Serena’s Review: “A Letter to the Luminous Deep”

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Book: “A Letter to the Luminous Deep” by Slyvie Cathrall

Publishing Info: Orbit, April 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A beautiful discovery outside the window of her underwater home prompts the reclusive E. to begin a correspondence with renowned scholar Henerey Clel. The letters they share are filled with passion, at first for their mutual interests, and then, inevitably, for each other.

Together, they uncover a mystery from the unknown depths, destined to transform the underwater world they both equally fear and love. But by no mere coincidence, a seaquake destroys E.’s home, and she and Henerey vanish.

A year later, E.’s sister Sophy, and Henerey’s brother Vyerin, are left to solve the mystery of their siblings’ disappearances with the letters, sketches and field notes left behind. As they uncover the wondrous love their siblings shared, Sophy and Vyerin learn the key to their disappearance – and what it could mean for life as they know it.

Review: While I used to think I didn’t enjoy epistolary-style stories, I’ve read a number of really great ones over the last few years to the point where I’m now wondering if I had originally just read a few not so great ones and judged the entire format just on that. As it stands, the “Emily Wilde” series has done a lot to reform my opinion, and this one sounded very similar, not only using a similar format but also leaning heavily into the academia side of fantasy and science fiction. Let’s dive in (heh, how clever)!

I think this will be one of those books that might be a struggle for the average fantasy reader, but will also garner devoted fans who also adore it! This largely comes down to the overall style and tone of the writing. Like I said, “Emily Wilde” is definitely a comparable title, but in comparison to this one, that is “epistolary academia fantasy lite!” Pretty much take the tone and style of that book and magnify it and you will get this story! There’s simply more of everything: more focus on the intricacies, oddities, and cultures of academia, more complicated and verbose sentence structure and specialized vocabulary, and even more commitment to the epistolary style. In “Emily Wilde,” many times her journal entries would read as a straight narrative. Here, the author is fully invested in telling a story only through letters and supporting documents, so the narrative plays out in a more distanced way.

And I loved all of this! I love authors who can so naturally capture this sort of long-form, “old fashion” style of writing where sentences are long and word choices are elaborate. I also really enjoyed the slow reveals of the many mysteries and secrets at the heart of the story. Not only do we have the remove of learning this story through the more limited form of what letter writers choose to share with one another, but we also are piecing together what happened in the past as the siblings of another pair of characters work to compile the correspondence of two characters who have passed away.

I really enjoyed all the characters we have here, both pairs of writers feeling fully realized and interesting. E, I think, rose to the top simply for how well the author managed to portray a character who lives with high levels of anxiety that affect how she lives her life. In the past, I’ve often found myself frustrated and disappointed by the rather surface level portrayal of characters like these, but the topic is so perfectly explore in E, both honestly depicting her struggles, but also not defining her by this trait. I also really enjoyed Sophy, her younger sister who has her own adventure and must later work through E’s past letters to try to discover what happened to her. Sophy is a much more action-oriented character, and the contrast between them was nice, as well as the loving, strong sisterly relationship we see between them.

I’ll also make a small plug here with regards to the genre of this book. I’ve seen a lot of reviewers calling this fantasy, but I think this is a perfect example of a science fiction novel that doesn’t take place in space. Too often, it feels like readers and marketers think that “science fiction” and “space” are synonymous, but this book perfectly highlights why science fiction needs to be remembered as being a broader category. In almost every way, this book much more closely aligns with the conventions of science fiction over fantasy, especially with its academic focus, which is very scientific in nature. Not only that, but the history of this world and the mysteries we discover all fall in better line with science fiction than fantasy (in many ways, it reminds of the movie “The Abyss.”) This isn’t necessarily a hugely important distinction, but I do think science fiction readers might miss this one due to the fact that it’s being called a fantasy story much of the time. Anyways, there’s my TED talk on that topic!

Overall, I really enjoyed this book! I was surprised to find that it’s the start of the series, and it does end on a mild cliffhanger. But there were so many interesting twists and turns (both with the larger mystery and with a few character turns that really took me by surprise) that I can’t wait to see where things go from here! Readers who enjoy rather long-winded, heavily academic fiction will likely enjoy this one! Also those looking for a lovely slow-burn romance!

Rating 9: Cathrall embraces the full beauty of the epistolary novel, creating a vivid, immersive world and peopling it with characters I’d follow into the darkest depths!

Reader’s Advisory:

“A Letter to the Luminous Deep” can be found on these Goodreads lists: Related to the Sea

Kate’s Review: “First Light”

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Book: “First Light” by Liz Kerin

Publishing Info: Tor Nightfire, April 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: “I came all this way to watch you burn.”

It’s been nine months since the catastrophe in Tucson sent Mia fleeing from her home. But she’s not running away from the darkness―she’s running toward it, obsessively pursuing the man who gave her mother a thirst for blood and destroyed their lives.

But when Mia finds the monsters she’s been hunting and infiltrates a secret network of fugitives, she discovers she might have been their prey all along. To escape their clutches, she’ll have to reckon with her mother’s harrowing past and confront a painful truth: that they might be more alike than she ever imagined.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

After “Night’s Edge” blew me away last year, I had high high hopes for Liz Kerin’s follow up, though I was also apprehensive for a few reasons. The first is always that fear that a follow up to a well loved read will somehow be a let down or underwhelming. The second and more relevant reason here is that “Night’s Edge” left off on such a bummer of a note that I was steeling myself for a story that had the very real potential to destroy me. And you know what? It did.

Actual image of me sobbing over my kindle in the dark at 3am during an insomnia charged reading session (source).

Before I go into the things that kicked my emotions square in the ass, I want to talk about “First Light” in how it has expanded and further explored the vampire themes and the horror/thriller themes as a whole. So first a refresher where we are as we start this book (and this review will have spoilers for “Night’s Edge”, though I’m going to do my best to avoid spoilers for this one): our protagonist Mia is a young woman living in a world where vampires, or Saras, are confirmed as real and seen as threats to the world. Her mother Izzy had been turned into a Sara by her toxic boyfriend Devon when Mia was a child, and since then Mia had been helping hide her mother’s condition, protecting her, devoting her life to her, and bloodletting to her when needed. When Mia met and fell for a free spirited musician named Jade and was going to leave, Izzy lashed out and was going to kill Jade, so Mia killed her. Now we are catching up with Mia, who is now obsessed with finding Devon and getting her revenge on him for ruining her mother’s life and therein her own. She has been tracking him and the fringe group he runs, known as ADAPT, that has been recruiting Saras online to join them and to make more Saras so that Saras can outnumber humans, and become apex predators.

