Book Description:A debut historical fantasy that recasts Jane Austen’s beloved “Pride & Prejudice” in an imaginative world of wyverns, dragons, and the warriors who fight alongside them against the monsters that threaten the kingdom: gryphons, direwolves, lamias, banshees, and lindworms.
They say a Rider in possession of a good blade must be in want of a monster to slay—and Merybourne Manor has plenty of monsters.
Passionate, headstrong Aliza Bentaine knows this all too well; she’s already lost one sister to the invading gryphons. So when Lord Merybourne hires a band of Riders to hunt down the horde, Aliza is relieved her home will soon be safe again.
Her relief is short-lived. With the arrival of the haughty and handsome dragonrider, Alastair Daired, Aliza expects a battle; what she doesn’t expect is a romantic clash of wills, pitting words and wit against the pride of an ancient house. Nor does she anticipate the mystery that follows them from Merybourne Manor, its roots running deep as the foundations of the kingdom itself, where something old and dreadful slumbers . . . something far more sinister than gryphons.
Review: I keep doing it to myself, picking up books that are re-tellings of Jane Austen’s famous novels, always hoping and yet so often disappointed. But this, this, is why I do it! Every once in a blue moon an author gets it right, not feeling too beholden to the original, while also staying true to the themes and doing proper justice to the characters. I very much enjoyed “Hearstone,” both as a retelling of “Pride and Prejudice” and as an original work of fantasy fiction!
As the summary explains, only the barest of bones of the original story can be seen here. This is a different word with a different history and a different society. Fantastical beasts aren’t simply inserted into the Regency England we know from the original novels. And right off the bat this is a strength of the story. Jane Austen’s works are filled with female characters who in one way or another struggle with the limitations that dictate their lives. White does away with this aspect right away. Women not only populate this world equally, but they are active, functioning members of the world. There were many characters from the original who are gender-swapped, like Colonel Foster who becomes a female commander. This was a particularly interesting and freeing choice, I believe, as the story is laid out in a much more action-oriented manner, and White’s world allows all of her characters to play in it equally. Aliza and Anjey (the “Jane” sister) don’t simply get to know their to-be Rider beaus through balls and dancing, but by contributing to the cause to rid their land of monsters.
The story is also told from first person perspective, another change from the original. But Aliza is an entertaining and relatable leading lady. It is interesting watching her develop her opinions and prejudices from the perspective of her inner thoughts, something we don’t see from Elizabeth Bennet. Further, her change of heart as she learns the truth about Daired and grows to care for him is an interesting arc that feels news and fresh coming from this more introspective viewpoint. Daired himself is an appealing leading man. While there is no competing with Mr. Darcy, Daried’s own prejudices and points of pride make sense for the character. In some ways the fact that he manages to attach himself to Aliza based on very few interactions is both more understandable and less than Darcy’s affection for Elizabeth. The two spend more time together than Darcy/Elizabeth and in situations that would cause attachments to develop more quickly. However, as great as the Aliza is, as a character it is less obvious to see why she would stand out so much to Daired who runs into so many people throughout society. Elizabeth’s sparkly wit and uniqueness were always obvious. However, I very much enjoyed their romance, specifically the added action towards the end of the book.
As for secondary characters, it is interesting to see that White seems to have looked at Austen’s original supporting cast and essentially thought “Man, not everyone can be that obnoxious!” This, too, was a welcome change. Austen’s ability to write the ridiculous side of humanity and people is unparalleled. So rather than try to mimic it, White simply eased up on it altogether. The Mr. Collins character is still silly, but she makes him also a good man who ends up in a truly affectionate marriage. Mrs. Bentaine is still set on marrying off her daughters, but she’s also clearly a loving parent, and her insufferablness is very much cut back on. Even deplorable characters like Lady Catherine and Caroline Bingley are reformed, though still flawed. The Caroline Bingley character is a perfect example of both this more positive reimagining and the increased role that female characters play in the story, being a Rider herself alongside Daired and Brysney.
As for the world-building, I very much enjoyed how White built up her fantasy world around this classic story. Nothing felt forced, and she used the fantasy elements as motivations for the plot, not simply as window dressing to support a pre-determined system of events. All of the major plot points from the original story are inherently tied to the specific aspects of this new world.
This was one of the more enjoyable Jane Austen retellings that I can remember reading in quite a long time. If you enjoyed the originals, but also like high fantasy, I definitely recommend checking this one out!
Book: “Tiny Pretty Things” by Sona Charaipotra and Dhonielle Clayton
Publishing Info: HarperTeen, May 2015
Where Did I Get This Book: The library!
