Kate’s Review: “Giant Days (Vol.1)”

25785993Book: “Giant Days (Vol.1)” by John Allison & Lissa Treiman (Ill.)

Publishing Info: BOOM! Box, December 2015

Where Did I Get This Book: The library!

Book Description: Susan, Esther, and Daisy started at university three weeks ago and became fast friends. Now, away from home for the first time, all three want to reinvent themselves. But in the face of handwringing boys, “personal experimentation,” influenza, mystery-mold, nu-chauvinism, and the willful, unwanted intrusion of “academia,” they may be lucky just to make it to spring alive. Going off to university is always a time of change and growth, but for Esther, Susan, and Daisy, things are about to get a little weird.

Review: I’m sure I’m not alone in this, but I look back at my time in college and get overwhelmed with a massive wave of nostalgia. I really came into my own in college, I made friendships that I cherish to this day, and I have lots of fond memories of the various misadventures my friend group and I got into while on and around campus. When my friend and fellow librarian Jenny told me about “Giant Days”, I looked into it and knew that it was something I definitely wanted to check out. A university setting starring quirky and snarky girls could be a bit of a gamble for me (given that TOO quirky can put me off), but I trusted Jenny, and requested the first volume of the series. And boy oh boy, did I immediately miss college.

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Let me take this moment to say GO GOPHERS! (source)

“Giant Days (Vol.1)” is more of a collection of vignettes as opposed to a large, overarching plot at this point, and said vignettes focus on three unlikely friends just starting out at University. There’s Susan, an ill tempered and cynical tomboy who puts on a tough facade even though she’s actually fairly sensitive. There’s Esther, a dramatic and emotional beauty who is goth to the core and rather impetuous. And finally there’s Daisy, the sweet and somewhat naive kind soul who is loyal and hard working. They all share a dorm, and while they seem like they wouldn’t get along, it’s their differences that make them totally suited for each other. They find themselves dealing with a new home, the flu, perverted boys, and the ups and downs of romance, usually with very snide and hilarious results. Author John Allison is certain to make all three of the characters flawed and awkward as they try to navigate their new path, and is never unkind towards them, even when putting their sometimes bad behavior on display. Their banter and their interactions made me smile and laugh a large number of times, and it felt refreshing to see a college story focusing on predominantly women characters and the foolish shenanigans that they get into. I feel like that’s afforded far more often to dudes, and seeing some of the bullshit that Susan, Esther, and Daisy get into made me think of the lady friends I had in college and some of the dumb things we did. All of them are relatable and fun to follow, and super easy to root for even when they’re being ridiculous.

As I mentioned above, as of now “Giant Days” is mostly separate vignettes, though the stories have had some overlap between each other. One segment would focus on a specific arc, then the next segment would be a different arc that might have been hinted at in segment one. I liked that it meant that they could stand on their own, and then we could go into a fresh story with new possibilities and stakes. It also meant that each of our three main characters got to deal with the conflict of the segment in their own ways, and got basically equal time to navigate the plot (the only example I can think of where this wasn’t necessarily the case was when Esther ended up on a ‘hot or not’ website run by a bunch of cretins, but even then we saw how Susan and Daisy reacted as well). I am curious to see if this format continues into the later volumes, or if larger plot starts to form. As of now, I like the vignettes, but I don’t know how long my investment would hold if it continued.

Finally, I really REALLY love the artwork by Lissa Treiman! She has done work for a number of recent Disney movies, and you can definitely see the similarities between those styles and the ones you see in this. It makes for very vibrant and expressive faces and designs, and part of the humor comes from the imagery.

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“Giant Days (Vol.1)” is a fun and humorous read, and those of you who are feeling extra nostalgic for friendships from your formative years will find so much to like here. I’m definitely going to continue on with this series, because I can’t get enough of Susan, Esther, and Daisy.

Rating 8: A snarky and witty graphic novel involving three irreverent college women, “Giant Days (Vol.1)” will make you nostalgic for college, and will remind you of the joys of friendships in your young adult years.

Reader’s Advisory: 

“Giant Days (Vol.1)” is included on the Goodreads lists “Girls Read Comics”, and “Female Power Comics”.

