Book Description: A beautiful discovery outside the window of her underwater home prompts the reclusive E. to begin a correspondence with renowned scholar Henerey Clel. The letters they share are filled with passion, at first for their mutual interests, and then, inevitably, for each other.
Together, they uncover a mystery from the unknown depths, destined to transform the underwater world they both equally fear and love. But by no mere coincidence, a seaquake destroys E.’s home, and she and Henerey vanish.
A year later, E.’s sister Sophy, and Henerey’s brother Vyerin, are left to solve the mystery of their siblings’ disappearances with the letters, sketches and field notes left behind. As they uncover the wondrous love their siblings shared, Sophy and Vyerin learn the key to their disappearance – and what it could mean for life as they know it.
Review: While I used to think I didn’t enjoy epistolary-style stories, I’ve read a number of really great ones over the last few years to the point where I’m now wondering if I had originally just read a few not so great ones and judged the entire format just on that. As it stands, the “Emily Wilde” series has done a lot to reform my opinion, and this one sounded very similar, not only using a similar format but also leaning heavily into the academia side of fantasy and science fiction. Let’s dive in (heh, how clever)!
I think this will be one of those books that might be a struggle for the average fantasy reader, but will also garner devoted fans who also adore it! This largely comes down to the overall style and tone of the writing. Like I said, “Emily Wilde” is definitely a comparable title, but in comparison to this one, that is “epistolary academia fantasy lite!” Pretty much take the tone and style of that book and magnify it and you will get this story! There’s simply more of everything: more focus on the intricacies, oddities, and cultures of academia, more complicated and verbose sentence structure and specialized vocabulary, and even more commitment to the epistolary style. In “Emily Wilde,” many times her journal entries would read as a straight narrative. Here, the author is fully invested in telling a story only through letters and supporting documents, so the narrative plays out in a more distanced way.
And I loved all of this! I love authors who can so naturally capture this sort of long-form, “old fashion” style of writing where sentences are long and word choices are elaborate. I also really enjoyed the slow reveals of the many mysteries and secrets at the heart of the story. Not only do we have the remove of learning this story through the more limited form of what letter writers choose to share with one another, but we also are piecing together what happened in the past as the siblings of another pair of characters work to compile the correspondence of two characters who have passed away.
I really enjoyed all the characters we have here, both pairs of writers feeling fully realized and interesting. E, I think, rose to the top simply for how well the author managed to portray a character who lives with high levels of anxiety that affect how she lives her life. In the past, I’ve often found myself frustrated and disappointed by the rather surface level portrayal of characters like these, but the topic is so perfectly explore in E, both honestly depicting her struggles, but also not defining her by this trait. I also really enjoyed Sophy, her younger sister who has her own adventure and must later work through E’s past letters to try to discover what happened to her. Sophy is a much more action-oriented character, and the contrast between them was nice, as well as the loving, strong sisterly relationship we see between them.
I’ll also make a small plug here with regards to the genre of this book. I’ve seen a lot of reviewers calling this fantasy, but I think this is a perfect example of a science fiction novel that doesn’t take place in space. Too often, it feels like readers and marketers think that “science fiction” and “space” are synonymous, but this book perfectly highlights why science fiction needs to be remembered as being a broader category. In almost every way, this book much more closely aligns with the conventions of science fiction over fantasy, especially with its academic focus, which is very scientific in nature. Not only that, but the history of this world and the mysteries we discover all fall in better line with science fiction than fantasy (in many ways, it reminds of the movie “The Abyss.”) This isn’t necessarily a hugely important distinction, but I do think science fiction readers might miss this one due to the fact that it’s being called a fantasy story much of the time. Anyways, there’s my TED talk on that topic!
Overall, I really enjoyed this book! I was surprised to find that it’s the start of the series, and it does end on a mild cliffhanger. But there were so many interesting twists and turns (both with the larger mystery and with a few character turns that really took me by surprise) that I can’t wait to see where things go from here! Readers who enjoy rather long-winded, heavily academic fiction will likely enjoy this one! Also those looking for a lovely slow-burn romance!
Rating 9: Cathrall embraces the full beauty of the epistolary novel, creating a vivid, immersive world and peopling it with characters I’d follow into the darkest depths!
Reader’s Advisory:
“A Letter to the Luminous Deep” can be found on these Goodreads lists: Related to the Sea
Book Description: A crew must try to survive on an ancient, abandoned planet in the latest space horror novel from S.A. Barnes, acclaimed author ofDead Silence.
Space exploration can be lonely and isolating.
Psychologist Dr. Ophelia Bray has dedicated her life to the study and prevention of ERS—a space-based condition most famous for a case that resulted in the brutal murders of twenty-nine people. When she’s assigned to a small exploration crew, she’s eager to make a difference. But as they begin to establish residency on an abandoned planet, it becomes clear that crew is hiding something.
While Ophelia focuses on her new role, her crewmates are far more interested in investigating the eerie, ancient planet and unraveling the mystery behind the previous colonizer’s hasty departure than opening up to her.
That is, until their pilot is discovered gruesomely murdered. Is this Ophelia’s worst nightmare starting—a wave of violence and mental deterioration from ERS? Or is it something more sinister?
Terrified that history will repeat itself, Ophelia and the crew must work together to figure out what’s happening. But trust is hard to come by… and the crew isn’t the only one keeping secrets.
Kate’s Thoughts
When Serena approached me asking if I’d be interested in doing another Joint Review of an S.A. Barnes book, I was game. I liked getting both our perspectives on “Dead Silence”, as it is both Sci-Fi and Space horror, and therefore in both our wheelhouses. I enjoyed “Dead Silence”, and reading up on “Ghost Station” was just as intriguing to me based on the description.
If I was mentally comparing “Dead Silence” to “Aliens” and “Event Horizon”, “Ghost Station” read like the sci-fi horror film “Prometheus” to me, with a crew getting in way over their head on a mysterious planet that has sinister secrets. In terms of the things I liked, I really enjoyed Ophelia as our protagonist, as she is both unreliable in a number of ways, but is also very driven for very personal reasons in connection to a dangerous mental disorder known as ERS. I liked not really knowing what her deal was beyond one straight forward incident, and an anxiety and shame about being a part of a notorious corporate family with immense wealth and unscrupulous morals. We slowly get to peel back her layers, and as she and the crew find themselves in a situation that keeps getting more tense and more dangerous, her secrets and their secrets combine to make for a good deal of suspense and mysteries revealed. There is also some nice space horror bits here, and some beats that really unsettled me. Particularly the way that Barnes shows a slow decay of various crew members sanity, for reasons that may not be as obvious as Ophelia would like it to be.
