Tag: horror

Kate’s Review: “First Light”

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Book: “First Light” by Liz Kerin

Publishing Info: Tor Nightfire, April 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: “I came all this way to watch you burn.”

It’s been nine months since the catastrophe in Tucson sent Mia fleeing from her home. But she’s not running away from the darkness―she’s running toward it, obsessively pursuing the man who gave her mother a thirst for blood and destroyed their lives.

But when Mia finds the monsters she’s been hunting and infiltrates a secret network of fugitives, she discovers she might have been their prey all along. To escape their clutches, she’ll have to reckon with her mother’s harrowing past and confront a painful truth: that they might be more alike than she ever imagined.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

After “Night’s Edge” blew me away last year, I had high high hopes for Liz Kerin’s follow up, though I was also apprehensive for a few reasons. The first is always that fear that a follow up to a well loved read will somehow be a let down or underwhelming. The second and more relevant reason here is that “Night’s Edge” left off on such a bummer of a note that I was steeling myself for a story that had the very real potential to destroy me. And you know what? It did.

Actual image of me sobbing over my kindle in the dark at 3am during an insomnia charged reading session (source).

Before I go into the things that kicked my emotions square in the ass, I want to talk about “First Light” in how it has expanded and further explored the vampire themes and the horror/thriller themes as a whole. So first a refresher where we are as we start this book (and this review will have spoilers for “Night’s Edge”, though I’m going to do my best to avoid spoilers for this one): our protagonist Mia is a young woman living in a world where vampires, or Saras, are confirmed as real and seen as threats to the world. Her mother Izzy had been turned into a Sara by her toxic boyfriend Devon when Mia was a child, and since then Mia had been helping hide her mother’s condition, protecting her, devoting her life to her, and bloodletting to her when needed. When Mia met and fell for a free spirited musician named Jade and was going to leave, Izzy lashed out and was going to kill Jade, so Mia killed her. Now we are catching up with Mia, who is now obsessed with finding Devon and getting her revenge on him for ruining her mother’s life and therein her own. She has been tracking him and the fringe group he runs, known as ADAPT, that has been recruiting Saras online to join them and to make more Saras so that Saras can outnumber humans, and become apex predators.

While there is some bit of Mia that knows this is on a whole wrong, she is more driven by her personal hatred of Devon, and the cat and mouse game that ensues, both at a distance and close up, it riveting, tense, and very well done. I liked learning more about how society has been trying to contain and control Saras, as we go from underground terrorist groups to charity run Sara houses that try to keep them safe and cared for (but also away from others), as well as how Mia finds herself drawn to a Sara named Cora, who may know something about Devon’s and ADAPTs whereabouts. The action rarely stops as we jump from past to present, and I found it incredibly engaging as a horror thriller and very unique and enjoyable as a vampire story and all the bloody bells and whistles that go with it. I especially was horrified by some of Devon’s manipulations and greater plans if only because he is still SO charismatic, which is terrifying in and of itself.

But at its heart, beneath all the vampire goodness and gore and vengeance parable is a story about healing and a story about a woman having to find herself after losing her complicated mother, who had been the only person she had really truly lived for, and now has to live without. Mia is focusing so much of her energy and time on tracking down Devon and getting revenge for Izzy and for herself, that she isn’t trying to heal from the terrible loss not only of Izzy at the end of “Night’s Edge”, but also the loss of a functional childhood long before she has gotten to this part and new traumas as this narrative goes on. She obsesses with finding Devon and his ADAPT group of potential terrorist Saras, doing research, delving into volunteer work at a Sara house to try and get information from those who may know something, and falling into a bottle as well as a desire for revenge, that she isn’t finding closure or peace. But Kerin, instead of making this a tragic tale of all consuming revenge, does that on that as a warning, and has Mia start to navigate her traumas even as she gets close to her goal. Even if that means reconciling devastating truths about her mother. Even if that means having to accept new truths about herself. Even if that means seeking closure with Jade, her love interest and spark for a yearning for a better life in “Night’s Edge”, and learning to trust people again, specifically Cora, a Sara that has potential connections to ADAPT and whom Mia first seeks out for information purposes, but then starts to fall for. There are so many gut wrenching moments as Mia goes on this journey, and it all culminates with a lot of action that feels incredibly fulfilling while still tearing my heart out for various reasons. It’s just so good.

“First Light” is a fantastic conclusion to the story of Mia and her vampire mother Izzy. I absolutely loved this book and will dive headfirst into anything that Liz Kerin writes next, whether it’s expanding upon her Sara world building, or bringing us something totally new. Simply exquisite.

Rating 10: A tense, unforgiving, and deeply emotional sequel that tackles vengeance, identity, and forgiveness and expands upon an already unique and effective vampire mythos.

Reader’s Advisory:

“First Light” isn’t included on any Goodreads lists as of now, but it would fit in on “Best Adult Vampire Books”.

Previously Reviewed:

Kate’s Review: “Indian Burial Ground”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Indian Burial Ground” by Nick Medina

Publishing Info: Berkley, April 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.0rg | Amazon | Indiebound

Book Description: All Noemi Broussard wanted was a fresh start. With a new boyfriend who actually treats her right and a plan to move from the reservation she grew up on—just like her beloved Uncle Louie before her—things are finally looking up for her. Until the news of her boyfriend’s apparent suicide brings her world crumbling down. But the facts about Roddy’s death just don’t add up, and Noemi isn’t the only one who suspects something menacing might be lurking within their tribal lands.

After more than a decade away, Uncle Louie has returned to the reservation, bringing with him a past full of secrets and horror and what might be the key to determining Roddy’s true cause of death. Together, Noemi and Louie set out to find answers…but as they get closer to the truth, Noemi begins to question whether it might be best for some secrets to remain buried.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Last year I read and reviewed Nick Medina’s “Sisters of a Lost Nation”, a horror novel that had its scariest moments not in the supernatural bits (though those were also great), but in the way it addressed the Missing and Murdered Indigenous Women epidemic. It was such a visceral read that I knew I needed to see what Medina was going to write next, and so when “Indian Burial Ground” ended up on my radar I was ACHING to read it. NetGalley came through, and it ended up on my Kindle. I knew that I needed to carve out some time, because it was going to take up my literary focus once I started. And lo and behold my prediction came true. “Indian Burial Ground” had my full attention.