Find “Giant Days (Vol.1)” at your library using WorldCat!

Kate’s Review: “Pumpkinheads”

40864790Book: “Pumpkinheads” by Rainbow Rowell and Faith Erin Hicks (Ill.)

Publishing Info: First Second, August 2019

Where Did I Get This Book: The library!

Book Description: Deja and Josiah are seasonal best friends.

Every autumn, all through high school, they’ve worked together at the best pumpkin patch in the whole wide world. (Not many people know that the best pumpkin patch in the whole wide world is in Omaha, Nebraska, but it definitely is.) They say good-bye every Halloween, and they’re reunited every September 1.
But this Halloween is different—Josiah and Deja are finally seniors, and this is their last season at the pumpkin patch. Their last shift together. Their last good-bye.

Josiah’s ready to spend the whole night feeling melancholy about it. Deja isn’t ready to let him. She’s got a plan: What if—instead of moping and the usual slinging lima beans down at the Succotash Hut—they went out with a bang? They could see all the sights! Taste all the snacks! And Josiah could finally talk to that cute girl he’s been mooning over for three years . . .

What if their last shift was an adventure?

Beloved writer Rainbow Rowell and Eisner Award–winning artist Faith Erin Hicks have teamed up to create this tender and hilarious story about two irresistible teens discovering what it means to leave behind a place—and a person—with no regrets.

Review: Halloween has come and gone (pardon me while I sigh deeply over this fact), but it’s still technically Fall, even if in Minnesota our weather starts to trend towards Winter a bit earlier than other places. Given that Fall is such a short season here, I cherish it as long as we get to experience it. “Pumpkinheads” is the perfect Autumn story. It has a pumpkin patch, it takes place on Halloween, and it brings to life all of the best Autumn sights, games, and treats. Rainbow Rowell has always been great at creating charming and relatable characters and settings, and therefore she was probably the perfect person to create a story about two pumpkin patch workers on their last shift ever. Highjinx, nostalgia, and candy apples galore ensue!

Josiah (or Josie) and Deja are our seasonal BFF protagonists, coworkers who only interact when they are working at DeKnock’s World Famous Pumpkin Patch & Autumn Jamboree. Josiah is shy and pragmatic, while Deja is effervescent and free spirited. They work at the succotash stand together (this concept alone was so ridiculously endearing) and are besties until the season ends. This is their last night working at the patch, as it’s Halloween and they are both graduating in the spring and moving on. Their friendship was the beating heart of this book, and Rowell is superb at showing why they are such a good friend match through one night of misadventures. It reminded me of the classic film “American Graffiti”, as both in that film and in this book we really get a sense of these two people based on one seemingly random night. But we get to see through the happenings of that night so much about both of these characters that I felt like I knew everything about them by the time I was finished and their last shift had come to an end. I loved both of them for different reasons, and found them both to have lots of layers that were well explored. Josiah is sweet and shy, but also filled with hesitation that has prevented him from talking to his crush Marcy for three years. Deja is kind and adventurous, but she also can be capricious and impulsive. They balance each other out and their relationship is fun to see as she drags him around the patch in hopes of making his romantic dreams come true (and in hopes of finding all the delicious food to munch on. SO relatable). There is also the always looming bittersweet reality that once their night is done, they aren’t sure if they will ever see each other again. It’s light hearted and yet bittersweet.

Rowell also nails the joys of the Autumn season. This is certainly a kinder and gentler way to spend one’s Halloween, but the pumpkin patch is filled with all the fun things you want from this kind of thing: hayrides, candied apples, pumpkin picking, a corn maze, you name it, this place has it. I could practically smell the hay and the apple cider, and it felt like I was seeing a number of my favorite Autumn festivals come to life on the page. I WANTED TO VISIT DEKNOCK’S WORLD FAMOUS PUMPKIN PATCH & AUTUMN JAMBOREE!

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And I can’t guarantee I would leave unless I was dragged away. (source)

And the icing on this pumpkin cake is that the illustrations by Faith Erin Hicks perfectly complement Rowell’s story. They are expressive and detailed, but also have this coziness to them that just evokes feelings of Autumnal nostalgia.