But all that said, this one felt like it was a bit heavier on the Sci-Fi elements this time around, and even though I enjoy Space Horror as a Sci-Fi sub-genre, if you tread a bit too far into the Sci-Fi, my brain just shuts off (this actually happened with “Prometheus” as well). There is no question that this book does have a lot of suspenseful and scary moments in it that worked for me, but they felt a little few and far between. This isn’t to be a criticism of this book because I imagine that this will work very well for the target audience of Sci-Fi aficionados (let’s see what Serena says!), but it just got into the Sci-Fi weeds a bit too much for me as a person who isn’t a fan of that genre.
“Ghost Station” will probably satisfy Sci-Fi fans who like space horror, but for this horror fan who doesn’t usually mess with that genre, it didn’t hit as hard as I’d hoped it would.
Serena’s Thoughts
While I liked this one more than Kate did (probably no surprise, as science fiction is a much-loved genre of mine on its own right, and the horror side of things was the more experimental thing), I also agree with many of her criticisms. For the most part, I enjoyed the science fiction elements we had here. Many of them are fairly standard fair as far as futuristic technology goes, but I thought they were presented and used in interesting ways.
I also thought the horror elements were good. There was definitely the slow build up of dread as Ophelia and the other members of the crew explore and piece together the mystery of what had happened before them. There were some legitimately creepy moments, but not enough to make the book unapproachable to more casual horror readers. That said, I think the horror aspects of the first by this author that we joint read, “Dead Silence,” hit me harder, some even popping up in my head at inconvenient times days later. Whereas with this book, moments were a bit freaky, but it didn’t stay with me in the same way.
I also struggled a bit with the pacing and character development in this one. While I think the slower nature of the building dread worked well on the spooky front, the pace overall seemed to drag, especially in the beginning. I kept wanting to rush ahead for things to start happening, and it seemed to take quite a long time to get to anything substantial. And, while I enjoyed discovering more about Ophelia, who she was and why she made the decisions she did, I also found myself more frustrated by some of her decisions and inner monologues than I did with the lead character in “Dead Silence.”
Overall, I thought this was was a serviceable science fiction horror story, though I don’t think it quite lived up to the high that was the author’s previous work.
Kate’s Rating 6: There are definitely solid horror moments, but this was a little too heavy on the Sci-Fi for me.
Serena’s Rating 7: A bit slow with regards to pacing, but an approachable book overall, especially for the more casual horror/science fiction readers.
Book Description: Guest artists Riccardo Burchielli ( DMZ ), Patricio Delpeche, and Emily Scnall join Stephen Graham Jones— New York Times best-selling author of The Only Good Indians and My Heart Is a Chainsaw —for a mission to the Ice Age exploring America’s pre-Columbian past!
When Martin and Tawny’s children disappeared, the couple barreled into the desert to track them down at any cost. Instead, they ran afoul of another group of rovers who claimed to be saving the world by traveling through a cave portal to the year 1492 to prevent the creation of America—an idea that defied belief until the grieving parents were lured into the cave and vanished in time and space.
Now alone, Tawny must adapt to the wild marshlands of prehistoric Florida, circa 20,000 BC, and the breathtaking and bloodthirsty megafauna are the least of her problems when she’s caught in a war between a community of native Paleo-Indians and an occupying Solutrean force. Tawny’s odds of survival are in free fall, but she’s a mother on a mission…and she’s holding on to hope that the cave brought her here for a family reunion.
In the tradition of Saga , the next chapter of the critically acclaimed sci-fi epic is here in Earthdivers Vol. 2 . Collects Earthdivers #7-11.
Review: Thank you to NetGalley for providing me with an eARC of this graphic novel!
When I first started Stephen Graham Jones’s fantasy/Sci-Fi time travel series “Earthdivers”, for whatever reason I thought that it was only going to be focused on what the first volume covered: the time travel assassination of Christopher Columbus. Why I thought it was only going to be that is beyond me, but when that arc came to an end at the start of “Kill Columbus”, I wondered where we were going next, with no clue or idea as to what the path was going to be. Who were we going to follow now? Was it still going to be historical fiction time travel-y? Our protagonist’s storyline pretty much definitively ended, what is going to happen now? And then I saw the cover for “Earthdivers (Vol. 2): Ice Age”, and I was blown away. BACK IN TIME TO THE ICE AGE?! HELL YES! And when I saw that we were following another time traveller, this time Tawney, a mother who was searching for her children, I was all the more excited. And shocking absolutely no one, “Earthdivers: Ice Age” is suspenseful, intriguing, and enthralling.
I really love that we are starting to explore stories of other characters in the book who have fallen afoul the mysterious cave. In “Ice Age” our focus is on Tawney, a grieving mother who had been looking for her missing twins when she and her friends were lured into the cave by Emily as an act of self defense. When Tawney wakes up, she is no longer in the 22nd century, but all the way back to the Ice Age and the Paleolithic era of humans. This is such a great choice, narrative wise, as it not only opens up a slew of possibilities as to what stories are going to potentially be told next (after all, there were multiple people who ended up in the cave around the time that Tawney did….), but it also gives us lots of different character possibilities. Tawney was a good first choice, because her motivation is based on her love for her kids, and it drives not only her want to survive in this wholly new setting, but also the choices that she makes while there. I really loved Tawney as a main character for this volume, and I loved the idea of the Ice Age as a setting and having her have to figure out how to survive in this totally new environment. Whether it’s dealing with smilodonts, having to adapt to the cold, or trying to find ways to communicate with the people she meets and connects with, it makes for a gripping story of a stranger in a strange land.
And in true Jones fashion, “Ice Age” also taps into societal injustices that feel very true today and places them even in the Ice Age. I wasn’t sure what to expect with this volume, as I thought that the Ice Age would have different hardships, but Jones keeps with the fighting against colonialism theme, using the clashes between Indigenous people and Solutreans (a controversial theory that Europeans settled in the Americas during the Ice Age by traveling over the frozen waters, HERE is a pretty good write up as to why it’s unlikely and also racist). It’s genius because it’s laying not only another kind of invading force story, but also tapping into Tawney’s inner turmoil about how to proceed when she finds herself protecting and becoming attached to a Solutrean child, as she sees her own children in him. These led to some really emotional beats, as Tawney, unlike Yellow Kid in “Kill Columbus”, draws lines when it comes to children as victims, no matter how much it could seem like a ‘greater good’. I also love how Jones has taken this fringe theory of Solutrean discovery and torn it apart by having Tawney basically fight back against the invading forces with her know how from her own time period. It’s very creative and makes for a really interesting volume! Throw in some more backstory for the Earthdivers and their motivations, as well as world building for the ravaged planet they are trying to reset, and the story arc continues to build on its complexity in very rewarding ways.
And finally, the artwork. We have some new artists in this volume, Ricardo Burchielli, Patricio Delpeche, and Emily Schnall. I liked the new styles that they brought, as while they still fit in with the previous Volume, they did bring their own aesthetics and signatures to the work.