Like in “Sisters of a Lost Nation”, we return to the fictional Takoda Reservation in Louisiana, and not only do we get a revisit to this setting, but also so some of its side characters (I love it when authors do this, honestly, so that was a bit of a treat from the jump). “Indian Burial Ground” is told in two separate timelines. The first is in the modern day, where we mostly follow Noemi, whose boyfriend Roddy was just killed after being hit by a car, the death officially called a suicide. Noemi just can’t believe that Roddy would do that, and starts to think that something else is at play, just as her uncle Louie returns home after being away from the reservation for years. The next is in the summer of 1986, where Louie has been balancing trying to take care of his toddler niece to help out his teenage sister Lula, as well as trying to keep the family above water as their mother sinks deeper and deeper into alcoholism. During this time, strange deaths start to happen on the Takoda Reservation, as well as some desecrations at the tribal cemetary where bones are being stolen. As Louie starts piecing together rumors, histories, and seemingly supernatural clues, he starts to panic over protecting his niece. Medina effortlessly pulls these two timelines together, switching between the perspectives of Noemi and Louie, and shows an undercurrent of unrest on the Takoda Reservation that is still affecting the people who live, or lived, there. The two stories are both compelling in their own ways, one of which being supernatural and eerie, and the other more of a mystery about a tragedy and whether or not the official explanation is the actual one. And then bringing them together to tell a bigger story with realistic truths couched in supernatural horrors.

And the horrors, supernatural or not, are ample, twisted, and deeply emotional. or the more fantastical scares, I enjoyed the folklore inspirations that Medina created for the Takoda characters, with morality tales that are perhaps playing out in real time as members of the community start diverting from the path that is promoted in their culture and identity, and how that is possibly causing the destruction and deaths in the community in the summer of 1986. There were so many bits of unnerving creepiness, and it is clear to me that Medina is very talented at the slow build scary story. Whether it’s a coyote eating from a corpse in a brazen way, or a dead body suddenly rising up as if alive, I was creeped out many times during my read. But it’s also the real life horrors that Medina delves into in this book that pack a serious punch, with themes of addiction, mental illness, systemic racism, poverty, and many other tragic circumstances of the Takoda people living on the reservation. It could be teenage Louie being parentified to care for his cousin and another child in the community, or his and Lula’s mother being in the throes of alcoholism to the point where she isn’t caring for her children anymore, or the possible mental illness that Noemi just can’t accept as a very real truth in Roddy’s life. It were these moments that really got to me because they were all so emotional and frank about living as an Indigenous person on a reservation in America, and the lack of societal supports given.

“Indian Burial Ground” is dark and unrelenting, and it is another triumph from a fresh new voice in horror writing. Definitely recommended.

Rating 8: A deeply disturbing and heart wrenching horror novel that takes its scares from folklore inspiration, as well as the all too real horrors of being Indigenous in America.

Reader’s Advisory:

“Indian Burial Ground” is included on the Goodreads lists “Indigenous Fiction 2024”, and “Horror to Look Forward to in 2024”.

Kate’s Review: “Immortal Pleasures”

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Book: “Immortal Pleasures” by V. Castro

Publishing Info: Del Rey, April 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: An ancient Aztec vampire roams the modern world in search of vengeance and love in this seductive dark fantasy from the author of The Haunting of Alejandra.

Hundreds of years ago, she was known as La Malinche: a Nahua woman who translated for the conquistador Cortés. In the centuries since, her name has gone down in infamy as a traitor. But no one ever found out what happened to La Malinche after Cortés destroyed her people.

In the ashes of the empire, she was reborn as Malinalli, an immortal vampire. And she has become an avenger of conquered peoples, traveling the world to reclaim their stolen artifacts and return them to their homelands. But she has also been in search of something more, for this ancient vampire still has deeply human longings for pleasure and for love.

When she arrives in Dublin in search of a pair of Aztec skulls—artifacts intimately connected to her own dark history—she finds something else: two men who satisfy her cravings in very different ways.

For the first time she meets a mortal man—a horror novelist—who is not repelled by her strange condition but attracted by it. But there is also another man, an immortal like herself, who shares the darkness in her heart. Now Malinalli is on the most perilous adventure of all: a journey into her own desires.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

V. Castro is one of my favorite horror authors, and I had been waiting patiently (maybe not so patiently) for her to take on a vampire story. So when I saw the announcement for “Immortal Pleasures” and that it not only was going to be a vampire story that centers on La Malinche, but that the cover looked like a full on “From Dusk Til Dawn” aesthetic, I rejoiced. Of all of the V. Castro books I’ve looked forward to, this was up there with “The Haunting of Alejandra” (which I also loved). So I dove into “Immortal Pleasures”, eager and filled with anticipation.

So, first thing’s first. I am absolutely going to praise the praiseworthy things about this book, and there are lots of things that I really, really liked. For starters, the concept of the woman who was La Malinche being turned into a vampire with the name Malinalli, and using her immortality to reappropriate the items and objects from the Nahua culture back from Western clutches is PHENOMENAL (especially since Cortés is ALSO a vampire now and they are on a path to run afoul each other again). I am so thrilled that there has been more discussion about the Spanish conquest/invasion in Central and South America in fiction as of late, as I’ve seen this in multiple horror novels in the past couple of years, and what a neat idea to take the figure of La Malinche, the Nahua woman who worked as a translator and advisor for Hernán Cortés during his bloodthirsty mission, and to give her a voice and to give her something of a redemption arc when as of late she has been vilified for her role in advising and enabling Cortés (if you want some background on La Malinche, take a look HERE). Castro is game to dive into the themes of the colonial violence and genocide that the Spanish committed during their invasion and conquest, and to show La Malinche, now Malinalli, as a victim who wants to atone for the role she played, even if it was a role forced upon her as an enslaved woman. So yes, I absolutely love her as a reborn vampire who is traveling the Western world to bring pre-Columbian Meso- American cultures’ artifacts back from museums, universities, and collectors. It makes her powerful, it makes her redemptive, and it makes her complex. I also really like that she is finally in charge of her own sexuality, as when she was alive she was absolutely a victim of rape and sex trafficking as an enslaved woman forced into the role of Cortés’s accomplice. As Malinalli she is able to have agency in her sexuality. And given that there are many sex scenes in this book between her and a horror writer, as well as her and another vampire (whose twist of an identity made me SCREAM with both glee and also confusion but in a good way, I assure you), she takes control of her sexual narrative repeatedly. Also, very explicitly.