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I really enjoyed reading “Pumpkinheads”. Rainbow Rowell is such a delightful author who always writes such pleasing stories. Keep that Fall spirit alive and grab this one to read over some hot apple cider and something pumpkin-y!

Rating 8: A very cute seasonal story with fun characters, a cheerful setting, and an adorable plot.

Reader’s Advisory:

“Pumpkinheads” isn’t on very specific Goodreads lists as of yet, but it would fit in on “Best Books to Read in Autumn”, and “Black Girl Comics”.

Find “Pumpkinheads” at your library using WorldCat!

Serena’s Review: “In the Woods”

46650269._sy475_Book: “In the Woods” by Carrie Jones and Steven E. Wedel

Publishing Info: Tor Teen, July 2019

Where Did I Get this Book: NetGalley

Book Description: It should have been just another quiet night on the farm when Logan witnessed the attack, but it wasn’t.

Something is in the woods.
Something unexplainable.
Something deadly.

Hundreds of miles away, Chrystal’s plans for summer in Manhattan are abruptly upended when her dad reads tabloid coverage of some kind of grisly incident in Oklahoma. When they arrive to investigate, they find a witness: a surprisingly good-looking farm boy.

As townsfolk start disappearing and the attacks get ever closer, Logan and Chrystal will have to find out the truth about whatever’s hiding in the woods…before they become targets themselves. 

Review: This was kind of a whim request on my part. The description itself sounds more like the kind of book Kate would typically read than me. But I knew I’d need to have a few scary-ish stories lined up for October to at least pretend to be in the season of things, so here we are! However, it turned out that this book was more closely aligned to my reading habits than I had thought. Alas, that didn’t necessarily translate into increasing my enjoyment of it.

Something or someone is attacking things in Logan’s rural hometown. First it was cattle, but now people are beginning to be attacked as well. And the killer is only growing more bold, coming literally out of the shadows to attack in broad daylight. When Chrystal and her father, a man who chases adventure, arrive on the scene, they team up with Logan and his family to try and catch whomever or whatever is behind these mutilations. And as Logan and Chrystal grow steadily closer to each other romantically, and closer to the truth of the mystery, they soon find themselves no longer the hunters, but now the hunted.

So this was a tricky book for me. It’s so different than what I thought it would be that it’s hard to know how much of my experience was due to my expectations and how much was due to the book just not hitting the mark for me. It’s a strange twist, however, when the fact that I had thought I was intentionally reading out of my preferred genre somehow backfired when I found out I was actually reading more within it. I’m not quite sure what the marketing decisions were behind why this book was presented as it was, but I definitely went in thinking it was going to be some type of creepy, YA, serial killer story. Nope! Much more aligned with monster horror and cryptozoology stories. And yeah, on the face of it, those are my thing, but something about the way it was presented here just didn’t click for me.

Really, I don’t think it had anything to do with the monster angle. Yeah, I was looking for serial killer, but let’s face it, I’m not super dedicated to that or anything. My bigger problems had to do with the story itself and its two main character. There are hints of good characters here, but the writing itself let them down. The dialogue was almost laughable at times, and their relationship falls into the worst traps of instalove. They literally first meet and “feel a connection.” Not only is this not interesting, but it’s the laziest kind of romance building. No need to establish why two characters come together when they both “just know” instantly! Done, hard work finished. Now onto the mushy stuff! Ugh. My feelings about instalove have been well-established, so I’ll stop there.

The plot itself was rather lackluster. Sure, there were some fun, tense scenes sprinkled here and there, but there were too many moments where things happened that didn’t make sense or stretched my sense of plausibility beyond enjoyment. Much of the mystery is telegraphed to the reader pretty early in the story, so the reader is often ahead of the characters in terms of reveals. This is all made harder due to the writing which was just kind of banal. As I mentioned before, the dialogue was the real problem; didn’t read as natural which made it a constant distraction.

