Book: “Transmetropolitan (Vol.4): The New Scum” by Warren Ellis and Darick Robertson (Ill.)
Publishing Info: Vertigo, September 2000
Where Did I Get This Book: I own it!
Book Description: Investigative reporter Spider Jerusalem attacks the injustices of the 23rd Century surroundings while working for the newspaper The Word in this critically-acclaimed graphic novel series written by comics superstar Warren Ellis, the co-creator of PLANETARY and THE AUTHORITY.
Review: The more I revisit “Transmetropolitan”, the more I see and deeply feel parallels to our current legal situation, and in turn the more I mourn the lack of a Spider Jerusalem to jump in and start speaking ten kinds of truth. This re-read is both cathartic and upsetting, but the good news is that at least I’m finding myself laughing hysterically at many points of these comics. Because Spider, Yelena, and Channon are all so perfect and filled with snark.
We pick up where Volume 3 left off. Spider (and the world, really) is mourning the assassination of Vita Severn. She’s become a martyr and a symbol for the Callahan campaign. Spider, however, isn’t convinced that Callahan (aka The Smiler) is actually in mourning for Vita. In fact, he has a pretty good hunch that murdering Vita was a political move on the Callahan’s part. And with the election coming up, Spider wants to get the truth out in the only way he knows how. The problem is, there’s no way to win. Because the choices are The Beast, or The Smiler. And either way, Spider, and the country, is screwed….
And along with that we get a Christmas story and a story about the joys of Winter!
Ellis continues his masterful and deft political satire that continues to feel just as relevant today as it felt back when it was first written. While this collection does have a few off shoots and off story vignettes (more on that in a bit), the meat of it is about The Campaign, and Spider’s not so slow realization that there is no good solution. You either get stuck with The Beast, who has driven the country into the ground with oppressive and totalitarian policies, or you end up with The Smiler… Who has managed to prove himself far, far deadlier and menacing than his opponent behind closed doors. There are two moments in this book where Spider confronts both candidates. We get a swift reminder that The Beast is still basically the worst (and he even kind of looks like a certain presidential advisor), but at the same time you see the portrait of a man who is less beastly, and more pathetic and complacent. It was a truly unsettling moment for me as a reader, because it shows that what’s coming is going to somehow be WORSE than the worst. It was a very interesting and kind of pathos ridden final confrontation between Spider and President Beast.
And then there’s The Smiler. It is here that we get full confirmation that he is a full blown psychopath who just kind of wants to watch the world burn. So while The Beast may look like that certain Presidential Advisor, The Smiler shares ethos with him. And it is in this volume that we see Spider, wily, truth pursuing and clever Spider, is bested. Spider had an enemy in The Beast, for sure. But The Smiler is full on intent of annihilating him and wiping him from the Earth. “The New Scum” kind of feels like an “Empire Strikes Back” moment, where almost all hope has been lost and the Empire has won (even more so than Vol. 3, which ended with Vita being assassinated on live TV, and THAT was pretty dismal). Finishing that arc before the next left me feeling drained and in need of chocolate cake.
But along with these painful and ‘oh no it’s far too true to life’ moments, there were small moments of pure hope and joy in this collection. In one of our offshoot stories, Spider finds himself meeting up with Mary, his friend who was frozen from the 20th Century and woke up in a scary and completely different future. As she talks about how different it all is, there are still the little joys that make her happy, even if the world is overwhelming and sometimes scares the crap out of her (and then Spider gives her a camera, as she was a photographer in her old life, and that just made my heart sing). In this same story Spider meets a little girl whose Mom had to pawn her favorite doll…. So Spider buys it back for her. Because he recognizes that “… all we’ve actually got is each other. You decide what that means.” And the other story that really affected me is Spider’s rumination on Winter. Winter means change. Winter means a rebirth is coming. Winter means that we can always look forward to the next one, and maybe next Winter will be better. It was a poignant and stunning one off that, true, feels a little harder to swallow these days. I don’t feel like I’m better off this Winter than I was last Winter. But the point is that Ellis knows that even when there’s all this garbage and terribleness, you can always depend on a couple things: the small joys and kindnesses that you will encounter, and that hope for change and rebirth is always there. In these moments, I was able to feel at least a little calmer.
Thanks for the hope, Spider. And thanks for staying inspirational when it comes to truth and journalism.
Rating 9: “Transmetropolitan (Vol.4): The New Scum” is one of the most hopeless and hopeful collections of this series yet. Definitely hard to read, but impossible to put down.
While we do love us some books, believe it not, we do have a life outside of reading. So to highlight our other pop culture interests, on the last Monday of each month, we each will highlight three other “happenings” from the last month. Big events on favorite TV shows, new movies we’ve watched, old movies we’ve “discovered,” etc. Pretty much whatever we found of particular interest outside of the book world during the last month. Share your own favorite things in the comments!