While there is some bit of Mia that knows this is on a whole wrong, she is more driven by her personal hatred of Devon, and the cat and mouse game that ensues, both at a distance and close up, it riveting, tense, and very well done. I liked learning more about how society has been trying to contain and control Saras, as we go from underground terrorist groups to charity run Sara houses that try to keep them safe and cared for (but also away from others), as well as how Mia finds herself drawn to a Sara named Cora, who may know something about Devon’s and ADAPTs whereabouts. The action rarely stops as we jump from past to present, and I found it incredibly engaging as a horror thriller and very unique and enjoyable as a vampire story and all the bloody bells and whistles that go with it. I especially was horrified by some of Devon’s manipulations and greater plans if only because he is still SO charismatic, which is terrifying in and of itself.

But at its heart, beneath all the vampire goodness and gore and vengeance parable is a story about healing and a story about a woman having to find herself after losing her complicated mother, who had been the only person she had really truly lived for, and now has to live without. Mia is focusing so much of her energy and time on tracking down Devon and getting revenge for Izzy and for herself, that she isn’t trying to heal from the terrible loss not only of Izzy at the end of “Night’s Edge”, but also the loss of a functional childhood long before she has gotten to this part and new traumas as this narrative goes on. She obsesses with finding Devon and his ADAPT group of potential terrorist Saras, doing research, delving into volunteer work at a Sara house to try and get information from those who may know something, and falling into a bottle as well as a desire for revenge, that she isn’t finding closure or peace. But Kerin, instead of making this a tragic tale of all consuming revenge, does that on that as a warning, and has Mia start to navigate her traumas even as she gets close to her goal. Even if that means reconciling devastating truths about her mother. Even if that means having to accept new truths about herself. Even if that means seeking closure with Jade, her love interest and spark for a yearning for a better life in “Night’s Edge”, and learning to trust people again, specifically Cora, a Sara that has potential connections to ADAPT and whom Mia first seeks out for information purposes, but then starts to fall for. There are so many gut wrenching moments as Mia goes on this journey, and it all culminates with a lot of action that feels incredibly fulfilling while still tearing my heart out for various reasons. It’s just so good.

“First Light” is a fantastic conclusion to the story of Mia and her vampire mother Izzy. I absolutely loved this book and will dive headfirst into anything that Liz Kerin writes next, whether it’s expanding upon her Sara world building, or bringing us something totally new. Simply exquisite.

Rating 10: A tense, unforgiving, and deeply emotional sequel that tackles vengeance, identity, and forgiveness and expands upon an already unique and effective vampire mythos.

Reader’s Advisory:

“First Light” isn’t included on any Goodreads lists as of now, but it would fit in on “Best Adult Vampire Books”.

Previously Reviewed:

Serena’s Review: “What Monstrous Gods”

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Book: “What Monstrous Gods” by Rosamund Hodge

Publishing Info: Balzer + Bray, March 2024

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Centuries ago, the heretic sorcerer Ruven raised a deadly briar around Runakhia’s palace, casting the royal family into an enchanted sleep – and silencing the kingdom’s gods.

Born with a miraculous gift, Lia’s destiny is to kill Ruven and wake the royals. But when she succeeds, she finds her duty is not yet complete, for now she must marry into the royal family and forge a pact with a god – or die.

To make matters even worse, Ruven’s spirit is haunting her.

As discord grows between the old and new guards, the queen sends Lia and Prince Araunn, her betrothed, on a pilgrimage to awaken the gods. But the old gods are more dangerous than Lia ever knew – and Ruven may offer her only hope of survival.

As the two work together, Lia learns that they’re more alike than she expected. And with tensions rising, Lia must choose between what she was raised to believe and what she knows is right – and between the prince she is bound to by duty…and the boy she killed.

Review: I always enjoy fantasy stories that tackle religion and gods and the many ways these can affect society in both beneficial and horribly tragic ways. It can really go either way! So the description immediately appealed! Plus, the fact that it sounds vaguely like a “Sleeping Beauty” re-imaging, and I’ve read a few other fairytale re-tellings by this author that I liked were also good signs in its favor! And while pieces of all of these things were present (plus a very romantic cover), in the end, I didn’t think any of them fully lived up to their potential.

The story started off with a bang, introducing our main character Lia who has been raised for a large chunk of her life in a convent after the loss of her family to a deadly plague that has ravaged her country for centuries. Her initial goals and drive were clear, and the plot progressed quickly to her harrowing journey through the dangerous hedge around the castle, and from there to her confrontation and eventual murder of Ruven, the man behind the curse. I liked all of this so much and was fairly confident at this point that I was going to like this story! I appreciated Lia’s drive and devotion to her cause, and I always like to see heroine’s who can back up their talk with action. So while her killing of Ruven definitely reads with a large question mark aside of it, from Lia’s perspective, this was her mission and she fulfilled it.

Sadly, the book seemed to fall off a steep cliff from here. What had initially felt like intriguing world building, especially the pantheon of gods and their various saints, soon seemed to become a mire of pitfalls and inconsistencies. Suddenly, information was just popping up here and there, seemingly whenever the plot of the book needed it to. It’s not a spoiler since the summary of the book gets to this plot point, but the manner in which Lia’s engagement comes up in the book is literally some character being like “Oh, you didn’t know about this history of this law? Well, ta da! We must wed!” I really hate when stories just throw in crutches like this that seem to come out of nowhere, with no one, reader or character, having heard of it until it conveniently needs to happen for plot purposes. And this sort of thing happens again and again as the story progresses.

As far as Lia’s character goes, I appreciate what I believe the author was trying to do, exploring religious trauma and indoctrination in a system that is not what it seems. However, the way it plays out on the page leaves us with a character who comes across as incredibly passive and one who for too long refuses to act in the face of new information. This is especially frustrating to read after the action-packed beginning of the story where we see a very different version of Lia.

The romance is also fairly lackluster. I will say, one of the strengths of this book is Ruven’s character, especially the witty dialogue that we get from him in his ghost form throughout. That said, the love story itself felt a bit like an after thought and hit some strange beats. There was never really any explanation for why these two would fall in love with one another, especially after some late-game betrayals between them. It was a strange situation where, on one hand, I enjoyed the interactions between Ruven and Lia more than anything else in the story, but I also struggled to really buy their love story as a whole.

Unfortunately, this book ended up as a disappointment. I will say that the writing was strong throughout, and for readers who are especially interested in the exploration of religious trauma in a fantasy world, this might be a good read to check out. However, I feel like the inconsistent world-building and characterization of the main character were on the weaker side, in the end.