(source: IDW)
I’m still really digging “Earthdivers” and how outside the box Stephen Graham Jones is taking it. I can’t wait to see who we follow through the cave next, and what time period it’s going to be.
Rating 8: Another creative and intense time travel story from Stephen Graham Jones! I’m loving the world building at the creative time and place.
We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is Centuries, where we were given a random century and had to pick a book based during that time period.For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!
Book: “Earthdivers (Vol.1): Kill Columbus” by Stephen Graham Jones & Davide Gianfelice (Ill.).
Publishing Info: IDW Publishing, September 2023
Where Did We Get This Book: We both received an ARC at ALAAC23.
Book Description: The New York Times–bestselling author of The Only Good Indians and My Heart Is a Chainsaw makes his comics debut with this time-hopping horror thriller about far-future Indigenous outcasts on a mission to kill Christopher Columbus.
The year is 2112, and it’s the apocalypse exactly as rivers receding, oceans rising, civilization crumbling. Humanity has given up hope, except for a group of Indigenous outcasts who have discovered a time travel portal in a cave in the desert and figured out where everything took a turn for the America.
Convinced that the only way to save the world is to rewrite its past, they send one of their own—a reluctant linguist named Tad—on a bloody, one-way mission to 1492 to kill Christopher Columbus before he reaches the so-called New World. But there are steep costs to disrupting the timeline, and taking down an icon isn’t an easy task for an academic with no tactical training and only a wavering moral compass to guide him. As the horror of the task ahead unfolds and Tad’s commitment is tested, his actions could trigger a devastating new fate for his friends and the future.
Join Stephen Graham Jones and artist Davide Gianfelice for Earthdivers, Vol. 1, the beginning of an unforgettable ongoing sci-fi slasher spanning centuries of America’s Colonial past to explore the staggering forces of history and the individual choices we make to survive it.
Kate’s Thoughts
Perhaps we are being a bit brazen here, doing yet another Book Club review of books that we have already read and reviewed previously, especially given that we JUST DID IT last month. But hey, it all depends on the theme that we are assigned, and when I was given “The 22nd Century and Beyond” for our newest “Centuries” theme, and we only had a few weeks time WITH THE HOLIDAYS coming up, my mind went immediately to the graphic novel “Earthdivers: Kill Columbus” by Stephen Graham Jones. After all, I really liked it, it would be a faster read, and since I’m not as versed in Sci-Fi it was the first futuristic story I could think of. It was a gamble, as Book Club doesn’t tend to go to very violent or scary works, but ultimately I feel like it was a gamble that paid off, because “Earthdivers: Kill Columbus” was just as enjoyable the second time around, and fostered a lot of good conversation.
My opinion from my previous review hasn’t changed too much, given that I just read it in the past few months, but something I will say about reading it the second time was how much more I appreciated the complexity of Jones’s overall arc (it probably helps that I had just read the second volume thanks to NetGalley right before diving in; look for that in February!). It’s definitely a lot of jumping around, but I found that I really appreciated the way that Jones set up the Columbus storyline and how he executed it, and the way that he took on pretty tried and true time travel tropes and subverted them while also drawing out the most from them.
All in all it was a great read for Book Club and a great conversation starter! Stephen Graham Jones continues to do creative and bold things with his writing.
Serena’s Thoughts
I don’t really read graphic novels other than when they come up for bookclub. And I honestly don’t know why, because I always enjoy them when I do! And this one was the same! True, it was a bit of whiplash given that the last graphic novel was a very cozy, middle grade fantasy story. And this…was not that. We have one bookclub member in particular who doesn’t read dark, graphic stories and we all were kind of watching her carefully over some of the things depicted in this one! That said, I didn’t think any of it was gratuitous, but instead focused on the very high stakes of the situations portrayed.
That said, I did struggle with this book a bit in the beginning. As Kate has read the second book, she’s better able to gauge how the overall story progresses. But as a reader just starting out with this one, there were some initial basic premise things in the beginning of this one that left me wondering. I wasn’t quite sure about the basic cause/effect that was set up for the main action of the story, for one thing. That said, as I continued to read, it was easy enough to get caught up in the action and not worry too much about some of these questions. I also really liked some of the greater points that the book was getting at towards the end. It could have been easy to write a fairly simplistic version of this story. Instead, the author doesn’t shy away from the repercussions of the choices these characters are making.
As its a time travel story, it was also a bit hard to follow at times. There were points in the middle of the book that I truly wasn’t sure whether or not I was missing something. But again, as long as I just kept with it, soon enough I was able to re-center myself in the goings on.
Kate’s Rating 9: Still a great time travel commentary with an anti-Colonial twist. This re-read made me appreciate the complexity more.
Serena’s Rating 8: A bit confusing at times and definitely the start to a larger series, but I still really enjoyed this one!
Book Club Questions
What did you think of the magical/sci-fi system in this story with the time traveling cave? How does it compare to other time travel tales you are familiar with?
Do you believe that the one key to fixing the future is is stopping the Discovery of America by Columbus as hypothesized by Yellow Kid? Why or why not?
Tad isn’t the only person to go through the cave in this story, though we have yet to see where each of them are going. Of the other travelers (Emily, the posse looking for the missing children), whose story would you want to see?
What did you think of the outcome of killing Columbus? What did you think of the portrayal of Columbus and his crew as a whole?
If you could travel to one moment of history to change something in the past, what would it be? Or would you do it at all?
“Year of Sanderson” is an on-going, monthly series that will post on the last Friday of each month in which I will cover various Brandon Sanderson-related things. This will largely be comprised of book reviews (some from his back catalog and some from the books being released this year), as well asassorted other topics like reviews of the items in the swag boxes that will be coming out as part of Sanderson’s Kickstarted campaign. Frankly, we’ll just have to see what we get from this series, very much like the Kickstarter itself!
Book: “The Sunlit Man” by Brandon Sanderson
Publishing Info: Dragonsteel Entertainment, October 2023
Book Description: Years ago he had comrades in arms and a cause to believe in, but now the man who calls himself Nomad knows only a life on the run. Forced to hop from world to world in the Cosmere whenever the relentless Night Brigade gets too close, Nomad lands on a new planet and is instantly caught up in the struggle between a tyrant and the rebels who want only to escape being turned into mindless slaves—all under the constant threat of a sunrise whose heat will melt the very stones. Unable to understand the language, can he navigate the conflict and gain enough power to leap offworld before his mind or body pay the ultimate price?
Review: Here we are at last, the bittersweet final book of the four new releases from Brandon Sanderon we received this year! I’ll have one more post in this review series, but that will be a post focused on the book boxes I received over the course of the year, so this will be the last official book review of my “Year of Sanderson” series. There have been highs (both “Yumi” and “Tress”) and there have been lows (looking at you “Wizard’s Guide”); where does this last book fall on the spectrum?