But here are the roadblocks that made this book a harder read for me, and it’s mostly a narrative choice in how the story is told. This is not only a first person narrative, with Malinalli telling the reader her story both in past and in present, but it is also done in a way that makes it feel very matter of fact and conversational, which means that the flow is almost ALL telling and very little showing. It felt to me like Castro was going for an Anne Rice “Interview with the Vampire” vibe, which I absolutely appreciate because that’s iconic. But I think that the problem was that it just made for a less interesting narration because again, it was more telling and less showing. I also didn’t feel nearly as much connection to the modern story of Malinalli trying to retrieve two skulls in the United Kingdom as I did to the historical story of her as La Malinche and her start as a vampire. I almost wonder if it’s because her modern story has the meandering paths of her relationship with Colin, the aforementioned horror writer, and the many many sex scenes she has with him. Some bordering on the ludicrous. I like to think that I’m not a prude in any way shape or form, and again, I LOVE giving Malinalli the agency she has in her sex life. But man, there were a LOT of sex scenes that felt superfluous. And oddly written. And Colin himself just wasn’t super interesting to me, and I couldn’t figure out why she was interested in him to begin with. Though that said, she drops him like a hot potato REALLY fast once she meets fellow vampire Alex, but that also felt rushed and hastily resolved. It just felt like a pacing issue, or indecisiveness on what to focus on.

So, overall, “Immortal Pleasures” wasn’t what I wanted it to be. There were aspects I liked, but it felt like a rare stumble from V. Castro in a lot of ways.

Rating 6: The themes and ideas of this book worked so well for me, but the narrative voice and the choices that came with it were a bit too stilted for me.

Reader’s Advisory:

“Immortal Pleasures” is included on the Goodreads list “Horror to Look Forward to in 2024”.

Joint Review: “Ghost Station”

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Book: “Ghost Station” by S.A. Barnes

Publishing Info: Tor Nightfire, April 2024

Where Did We Get This Book: NetGalley;

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A crew must try to survive on an ancient, abandoned planet in the latest space horror novel from S.A. Barnes, acclaimed author of Dead Silence.

Space exploration can be lonely and isolating.

Psychologist Dr. Ophelia Bray has dedicated her life to the study and prevention of ERS—a space-based condition most famous for a case that resulted in the brutal murders of twenty-nine people. When she’s assigned to a small exploration crew, she’s eager to make a difference. But as they begin to establish residency on an abandoned planet, it becomes clear that crew is hiding something.

While Ophelia focuses on her new role, her crewmates are far more interested in investigating the eerie, ancient planet and unraveling the mystery behind the previous colonizer’s hasty departure than opening up to her.

That is, until their pilot is discovered gruesomely murdered. Is this Ophelia’s worst nightmare starting—a wave of violence and mental deterioration from ERS? Or is it something more sinister?

Terrified that history will repeat itself, Ophelia and the crew must work together to figure out what’s happening. But trust is hard to come by… and the crew isn’t the only one keeping secrets.

Kate’s Thoughts

When Serena approached me asking if I’d be interested in doing another Joint Review of an S.A. Barnes book, I was game. I liked getting both our perspectives on “Dead Silence”, as it is both Sci-Fi and Space horror, and therefore in both our wheelhouses. I enjoyed “Dead Silence”, and reading up on “Ghost Station” was just as intriguing to me based on the description.

If I was mentally comparing “Dead Silence” to “Aliens” and “Event Horizon”, “Ghost Station” read like the sci-fi horror film “Prometheus” to me, with a crew getting in way over their head on a mysterious planet that has sinister secrets. In terms of the things I liked, I really enjoyed Ophelia as our protagonist, as she is both unreliable in a number of ways, but is also very driven for very personal reasons in connection to a dangerous mental disorder known as ERS. I liked not really knowing what her deal was beyond one straight forward incident, and an anxiety and shame about being a part of a notorious corporate family with immense wealth and unscrupulous morals. We slowly get to peel back her layers, and as she and the crew find themselves in a situation that keeps getting more tense and more dangerous, her secrets and their secrets combine to make for a good deal of suspense and mysteries revealed. There is also some nice space horror bits here, and some beats that really unsettled me. Particularly the way that Barnes shows a slow decay of various crew members sanity, for reasons that may not be as obvious as Ophelia would like it to be.

But all that said, this one felt like it was a bit heavier on the Sci-Fi elements this time around, and even though I enjoy Space Horror as a Sci-Fi sub-genre, if you tread a bit too far into the Sci-Fi, my brain just shuts off (this actually happened with “Prometheus” as well). There is no question that this book does have a lot of suspenseful and scary moments in it that worked for me, but they felt a little few and far between. This isn’t to be a criticism of this book because I imagine that this will work very well for the target audience of Sci-Fi aficionados (let’s see what Serena says!), but it just got into the Sci-Fi weeds a bit too much for me as a person who isn’t a fan of that genre.

“Ghost Station” will probably satisfy Sci-Fi fans who like space horror, but for this horror fan who doesn’t usually mess with that genre, it didn’t hit as hard as I’d hoped it would.

Serena’s Thoughts

While I liked this one more than Kate did (probably no surprise, as science fiction is a much-loved genre of mine on its own right, and the horror side of things was the more experimental thing), I also agree with many of her criticisms. For the most part, I enjoyed the science fiction elements we had here. Many of them are fairly standard fair as far as futuristic technology goes, but I thought they were presented and used in interesting ways.

I also thought the horror elements were good. There was definitely the slow build up of dread as Ophelia and the other members of the crew explore and piece together the mystery of what had happened before them. There were some legitimately creepy moments, but not enough to make the book unapproachable to more casual horror readers. That said, I think the horror aspects of the first by this author that we joint read, “Dead Silence,” hit me harder, some even popping up in my head at inconvenient times days later. Whereas with this book, moments were a bit freaky, but it didn’t stay with me in the same way.

