Tag: horror

Kate’s Review: “Mazywood”

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Book: “Mazywood” by Tananarive Due

Publishing Info: S&S/Saga Press, September 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: When Johnny—a filmmaker and grandson of the famous Black actress Mazelle Washington—brings his family to Mazywood, the secluded California mountain lodge left behind by his grandmother, he expects a quiet retreat. Instead, he uncovers a legacy of rage, secrets, and terror that has haunted his family for generations.

Set primarily in the present day, with haunting flashbacks to Hollywood’s Golden Age, Mazywood explores three generations while following Johnny as he pieces together the true story of his grandmother. As a young Black actress whose career spanned from the 1920s to the 1940s, Mazelle brushed shoulders with giants like Lena Horne, Clark Gable, and Hattie McDaniel. But beneath her public appearance, she carried a secret she had kept and nurtured since she was a child, when a dark wish came true and changed the course of her life forever.

Now, fifty years after Mazelle’s death, Johnny finds himself confronting the truth she buried—and the consequences she left behind. For a monster lurks outside Mazywood, hidden for generations, and Johnny brought his family to its hunting grounds.

Review: Thank you to NetGalley for providing with with an eARC of this novel!

One of the first Tananarive Due stories I read was “Return to Bear Creek Lodge”, a short story that was part of a winter horror collection, and I had my curiosity piqued when I found out she wanted to expand upon that story (and the previous story “Incident at Bear Creek Lodge”). It was a weird and strange tale, and the thought of a full on novel about it was absolutely exciting. Fast forward a few years, and I find myself with her newest novel “Mazywood”. I loved “The Reformatory” so much it was a priority for me this year, and when I looked deeper into it I realized that THIS was the novel that was going to be the expanded lore of Bear Creek Lodge and the weird monster thing that lives in the woods. But not only that! It was also going to be a historical fiction novel following Mazelle Washington, the bitter grandmother from the previous stories who was also an up and coming Black starlet in the Golden Age of Hollywood, whose career was shaped, and destroyed, by racism. I was on board SO FAST.

Much like previous tales set at Bear Creek Lodge, the horror bits of “Mazywood” involve Johnny, the grandson of former movie star Mazelle Washington, who is at her mountainous and isolated estate in winter. But unlike the previous stories, Johnny is no longer a teenager, but a grown man approaching his sixties, who has become a successful filmmaker in his own right. His wife Tasha convinces him to take the family to his grandmother’s estate, long left empty, for a family weekend (but also so Tasha can research Mazelle for a book she plans to write, but ALSO to break the news to their teenage daughters that Tasha is pregnant). Johnny has bad memories of the lodge and his grandmother, but relents, thinking the OTHER memories of a monster have to be just made up from a scared kid’s mind. The horror here is the isolated cabin and the monster for sure, but Due takes us to places that I wasn’t really expecting as the snow comes down, the power goes out, and the family is suddenly in danger of potentially being eaten like others were in the past. We have some great monster moments, whether it’s the fleeting descriptions of the monster from the POVs of our characters, or hints to its presence, but we also have some great familial tension that adds to it (Tasha and Johnny feeling anxious about an unplanned pregnancy, their daughter Imani’s ADHD making itself known at not so good times, Johnny’s trauma about his grandmother bubbling over). I found the suspense top notch and the mystery about the monster well done. And I did find myself misting up at times because of COURSE things can never be so black and white and Due knows how to pluck at the heart strings when some realities are revealed, and that is all I will say about THAT, but just know I was crying a bit on and off.

The real emotional weight and meat of this story, however, is finally getting to follow Mazelle during her rise in Hollywood, and finally finding out how she transformed from wide eyed ingenue to the bitter and cruel elderly woman we knew from the previous stories… as well as her connection to the strange creature. We see how Mazelle was first a child performer with an amazing hook: a terrific (though strange) dog named Scout that could do almost any trick and seems to be completely in sync with her. As Mazelle gets older and still tries to find a big break, the cogs of old Hollywood and its corruption and racism are prevalent at every turn, whether she’s type cast into an incredibly racist caricature of a role, or has to work ten times harder than white performers but with little to show for it, or how she has to contend with criticism from the Black community for conforming when it’s clear that if she wants to make it she has absolutely no choice but to do so. The Mazelle that we have known from the previous stories is bitter and cruel and has created rifts between her and her loved ones that seem too large to cross. But the Mazelle here is so sympathetic and tragic as she deals with racism, misogynoir, humiliation, and sexual violence all the hands of powerful white Hollywood elites who see her as nothing more than a cash cow until she is tapped out. Due paints a stark and biting portait of the shit Black performers had to go through during this time, and also brings in real life people like Hattie McDaniel, Sammy Davis Junior, and Lena Horne to emphasize that this struggle and injustice wasn’t just limited to Mazelle’s youth during the silent era. I really loved seeing the real life people and how they were used to make these points (and I know that Clark Gable was a complete shithead in a lot of ways, but I enjoyed how Due touched on his relationship with Hattie McDaniel because it does seem like they genuinely enjoyed each other’s company).

“Mazywood” is another spectacular horror novel from Tananarive Due! If you haven’t read any of her books yet, you MUST pick this one up (and then go back and read the short stories that preceded it).

Rating 10: A searing story that is part monster in the woods horror tale, part historical fiction examination of racism in Hollywood’s Golden Age, “Mazywood” is a fantastic new book from Tananarive Due!

Reader’s Advisory:

“Mazywood” is included on the Goodreads post “Peek If You Dare: Our Guide to New Horror Books Coming This Fall”.

Kate’s Review: “Rooted”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Rooted” by Leopoldo Goût

Publishing Info: Tor Nightfire, September 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Aurora, a successful art lawyer, has returned to Mexico to celebrate a recent campaign for the repatriation of stolen artifacts. In particular a mysterious statue of an Aztec god.