As always with these special editions, I want to start off by once again commenting on the high value we’re getting here. These books are simply gorgeous, no two ways about it. Not only does the cover art on the book itself perfectly illustrate the type of sci-fi/Mad Max style book that you’re about to read, but throughout the book, there are so many beautiful spreads. This book is unique to the other three we’ve seen in that it features artwork by many different artists, rather than just a single artist who illustrates the entire project. I think this was an excellent choice; it was lovely to see so many examples of the type of talent that exists out there and the very different approaches that these artists take when depicting the same characters and world. As always, as I was reading, I was always looking forward to the next illustration that I would come across.
Now, this book does stand out from the other three in one very important way. While technically one could read this book without having any prior exposure to Sanderson’s larger catalog, I do think this that would significantly impact the experience of the book. Like the other three, there are references to other stories and worlds peppered throughout this book. But unlike those, this one is very centered around the characters, magic system, and world found in “The Stormlight Archive.” There are so many references, in fact, that I do think it would be a struggle to piece together certain parts of this book without some understanding of that series. Beyond that, this book is infinitely more rewarding to fans who are caught up on the “Stormlight” books. It seems to take place some number of years in the future from where that series has currently left off, so the diligent fan has a plethora of opportunities to try to piece together clues as to what the future has to offer there.
The main character himself, Nomad, is directly connected to that series in a way that will only really hit for fans of the “Stormlight” books. That said, as I was reading this book, I did find myself becoming increasingly frustrated by the delayed reveal of just who Nomad really is. It’s strongly implied early in the book that this is a character that Cosmere fans will recognize, but then the story itself holds off on this reveal for quite some time. For me, instead of increasing the suspense, this central mystery proved to be more of a distraction than a delayed gratification situation. I found myself so busy trying to piece things together who exactly Nomad was that I was often disconnected from the actual story I was reading. Instead, had this reveal come earlier, I could have appreciated these connections to the “Stormlight” books without this mystery eating up my attention span.
When I did focus more on the story at hand, I very much enjoyed it. Sanderson mentions that he was partially inspired by “Mad Max” when writing this book, and that is very evident. Like “Mad Max: Fury Road,” this book has a frenetic energy to it, with the pacing driving forward relentlessly. This does create an exciting reading experience, but I’ll also admit that I had to take more breaks while reading this book than usual simply because the nonstop nature of the story doesn’t give you any breaks itself. As always, though, I’m continually impressed by the sheer creativity of Sanderson’s work. He manages to capture the same energy as “Fury Road” but does so in such a unique manner: the idea of a planet where the entire population must constantly out-run the deadly sunlight.
I very much enjoyed this last book in the secret projects bundle! As a big fan of Sanderson’s work, I enjoyed a book that was very clearly written first and foremost for readers who are all-in on the author’s larger Cosmere series. However, for readers who are less familiar, this book might be more of a struggle.
Rating 8: Relentless and fast-paced, this book will leave you out-of-breath as you try to keep up!
Reader’s Advisory:
“The Sunlit Man” is on a bunch of not useful Goodreads lists but it should also be on Best Action/Fantasy Books.
Book Description: She’s got a ramshackle spaceship, a misfit crew, and a big problem with its sexy newest member…
Temperance Reed, banished from the wealthy and dangerous Fifteen Families, just wants to keep her crew together after their feckless captain ran off with the intern. But she’s drowning in debt and revolutionary new engine technology is about to make her beloved ship obsolete.
Enter Arcadio Escajeda. Second child of the terrifying Escajeda Family, he’s the thorn in Temper’s side as they’re sent off on a scouting mission on the backwater desert planet of Herschel 2. They throw sparks every time they meet but Temper’s suspicions of his ulterior motives only serve to fuel the flames between them.
Despite volcanic eruptions, secret cultists, and deadly galactic fighters, the greatest threat on this mission may be to Temper’s heart.
Review: I was so excited when I heard that Tor was rolling out a new imprint, Bramble, a smaller offshoot that would focus on romantic SFF. And this book is exactly why! While there is a whole subgenre now called “romantasy” due to the popularity of romantic fantasy fiction, there seems to be some strange hold out on the science fiction front. Where are my love stories in space? I mean, I get that “romantascific” doesn’t roll off the tongue in quite the same way, but c’mon! But here we are, a good example of just what we’re all missing out on by forgetting that romance can also happen in space.
Honestly, it’s pretty impressive that this book works at all. It’s trying to do a lot of things all at once, many of which are hard to accomplish well even on their own. We have Temper’s story, that of a captain coming into her own as a leader, but we also have that paired against a romance, something that too often ends up hindering the strength of its female member. Beyond that, the story is introducing us to an entire universe with its own political structures that definitely do play into the plot of the book. And lastly, this is the first book in a series, so the story must do a lot of heavy lifting to properly lay out the various crew members of the ship who are likely to feature in their own stories going forward. It’s like black magic (except that’s the wrong genre, sooo) that it all works, but it does!
So, in that order, let’s start with Temper. I really loved this main character! Seriously, she was checking all of the right boxes for me. She was a strong woman, but we also see her make mistakes, and her journey is one of both learning to trust those around her, but also letting others help her when she is prone to going-it-alone. The development of the romance was paced perfectly, neither falling into any insta-love/lust traps or being too drawn out to feel complete. Just when I was beginning to become concerned that her distrust was going to be played up one too many times, the story would swerve into moments of vulnerability and honesty. I also loved the fact that the natural chemistry between the two was first seen in their instant ability to work together as a team under high pressure situations, rather than on the romance front which came later. There was also all of the required quippiness that we love to see in a romance, but this levity also didn’t cut away from the deeper, more heartfelt moments.
For all that this is a romance, there was also a solid plot to this book with all of the requisite world-building that comes with it. I was honestly surprised by just how into the actual plot of the book I became. There was one action-packed scene after another, plus a lot of comedy gold interspersed within as we saw the team tackle the challenges before them. Which leads me to the last aspect of the book that truly impressed me: the crew themselves.
This book was billed as a read-alike for “Firefly.” Now, that’s a big claim to make and, honestly, one that has been tossed around quite a lot for science fiction new releases, mostly without any basis in reality. But I have to say, this is probably the first time where I truly feel like that comparison is warranted! This truly had the same level of group dynamics and chemistry for which “Firefly” was best known. I understood who all of these characters were individually, but I loved them best when they were interacting with each other. The book was also successful in making me very interested in all of their individual romances that are sure to come. I have a pretty good guess as to who the next couple will be (just checked Goodreads, and I see that it’s been updated since I originally read this book and, indeed, the next book is about this couple!) and I can’t wait to check out their story!