I also struggled a bit with the pacing and character development in this one. While I think the slower nature of the building dread worked well on the spooky front, the pace overall seemed to drag, especially in the beginning. I kept wanting to rush ahead for things to start happening, and it seemed to take quite a long time to get to anything substantial. And, while I enjoyed discovering more about Ophelia, who she was and why she made the decisions she did, I also found myself more frustrated by some of her decisions and inner monologues than I did with the lead character in “Dead Silence.”

Overall, I thought this was was a serviceable science fiction horror story, though I don’t think it quite lived up to the high that was the author’s previous work.

Kate’s Rating 6: There are definitely solid horror moments, but this was a little too heavy on the Sci-Fi for me.

Serena’s Rating 7: A bit slow with regards to pacing, but an approachable book overall, especially for the more casual horror/science fiction readers.

Reader’s Advisory

“Ghost Station” is included on the Goodreads lists “Horror to Look Forward to in 2024”, and “Can’t Wait Sci-Fi/Fantasy of 2024”.

Kate’s Review: “This Wretched Valley”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “This Wretched Valley” by Jenny Kiefer

Publishing Info: Quirk Books, January 2024

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Four ambitious climbers hike into the Kentucky wilderness. Seven months later, three mangled bodies are discovered. Were their deaths simple accidents or the result of something more sinister? This nail-biting, bone-chilling survival horror novel is inspired by the infamous Dyatlov Pass incident, and is perfect for fans of Alma Katsu and Showtime’s Yellowjackets.

This is going to be Dylan’s big break. Her friend Clay, a geology student, has discovered an untouched cliff face in the Kentucky wilderness, and she is going to be the first person to climb it. Together with Clay, his research assistant Sylvia, and Dylan’s boyfriend Luke, she is going to document her achievement on Instagram and finally cement her place as the next rising star in rock climbing. 

Seven months later, three bodies are discovered in the trees just off the highway. All are in various states of decay: one body a stark, white skeleton; the second emptied of its organs; and the third a mutilated corpse with the tongue, eyes, ears, and fingers removed. But Dylan is still missing. Followers of her Instagram account report seeing disturbing livestreams, and some even claim to have caught glimpses of her vanishing into the thick woods, but no trace of her—dead or alive—has been discovered. 

Were the climbers murdered? Did they succumb to cannibalism? Or are their impossible bodies the work of an even more sinister force? Is Dylan still alive, and does she hold the answers? 

This page-turning debut will have you racing towards the inevitable conclusion.

Review: It’s been a bit since I’ve read a balls to the wall survival/wilderness horror story, which is a shame because I legitimately love this trope and sub-genre with every fiber of my being. “The Blair Witch Project” is my favorite horror movie of all time, and there are plenty of other movies and books and just real life moments of having to survive in a terrifying wilderness that deeply resonate with me. Because of this, I was SUPER interested in reading “This Wretched Valley” by Jenny Kiefer, a debut horror novel that has a team of researchers and climbers going into the wilds of Kentucky for a project, and then are surrounded and tormented and picked off by a mysterious force that dwells within it. Like holy SHIT this is SO MY KINDA THING!

(source)

As far as survival horror goes, this book really checks a lot of boxes for me. As stated above, I love this sub-genre, and this one has so many hints of “The Blair Witch Project” and “The Descent” throughout its DNA that I was absolutely amped. And yes, lots of harkening to the Dyatlov Pass Incident, though I do tend to fall in the ‘it was probably some kind of avalanche’ camp in that regard. Anyway, as our group of campers/researchers/climbers go deep into a mysterious valley in the Kentucky wilderness in hopes of researching the geology of this pristine rock face that has seemingly just appeared out of nowhere. Our scientists are grad student Clay and his research assistant Sylvia, and our climbers are aspiring influencer Dylan and her boyfriend Luke and their dog. So we already have a group that is going in with a greater purpose of differing degrees of fame in mind, and when weird stuff turns to dangerous stuff turns to nightmarish stuff, the paranoia, terror, and desperation starts to tear them all apart. The idea of being lost in the wilderness scares the living daylights out of me, and Kiefer captures that fear and ratchets it up as our group can’t seem to find their way out, as people get hurt, tempers flare, and they all start seeing things that shouldn’t be there, and shouldn’t be possible. Were this a slow burn lost in the wilderness without supernatural elements it would be terrifying on its own, but then the supernatural stuff does enter into it and it is SO well described and SO damn scary. This is one of the gorier horror novels I’ve read as of late, and Kiefer doesn’t hold back so much when it comes to the violence and the visceral imagery. I was both tearing through the pages to find out what happened, but also having to set it down occasionally because of a particularly gross or super messed up moment.

I did have a couple of issues with the book, however. The first is that while I absolutely appreciate Kiefer wanting to keep things a but unknown in terms of what exactly is going on, I think that, interestingly enough, we get into the same pitfall that “Blair Witch” (the requel from a few years ago) fell into. That is, there is SO MUCH WEIRD STUFF going on, but none of it gets even a hint at an explanation. I don’t need full explanations as to everything that is going on in a story like this, on the contrary I generally LIKE ambiguity because sometimes that makes a scary story that much scarier. But this ambiguity didn’t feel focused, and just brushes upon multiple different potential culprits. Nothing is really explained or even hinted at as to what is causing this, and it feels less narratively satisfying and more haphazard and indecisive. The other issue is more to do with the marketing of this book and not with the story itself. The description of the novel mentions that Dylan’s body wasn’t found, and her followers are reporting weird lives from her social media and weird sightings from people in the area, making it sound like this plays a large(ish?) role in the story at hand. In reality, it doesn’t really. I went in thinking there would be some really fun found media themes, but there wasn’t a lot, and that was disappointing. Again, that’s less to do with Kiefer’s story itself and a marketing issue.

So some good things, some not as good things, but overall I did find “This Wretched Valley” to be very disturbing and to be very engrossing. Survival and wilderness horror fans will find a lot to love, and maybe people who are more comfortable with not knowing much about cause in a horror tale will be able to look past the things I had a more difficult time with. I will definitely be looking into more books from Jenny Kiefer in the future!

Rating 7: A gory and deeply disturbing survival horror story that was a page turner, but sometimes a bit too ambiguous for my tastes in some ways, and didn’t really deliver what the description was promising.

