Book Club Review: “Moonshot: The Indigenous Comics Collection (Vol 2)”

37675578We are part of a group of librarian friends who have had an ongoing bookclub running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “B-Sides,” where we pick different books from previous authors that we read in the club.

For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Moonshot: The Indigenous Comics Collection (Vol. 2) by Hope Nicholson (ed.)

Publishing Info: Alternate History Comics Inc., 2018

Where Did We Get This Book: The library!

B-Side Book: “Moonshot: The Indigenous Comics Collection (Vol.1)”

Book Description: The highly anticipated second volume of the multiple award-winning collection is here! MOONSHOT The Indigenous Comics Collection Volume 2 brings you even more original comic book stories, written by Indigenous authors from across North America. Gorgeously illustrated by a mix of award-winning artists, Volume 2 will take you on a stunning journey through this world, and to worlds beyond!

Kate’s Thoughts

If you guys remember, I read “Moonshot Volume 1” a couple years ago, and really really enjoyed it. I loved the artwork, I loved the varied stories, I loved that it gave a platform to voices who we don’t hear nearly enough of in literature. Now we come to “Moonshot Volume 2”, and I knew that while I would like it, it would be hard to top my love for the first collection. And yet “Moonshot Volume 2” did. I think that what I liked more about this one (as much as I loved the first) was that it felt like it tackled more issues within Indigenous communities, such as suicide, addiction, the murder and abuse of Indigenous women, poverty, and water rights. While I found all of th stories strong in their own ways, I had a couple favorites that I will lay out here.

“Worst Bargain in Town” by Darcie Little Badger and Rossi Gifford (Ill.)

This story, originating from Lipan culture, is mostly about cultural appropriation of Native aesthetics and fashion, and how White Culture tries to benefit off of it while taking power and ownership from Native groups. Kat and Laura are two Lipan women who are wary of the new beautician in town, who REALLY wants to cut their hair. Turns out this hairdresser is a demon that is taking the hair she cuts and consuming it, sapping the power from the hair’s owners. I liked that it touched on the issue in two ways. The first and more obvious connection is how the beautician is taking the culture from Indigenous women and benefiting from it. You see this in non metaphorical ways in everyday life, be it buying Native designs from non-Native artists for clothing or decor, or through those people who wear head dresses at outdoor music festivals, etcetera. But the other way goes back to a more direct form of colonialism, as Native Children in America were taken from their homes and sent to boarding schools in an effort to ‘civilize’ them, where their hair would be cut. Given that within the Lipan culture hair is a source of strength, the metaphor in this story is especially chilling. The illustrations, however, are fun and lighthearted, and while one may worry that it may take power away from the story, it doesn’t.

“Water Spirits” by Richard Van Camp and Haiwei Hou (Ill.)

Given the visibility of the NODAPL movement, Water Rights have been a hot topic within the public consciousness as of late. Richard Van Camp’s story concerns a school field trip going to a now defunct mine, and being led on a tour by a Native man who has a lot of knowledge of it’s history and how the mine has changed and affected the community. This story examines the consequences of capitalism at the expense of the environment, and how our Western culture tends to value things that are arguably not as essential (like gold within this mine) as VERY essential things (like water). There is a certain simplicity to this story, as it’s really just a field trip, but the message comes through loud and clear: we are poisoning the Earth because of our capitalistic values, and we won’t be able to come back from it. What really stood out for me in this story, however, was the artwork. It has a very realistic, almost Roto-Scope quality to it, and it’s uniqueness really made it pop off the page.

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I mean just look at it. (source)

But all of the stories are strong. If you haven’t read the “Moonshot” books yet, do yourself a favor and get your hands on them.

Serena’s Thoughts

Unfortunately, I had to return my copy to the library, so I don’t have have a list of the individual story titles and authors in front of me. Instead, my portion of the review will focus on general topics/themes throughout the book.

I’m also in the camp of enjoying this collection more than the first. While I didn’t review it here, I did read it and really liked many of the stories. In this second iteration, it felt like the collection simply felt more comfortable in its skin, more fully embracing its own concept and messages. As opposed to the first collection, many of the stories in this collection delved into topics that are currently heavy hitters in the Native population.

Kate mentioned water rights, but there were also intensely sad (and sensitive) explorations of the high suicide rate that exists in Native nations. I particularly enjoyed (doesn’t feel like that should be the right word about such a sad story) a story about a young man who is experiencing grief at the loss of another boy close to him to suicide. The artwork in this particular story was also gorgeous and worked perfectly with the somber subject matter, painting its images in muted hues of blues and greens.

There were also a few stories that leaned into the science fiction/fantasy angle, and of course I really loved those, too. The art in these were particularly love, with vibrant colors and interesting animation choices for how characters are drawn.

There were a few stories that I did struggle with, however. Particularly the first story in the book. This one picked up seemingly in the middle of a story and also was incredibly short. It was interesting, but also a bit confusing and off-putting. I think it was definitely worth including, but I question choosing to have that story introduce the collection as it isn’t really representative of what’s to come and could turn off the casual browser.

Overall, however, I very much enjoyed “Moonshot Volume 2” and highly recommend it!

Kate’s Rating 9: A fabulous and powerful collection that has a lot of salient points and a lot of heart, “Moonshot Volume 2” is a must read for comics fans.