Overall, this was a blast of a book to read! It’s definitely not “hard” science fiction, but I was also surprised to find just how much excellent plotting and world-building went into a book that was being released from a romance imprint. I feel like that sounds like a backhand insult to romance, but, let’s be honest, the love story is the primary bit of romance novels, with the plot coming in sometimes as an after thought. But here, the balance is perfect between love story and, well, actual story. Definitely check this one out if you enjoy science fiction adventures and space opera with an emphasis on romance!
Rating 8: If comparisons to “Firefly” are ever warranted, this is it! A romp of an adventure paired with a swoon-worthy romance, I can’t wait to see what this crew gets up to next time!
Book Description: When a spy is stranded on a dead planet with her mortal enemy, she must first figure out how to survive before she can uncover the conspiracy that landed them both there in the first place.
She’s a revolutionary. Humanity is running out of options. Habitable planets are being destroyed as quickly as they’re found and Naira Sharp knows the reason why. The all-powerful Mercator family has been controlling the exploration of the universe for decades, and exploiting any materials they find along the way under the guise of helping humanity’s expansion. But Naira knows the truth, and she plans to bring the whole family down from the inside.
He’s the heir to the dynasty. Tarquin Mercator never wanted to run a galaxy-spanning business empire. He just wanted to study rocks and read books. But Tarquin’s father has tasked him with monitoring the mining of a new planet, and he doesn’t really have a choice in the matter.
Disguised as Tarquin’s new bodyguard, Naira plans to destroy his ship before it lands. But neither of them expects to end up stranded on a dead planet. To survive and keep her secret, Naira will have to join forces with the man she’s sworn to hate. And together they will uncover a plot that’s bigger than both of them.
Review: I’ve always loved Orbit’s covers for their books. I’m not sure who in charge of this over there, but whoever they are, they’ve been knocking it out of the park for years now. I always feel as if I can quickly glance at a cover of one of their books and already know exactly the sort of story I’m going to be getting. So, too, with this one. One glance…yep, gotta check that one out!
I read a lot more fantasy than I do science fiction, but there is one thing that both genres share that I think makes them unique to most other genres: that is the fact that you are often plopped down into worlds and environments that are completely unique, populated with new species, described with new language, embroiled in new conflicts. Often, the reader is left to accept a hefty dose of uncertainty early in the story with the promise that all will become clear with time. I think this willingness to simply not understand for a decent chunk of a story is a trait fairly unique to SFF readers. And it is a trait that will definitely be needed here! Right off the bat, O’Keefe begins throwing around terms and technologies that are completely unfamiliar to readers. It probably took a good 30 or so pages for me to even begin piecing together how some of these things worked.
But herein lies the other side of this particular coin: SFF readers know that if they wait it out, the end result will typically be a wildly creative and unique perspective on life and people. And so, too, do we see here. One of the main technologies explored in this book is the ability to “map” oneself into copies of the body. But this technology, that on its face seems like a massive win for society, also comes with complications and dangers. We see people mapped into the wrong bodies. We see these “maps” breaking when they are placed in a new body. We even see people’s “maps” split into several different bodies. There’s a lot of incredibly interesting applications of this technology, and I loved getting to explore and understand how it all worked.
The book also does a good job of using not only this technology but the state of the society in which it exists to explore a wide host of various themes, including environmental concerns as well as wealth and access to technology. I was pleased to see how organically these themes were woven throughout the story, with the author managing to avoid any large chunks of exposition or “preaching” styles of writing. Instead, these concerns played well within the larger plot of the story and alongside the various characters with whom we experience the book.
Speaking of characters, I really liked the ones we meet here. I was especially pleased to find that the banter and dialogue made for a very fun read. As I continued to read, these humorous aspects to the characters were incredibly necessary as a balance to some of the darker turns the story took. There was a particular event towards the end of the book that really surprised me, and I’m still not really sure how I feel about it. Which, all in all, is probably a good thing since, at the very least, I’ll be thinking about this one for a while as I wait for the sequel.
I haven’t read any other books by this author, but this was definitely an excellent introduction. I would recommend this to all space opera fans, especially those who enjoy a nice balance of humor and depth.
Rating 8: Exploring themes of environmentalism and societal privilege, this book manages to be both laugh-out-loud funny at times and heart-breaking at others. A roller-coater of emotions!
Reader’s Advisory:
“The Blighted Stars” isn’t on any Goodreads lists yet, but it should be on Excellent Space Opera.
Book Description: July 25th, 2234: The crew of the Adamura discovers the Anomaly.
On the seemingly uninhabited planet Talos VII:a circular pit, 50 kilometers wide.
Its curve not of nature, but design.
Now, a small team must land and journey on foot across the surface to learn who built the hole and why. But they all carry the burdens of lives carved out on disparate colonies in the cruel cold of space. For some the mission is the dream of the lifetime, for others a risk not worth taking, and for one it is a desperate attempt to find meaning in an uncaring universe. Each step they take toward the mysterious abyss is more punishing than the last.
And the ghosts of their past follow.
Review: I was aware that Christopher Paolini had written a science fiction novel in the last few years. I’m pretty sure it’s somewhere on my monstrous Goodreads TBR list. But as is the case so often, once a bit of time has passed, it’s very hard for me to make room in my reading schedule to scour back through these past picks. Instead, I saw this new sci-fi novel coming out by him this spring and decided, ah, yes, here is where I will make up for missing the first one! So let’s see what’s in store!
A small crew, while out on a typical, exploratory mission, comes across something that confounds all explanation: a monstrously huge hole, dug on the surface of an uninhabited planet, and so perfectly circular that it cannot be natural. But with no signs of intelligent life, who or what created this hole and what is its purpose? Alex, a man running from his past, lands on the surface and sets out with a small team to cross the barren wasteland to reach the hole. But as they travel, the constant, resonating “boom” produced by the hole begins to test their sanity and their will.
Before I get into the review itself, I want to address what has happened on the Goodreads page for this book. It came out that the cover art chosen for this book was created using AI technology. In response, many reviewers took to Goodreads to protest this decision, and the loss of livelihood that it represented for illustrators, by review bombing this book with one star ratings. I think there is a very complicated, interesting, and unavoidable conversation to be had about how AI will impact many industries going forward, including this one. By no means do I feel that I have the answers to this. However, one thing I am firmly against is the cognitive dissonance displayed by review bombers tanking the ratings of a book, A WORK OF ART BY AN AUTHOR, to protest the decision of the publisher to forego supporting cover artists by using AI technology. There are places to have this conversation and protest this decision, but to destroy the rating for a book (again, created by an artist, the author) in the name of supporting artists…there’s just something supremely disjointed and misplaced about this. Obviously, Paolini is a big-name author, but I don’t think that should even have a place in the conversation. He’s still an artist who created a work of art and is now being trashed by readers for a decision a publisher made…all in the name of supporting artists. It’s unfortunate in every way and a shame to see. But on to the actual review…
I really enjoyed this book! As I said, I’ve haven’t read anything by Paolini since the “Inheritance Cycle” so many years ago. And while I enjoyed those, I also felt the writing itself lacked a bit of polish. But I can definitely see the improvements that time has played on Paolini’s style. Here, the writing felt confident and tidy, neatly weaving in and out between the events of Alex’s past and the building terror and dread that is his current situation. I also liked the exploration of grief, regret, and the mental barriers that we can create for ourselves. Alex’s journey is one largely of self-destruction and a search for meaning when he has begun to doubt that such a thing will ever exist for him again.