I’m on a bit of a “Western” kick right now both with what I’ve been reading (upcoming review of “Silver on the Road!”) and watching. This movie is a modern western about two brothers who are pushed to their limit and begin a bank robbery spree in an attempt to save their family home. Their story is balanced by that of the federal ranger who is tasked to stop them. The cast in this one is really what sells it. It’s no surprise that Jeff Bridges plays the gruff and grumpy federal ranger character as it seems like the part must have been written specifically with him in mind. But the surprising performance is that of Chris Pine who gives himself a break on the action hero type and instead shows that he has real drama chops in this much more subdued and complicated character. Also, Ben Foster is criminally under-recognized as a fantastic actor, and this is no exception!
There are a few reality tv shows that are my guilty pleasure (I’m sure others will show up on this list eventually). But maybe the most bizarre is my love of realty cooking competitions, as I hate cooking myself and am quite terrible at it. I particularly like “Top Chef” because while it is reality tv, is often lacks the added and unnecessary drama that pops up in other cooking show (I’m looking at you “Master Chef” and “Hell’s Kitchen!”). This season has been set in Charleston and has had a mix of new chefs and returning Top Chef competitors. Some of my favorite contestants did very well, which also increased my enjoyment of this particular season!
I discovered that you can play the old 1990 version of “The Oregon Trail” online! This has not been good for my productivity levels either at work or at home. Kate and I, and our other halves, got together on New Year’s Eve and among other fun board games, we tried playing a card game version of “The Oregon Trail.” Her husband and I didn’t make it to Oregon due to tragic circumstances, sadly. But the game did spark major nostalgia and when I found the online game…an addiction was re-born!
Some friends and I, on a whim, went to see a local production of this Off Broadway musical, based on one of my favorite movies. I had never heard the music from it before, but I was completely entranced by it as we watched it. It captures the movie perfectly with a rock and roll soundtrack, and it has some amazing power ballads between Veronica Sawyer and J.D., the renegade teens who are killing their most awful classmates (much to her horror). This is one of my most screwed up ships (I DON’T WANT TO HEAR IT, GUYS!), but the two songs “Seventeen” and “Our Love Is God” have been on a constant loop in my day to day this past month because they’re so passionate and power ballad-y, and capture that doomed relationship so very well. Sweet, sweet anguish.
Now I love me some zombie shows, but I love them even more when they think outside the box. “Santa Clarita Diet” is a hilarious satire of suburban life mixed with a zombie show, in which Drew Barrymore, or Sheila, finds herself turned into a sentient zombie. Her husband Joel (played by the foxy Timothy Olyphant) is doing his best to be supportive, because he loves his wife. It’s her ‘eating people’ thing that’s hard to stomach. Barrymore and Olyphant are hilarious, as it their daughter Abby (Liv Hewson) and her best friend Eric. It’s gross and bloody, but has a whole lot of heart to it. And many, MANY laugh out loud moments.
YES, OKAY, I’M INTO THE SEXED UP “ARCHIE” SHOW!!! But I have my reasons. First of all, it’s seeping in “Twin Peaks”-esque nostalgia and aesthetic. Second, Roberto Aguirre-Sacasa, the man behind “Afterlife with Archie” and “Chilling Adventures of Sabrina”, is the showrunner, so you know he’s going to have some serious, SERIOUS dark and screwed up stuff up his sleeves. Yes, I’m bitter that they started by killing off Jason Blossom (GODDAMN I LOVE THE BLOSSOM TWINS, HOW DARE THEY!?!?!), but I love what they’re doing with a lot of the characters that I like (Betty, Kevin, Josie, and of course, Veronica). Though I will never understand why we’re supposed to believe that the doof Archie attracts so many capable and intelligent women….. But also, Luke Perry. I mean, really.
Publishing Info: Algonquin Young Readers, September 2015
Where Did I Get this Book: audiobook from the library!
Book Description:In 1892, New Fiddleham, New England, things are never quite what they seem, especially when Abigail Rook and her eccentric employer, R. F. Jackaby, are called upon to investigate the supernatural. First, members of a particularly vicious species of shape-shifters disguise themselves as a litter of kittens. A day later, their owner is found murdered, with a single mysterious puncture wound to her neck. Then, in nearby Gad’s Valley, dinosaur bones from a recent dig go missing, and an unidentifiable beast attacks animals and people, leaving their mangled bodies behind. Policeman Charlie Cane, exiled from New Fiddleham to the valley, calls on Abigail for help, and soon Abigail and Jackaby are on the hunt for a thief, a monster, and a murderer.
Review: While I didn’t fall in love with “Jackaby,” the first novel in this series, I was still intrigued enough by the things it had done right (an interesting protagonist, less known supernatural beings, and strong writing) to wish to continue on with the series. Granted, it took a while to get around to this, but I’m glad I finally did! This book brought the same strengths as the last and improved on some of my complaints and concerns as well.