In the end I think it was six of one as to why this book didn’t click for me. On one hand, it wasn’t what I expected and contemporary stories featuring instalove have to be up there on my “most disliked” list. On the other hand, the strained writing and lackluster plot didn’t recommend it to me either. Readers who are more interested in contemporary YA and monster stories (notably NOT serial killers) might enjoy this. But I also think there are better options out there doing similar things.

Rating 5: Right down the middle of my rating system and largely forgettable.

Reader’s Advisory: 

“In the Woods” isn’t on any Goodreads lists, but it should be on “Cryptofiction.”

Find “In the Woods” at your library using Worldcat!

Serena’s Review: “Heartwood Box”

41541611Book: “Heartwood Box” by Ann Aguirre

Publishing Info: Tor Teen, July 2019

Where Did I Get this Book: NetGalley!

Book Description: In this tiny, terrifying town, the lost are never found. When Araceli Flores Harper is sent to live with her great-aunt Ottilie in her ramshackle Victorian home, the plan is simple. She’ll buckle down and get ready for college. Life won’t be exciting, but she’ll cope, right?

Wrong. From the start, things are very, very wrong. Her great-aunt still leaves food for the husband who went missing twenty years ago, and local businesses are plastered with MISSING posters. There are unexplained lights in the woods and a mysterious lab just beyond the city limits that the locals don’t talk about. Ever. When she starts receiving mysterious letters that seem to be coming from the past, she suspects someone of pranking her or trying to drive her out of her mind. To solve these riddles and bring the lost home again, Araceli must delve into a truly diabolical conspiracy, but some secrets fight to stay buried…

Review: This was an impulse request mostly because I was in the mood for something creepy and the title/cover art combo seemed to fit those criteria pretty well. The description of a teenager discovering the mysteries of a strange, small town just cemented by interest. But while the book does deliver on what it sets out to do, it didn’t quite match up with what I was looking for.

Araceli doesn’t know what to expect when she shows up at the small town where her great-aunt lives. But a town full of missing people and mysterious happenings in the woods surrounding it is not what she had in mind for her visit. Soon enough these mysteries end up knocking on her own door and curiosity and bewilderment quickly turn into fear and a fight for not only her future, but those who have been lost before her.

This is a tough book to evaluate, mostly due to the fact that it’s just not the type of book I read often. And for the reason that I typically don’t enjoy them as much as others. I’m not sure where the line is between “contemporary fantasy” and “urban fantasy,” but there definitely is one and it’s enough to make me greatly prefer the latter to the former. In this book’s case, there were a few aspects of the former that didn’t quite fit with what I was looking for.

First, our main character, Araceli. Most of the fantasy fiction that I read that features young protagonists is set in a world or time period where a young age doesn’t mean the same thing it does here. Teenagers often find themselves in very adult situations and it is perfectly normal that they be there. And, in fact, they have often been raised to expect to operate in an adult fashion by this age. This makes many YA fantasy novels essentially read as adult fantasy novels (I won’t start up again on the marketing mechanisms behind these choices).

So in part I’m simply not used to reading teenagers that, well, act like teenagers. It’s not really the fault of the book that Araceli is a believable teen and thus often makes poor decisions. But I won’t concede some of the dialogue. Teenage characters don’t have to sound immature in their speaking, and there were often bits of both her actual voiced comments as well as the commentary in her head that read as even more juvenile than necessary for belivablilty.

My other main struggle came down to genre confusion. Simply put, there are too many genres and genre conventions vying for page time in this book. I had a hard time settling in to any one type of story. Some genre blending is to be expected, but this one had a bit too much on its hands with fantasy, thriller, horror, and mystery all packed in. I think it was more a fault of blending than anything. It felt a bit too obvious when the story switched from one genre focus to another, reading as bumpy and jarring rather than a smooth, unnoticeable transition.

The mystery of the story is good, though the comparison to “Stranger Things” is a bit too on the nose. I mean, creepy woods. Dudes in bio-hazard outfits. People disappearing. We get it. But still, I was intrigued enough about discovering what exactly was going on that I was able to get through my general frustration with the main character and some bumpy writing.