There’s nothing wrong with Aurora. But Mexico City isn’t as she remembered, and as she cares for her ailing mother, home isn’t as she remembered either. Nothing is as she remembered. Elements of her past hint at darkness and power, and reality begins to crack and warp the streets.

There’s nothing wrong with Aurora. But some sicknesses can’t be healed. As Aurora’s sanity unravels, she must pry apart her family’s secrets and accept the simplest of The Flayed One cannot stay buried.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I really loved Leopoldo Goût’s previous horror novel “Piñata”, as I found the story, themes, and critique of violent colonialism to be incredibly powerful as well as very creepy. So of course I wanted to read his newest novel “Rooted”. And also, look at that cover. I’m not usually that in tune with the impact of book covers (I know Serena comments on covers a fair amount!), but this one really jumped out at me. Throw in themes of artifact repatriation and the violent history of colonized Mexico (and the wrath of the Old Gods), and I was super pumped to check it out.

Once again Goût centers his story and its themes with a backdrop in Mexico City, and with a huge theme of Mesoamerican mythology and folklore. Our protagonist is Aurora, a lawyer who is returning to her original home of Mexico City as she oversees repatriation of ancient artifacts that had been stolen and sent to other museums. Now that the artifacts are being returned she can celebrate as well as see her mother Maria, who returned to Mexico from Aurora’s childhood in Texas after Aurora grew up. But once she is there she starts having strange visions and hallucinations, as well as memories that don’t make sense, and they seem to have to do with a statue of Xipe Totec, also known as The Flayed One. It’s a great premise, and there are so many questions of what Aurora is seeing, what the statue means, and what the memories and dreams could mean. It’s creepy and at times incredibly gory, with lots of nasty body horror bits as well as commentary about family secrets and familial traumas that are kept from the younger generations out of a misguided attempt to protect them. There were times that I would go from squirming over some of the body horror stuff, and then I would feel a deep melancholy because of the difficulties in the relationship between Aurora and Maria, with Maria hiding things in hopes of protecting Aurora, but only making it worse in trying to keep her safe.

I do think that sometimes the story stalled here and there. It had a true bang of a prologue, and then the set up of Aurora going to Mexico City to work as a lawyer within repatriation deals of Mexican artifacts being brought back to Mexico was incredibly fascinating for me (as I used to work in museums and these questions are always present). And with the set up of the Xipe Totec statue ever present and the weird things that Aurora was seeing made the slow burn of the plot nice and creepy, but I did find myself wanting the plot to move forward a bit faster with repetitive creepy moments weighing it down until we got some answers. We did eventually get there and once some of the pieces fell into place things picked up again, but I think it could have been tightened up without sacrificing a build up of suspense.

But pacing issues aside, I enjoyed the themes and horror elements of “Root”. Leopoldo Goût delivers another satisfying horror tale! I look forward to seeing what more he brings as time goes on.

Rating 7: It was a little slowly paced at times, but the body horror, folklore, and look into family secrets and trauma all worked well for me.

Reader’s Advisory:

“Rooted” is included on the Goodreads list “All the New Horror Books Arriving in September 2026”.

Kate’s Review: “Kiss Slay Replay”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Kiss Slay Replay” by Rachel Harrison

Publishing Info: Berkley, September 2026

Where Did I Get This Book: I received an ARC from the publisher at ALAAC2026

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Every wedding guest’s worst nightmare is on repeat in this wild and twisty new horror novel from the New York Times bestselling author of So Thirsty and Play Nice.

It’s the picture-perfect wedding The venue is dreamy, the weather is beautiful, love is in the air—and Willa Sullivan is having a bad time. She’s excited to celebrate her best friends finally having the big wedding they’ve always wanted, but this is the first time she’s seen her ex-fiancé in months, and he brought a date. Everything feels off, like she stumbled into an alternate universe. But things start to look up when Willa meets Danny, the groom’s charming and single childhood best friend. When they sneak off together, their rendezvous is interrupted by a masked killer terrorizing the reception. Willa and Danny fight to save the ones they love and survive the night, but the killer is unrelenting. A final girl, Willa is not.

Or is she? She wakes up and it’s the morning of the wedding. She just had the most intense nightmare of her life. Only as the day unfolds, there are some uncanny coincidences that make her question whether it was really a dream, déjà vu, or something more sinister. After a horrifying turn of events, Willa comes to understand that she’s stuck in a loop of carnage and terror that she must learn how to escape or else suffer a fate worse than death—being an eternal wedding guest.

Review: Thank you to Berkley for giving me an ARC of this novel at ALAAC26!

I am usually not super anxious when I go to ALA every year and I am on the hunt for ARCs. For one, Serena and I have basically perfected the ARC hunt strategy, figuring out where the publisher’s booths are ahead of time, getting there early to get in line for the exhibits hall, and knowing that in all likelihood we will get the books that we want. I had Rachel Harrison’s newest horror novel “Kiss Slay Replay” on my ‘seek out’ list, and on one of the mornings at opening I determinedly but politely and NOT obnoxiously made my way towards the publisher tables in hopes I’d see it. And lo and behold it was there!…. And people were SWARMING for it. I was lucky enough to get a copy, because my inherent need to not be a dick about ARCs meant I was one of the last people to get one before they were gone. It’s admittedly great seeing horror get such an enthusiastic response. And I was very excited to see what Harrison was going to do with it.

And it definitely lived up to what I was expecting, and kind of went a few steps further. The premise is definitely one we’ve seen before, at the very least in films like “Happy Death Day” and “Groundhog Day”, but Harrison takes it a step further and makes it even more fun by altering the threats of the time loop wedding massacre for each time Willa has to go through it. It could be a masked murderer at one loop, but then it could be zombies at another loop, with each scenario being campy and out there but still being grotesque and very horror centric, even with the humor and outlandishness. And while I don’t really like the film “Cabin in the Woods”, I kept thinking about it as I read this and it was in a positive way. Harrison has her tongue planted firmly in cheek in this story and while it sometimes had me squirming, it was a true hoot and felt like a fun horror movie that kept me interested. So much so I read it in one afternoon!