Reader’s Advisory:

“This Wretched Valley” isn’t on many Goodreads lists as of now, but it would fit in on “Best Wilderness Horror Stories”.

Kate’s Review: “The Black Girl Survives In This One”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Black Girl Survives in This One” by Desiree S. Evans (Ed.) & Saraciea J. Fennell (Ed.)

Publishing Info: Flatiron Books, April 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Be warned, dear reader: The Black girls survive in this one.

Celebrating a new generation of bestselling and acclaimed Black writers, The Black Girl Survives in This One makes space for Black girls in horror. Fifteen chilling and thought-provoking stories place Black girls front and center as heroes and survivors who slay monsters, battle spirits, and face down death. Prepare to be terrified and left breathless by the pieces in this anthology.

The bestselling and acclaimed authors include Erin E. Adams, Monica Brashears, Charlotte Nicole Davis, Desiree S. Evans, Saraciea J. Fennell, Zakiya Dalila Harris, Daka Hermon, Justina Ireland, L. L. McKinney, Brittney Morris, Maritza & Maika Moulite, Eden Royce, and Vincent Tirado, with a foreword by Tananarive Due.

Review: Thank you to NetGalley for providing me with an eARC of this short stories collection!

2023 was the year of the Short Stories collection for me, as I tackled so many anthologies and had a pretty good time doing so. I think I can safely retire my previous disclaimers about me not being super into short story collections, as lately they have been working pretty well for me. Because of this, I had no hesitation when requesting “The Black Girl Survives in This One”, a YA horror anthology edited by Desiree S. Evans and Saraciea J. Fennell. I’m always looking for more diverse voices in my genres, and seeing a collection that showcases some well known Black YA horror authors was pretty neat. I was lucky enough to have my request granted, and once I dove in I found a pretty fun horror anthology.

As I am wont to do for short stories collections, I will pick my favorite three stories to spotlight, and then I will talk about the collection as a whole.

“Ghost Light” by Erin E. Adams: As a former theater kid who did both acting AND tech work (Saturday mornings were usually spent at the auditorium building and painting sets in high school), I knew that “Ghost Light” was going to be a favorite from the jump. Janine, a stage manager with ambitions and drive is running a show of “Macbeth”, and after a performance she is left behind to tend to the theater. While working, she meets up with the resident ghost. And that ghost is up to no good. This one was probably one of the less traditionally scary stories in the collection, as Janine is dealing more with a poltergeist and having to duke it out with her, but I really loved the action, and I really loved the way that Adams worked theater superstitions regarding ghost lights and The Scottish Play into this story. It made me all nostalgic for my theater days as a teenager.

“The Brides of Devil’s Bayou” by Desiree S. Evans: This was one of the stories that wove in dark historical themes with the horror elements, and it was my favorite to do so. Aja is a college freshman who has returned to her childhood home in the Louisiana Bayous, who has been haunted by a supposed family curse that takes the eldest daughters down the family line on their nineteenth birthdays. With her birthday approaching, Aja wants to confront her fears and prove to herself once and for all that it’s not real. But then she starts seeing visions of the ancestors who were lost, and wonders if the demon is coming for her after all. I am always a huge sucker for family curse and prophecy stories, but what I really enjoyed about this one is that Evans creates the lore around a female ancestor who was so desperate to escape slavery she makes a pact to sacrifice people down the family line. It makes for an added layer of tragedy and injustice, as well as a really solid metaphor for the familial and generational trauma Aja’s family has suffered because of slavery in America. It’s powerful (and scary) stuff.

“The Skittering Thing” by Monica Brashears: I think this was my favorite story in the collection, and for me it was definitely the scariest. Friends Sunny and Charlotte accept the invitation of their new classmate Ray to sleepover at her house. When the family brings up playing a game they call “Skitter”, which is a blackout version of hide and seek, Sunny and Charlotte find themselves in a dark house playing a weird game. And it may not be one of the new family members that is on the hunt in the dark. This was was so uneasy and so unsettling, the tension building higher and higher until it reaches a weird and disturbing conclusion. I really loved this one.

As a full collection, it was a bit more of a hit or miss endeavor for me. I think that part of this is that this is, at its heart, a YA collection, and while the authors are all talented story tellers and are really hitting the nail on the head when it comes to audience and message, young adult horror and I have a complicated relationship due to the fact I’m not the target audience. What I mean by that is that it always feels like YA has a tendency to feel a need to really spell things out for their readers, and it can sometimes feel hamfisted for me. But as noted, I’m not the target audience, and this kind of writing choice could very well go over better with a teenage reader than it does me.

“The Black Girl Lives in This One” is a fun collection that showcases some great authors. If you have teenage horror fans in your life, especially Black girls who may be sick of a lack of representation in the genre, this is the book to check out!

Rating 7: A solid horror collection written by and about Black women who will not be stopped, “The Black Girls Survives in This One” is scary and empowering.

Reader’s Advisory:

“The Black Girl Survives in This One” is included on the Goodreads lists “2024 Books by Black Authors”, and “Horror to Look Forward to in 2024”.

Kate’s Review: “Dead Girls Walking”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Dead Girls Walking” by Sami Ellis

Publishing Info: Amulet Books, March 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A shocking, spine-chilling YA horror slasher about a girl searching for her dead mother’s body at the summer camp that was once her serial killer father’s home—perfect for fans of Friday the 13th and White Smoke.

Temple Baker knows that evil runs in her blood. Her father is the North Point Killer, an infamous serial killer known for how he marked each of his victims with a brand. He was convicted for murdering 20 people and was the talk of countless true crime blogs for years. Some say he was possessed by a demon. Some say that they never found all his victims. Some say that even though he’s now behind bars, people are still dying in the woods. Despite everything though, Temple never believed that her dad killed her mom. But when he confesses to that crime while on death row, she has no choice but to return to his old hunting grounds to try see if she can find a body and prove it.

Turns out, the farm that was once her father’s hunting grounds and her home has been turned into an overnight camp for queer, horror-obsessed girls. So Temple poses as a camp counselor to go digging in the woods. While she’s not used to hanging out with girls her own age and feels ambivalent at best about these true crime enthusiasts, she tries her best to fit in and keep her true identity hidden.