Essentially, if you’re a fan of contemporary YA fiction and enjoy a fantasy/horror aspect to your tale, you might really like “Heartwood Box.” Most of my complaints for this one are purely my own preference, so take that with what you will. I do think the writing lacks a bit to be desired overall, but that’s not a deal breaker if this kind of story is your thing.

Rating 6: Not for me. “Realistic” teenagers apparently annoy me too much.

Reader’s Advisory: 

“Heartwood Box” is  a new title and isn’t on many Goodreads lists. But it should be on “YA Fantasy Set in the Real World.”

Find “Heartwood Box” at your library using WorldCat!

Kate’s Review: “The Missing Season”

39937609Book: “The Missing Season” by Gillian French

Publishing Info: HarperTeen, May 2019

Where Did I Get This Book: I received an eARC from Edelweiss+

Book Description: Whenever another kid goes missing in October, the Pender kids know what is really behind it: a horrific monster out in the marshes they have named the Mumbler.

That’s what Clara’s new crew tells her when she moves to town: Bree and Sage, who take her under their wing; spirited Trace, who has taken the lead on this year’s Halloween prank war; and magnetic Kincaid, whose devil-may-care attitude and air of mystery are impossible for Clara to resist.

Clara doesn’t actually believe in the Mumbler. But as Halloween gets closer and tensions build in the town, it’s hard to shake the feeling that there really is something dark and dangerous in Pender, lurking in the shadows, waiting to bring the stories to life.

Review: Thank you to Edelweiss+ for sending me an eARC of this novel!

I’ve been racking my brain, but given that I lived in a fairly large metro area when I was a kid (and still do for that matter) I can’t think of any ‘urban legends’ that were prevalent in my hometown during my childhood. The closest I can come is when two mean girls in first grade tried to convince me that at midnight if you looked up at the sky you’d see a star that would automatically kill you and everyone you loved, and yes, I totally fell for it. But in terms of rumors turned folklore, I can’t recall any. But I’ve always been fascinated with localized urban legends, even back then, so finding books that have those themes are always going to grab my interest. That’s why I was so eager to read “The Missing Season” by Gillian French, a YA mystery thriller that includes tales of a mysterious figure called “The Mumbler” that supposedly snatches teens up during Halloween season. I went in expecting a mystery thriller with ambiguous horror elements. But instead, I got… a mishmash of themes that didn’t work for me.

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Me as I was reading this book and I still wasn’t clear in regards to its intent… (source)

“The Missing Season” takes place in the smallish town of Pender, and our protagonist Clara has just moved there due to her father’s somewhat nomadic career in construction. As our main character, I will say right off the bat that I liked Clara and I liked following her story and point of view. She lacks the luxury of being able to make connections because of the chance she might be moving again, so when she does make these connections there is a palpable fear of losing them, even if it isn’t outright said. The biggest conflict of this kind is the friendship between her and a girl named Bree. Bree, along with another girl named Sage, takes an immediate shine to Clara, and their friendship is a mix of the rush of having a girl pal, and the angst of competing with that girl pal in ways that were unanticipated. I know this familiar feeling all too well from my adolescent years, and I thought that French did a great job of showing it instead of telling it. The conflict in this case is the competing affections for local mysterious outsider Kincaid, who is the deepest in The Mumbler mythology of all the friends that Clara makes. The underlying tension and hurt between the two friends was the strongest aspect of this book, and the ways that Clara did, or in some cases didn’t, deal with that conflict felt very realistic.