Serena’s Rating 9: An even stronger outing that the first, “Moonshot Volume 2” leans into contemporary challenges faced by the Native nations.

Book Club Questions

  1. If you have read “Moonshot Vol. 1”, which collection did you prefer more? Why?
  2. There are multiple issues that affect Indigenous Communities that are touched upon in these stories. Did any of these themes have an especially striking affect on you? Which one, and why?
  3. How familiar are you with topics that were discussed in this collection, such as Water Rights, Cultural Appropriation, abuse cycles, etcetera? Did reading these stories make you want to learn more about these things?
  4. Did you feel that the artistic choices and illustrations reflected all of the stories well? Were there any stories where you felt that the art really strengthened it? Or weakened it?
  5. What was your favorite story within the collection? What was it about this story that stood out for you?

Reader’s Advisory

“Moonshot: The Indigenous Comics Collection (Volume 2)” is not included on any Goodreads lists, but it would fit in on “Indigenous Peoples”, and “Graphic Novels & Comics By The Aboriginal, Indigenous and Native People’s of the World”.

Find “Moonshot: The Indigenous Comics Collection (Volume 2)” at your library using WorldCat.

Kate’s Review: “Supergirl: Being Super”

35531016Book: “Supergirl: Being Super” by Mariko Tamaki, Joelle Jones (Ill).

Publishing Info: DC Comics, June 2018

Where Did I Get This Book: The library!

Book Description: She’s super-strong. She can fly. She crash-landed on Earth in a rocket ship. But for Kara Danvers, winning the next track meet, celebrating her 16th birthday and surviving her latest mega-zit are her top concerns. And with the help of her best friends and her kinda-infuriating-but-totally-loving adoptive parents, she just might be able to put her troubling dreams–shattered glimpses of another world–behind her.

Until an earthquake shatters her small town of Midvale…and uncovers secrets about her past she thought would always stay buried.

Now Kara’s incredible powers are kicking into high gear, and people she trusted are revealing creepy ulterior motives. The time has come for her to choose between the world where she was born and the only world she’s ever known. Will she find a way to save her town and be super, or will she crash and burn?

Caldecott Honor and Eisner Award-winning writer Mariko Tamaki (This One Summer) and Eisner Award-nominated artist Joëlle Jones (Lady Killer) combine forces for this incredible coming-of-age tale! This is the Girl of Steel as you’ve never seen her before.

Review: Kara Danvers, aka Supergirl, has recently had something of a pop culture renaissance. The success of the CW show “Supergirl” has had a huge hand in that, as it has brought Kara to the forefront for the past few years. I enjoy “Supergirl” for the most part, and I think that it does do Kara justice, but what we didn’t get from that show was Supergirl’s teenage years, instead putting her solidly in her early twenties when it began. I think that part of the appeal of Supergirl initially was that she is a teenager, and therefore has the usual trials and tribulations that a teenage girl would have (though back when she was first created a lot of that was steeped in sexism of the time). So while I’ve enjoyed the TV version of Kara, and the “Bombshells” version of her as well, I was really hoping to get a new take on a teenage Kara eventually. And my hopes were answered thanks to Eisner Award Winner Mariko Tamaki, who wrote the mini series “Supergirl: Being Super”.

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Exactly. (source)

Mariko Tamaki has been at the graphic novel game for awhile, with one of her more notable books being “This One Summer”. This story is about early teenage girls spending the summer at a cabin, and focuses on coming of age themes as well as learning about some sad truths about the world. It’s a quiet and emotional story, and therefore Tamaki is the perfect person to helm a Supergirl origin story. This version of Kara has loving family and good friends, but her powers have been kept secret from most people in her life. While she understands why they need to be kept secret, we’re told in bits and pieces the cost of hiding her identity from those around her has had in her life. Life is hard enough when you’re a teenager trying to find yourself, it’s even harder when you don’t know where you came from, you don’t know why you are the way you are, and you have to keep it inside. Much like “This One Summer”, “Supergirl: Being Super” has a lot of heartbreaking and poignant themes and moments, with Kara going through loss and and identity crisis at the heart of the story. After a horrific trauma happens to her and the rest of the town, and someone close to her dies, Kara begins to spiral. The pain that she is going through, as well as seeing her parents trying to help her get through it while letting her know her pain is valid and real, led to many a teary eyed moment as I read this book. Kara is flawed and angsty, but she is also bright and friendly and very real, and I loved the arc that she followed in this story.

Tamaki also created a lovely cast of characters to be in Kara’s life. From her parents to her mentors and her friends, the supporting characters are all well rounded and add depth and vibrancy to the story. The two who I would argue are the most important are her two best friends, Liz and Dolly. They are all on the track team together, and their conversations and interactions were all very true to life and familiar to me, as someone who was a teenage girl once. Additionally, I liked that while they are all best friends with similar interests, they are also pretty different as well, having their own unique personalities that contribute different things. And even the antagonists in this book (and there are a few) are so well structured and characterized that the reader can see where they are coming from, and why they do the things that they do, even if they are ultimately terrible things.

And do not worry. Krypton plays a large role in this story too, even if Kara is well beyond her time on that doomed planet. It isn’t a Superman or Supergirl story unless Krypton is involved, and Tamaki made it feel fresh and original.