Book Description:Gigi, Bette, and June, three top students at an exclusive Manhattan ballet school, have seen their fair share of drama. Free-spirited new girl Gigi just wants to dance—but the very act might kill her. Privileged New Yorker Bette’s desire to escape the shadow of her ballet star sister brings out a dangerous edge in her. And perfectionist June needs to land a lead role this year or her controlling mother will put an end to her dancing dreams forever. When every dancer is both friend and foe, the girls will sacrifice, manipulate, and backstab to be the best of the best.
Review: I honestly couldn’t tell you what it is, but there is something about the “Drama and mean girl bitchery happening at a boarding school/organization for some kind of art form” trope that I am a complete and total sucker for. It doesn’t necessarily HAVE to be about ballet (after all the movie “Fame” isn’t strictly about that art form and I LOVE it), but it’s just an added bonus if it is. “Center Stage” is by no means a good movie, but if I stumble upon it on the TV I am guaranteed to watch it. “Black Swan” messed me up real good and I could have taken even MORE mental anguish and paranoia from it. Because the competition of being the best within the strict and narrow world of ballet makes people do AWFUL THINGS, according to this trope, and I live for it.
So of course “Tiny Pretty Things” was going to appeal to me. The fact that it has an underlying mystery is really just a bonus, I would have picked it up regardless. But “Tiny Pretty Things” also surprised me in a lot of pleasant ways. In a book that could have easily been about a bunch of spoiled and rich white girls (as the ballet world and culture is disproportionately white), authors Sona Charaipotra and Dhonielle Clayton instead represented a rather diverse cast of characters, and the struggles they all face trying to fit into the ballet box. And they do this seamlessly, weaving these everyday moments of frustration or microaggressions against them into the bigger picture, so their struggles are just a natural, and yet exposed, part of their day to day realities. And there are a LOT of themes here, and since I want to break them all down, we’re going to have a lot to talk about.
One of the themes this book talks about is discrimination in the ballet world, both racial and sexual orientation. Gigi, being the only black student at the school, is always being put in the ‘Other’ role by those around her, be it fellow dancers or even the administrators. Her talents and merits are always being picked apart by those around her, and there is always a question of how much she deserves the roles that she’s getting. June, too, isn’t immune to such treatment, even if it’s to a different extent. Her biracial ethnicity has left her without a group, and since she has never known who her father is she is feeling even more like she has never known her true identity. And while they aren’t given many perspective moments, it’s mentioned that there are a number of the Korean dancers at this school who are absolutely fantastic at dance… but never get lead roles, and rarely get solos, because they just don’t ‘fit’ the part. Not only are racial biases spoken of, but so are those of sexuality and the idea of masculine and feminine ideals. There are two GLBT characters in this book, and while neither of them have perspective chapters, you do get to learn a bit about them through the other girls eyes. William is gay, and is definitely one of the best male dancers at the school. But again, because he doesn’t meet the physical (and yes, sexual preference) ideal of how a male ballerina should be, he too is denied lead roles. And Sei-Jin, June’s enemy, is a closeted lesbian. She torments June but is also terrified that June will tell the world that she’s a lesbian, therein ruining her chances, in her mind, at stardom. I really appreciated that this was touched on in this book when it easily could have just been ignored.
Along with discrimination there is the obsession with perfection and how far you go to achieve it. Be it the eating disorders that June and another girl named Liz are living with, or the Adderall addiction that Bette has, the competition runs all of these girls completely ragged. And this is why even Bette, mean awful HORRIBLE Bette, is a character that I can’t completely hate. She is certainly entitled and spoiled and bordering on psychopathic, but it is because this is all she has been raised to know, even since she was a little girl. She has seen her perfect older sister rise into prominency in the ballet world, and now their emotionally abusive and alcoholic mother wants both of her daughters to be stars. So Bette, who has been raised to be a star, is driven to the extremes beyond her Adderall addiction to achieve this perfection, and starts to spiral into madness when it just can’t quite be achieved. I really liked that this story addresses the fact that these CHILDREN are being completely put through the ringer, and that most of them aren’t going to make it in the ways that they are being pushed to do so.
Which leads us into the mystery of this book (as yes, there is indeed a mystery). Since Gigi is new and black and doing phenomenally well, someone starts harassing her and tormenting her. And while it very well could be Bette (and some of it is Bette because she’s the worst), some of these pranks and taunts are downright violent. While I may have a pretty good idea as to who it is (this is the first in a duology, so it hasn’t been revealed yet), I’m not quite certain. And I love the fact that I’m not quite certain! There are other little mysteries in this book that are a bit more obvious(such as the identity of June’s father, which I won’t spoil here, but it’s really not too hard to figure out), and while that’s fine, the mystery in itself is pretty run of the mill. The joy and power of this book isn’t in the mystery, though there are lots of pretty amazingly over the top moments of drama that surround it. The joy is definitely in the complex issues that Charaipotra and Clayton put in here, as well as, yes, the juicy juicy drama. Whenever a book about ballerinas ends up with one of said ballerinas getting glass shards left in her ballet shoes, you KNOW that I’m going to be a total sucker for it.
