We are part of a group of librarian friends who have had an ongoing bookclub running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “B-Sides,” where we pick different books from previous authors that we read in the club.
For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!
Book: “Moonshot: The Indigenous Comics Collection (Vol. 2) by Hope Nicholson (ed.)
Publishing Info: Alternate History Comics Inc., 2018
Where Did We Get This Book: The library!
B-Side Book: “Moonshot: The Indigenous Comics Collection (Vol.1)”
Book Description: The highly anticipated second volume of the multiple award-winning collection is here! MOONSHOT The Indigenous Comics Collection Volume 2 brings you even more original comic book stories, written by Indigenous authors from across North America. Gorgeously illustrated by a mix of award-winning artists, Volume 2 will take you on a stunning journey through this world, and to worlds beyond!
If you guys remember, I read “Moonshot Volume 1” a couple years ago, and really really enjoyed it. I loved the artwork, I loved the varied stories, I loved that it gave a platform to voices who we don’t hear nearly enough of in literature. Now we come to “Moonshot Volume 2”, and I knew that while I would like it, it would be hard to top my love for the first collection. And yet “Moonshot Volume 2” did. I think that what I liked more about this one (as much as I loved the first) was that it felt like it tackled more issues within Indigenous communities, such as suicide, addiction, the murder and abuse of Indigenous women, poverty, and water rights. While I found all of th stories strong in their own ways, I had a couple favorites that I will lay out here.
“Worst Bargain in Town” by Darcie Little Badger and Rossi Gifford (Ill.)
This story, originating from Lipan culture, is mostly about cultural appropriation of Native aesthetics and fashion, and how White Culture tries to benefit off of it while taking power and ownership from Native groups. Kat and Laura are two Lipan women who are wary of the new beautician in town, who REALLY wants to cut their hair. Turns out this hairdresser is a demon that is taking the hair she cuts and consuming it, sapping the power from the hair’s owners. I liked that it touched on the issue in two ways. The first and more obvious connection is how the beautician is taking the culture from Indigenous women and benefiting from it. You see this in non metaphorical ways in everyday life, be it buying Native designs from non-Native artists for clothing or decor, or through those people who wear head dresses at outdoor music festivals, etcetera. But the other way goes back to a more direct form of colonialism, as Native Children in America were taken from their homes and sent to boarding schools in an effort to ‘civilize’ them, where their hair would be cut. Given that within the Lipan culture hair is a source of strength, the metaphor in this story is especially chilling. The illustrations, however, are fun and lighthearted, and while one may worry that it may take power away from the story, it doesn’t.
“Water Spirits” by Richard Van Camp and Haiwei Hou (Ill.)
Given the visibility of the NODAPL movement, Water Rights have been a hot topic within the public consciousness as of late. Richard Van Camp’s story concerns a school field trip going to a now defunct mine, and being led on a tour by a Native man who has a lot of knowledge of it’s history and how the mine has changed and affected the community. This story examines the consequences of capitalism at the expense of the environment, and how our Western culture tends to value things that are arguably not as essential (like gold within this mine) as VERY essential things (like water). There is a certain simplicity to this story, as it’s really just a field trip, but the message comes through loud and clear: we are poisoning the Earth because of our capitalistic values, and we won’t be able to come back from it. What really stood out for me in this story, however, was the artwork. It has a very realistic, almost Roto-Scope quality to it, and it’s uniqueness really made it pop off the page.
But all of the stories are strong. If you haven’t read the “Moonshot” books yet, do yourself a favor and get your hands on them.
Unfortunately, I had to return my copy to the library, so I don’t have have a list of the individual story titles and authors in front of me. Instead, my portion of the review will focus on general topics/themes throughout the book.
I’m also in the camp of enjoying this collection more than the first. While I didn’t review it here, I did read it and really liked many of the stories. In this second iteration, it felt like the collection simply felt more comfortable in its skin, more fully embracing its own concept and messages. As opposed to the first collection, many of the stories in this collection delved into topics that are currently heavy hitters in the Native population.
Kate mentioned water rights, but there were also intensely sad (and sensitive) explorations of the high suicide rate that exists in Native nations. I particularly enjoyed (doesn’t feel like that should be the right word about such a sad story) a story about a young man who is experiencing grief at the loss of another boy close to him to suicide. The artwork in this particular story was also gorgeous and worked perfectly with the somber subject matter, painting its images in muted hues of blues and greens.
There were also a few stories that leaned into the science fiction/fantasy angle, and of course I really loved those, too. The art in these were particularly love, with vibrant colors and interesting animation choices for how characters are drawn.
There were a few stories that I did struggle with, however. Particularly the first story in the book. This one picked up seemingly in the middle of a story and also was incredibly short. It was interesting, but also a bit confusing and off-putting. I think it was definitely worth including, but I question choosing to have that story introduce the collection as it isn’t really representative of what’s to come and could turn off the casual browser.
Overall, however, I very much enjoyed “Moonshot Volume 2” and highly recommend it!
Kate’s Rating 9: A fabulous and powerful collection that has a lot of salient points and a lot of heart, “Moonshot Volume 2” is a must read for comics fans.
Serena’s Rating 9: An even stronger outing that the first, “Moonshot Volume 2” leans into contemporary challenges faced by the Native nations.
Book Club Questions
- If you have read “Moonshot Vol. 1”, which collection did you prefer more? Why?
- There are multiple issues that affect Indigenous Communities that are touched upon in these stories. Did any of these themes have an especially striking affect on you? Which one, and why?
- How familiar are you with topics that were discussed in this collection, such as Water Rights, Cultural Appropriation, abuse cycles, etcetera? Did reading these stories make you want to learn more about these things?
- Did you feel that the artistic choices and illustrations reflected all of the stories well? Were there any stories where you felt that the art really strengthened it? Or weakened it?
- What was your favorite story within the collection? What was it about this story that stood out for you?
“Moonshot: The Indigenous Comics Collection (Volume 2)” is not included on any Goodreads lists, but it would fit in on “Indigenous Peoples”, and “Graphic Novels & Comics By The Aboriginal, Indigenous and Native People’s of the World”.
Find “Moonshot: The Indigenous Comics Collection (Volume 2)” at your library using WorldCat.