The artwork is done by Joelle Jones, who I have reviewed here for her “Ladykiller” series. I love Jones’s artwork and style, and I think that she brings such vibrant detail to these characters, as well as making them all so original and unique.

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I cannot recommend “Supergirl: Being Super” enough. I love the story that Tamaki and Jones have given Kara, and while I know that there are no official plans for Tamaki to continue the story I am holding out hope that DC will beg her to come back and give us more.

Rating 9: A wonderful and fresh origin story for Supergirl, “Supergirl: Being Super” is a great story for fans of Supergirl of all ages.

Reader’s Advisory:

“Supergirl: Being Super” is (maddeningly) not included on many Goodreads lists, but I think that it would fit in on “Comics and Graphic Novels by Women”, and “Comics for Teen Girls (that are not Japanese Manga)”.

Find “Supergirl: Being Super” at your library using WorldCat!

Kate’s Review: “Scarlett Hart: Monster Hunter”

34499251Book: “Scarlett Hart: Monster Hunter” by Marcus Sedgwick and Thomas Taylor (Ill.)

Publishing Info: First Second, April 2018

Where Did I Get This Book: The library!

Book Description: Scarlett Hart, orphaned daughter of two legendary monster hunters, is determined to carry on in her parents’ footsteps—even if the Royal Academy for the Pursuit and Eradication of Zoological Eccentricities says she’s too young to fight perilous horrors. But whether it’s creepy mummies or a horrid hound, Scarlett won’t back down, and with the help of her loyal butler and a lot of monster-mashing gadgets, she’s on the case.

With her parent’s archrival, Count Stankovic, ratting her out to T.R.A.P.E.Z.E. and taking all the monster-catching rewards for himself, it’s getting hard for Scarlett to do what she was born to do. And when more monsters start mysteriously manifesting than ever before, Scarlett knows she has to get to the bottom of it and save the city… whatever the danger!

In his first adventure for middle-grade readers, acclaimed YA author Marcus Sedgwick teams up with Thomas Taylor (illustrator of the original edition of Harry Potter and the Philosopher’s Stone) to create a rip-roaring romp full of hairy horrors, villainous villains, and introducing the world’s toughest monster hunter—Scarlett Hart!

Review: Rarely can you find an author who can jump from genre to genre with ease. A lot stick within their strengths, which may  be limited to one or two genres. It’s true that sometimes you get some who can shift between them and be strong in all of them (Stephen King and J.K. Rowling come to mind for me), but I wouldn’t necessarily expect it of an author, great ones included. So Marcus Sedgwick just keeps completely surprising me. He has written dark fantasy (“Midwinterblood”), straight up horror (“White Crow”), speculative Science Fiction (“The Ghosts of Heaven”), and realistic crime fiction with a literary zest (“Saint Death”). And he does a good job in all of them. Now we can add children’s graphic fantasy to his already impressive list of genre jumping, with “Scarlett Hart: Monster Hunter”. Given that the last book I read by him was the brutal and violent and depressing “Saint Death”, I thought that he couldn’t POSSIBLY make a realistic shift to a fun fantasy for children.

And yet “Scarlett Hart: Monster Hunter” is exactly that. Scarlett is a mix of Anne Shirley and Buffy Summers, as she’s a plucky monster hunter with a lot of heart but also a bit of sad baggage. She is determined to follow in the footsteps of her parents, both renowned monster hunters in their own right who died in the line of duty, but is too young according to The Royal Academy for the Pursuit and Eradication of Zoological Eccentricities (T.R.A.P.E.Z.E.). With the help of her guardian/former servant Napoleon White she breaks the rules, wanting to make her parents proud. I loved Scarlett, for her tenacity and her recklessness, and I loved how she and Napoleon banter and work together in their monster hunting. Napoleon himself is a fun stereotype/send up of the stuffy Gilded Age British  butler, with his worry about the state of his car and restrained frustration with Scarlett’s antics. Their interactions are both funny and sweet, and you get a good sense of both their motivations and devotions to her late parents as well as his devotion to her because of a sort of surrogate parental instinct. It’s very Buffy and Giles.

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With all the father/daughter-esque joy and none of the angst. (source)

The monsters themselves are pretty standard villains, but they have some fun tweaks and twists added to them. We’ve all heard of the Hound of the Baskervilles Church Grims, and mummys and gargoyles. But while they are presented as menacing and definitely scary, the tone is lighthearted enough that kids who may not like scary things will probably be able to enjoy the monster hunts themselves. The true villains of this story are Count Stankovic, who was the arch rival of Scarlett’s parents and hates her just as much, and, in some ways, society. T.R.A.P.E.Z.E. is a very strict group, seeming to  be mirrored off of old Victorian secret societies that you might see in other books like this, and one of the rules is that Scarlett is too young to officially hunt, under threat of punishment if she is caught. But given that is her main source of income now that she has been orphaned, she has little choice, especially since women during this time period (Victorian? Edwardian? I’m not totally certain) really didn’t have many options if they were on their own. Seeing her fight against norms of the society she lives in is fun and encouraging, and I think that a lot of people, kids and teens alike, will find a lot to relate to with her.

