’ll get his revenge.
We end this book back in the Village of Shadyside in 1900 as Nora continues to write out her family history. She thinks about how the story is long and awful, but she is compelled to tell it. To Be Continued…
Body Count: 5 (nine if you include the off page deaths of Matthew, Constance, Edward, and Mary)! Some weren’t the most historically accurate of deaths, but whatever. If Stine wants to burn his witches, who’s to stop him?
Romance Rating: 2. I feel like Norah and Daniel are going to be something significant, but we haven’t seen them interact yet. But Edward was a piece of shit to Susannah and Jeremy was a big ol’ lie.
Bonkers Rating: 7! I was legitimately caught off guard by the William Goode reveal, Jeremy’s head exploding is pretty hard to deny as being bonkers.
Fear Street Relevance: It’s gonna get 10s across the board! This is the history of the Fear family, guys!
Silliest End of Chapter Cliffhanger:
“‘Edward Fier is engaged to be married,’ her father said. “Edward is to marry a young woman of Portsmouth. His father told me this morning.'”
… Cliffhanger maybe, but Edward sounds like a true dink so Susannah should have cut her losses and went to join a REAL coven to free herself from the idiot men in her life.
That’s So Dated! Moments: Given that these are historical fiction novels that doesn’t really apply here.
“Innocence died today, But my hatred will live for generations. The Fiers shall not escape me. Wherever they flee, I will be there. My family’s screams shall become the Fiers’ tortured screams. The fire that burned today shall not be quenched – until revenge is mine, and the Fiers burn forever in the fire of my curse!”
Gotta say, this fired me up and made me solidly #TeamGoode.
Conclusion: “The Betrayal” was a dark and solid start to the three part origins of the Fear Family and Fear Street! It will be interesting to see how this Hatfields and McCoys-esque feud will escalate, as I have to imagine it’s just going to get worse. Up next is “The Secret”!
Back for 2019, here is a list of some more favorite beach reads! “Beach read” is a very fast and loose term for books people read over the beautiful summer months when we really should be outside “doing things” but are instead reading…maybe outside. Some people see these months as an opportunity to slog through long classics (we’re looking at you “Moby Dick”) before the busy-ness of of the fall starts up, but for the sake of this list, we’re limiting our choices to stand alone, mostly feel good books (though there’s some obvious leeway here for Kate’s horror tastes!) that could be easily brought along on vacations. So, still a very loose definition, but hey, we had to start somewhere! We will select one title for each of the genres we most read.
Fantasy Title: “Elantris” by Brandon Sanderson
As well as right lengthy fantasy epics, Brandon Sanderson also has a few excellent standalone works. This is one of his earlier writings, and the book that really solidified him as a favorite author for me. Off the back of the “Mistborn” trilogy, I wasn’t sure whether Sanderson was the real deal, or whether that series had been lightening in a bottle. But “Elantris” is marvelous all on its own. It proves that you can still include detailed world-building, complicated magical systems, and fully fleshed out characters all in one, stand alone fantasy series. It tells the tale of the magical city of “Elantris,” once a wonder of the world, now a ruin, haunted by those infected by an incurable disease that comes on suddenly and dooms its carriers to a short life of exile. Princess Sarene and Prince Raoden are both fun characters to follow, but the slowly-revealed mystery behind the doom of Elantris is the real draw of this story.
Science Fiction Title: “The Best of All Possible Worlds” by Karen Lord
Honestly, I had forgotten all about this title until I was researching options for this list. But once I rediscovered it on my Goodreads “read” shelf, I immediately remember how much I enjoyed it and now want to nab a copy to re-read. The story is a bizarre mix of an anthropologic travelogue and the answer to the oft-asked fanficttion question “What would a romance really look like between a Vulcan and a human?” Of course, they aren’t actual Vulcans in this book, but with the same cerebral, cool demeanor, they are as close as you can get. Pair one of them with a fiery, human scientist and have them travel around discovery the answers to mysteries and slowly falling in love, and you’ve got a story!
Mystery Title: “A Study in Scarlet Women” by Sherry Thomas
It’s pretty hard to find stand-alone mysteries. But like many mystery series, the individual books in the “Lady Sherlock” series can be read on their own, as well. As the series name implies, this is another re-telling of Sherlock Holmes where the titular character is recast as a woman. But what stands out about this version of the story is how little changed the character is other than her gender. Charlotte Holmes has all of the original character’s brilliance, but also many of his same flaws, like a lack of concern for social decorum and a tendency to put her case before others. But she also has unique aspects as well that take readers who know the original character well by surprise. Supporting characters are also a delightful mix of familiar and new traits and the mystery is complicated and intriguing.
Historical Fiction Title: “Enemy Women” by Paulette Jiles
I read this book a few years ago, and it’s really stuck with me ever since. Looking through my reading lists, I find that I typically read about a very narrow period of time and place, Regency and Victorian England. Many historical mysteries or fantasy historical fiction will be set in these times. But this book explored a completely unfamiliar time period and place for me: the South during the Civil War. It tells the story of Adair Colley, a young woman from a family that has tried to protect itself in Missouri by keeping a neutral stance. When this falls through and Adair finds herself in a prison for enemy women, she must call on her own strength to make it back home. The writing in this book is truly unique, and while it took a bit to get used to, the lyrical prose eventually won me completely over. This well-researched historical fiction title is definitely worth checking out.
Horror Title: “The Long Walk” by Richard Bachman
It isn’t that much of a secret now, but Richard Bachman is the pseudonym for Stephen King when he wanted to write darker(!), less horror oriented works. Eventually he was outed as one and the same, but not before he wrote one of his great masterpieces, “The Long Walk”. Which is still VERY much a horror novel in spite of the pen name. In the near future in a dystopic United States, every year teenage boys can sign up for a walking and endurance test called The Walk. The last person standing at the end is promised fame and fortune, and security in an economically unstable world. You get three times to break the rules. After the third, well… there can only be one standing at the end. This is one of my all time favorite Stephen King stories, as the suspense is relentless, the consequences devastating, and the pacing completely addicting. Think “The Hunger Games” but even darker and with less hope. King/Bachman also continues to capture the spirit of youth, friendship, and adolescent angst, even in the hellscape that is The Walk. You won’t be able to put it down, even if it makes you feel sick by the end.
Thriller Title: “You” by Caroline Kepnes
I reviewed “You” way back around the time this blog was first created, and as time has gone on it has become one of my favorite novels thanks to rumination and multiple re-reads. And given that the Netflix show exploded in popularity, I feel the need to promote it again as the perfect read to take to the beach, pool, park, or wherever during the summer months. Joe is a quiet bookseller in New York City, and his life is changed the day that Guinevere Beck walks into his shop. Joe immediately becomes obsessed with her, and starts to plot ways to insert himself into her life. Through any means necessary. Both a creepy stalker tale and an exploration of dark humor in regards to Millennial ennui (as a Millennial I can say this!), “You” is hard to read and yet hard to put down. Joe Goldberg is a narrator you love to hate, but then the same can be said for Beck and just about everyone in this story. If you liked the show on Netflix, you definitely need to read the book!
Graphic Novel Title: “Honor Girl: A Memoir” by Maggie Thrash
While this takes place at a summer camp, that isn’t the only reason that I put it on the list of Beach Reads! I remember devouring “Honor Girl” when I first read it. When Maggie Thrash was a teenager she attended an all girls summer camp in the Appalachian mountains. Thrash was living a fairly typical life, enjoying pop music, feeling awkward at times, and growing up in Atlanta. But during the summer that she was fifteen Thrash realized that she had a deep attraction to one of the counselors named Erin, and thus began a summer of exploration of identity, sexuality, and what love is and can be, even if those around you don’t understand. “Honor Girl” is a relatable and at times bittersweet story about first love, fitting in, and the heartbreak that can come with both. Plus, so many references to The Backstreet Boys!!
Non-Fiction Title: “The Hot Zone: The Terrifying True Story of the Origins of the Ebola Virus” by Richard Preston
So I don’t put this on the list to scare you guys, even if it IS a pretty scary novel. I put “The Hot Zone” on the list because even though it is a non-fiction book, it reads like a thriller novel that will not let you go until you have read every last page. While Ebola is usually associated with far off countries in Africa, in 1989 a research lab in Virginia has to contend with the possibility that it has shown up in their research monkeys. Suddenly it becomes a race against time and potentially nature as military personnel and scientists alike try to get a hand on what is going on, and if they do, indeed, have a potential outbreak of a ‘hot’ case of Ebola on American soil. Along with the deeply upsetting scenario playing out in the lab, this book also looks at the history and the viruology of Ebola and other hemorrhagic viruses, which gives a context that is not only fascinating but all the more scary. True, it may make you incredibly paranoid about the preparedness our government and scientists have when faced with a deadly outbreak, but it will also keep you interested.
What books are you going to take to the beach, pool, or wherever this summer? Let us know in the comments!