But when a girl turns up dead in the woods, she fears that one of her father’s “fans” might be mimicking his crimes. As Temple tries to uncover the truth and keep the campers safe, she comes to realize that there may be something stranger and more sinister at work—and that her father may not have been the only monster in these woods.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

There are a number of known truths in my world, and one of those truths is that if you make a reference to “Friday the 13th” in relation to another movie plot or story, I’m going to be automatically interested. I have a special place in my heart for Jason Voorhees and those pretty not great but super campy and gory slasher movies, so much so that my Terror Tuesday friend group is slowly working our way through the movie series as group member Michael had never seen any of them. Because of my love, when I was browsing NetGalley for upcoming horror novels, I was immediately intrigued by “Dead Girls Walking” by Sami Ellis. It not only dropped “Friday the 13th” in its description, but also “White Smoke” by Tiffany D. Jackson, one of my favorite horror authors. These two things and a very eye catching cover made me pretty excited to read this book. Which means I was a bit bummed when it didn’t quite rise to the occasion.

But as always I will start with the good! I will say right off that this harkens less to “Friday the 13th” (outside of the summer camp setting) and more to the original “Evil Dead” when it comes to the scares. Which is a-okay with me, because I love both of those franchises but “Evil Dead” isn’t seen nearly as much when it comes to general cultural references to gory slasher and horror films, whereas I feel like even those who don’t know horror are familiar with Jason Voorhees at least in passing. Ellis knows how to craft a horror casualty that feels like it’s coming from a gory slasher movie, and I could definitely visualize those moments in all their bloody glory.

I do love a gorefest at times. (source)

I also really liked how Ellis has paid something of an homage to a sub-genre that is, very often and certainly during its heydey, a very white, cis, and straight playing field, and has subverted it by featuring queer Black girls. At the center of that is Temple, our protagonist whose father has been convicted of being a serial killer, and whose hunting ground was her family property which has now been transformed into a summer camp. Temple gets the job of a counselor in hopes of finally finding her mother’s body, and her prickliness and hidden identity is a clashing point for the campers. Temple herself is a character I liked a lot, because even though she is probably seen as pretty unlikable, her trauma, family history, and inability to process makes that prickly personality completely understandable. And while a lot of the other campers weren’t super well fleshed out, there were a few that I thought had a lot of good character development and background foundation (the one that really comes to mind is Yaya, a queer teenager who is also a devout Christian and knows that the two things can be reconciled). It’s just refreshing seeing a cast of characters that buck the narrow trends of the genre.

But there were a few hiccups that didn’t work for me. The first is that there were some aspects of the plot that felt a little undercooked, and at times confusing. I felt like I really understood Temple and her motivations, but when it came to the lore of her family history, the land that the murders/camp was on, and her parents and their own motivators and even their trains of thought, these things felt brushed over, or in some ways a bit unclear. I know that slasher movies don’t really need that much motivation beyond ‘slasher A has motivation B and kills horny teenagers’, but even in those that have stood the test of time we have a very clear motivation set. Even the aforementioned closer analog “The Evil Dead” compensates for a very loosey goosey motivation by leaning into slapstick humor in the second two of the trilogy (and doesn’t make Ash Williams much more than a poor sap with quippy lines and a constitution that can endure buckets of blood and a chainsaw hand). With Temple being so well rounded, I had hoped that her adversary would be well rounded too, but it felt lacking. Add in a bit of a pacing issue and it knocked points off from the overall read. All of this said, I am not the target audience for this book, and while these things didn’t work for me, I know that I would ABSOLUTELY be recommending this book to my teenage patrons who like their horror on the gory side.

I will be interested in seeing what Sami Ellis does with her next novel. “Dead Girls Walking” was brimming with lots of horror goodness in spite of some missteps here and there, and I hope she keeps bring her perspective to the genre.

Rating 6: I liked the cast of characters and some of the gory bits, but the plot was a little confusing and the background felt a bit off at times.

Reader’s Advisory:

“Dead Girls Walking” is included on the Goodreads lists “Queer Horror”, and “Summer Camp Horror”.

Kate’s Review: “The Angel of Indian Lake”

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Book: “The Angel of Indian Lake” by Stephen Graham Jones

Publishing Info: S&S/ Saga Press, March 2024

Where Did I Get This Book: I received an eARC from the publisher via NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The final installment in the most lauded trilogy in the history of horror novels picks up four years after Don’t Fear the Reaper as Jade returns to Proofrock, Idaho, to build a life after the years of sacrifice—only to find the Lake Witch is waiting for her in New York Times bestselling author Stephen Graham Jones’s finale.

It’s been four years in prison since Jade Daniels last saw her hometown of Proofrock, Idaho, the day she took the fall, protecting her friend Letha and her family from incrimination. Since then, her reputation, and the town, have changed dramatically. There’s a lot of unfinished business in Proofrock, from serial killer cultists to the rich trying to buy Western authenticity. But there’s one aspect of Proofrock no one wants to confront…until Jade comes back to town. The curse of the Lake Witch is waiting, and now is the time for the final stand.

New York Times bestselling author Stephen Graham Jones has crafted an epic horror trilogy of generational trauma from the Indigenous to the townies rooted in the mountains of Idaho. It is a story of the American west written in blood.

Review: Thank you to Saga Press for sending me an eARC of this via NetGalley!

When I first picked up “My Heart Is a Chainsaw” by Stephen Graham Jones, I didn’t really know what to expect, but I thought that it would at the very least be a fun meta horror story with an abundance of references to the genre I love most. And it was. BUT, it was also the start of a trilogy that would expand upon and defy conventions of the slasher genre while still showing complete adoration for it. And we have now come to the end of Proofrock, and the end of Jade Daniels, final girl for the ages, with “The Angel of Indian Lake”. By the time I had it in my hands on my Kindle, I was very, VERY excited to start it, but also nervous. Was Stephen Graham Jones going to stick the landing of this series? What a fool I was for questioning him. Because “The Angel of Indian Lake” is a worthy end to a love letter to slashers and their final girls everywhere.