I also really enjoyed the artwork for this book. It’s cartoony enough to be entertaining to the audience it’s written for, but there is a lot of depth to it as well. I’m not too surprised, given that Thomas Taylor was the original artist for the cover of “Harry Potter and the Philosopher’s Stone” in the U.K. He’s made a career for himself beyond that, but he was the first. And his talents are definitely on display in this book.

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(source)

“Scarlett Hart: Monster Hunter” is a comic that I think will be perfect for end of summer reading for kids and teens alike. Heck, if stories about spunky orphans getting into some daring do is your thing, you’ll probably like it too! Marcus Sedgwick has now branched his writing talents into the middle grade community, and I think that he is going to fit in just swimmingly!

Rating 8: A fun and sweet romp with good characters and a solid premise, “Scarlett Hart: Monster Hunter” is just another example of Marcus Sedgwick’s talent as a writer.

Reader’s Advisory:

“Scarlett Hart: Monster Hunter” is fairly new and not on many Goodreads lists. But it is included on “Great Graphic Novels for Girls”, and I think it would fit in on “Women Leads: Kids Books and Comics”.

Find “Scarlett Hart: Monster Hunter” at your library using WorldCat!

Kate’s Review: “DC Bombshells (Vol.6): War Stories”

35939533Book: “DC Bombshells (Vol.6): War Stories” by Marguerite Bennett, Aneke (Ill.), Mirka Andolfo (Ill.), Laura Braga (Ill.).

Publishing Info: DC Comics, April 2018

Where Did I Get This Book: The library!

Book Description: The ultra-popular statues from DC Collectibles come to life in their own ongoing hit comic book series, now in its sixth and final installment!

The Bombshells face their final battle as a supernatural Nazi invasion begins! On top of that, Hugo Strange unleashes his failed lab experiments on Harley Quinn and Poison Ivy’s circus and Lois Lane has her chance to avenge her family on the villain — will she take the shot? Amid the chaos, discover Lex Luthor’s true colors as he reveals which side he’s really on, and what that means for the future of the Bombshells!

The incredibly popular DC Collectibles line is brought to life in these stories that reimagine the course of history! From writer Marguerite Bennett (BATGIRL, EARTH 2: WORLD’S END) and featuring artists including Marguerite Sauvage (HINTERKIND), Laura Braga (Witchblade) and Mirka Andolfo (Chaos) comes DC COMICS: BOMBSHELLS VOL. 6. Collects DC COMICS: BOMBSHELLS #25 and #30-33.

Review: I didn’t realize it when I reviewed our previous “DC Bombshells” Collection that “War Stories” was the last in the first large series within this alternate historical universe starring the awesome ladies of DC. I also didn’t realize that the second series, “DC Bombshells: United” was cancelled about a year into it’s run. Trust me, if I had known these things when we last visited this series, I would have gone on a long rant. In fact I’m pretty sure that I will be ranting before this review is through. But for now I’m going to try and focus on the big finale and pretty solid wrap up that was “DC Bombshells: War Stories”. Let’s see how long it takes me before I start going off. I’ll try to keep my cool.

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Don’t mind me, I’m totally calm. (source)

When we left off, Ivy and Harley were in Russia helping civilians out, Raven had stowed away with them to try and find her father, Zatanna and Constantine were trying to find her, and Kara and Lois Lane had tracked down Hugo Strange and found that he’d used some of Kara’s DNA to make a clone of her, whom he called Power Girl. Also there was another captive they rescued, named Superman. And The Suicide Squad showed up, led by Batgirl and including Frankie, Killer Croc, Enchantress, and Ravager. So in this volume, all of these stories come to a head. Sadly, this means that Wonder Woman, Batwoman, The Batgirls, and Mera are all absent from this final volume in this large arc/first series, and to me that didn’t sit right. I know that all of them are going to have more to do in “DC Bombshells United” as the focus turns to the home front and the ills the American Government commits against it’s own citizenry, but this was a significant end and shift, and I think they should have shown up in some capacity. But the stories here as they are are all pretty satisfactory in spite of this glaring absences. I especially enjoyed the Suicide Squad mission, which took our team into a German Sub in hopes of finding Luc, Batgirl’s long lost paramour. I liked this storyline  because while it continued the themes of Nazi occultism and mystic plotting, we got to see Edward Nygma and a few Lovecraftian-esque threats. Plus, this Suicide Squad is pretty excellent, all of them with a 1940s flair, which means that in my mind Killer Croc has a Mid-Atlantic accent and that just tickles me. Along with this already bonus storyline we get another one involving some of the Batgirl of Burnside characters, mainly Frankie, Qadir, and Nadimah dabbling in some magical mischief. It was a one off and didn’t really add much to the overall plot, but it was still enjoyable and fun to see more characters appear in this alternate timeline.

The climax of this series, however, comes with the Battle of Leningrad, as the Bombshells have to come together to not only fight Hugo Strange, Killer Frost, and the Nazis, but to try and save Leningrad and the people there. I liked seeing all of the ladies come together in one place, and I felt like they all got some decent moments to shine within this final battle. That said, it wouldn’t be a pivotal battle of a series if there wasn’t some sadness and sacrifice, and while it never reaches levels of Stargirl loss here, there are definitely repercussions and moments of sadness for some of our characters, which all were executed with deft emotion and feeling. What I love about this series is that it shows that sadness and pain are not weaknesses in our characters,, and it’s refreshing to see that some characters do get lost in their emotions, both in good ways and in bad ways. But even when it’s in bad ways you never get the sense that these emotions are bad to have, just that they need to be used in less destructive ways. Its a theme we see a lot in these stories and it makes me wonder if a comic that was starring the males of DC would be so bold as to take that stance. I think I know the answer to that, sadly.