Rating 7: While it started off on a strong note, this book took an unfortunate dive into inconsistent world-building and weaker characterization.

Reader’s Advisory:

“What Monstrous Gods” can be found on this Goodreads list: Epic High Fantasy/Romance/Mythology in 2024

Kate’s Review: “Indian Burial Ground”


This post may contain affiliate links for books we recommend.  
Read the full disclosure here.

Book: “Indian Burial Ground” by Nick Medina

Publishing Info: Berkley, April 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.0rg | Amazon | Indiebound

Book Description: All Noemi Broussard wanted was a fresh start. With a new boyfriend who actually treats her right and a plan to move from the reservation she grew up on—just like her beloved Uncle Louie before her—things are finally looking up for her. Until the news of her boyfriend’s apparent suicide brings her world crumbling down. But the facts about Roddy’s death just don’t add up, and Noemi isn’t the only one who suspects something menacing might be lurking within their tribal lands.

After more than a decade away, Uncle Louie has returned to the reservation, bringing with him a past full of secrets and horror and what might be the key to determining Roddy’s true cause of death. Together, Noemi and Louie set out to find answers…but as they get closer to the truth, Noemi begins to question whether it might be best for some secrets to remain buried.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Last year I read and reviewed Nick Medina’s “Sisters of a Lost Nation”, a horror novel that had its scariest moments not in the supernatural bits (though those were also great), but in the way it addressed the Missing and Murdered Indigenous Women epidemic. It was such a visceral read that I knew I needed to see what Medina was going to write next, and so when “Indian Burial Ground” ended up on my radar I was ACHING to read it. NetGalley came through, and it ended up on my Kindle. I knew that I needed to carve out some time, because it was going to take up my literary focus once I started. And lo and behold my prediction came true. “Indian Burial Ground” had my full attention.

Like in “Sisters of a Lost Nation”, we return to the fictional Takoda Reservation in Louisiana, and not only do we get a revisit to this setting, but also so some of its side characters (I love it when authors do this, honestly, so that was a bit of a treat from the jump). “Indian Burial Ground” is told in two separate timelines. The first is in the modern day, where we mostly follow Noemi, whose boyfriend Roddy was just killed after being hit by a car, the death officially called a suicide. Noemi just can’t believe that Roddy would do that, and starts to think that something else is at play, just as her uncle Louie returns home after being away from the reservation for years. The next is in the summer of 1986, where Louie has been balancing trying to take care of his toddler niece to help out his teenage sister Lula, as well as trying to keep the family above water as their mother sinks deeper and deeper into alcoholism. During this time, strange deaths start to happen on the Takoda Reservation, as well as some desecrations at the tribal cemetary where bones are being stolen. As Louie starts piecing together rumors, histories, and seemingly supernatural clues, he starts to panic over protecting his niece. Medina effortlessly pulls these two timelines together, switching between the perspectives of Noemi and Louie, and shows an undercurrent of unrest on the Takoda Reservation that is still affecting the people who live, or lived, there. The two stories are both compelling in their own ways, one of which being supernatural and eerie, and the other more of a mystery about a tragedy and whether or not the official explanation is the actual one. And then bringing them together to tell a bigger story with realistic truths couched in supernatural horrors.

And the horrors, supernatural or not, are ample, twisted, and deeply emotional. or the more fantastical scares, I enjoyed the folklore inspirations that Medina created for the Takoda characters, with morality tales that are perhaps playing out in real time as members of the community start diverting from the path that is promoted in their culture and identity, and how that is possibly causing the destruction and deaths in the community in the summer of 1986. There were so many bits of unnerving creepiness, and it is clear to me that Medina is very talented at the slow build scary story. Whether it’s a coyote eating from a corpse in a brazen way, or a dead body suddenly rising up as if alive, I was creeped out many times during my read. But it’s also the real life horrors that Medina delves into in this book that pack a serious punch, with themes of addiction, mental illness, systemic racism, poverty, and many other tragic circumstances of the Takoda people living on the reservation. It could be teenage Louie being parentified to care for his cousin and another child in the community, or his and Lula’s mother being in the throes of alcoholism to the point where she isn’t caring for her children anymore, or the possible mental illness that Noemi just can’t accept as a very real truth in Roddy’s life. It were these moments that really got to me because they were all so emotional and frank about living as an Indigenous person on a reservation in America, and the lack of societal supports given.

“Indian Burial Ground” is dark and unrelenting, and it is another triumph from a fresh new voice in horror writing. Definitely recommended.

Rating 8: A deeply disturbing and heart wrenching horror novel that takes its scares from folklore inspiration, as well as the all too real horrors of being Indigenous in America.

Reader’s Advisory:

“Indian Burial Ground” is included on the Goodreads lists “Indigenous Fiction 2024”, and “Horror to Look Forward to in 2024”.

Another Take: Spring 2024

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Don’t just take it from us, other readers like these books, too! And we have decided that we would like to showcase other reviewers and bloggers that have their own thoughts and feelings about books that we have loved. Here are a few of the books we’ve enjoyed recently and what other bloggers have to say about them.

Book: “The Reformatory” by Tananarive Due

Book Description: Gracetown, Florida. June 1950

Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory.

Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it’s too late.

The Reformatory is a haunting work of historical fiction written as only American Book Award–winning author Tananarive Due could, by piecing together the life of the relative her family never spoke of and bringing his tragedy and those of so many others at the infamous Dozier School for Boys to the light in this riveting novel.

Kate’s Review (10 Rating)

Punk Ass Book Jockey

Horror World (5/5 Stars)

Bonnie Reads and Writes (5 Stars)

Book:”Holly” by Stephen King

Book Description: Stephen King’s Holly marks the triumphant return of beloved King character Holly Gibney. Readers have witnessed Holly’s gradual transformation from a shy (but also brave and ethical) recluse in Mr. Mercedes to Bill Hodges’s partner in Finders Keepers to a full-fledged, smart, and occasionally tough private detective in The Outsider. In King’s new novel, Holly is on her own, and up against a pair of unimaginably depraved and brilliantly disguised adversaries.

When Penny Dahl calls the Finders Keepers detective agency hoping for help locating her missing daughter, Holly is reluctant to accept the case. Her partner, Pete, has Covid. Her (very complicated) mother has just died. And Holly is meant to be on leave. But something in Penny Dahl’s desperate voice makes it impossible for Holly to turn her down.

Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability: married octogenarians, devoted to each other, and semi-retired lifelong academics. But they are harboring an unholy secret in the basement of their well-kept, book-lined home, one that may be related to Bonnie’s disappearance. And it will prove nearly impossible to discover what they are up to: they are savvy, they are patient, and they are ruthless.

Holly must summon all her formidable talents to outthink and outmaneuver the shockingly twisted professors in this chilling new masterwork from Stephen King.

Kate’s Review (Rating 10)

Happy Goat Horror

Emma Young Writes

Book Chatter

Book: “The Angel of Indian Lake” by Stephen Graham Jones

Book Description: The final installment in the most lauded trilogy in the history of horror novels picks up four years after Don’t Fear the Reaper as Jade returns to Proofrock, Idaho, to build a life after the years of sacrifice—only to find the Lake Witch is waiting for her in New York Times bestselling author Stephen Graham Jones’s finale.

It’s been four years in prison since Jade Daniels last saw her hometown of Proofrock, Idaho, the day she took the fall, protecting her friend Letha and her family from incrimination. Since then, her reputation, and the town, have changed dramatically. There’s a lot of unfinished business in Proofrock, from serial killer cultists to the rich trying to buy Western authenticity. But there’s one aspect of Proofrock no one wants to confront…until Jade comes back to town. The curse of the Lake Witch is waiting, and now is the time for the final stand.

New York Times bestselling author Stephen Graham Jones has crafted an epic horror trilogy of generational trauma from the Indigenous to the townies rooted in the mountains of Idaho. It is a story of the American west written in blood.

Kate’s Review (9 Rating)

Books, Bones, & Buffy. (4.5 Stars)

Grimdark Dad

MegsBookRack (5 Stars)

Book: “The Tainted Cup” by Robert Jackson Bennett

Book Description: In Daretana’s most opulent mansion, a high Imperial officer lies dead—killed, to all appearances, when a tree spontaneously erupted from his body. Even in this canton at the borders of the Empire, where contagions abound and the blood of the Leviathans works strange magical changes, it’s a death at once terrifying and impossible.

Called in to investigate this mystery is Ana Dolabra, an investigator whose reputation for brilliance is matched only by her eccentricities.

At her side is her new assistant, Dinios Kol. Din is an engraver, magically altered to possess a perfect memory. His job is to observe and report, and act as his superior’s eyes and ears–quite literally, in this case, as among Ana’s quirks are her insistence on wearing a blindfold at all times, and her refusal to step outside the walls of her home.

Din is most perplexed by Ana’s ravenous appetite for information and her mind’s frenzied leaps—not to mention her cheerful disregard for propriety and the apparent joy she takes in scandalizing her young counterpart. Yet as the case unfolds and Ana makes one startling deduction after the next, he finds it hard to deny that she is, indeed, the Empire’s greatest detective.

As the two close in on a mastermind and uncover a scheme that threatens the safety of the Empire itself, Din realizes he’s barely begun to assemble the puzzle that is Ana Dolabra—and wonders how long he’ll be able to keep his own secrets safe from her piercing intellect.

Serena’s Review (9 Rating)

Snow White Hates Apples (5 Stars)

Fantasy Book Critic

Tar Vol (17/20 Rating)

Book: “A Feather So Black” by Lyra Selene

Book Description: In a kingdom where magic has been lost, Fia is a rare changeling, left behind by the wicked Fair Folk when they stole the High Queen’s daughter and retreated behind the locked gates of Tír na nÓg.

Most despise Fia’s fae blood. But the queen raises her as a daughter and trains her to be a spy. Meanwhile, the real princess Eala is bound to Tír na nÓg, cursed to become a swan by day and only returning to her true form at night.

When a hidden gate to the realm is discovered, Fia is tasked by the queen to retrieve the princess and break her curse. But she doesn’t go with her is prince Rogan, Fia’s dearest childhood friend—and Eala’s betrothed.

As they journey through the forests of the Folk, where magic winds through the roots of the trees and beauty can be a deadly illusion, Fia’s mission is complicated by her feelings for the prince…and her unexpected attraction to the dark-hearted fae lord holding Eala captive. Irian might be more monster than man, but he seems to understand Fia in a way no one ever has.

Soon, Fia begins to question the truth of her mission. But time is running out to break her sister’s curse. And unraveling the secrets of the past might destroy everything she has come to love.

Serena’s Review (9 Rating)

Cosmic Circus (9 Rating)

Lore of the Books (4 Stars)

Sheaf and Link (4 Stars)

Book: “The Familiar” by Leigh Bardugo

Book Description: In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to better the family’s social position.

What begins as simple amusement for the bored nobility takes a perilous turn when Luzia garners the notice of Antonio Pérez, the disgraced secretary to Spain’s king. Still reeling from the defeat of his armada, the king is desperate for any advantage in the war against England’s heretic queen—and Pérez will stop at nothing to regain the king’s favor.

Determined to seize this one chance to better her fortunes, Luzia plunges into a world of seers and alchemists, holy men and hucksters, where the line between magic, science, and fraud is never certain. But as her notoriety grows, so does the danger that her Jewish blood will doom her to the Inquisition’s wrath. She will have to use every bit of her wit and will to survive—even if that means enlisting the help of Guillén Santangel, an embittered immortal familiar whose own secrets could prove deadly for them both.

Serena’s Review (10 Rating)

Courtney Reads Romance (4 Stars)

Before We Go Blog

Book Brows (5 Stars)

Serena’s Review: “To Gaze Upon Wicked Gods”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “To Gaze Upon Wicked Gods” by Molly X. Chang

Publishing Info: Del Rey, April 2024

Where Did I Get this Book: NetGalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: She has power over death. He has power over her. When two enemies strike a dangerous bargain, will they end a war . . . or ignite one?

Heroes die, cowards live. Daughter of a conquered world, Ruying hates the invaders who descended from the heavens long before she was born and defeated the magic of her people with technologies unlike anything her world had ever seen.

Blessed by Death, born with the ability to pull the life right out of mortal bodies, Ruying shouldn’t have to fear these foreign invaders, but she does. Especially because she wants to keep herself and her family safe.

When Ruying’s Gift is discovered by an enemy prince, he offers her an impossible deal: If she becomes his private assassin and eliminates his political rivals—whose deaths he swears would be for the good of both their worlds and would protect her people from further brutalization—her family will never starve or suffer harm again. But to accept this bargain, she must use the powers she has always feared, powers that will shave years off her own existence.

Can Ruying trust this prince, whose promises of a better world make her heart ache and whose smiles make her pulse beat faster? Are the evils of this agreement really in the service of a much greater good? Or will she betray her entire nation by protecting those she loves the most?