I really really enjoyed “Tiny Pretty Things” and will certainly be picking up “Shiny Broken Pieces” as soon as possible. It’s definitely soapy and dramatic, but it uses this premise to talk about other, very relevant problems within the ballet culture. So it’s a double win for me. Definitely pick it up if you want something fun, light, but thoughtful.
Rating 9: Steeped with soapy and sudsy drama, but also taking on some pretty relevant issues within the ballet world, “Tiny Pretty Things” is both a trashy mystery romp and a relevant commentary. A perfect quick read.
Book: “Transmetropolitan (Vol.4): The New Scum” by Warren Ellis and Darick Robertson (Ill.)
Publishing Info: Vertigo, September 2000
Where Did I Get This Book: I own it!
Book Description: Investigative reporter Spider Jerusalem attacks the injustices of the 23rd Century surroundings while working for the newspaper The Word in this critically-acclaimed graphic novel series written by comics superstar Warren Ellis, the co-creator of PLANETARY and THE AUTHORITY.
Review: The more I revisit “Transmetropolitan”, the more I see and deeply feel parallels to our current legal situation, and in turn the more I mourn the lack of a Spider Jerusalem to jump in and start speaking ten kinds of truth. This re-read is both cathartic and upsetting, but the good news is that at least I’m finding myself laughing hysterically at many points of these comics. Because Spider, Yelena, and Channon are all so perfect and filled with snark.
We pick up where Volume 3 left off. Spider (and the world, really) is mourning the assassination of Vita Severn. She’s become a martyr and a symbol for the Callahan campaign. Spider, however, isn’t convinced that Callahan (aka The Smiler) is actually in mourning for Vita. In fact, he has a pretty good hunch that murdering Vita was a political move on the Callahan’s part. And with the election coming up, Spider wants to get the truth out in the only way he knows how. The problem is, there’s no way to win. Because the choices are The Beast, or The Smiler. And either way, Spider, and the country, is screwed….
And along with that we get a Christmas story and a story about the joys of Winter!
Ellis continues his masterful and deft political satire that continues to feel just as relevant today as it felt back when it was first written. While this collection does have a few off shoots and off story vignettes (more on that in a bit), the meat of it is about The Campaign, and Spider’s not so slow realization that there is no good solution. You either get stuck with The Beast, who has driven the country into the ground with oppressive and totalitarian policies, or you end up with The Smiler… Who has managed to prove himself far, far deadlier and menacing than his opponent behind closed doors. There are two moments in this book where Spider confronts both candidates. We get a swift reminder that The Beast is still basically the worst (and he even kind of looks like a certain presidential advisor), but at the same time you see the portrait of a man who is less beastly, and more pathetic and complacent. It was a truly unsettling moment for me as a reader, because it shows that what’s coming is going to somehow be WORSE than the worst. It was a very interesting and kind of pathos ridden final confrontation between Spider and President Beast.
And then there’s The Smiler. It is here that we get full confirmation that he is a full blown psychopath who just kind of wants to watch the world burn. So while The Beast may look like that certain Presidential Advisor, The Smiler shares ethos with him. And it is in this volume that we see Spider, wily, truth pursuing and clever Spider, is bested. Spider had an enemy in The Beast, for sure. But The Smiler is full on intent of annihilating him and wiping him from the Earth. “The New Scum” kind of feels like an “Empire Strikes Back” moment, where almost all hope has been lost and the Empire has won (even more so than Vol. 3, which ended with Vita being assassinated on live TV, and THAT was pretty dismal). Finishing that arc before the next left me feeling drained and in need of chocolate cake.
But along with these painful and ‘oh no it’s far too true to life’ moments, there were small moments of pure hope and joy in this collection. In one of our offshoot stories, Spider finds himself meeting up with Mary, his friend who was frozen from the 20th Century and woke up in a scary and completely different future. As she talks about how different it all is, there are still the little joys that make her happy, even if the world is overwhelming and sometimes scares the crap out of her (and then Spider gives her a camera, as she was a photographer in her old life, and that just made my heart sing). In this same story Spider meets a little girl whose Mom had to pawn her favorite doll…. So Spider buys it back for her. Because he recognizes that “… all we’ve actually got is each other. You decide what that means.” And the other story that really affected me is Spider’s rumination on Winter. Winter means change. Winter means a rebirth is coming. Winter means that we can always look forward to the next one, and maybe next Winter will be better. It was a poignant and stunning one off that, true, feels a little harder to swallow these days. I don’t feel like I’m better off this Winter than I was last Winter. But the point is that Ellis knows that even when there’s all this garbage and terribleness, you can always depend on a couple things: the small joys and kindnesses that you will encounter, and that hope for change and rebirth is always there. In these moments, I was able to feel at least a little calmer.