But there is also an undercurrent of pathos and melancholy in this book as we follow Willa during a particularly hard moment in her life. She is still reeling from a recent breakup of a long term relationship/engagement, and is now going to the wedding of a friend in their circle, and having to face her friends for the first time in a group setting after years apart after this huge change. It fits for a time loop story, as Willa is not only literally trapped in a loop that won’t go forward on her friend’s wedding day, but even before this she feels stagnant and lost, unable to move forward after her monumental break up and wallowing a bit in the aftermath. Much like the aforementioned film “Happy Death Day”, Willa is stuck in grief which has altered her life and relationships, and perhaps to actually be able to move forward literally she will need to start to move forward emotionally. It’s well worn territory, but Harrison makes it feel fresh and it is effective and bittersweet seeing her have to process all of this. I really enjoyed that aspect, and it was very on brand for Harrison’s horror stories that have some pretty relatable womens experiences at their heart.

“Kiss Slay Replay” is another fun and lighter (not light, but lighter) horror story from Rachel Harrison! If you like time loop stories, check this one out!

Rating 8: A fun and heartfelt Sci-Fi horror tale that feels like “Happy Death Day”, “Groundhog Day”, and “Cabin in the Woods” all rolled into one, with some melancholy undercurrents. Quite enjoyable!

Reader’s Advisory:

“Kiss Slay Replay” is included on the Goodreads list “Time Loops”.

Kate’s Review: “The Calamities”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Calamities” by Chuck Wendig

Publishing Info: Del Rey, August 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The heir to one of the world’s most influential families reckons with the demonic secret to their power, in this contemporary dark fantasy that melds occult magic with shocking family drama from the New York Times bestselling author of The Book of Accidents.

Mourning Mayne knows he’ll one day bear the duty of managing his family’s vast empire of wealth and power. But the feckless Mourning has always struggled to accept this legacy, which is one of cruelty, domination, and exploitation… and something even darker.

Because the Maynes are no ordinary family: Hidden in our world are the fiends—half-human, half-demon, and possessed of dark magic born from buying human souls—and the Maynes are one of the oldest and most influential fiendish families.

But when Mourning’s estranged father, the formidable and terrifying Hadrian Mayne, demands that he return to the fold, Mourning has to make a decision whether to accept his legacy and embrace his role in the family, or to forge his own destiny, and with it, change the course of the world.

Because along the way home, he will meet Key, a black-market seller of human souls, and Quinn, an artist who may hold the dark truth behind the fate of the fiends. Alone, they have all struggled with the darkness of their fiendish nature… but together, they might find a path out of the shadows.

Review: Thank you to NetGalley for providing me with an eARC of this book!

It’s been a few years since “Succession” ended, and while I don’t particularly MISS it (it was good but it ended well and man they were all just horrible), I was still immediately thinking of it when I read about Chuck Wendig’s new novel “The Calamities”. We all know that I like Wendig as a horror author, and the idea of him writing a book about an uber wealthy and uber powerful family that just so happens to have demon blood and soul snatching powers just tickled me. “Succession” meets cosmic and demon horror? Hell yes! The Roy Family is basically filled with demons anyway, why not do a story that just leans all the way into that?

Only a man who feeds on human souls and misery could come up with boar on the floor as far as I’m concerned. (source)

Off the bat I will admit that the theme of ‘billionaires and billionaire families are soul sucking demons’ is a bit on the nose, but that doesn’t make it any less resonant. Especially these days. And Wendig is always so thorough and deliberate with his world building that even if the theme is obvious, he makes it feel fresh and brings in so much originality, probably because he has built an entire mythos around the idea of ‘Fiend’ families (aka people who have demon blood in them and who take human souls for feeding) gathering wealth, power, and souls for their own devices, hoarding and exploiting power with no care for the consequences. With different families having rivalries and motives to hold on to souls to consume, we have a lot of well done motivations and a tellar history and world of people with demon blood and soul snatching powers. The horror in this book is less ‘demonic’ and definitely more in the realm of body and cosmic horror, with some really nasty moments that had me squirming, while also building up the suspense in a way that kept me reading. Wendig is such a reliable horror writer and while this one did feel a little bit meandering at times, I was generally locked in.

And unsurprisingly so, the characters in this one are a feast, with morally grey ones, traumatized ones, funny ones, and incredibly creepy ones. Wendig has the gross entitlement and cruelty of a wealthy family a la the Sacklers or Du Ponts, but also brings out interesting complex characters who are sometimes infuriating but at other times wholly sympathetic. We also get an interesting examination of the way narcissistic parents can favor some kids while scapegoating others, and how they can pit their children against each other. This dynamic is especially prevalent in the Maynes Family, with our protagonist Mourning being a black sheep to his cruel and megalomaniacal father Hadrian while his twin siblings Lachlan and Lorelei are highly favored and keep him under their boots because of this advantage (this whole family was very Lannister-esque). But we also have characters like Key, who is a black market soul merchant who finds herself teaming up with Mourning when his father (and their fount of souls) disappears, who is also struggling with her own culpability in the business even if she doesn’t have the monetary advantages of the Maynes and other Fiend families (and uses her soul stealing skills in a way that leaves her incredibly conflicted as the story progresses). Other characters include an artist named Quinn who has a part to play in the nefarious plan, and a Fiend named Silas who has a cold and predatory nature, but who has been muzzled. While sometimes the four perspectives felt a little harried, I overall enjoyed them.

“The Calamities” also has set up a clear path to more books about the Fiends, and I would absolutely keep reading about them should this come to pass. I so enjoy Chuck Wendig and his creepy horror tales, and this one is another good time.