But here is the problem with “The Missing Season”: it is very much marketed as a mystery thriller, and the description makes it sound like a new missing kid case is the center of the novel. But it’s very much not. The center of the novel is Clara’s relationships with the kids in town, and how she navigates her friendship with Bree and her need to fit in as those things come in conflict with the relationship she wants with Kincaid. Sure, another kid goes missing, and sure, there’s a question of what happened to her, but it wasn’t focused on nearly as much as I thought it was going to be. Instead, most of the conflict was Clara worrying about what Kincaid’s deal was, and what was going to happen to her new friendship with Bree if Clara and Kincaid did pursue their mutual feelings for each other. It wasn’t until the last fifth of the book that a full conflict with another child kidnapping raised the tension and thriller stakes, and even by then it was wrapped up VERY quickly, so quickly it almost felt like the author realized that oh yes, this was supposed to be a mystery thriller, better toss in a climax and wrap it up as quickly as possible. Even the ultimate solution felt tossed in there, with a couple of hints and clues scattered early on in the book, but not in a way that felt cohesive to a mystery. I kept waiting for the mystery and tension to build, but it plateaued very early at a level that wasn’t terribly high. I would be more inclined to call this book a contemporary realistic YA fiction book with some mysterious elements, but not enough for it to be considered an actual ‘thriller’. And because of that, I was totally let down by “The Missing Season”. If I had gone in with the expectations of this  being about a teenage girl’s bildungsroman I think I would have enjoyed it much more than I actually did, but as it was I couldn’t enjoy the story. I felt too duped.

I hesitate to write off “The Missing Season” for everyone, because my expectations were in a completely different place than they should have been. If you go in without the supposition that it’s a thriller, it may be more appealing. But, given that it’s trying to portray itself that way, I don’t feel comfortable recommending it as it’s presented.

Rating 5: While I liked the protagonist, the description of this being a ‘thriller’ did not fit the content of the story, and because of that I was pretty disappointed with “The Missing Season”.

Reader’s Advisory:

“The Missing Season” is included on the Goodreads lists “Halloween in YA and Middle Grade Fiction”.

Find “The Missing Season” at your library using WorldCat!

Spring Giveaway: “Heroine” by Mindy McGinnis

40536342Book: “Heroine” by Mindy McGinnis

Publishing Info: Katherine Tegan Books, March 2019

Book Description: An Amazon Best Book of the Month! A captivating and powerful exploration of the opioid crisis—the deadliest drug epidemic in American history—through the eyes of a college-bound softball star. Edgar Award-winning author Mindy McGinnis delivers a visceral and necessary novel about addiction, family, friendship, and hope. 

When a car crash sidelines Mickey just before softball season, she has to find a way to hold on to her spot as the catcher for a team expected to make a historic tournament run. Behind the plate is the only place she’s ever felt comfortable, and the painkillers she’s been prescribed can help her get there.

The pills do more than take away pain; they make her feel good.

With a new circle of friends—fellow injured athletes, others with just time to kill—Mickey finds peaceful acceptance, and people with whom words come easily, even if it is just the pills loosening her tongue.

But as the pressure to be Mickey Catalan heightens, her need increases, and it becomes less about pain and more about want, something that could send her spiraling out of control.

Giveaway Details/Mini Review: I read “Heroine” after purchasing it on a whim while on a book store run, and it blew me away. It didn’t quite make the cut for a review on this site for various reasons, but I can tell you that it’s good. It’s dark. It’s raw and difficult and a gut punch. But it’s also an honest look at the opioid epidemic in our country, and how it can affect just about anyone. I was emotionally wrung out after I read it, but I thought that it was a very important, if not heartbreaking, read. And on top of that, it’s absolutely riveting. Mindy McGinnis is a strong and gritty voice in YA fiction, and her stories will suck you in. So because of that, I wanted to give one of you a chance to see for yourself, so I’m running a giveaway of a hardcover, mostly brand new copy of it.

This Giveaway is open to U.S. Entrants only, and will run until April 29th. Good luck and happy reading!

Enter the Giveaway HERE

Serena’s Review: “Dry”

38355098Book: “Dry” by Neal Shusterman and Jarrod Shusterman

Publishing Info: Simon & Schuster Books for Young Readers, October 2018

Where Did I Get this Book: Edelweiss Plus

Book Description: The drought—or the Tap-Out, as everyone calls it—has been going on for a while now. Everyone’s lives have become an endless list of don’ts: don’t water the lawn, don’t fill up your pool, don’t take long showers.

Until the taps run dry.

Suddenly, Alyssa’s quiet suburban street spirals into a warzone of desperation; neighbours and families turned against each other on the hunt for water. And when her parents don’t return and her life—and the life of her brother—is threatened, Alyssa has to make impossible choices if she’s going to survive.