Jade can officially join the exalted ranks of Laurie, Sidney, Nancy, and Sally when all is said and done. (source)

Jade Daniels remains the MVP of not only this trilogy, but one of Jones’s best characters of all, and it was so great seeing her character arc from the beginning of the trilogy up until and through this book. I love how she has persevered, how she is still a HUGE weirdo in her own way, how she is still scrappy but vulnerable and goes beyond the expected qualities of a heroine in a slasher film. In “The Angel of Indian Lake” she is trying to live a normal life as a teacher, she is going to therapy, she is acting as a godmother to her best friend Letha’s daughter Adie. But Proofrock’s demons keep pulling her back in, and as a whole new cycle of horrific murders, as well as a new gentrification cycle, AS WELL AS A FOREST FIRE, threatens the town, Jade, once again, has to step up. And this time you can tell how weary she is, even if she is always going to go forth and fight.

In terms of the horror action, there is a LOT in this book, almost like there are just so many slasher beats and meta themes that are all fighting to come through. There are cursed objects, decapitations, the return of previous killers, things rising from the lake that are long thought dead. Like I said, it’s a LOT, and it can skew towards chaotic, but it’s done in a way that feels like a wink and nudge to the way that the end of a trilogy (before the reboot or requel, of course) needs to pull out all the stops to keep a fan on their toes. My head was spinning a bit, partly because of all the curves and twists, partly because Jones’s writing style can be steeped in more literary styles that I like but have a harder time parsing through for whatever reason. But it’s also very enjoyable and worth the parsing out.

And, of course, the horror references. I’m repeating myself a bit here as in each and every “Indian Lake” book there are so many references to slasher films and horror tales in general, and “The Angel of Indian Lake” keeps that tradition going. I like to think that I am more versed than the average horror fan in the genre, but man, Jones always puts me to shame while also filling me with awe, not only with the flat out reference points that Jade alludes to, but also with the story devices and character choices and moments that ALSO made references. But in this final entry to the trilogy, many of the references feel almost bittersweet as Jade has to face so many demons, be they supernatural beasties wreaking havoc in the town, or the trauma and despair that she has had to face over and over again, only to keep on fighting while not quite accepting that she, too, is worthy of the final girl title. Jones knows what he is doing with his genre choices, and Jade is a final girl inside and out, and even beyond what that generally means in the broader trope. It’s just so meaningful, how he ties it all together.

“The Angel of Indian Lake” is a gory and emotional final tale for Jade and the town of Proofrock. I don’t generally get choked up during slasher stories, but Stephen Graham Jones has put so much heart into this I was absolutely crying by the end. What an accomplishment this trilogy is.

Rating 9: A complex and multilayered end to a trilogy that is a Valentine to a sub-genre that isn’t known for complexity, “The Angel of Indian Lake” brings Jade Daniels full circle, and redefines what it means to be a ‘Final Girl’.

Reader’s Advisory:

“The Angel of Indian Lake” isn’t included on many Goodreads lists yet, but it would fit in on “Slasher Fiction”.

Kate’s Review: “A Dowry of Blood”

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Book: “A Dowry of Blood” by S.T. Gibson

Publishing Info: Redhook, October 2022

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: S.T. Gibson’s sensational novel is the darkly seductive tale of Dracula’s first bride, Constanta.

This is my last love letter to you, though some would call it a confession. . .

Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things.

Finding comfort in the arms of her rival consorts, she begins to unravel their husband’s dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death.

Review: Earlier this month I reviewed the book “Thirst” by Marina Yuszczuk, a sapphic historical horror tale in which a woman in modern day Buenos Aires is caught up with a woman vampire who has been around for centuries. I made mention of thinking about the “Buffy” characters Darla and Drusilla as I read, and mused that I wish there had been a prequel book about Darla and Drusilla galavanting around Europe with Angelus and Spike being a sexual foursome together. Well, the synchronicity of the Universe kicked in a bit, because shortly after that review was written up, I picked up “A Dowry of Blood” by S.T. Gibson, which had been ALL OVER my social media feeds from various horror influencers. I bought it on a whim with a birthday book gift certificate from my sister, not sure of what to expect. And then when I began reading, I nearly fell out of my chair. Because as the story went on, it was clear that it was going to scratch that Darla/Angelus/Drusilla/Spike itch and all the nasty complications that come with it.

You should have made it clear they were all sleeping together, you cowards!!! (source)

“A Dowry of Blood” is from the perspective of Constanta, a medieval peasant woman turned bride of Dracula after the Count discovers her near death and changes her into a vampire. It’s Constanta finding a newfound supernatural power and an exciting life with her husband, but also finding his dark and manipulative side as he takes on more romantic companions and manipulates them all into loyalty and servitude. I’ve read a few “Dracula” retellings or spin off remixes, but I had never read one from the perspective of his Brides, and this one is such a dark yet also empowering read. Constanta’s story is one of a woman who finds herself in a bad and toxic relationship, and who has to go through the process of understanding it, accepting it, and extricating herself from it, while also feeling a loyalty to her fellow companions, Magdalena and Alexi. The three of them coming together to lean on each other, while trying to figure out how to remove themselves from Dracula, is a nail biter the closer we get to the eventual showdown, and while Gibson basically lays out the outcome from the jump, the suspense is still there.

I hesitate to call this story a romance, as it can be bleak and unsettling seeing how Dracula can hold such abusive power over Constanta, Magdalena, and Alexi, but at the same time there are shades of romanticism between the Brides (and Husband) as they bond, commiserate, and eventually strive for more. There is certainly intimacy, and I loved seeing the relationships between Constanta, Magdalena, and Alexi grow and evolve and strengthen. Watching Constanta evolve and shift and start to find her own power, even against the vampire that she feels she owes everything to, is at times difficult given the content, but is also a story that feels inherently like an unshackling of abusive chains. Hell, even just seeing Constanta go from a dying peasant to a vengeful vampire, who takes out the men who killed her family and tried to kill her, starts this off on an empowering note and shows that Constanta has it in her, even when she is under Dracula’s spell, or at least under his gaslighting, his manipulations, and his abusive tendencies. Looking back at my up-page comparisons to pop culture, maybe it would be more accurate to say this reads like Darla leaving The Master behind and choosing her lovers over him. Regardless, it’s satisfying as hell.