Rating 8: The world building is stellar and while the metaphor is kind of obvious Wendig creates a nasty and fun world of demons, billionaires, cosmic horror, and undoing familial trauma and damage.

Reader’s Advisory:

“The Calamities” is included on the Goodreads blog post “Peek If You Dare: Our Guide to New Horror Books Coming This Fall”.

Serena’s Review: “Reliquary”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Relilquary” by Hannah F. Whitten

Publishing Info: Orbit, August 2026

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Sometimes, you just want to belong.,When Claire’s fiancé mysteriously dies of an unknown neurological illness, seemingly destroying her chances at the belonging she’s sought, she’s prepared to sink back into the lonely life she lived before. Orphaned by a freak boating accident in her childhood, she never expected to find connection like she did with Elias, anyway. Even if sometimes, that connection seemed more like something he felt obligated to than something he wanted.

Their relationship wasn’t perfect—his coldness, his secrets, his strange aversion to the ocean—but what relationship is?

When Elias’s family reaches out—his incredibly wealthy family, from whom he was estranged—and invites Claire to a wake at their family home on a private island, Claire is given the chance to have connection again. To belong to something, just like she’s always wanted. Just like Elias knew she was desperate to have.

Even if that family is a little strange. Even if their home built partially into the sea stirs up memories of the accident that killed her parents and sister. Even if Ash, Elias’s older brother, seems insistent on Claire leaving as soon as possible.

Claire can’t bring herself to be lonely again. And as the strange circumstances of Elias’s familial connection with the sea becomes more and more apparent, her window for escape is rapidly closing.

Does she even want to?

Review: There must be something in the water, since many of my favorite fantasy authors have all seemed to come to the collective understanding that now is the time to try their hand at the horror genre. And so I must dutifully follow, our blog genre/reviewer standards be damned!

Luckily for me, what Whitten has written here is a wild, Gothic ride that veered way further into the fantastical than I had expected when I first picked it up. The general setup, however, played into some of my favorite elements of Gothic fiction. We had the creepy, mysterious house, the strange family, and secrets whose answers might be even more dangerous when they are finally revealed.

For all that there is a creepy house, the horror elements were largely focused on the ocean and aquatic themes. And all of this was truly terrifying and surprisingly disgusting and disturbing. As far as the actual horror goes, beyond the suspense of the general setup, the primary way it plays out is through increasingly disturbing moments of body horror. This is definitely not one to read if you have a weak stomach or really struggle with body grossness.

I can’t get into too many details about how the story plays out, as there were a ton of late-game reveals that really twisted the story into an entirely different beast. There was definitely not a lack of creativity, and, like I said, the book took on a much more fantastical flavor toward the end than it did with its more typical Gothic setup. For me, this was a pleasant turn of events. But it also comes fairly late in the game, and then the book whacks you over the head again and again for the remainder of the read with increasingly out-there twists. So readers who are vibing with the more general Gothic premise or who are expecting a more grounded horror story might find themselves off balance when this shift comes.

I really enjoyed all of the characters we had here. Of course, “enjoyed” in cases like this often means loving to hate them. The entire family was so disturbing, all in different ways. And the book did a great job of highlighting the various ways that different personalities might buckle and twist under these circumstances. There’s a lot of toxicity here, but many different flavors are on display.

There was also a surprisingly interesting romantic subplot. For a book that takes place over only a few days, I was surprised by the depth of this plotline. Partly this is because the love interest was one of the most interesting characters in the book. His arc is tragic, frustrating, and compelling.

I also really enjoyed the main character. Through her, Whitten expertly portrayed a woman whose struggles with tragedy and guilt have led her to extreme levels of passivity and a desire to belong that trumps almost anything else. What makes this all the more interesting is that Claire herself is largely aware of her own failings in this area. But that doesn’t make her any more capable of disrupting her own habits. She knows they are deeply unhealthy, and for much of the book, she’s embraced them as part of herself. This can make her frustrating to read at times, but also makes it all the more gratifying when she finally comes around.

The pacing of the entire book was a bit odd. It starts slow, which is expected with this sort of horror, the type that is leaning strongly into dread and revels in the slow reveal. But it does make for a jarring experience in the back half when the wheels seemingly come off and it’s full blast for the last third of the book. Not necessarily a full blast of action, but more one heavy scene after another. And, while I liked how things wrapped up in the end, I was left with a few too many questions about parts of it to be fully satisfied.

That said, this was still a great read. It was horrifying, heart-wrenching, and deliciously cruel at times. But there was also just enough softness and heart, especially to Claire’s story and the slow arc of her relationship with the MMC, to properly balance things out. Readers who enjoy horror that leans into the fantastical should definitely give this one a shot!

Rating 8: I’ll never look at the ocean the same way again. Or get on a submarine, for that matter. But here Whitten expertly blends the horrific with the fantastic, all while exploring deep themes of family trauma and grief.

Reader’s Advisory:

“Reliquary” can be found on these Goodreads lists: Seaside Gothic and Horror Releases Coming in 2026.

Kate’s Review: “Ghost Wall”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Ghost Wall” by Sarah Moss

Publishing Info: Farrar, Straus and Giroux, January 2019

Where Did I Get This Book: I own it

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In the north of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age.

For two weeks, the length of her father’s vacation, they join an anthropology course set to reenact life in simpler times. They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie’s father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind.

The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice?

A story at once mythic and strikingly timely, Sarah Moss’s Ghost Wall urges us to wonder how far we have come from the “primitive minds” of our ancestors.

Review: Every once in awhile I try to do a tidying up on my Kindle and pick a book I haven’t read yet that has been stagnating and read it. It’s probably no surprise that I have a tendency to get books and then kind of forget about them. During my most recent check in, I remembered that I had the book “Ghost Wall” by Sarah Moss, which caught my eye a couple years ago but then I never picked it up. I decided that it was high time to rectify that, and jumped in, devouring it in one sitting.