Review: I’m going to review this one in a rather unconventional manner, but when thinking about this read and trying to organize my thoughts into my typical review style, I simply found it all to be too jumbled and all over the place. Moreover, many of my thoughts and feelings have to do with very specific aspects of the books and less to do with overall structure and form of the book.

I’ll give a quick overview here, however: I did not like this book. I thought the writing was incredibly choppy and stilted with broken up sentences galore, the characters largely unlikable and melodramatic to the extreme, and the plotting muddled, leaving readers unsure of what was going on in basic aspects of the world and how they were meant to interpret the actions and feelings of its characters. It simply failed to be a good read for me in almost every way. That said, as always, there are plenty of readers who may enjoy this more! Specifically, readers who focus less on world-building will likely not be as hung up as I was with much of this story. And those who really enjoy Asian fantasy (as I typically do!) might also want to read this. Now, for the rest of this, I’m simply going to label each section with the struggle point I’m going to focus on. First up:

The Author’s Note/Historical Inspiration

This author’s note was included at the beginning of the book, so it’s clear that the author and publisher intended for it to be read before the story itself. In it, the author writes beautifully of listening to her grandfather recount his memories of Unit 731, a unit of the Japanese Army in late 1930s, early 1940s, that committed horrific war crime experiments on the Manchurian people. Now, I always appreciate when author’s include information like this when they are writing a book inspired by true events, but in this case, it only raised more questions with regards to the decision by the author to name the colonizing force “Rome.” To draw attention to the atrocities of the past by creating a fictional version of the tale for modern audiences is a tried and true practice, and like renaming Manchuria “Pangu,” the Japanese forces could have similarly been given a fictional name. And with the inclusion of this author’s note, it would have been clear to everyone what was being discussed.

But to instead take a specific historical event like this that was enacted by one nationality and then write a book and attribute those actions to a completely different real-world country/people is pretty icky. I can’t imagine this choice going over well if something similar had been done with different historical events/groups. For example, writing a book about a colonizing group giving indigenous people blankets covered in disease but then naming that colonizing group, say, Brazil. Nope! Not great! It was also such an easy fix, since Manchuria/ancient China had already been given the fictional name of “Pangu.” Simply do the same and come up with some other fictional name! Not only would this have avoided the “ick” factor we have here, but it also would have made the reading experience more pleasant as a whole. The name “Rome” invokes a very specific picture in most readers’ minds, so to then write a book in which the Romans are zipping around on helicopters and whipping out guns all the time reads as strange. It’s distracting, at best. This lead’s me to my next point, which also starts in the author’s note but than moves into the narrative itself:

“Magic Vs. Science”

There were also some bizarre claims in the author’s note about “science” that really had me raising my eye brows. At one point, the author is reflecting on the past, about how Manchuria/China fought its Western invaders’ bullets with bows and arrows. Now…I’m honestly just confused by this. The note started off talking about Unit 731, so obviously references to bows and arrows make no sense in this context, not even getting to the fact that I don’t believe we’d call the Japanese forces “Western.” But if at this point in the note she’s instead been talking about an earlier point of history (there is no indication that this is the case, however, because the very next sentence is again referencing her grandfather), I’m not sure it’s much better! China was significantly more advanced in science and technology than the West for pretty much all of history. I really don’t know how to interpret what the author was trying to say. Maybe I’m missing something, and if so, I’m happy to be corrected, but as it stands this was bizarre to the extreme.

Unfortunately, this continued into the story itself. Ruying, in her overly melodramatic style, goes on and on throughout this book of the impossible power of Rome’s “science” and how Pangu has struggled against it for decades. Aside from the fact that just referring to this over and over again as “science” (“they came at us with science”) makes for a clunky reading experience, it’s also a strange choice. Don’t you mean technology? Saying that Pangu had no sense of “science” is like saying they have no understanding of gravity or of how the stars move through the sky. It makes Pangu and its people sound incredibly stupid, and I know that’s not what the author was trying to say! Beyond this, again, to write a fictional world that is based off ancient China and frame it in a way that makes the Chinese stand-ins repeatedly said to have no understanding of “science” is to downgrade China’s own history of actually being incredibly scientifically advanced.

Beyond this, from a fictional stand-point, we are told that the Romans invaded several decades ago. Again, unless we are to seriously devalue the people of Pangu, it belies belief that they would not be able to begin adapting and replicating some of the technology that the invaders brought with them. It’s simply hard to buy from a story front, and I was repeatedly thrown out of the story whenever this discussion of the “Romans and their science” came up.

The Romance

I don’t typically read many reviews of a book before writing down my own thoughts, but I did here because of all of the confusion re: “Rome” and “science” that I discussed above. And when I was going through the Goodreads reviews, I began to notice something strange. This book was continually being referenced as a “colonizer romance” with many readers enraged about the love story between Ruying and her Roman love interest, Antony. What makes this most interesting to me, however, is the fact that here is a real-time example of how either the times have changed or something else went wrong in the marketing of the book.

Readers of this blog will know that long ago I had a very bad “break up” with the “Shadow and Bone” trilogy, and this largely had to do with my dislike of the massive fangirling over the Darkling as a love interest. I was bewildered and put off by how so many fans of that series seemed to think that the Darkling, a literal psychopath and mass murderer, was a legitimate option as a love interest, to be held up right along side the heroic best friend, Mal. Well, low and behold, I think we have the exact same set up in this book, but for whatever reason (changing of the times, the type of fantasy novel this is with the focus on colonization), the pendulum has swung completely the other direction, with fans up in arms that this pretty terrible guy, Antony, is given so much time as a love interest at all! What is missing from many of these reviews is that this book, too, includes a very “Mal-like” character, the best-friend that, by the end of the book, seems to be fully brought forward as the true love interest. Frankly, I felt like the story was fairly clear about all of this. But if you just read the reviews, you won’t see this. For some reason, poor (not really) Antony didn’t see any of the Darkling love that a pretty similar character received in another YA fantasy story just like it!

Now, to be fair to many reviewers, I think there is a major disconnect from the story this book is actually telling and the type of book it is being marketed as. We’ve seen a heavy push by the publisher to label this as an “enemies to lovers” style romance. This would obviously set the reader up to expect Ruying’s primary romance to be with Antony, and indeed, much of the actual “romance,” such that it is, is focused between these two characters. But by the end, we see Ruying forced to grapple with the reality of Antony’s choices and who he is, much like we see Alina become horrified by the Darkling in book one and turn to Mal. I don’t think the marketers or publishers did this one any favors with the way they presented it to readers, and the confused Goodreads reviews prove my point.