And finally, there is a whole new threat that comes from the Russian side and brings more storyline to Kara and her origins: Faora Hu-El from Krypton has arrived once more (seen previously WAAAAAY back when Supergirl and Stargirl were being used as Russian Propaganda), and boy has she brought some serious baggage to our finale. And since I want to discuss it here, this is our SPOILER ALERT moment that almost always pops up in this series. One of the things that “DC Bombshells” has done is made this universe and it’s characters and storylines very female centric, and that has altered some backstories here and there. The biggest alterations to date are pretty Kryptonian centric. Not only is Superman a clone of unknown origins created in Strange’s lab (as far as well know at this juncture), Kara’s own origin story is shaken up with the arrival of Faora, who tells her that she is a perfect being created by Faora, Alura, and Lara. It’s pretty neat and ballsy to reveal within this final battle that Supergirl, the last true Kryptonian (given Superman’s new origin) and most powerful being in the story,  is the product of three women and Kryptonian science. I have this image of ‘well actually’ toxic nerdboys pitching a HUGE fit about this. But that’s what “DC Bombshells” has always been about: it’s about women at the forefront, women supporting and loving and fighting women, and women as the main components of a story, with guys playing the traditional roles that women have played in comics for years. Frankly, it’s genius.

Which is ALL THE MORE REASON THAT IT SUCKS THAT DC HAS PULLED THE PLUG. Representation in comics is so important because representation in all types of media is important. With women being in the lead, women of all races, religions, and sexual orientations, “DC Bombshells” has been one of the best comic series DC has when it comes to representation (especially since apparently “Batwoman” is ALSO getting axed! Sure, I wasn’t a fan, but BATWOMAN IS IMPORTANT)! DC is still going to toss a whole lot of bank into it’s middling AT BEST movies (“Woman Woman” not included, and holy SHIT is THAT ironic given the context of this rant) and keep rebooting Batman and Superman over and over AND bastardize Alan Moore’s “Watchmen” universe for funsies, but it can’t throw a bone to a series where women are at the forefront and aren’t sexualized and objectified through a male-only gaze? IT’S UNACCEPTABLE!!!!

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Hey, I lasted awhile before I full on lost it, right? (source)

Well, regardless, this first arc of “DC Bombshells” comes to a solid close in “War Stories”, and while I know that “Bombshells United” isn’t as long, I’m going to really, REALLY savor it as I make my way through. These DC women continue to create a better world filled with compassion and justice, and I know that even though it’s ending that won’t change the importance of this series as a whole.

Oh, and is Black Canary going to show up in this next series? Asking for a friend.

Rating 8: A solid and mostly satisfying end to the first major arc of the “Bombshells” comics, “DC Bombshells: War Stories” is a wrap up with most of the characters we love, though a few notables were missing and it was very noticeable.

Reader’s Advisory:

“DC Bombshells (Vol.6): War Stories” is included on the Goodreads lists “2018 Lesbian Releases”, and it would fit in on “Diverse Heroes in Comics/Graphic Novels”.

Find “DC Bombshells (Vol.6): War Stories” at your library using WorldCat!

Previously Reviewed:

 

Kate’s Review: “Lady Killer: Vol. 2”

30347784Book: “Lady Killer: Vol.2” by Joëlle Jones

Publishing Info: Dark Horse Comics, May 2017

Where Did I Get This Book: The library!

Book Description: The killer housewife is back! The Schuller family has moved to Cocoa Beach, Florida, where life carries on as usual. Josie continues to juggle Tupperware parties, her kids, and a few human heads. However, when someone from her past tails her on a hit, she may be in for more than she bargained for.

“Lady Killer is worth its weight in gold for the art alone, but the enigmatic Josie Schuller is the real appeal.”—Newsarama
“A level of violence that can only be described as Mad Men’s Betty Draper meets Dexter.”—Comic Book Resources

Review: Given that I enjoyed the first volume of “Lady Killer” by Joëlle Jones, it was a long and difficult wait for “Volume 2” to finally come out. Assassin Housewife Josie Schuller was a character that went above and beyond my expectations in the initial tale, an archetype that could have easily fallen into sex kitten kitsch lie so many other ‘badass’ women before her (Harley Quinn, anyone?). But the strength of her character lies within her complexity, and her multifaceted life and personality makes her an intriguing and fascinating protagonist, and I was excited to see where the choices she made in the previous book took her.

When we left Josie she had broken ties from the group that hired her on as an assassin. In a rather, uh, flamboyant way. Now she and her family (consisting of her husband Gene, her twin daughters Jane and Jessica, and her suspicious mother in law Mrs. Schuller) has moved to Florida, and Josie is working as a free agent assassin as well as maintaining the role of a perfect homemaker. By day she throws cocktail parties and barbecues, by night she’s killing targets. The duality of an ideal 1960s housewife and a cold blooded killer is both hysterical, but a bit barbed as well. Even hit women need to juggle it all, and have certain facades to maintain just as many women today feel a need to do so. I love seeing Josie interact with both her targets and her family. Her love and devotion to Gene is lovely to see (especially since he’s so clueless about who she is and what she is capable of), and little interactions with her daughters shows the fierce love she has for them and keeping them safe, be it from physical dangers or loutish, inappropriate men and their ‘humor’.