Now it’s partially true the ‘one sitting’ circumstance was because this is a novella, but “Ghost Wall” also kept me at rapt attention because of the slow burn build up on unease to discomfort to absolute frayed nerves. We follow Silvie, a teenage girl whose father, due to his eccentric and strict need to make his family live the way an Iron Age family would, is accompanying her father, mother, and a group of University students and their professor on an immersive field trip to ‘live like the Iron agers would’. From the very start we know that something is wrong with this family dynamic, as Silvie is always trying to remain small and unobtrusive while her mother is straight up terrified, and as we learn more about their history and her father’s control of his wife and daughter we soon realize that this is a very dangerous situation at hand. Add in academic outsiders who don’t realize the danger and the actual obsession that this man has, ESPECIALLY if they are women, and Silvie becomes more and more on edge as her father pulls more and more men from the expedition under his spell due to his ‘knowledge’ and manipulative prowess. As we charge towards the climax, the reader just feels like something dreadful is going to happen and it pulls itself so tight it could violently snap at any time. I was both scared to see how it would all end, but also needed to know.

But it’s also an interesting critique on toxic masculinity, power, and how history is held up as a pinnacle of a purer time for incredibly sinister reasons. For the professor and the students all of this is theoretical and they can separate themselves from it to an extent. For Sylvie and her mom they have to live with a man who is violent, especially when he feels disrespected and powerless, and who forced them into this role because he HIMSELF felt powerless and became obsessed with finding it anywhere he could, i.e. through a patriarchal Iron Age family structure (but like so many regressionists who love ‘the good old days’, it is more based on misogyny and racism than anyhting else). As we see more and more people start to become very invested in building a ‘ghost wall’, the academics and the psychopathic family abuser alike start to become more and more unhinged, and while it’s almost certainly a message of ‘in some ways humans aren’t so different from a more ‘primitive’ time’, I also thought it was a message about who gets power and who gets put in positions of power, sometimes to the detriment of others. I quite enjoyed that aspecf of this book.

My only qualm is that the ending feels a little rushed and maybe a little to neat. I didn’t need it to be super complex or muddled, but it did make me go ‘well… that’s pretty convenient’. Not a huge ding, but one I wanted to mention.

Overall I’m glad I finally read “Ghost Wall”! It’s fast and deeply unsettling, so if you are looking for a quick horror novella that will suck you in, give it a whirl!

Rating 7: An unsettling build up of suspense about walls, human nature, and what defines a primitive society (and how perhaps modernity doesn’t preclude us from that).

Reader’s Advisory:

“Ghost Wall” is included on the Goodreads list “Horrortok”.

Kate’s Review: “If We Survive the Night”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “If We Survive the Night” by Jo Salazar

Publishing Info: Sourcebooks Fire, August 2026

Where Did I Get This Book: I received an ARC from the publisher

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: It’s kill or be killed in this heart-pounding apocalyptic horror. The first book in a new series, If We Survive the Night combines the ruthless zombie perils of The Last of Us with the every-woman-for-herself angle of Yellowjackets. What type of person does it take to survive the end of the world?

Sixteen-year-old Quinn is used to being told that what she feels inside isn’t quite right. After getting kicked out of multiple foster homes and narrowly escaping juvenile detention, she’s undergoing therapy at a residential treatment center for “troubled” girls. Looking for a night of freedom, Quinn sneaks onto the roof with her best friend Keisha, and what she sees changes everything…

She witnesses the start of the zombie apocalypse.

As zombies, or “carriers” as the news calls them, infiltrate the treatment center, escape becomes crucial. Quinn and Keisha make a pact to leave together, but several unexpected complications screw up their plans.

As the girls battle the carriers and wrestle with their doubts about each other, Quinn realizes she has never felt more alive. Maybe this is exactly the kind of world she was built for. And part of thriving in this cutthroat environment means cutting off the dead weight – even if that means putting other lives at risk…But even if she’s willing to sacrifice everything, can anyone really outlive the apocalypse?

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

It has honestly been a bit since I read a straight up zombie apocalypse story. I think that zombies kind of cooled off after they were basically everywhere, but we are starting to see a bit of a resurgence with “The Last of Us” and the “Walking Dead” spin offs we’ve seen as of late. I enjoy zombies but hadn’t dabbled in a bit, and when Jo Salazar’s book “If We Survive the Night” ended up in my mailbox I was ready to jump back in. I had certain expectations going in, as it’s a zombie story and it’s YA, but this one actually ended up surprising me in mostly good ways.

As a zombie apocalypse novel it hits all of the beats the sub-genre needs to hit, but finds freshness in the perspectives at hand and by focusing on teenage girls who are all suffering from various mental health issues and have been in a treatment facility for them. Having not only girls but teenage girls be the center of the story was a really compelling choice, and all of them having various mental health problems made for other conflicts that complicated the whole situation even more. We have teenagers who are already vulnerable enough by their age and their gender, and then you add in things like impulsivity, dysregulation, rigid thinking, and violent tendencies and that makes them all the more unpredictable in an incredibly dangerous situation, and Salazar isn’t shy to show how these kinds of difficulties can play out. It’s also pretty frank with how difficult it can be for people to interact with people with these kinds of issues, especially when they aren’t receiving the supports and treatments that they need or are being pushed away and silenced.