I also really liked the science fiction elements of this story. In many ways, this was a very restrained story, taking place largely on a barren planet with very few alien aspects. Instead, it very much reads as a survival story, with more and more things going wrong for the team and their struggles to continue on in the face of growing dangers. On top of this, the description of the corrosive effects on the mind that are the constant powerful winds the team must walk into and the ever-present, mind-numbing “booms” that are emitted from the hole are excellent. The increasing sense of doom is pervasive and very effective. I also will say that I’ve found that science fiction is a great release for my love of survival stories. With stories set in our own world, all too often I find myself bogged down on the details of survival stories and whether or not I find them believable. But science fiction? Who am I to say what is and isn’t possible? Honestly, it’s kind of a relief, since I really do enjoy survival stories and no one is more annoyed by my obsessive ways with these types of tales than me!
Overall, I thought the pacing was pretty good, but I do think it floundered a bit at the end. For all of the psychological build up, Alex’s experiences and reflections in the end all felt a bit too predictable and trite. I really like the general concept of the end, especially the reflections on the vast unknown that the hole represents, but it did feel a bit clumsy. And then it kind of just ended, which was also a bit jarring. But, still, I really enjoyed this one. I can’t speak to how similar or not this is to his first book, but I think this one will be enjoyable to most science fiction fans, especially those who enjoy survival stories and a slower, carefully paced story.
Rating 8: The brutal and harsh alien terrain perfectly parallels the mental and emotional journey of a protagonist who struggles with grief and finding meaning in a life full of wonder and tragedy.
Reader’s Advisory: Obnoxiously, “Fractal Noise” is mostly on Goodreads lists about AI art which, while an interesting conversation on its own…is not a useful list for readers actually looking for recommendations for similar reads. It is on 52 Book Club 2023: #32 Published By Macmillan.
Animorphs Graphix #2: “The Visitor” by K.A. Applegate & Michael Grant, Adapted by Chris Grine
Publishing Info: Graphix, October 2021
Where Did I Get this Book: own it!
Book Description: Rachel is still reeling from the news that Earth is secretly under attack by parasitic aliens, the Yeerks. Now she and her friends are the planet’s only defense — kids who, purely by chance, stumbled onto a downed spacecraft and were given the power to morph into any animals they touch.
The team’s best lead is their assistant principal, Mr. Chapman, who is the human host to a high-ranking Yeerk official. It’s not much, but Rachel’s always been a daredevil, and she volunteers to infiltrate Chapman’s home.
Rachel is tough. She’s fearless. But what she finds inside may be more than even she can handle.
I’m baaaaaaack! Yes, yes, it’s been forever. So long in fact that not only is the second Animorphs graphic novel out, but the third was released last fall as well! What’s my excuse?
Anyways, I was very excited to jump back into the world of the Animorphs and check out what these graphic novels have in mind for the long run. I remember really liking the first one, but having some concerns about the longevity of the series. I was also curious to see how this particular story was handled. “The Invasion” has tons of material to work with, not only in the chock-full plot but also with a lot of important character work introducing all of the teens. But “The Visitor” is a much slower, simpler story. In fact, I’d say it’s probably the weakest story in the introductory first five books. I mean, I still love it, because I love Rachel and Applegate is at the helm in these early books and that’s clear in the general quality of a more “filler” story as compared to the same sorts of stories that we see later in the series that don’t land as well. All of that to say, I was curious to see what the graphic novel had in store for us.
Best Change: I really liked the way the Chapmans were portrayed in this version of the story. There’s a really cool couple of pages that are drawn when Rachel first enters the house. We see Mrs. Chapman in the kitchen, staring straight ahead and chopping up vegetables. We then shift to the living room and see Mr. Chapman sitting on the couch staring at a television set that’s turned off. Creepy enough on its own. But then when Rachel comes back in the second go around, we see the exact same thing: Mrs. Chapman in the kitchen, chopping; Mr. Chapman in the living room, staring. It really hits home how absolutely off and cold this house is and what a horrible hell Melissa is living through. Beyond that, I liked how the way Chapman’s face is drawn changes from scene to scene as his power dynamic shifts. When he’s driving Rachel home, he’s shadowy and threatening. But when he’s talking with Visser Three, he’s depicted as small and cowering. And then, lastly, we see the human side of him when the real Chapman gets control briefly to plead his case to Visser Three. It was all very effective, and I think it does a good job of setting up just how witnessing this horrible home situation would influence and motivate Rachel.
Worst Change: I’m not sure I really have a worst change for this book. Other than a few things here and there which I’ll get to later, this is a pretty faithful adaptation of the original book. I’ll go on (and on and onnnn) about my feelings about the art throughout the book, but I think that’s probably not going to be a specific-to-this-book thing so not really a “change” at all. Speaking of art…
Pretty, Pretty Pictures: I have to say, I’m not coming around on the art style of these books. It’s not a complete loss, but I think there’s a stark difference in quality between the two styles. On one hand, I think the graphics are excellent when done in the more realistic style used for the animals. I also think the larger spreads across two pages and the horror aspects are well done. The descriptions of morphing in the books were always horrific, but when you see it depicted on the page…man, it really captures how truly disgusting this stuff looks. I mean, look at this!
But, I have to say, I’m really not loving the cartoon images of the kids themselves. I wanted to give it more of chance than just the first book, where I didn’t love the fact that Tobias and Rachel looked so similar or the strange choice with the red noses. But this book just confirmed some of my worst fears. If you look at these characters, they all just look exactly the same in the most generic of senses. You wouldn’t even be able to tell who is a boy or who is a girl based on images of just their faces in some of the panels (a picture of Cassie really highlights this at one point where I honestly had to do a double take to remind myself that there wasn’t a random Black boy in this story). This fact is really highlighted early in the story when we first meet Melissa. Here’s the first panel we see her in:
Without the speech bubble, which of these characters is which?? Ultimately, Melissa is given the silly freckles purely to identify and differentiate her later in the book. And that just seems to me to be a failure of the art itself. I mean, I’m still glad these graphic novels are being made so I have a hard time being this critical, but it honestly feels as if the artist either can’t be bothered to draw interesting and unique characters or simply isn’t capable of it while using this cartoonish style. Given the quality of the realistic stuff, I know he’s talented. So it feels like it must be a choice. But it’s the kind of choice that feels as if it’s talking down to its readers: hey, these are just kids and kids are the target audience, why bother making them look like anything other than bobble head cartoons? I don’t know. I’m not a fan.