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She slits people’s throats but she’ll be damned if some creep says nasty stuff in front of her kids. (source: Dark Horse Comics)

One of the realities of Josie’s new life, however, is that by working solo she doesn’t have the support she had in the past, which makes flying under the radar more difficult. It was one thing to take out a target and have others there to clean up for you; it’s quite another to have to deal with it yourself, especially if you are a petite lady. I like that Jones was realistic in that Josie, capable assassin or not, struggled with body disposal and clean up, and had to turn to a shady character from the past, Irving, to help her with it all, as well as finding herself approached by another group that may want to strike a partnership. I like that Josie is frustrated that she needs help, and wants to continue her career on her own terms. But of course, with everyone having ulterior motives and underestimating the excellence that is Josie Schuller, nothing can come easy, and she finds herself the victim of the toxic assumptions that even though she’s a trained killer, ultimately she’s a woman, and therefore exploitable. The themes are evergreen, aren’t they?

Speaking of underestimating women, Josie isn’t immune to it. We get some background to her crabby and suspicious mother in law, Mrs. Schuller, who up until now Josie has seen as a mere thorn in her side. Turns out, Mrs. Schuller has a lot of stuff she’s been hiding, and some of her knowledge and backstory sparks off some dangers for Josie, and in turn their shared family. I am going to go into this a bit because I have a lot to say and dissect with this revelation, so consider this your warning for

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(source)

As it turns out, Mrs. Schuller used to work as a clerk for the Nazis. She’s now living a secret life in the U.S., hiding her past from those around her. I personally was uncomfortable with this revelation. While I like that it helped propel another plot line further along, it feels gross to me that this woman is pretty much getting off scott free as of now for being an honest to God Nazi. I appreciate the device of her being able to recognize ‘badness’ when she sees it, and that it means that she has some, um, skills that may come in handy down the line, but ultimately I really dislike that she is a foil to Josie. It’s a monster recognizing a ‘monster’ kind of situation, and I find it hypocritical that she wants Josie away from her son and grandchildren when she actively helped commit genocide. It’s a huge blip in what had, up until that point, been a stellar story, and sets it off kilter for me. But if we are willing to set aside the whole Nazi thing, it does show some interesting parallels between Josie and her mother in law, and how they both love their family fiercely in the face of hiding  very large and very dangerous secrets. Secrets that can’t keep sustaining themselves.The idea that Gene will forever be in the dark about Josie’s profession is a tedious one, and I was worried that we would continue to see Josie making roasts, stirring martinis, and keeping him in the dark to a laughable degree. But Jones makes a pretty ballsy decision in this volume that lays the groundwork for Josie’s perfect facade to start cracking as things become more and more out of control. We are left on a pretty big cliffhanger and potential gamechanger about this, as well as the return of someone who could REALLY mess things up for Josie’s personal life.

So Nazi storyline aside, I really enjoyed “Lady Killer: Volume 2”, and the growth and shift that Josie Schuller maneuvers within in. I had to wait so long for this volume, and I have the feeling the the next one will also be a wait. It’s one that I am more than willing to wait for, though. However impatient I may be.

Rating 8: A fun follow up with my favorite assassin housewife, Josie Schuller continues to buck gender norms and subvert expectations of 1960s womanhood! “Lady Killer: Vol. 2” keeps the fun going and I can’t wait for the story to continue.

Reader’s Advisory:

“Lady Killer: Vol.2” is included on the Goodreads lists “Great Graphic Novels (released in 2017)”, and should be included on “Women Creators in Comics”.

Find “Lady Killer: Vol. 2” at your library using WorldCat!

Kate’s Review: “Batgirl and the Birds of Prey: Source Codes”

34662772Book: “Batgirl and the Birds of Prey (Vol. 2): Source Codes” by Julie Benson, Shauna Benson, Roge Antonio (Ill.), and Claire Roe (Ill.).

Publishing Info: DC Comics, December 2017

Where Did I Get This Book: The library!

Book Description: The origin of the new Oracle—the super-hacker who has become an invaluable ally to the Birds of Prey—is revealed in the newest collection of BATGIRL AND THE BIRDS OF PREY!

Oracle’s connection to the mastermind known as Calculator causes stain on his relationship with Batgirl, Black Canary and the Huntress. Black Canary goes undercover to discover the secrets of the woman called Blackbird, who can unlock any super-being’s true potential. But Blackbird doesn’t just enhance powers—she takes them for herself, making her an army of one who threatens the Birds of Prey’s biggest secrets. Can guest stars Green Arrow and Nightwing turn the tide against this incredible new foe? Or will they be Blackbird’s newest victims?

Gotham City’s greatest super-team is a force to be reckoned with in BATGIRL AND THE BIRDS OF PREY VOL. 2: SOURCE CODE! From writers Shawna Benson and Julie Benson (TV’s The 100) and artists Roge Antonio (NIGHTWING) and Claire Roe (WONDER WOMAN). Collects issues #7-13.