Thanks for the hope, Spider. And thanks for staying inspirational when it comes to truth and journalism.
Rating 9: “Transmetropolitan (Vol.4): The New Scum” is one of the most hopeless and hopeful collections of this series yet. Definitely hard to read, but impossible to put down.
Publishing Info: Katherine Tegan Books, January 2017
Where Did I Get This Book: I own it!
Book Description:Mary B. Addison killed a baby.
Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: A white baby had died while under the care of a church-going black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? She wouldn’t say.
Mary survived six years in baby jail before being dumped in a group home. The house isn’t really “home”—no place where you fear for your life can be considered a home. Home is Ted, who she meets on assignment at a nursing home.
There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary must find the voice to fight her past. And her fate lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But who really knows the real Mary?
In this gritty and haunting debut, Tiffany D. Jackson explores the grey areas in our understanding of justice, family, and truth, and acknowledges the light and darkness alive in all of us.
Review: Back in January I was in Miami, Florida for a wedding celebration. This also happened to be the same weekend that some crazy and awful shit was going down in this country constitution wise (though this could really mean anything at this point, so I’m specifically referring to the travel ban). During one of the days my husband and I were cooling our heels after family time, I was getting ramped up in an anxiety spiral, so he suggested that we try and find a book store so that I could calm my nerves a bit. We found one in walking distance from our hotel, and I went on a spree. One of the books I picked up was “Allegedly”, as I’d heard some buzz on it and was solidly intrigued by the concept. As bleak and dark as it may be. So I took it on the plane with me and tore threw a lot of it in one sitting.
I liked how unflinchingly honest and real this book was about a great deal of things. Jackson pulls no punches when describing how our criminal justice system treats those who are inside of it, and how it is especially biased against POC offenders. Mary was accused of and convicted of killing a baby, which is, yes, absolutely horrible. But it is made pretty clear from the get go that the attention and rage that is directed at her is based on a deep seated racism in our society. Mary is black, and baby Alyssa was white. Reading about crowds mobbing a NINE YEAR OLD outside a courthouse, demanding the death penalty was gut wrenching, and I was glad that it was put forth multiple times that had the races been reversed between perpetrator and victim, the media wouldn’t have caused such a storm around it. And there on Mary, a child herself, was from then on treated like an adult, an thrown into a legal system that especially punishes people who look like her. I had no doubt that Jackson is taking influence from real life instances, from a nine year old girl being held in solitary to the absolutely abysmal conditions at the group home Mary ends up at.
Not only did I feel that the portrayal of the criminal justice system was accurate, I really liked how Jackson tried to be accurate and fair to portrayals of mental illness in this book. Mary is pretty clearly suffering from some form of PTSD, as her time in prison/solitary confinement as a child has done irreparable damage to her psyche. Instead of going the route of stereotypical symptoms like flashbacks or uncontrollable rage, Mary is skittish, quick to anxiety attacks, and has a heightened sense of flight instead of fight. It’s a side of PTSD that not many people may know about, and I really appreciated that Jackson took such care in her portrayal of it. So, too, is Mary’s Momma portrayed in a pretty realistic way, as a narcissist who may be suffering from bi-polar disorder. We only get to see Momma through Mary’s eyes, but the hints and clues are there that there is definitely something off about her.
Mary herself is a wonderfully created and portrayed narrator (side note: I gotta shout out to the sly aside that one of Mary’s nicknames was Mary Bell… who was also a notorious child aged murderer in England). This book is in the first person, and since Mary has so clearly been stunted from her time in prison there are lots of bits of information that we don’t quite get. The mystery slowly starts to unfold, but you always kind of know that there are things that you are never really going to know about Mary, or her Momma, or the things that happened between them before, after, and even on the night that Alyssa died. You only get to see the various clues to this and the things going on with Ted and at the group home through this lens of a very unreliable narrator. While a lot of the time I think that sometimes this makes some things kind of obvious when it comes to twists, that by hiding certain things you make it obvious that these things are there, Jackson actually surprised me when it really counted. True, I was able to figure out a couple of things, but I feel like it was all one big magic trick that distracted me from the actual solution, so when the actual answers came I was totally knocked off my seat. To the point where I actually said “WAIT….. WHAT?!”
“Allegedly” is a fabulous book that I cannot recommend enough, both for the societal themes and for the well crafted mystery. Fans of YA should definitely read it, but I think that this is a GREAT example of how YA shouldn’t be dismissed. Go and get your hands on it ASAP.
Rating 9: A tense and VERY upsetting book about the modern justice system, mental illness, and attempted redemption. Though it’s definitely a hard read, “Allegedly” is an important one.