Our Fearless Leader: Jake is one of the few characters that I think is drawn with a distinct face. His chin is a bit more pointed than the rest, and that difference stood out more and more as I became increasingly frustrated by the other characters. As for the story, there was a nice section in the middle devoted to a conversation between Rachel and Jake about their experiences (nightmares) after morphing frantic-minded prey animals. I like that this much page time was devoted to what can be seen as a pretty small character moment. There’s also an interesting line where Rachel gets a bit defensive saying that Jake is talking down to her because she’s his younger cousin. I can’t remember whether or not we knew that she was the younger of the two from the books? If so, I had forgotten and found it to be an interesting little tidbit here that she’s only a few weeks younger than Jake.
Xena, Warrior Princess: This book is pretty faithful to the original, so there isn’t a lot of new stuff to discuss with regards to Rachel’s experiences in the story. I will say, I really liked seeing Rachel’s mom and sister portrayed on the page. These were nice little moments to get to see one version of what these characters could look like. We get a lot of descriptions of what the main characters looked like in the original text, but we really have basically nothing to go on for any/all side characters. It was also nice to see these moments between Rachel and her mom and Rachel and Jordon to highlight the difference between her own warm, caring family and the cold, prison-like existence that Melissa is suffering through. I really like these sorts of subtle contrasts that the graphic novel can deploy. The book doesn’t come right out and say it, but it’s there all the same.
One thing I didn’t really like was the way the scene was drawn when Rachel is running away from the thugs to morph an elephant in the alley. Granted, again, it’s now been a few years from when I read this book for the original re-read series, but I guess I had it in my mind that Rachel was more annoyed from the very start and never frightened. Whereas here she’s drawn as being legitimately afraid at first, which I think is totally out of character. Rachel wants to take the fight to Visser Three himself, no way is she going to be wincing away from two jerks on the street.
A Hawk’s Life: Not a lot from Tobias. I did like all of the bird action in the very first scene and the way that was all drawn out. Rachel’s outrage about the guys shooting at a bald eagle “a national symbol!!!” is excellent. There were also some lovely images later on of Tobias flying, especially one when he flies away with shrew!Rachel to help give her time to get control of her morph. The way the sky and the silhouettes were drawn was striking.
Peace, Love, and Animals: Given how horrifying the images of the morphing is, I was glad we got to see a panel of Cassie with her raptor wings and Marco’s comment that they all look like freak show contestants while Cassie gets to look like an angel. It was a really nice juxtaposition and a moment that really worked well with the graphic elements. Other than that, Cassie has a pretty subdued go of it. We get some good animal facts from her about the prey mindset and the abilities of cats (there’s a good joke from Marco when Cassie comments that a cat’s eyesight is 8 times better than a humans), but that’s about it.
The Comic Relief: Marco is pretty much the same here as he is in the book. We get more groundwork laid about his home life and why he’s reluctant to fight. His dialogue is by far the funniest and best, per the book’s standard as well. There was one throwaway bit that I thought was odd, however. At one point, a character, I think it was Cassie, compliments Marco on his haircut. From the books, we know this does happen and is commented on but it doesn’t happen until Marco’s second go around as a narrator, all the way through to book number 10. But then the really strange thing is that Marco was depicted with short hair in the first graphic novel, too. Which, honestly, given my comments already about the cartoon style proving challenging to differentiate between male or female characters, I can see the choice to not have him with long hair from the very start. But looking back at the art from the first book, it’s clear that the styling for his hair is slightly different, but if anything, it’s drawn as longer and more shaggy here in the second book, not cut shorter at all. It’s very strange. I don’t think this small of a change really warranted any dialogue at all, but then to write it in as a notable haircut rather than a style change, which is the most that can be said, is strangely incongruent.
E.T./Ax Phone Home: No Ax yet, but boy am I excited to get to him!
Best (?) Body Horror Moment: Beyond what I said above about the disgustingly graphic images of morphing, there was a full page spread devoted to Rachel’s nightmare about being a shrew. Again, this is where the artist’s talents are really on display. I’ve only included half of the spread, but the other side is also covered in maggots swarming in and over an animal skull. I mean, the depiction of the nightmare is going to cause nightmares itself.
Couples Watch!: Sadly, I feel like we got even less from Tobias and Rachel here than we do in the books. We do get the line from Tobias that he doesn’t want anything to happen to her, so there are hints here and there, but for whatever reason, this relationship in particular just felt off. This probably is just due to the nature of the graphic novel format. Since the story relies only on dialogue and images, it’s pretty hard to depict true feelings between a girl and a hawk!boy when you can’t draw them interacting. On the other hand, to highlight this point, we do get this sweet panel coming fairly early in the book for Cassie and Jake:
If Only Visser Three had Mustache to Twirl: Again, since the horror aspects of the art are what work so well, the depictions of Visser Three and the terror he inspires are truly great. Even his Andalite form, which shouldn’t be terrifying in and of itself, is depicted in such a way as to be clearly intimidating. And then the panels showing him morphing the Vanarx and sucking out the Yeerk from a Controller are incredibly creepy and effective. I mean, Visser Three is essentially a cannibal at this point, and that is made pretty clear. And of course, the final battle with Visser Three morphing yet another big bad and chasing after the Animorphs is very well done. More on that below.
Adult Ugly Crying at a Middle Grade Book: Man, the Melissa stuff isn’t any easier when drawn out on the page rather than just described in a book. Plus, now I’m reading these books as a parent myself and boy, rough stuff. Especially the part where she follows Chapman out when he’s carrying cat!Rachel away in the crate. “Oh, I didn’t see you there.” “But daddy…I was crying.” Oooof! Not to sound like a broken record or anything, but again, AGAIN, I think the cartoon style let some of these heart-breaking moments down a bit. The reason this scene hits hard, and the same with the one where Melissa is crying in her bed, is because the writing and dialogue are so strong. The way the characters are drawn, there’s just so little that can be done to express these deep emotions, so it all falls to the writing. I’m having a hard time picturing some of the truly devastating moments that are coming up landing the way they should as shown on the faces of characters with red bubble noses.
What a Terrible Plan, Guys!: I’d say the terrible plan is still the obvious one: where Rachel decides to morph a shrew to lure a tomcat out of a tree. Like Cassie points out, while cats often play with their food, sometimes they just go straight for the kill, too, and there’s really no way of predicting it one way or another. But also, specific to this version of the story, I’ll say that the use of the machinery in the construction site didn’t quite translate here. I can’t remember exactly how it was described in the books, but I felt like there I had a better sense of just how these machines were disrupting Visser Three’s plans. Here, we only see a few small shots of a solitary bulldozer, and it kind of fails to land as to why this would pose any sort of threat or disruption to what the Yeerks are doing.