Review: Important first note: I literally just now, starting to write this review, figured out what that cover design was. It’s a water drop being eaten up by flames from below. For the life of me I couldn’t figure it out the entire time I was reading the book, only seeing the blue portion and being like “…is it…a feather?? What does that have to do with this topic?”

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Living in southern California, Alyssa and her family have been hearing about the water shortage for a while now. But like any other news that is told too often, they have quietly gone about their lives not expecting any big changes. Sure, they’d water the lawn less and swimming pools have been banned, but life goes on. Until one day the water turns off. Completely. And in a very short period of time Alyssa comes to realize just how fragile her life and community has been. With the lack of this one crucial resource, chaos and danger quickly descend and she finds herself fighting for her life alongside her brother and a random assortment of other teenagers: the son of the prepper family next door, a teenage girl who has been living by her own laws for years, and a teenage boy with a gift for gab and his own shading dealings. Who can she trust and more importantly, where can they go if they want to survive?

Teaming up with his son, Shusterman once again proves why he is a master of dystopia fiction. What makes this book special is how very real it feels. While “Scythe” looks at a completely foreign society, there are still enough aspects of humanity to imagine this as a very true future. “Dry,” instead, feels as if it could happen tomorrow and that makes it all the more terrifying. Not only is the threat one that we can understand, but it is one that already feels like it is on our door, at least to some extent. But both “Scythe” and “Dry” rely on the very honest and true portrayals of how humanity operates in crisis. In this book, we see how very quickly “society” can devolve and makes the world we live in feel as if it is simply balancing on a very thin knife’s edge. Reacting on spectrums, we see all the extremes in reactions to how a crisis like this might play out. But what makes it all the more disturbing is the transformation of regular people into survivors who will quickly cross moral boundaries to horrific results.

I particularly the way this novel was lain out, with points of view from not only Alyssa but the other teenagers in her group. And between these sections we also saw glimpses into small moments throughout the city as people respond to this crisis. One woman’s time trapped on a freeway. A reporter who finds a way to twist the situation to her benefit. A factory manager who quickly find himself at the center of a mob. Each serves as harsh reminders of the plethora of dangers that immediately show up in a situation like this and how crucial every decision has to the one’s own survival.

Beyond these glimpses, each of the teenage characters were interesting to follow. And what made them all the better as narrators was that there was no assumption that they were all “heroic” as readers often expect from our point of view characters. Instead, they each have their own strengths and weaknesses, and, more importantly, their own priorities that can often run in conflict with other members of the group. While Alyssa does feel like the “main” character, I found myself much more invested in the story of her neighbor who is the son of a family of preppers. His arc felt the most fully-realized of the group. Alyssa, on the other hand, was probably one of least favorite. While she presents an important point-of-view, being the most optimistic and moral of the group, she also had an early tendency to make very bone-headed decisions when all the evidence was already against her. She had already seen the depths to which humanity had sunk and was still taking dumb risks with the idea that these same people would somehow react differently. It made her read as naive and a bit silly at times.

But the strength of this story really lies with its plotting and descriptions of the horrors brought about by an event like this. Unlike many other disaster/post-apocalyptic stories, there is no major BOOM that sets things off. Instead, it is something much more insidious and quiet. We also see how this lack of “boom” surrounding a situation like this would play against it, with too many people not treating it with the seriousness it deserves. There is a clear commentary on global warning that can be drawn from this, but both Shustermans are careful to not beat readers over the head with it too much. Instead, the discomforting “realness” of the situation does all the work for them on this point.

This story was gripping and impossible to put down. I was frantically turning pages with a feeling of growing dread. And by the last page, while this story was completed (it’s a standalone work), I was left thinking about it and, let’s be honest, mentally prepping for days. I highly recommend this for fans of post-apocalyptic stories and Shusterman’s writing in particular.

Rating 9: A horrifyingly real-feeling story about the collapse of humanity in crisis situations.

Reader’s Advisory:

“Dry” is a newer title so it isn’t on any relevant Goodreads lists, but it should be on “Natural Disaster Fiction.”

Find “The Dead Zone” at your library using WorldCat!