Which leads me to the aspect of this book that worked the best for me, which is the fact that our main character Quinn is a complete psychopath who is learning that she can absolutely THRIVE in the zombie apocalypse because of her complete lack of empathy. We meet Quinn with her fellow inpatients at the treatment center, and she is clearly troubled but somewhat held back because of being in the program. But when the ‘carriers’ as they are calling them start to overrun society and end up at the facility (and we have little explanation as to what has caused it to happen, but hey, that’s probably fairly realistic), Quinn starts to calculate who would be a good ally to have and who would be a liability, and starts to cull the herd with glee. It is such a great choice because so often in zombie apocalypse fiction we see good people not only trying to outlast and outrun zombies, but also outrun dangerous people while ALSO trying to hold onto their humanity. But Quinn? Quinn is more than happy to shed that part of her and really lean into her violent and psychopathic tendencies, and that makes the story all the more compelling, even if following her became more and more grating because of how terrible she can be. It is like if instead of following Rick Grimes “The Walking Dead” instead decided to put a spotlight on The Governor and had us follow HIS POV. It’s so daring and unique, and deeply disturbing at times as well. I don’t know how amped I am to keep following Quinn, as this is definitely a set up for a series, but props to Salazar for going there with this character, especially for a YA audience.

“If We Survive The Night” is fun and quick! It’s been a bit since I’ve picked up a zombie story and this one was a nice revisit to the sub-genre!

Rating 7: A fun new zombie apocalypse novel with a protagonist that feels more like a Governor than a Rick (if you know you know), “If We Survive the Night” is unique and gory zombie horror.

Reader’s Advisory:

“If We Survive the Night” would fit in on the Goodreads list “Zombie Apocalypse Books”.

Kate’s Review: “The Devil Knows Her Name”

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Book: “The Devil Knows Her Name” by C.N. Vair

Publishing Info: Berkley, August 2026

Where Did I Get This Book: I received an ARC from PLA 2026

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In the isolated Appalachian town of Burrsville, Tess Wynne lives in precious quiet. Having been left for dead a century earlier, Tess made a deal with the devil to stay in the only home she’s known. Tending to her wildlife sanctuary, she keeps the land and its people safe — pulling on spidering threads of ancient magic, trying to preserve the balance of nature against the encroaching ravages of human influence. But, every autumn, the devil returns, offering Tess more power in exchange for a foothold into the human world. And, every autumn, Tess refuses.

As Tess prepares her wildlife sanctuary for the winter, an unexpected addition to Burrsville catches the locals’ attention. Freshly arrived Zeke Abdee, the town’s new pastor, begins to sinisterly mold the townspeople to his will.

With everyone slowly turning on Tess, Pastor Zeke is determined to stake his claim on the very land where Tess keeps her sanctuary. Cornered, a desperate Tess pushes her magic to the darkest edges. All the while, the devil bides his time, waiting for Tess to decide if she will be prey — or predator…

Review: Thank you to Berkley for providing me with an ARC at PLA 2026!

It is still so darn hot in Minnesota. Granted, I consider anything above 72 degrees Fahrenheit hot, but I assure you it’s hotter than that lately! I am now at the point in the Summer where I am just done and ready for Fall. The good news is that hopefully, HOPEFULLY, the seasons will start to mellow and shift in a month or so, and I am also starting to get my book choices ready for my favorite time of year. So it was the perfect time to pick up “The Devil Knows Her Name” by C.N. Vair, a debut horror story about a witch in Appalachia who takes care of animals, the town that is starting to turn on her, and a potentially nefarious (but also charming and maybe sexy?) ally who offers her help…. Though he is THE DEVIL.

You have my attention OFFICIALLY. (source)

This was almost guaranteed to be a win for me content wise because god DAMN do I love a witch story, especially one where a witch is not only teaming up with the literal DEVIL to do some shenanigans, but when said shenanigans involve having to deal with a zealous force and a fickle community coming to oppress her. I’m already inclined to be Team Witch and Tess and her story make it super easy, at least for this reader. Vair has created a character that has made a pact with The Devil in a moment of true powerlessness (Tess is nearly murdered by her lover after he blames her for his adultery and tries to drown her), and Tess asks the Devil to save her and to give her magic powers to keep herself and her land/animal sanctuary safe, as well as the community at large. As time passes Tess does not age, but she binds magic and her very body to the town and community over the years to keep everyone out of danger, people and animals alike, while also trying to fend The Devil off as he tempts her with more power every year, perhaps to his advantage. But of course, as the small Appalachian town starts to run stagnate and a charismatic Pastor named Zeke comes to town with promises, things start to get dangerous for Tess. Especially since Zeke is trying to turn the town against her to get her land, and because a strange fawn with strange appetites ends up on her nature preserve. Oh, and her magic is fading more and more as more people turn against her. It’s a classic ‘outsider being oppressed by those who claim to be pious’ tale, and I LOVE that stuff. Vair shows us how Tess has made a place for herself, but how suspicion, desperation, and a slow moving decay of the community threatens that because of her differences and a need for a scapegoat. It’s a tale as old as time, but Vair still manages to make it fresh, as I felt the exact indignation that I imagine I was supposed to feel as Tess has to start protecting herself against people she thought she knew, all while The Devil offers help she isn’t comfortable taking lest he use it against her.

I also liked that Tess is actually a pretty morally grey character as the story unfolds. I am one hundred percent on her side in all of this, and I completely understand why she makes the choices that she does (being a victim of misogynistic violence, valuing the sanctuary and the animals she has bound to protect, having the community slowly turn on her due to Pastor Zeke’s influence when she has done nothing but be helpful both overtly and covertly), but sometimes I was like ‘damn, girl, that’s cold’. I also really loved her relationship with The Devil. I was worried that it would go one of two ways; either it would be a romance that didn’t really examine the power that he has over her as the being that has granted her her protection but for a price, or it would be a completely moralistic ‘she cannot be with him because ultimately she is GOOD and The Devil is BAD’ scold of a story. But Vair manages to find a happy medium where Tess isn’t wholly willing to trust him or give him any more power over her than he already has thanks to the bargain, while also showing that hey, just because he’s THE DEVIL it doesn’t mean that he has to be wholly terrible or in it for selfish reasons. Their back and forth was always fun, and their chemistry crackles. We all know I’m a bit of a sucker for a story with a witch and a demon/The Devil finding a connection (hello “The Witch” and “Slewfoot”), and I can now add “The Devil Knows Her Name” to that list of go to tales that fit the bill.