Favorite Page/Panel:
I really liked all of the pages that made up the final conflict between the Animorphs and Visser Three in his alien morph. But this one stood out for the sheer joy of the absurdity of it all. I mean, take that picture out of context. Just look at it. The crazy rock monster. The speech bubbles of the cat growling and alien roaring. The cat’s crazy Superman jump featured prominently in the top right corner. It’s all so whacky and fun, and I think it’s a perfect visual representation of the sheer joy that these books are to read, especially to younger audiences. In no other series of books are you going to get anything remotely like what Animophs has to offer.
Final Thoughts: Overall, I’m still continuing to enjoy reading these graphic novels. I won’t repeat myself about the art, but like I said, too, for all my complaining about that, I’d rather have the graphic novels as they are now than nothing at all. I do hope they continue to make them, but I think there’s room to combine some things going forward. These first six or so books are important enough to have their own adaptations independently, but I think this book specifically also highlights how some future stories could be combined or skipped. Mostly, I just want some adaptation, ANY ADAPTATION, to get to the David trilogy.
Note: I’m not going to rate these books since I can’t be objective at all!
Book Description: A groundbreaking Latinx Aliens novel by a rising star Latina author, featuring the fan-favorite character PFC Jenette Vasquez from the hit movie Aliens and the family she is forced to leave behind.
For the very first time, the canonical background of the breakout Aliens hero Jenette Vasquez, as well as the story of the children she was forced to leave behind as written by the rising Latina horror star V. Castro (Queen of the Cicadas).
Even before the doomed mission to Hadley’s Hope on LV-426, Jenette Vasquez had to fight to survive. Born to an immigrant family with a long military tradition, she looked up to the stars, but life pulled her back down to Earth—first into a street gang, then prison. The Colonial Marines proved to be Vasquez’s way out—a way that forced her to give up her twin children. Raised by Jenette’s sister, those children, Leticia and Ramon, had to discover their own ways to survive. Leticia by following her mother’s path into the military, Ramon into the corporate hierarchy of Weyland-Yutani. Their paths would converge on an unnamed planet which some see as a potential utopia, while others would use it for highly secretive research. Regardless of whatever humans might have planned for it, however, Xenomorphs will turn it into a living hell.
Review: Depending on the day and my mood, it’s a toss up between whether “Alien” or “Aliens” is my favorite film in the franchise (admittedly, I don’t really acknowledge any of the other films in the “Alien” universe because I don’t like any of them). They are such different movies in tone and theme and genre. But the one I revisit the most often is “Aliens”, as I do love the rag tag Colonial Marines who find themselves in a REALLY bad situation with a corrupt company, an traumatized expert, and a LOT of hungry and bloodthirsty Xenomorphs. One of the stand out marines is Vasquez, a tough as nails no nonsense brawler soldier who is one of the only women on the team. I love Vasquez as a character. One of the problems with Vasquez is that she is a Latina woman who is portrayed by a non-Latina in brownface. So when I saw that V. Castro, one of my favorite horror authors writing right now, was going to give Vasquez an origin story and explore her legacy in a new Sci-Fi horror novel, I was THRILLED. If there is any author who can reclaim the character of Jenette Vasquez, Castro is the one who can do it, as her horror stories have a Latine lens and perspective, AND she knows how to craft a gross and balls to the wall horror story. So I dove into “Aliens: Vasquez” with high hopes.
Haaa, look at Hicks in the background just amused as heck. (source)
“Aliens: Vasquez” is not only a deeper look into Jenette’s backstory, but it is also an exploration of her legacy after her death on LV-426 at the Hadley’s Hope Colony vis a vis the lives of her twin children Leticia and Ramón. I loved that Castro decided to go this route, as while the backstory for Jenette is great (more on that in a bit), there is only so much to work with there. So to think of it as the whole Vasquez legacy works very well. For Jenette, we see her upbringing in a close knit family that has a share of tragedy involving disease, poverty, and societal racism. Eventually she is charged with a crime she didn’t commit thanks to a corrupt cop, and has to choose between prison and military service. To make matters more upsetting, she eventually finds herself pregnant while enlisted, and is told that she can either abort, or have the babies and give them up never to be seen again, and both scenarios end with her forced sterilization. Given what he know about American history (and very RECENT history too) with government forced sterilization of non-white disenfranchised people, this is all very chilling. I loved seeing Vasquez go from somewhat ambitious teenager to hardened Marine, and seeing the various injustices that got her there.
But then there are the twins, Leticia and Ramón Vasquez, and that is the real heart of the story. We get to see these twins as they are raised by their loving aunt with no memory of their mother, and how this loss sets them on two very different paths. For Leticia, she wants to follow in her mother’s footsteps and joins up with the Marines, hoping to prove herself a worthy warrior not only for her mother, but for their family’s tradition of women fighters. For Ramón, it means gathering enough power that he will never feel powerless again. We mostly follow Leticia, and I felt like I got to know her better, but what we do get to know about Ramón is well conceived and feels very realistic. I thought that the twins paths were very on point for the overall tale, and also for the “Alien” themes, as while Leticia becomes a commando like other badass women in the franchise, Ramón ends up working at Weyland-Yutani, the corporation whose greed and thirst for power is what gets everyone into the Xenomorph mess in the first place. Let’s just say that it’s up to its old tricks, and Ramón feels a lot like Paul Reiser. I liked seeing them have to come together when things with the Xenomorphs go wrong. Because, of course, it goes wrong.
And let’s talk Xenomorphs. You need to have a solid focus on the Xenomorphs and all the action and body horror nastiness that comes with them, and I think, for the most part, Castro achieves this. There are the required ‘Weyland-Yutani just can’t leave it alone!’ themes, just as there are the really gross parasitic moments of chest bursters, but there are new ideas like what if someone tried to cross breed Xenomorphs with other creatures to create other kinds of horrible bioweapons? It’s disgusting and unsettling as hell, and it felt very in character and in universe. My only qualm was that I almost felt like, when it all comes together with the research, the Xenomorphs, and the twins colliding, it almost wasn’t enough action and climax. That isn’t to say that things earlier should have been scrapped or cut. I would argue that this book should have been longer to explore this confrontation between Xenomorphs, a marine, and an enabler as it all comes to a head. Especially when that marine and enabler are twins.
Overall, this is a very worthy addition to the “Alien” universe and I thought that it was a great reclamation of a character that is well loved in a movie fandom. Fans of “Aliens”, you should read this.
Rating 8: A fun exploration of a fan favorite character that moves her beyond Hollywood dated stereotypes, “Aliens: Vasquez” feels right at home in the “Alien” franchise.
The Library Ladies 