Review: It’s funny coming off of the Cameron Stewart “Batgirl” Series and jumping into the new “Batgirl and the Birds of Prey” series, if only because the same character is interpreted in such different ways. As much as I did like the more quirky and insecure Batgirl that Stewart created, a self assured and assertive Batgirl is more in line with what I am looking for in Barbara, and the Benson Sisters are really delivering in that regard. When we left off, Batgirl, Huntress, and Black Canary had reformed the Birds of Prey, with a new Oracle by the name of Gus. Gus is a hacker who seems to be a HUGE fan on Batgirl and her adventures, and is capable with the computer. Of course, is anything ever that easy in Gotham? Rarely. So along with the new faces in this series, we also get to see some old ones, faces that I was VERY happy to see when all was said and done!

The first thing that really struck me with this volume was that while Batgirl is the leader of this rag tag group of kick ass ladies, it definitely gives a lot of time to her compatriots. We saw a lot of Huntress and her backstory in the previous volume, but this time some of the attention and shine was focused on Black Canary, aka Dinah Lance. You all know how I feel about her so I will spare you yet another screed on her excellence, but it was nice seeing her get some meaty plot points this time around. Not only does have a lot of opportunities to show off her entire repertoire of fight skills, she also has moments of emotional growth and pathos. It’s easy to forget that of the Birds, she is the only ‘metahuman’, aka person with supernatural powers. Even though she’s a member of the team, she is the Other, and while Babs and Helena may see past this, Dinah is always aware of it. When other metahumans are being targeted and manipulated by a mysterious villain named Blackbird, Dinah takes it upon herself to go forth, undercover, and try to take her down. I loved this storyline because Dinah not only had a lot to do, but we got to see some of her insecurities, and she moved beyond being the sarcastic badass that she usually is within these stories. Also? ALSO????…… Oliver Queen, aka Green Arrow, shows up, and his main purpose is to look on at Dinah lovingly. There is a moment where he is encouraged to think about what he loves most in this world as his motivation, and he repeats ‘Dinah’ over and over and over again. As a gigantic Dinah/Oliver shipper, this turn of events was quite excellent.

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(source)

But it’s not just Oliver that makes an appearance I wasn’t expecting! Because two of my very best lady anti-heroes of DC also decided to drop in for fun, Catwoman and Poison Ivy! And these appearances harken back to older Birds of Prey realities, in some ways, as while Catwoman has always been a potential ally to the heroes and heroines of Gotham (if you’re willing to risk a future backstab), Poison Ivy has been in the Birds of Prey rotation in past iterations of the team. For her to come back and have a role, and hints at future interactions, is great not only for nostalgia, but also for the concept of girl power. DC has been KILLING IT in the girl power departments, as between this series and “DC Bombshells” ladies are taking charge and getting shit done.

And finally, we are now seeing some hints about Gus, our new Oracle. I was open minded about Gus as a member of the team (in spite of the fact I was hoping that Frankie was going to be Oracle), though it was obvious at the end of the last collection that he was perhaps hiding something. All of that comes out in the open in this collection, and while I don’t want to spoil TOO much, I do feel like it should be stated that one of the major components involves mental illness. I’m always worried that in stories, particularly in comics or more adventure-y tales, mental illness can be used in an irresponsible way to either bring in conflict or to give excuses for bad or violent behavior. But when it comes to Gus’s issues, it is made clear by her partners that not only is he still one of the team, but that he isn’t broken and that they will try to support and understand him in any way that the can. So not only do we have a character who has a disability, we have other characters who are willing to break down the stigma and still treat him as an equal. It was very heartening to see.

But sadly, it was recently announced that “Batgirl and the Birds of Prey” was cancelled by DC. So my love and enjoyment of this series has an expiration date. With this information, I’m considering just stopping my reading journey with these characters right here. It wraps up in a way that was personally satisfying to me, and knowing that it’s going to end (and with rumors of some questionable plot twists that make my blood boil) makes me feel like I should quit while I’m ahead. DC, as per usual, you are really, REALLY making it difficult to be a fan of yours (AND YES I’M STILL PISSED AS HELL THAT YOU CANCELLED BOMBSHELLS!!!!)! I swear, the moment they kill Catwoman to give Bruce some man pain (AND I WOULDN’T PUT IT PAST THEM!), I am OUT, so help me GOD!!!

For now, I’m just happy that I did get to spend some fun arcs with some great chicks who kick serious ass. “Batgirl and the Birds of Prey”, you burned brightly, and did justice to characters that I love.

Rating 8: A highly enjoyable return to this series with a lot of fun cameos, “Batgirl and the Birds of Prey (Vol. 2): Source Codes” gave us a healthy bit of nostalgia as well as some very compelling and new insights into our characters.

Reader’s Advisory:

“Batgirl and the Birds of Prey (Vol.2): Source Code” is still kind of new and not on many Goodreads lists, but it is included on “DC Universe: Rebirth Collections”.

Find “Batgirl and the Birds of Prey (Vol.2): Source Code” at your library using WorldCat!

Previously reviewed: “Batgirl and the Birds of Prey (Vol.1): Who Is Oracle?”