Not long after the events of the first novel, Abigail is still feeling unsure about her role as an apprentice to the paranormal detective Jackaby. She has an established place in the household and has made good friends with the local ghost, Jenny, but she still feels like a failure in many regards, simply not having the necessary wealth of expertise to prove herself a useful assistant to Jackaby. So, when a case pops up in the nearby Gad’s Valley concerning a prehistoric dig, Abigail is excited to join up seeing this as an opportunity to put to use her knowledge of and passion for archeology and prove that she does have something to contribute to the team. Of course, it doesn’t hurt that Charlie, the handsome policeman/shape-shifter also happens to now live in this area.
As I said, this book doubles down on the strengths it had shown in the first. Many new and fantastic creatures are introduced in this book, some that have a basis in known mythology, but also several others that seem completely new. The shape-shifter kittens, for example, seem to be a unique creation of Ritter’s and one that he fully makes use of. This, too, is something that I very much appreciate about the fantasy elements in this series. Ritter doesn’t simply play lip service to the genre. Even with new creatures like these shape-shifters, Ritter takes the time to develop and extensive history for the beings and to tie them into known history (here we have ties to Darwin and Queen Victoria!) in new and interesting ways. It is clear that while Jackaby has a wealth of knowledge in the paranormal, he is by no means the only person in the world who understands that we walk the earth alongside fantastic beasts.
Another thing I enjoyed from the first book was the supporting characters. We don’t spend as much time at Jackaby’s home in this one as we did in the first, so Jenny’s page time is similarly limited. However, it is clear that Ritter is setting her, and the mystery of her death, up as a focal point for future stories. But in this book we get a whole new set of fun characters. Including a trapper who will hunt anything and who also has a fascination with the supernatural, two dueling archeologists whose snippy interactions were some of the most amusing in the entire book, and the unstoppable Nellie, an independent lady reporter who marches onto the page with her own plan and with no apologies.
The book also improved on the last in a few ways. First, one of my struggles from the first book was with Jackaby himself who I felt came across as a bit “aggressively wacky” and thus not believable as an actual person. Ritter combats this perception in a few ways. For one, Jackaby simply has a bit less page time than he did in the first and I think this was a wise choice. As a character, Jackaby is best served in brief, yet potent, doses. This method still highlights his strengths and interesting quirks, while not distracting from the story itself. Secondly, I enjoyed the more humorous take on Jackaby’s and Abilgail’s relationship, most notably his horror at being drawn into discussions about her romantic entanglements with Charlie.
While the first book did not shy away from the darker aspects of this paranormal world, I felt like the stakes were raised in this book. In the first book, Jenny was introduced as a rather one-dimensional ghost friend for Abigail. Here we begin to see beneath the surface to what must be the true horror of being stuck in the world after death without the ability to move on. Also, the central mystery is not resolved without serious consequences. I was surprised by some of the risks that Ritter took towards the end of the novel.
Lastly, the story sets the stage for an over-arching plot which I think is an excellent decision. It would be all too easy for these books to start to feel a bit procedural with a new paranormal case that is begun and wrapped up in each book. The potential for a “big bad” whose presence can be traced throughout the series is intriguing.
As a sequel, “Beastly Bones” did everything I asked of it: reinforced the series’ strengths and improved upon its weaknesses. I’m more invested in checking out the third than I was this second book, which is always a step in the right direction!
Rating 8: It’s always fun to see a series grow in strength from a shaky start, and this book bumps the series up as an all-around fantasy recommendation for me.
Publishing Info: Katherine Tegan Books, January 2017
Where Did I Get This Book: I own it!
Book Description:Mary B. Addison killed a baby.
Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: A white baby had died while under the care of a church-going black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? She wouldn’t say.
Mary survived six years in baby jail before being dumped in a group home. The house isn’t really “home”—no place where you fear for your life can be considered a home. Home is Ted, who she meets on assignment at a nursing home.
There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary must find the voice to fight her past. And her fate lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But who really knows the real Mary?
In this gritty and haunting debut, Tiffany D. Jackson explores the grey areas in our understanding of justice, family, and truth, and acknowledges the light and darkness alive in all of us.
Review: Back in January I was in Miami, Florida for a wedding celebration. This also happened to be the same weekend that some crazy and awful shit was going down in this country constitution wise (though this could really mean anything at this point, so I’m specifically referring to the travel ban). During one of the days my husband and I were cooling our heels after family time, I was getting ramped up in an anxiety spiral, so he suggested that we try and find a book store so that I could calm my nerves a bit. We found one in walking distance from our hotel, and I went on a spree. One of the books I picked up was “Allegedly”, as I’d heard some buzz on it and was solidly intrigued by the concept. As bleak and dark as it may be. So I took it on the plane with me and tore threw a lot of it in one sitting.
I liked how unflinchingly honest and real this book was about a great deal of things. Jackson pulls no punches when describing how our criminal justice system treats those who are inside of it, and how it is especially biased against POC offenders. Mary was accused of and convicted of killing a baby, which is, yes, absolutely horrible. But it is made pretty clear from the get go that the attention and rage that is directed at her is based on a deep seated racism in our society. Mary is black, and baby Alyssa was white. Reading about crowds mobbing a NINE YEAR OLD outside a courthouse, demanding the death penalty was gut wrenching, and I was glad that it was put forth multiple times that had the races been reversed between perpetrator and victim, the media wouldn’t have caused such a storm around it. And there on Mary, a child herself, was from then on treated like an adult, an thrown into a legal system that especially punishes people who look like her. I had no doubt that Jackson is taking influence from real life instances, from a nine year old girl being held in solitary to the absolutely abysmal conditions at the group home Mary ends up at.
Not only did I feel that the portrayal of the criminal justice system was accurate, I really liked how Jackson tried to be accurate and fair to portrayals of mental illness in this book. Mary is pretty clearly suffering from some form of PTSD, as her time in prison/solitary confinement as a child has done irreparable damage to her psyche. Instead of going the route of stereotypical symptoms like flashbacks or uncontrollable rage, Mary is skittish, quick to anxiety attacks, and has a heightened sense of flight instead of fight. It’s a side of PTSD that not many people may know about, and I really appreciated that Jackson took such care in her portrayal of it. So, too, is Mary’s Momma portrayed in a pretty realistic way, as a narcissist who may be suffering from bi-polar disorder. We only get to see Momma through Mary’s eyes, but the hints and clues are there that there is definitely something off about her.
Mary herself is a wonderfully created and portrayed narrator (side note: I gotta shout out to the sly aside that one of Mary’s nicknames was Mary Bell… who was also a notorious child aged murderer in England). This book is in the first person, and since Mary has so clearly been stunted from her time in prison there are lots of bits of information that we don’t quite get. The mystery slowly starts to unfold, but you always kind of know that there are things that you are never really going to know about Mary, or her Momma, or the things that happened between them before, after, and even on the night that Alyssa died. You only get to see the various clues to this and the things going on with Ted and at the group home through this lens of a very unreliable narrator. While a lot of the time I think that sometimes this makes some things kind of obvious when it comes to twists, that by hiding certain things you make it obvious that these things are there, Jackson actually surprised me when it really counted. True, I was able to figure out a couple of things, but I feel like it was all one big magic trick that distracted me from the actual solution, so when the actual answers came I was totally knocked off my seat. To the point where I actually said “WAIT….. WHAT?!”
“Allegedly” is a fabulous book that I cannot recommend enough, both for the societal themes and for the well crafted mystery. Fans of YA should definitely read it, but I think that this is a GREAT example of how YA shouldn’t be dismissed. Go and get your hands on it ASAP.
Rating 9: A tense and VERY upsetting book about the modern justice system, mental illness, and attempted redemption. Though it’s definitely a hard read, “Allegedly” is an important one.
But the fun doesn’t stop there! You could have your own copy of this book, as I am hosting a give-away for a hardcover copy! You know you want it. The giveaway will run until March 2nd, 2017. Please see the Terms and Conditions for more details.
Book Description:Ceony Twill arrives at the cottage of Magician Emery Thane with a broken heart. Having graduated at the top of her class from the Tagis Praff School for the Magically Inclined, Ceony is assigned an apprenticeship in paper magic despite her dreams of bespelling metal. And once she’s bonded to paper, that will be her only magic… forever.
Yet the spells Ceony learns under the strange yet kind Thane turn out to be more marvelous than she could have ever imagined — animating paper creatures, bringing stories to life via ghostly images, even reading fortunes. But as she discovers these wonders, Ceony also learns of the extraordinary dangers of forbidden magic.
An Excisioner — a practitioner of dark, flesh magic — invades the cottage and rips Thane’s heart from his chest. To save her teacher’s life, Ceony must face the evil magician and embark on an unbelievable adventure that will take her into the chambers of Thane’s still-beating heart—and reveal the very soul of the man.
Review: I was very excited when this book showed up for me at the library. The description sounded like something that hit all of my book preferences, and, even better, it’s the first in a completed trilogy! There’s nothing like finding a good series that you can read all at once. Nowadays, I feel like I’m constantly stuck in a waiting game for the next book to be published in the million and one series that I am following all at once! So the ability to truly binge read something from start to finish is an opportunity that I very much value. However, while I did like portions of this book and will ultimately most likely continue the series, I’m also not invested enough to binge it either, which is too bad.
The set up, as mentioned above, is exactly what I like: a spunky heroine set in past period in time where magic is an established element of society. I also always enjoy the apprenticeship angle that is often found in these stories. And while I was recently relieved to find a lack of romance in “Jackaby,” I was warned ahead of time with this one that that was where we would be going, so I had already bought in to this formula. All this in its favor, the book was still very hit and miss for me.
A definite hit was the magic system that the author has created where magicians must “bond” with a type of material. Ceony has dreamed of bonding to metal, a powerful element that would allow her to create and manipulate powerful machines and weapons. But instead she gets assigned to paper, an element that has long been scorned and neglected, resulting in a deficit of this type of magician. I loved the description of this magic system. There was the more expected paper magic (like origami birds that come to life), but also some very creative takes on what one can accomplish with this type of material. At one point Ceony creates a perfect paper fan that is capable of producing massive forces of wind. There’s also a really interesting idea that has to do with bringing to life images read off paper, like scenes from a book brought to shadowy life. And while some of these things seem frivolous (we are likely to judge them similarly to Ceony herself), the author does a great job throughout the latter half of the story really pushing the boundaries of our expectations. There’s an especially interesting twist on the “story reading” magic towards the end that is probably the biggest hook for me to continue the series all together.
Ceony herself is a perfectly fine protagonist. We don’t get a lot from her, really. Through a few flashbacks, we see a bit of what has gone before in her life, but there are as many questions left unanswered as those that are resolved. In particular, there are several references to her fear of water that never get fully explored. And while I’m all for leaving clues for future stories, these felt a bit to roughly placed and stood out in an awkward way.
This is even more noticeable by the strange shift the book takes about halfway through to become a story completely comprised of flashback scenes. The method the author uses to get us to this place is interesting, but I’m not sure this flashback portion is ever quite earned. We’ve barely met Ceony and have had only a few scenes with her mentor, Thane. So, not only do we lose out on any growth in their relationships (all of these scenes take place in a type of alternative dimension where Thane is largely only present as re-incarnations of his past self), but we’re stuck reading half a book’s worth of a deep dive into a character we barely care about. Perhaps if this had happened in a second book in a series it would have played better. But in a book that’s only 220 pages long, we’re not given enough to begin with to sustain this type of ploy.
To end on a good note, I did enjoy the fact that Ceony was left to operate on her own throughout much of this book with only the company of her paper dog, Fennel. Let’s be honest, the dog was probably my favorite character and the only one that ever truly elicited an actual emotion from me!
I will probably continue the series, just based on the strength and uniqueness of the magic system. But I do have some questions as far as the actual quality of the writing (at points it felt very bland and stilted) as well as some of the story arc decisions (like the choice to sink the last half of the story into a flashback sequence for a character who has literally only had about 15 pages of time prior to this).
Rating 6: Very much a “fine” novel. I’m more invested in Fennel, however, than either Ceony or Thane.
Book: “The Prom Queen” (Fear Street #15) by R.L. Stine
Publishing Info: Simon Pulse, May 1992
Where Did I Get This Book: An Ebook from the Library!
Book Description:Dance of death…
A spring night…soft moonlight…five beautiful Prom Queen candidates…dancing couples at the Shadyside High prom—these should be the ingredients for romance.
But stir in one brutal murder—then another, and another—and the recipe quickly turns to horror.
Lizzie McVay realizes that someone is murdering the five Prom Queen candidates one by one—and that she may be next on the list! Can she stop the murderer before the dance is over—for good?
Had I Read This Before: No
The Plot: Like I said last time during my review of “The New Girl”, I’m jumping forward just because “The Prom Queen” was available right away and I was itching to read something else from the “Fear Street” catalog. So keep in mind that this one is a bit more seasoned, as Stine kind of got into his groove more on how he was going to tackle this series.
Lizzy, Rachel, and Dawn are in the gym locker room right before the school assembly to announce the Prom Queen nominees. They are talking about a girl named Stacy whose body was found in Fear Street Woods. Lizzy, our first person protagonist, gives us insight into her friends personalities as they all gossip about the dead girl (Rachel is poor and lives on Fear Street, so she’s pretty shaken; Dawn couldn’t care less about the dead girl and wishes more attention was on her). They also talk about how Stacy’s death is similar to a girl named Tina who was killed out of town not too long ago, but no matter because it’s Prom Queen announcement time! At the assembly Lizzy, Rachel, and Dawn are all called as nominees, and rounding out the group are Simone, a vain drama nerd, and Elana, a smart and incredibly wealthy girl. They all go to pizza to celebrate, but Simone leaves pretty quickly when she sees her boyfriend Justin flirting with another girl. After she’s gone to give the lout what for, Dawn confesses that she’s going on a date with Justin behind Simone’s back. Oh that Dawn! Of course, then Rachel, who also has a boyfriend (Gideon) confesses that she too went out with Justin. So much for the bonds of sisterhood.
That night at play rehearsal, Simone doesn’t show up. Lizzy goes looking, but cannot find her. So Lizzy goes to Simone’s house, and instead of finding Simone, she finds a trashed bedroom and a puddle of blood!!! And sees a man in a baseball jacket running into the night!
The cops question Lizzy and her friends the next day, but everyone had an alibi, so they are all free to go. Lizzy then runs afoul the neighborhood Creepazoid, a boy named Lucas who legitimately sounds like every stereotypical school shooter post-Columbine, in dress and manner. He used to date Simone (she used him to get to Justin, as they are both on the baseball team), but now he seems to have his wormy little sights on Lizzy. Lizzy declines and leaves him be.