“The Devil Knows Her Name” is a cathartic horror novel that I definitely recommend for anyone who loves a witch story. Summer is waning, and as my favorite time of year creeps up upon us I urge people to add this book to their lists for the upcoming spooky season!

Rating 8: A dark and mesmerizing witch story about power and zealotry, “The Devil Knows Her Name” is a dreamy and unsettling read just in time for Fall.

Reader’s Advisory:

“The Devil Knows Her Name” is included on the Goodreads list “Horror Releases Coming in 2026”.

Joint Review: “Devil Inside”

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Book: “Devil Inside” by Clay McLeod Chapman

Publishing Info: MIRA, August 2026

Where Did We Get This Book: We received ARCs from publicists/the publisher

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A man who’s back from the dead meets a woman who’s from somewhere even worse in Clay McLeod Chapman’s new horrormance about love, possession, and just a little murder.

After a traumatic accident that almost cost Jordan his life, he’s finally starting to feel normal again. Well, maybe not normal. Everything tastes like ash, and when he looks at the people around him, their faces start to melt. At least he’s not dead, right? His friends are doing their best to get him back on his feet, maybe find someone to talk to, perhaps even find someone to take his mind off his last failed relationship.

Then he meets Lilith. The two share an instant connection but after a wild and passionate night together, she ghosts him. Jordan searches the city for Lilith, desperate to see her again. But when a woman claiming to be Lilith shows up, wearing a different face but knowing intimate details about Jordan, he worries he’s losing his grip on reality. As he grows closer to this mysterious woman, he discovers that happily ever afters sometimes come at a cost. How far will Lilith take him, and how much darkness will he embrace to find love?

Kate’s Review

I heard Clay McLeod Chapman talk about “Devil Inside” at ALA in 2025, and I was very intrigued by the idea of a Clay McLeod Chapman take on a horror romance. I knew it would be heavy on the horror, but was QUITE interested to see what he’d do with the lovey dovey stuff. I had a feeling it was going to be wild, and as I was reading I was like ‘oh, yeah, this is going to be INCREDIBLY polarizing I bet’. Because yeah, again, heavy on the horror. The romantic entanglements are dark, dubious, and bordering on problematic. But as someone who has read or seen horror with deeply problematic romantic elements and who has enjoyed them before, it wasn’t my first time at the rodeo, and overall it worked for me as a possession story, a horror story, and, yes, a love story.

I have unironically and fully shipped these two toxic assholes since I was in high school, your deeply fucked up romance doesn’t scare me, Chapman! (source)

“Devil Inside” follows a bike courier named Jordan who was in an accident that left him dead for two minutes, and has now left him aimless and anxious and seeing strange things. He meets a woman who calls herself Lilith and is immediately smitten, but Lilith is a demon who hops from body to body causing chaos, who finds herself drawn to and obsessed with Jordan. A romance is sparked, obsessions and possessions of multiple kinds foment. The demonic possession elements of this story are super unsettling and I loved getting into Lilith’s head as she hops from host to host, sampling them and feeding on them and encouraging darkness to come out even after she has gone. In true Chapman form it can go hog wild and be disturbing and in your face, and while usually demonic possession tales can be a bit predictable, this one felt unique enough that I enjoyed the freshness of it all.

Now. The romance. So it has some actually incredibly tender moments between a demon and her object of obsession. There is one scene where Jordan takes Lilith on a bike ride that actually had me saying ‘awww’ as I read it, even though I had also seen Lilith viciously murder multiple innocent people and take away their bodily autonomy for her own devices. Overall, I liked their fucked up dynamic as an entertaining plot point in a horror novel about demons and not so good people. All that said, this will NOT be for everybody. There are definitely themes of dubious consent here, as Lilith is possessing a woman’s body and Jordan is having sex with Lilith while in said body, which is SKETCHY AT BEST. I will say that Chapman does address this, and does find a way to make it less like an “Obsession” Nicki/Bear situation (that was a specific comparison I saw in a review after the fact) and more ‘consensual’, but it’s still debatable. I totally understand how people would be uncomfortable with it and I don’t undercut that. For me it never read as aspirational, and this is, after all, a horror story. But it’s probably good that there is a content warning at the start of the book, because, like I said, this won’t be for everyone and people should know what they are getting into.

“Devil Inside” is a fresh an interesting new book from one of my favorite horror authors! I recommend people look into it a bit before reading, but if you know what you’re getting into as a horror reader it will probably be a fun and nasty read.

Serena’s Review

I largely agree with everything Kate has already so well stated! I hadn’t read anything by this author before, but I knew that Kate was a big fan, so I was excited to give this one a shot, seeing as it was blending elements from some of my favorite genres. And I’ll say, as a first look, I can definitely see the appeal! While horror will never be my go-to, there are some authors who are simply so compelling that I’ll find myself picking up books that I never would have otherwise. McLeod Chapman spins a tale so cleverly that you find yourself caught up in it almost despite yourself (much like certain characters in the book, perhaps). The strength of the writing really did carry me through some of the horror elements that weren’t naturally to my taste.

That said, I didn’t enjoy the romance itself. I think as a horror story that revolves around obsession, possession, and the darkness within, it works very well. But I agree with what Kate said: the romance itself will be polarizing, and this one wasn’t personally for me.

However, I also think that there is a very interesting conversation to be had about how we evaluate romance novels and darker elements. I don’t have any strict evidence to back this up, but it sometimes seems that readers will give a pass to dark romance novels but then turn around and point the problematic finger at books that contain the same elements in different subgenres. Dark romance routinely features non-consensual aspects, many of which are the same as, if not much, MUCH, worse than anything we get in this book. On one hand, the fact that a book is labeled a “dark romance” is essentially a trigger warning for this kind of thing. But on the other, shouldn’t we apply a similar standard to a “horror romance?” It’s right there in the name!