All of that said, leaving the confused reviews aside, I did not enjoy this love story. Ruying was incredibly annoying through much of it, melodramatically info-dumping her way through what could have been compelling scenes. For a girl with the power of “Death,” we see practically no assassinations. And from a character that we’ve been warned by the author (again in the bewildering author’s note) to not judge the character harshly for her actions, all we see is a girl who judges others, doesn’t really kill anyone on page, and then the one time she does she breaks down about it. This is not the “morally grey” character I was promised. Instead, that morally grey character seems to be the best friend love interest who, low and behold, Ruying herself spends much of her time “judging for his actions.”

This has gotten incredibly long, so thank you for everyone who stuck with me through this messy, rambling rant of a review! I obviously had a lot of thoughts and feelings on this one, but unfortunately, none of it was positive. I don’t recommend you read this book, however, it’s also one of the more highly anticipated titles for the spring, so if you want to get in on the action, I guess give it a shot!

Rating 3: As a story it fails with poor writing, weak characterization, and a muddled plot. But on top of this, we had some really strange choices about how to re-imagine historical events in a fantasy novel that I think not only landed badly, but crashed and burned.

Reader’s Advisory:

“To Gaze Upon Wicked Gods” can be found on these Goodreads lists: Around The World 2024 – Asia Continent and The Most Beautiful Covers of 2024.

Serena’s Review: “Draw Down the Moon”

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Book: “Draw Down the Moon” by P. C. Cast & Kristin Cast

Publishing Info: Wednesday Books, April 2024

Where Did I Get this Book: NetGalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Wren Nightingale isn’t supposed to have any powers. Born of magickal parents but not under a moon sign, she was destined for life as a Mundane—right up until she starts glowing on her eighteenth birthday. In a heartbeat, Wren’s life is turned upside down, and she’s suddenly leaving her home for the mystical Academia de la Luna—a secret magickal school on a hidden island off the Seattle coast.

Lee Young has always known about his future at the Academia. He has one goal: pass the trials, impress the Moon Council, and uphold his family’s reputation. But he wasn’t expecting to be attending alongside the girl he’s been secretly in love with for as long as he can remember.

As Wren and Lee are thrown into the Academie’s gruelling trials, they quickly learn there’s something different–and dangerous–about the school this year. Wren will have to navigate a web of secrets, prophecies–and murder. And Lee will have to decide who to protect–his family’s legacy, or the girl he loves.

Review: I’ll be honest, I was drawn into this one mostly because of its whimsical cover! And then I read the description which focuses on a magical school and academia, and I knew this was one I’d like to check out. I haven’t read anything by either of these authors before either, so I went in with very few expectations. Unfortunately, this one didn’t quite work for me.

But let’s start with some of the pros first, as always. I really enjoyed the magical school and the fantasy components of this world. The idea of characters gaining certain powers based on the lunar cycle is very intriguing and not something I’d come across before. I also liked that the concept, while new feeling, wasn’t overly complicated, but felt approachable, especially for younger readers. And this is where part of my problems come in, I believe. When stepping back from my reading experience, I would say much of the reason I didn’t enjoy this one was because it seems to be the type of book best suited towards one fairly specific audience: middle school to young teen readers who are fairly unfamiliar to the fantasy genre and its conventions. For these readers, much of what is being done here may hold more interest, but for older readers, or those who read a lot of fantasy, much of it feels standard to the point of banality.

Further, this book is a perfect example of the YA “genre” being a bit to broad, or perhaps the marketers/publishers getting it wrong when promoting this book. The characters are meant to be 18, but throughout the entire story they read much, much younger. This shows itself in the dialogue, but even more so in the rather simplistic approaches to life that they incorporate, as well as some of the more ridiculous decisions they make. I believe even older teenagers would struggle to really connect to these characters without growing quickly frustrated by their storylines, let alone the many adult readers of YA fantasy fiction.

As far as fantasy concepts go, the story also follows a fairly tried and true “chosen one” plot line, very rarely veering into any territory that truly feels original. And, again, while I think the simplicity of the magic system can also be a pro, it can work against the story as well, coming across as overly basic at times, with very little room for growth, depth, or context. The romance, too, struggles in much the same way. There is nothing overtly wrong with this aspect of the story, but it never felt like it was ever taking any risks or swerving in any way that might surprise readers.

Ultimately, this book could be a success for younger readers looking for an entry point into fantasy fiction. But older readers, even just older teens, and those well-versed in fantasy stories will likely find themselves bored for much of this read and would do better to look elsewhere. For these readers, I’d likely rate this a 6, but I’ll bump it up since so much of this rating comes down to this disconnect between reader and book, more so than any distinct failures on the book’s part.

Rating 7: Perhaps a story that will work for middle grade readers looking to first dip their toes into fantasy fiction, but there’s not enough in this book to truly appeal to general fantasy readers.

Reader’s Advisory:

“Draw Down the Moon” can be found on this Goodreads list: Cover Illustrated by Afterblossom (Kelly Chong)

Kate’s Review: “You Know What You Did”

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Book: “You Know What You Did” by K.T. Nguyen

Publishing Info: Dutton, April 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In this heart-pounding debut thriller for fans of Lisa Jewell and Celeste Ng, a first-generation Vietnamese American artist must confront nightmares past and present…

Annie “Anh Le” Shaw grew up poor but seems to have it all now: a dream career, a stunning home, and a devoted husband and daughter. When Annie’s mother, a Vietnam War refugee, dies suddenly one night, Annie’s carefully curated life begins to unravel. Her obsessive-compulsive disorder, which she thought she’d vanquished years ago, comes roaring back—but this time, the disturbing fixations swirling around in Annie’s brain might actually be coming true.

A prominent art patron disappears, and the investigation zeroes in on Annie. Spiraling with self-doubt, she distances herself from her family and friends, only to wake up in a hotel room—naked, next to a lifeless body. The police have more questions, but with her mind increasingly fractured, Annie doesn’t have answers. All she knows is this: She will do anything to protect her daughter—even if it means losing herself.

With dizzying twists, You Know What You Did is both a harrowing thriller and a heartfelt exploration of the refugee experience, the legacies we leave for our children, and the unbreakable bonds between mothers and daughters.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

It’s been a little bit since I’ve tackled a straight unreliable narrator thriller on the blog, though that isn’t super surprising because of all the tantalizing horror novels that have been coming out this Spring. But we are finally firmly back in this genre, and this time with a debut that caught my eye awhile back! “You Know What You Did” by K.T. Nguyen has been patiently sitting on my NetGalley for awhile now, and like I almost always do with my NetGalley books this was because I wanted to read it closer to the release date. By the time I came to it it had been kind of simmering on my book back burner, and I was eager to dive in.