But the fun doesn’t stop there! You could have your own copy of this book, as I am hosting a give-away for a hardcover copy! You know you want it. The giveaway will run until March 2nd, 2017. Please see the Terms and Conditions for more details.
We are part of a group of librarian friends who have had an ongoing bookclub running for the several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “Book Challenge!” theme. This book comes from a “Pick a book that has been translated from a different language” challenge.
For this blog, we will post a joint review of each book we read for bookclub. We’ll also post the next book coming up in bookclub. So feel free to read along with us or use our book selections and questions in your own bookclub!
Book: “The Neverending Story” by Michael Ende
Publishing Info: Thienemann Verlag, 1979
Where Did We Get This Book: Kate owns it,
Book Description:This epic work of the imagination has captured the hearts of millions of readers worldwide since it was first published more than a decade ago. Its special story within a story is an irresistible invitation for readers to become part of the book itself. And now this modern classic and bibliophile’s dream is available in hardcover again.
The story begins with a lonely boy named Bastian and the strange book that draws him into the beautiful but doomed world of Fantastica. Only a human can save this enchanted place–by giving its ruler, the Childlike Empress, a new name. But the journey to her tower leads through lands of dragons, giants, monsters, and magic–and once Bastian begins his quest, he may never return. As he is drawn deeper into Fantastica, he must find the courage to face unspeakable foes and the mysteries of his own heart.
Readers, too, can travel to the wondrous, unforgettable world of Fantastica if they will just turn the page….
We are finally back to our book club, which means that we are finally back to our book club posts! This time around, the theme was pretty fun; we each came up with two themes that we put into a hat, and then whichever suggestions you drew, you had to pick what theme you wanted to do. One of the suggestions I got was “A book translated from another language.” It was in that moment that I knew exactly what I wanted to do: “The Neverending Story.” I had grown up watching the movie (and its first sequel, “Neverending Story 2”), and I’m pretty sure that I wore out the video cassette of it that we had. What can I say, eight year old Kate had a pretty serious thing for the movie’s version of Atreyu.
But it took me awhile to actually read the book. The first time was when I was in middle school. I’ve re-read it a few times since then, but it had been awhile. And I knew that going into it I would probably expose myself to criticism and having to rethink one of my favorite books from childhood. But that was actually good for me, in the end.
There are a number of themes that can be found in this book. Sure, there is the usual ‘hero’s cycle’ theme that both Atreyu the warrior and Bastian Balthazar Bux go through. But along with that we get the themes of childhood, broken innocence, grief, and imagination. The book is split into two distinct parts: the first is Bastian acting as a (not actually) passive part of a fantasy story at hand, where the world of Fantastica is falling apart because their leader, the Childlike Empress, is dying. But it’s also because The Nothing is tearing apart the very fabric of its world. But then the second half is about how Bastian, seen as the savior of Fantastica, is taken to a world that is not his own, and is corrupted by the power he is given to save it. While they could easily read as two distinct books, as far as Bastian’s journey goes it comes full circle. I had forgotten that Bastian was such a little punk for the second half of the book, as most of my fond memories come from Atreyu’s journey. But I think that it was a very interesting choice for Ende to make the hero we’re meant to relate to and root for from the get go the one that we’re rooting against by the end. But along with that theme is the ever permeating spectre of grief that haunts the story. Fantastica is falling apart and losing itself, many of its inhabitants dying (including Atreyu’s faithful horse Artax, and don’t even think of telling me that this isn’t one of the saddest moments in movie history, jerks!). But along with that is the fact that Bastian’s mother has recently passed away, leaving Bastian feeling empty and his father lost in his own sadness, and unable to care for his child. Of course Bastian wants to run away from his life; a land of luck dragons and magic and Childlike Empresses has got to be better than the reality he’s living. Even if that land is hard and imperfect as we soon realize it is. Bastian learns that the strongest thing that a person can have is not power, but love, and that his love is needed in his own world, no matter how hard that world is. And Ende created a wonderful cast of characters to help the reader explore these themes, from the brave and loyal Atreyu to the kind and optimistic Falkor the Luck Dragon. God I love Falkor.
There are, of course, some things that left me feeling a bit cringy as I read it. As much as I really, really do love Atreyu, and think that he’s a great character and a wonderful hero for the first half of the book, it complete smacks of European cluelessness that he is clearly based on American Indian Indigenous cultures and merely in a superficial way. While he is himself a complex and well rounded character, the only things we really know about his people and culture is that 1) they hunt buffalo, and 2) they have mystical rights of passage that involve hunting these buffalo, as well as spiritual dreams/connections to said buffalo. It reeked of the ‘Indian as mystic’ trope that is far too prevalent in popular culture and literature. It’s also pretty disconcerting that there are very few women in this book, and the ones that are there are not terribly fleshed out. The Childlike Empress is wise and mysterious, but we know little about her outside of her purity and goodness. The various females Atreyu meets on his journey are just there to give him some info or advice. And then there’s Xayide. She is literally an evil sorceress who is just there to fuck things up for Bastian and turn him against his friends. Not exactly empowering.