Then time passes and no one is really thinking about Simone anymore. Besides Lizzy. But not enough to stop from going Prom shopping with Dawn and Rachel, especially since Lucas asked her to the Prom. She said no, because she DOES have a boyfriend, thank you very much, but even if she didn’t, Lucas is a creep. Kevin, her boyfriend, is an army brat and has moved away to Alabama. Lizzy holds out hope that he’ll be able to come back for Prom. So while they are at the mall, they see that Justin is on a date with yet another girl. He’s sure moving on from Simone fast! While at the movie Dawn is attacked by a strange man, getting punched and left on the floor. Dawn, ever the trooper, brushes it off, though now is a bit more concerned now that SHE could be in danger.
That night Lizzy gets a frantic call from Rachel, and Lizzy, thinking she’s in danger, speeds over to Rachel’s house on Fear Street. Turns out Rachel is upset because Gideon dumped her for Elana. Ouch. Lizzy comforts her as best she can, then returns home. There is good news at home, as a man thought to be the murderer has been caught!… Except a few moments later, a cop shows up on the doorstep to inform them that Rachel has been killed.
So a week later everyone is on edge, sort of, and Dawn is convinced that someone is trying to kill all the Prom Queen candidates. Lizzy wonders if maybe it’s Gideon who is murdering the Prom Queens, hoping to seduce Elana and then assure that she gets the $3000 scholarship for winning. That theory is shot when Elana not only says she isn’t going with Gideon, but also when Elana ends up dead from a fall. And in her hand is a maroon scrap of cloth, much like the ones the baseball team wears. Lucas? NOPE, Lizzy’s new theory is that it’s been JUSTIN THIS WHOLE TIME!
Well, Justin shows up at Lizzy’s house pretty late that night, but she manages to get him out the door when her father comes downstairs and finds them in the kitchen. She isn’t even safe as school, however, as Justin corners her again… But holy red herring, Batman, turns out the whole time he was just wanting to ask her to the Prom! Not without some shots and a clean bill of health, buddy. Lizzy says thanks but nah, and goes about her business….. until Dawn is attacked and stabbed by a guy in a baseball jacket.
EXCEPT IT’S NOT A GUY. IT’S SIMONE!!!!!! She’s killing her friends because Justin kept asking them out on dates!!!!!!
After confessing, Simone tries to kill Lizzy, but LIzzy manages to pull a rope and drop a sandbag on her ass. Dawn, not dead, helps subdue her, and with the help of a conveniently placed janitor they get an ambulance to come take a look at Dawn and MAYBE help Simone, who’s been beaten up and possibly fatally stabbed? It’s unclear.
The book ends with Lizzy and Kevin at the Prom, Dawn surrounded by adoring boys, and a memorial scholarship set up for Elana and Rachel, may they rest in peace. Yay. Happy times, Stine.
Body Count: Stacy, Tina, Rachel, and Elana for sure. We don’t really know if Simone survived or not. So 4, maybe 5. That’s about average for “Fear Street”.
Romance Rating: 2. Kevin is MIA until the last chapter, and everyone else’s significant others are cheating on each other within the friend circle. Plus Lucas is sexually harassing Lizzy in every single interaction.
Bonkers Rating: 6. Honestly, it could have been crazier. Sure, Simone being the culprit was a little nuts, but kind of obvious.
Fear Street Relevance: Very little of the actual action takes place on Fear Street in this book. Rachel lives there, a body was discovered off page in the woods, and Prom happens at a refurbished mansion house in said woods. But it’s rather peripheral. So 5.
Silliest End of Chapter Cliffhanger:
“That bump. That horrifying bump. I knew that I had just run over someone.”
…. And then it turns out to be a raccoon. Puh-lease.
That’s So Dated! Moments: OH MAN, there were a few in this one because it’s one of the original printings. When Dawn is being showboat-y while trying on Prom dresses, Lizzy says “Okay, Madonna.” The dress she’s wearing is described as black spaghetti straps with a plunging neckline, pretty standard early 90s fare. But the best was when they were in line for the movie they were going to see, and the girl in front of them says
“‘I mean just think,’ Suki gushed. ‘A new Christian Slater movie. Wow.'”
Best Quote: It’s a tie guys. First we have this:
“‘I was excited when we were first nominated. Now it looks like we’ve been nominated to- to DIE!'”
That’s courtesy of Dawn. The other one, however, is a bit more subtle.
“They buried her in the new section of the Fear Street Cemetery.”
Do you want to know why they have to have a new section at Fear Street Cemetery? BECAUSE EVERYONE IN THIS TOWN IS GETTING MURDERED.
“The Prom Queen” is a good example of what the “Fear Street” series kind of turned into as it kept going: more about murder, sex, and paranoia. And not necessarily any direct ties to the street known as Fear itself. Not as off the rails as “The New Girl” in it’s revelations, but still pretty out there.
Next up is “The Surprise Party”, Fear Street #2. I’m pretty certain this was one that I read as a kid, so I’m sure that the perspective will no doubt be RIVETING.
We are part of a group of librarian friends who have had an ongoing bookclub running for the several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “Book Challenge!” theme. This book comes from a “Pick a book that has been translated from a different language” challenge.
For this blog, we will post a joint review of each book we read for bookclub. We’ll also post the next book coming up in bookclub. So feel free to read along with us or use our book selections and questions in your own bookclub!
Book: “The Neverending Story” by Michael Ende
Publishing Info: Thienemann Verlag, 1979
Where Did We Get This Book: Kate owns it,
Book Description:This epic work of the imagination has captured the hearts of millions of readers worldwide since it was first published more than a decade ago. Its special story within a story is an irresistible invitation for readers to become part of the book itself. And now this modern classic and bibliophile’s dream is available in hardcover again.
The story begins with a lonely boy named Bastian and the strange book that draws him into the beautiful but doomed world of Fantastica. Only a human can save this enchanted place–by giving its ruler, the Childlike Empress, a new name. But the journey to her tower leads through lands of dragons, giants, monsters, and magic–and once Bastian begins his quest, he may never return. As he is drawn deeper into Fantastica, he must find the courage to face unspeakable foes and the mysteries of his own heart.
Readers, too, can travel to the wondrous, unforgettable world of Fantastica if they will just turn the page….
We are finally back to our book club, which means that we are finally back to our book club posts! This time around, the theme was pretty fun; we each came up with two themes that we put into a hat, and then whichever suggestions you drew, you had to pick what theme you wanted to do. One of the suggestions I got was “A book translated from another language.” It was in that moment that I knew exactly what I wanted to do: “The Neverending Story.” I had grown up watching the movie (and its first sequel, “Neverending Story 2”), and I’m pretty sure that I wore out the video cassette of it that we had. What can I say, eight year old Kate had a pretty serious thing for the movie’s version of Atreyu.
But it took me awhile to actually read the book. The first time was when I was in middle school. I’ve re-read it a few times since then, but it had been awhile. And I knew that going into it I would probably expose myself to criticism and having to rethink one of my favorite books from childhood. But that was actually good for me, in the end.
There are a number of themes that can be found in this book. Sure, there is the usual ‘hero’s cycle’ theme that both Atreyu the warrior and Bastian Balthazar Bux go through. But along with that we get the themes of childhood, broken innocence, grief, and imagination. The book is split into two distinct parts: the first is Bastian acting as a (not actually) passive part of a fantasy story at hand, where the world of Fantastica is falling apart because their leader, the Childlike Empress, is dying. But it’s also because The Nothing is tearing apart the very fabric of its world. But then the second half is about how Bastian, seen as the savior of Fantastica, is taken to a world that is not his own, and is corrupted by the power he is given to save it. While they could easily read as two distinct books, as far as Bastian’s journey goes it comes full circle. I had forgotten that Bastian was such a little punk for the second half of the book, as most of my fond memories come from Atreyu’s journey. But I think that it was a very interesting choice for Ende to make the hero we’re meant to relate to and root for from the get go the one that we’re rooting against by the end. But along with that theme is the ever permeating spectre of grief that haunts the story. Fantastica is falling apart and losing itself, many of its inhabitants dying (including Atreyu’s faithful horse Artax, and don’t even think of telling me that this isn’t one of the saddest moments in movie history, jerks!). But along with that is the fact that Bastian’s mother has recently passed away, leaving Bastian feeling empty and his father lost in his own sadness, and unable to care for his child. Of course Bastian wants to run away from his life; a land of luck dragons and magic and Childlike Empresses has got to be better than the reality he’s living. Even if that land is hard and imperfect as we soon realize it is. Bastian learns that the strongest thing that a person can have is not power, but love, and that his love is needed in his own world, no matter how hard that world is. And Ende created a wonderful cast of characters to help the reader explore these themes, from the brave and loyal Atreyu to the kind and optimistic Falkor the Luck Dragon. God I love Falkor.
There are, of course, some things that left me feeling a bit cringy as I read it. As much as I really, really do love Atreyu, and think that he’s a great character and a wonderful hero for the first half of the book, it complete smacks of European cluelessness that he is clearly based on American Indian Indigenous cultures and merely in a superficial way. While he is himself a complex and well rounded character, the only things we really know about his people and culture is that 1) they hunt buffalo, and 2) they have mystical rights of passage that involve hunting these buffalo, as well as spiritual dreams/connections to said buffalo. It reeked of the ‘Indian as mystic’ trope that is far too prevalent in popular culture and literature. It’s also pretty disconcerting that there are very few women in this book, and the ones that are there are not terribly fleshed out. The Childlike Empress is wise and mysterious, but we know little about her outside of her purity and goodness. The various females Atreyu meets on his journey are just there to give him some info or advice. And then there’s Xayide. She is literally an evil sorceress who is just there to fuck things up for Bastian and turn him against his friends. Not exactly empowering.