So while this book’s love story wasn’t my thing, I’d put that right next to the reason that many “dark romance” novels aren’t my thing. And I’m not sure it’s fair to judge this book’s problematic love story through a different lens than that which we use for a sister genre like “dark romance.”

Overall, I enjoyed this one as a horror novel more than I did as a romance novel, and I’m glad I got to finally check out a book by an author I know Kate’s raved about repeatedly on this blog!

Kate’s Rating 7: A unique and creepy possession story with an entertaining (albeit bordering on problematic) romance storyline, “Devil Inside” was a fun read. But it won’t be for everyone.

Serena’s Rating 7: I could enjoy it for what it was, even if it wasn’t my preferred sort of love story. The horror aspects worked particularly well which I think made up for my disconnect with the love story.

Reader’s Advisory

“Devil Inside” is included on the Goodreads list “All the New Horror Books Arriving in August 2026”.

Kate’s Review: “Back for Blood: Never Whistle at Night Part II”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Back for Blood: Never Whistle at Night Part II: An Indigenous Horror Anthology” by Shane Hawk (Ed.) & Theodore C. Van Alst Jr. (Ed.)

Publishing Info: Vintage, August 2026

Where Did I Get This Book: I received an ARC from the publisher at ALAAC26

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: They’re baaaaaaaaaack!

As any savvy horror fan the monster never truly dies. The team that brought you the bestselling dark fiction anthology Never Whistle at Night has risen, hungry, from the grave to summon more dark delicacies for your delectation. In these twenty-one brand-new, groundbreaking, gruesome stories—authored by both established and newly unearthed Indigenous talent—the contributors are fully embracing both supernatural horrors and the everyday horror of living under colonialist rule.  

Featuring stories of unspeakable yet satisfying terror, from twisted psychological tales to gore-filled monster hunts, this new selection of sinister stories will sate your darkest appetites and leave you slavering for more. Never Whistle at Night, Part Back for Blood is a further celebration of Indigenous survival and the enduring tradition of transforming adversity into art.

Review: Thank you to Vintage for providing me with an ARC of this novel at ALAAC26!

Before I go to ALAAC every year I make a list of books that I hope to find there. I never get my hopes up for any of them, because I know that access is limited (and I’m never upset with the selection of ARCs that the publishers provide), but I do have a few I really cross my fingers for. One of those sought after titles this past year was “Back for Blood: Never Whistle at Night II: An Indigenous Horror Anthology”, edited by Shane Hawk and Theodore Van Alst Jr., because I so enjoyed the first collection and wanted to see which Indigenous voices were going to provide tales of terror this time around. And the hooting and hollering I did when I did see it and did get it was pretty substantial. I had such high hopes for this new collection, and I’m thrilled to report that it was just as grand as I had hoped it would be!!

As I always do for short story collections, I will review my three favorite stories and then the entire series as a whole.

“Party at the Alvarez Ranch” by Mat RudeWalker: It is probably no shock that one of my favorite stories in this collection involved the folklore of a ravenous monster that could be an urban legend, but could also be a true threat in the woods. Two teenagers are attending a party when they stumble upon a lofa, a large beast that eats the flesh of those who are unfortunate enough to encounter it. This one is a pulse pounding down and dirty monster tale, and I really enjoyed the build up, the lore, and then the way it all settles out, as creepy and nasty it was.

“We Don’t Talk About It” by Alina Pete: I think this was my favorite story in the collection, as while it definitely has some scary as hell monster stuff it also has a heartbreaking examination of addiction and denial/familial rejection after being burnt out by a loved one being an addict. A woman returns home one night to find her brother, having left rehab early and asking for help even though she and the rest of the family have tried to create distance after years of anguish. But it becomes clear that her ‘brother’ is actually something else, a being that feeds and feeds on despair and has come to take her as well. I found this one incredibly emotional as well as scary, as Pete brings in mythology about “That One” and creates a devastating tale about how addiction can tear families apart.

“The Corpse Room” by Debra Magpie Earling: This is probably one of the darkest, if not THE darkest, stories in the collection, but that’s no shocker given that it is set in a Catholic boarding school where Indigenous children are abused, tortured, and killed. Teenage girls at a boarding school endure horrific abuses at the hands of the nuns and a new priest, and all fear being sent to the ‘corpse room’ where girls enter but never come out. After one girl goes in, the others are desperate to find out what happened to her. This one made my heart ache on a whole other level, and Earling doesn’t mince words when describing the atrocities perpetrated against children (and babies too) by the Church. It also makes it one of the more cathartic stories in the collection, but it’s just brutal and devastating.

But honestly, it was SO HARD to narrow it down to three, because there were so many FANTASTIC stories in this anthology. I think with the exception of one or two I genuinely enjoyed pretty much all of them (and even the ones that didn’t work for me were more about genre or stylistic choices than anything else). The genres have a large range, and many of the stories not only had some serious scares, but also a poignancy and a reflection of societal issues facing Indigenous people (as well as larger crises, like climate change, that are coming for us all as much as we don’t want to think about it). I also appreciated the large swath of different groups that the authors are members of, showing that there are distinct beliefs, mythologies, and practices between the groups. It’s really just a great collection of horror and dark fantasy stories, and it will surely stick with the reader long after the last page is turned.

“Back for Blood: Never Whistle at Night Part II” is another banger of a horror anthology. If you are a horror fan, definitely pick this one up.

Rating 9: Another solid collection of Indigenous horror and dark fiction, “Back for Blood: Never Whistle at Night Part II” has some unique tales of terror as well as poignant reflections on being Indigenous in North America.

Reader’s Advisory:

“Back for Blood: Never Whistle at Night Part II” is included on the Goodreads list “Indigenous Books 2026”.