All that said, however, I still really enjoyed going back and reading “The Neverending Story.” I think that as an old school fantasy novel it still holds up pretty well, the characters still very beloved and the story still entertaining and wondrous.
I was excited when Kate picked this book as her bookclub choice. I feel like my experience of this story is the same as Kate’s which is the same as many girls our age: it all began with a strong crush on Atreyu from the movie. I mean, c’mon, let’s admit that we all loved him!
However, I never made it past the movie version of the story (though I, too, wore out my VHS copy of the film). I did know that the movie only focused on the first half of the book and while I did watch the sequel film once (I remember that they re-cast Atreyu and I’m pretty sure kid!Serena saw that as an unforgivable crime and never looked back), I have no memory of the story. So I was especially curious to get the second half of the book.
But let’s start with the first half! Right off that bat I was horrified…by the fact that the magical land is called “Fantastica” and I’ve known it as “Fantasia” all along! What is this change?? Cuz now I’m all mixed up about it since I’ve known it as “Fantasia” my whole life only now to discover that this was a change from the original! This was a major internal conflict for me throughout the book. But on a more serious note, I very much enjoyed this first half and how true to the book the movie really did stay in this part. There were changes here and there, some that I preferred in the movie (I think the tension was greater in the movie with the First Gate sphynxs than the way they were described to work in the book) and some that I preferred in the book (man, somehow Artax’s death CAN be even more traumatic!)
I very much the extra insight (though its still very minimal) with regards to the relationship between the Childlike Empress and the land of Fantasia itself. While still confusing and never fully explained, I felt like the connection between her, The Nothing, and the land of Fantasia (I just now realized that I’ve been typing Fantasia instead of Fantastica this whole time! See?! It’s hard!) is a better lain out in the book. I also really liked the character of Atreyu. He was heroic in the movie, but here we see even more how impossible his task was when it was given to him and how brave he would have to be to move forward with so little hope of success.
Bastian on the other hand…Look, I never really liked him in the movie and I didn’t really like him here. Though, I will say that I liked him better in the first half of the book than I did in the movie that covered this portion. Here he’s a bit bumbling, but he picks up on what is going on in a more willing way. Maybe it was just the kid actor in the movie, but I never really liked Bastian there. Kid-me always got very annoyed by the way he reacted to the realization that he was in the book. He got angry instead of inspired, and as a kid who always wanted to live in a book, too, I was never impressed by him.
But then we get to the second half and now I feel completely justified in my initial dislike of him as a kid. Maybe that actor was just channeling this portion of the character all along and was simply done a diservice by only portraying the first half’s version who is supposed to be the more sympathetic of the two. I had a harder time with this portion and I can see why the movie stuck to the first half of the book. It’s just always going to be a bit of a hard sell when you main character turns into a real brat. As Kate mentioned, there are some lovely themes of grief and love throughout this all, but I’m still a bit biased towards the first half. Though this is honestly probably due to the movie’s lasting influence on me. Oh well!
Kate already covered a few of the problematic issues of the book, so I won’t go into them myself. They were distracting, but I wouldn’t say anything was overly offensive to a point that it affected my reading of the story. Just a bit unfortunate, ultimately.
All told, I very much enjoyed this book! While I enjoyed the first half more than the second, it was an interesting read altogether. I imagine especially for the time the “metaness” of the story itself was particularly interesting, and, even now when this approach has been explored in other books (“The Princess Bride” comes to mind a bit), it still has some fresh takes on a story-within-a-story.
Kate’s Rating 9: Though it is certainly not perfect and has some flaws that I had a hard time overlooking, “The Neverending Story” is still a fun and wondrous fantasy book with lots of deep and meaningful themes and lovely characters.
Serena’s Rating 8: I second what Kate said! One point lower for me as I did find myself struggling a bit at times with my increasing dislike of Bastian, but still a thoroughly enjoyable read!
Book Club Questions:
1) What do you think about the world of Fantastica and how it’s influenced by our world? Is the thought of readers having influence on stories a theme that you enjoyed?
2)Ende clearly took some influence from American Indian cultures/stereotypes when he created the character of Atreyu. How do you feel about him as a character throughout this story? What do you think of his portrayal?
3)Bastian starts out the story as a passive character who is merely reading a book, but finds out that he has the ability to influence the world of Fantastica. What did you think of his journey from the beginning of the story to the end?
4)In this book there is the constant spectre of devastation, grief, and loss, be it the destruction of Fantastica by the Nothing to the loss of Bastian’s mother. What do you think Ende was trying to say about these feelings of despair and grief within human nature?
5)There are many instances within this book where Ende would hint at other stories and adventures of certain characters, but would say ‘but that’s another story and shall be told another time’. Which of these stories would you most want to learn about?
Book: “Everything You Want Me To Be” by Mindy Mejia
Publishing Info: Atria/Emily Bestler Books, January 2017
Where Did I Get This Book: The library!
Book Description:Full of twists and turns, Everything You Want Me to Be reconstructs a year in the life of a dangerously mesmerizing young woman, during which a small town’s darkest secrets come to the forefront…and she inches closer and closer to her death.
High school senior Hattie Hoffman has spent her whole life playing many parts: the good student, the good daughter, the good citizen. When she’s found brutally stabbed to death on the opening night of her high school play, the tragedy rips through the fabric of her small town community. Local sheriff Del Goodman, a family friend of the Hoffmans, vows to find her killer, but trying to solve her murder yields more questions than answers. It seems that Hattie’s acting talents ran far beyond the stage. Told from three points of view—Del, Hattie, and the new English teacher whose marriage is crumbling—Everything You Want Me to Be weaves the story of Hattie’s last school year and the events that drew her ever closer to her death.
Evocative and razor-sharp, Everything You Want Me to Be challenges you to test the lines between innocence and culpability, identity and deception. Does love lead to self-discovery—or destruction?
Review: Small towns and their secrets. It’s a plot device that I am a huge sucker for. I don’t know if it’s because both my parents grew up in small towns and have many stories to tell and spill the tea on, but it has always been the kind of story that I can get behind. From “Twin Peaks” to “Peyton Place”, the Small Town Secrets trope can be incredibly tantalizing. The description of “Everything You Want Me To Be” makes it pretty clear from the get go that this is the kind of book that you’re going to be reading, and I can’t tell ya enough how happy that makes me. Sudsy, dark, seedy, scandalous books are sometimes just what the doctor ordered, and it was a page turner that I greatly enjoyed.
Okay, so yes, perhaps part of that enjoyment is taken from the fact that this book takes place in small town Minnesota. Any book or film or show that takes place in my home state is going to get an advantage from me, just because you don’t see it all that often. And Mejia being from here definitely gave it that feel of authenticity, as you can tell that she knows the culture and knows some of the nuances of the people and towns that are outside of the larger cities. As I read this book I couldn’t help but think about the Jacob Wetterling Case a little bit, a kidnapping that happened in central Minnesota that went unsolved for 27 years (go HERE for a very well done podcast about the crime, the investigation, and the aftermath). There were many people who thought that it could just never happen there, and whenever something along those lines was said about Pine Valley, my stomach clenched up. Mejia captured the naïveté of a ‘simpler’ life and society very well.
I also thought that all of the perspective characters in this book were written very well. None of them were simple caricatures, when they very easily could have been. The first perspective is from Del Goodman, the sheriff of the county who is in charge of investigating the murder of Hattie Hoffman. He’s a friend of her family and has always known her as a sweet, intelligent girl who had big dreams and a big heart. That is really how most of the town knows her, and Del is determined to bring her killer to justice. He could very, VERY easily fall into the trope of craggy and stubborn sheriff who has seen a lot but never can accept that it ‘could happen here’. But instead he’s pretty level headed and is there to piece together the clues that we get as he finds them. But along with him we get two more perspectives. The first is if Peter, the new English teacher at the school who moved to small town Minnesota with his wife Mary to help his ailing mother in law. He’s a fish out of water from Minneapolis, and Mary has made it clear that she doesn’t see him as robust and ‘manly’ now that he’s on the farm. So when he starts up an online relationship with the mysterious “HollyG”, he finds validation and solace he feels he’s lost at home. Of course, as one could guess, HollyG is Hattie. Peter could VERY easily be portrayed as a predatory and insecure asshole who is merely trying to manipulate and recapture his youth/stroke his ego. But Mejia definitely makes him far more complex than that. He radiates ennui and frustration, and desperation, and while she never lets him off the hook, you can understand how he got on the hook in the first place. And then there’s Hattie. Hattie could either be portrayed as a small town girl with big dreams who gets caught up in her own hopes and wishes…. Or of a man-eater whose ambitions lead to manipulation and abject cruelty all in the name of getting what she wants. However, she really treads the line between both, and instead you get a girl who feels trapped inside a place that is far too small for her, and is desperate to escape by any means necessary. I was expecting to end up hating her, be it because she was too pure or because she was a complete psycho. But she never went that far. And I ended up pleased with that.