All that said, however, I still really enjoyed going back and reading “The Neverending Story.” I think that as an old school fantasy novel it still holds up pretty well, the characters still very beloved and the story still entertaining and wondrous.
I was excited when Kate picked this book as her bookclub choice. I feel like my experience of this story is the same as Kate’s which is the same as many girls our age: it all began with a strong crush on Atreyu from the movie. I mean, c’mon, let’s admit that we all loved him!
However, I never made it past the movie version of the story (though I, too, wore out my VHS copy of the film). I did know that the movie only focused on the first half of the book and while I did watch the sequel film once (I remember that they re-cast Atreyu and I’m pretty sure kid!Serena saw that as an unforgivable crime and never looked back), I have no memory of the story. So I was especially curious to get the second half of the book.
But let’s start with the first half! Right off that bat I was horrified…by the fact that the magical land is called “Fantastica” and I’ve known it as “Fantasia” all along! What is this change?? Cuz now I’m all mixed up about it since I’ve known it as “Fantasia” my whole life only now to discover that this was a change from the original! This was a major internal conflict for me throughout the book. But on a more serious note, I very much enjoyed this first half and how true to the book the movie really did stay in this part. There were changes here and there, some that I preferred in the movie (I think the tension was greater in the movie with the First Gate sphynxs than the way they were described to work in the book) and some that I preferred in the book (man, somehow Artax’s death CAN be even more traumatic!)
I very much the extra insight (though its still very minimal) with regards to the relationship between the Childlike Empress and the land of Fantasia itself. While still confusing and never fully explained, I felt like the connection between her, The Nothing, and the land of Fantasia (I just now realized that I’ve been typing Fantasia instead of Fantastica this whole time! See?! It’s hard!) is a better lain out in the book. I also really liked the character of Atreyu. He was heroic in the movie, but here we see even more how impossible his task was when it was given to him and how brave he would have to be to move forward with so little hope of success.
Bastian on the other hand…Look, I never really liked him in the movie and I didn’t really like him here. Though, I will say that I liked him better in the first half of the book than I did in the movie that covered this portion. Here he’s a bit bumbling, but he picks up on what is going on in a more willing way. Maybe it was just the kid actor in the movie, but I never really liked Bastian there. Kid-me always got very annoyed by the way he reacted to the realization that he was in the book. He got angry instead of inspired, and as a kid who always wanted to live in a book, too, I was never impressed by him.
But then we get to the second half and now I feel completely justified in my initial dislike of him as a kid. Maybe that actor was just channeling this portion of the character all along and was simply done a diservice by only portraying the first half’s version who is supposed to be the more sympathetic of the two. I had a harder time with this portion and I can see why the movie stuck to the first half of the book. It’s just always going to be a bit of a hard sell when you main character turns into a real brat. As Kate mentioned, there are some lovely themes of grief and love throughout this all, but I’m still a bit biased towards the first half. Though this is honestly probably due to the movie’s lasting influence on me. Oh well!
Kate already covered a few of the problematic issues of the book, so I won’t go into them myself. They were distracting, but I wouldn’t say anything was overly offensive to a point that it affected my reading of the story. Just a bit unfortunate, ultimately.
All told, I very much enjoyed this book! While I enjoyed the first half more than the second, it was an interesting read altogether. I imagine especially for the time the “metaness” of the story itself was particularly interesting, and, even now when this approach has been explored in other books (“The Princess Bride” comes to mind a bit), it still has some fresh takes on a story-within-a-story.
Kate’s Rating 9: Though it is certainly not perfect and has some flaws that I had a hard time overlooking, “The Neverending Story” is still a fun and wondrous fantasy book with lots of deep and meaningful themes and lovely characters.
Serena’s Rating 8: I second what Kate said! One point lower for me as I did find myself struggling a bit at times with my increasing dislike of Bastian, but still a thoroughly enjoyable read!
Book Club Questions:
1) What do you think about the world of Fantastica and how it’s influenced by our world? Is the thought of readers having influence on stories a theme that you enjoyed?
2)Ende clearly took some influence from American Indian cultures/stereotypes when he created the character of Atreyu. How do you feel about him as a character throughout this story? What do you think of his portrayal?
3)Bastian starts out the story as a passive character who is merely reading a book, but finds out that he has the ability to influence the world of Fantastica. What did you think of his journey from the beginning of the story to the end?
4)In this book there is the constant spectre of devastation, grief, and loss, be it the destruction of Fantastica by the Nothing to the loss of Bastian’s mother. What do you think Ende was trying to say about these feelings of despair and grief within human nature?
5)There are many instances within this book where Ende would hint at other stories and adventures of certain characters, but would say ‘but that’s another story and shall be told another time’. Which of these stories would you most want to learn about?