As far as a thriller and as a mystery, I generally enjoyed this one. It has a unique hook and a unique voice, as we follow Annie, the daughter of a Vietnamese refugee who has tried to maintain a complete control over her life and identity in the face of a difficult upbringing and OCD diagnosis. After her mother dies, Annie starts having a potential relapse of her disgust driven OCD, and starts to question her reality and the things that she is, or maybe isn’t, doing. It’s a pretty solid device that is meant to deepen the mystery of what is going on with Annie (more on that below), as well as what involvement she may or may not have when one of her clients goes missing, and her erratic behaviors ramp up. In terms of the straight up mystery of Annie’s role in the combustion of her sanity and her potential propensity towards violence that she can’t recall, I had a pretty good guess from the jump as to what was going on. That isn’t to say that Nguyen didn’t have a well thought out mystery, as she did. The puzzle pieces were placed very well and it all came together seamlessly. The suspense about Annie’s mental state was also well done, as I was definitely worried about her. But if you look past the various red herrings, the truth of it all was fairly easy to predict.

And while I am generally apt to kind of side eye thrillers that have mental illness as a plot device to propel the conflict, I thought that “You Know What You Did” did a VERY good job with these themes. It almost certainly helps that Nguyen has an author’s note about her own experiences with OCD, and how that helps contextualize the symptoms and the thought processes that Annie has which intrude upon her every day thinking, and adds to her unreliability. Her OCD makes her fixate on things and makes it so she has a hard time potentially knowing what is real and what isn’t, and as strange and at times violent things happen in her vicinity, it makes for questions about how much is due to her own actions, even if she doesn’t realize it. But it also never paints it as a grotesque caricature of the condition, which can be a trap when various mental illnesses are used to drive the conflict of a thriller. I also appreciated that this doesn’t just apply to Annie, but also as we peel back the layers of her emotionally distant and abusive mother. When we start learning about Annie’s mother, we see a woman who is a hoarder, who does little more but insult her daughter, and who has decimated her self worth to make her dependent on her and within her control. But we also explore what made her this way, by learning about the trauma and loss as a refugee in the years after the Vietnam War. It doesn’t make excuses, but shows how generational trauma and untreated mental illness can have far reaching consequences, and how we don’t always know the full picture of things, be it a person or a thriller novel.

I am definitely eager to see what K.T. Nguyen brings next, because “You Know What You Did” was entertaining as hell.

Rating 7: A unique and well plotted thriller that succeeds in using mental illness as a plot device without being exploitative, this mystery is entertaining, though perhaps easier to untangle than I was expecting.

Reader’s Advisory:

“You Know What You Did” is included on the Goodreads lists “Mystery & Thriller 2024”, and “Female Psychological Thrillers/Suspense Written by Women”.

Serena’s Review: “Dragonfruit”

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Book: “Dragonfruit” by Makiia Lucier

Publishing Info: Clarion Books, April 2024

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In the old tales, it is written that the egg of a seadragon, dragonfruit, holds within it the power to undo a person’s greatest sorrow. An unwanted marriage, a painful illness, and unpaid debt … gone. But as with all things that promise the moon and the stars and offer hope when hope has gone, the tale comes with a warning.

Every wish demands a price.

Hanalei of Tamarind is the cherished daughter of an old island family. But when her father steals a seadragon egg meant for an ailing princess, she is forced into a life of exile. In the years that follow, Hanalei finds solace in studying the majestic seadragons that roam the Nominomi Sea. Until, one day, an encounter with a female dragon offers her what she desires most. A chance to return home, and to right a terrible wrong.

Samahtitamahenele, Sam, is the last remaining prince of Tamarind. But he can never inherit the throne, for Tamarind is a matriarchal society. With his mother ill and his grandmother nearing the end of her reign. Sam is left with two to marry, or to find a cure for the sickness that has plagued his mother for ten long years. When a childhood companion returns from exile, she brings with her something he has not felt in a very long time – hope.

But Hanalei and Sam are not the only ones searching for the dragonfruit. And as they battle enemies both near and far, there is another danger they cannot escape…that of the dragonfruit itself.  

Review: I always am interested in a book about dragons! But while I’ve read a million and one (still love them though) stories about European-style dragons, I’ve read fewer based on Eastern cultures. And I was particularly intrigued that this story was drawing from Pacific Island mythology, of which I know very little. Plus, the colorful, vibrant cover is very distinct from the other YA fantasy stories out there! I always appreciate it when publishers buck trends in cover art and produced unique covers that actually fit the specific story within!

I really enjoyed this book! Right from the start, the story begins with a bang and never really slows down for the entirety of the story. The world-building, with its history of dragon hunters, dragons, and the magical and rare dragonfruit they produce is all neatly divvied out whenever there’s a break in the action. We quickly learn about our main character Hanalei and the way in which dragonfruit has shaped her life to this point. She was both saved by it, but also estranged from her home country and branded a traitor, losing family, friends, and home all in one swoop. However, as the story continues, we see that Hanalei’s past is not viewed the same by those around her, and when she finally makes her way back home, these old ties come back in surprising ways. I enjoyed the general arch of her character, especially the contradictory feelings she has towards dragons and dragonfruit. More than most others, she understands not only the magic of the dragonfruit, but also the costly price. Even more importantly, she sees what many do not, that this cost is not only born by the humans touched by a curse, but by the dragons themselves, hunted for their young.

This in particular stood out to me, the way in which the dragons were handled. They were very much presented as majestic, wild animals, with that coming all of the beauty and horror of nature. They are wonderous, yes, but they also hunt people, and the book doesn’t shy away from the human cost that exists in a world with natural predators as mighty as these dragons. There is also a strange balance of tone that this brings to the story. As far as as Hanalei and Sam’s story goes, this book can read as a very cozy YA fantasy, with their romance coming across as very sweet and innocent. But on the other hand, there is so much tragedy with the dragons. If you’re bothered by violence towards animals, this one might be a struggle. I do think it was important that the book put to the page some of these scenes, to properly highlight the challenging choices faced by our characters, but there’s also just a lot of it. I definitely shed tears more than once.