Mejia brings these three narratives together to tell a very strong mystery about what happened to Hattie. And I will say, I was definitely taken for quite the ride. There were hints and clues that were dropped that I thought were far too obvious, only for them to be completely different from what I thought. Then there were things that I thought had to be red herrings, that actually ended up being completely legitimate, but framed in such a way that you HAD to think they were misleading! It was a real trip. All of this bundled together to make it so I didn’t know who did it, I wasn’t certain of the motive, and everything I knew was wrong. True, there were a couple of revelations and resolutions that left me feeling a little ‘oh, is that all?’ because of so many well done twists and turns, but ultimately I really enjoyed the path that we had to take to get to the solution to the crime. And boy was it hard for me to put this book down until I had that solution. For the first time in a long while I was at work wishing that the day could just be over already specifically because I wanted to go home and finish this book.
“Everything You Want Me To Be” is the best thriller of the year so far, and it’s going to have to have some pretty stiff competition thrown it’s way to have it overthrown. Definitely, DEFINITELY check this one out if you like thrillers. You will not be disappointed.
Rating 9: A provocative and addictive book that kept me guessing the whole time. Though I feel there was a slight anticlimax, I was still very drawn in and entertained. Definitely one to check out if you want a fun and worthwhile thriller.
Book: “The FitzOsbornes in Exile” by Michelle Cooper
Publishing Info: Random House Australia, April 2010
Where Did I Get this Book: audiobook from the library!
Book Description:Forced to leave their island kingdom, Sophie FitzOsborne and her eccentric family take shelter in England. Sophie’s dreams of making her debut in shimmering ballgowns are finally coming true, but how can she enjoy her new life when they have all lost so much?
Aunt Charlotte is ruthless in her quest to see Sophie and Veronica married off by the end of the Season, Toby is as charming and lazy as ever, Henry is driving her governess to the brink of madness, and the battle of wills between Simon and Veronica continues. Can Sophie keep her family together, when everything seems to be falling apart?
An enticing glimpse into high society, the cut and thrust of politics as nations scramble to avert world war, and the hidden depths of a family in exile, struggling to find their place in the world.
Review: Kate and I read the first book in this young adult trilogy, “A Brief History of Montemaray,” for bookclub and as I was more enamored by it than she was, I decided to continue with the trilogy. Especially since the ending of the last book left a large, lingering question mark over the future of the FitzOsborne family and their small, island kingdom.
Driven away from their remote home, this book refocuses the story on more typical, historical fare: debutantes, dinner parties, and their poor Aunt Charlotte’s ever-long struggle to marry off her young charges. But, sprinkled within these more frivolous aspects, was a running commentary on the dramatic, and often tragic, historical happenings of the time.
While the first book took place over a few short months, was limited by its location, and was told from the perspective of a much younger character, this story expands itself in every way. The book takes place over the course of 2-3 years, leaving us with an 18-year-old Sophie by the end of it. Throughout the time, we see her mature as a narrator, and, even more interestingly, watch the slow shifts that went on throughout the world during this tumultuous time period.
Without going into a political rant, I was particularly fascinated by the slow, steady evolution of these events. As a reader, we know how these things turn out and have the perspective of time to influence our opinions. Through this book, we see how small concessions and small moments of willfully turning a blind eye to the plight of those we (as a country or as a smaller group) deem disconnected from us can lead to very negative events. There was also a particularly fascinating bit where Sophie and Simon discuss the appeal of these types of populists leaders, how their message can be so easily tuned to the wishes and prejudices of each specific audience group, and how broad promises and the creations of “others” to blame can have massive appeal when people are desperate.
Beyond the political and historical aspects of the story, I enjoyed watching these characters change and grow throughout the story. The first book gives us such a brief glimpse into their lives, that, while I loved many of them, it was also easy for each to fall into stereotypes (even if I loved some of those stereotypes like bookworm!Veronica). But here, we see how Toby’s struggles with school more broadly reflect his confusion with his place in his family and the world. How Veronica’s political and historical interests stand up against the onslaught of British high society. How Sophie learns to see the strengths in her own, more quiet, personality.
I also loved the introduction of a few new characters. Aunt Charlotte was brilliant. Similar to the Dowager Countess from Downton Abbey, she is a character that is written in a way that while she spouts some rather unfeeling, aristocratic nonsense, she does it in such a comical way that the reader ends up loving her for it.
There is also the introduction of Julia’s brother, Rupert, who seems to be set up as a potential love interest for Sophie. And, as he spends large portions of the book carrying around an injured doormouse in his pocket and feeding the squirrels, he seems quite suitably sweet for our lovely main character.
I very much enjoyed “The FitzOsbornes in Exile.” In fact, I would say that it was even better than the first, benefiting from a more extended timeline, a closer connection to historical happenings, and more mature characters.
Rating 9: An excellent, young adult historical fiction piece. Definitely recommended for fans of the WWII era who are interested in the quieter side and effects of the build up to the war.