BUT, that said, there are also some really sumptuous and erotic moments in this book when it comes to Constanta exploring her burgeoning sexuality and intimacy with not only her husband, but also the other spouses. Much like Coppola’s “Bram Stoker’s Dracula”, “A Dowry of Blood” does have a bit of a romantic undercurrent about it in spite of the horror and the more toxic thematics. There are so many descriptors and so many beats that make it feel like an indulgence of beauty and decadence (especially if you take into account the epilogue/novella that is included in the edition I have, “An Encore of Roses”. That one was just full on sexy and spicy, and I HIGHLY RECOMMEND SEEKING IT OUT REGARDLESS), while also keeping the tension and the horror there . It also has a lot of really knowing nods to the source material itself, giving these characters a complicated backstory while also harkening to moments from Stoker’s vampire novel without dwelling or relying too much upon them.

“A Dowry of Blood” was a really enjoyable and bloody good read. I love historical vampire horror, and I love it when an author can bring in romantic elements that feel real, scary, and also tender. If Gibson wrote more stories about this group of vampires, I’d absolutely read them.

Rating 9: Erotic, empowering, indulgent, and bloody as hell, “A Dowry of Blood” is a sweeping and entertaining vampire novel that finds the darkness in an abusive situation, while also finding the light in actual love and support and tenderness.

Reader’s Advisory:

“A Dowry of Blood” is included on the Goodreads lists “Bisexual Vampire Books”, and “Classic Retellings and Spinoffs: Monster Mash”.

Kate’s Review: “Forgotten Sisters”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Forgotten Sisters: A Novel” by Cynthia Pelayo

Publishing Info: Thomas & Mercer, March 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org| Amazon | Indiebound

Book Description: A city’s haunted history and fairy-tale horrors converge for two women in an addictive novel of psychological suspense by a multiple Bram Stoker Award–nominated author.

Sisters Anna and Jennie live in a historic bungalow on the Chicago River. They’re tethered to a disquieting past, and with nowhere else to go, nothing can part them from their family home. Not the maddening creaks and disembodied voices that rattle the old walls. Not the inexplicable drownings in the area, or the increasing number of bodies that float by Anna’s window.

To stave off loneliness, Anna has a podcast, spinning ghostly tales of Chicago’s tragic history. But when Anna captures the attention of an ardent male listener, she awakens to the possibilities of a world outside.

As their relationship grows, so do Jennie’s fears. More and more people are going missing in the river. And then two detectives come calling.

They’re looking for a link between the mysteries of the river and what’s housed on the bank. Even Anna and Jennie don’t understand how dreadful it is—and still can be—when the truth about their unsettled lives begins to surface.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I’ve been following Cynthia Pelayo on social media for a few years now, and that was where I first caught wind of her newest novel “Forgotten Sisters”. I had hopes that there would perhaps be very early ARCs of it at ALA last year, and while that didn’t come to fruition (hey, a girl can dream and I DID get “Loteria” and “The Shoemaker’s Magician”), I waited patiently for this “Little Mermaid” inspired dark fantasy horror novel. I was pumped when I saw that it was available on NetGalley, and when my request went through I was very eager to start. Pelayo is one of the more unique horror authors out there right now, a multi- Bram Stoker Award winner, and this one was REALLY tantalizing.

While I thought that “Children of Chicago” was more full on malevolent horror, “Forgotten Sisters” leans more into dark fantasy, with references to “The Little Mermaid” being crafted into a melancholy tale about sisters Anna and Jennie. Through Anna’s perspective we learn about the terrible loss that they have endured, the way that they have clung to each other, and the river side house that they have been living in since their childhood, which may be housing a number of ghosts as well as grief and haunting memories. Anna has been running a podcast about the haunted history of Chicago, and while she loves her sister and can’t see herself leaving their troubled home, she does seem to long for more, in spite of Jennie clinging all the more at any hint of Anna pulling away (which becomes all the more complicated when Anna meets a man named Peter through her podcast). When we start we know that Anna isn’t necessarily reliable due to the unknown unresolved trauma she has endured, but Pelayo does a good job of easing into the peeling back of the tragedies that these women have had to live with, and what cost their enmeshment has taken and how that warps Anna’s perceptions. It’s dreamy and weird and uneasy, and it was both mesmerizing and unsettling at once, and while I pieced together bits and pieces just based on hints laid out and a knowledge of the history of Chicago, I thought that it was a well done dark fairy tale at heart. That said, sometimes I got lost in the flowery and dreamlike elements of this part of the story, which could take me out of it once in awhile.

I did like the police procedural parts quite a bit as well. I am a huge sucker for a procedural, and Pelayo succeeds at writing gritty and cynical dialogue and setting up interesting and tense crime beats. In this book we have Detectives Kowalski and Rodriguez, a seasoned long timer and an idealistic rookie, who are investigating the mysterious deaths of young men who are found drowned in the Chicago River under strange circumstances. It has hints of the Happy Face Killer theory, and with the criminal history of Chicago always lurking (after all this is the city of John Wayne Gacy and H.H. Holmes, amongst others) you get a more sinister vibe and a sense of dread as these two detectives try to piece things together. I liked their dynamic, and I liked seeing them slowly circle in on a potential serial killer, and the connection to Anna and Jennie and the River itself. It comes together really well and makes for a satisfying combination of dark fantasy and cop thriller, balancing each other out in ways that caught me by surprise.

One of the things that always strikes me when I read a Pelayo book is that she so clearly loves the city of Chicago, and that love comes through her tales even if they are about the darker histories of this city. As a Midwesterner I’ve been to Chicago multiple times, and it’s always a joy seeing the references to various locations and historical footnotes, as she so effortlessly sprinkles them in as well as making her book just so grounded in the city itself. This really comes through in both the hard boiled cop procedural aspects, as well as through the pieces we see of Anna’s podcast. Pelayo has such a strong knack for writing and developing a sense of time and place, and it makes the city shine, even if it’s the darker sides of the history.

“Forgotten Sisters” is another well done dark fantasy horror tale from Cynthia Pelayo. I’m always intrigued by what she writes, and this haunting story is sure to please her fans.

Rating 8: An eerie and melancholy dark fairy tale meets a gritty no nonsense procedural, “Forgotten Sisters” is another tribute to Chicago from Cynthia Pelayo!

Reader’s Advisory:

“Forgotten Sisters” is included on the Goodreads list “Horror to Look Forward To in 2024”.