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Book: “Death at the Manor” by Katharine Schellman
Publishing Info: Crooked Lane Books, August 2022
Where Did I Get this Book: Edelweiss+
Where Can You Get this Book: Amazon | IndieBound | WorldCat
Book Description: Regency widow Lily Adler is looking forward to spending the autumn away from the social whirl of London society. When she arrives in Hampshire with her friends, Lord and Lady Carroway, she doesn’t expect much more than a quiet country visit and the chance to spend time with her charming new acquaintance, Matthew Spencer.
But something odd is afoot in the small country village. A ghost has taken up residence in the Belleford manor, a lady in grey who wanders the halls at night, weeping and wailing. Half the servants have left in terror, but the family is delighted with the notoriety that their ghost provides. Piqued by this spectral guest, Lily and her party immediately make plans to visit Belleford.
They arrive at the manor the next morning ready to be entertained—but tragedy has struck. The matriarch of the family has just been found smothered to death in her bed.
There was no one else in her room, and the door was locked from the inside. The dead woman’s family is convinced that the ghost is responsible. The servants are keeping secrets. The local magistrate is flummoxed. Lily is determined to learn the truth before another victim turns up—but could she be next in line for the Great Beyond?
Previously Reviewed: “The Body in the Garden” and “Silence in the Library”
Review: I’ve really been enjoying this historical mystery series. There are a few others I’ve been reading recently, but they’ve all featured a heroine/hero combination that, while enjoyable, begins to feel familiar very quickly. This book stands out not only with Lily serving as the primary detective herself, but in the fact that her cast of supporting characters not only includes, yes, the hero character, but also some of her fellow lady friends. This has allowed the series to remain feeling fresh and unique as compared to contemporaries. So, of course, when I saw the new one coming out this summer, I was on top of things!
Lily Adler’s friend, Captain Jack, is heading back to sea. And while he is glad to be returning to his beloved ship, he worries that Lily has had quite the penchant for stumbling upon dead bodies recently. She, however, assures him that she will be heading to the country to spend time with her dear aunt. What body could possibly be found in these circumstances? Alas, Jack’s worries are all too astute. For Lily, accompanied by her friend Lady Carroway, not only stumbles upon another murder victim, but the primary suspect is none other than a manor house ghost. But when Lily stumbles upon some revelations she had never suspected, she begins to question her own abilities. Will she be able to solve yet another mystery?
So, unfortunately, this book didn’t quite live up to my expectations for it. Admittedly, they were quite high, so the book was by no means objectively bad. Just not as good as the two that came before. But first, there are a few things that definitely stood out in the positive category. For one, I liked Lily’s struggles with her own limitations. Up to this point, while Lily has struggled to garner the respect from her peers for her observational skills, she’s never suffered from any great crisis of faith in herself. Here, after a secret that has been sitting right under her nose for years finally comes to light, Lily must grapple with her own limitations and biases. It’s a great internal arch for the character, and one that you rarely see in detective mysteries such as this that rely on their main character’s almost supernatural ability to know all.
I also liked the addition of Lady Carroway. While we’ve seen the character quite a bit in other books, here, she is allowed a few of her own chapters and perspectives. These were excellent on their own, but also worked well as a balance point to Lily’s ongoing internal struggles. Lady Carroway has a very different view of society, both because of the challenges she faced as a biracial noblewoman, but also because of her differing temperament. Their friendship is not without its own ups and downs, and I liked this more honest depiction of female friendships, one where the waters are not always smooth.
I also liked the nods to the gothic novels that were popular during this period of time. This was a fun theme to explore in the story, and served as a nice change of pace from the more straight-forward murder mysteries at the heart of the previous two books.
That said, there are two major points where the book struggled, in my opinion. One of them is more subjective than the other, so let’s start with that one. One of the nice things about these books so far has been the very, very slow burn of any romance that may (or may not) be developing between Lily and Jack. On one hand, I very much like this. But on the other, when it became clear that Jack was going to cede his position in this book to Matthew Spencer, a gentleman who was introduced as a potential romantic interest in the previous book, I have to say I was a bit disappointed. I just couldn’t become invested in this character or this romance. It does seem like this might be setting the stage for Lily’s slow growth through her grief over her husband. And, objectively, the decision for her to not necessarily jump from one “great love” to another but instead have other interests between makes sense. But as a reader, I just spent most of the time missing Jack and rolling my eyes at Lily’s obtuseness (at least I had Lady Carroway right there with me on #TeamJack).
My second problem, sadly, came with the mystery itself. Because I don’t want to spoil it, there’s not a whole lot I can go into as far as details. It’s a closed-door mystery, so that lays out the stakes well enough right there. However, I found the way in which the murder took place incredibly obvious from the very first inspection of the murder scene. What’s worse, later in the book, Lily happens upon a particular happenstance in this same locked room that even more clearly illustrates the solution. And it still didn’t click! It was so blatantly obvious that it had the unfortunate effect of making Lily’s obliviousness increasingly at odds with her reputation for solving complicated mysteries. I also was able to identify the killer and a decent portion of their motivations fairly early, too. All in all, while I still enjoyed the process of reading about this mystery, it was incredibly anticlimactic given some of the obvious clues and red herrings.
However, I still very much enjoyed Lily as a character. And I particularly enjoyed the inclusion of viewpoints from Lady Harroway herself. So, in conclusion, this book was a bit hit and miss. I still think the writing is strong, and Lily’s long term arch holds a lot of potential. Fans of the previous books will likely enjoy this one, but be warned that the mystery was not as compelling as previous entries.
Rating 7: Has a bit of a “middle book” feel to it with a lackluster mystery at its heart, but Lily herself is still an interesting enough character on her own to carry the story.
“Death at the Manor” can be found on this Goodreads list: Historical Mystery 2022