I will say that by the end I was left wanting a bit more, especially with regards to the morality of dragonfruit. I appreciated that the author simply laid out these scenes before the reader and trusted that they could come to the correct judgement about the horror of using dragonfruit for wishes, but I wish there had been a bit more acknowledgement of this situation spoken about on the page between the characters. By the end, the reader has a good understanding of things, and you feel that the characters do, too, but there still seemed to be at least one or two important conversations needed to make it feel well-rounded.

On the same note, some of the cozy vibes of this story (which I very much appreciated on the whole!) seemed to coincide with a few almost cartoonish depictions of the books’ villains. There were a few characters, especially in the beginning, who were of the sort where you simply love to hate them. And that is all well and good, but, again, by the end of the story, I was left wanting a bit more depth to all of these characters. I will say that one of these did end up having an interesting arc, though I also felt this was fairly predictable past a certain point.

Overall, however, I very much enjoyed this book! It was a fast read, and I completed it in two sittings. The main characters, especially, were incredibly relatable and I loved their heart-warming romance. I also really loved the dragons of this world, they were an integral part to the story and they did not let me down! If you’re looking for a breath of fresh air in the YA dragon books arena, definitely give this one a shot! Just have some tissues on hand!

Rating 8: Full of heart and tragedy, this is a YA dragon book for all those looking for a fresh entry into a tried-and-true subgenre!

Reader’s Advisory:

“Dragonfruit” can be found on these Goodreads lists: Obscure Books Worth Considering and YA Novels of 2024.

Kate’s Review: “Immortal Pleasures”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Immortal Pleasures” by V. Castro

Publishing Info: Del Rey, April 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: An ancient Aztec vampire roams the modern world in search of vengeance and love in this seductive dark fantasy from the author of The Haunting of Alejandra.

Hundreds of years ago, she was known as La Malinche: a Nahua woman who translated for the conquistador Cortés. In the centuries since, her name has gone down in infamy as a traitor. But no one ever found out what happened to La Malinche after Cortés destroyed her people.

In the ashes of the empire, she was reborn as Malinalli, an immortal vampire. And she has become an avenger of conquered peoples, traveling the world to reclaim their stolen artifacts and return them to their homelands. But she has also been in search of something more, for this ancient vampire still has deeply human longings for pleasure and for love.

When she arrives in Dublin in search of a pair of Aztec skulls—artifacts intimately connected to her own dark history—she finds something else: two men who satisfy her cravings in very different ways.

For the first time she meets a mortal man—a horror novelist—who is not repelled by her strange condition but attracted by it. But there is also another man, an immortal like herself, who shares the darkness in her heart. Now Malinalli is on the most perilous adventure of all: a journey into her own desires.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

V. Castro is one of my favorite horror authors, and I had been waiting patiently (maybe not so patiently) for her to take on a vampire story. So when I saw the announcement for “Immortal Pleasures” and that it not only was going to be a vampire story that centers on La Malinche, but that the cover looked like a full on “From Dusk Til Dawn” aesthetic, I rejoiced. Of all of the V. Castro books I’ve looked forward to, this was up there with “The Haunting of Alejandra” (which I also loved). So I dove into “Immortal Pleasures”, eager and filled with anticipation.

So, first thing’s first. I am absolutely going to praise the praiseworthy things about this book, and there are lots of things that I really, really liked. For starters, the concept of the woman who was La Malinche being turned into a vampire with the name Malinalli, and using her immortality to reappropriate the items and objects from the Nahua culture back from Western clutches is PHENOMENAL (especially since Cortés is ALSO a vampire now and they are on a path to run afoul each other again). I am so thrilled that there has been more discussion about the Spanish conquest/invasion in Central and South America in fiction as of late, as I’ve seen this in multiple horror novels in the past couple of years, and what a neat idea to take the figure of La Malinche, the Nahua woman who worked as a translator and advisor for Hernán Cortés during his bloodthirsty mission, and to give her a voice and to give her something of a redemption arc when as of late she has been vilified for her role in advising and enabling Cortés (if you want some background on La Malinche, take a look HERE). Castro is game to dive into the themes of the colonial violence and genocide that the Spanish committed during their invasion and conquest, and to show La Malinche, now Malinalli, as a victim who wants to atone for the role she played, even if it was a role forced upon her as an enslaved woman. So yes, I absolutely love her as a reborn vampire who is traveling the Western world to bring pre-Columbian Meso- American cultures’ artifacts back from museums, universities, and collectors. It makes her powerful, it makes her redemptive, and it makes her complex. I also really like that she is finally in charge of her own sexuality, as when she was alive she was absolutely a victim of rape and sex trafficking as an enslaved woman forced into the role of Cortés’s accomplice. As Malinalli she is able to have agency in her sexuality. And given that there are many sex scenes in this book between her and a horror writer, as well as her and another vampire (whose twist of an identity made me SCREAM with both glee and also confusion but in a good way, I assure you), she takes control of her sexual narrative repeatedly. Also, very explicitly.

But here are the roadblocks that made this book a harder read for me, and it’s mostly a narrative choice in how the story is told. This is not only a first person narrative, with Malinalli telling the reader her story both in past and in present, but it is also done in a way that makes it feel very matter of fact and conversational, which means that the flow is almost ALL telling and very little showing. It felt to me like Castro was going for an Anne Rice “Interview with the Vampire” vibe, which I absolutely appreciate because that’s iconic. But I think that the problem was that it just made for a less interesting narration because again, it was more telling and less showing. I also didn’t feel nearly as much connection to the modern story of Malinalli trying to retrieve two skulls in the United Kingdom as I did to the historical story of her as La Malinche and her start as a vampire. I almost wonder if it’s because her modern story has the meandering paths of her relationship with Colin, the aforementioned horror writer, and the many many sex scenes she has with him. Some bordering on the ludicrous. I like to think that I’m not a prude in any way shape or form, and again, I LOVE giving Malinalli the agency she has in her sex life. But man, there were a LOT of sex scenes that felt superfluous. And oddly written. And Colin himself just wasn’t super interesting to me, and I couldn’t figure out why she was interested in him to begin with. Though that said, she drops him like a hot potato REALLY fast once she meets fellow vampire Alex, but that also felt rushed and hastily resolved. It just felt like a pacing issue, or indecisiveness on what to focus on.

So, overall, “Immortal Pleasures” wasn’t what I wanted it to be. There were aspects I liked, but it felt like a rare stumble from V. Castro in a lot of ways.

Rating 6: The themes and ideas of this book worked so well for me, but the narrative voice and the choices that came with it were a bit too stilted for me.

Reader’s Advisory:

“Immortal Pleasures” is included on the Goodreads list “Horror to Look Forward to in 2024”.