Kate’s Review: “Batgirl (Vol.3): Mindfields”

28109909Book: “Batgirl (Vol.3): Mindfields” by Cameron Stewart, Brendan Fletcher, Babs Tarr (Ill.), Rob Hayes (Ill.), Eleonora Carlini (Ill.), Moritat (Ill.), and Ming Doyle (Ill.).

Publishing Info: DC Comics, April 2016

Where Did I Get This Book: The library!

Book Description: Batgirl’s about to lose the greatest weapon in her arsenal…because her mind is failing her! Are her ragtag group of allies ready to pick up the slack? And while Batgirl is down, it’s Black Canary to the rescue to discover the identity of a malevolent mastermind menacing Burnside!

Review: The reboot of Batgirl that happened during The New 52 tweaked the Barbara Gordon that had less dark doom and gloom angst, and more intrepid spunky quirkiness. But when Rebirth was announced, that meant that this reboot, too, was coming to an end, and that the character was going to move on. So now I come to the end of Batgirl’s time in the New 52, with “Batgirl: Mindfields”.

I liked the emphasis on team work and female friendship in this collection, as Barbara has to bring more excellent ladies to her team as her mind starts playing tricks on her, all because of a super villain named Fugue. She starts having memories that may or may not be real, and Frankie, Black Canary, and newcomers Spoiler and Bluebird make it their mission to help Barbara figure out who the mysterious Fugue is. I am always going to be happy to see Dinah Lance pop up, and while it took me a little while to get on board with Spoiler and Bluebird I eventually found them to be fun superheroes that I would like to see more of down the line. But the supporting character that really gets time to shine in this arc is Frankie, Barbara’s techie roommate who brings not only a great new character to the scene, but also some always welcome diversity. It was fun seeing her start out as a roommate and friend, and watching her turn into a much appreciated and needed ally. Frankie and Babs have a realistic and imperfect friendship, but they always have each other’s backs and will always be there for each other.

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Just look at the power of friendship! (source)

But even though I liked those aspects of this collection, I will admit that for me this was the weakest of the series. While it had some interesting elements of gaslighting and memory manipulation, I found myself barely invested in the Fugue storyline, and was kind of disappointed that ultimately, Batgirl herself had very little to do. Yes, I do like the power of female friendship, and yes, I liked the ladies that Barbara has brought into circle of friends and allies, but as I read it I felt that Batgirl herself had the smallest role yet in a series that is supposed to be about her at the forefront. Had this reboot of Batgirl gone on for more than three issues I probably would have been just fine with the spotlight being shared as much as it was. But this was basically a third of the Batgirl of Burnside series that didn’t feel like a Batgirl story, but a Birds of Prey story (don’t worry, I will be going back to that series soon!). It also felt like Stewart and Fletcher were trying to make a very special finale by bringing back almost all of the antagonists that we saw through the run, to end in a Battle Royale of them vs Batgirl’s Team. But it didn’t feel as satisfying as it could have specifically because a few of them were fighting superheroines that they wouldn’t have any beef with! What is the pay off of having Yuki and Yuri, the cosplaying villains from earlier in the series, fighting with SPOILER, who just showed up? That isn’t satisfying to me, it feels like padding out the plot.

Also, we barely saw any Luke Fox in this. If you are going to make a huge thing of Barbara choosing Luke over Dick Grayson (I’m still a bit sore about that. I really like Luke and he and Barbara are perfectly fine together, but Babs and Dick is one of my OTPs in the DC Universe), you had better make her relationship with Luke something more than a couple of after thought moments that feel more like ‘oh yeah she’s with Luke, they should probably hang out’. I’m not saying that Batgirl needs a man, nor that a relationship with a man should be a HUGE component to this arc, but why the whole song and dance of her picking him if it’s just left off page?

I think that the ultimate weakness of the Batgirl of Burnside arc was that it was trying a bit too hard to be DC’s answer to “Ms. Marvel” when it should have been trying to be it’s own thing. “Ms. Marvel” works because Kamala Khan was a brand new character that had room to grow and evolve without any expectations or constraints on her, so she could be the spunky young adult with relatable personal problems while still feeling genuine. When you try to apply this model to Barbara Gordon, who has been through so much already, it might feel a little odd to see her fighting manic cosplayers or taking selfies for social media clicks. I do like that DC is trying to reach out to new audience members, and I think that Batgirl is a great way to do that. But I also think that sometimes they tried to make her something that she wasn’t, and it therefore rang false.

I am glad that Barbara got to go beyond the angst and live her life a little lighter. As “Batgirl: Mindfields” wraps up her time in Burnside, I am very interested to see what she gets to do on her own in the Rebirth Arc. I was ultimately satisfied with the series as a whole, and hope that an even better iteration can be created now that a more fun loving Batgirl has been introduced to us.

Rating 6: The weakest of the “Batgirl” series by Stewart and Fletcher, but a fitting and satisfying end before it transitions to the “Rebirth” storylines.

Reader’s Advisory:

“Batgirl (Vol.3): Mindfields” isn’t on any Goodreads lists, but I think that it would fit in on “Ladies of DC”, and “Best of Batgirl”.

Find “Batgirl (Vol.3): Mindfields” at your library using WorldCat!

Previously reviewed: