It’s time for another Library Ladies giveaway! And since we’re in the heart of summer, what could be more perfect than giving away a SIGNED hardback copy of “We Were Liars!” Perhaps you’ve heard of it. But it may be better if you haven’t. Read on…..
Book: “We Were Liars” by e. lockhart
Publishing Info: Delacorte Press, May 2014
Book Description:A beautiful and distinguished family.
A private island.
A brilliant, damaged girl; a passionate, political boy.
A group of four friends—the Liars—whose friendship turns destructive.
A revolution. An accident. A secret.
Lies upon lies.
True love.
The truth.
Mini review & Synopsis:
Kate here! So I read “We Were Liars” a few months after it was first published. I knew that it had a lot of buzz surrounding it, and I knew that people were keeping pretty tight lipped as well. I basically swallowed it whole over the course of two days, reluctant to put it down unless I absolutely had to, and I can say that it is amazing, and the perfect summer book to give away.
So why is it the perfect summer book? For one, it’s compulsively readable. Like I said, I couldn’t put it down while I was reading it. It would be a great read for the beach, or an airplane, or just sitting around your house on a super hot day whilst drinking lemonade. And for another, the story and setting really set the mood of summer. It’s about a teenage girl named Cady Sinclair who spends her summers on the family island out east (think Kennedys). She goes with her mother, and spends a lot of time with her cousins. She is closest to cousins Mirren and Johnny, but is also very close to the nephew of Johnny’s mother’s boyfriend, Gat. They’re all so close that they formed a little clique that calls itself The Liars, and Cady and Gat even strike up a summer romance. But during the fifteenth summer, something happened that has left Cady with horrible headaches and few memories. After taking a summer away from the island, she and her mother return for the seventeenth, and she’s reunited with The Liars. But what did happen that fifteenth summer? And why did she forget?
Seriously, this book is a major treat and a lot of fun with its twists and turns. You may not have a private family island to read it on, but the story will nearly whisk you away so that won’t be necessary. Good luck, everyone! You’ll want to get a hold of this book! For a fun bonus, this book has been signed by the author!
Publishing Info: G.P. Putnam’s Sons Books for Young Readers, May 2016
Where Did I Get this Book: e-ARC from NetGalley!
Book Description:The only daughter of a prominent samurai, Mariko has always known she’d been raised for one purpose and one purpose only: to marry. Never mind her cunning, which rivals that of her twin brother, Kenshin, or her skills as an accomplished alchemist. Since Mariko was not born a boy, her fate was sealed the moment she drew her first breath.
So, at just seventeen years old, Mariko is sent to the imperial palace to meet her betrothed, a man she did not choose, for the very first time. But the journey is cut short when Mariko’s convoy is viciously attacked by the Black Clan, a dangerous group of bandits who’ve been hired to kill Mariko before she reaches the palace.
The lone survivor, Mariko narrowly escapes to the woods, where she plots her revenge. Dressed as a peasant boy, she sets out to infiltrate the Black Clan and hunt down those responsible for the target on her back. Once she’s within their ranks, though, Mariko finds for the first time she’s appreciated for her intellect and abilities. She even finds herself falling in love—a love that will force her to question everything she’s ever known about her family, her purpose, and her deepest desires.
Review: Right off the bat, there were several things going for this book when I first saw that it was coming out. First and foremost, I had very much liked Abdieh’s previous YA fantasy duology, a re-telling of “One Thousand and One Nights, “The Wrath and the Dawn” and “The Rose and the Dagger.” Together they made up a unique re-telling of one of the few remaining fairytales that hasn’t been beaten into the ground (this coming from an avid fan of fairytale re-tellings), and the style of writing appealed to me with its lyrical quality. “Flame in the Mist” had the same elements. To its detriment.
I want to applaud the author, however, for sticking to her guns in choosing lesser known stories and focusing her world-building and characters on non-European/western settings and cultures. Here we have what is essentially a “Mulan” re-telling set in a proto-Asian setting. I don’t have a wealth of knowledge of Chinese/Japanese/etc cultures, so I can’t speak to those aspects of the book (similar to my lack of knowledge of the “realism” of the Middle Eastern setting used in her previous duology). However, both that series and this are set in fantasy worlds, for all their similarities, so outside of blatant issues (which there were none that I could tell), there was a lot of free reign to build a completely new world order/culture with this story. This was one aspect of the story that I really enjoyed. It was refreshing to read a fantasy story that takes place in an eastern setting. This left not only the fantasy elements to learn and to explore, but also the immersive quality of being quite outside my own culture, while still having threads to tie back to what little I do already know of the regions of the world that this story draws from. Full marks for world building.
Unfortunately, that leads me to the rest of the story, all of which I had more issues with. First off, I feel that, as a reader, I would have been better served having this book not presented to me as a “Mulan” re-telling. For better or worse, my knowledge of that story is pretty well tied up with the Disney version. I know the story is based on a traditional Chinese fairytale of a young woman who dresses and fights as a man, but I haven’t read it and couldn’t even speak to the accuracy of Mulan. So…Disney’s all I’ve got with this one. And as far as this book goes I got far too little of this:
And far too much of this:
One of the things that made Disney!Mulan’s story appealing were the noble and, most importantly in this case, understandable reasons for why she does what she does. Her hand is quite literally forced, for love of her father and nothing more. Sure, she feels out of place in her own skin and that she is letting her family down, but she never contemplates abandoning home until the situation with her father being called to war comes to play. Not so with Mariko.
For all intents and purposes, Mariko is quite acceptable as a daughter. Sure she’s frustrated and angered by the fact that she is being traded away in marriage, but alas, such is the life she was born to lead. In the short introduction we are given to her character before the action sets in, we are given every reason to think that Mariko is above all a practical and dutiful daughter. These are traits she prides herself in. But then her caravan is attacked, her guards and maid killed, and she finds herself wandering around in the woods alone. And this is where I first knew there were going to be issues for me with this book. Mariko rightly worries that her situation is going to be problematic for her family to explain; when/if she returns home, her virtue could be called into question due to this, and through this, her family’s honor. What is to be done? Obviously, running away, disguising herself as a boy, and tracking down those who attacked her so that she can save her virtue. Somehow.
I’m a fantasy reader, I’m more than happy to turn my brain off and go on many an adventure where implausible things happen. But only so far as the world allows. This type of blatant, plot-serving faulty logic drives me bonkers. How in the world could dressing up as a boy and hanging out with a bunch of (male!) thieves improve her chances of retaining her family’s honor and her own virtue? Nothing about it makes sense. And unfortunately, this type of backwards thinking continues for Mariko throughout the story. She sometimes even made the right decision, but made it for such the wrong reason that I couldn’t even give her credit for it.
Beyond this, I’ve found that in this, the third book I’ve read by this author, the writing is starting to get on my nerves. What came off as lyrical and appropriate in the previous duology, read as strained and forced here. Perhaps the focus on storytelling that was at the center of the other two books simply lent itself better to this type of writing, and now, removed from that topic, it simply felt awkward. It’s hard to even describe, really, as sentence-by-sentence there’s nothing wrong with the writing. But as I kept reading, it just kind of built up as an annoyance, and enough of one that I repeatedly found myself putting the book down.
“The Flame in the Mist” was not for me. I could never get behind Mariko as a main character with her blatantly contradictory thought process and decision making, and the more dramatic and lyrical writing style seemed to rub uncomfortably with this more action-oriented tale. For those looking for a good woman/warrior story, pull out the classic “Alanna” series instead. Or, hey, check out the “Bloodbond” series that I recently finished up and loved.
Rating 4: My expectations were too high for this wanna-be-Mulan story.
Book Description:In a shack on the outskirts of the border city of Juarez, a teenage boy is visited by a long-lost friend.
Arturo scrapes together a living working odd jobs and staying out of sight. His friend Faustino has joined one of the city’s violent drug gangs. Now Faustino is in trouble: he’s stolen money from the narcos to smuggle his girlfriend and her baby into the U.S., and he wants Arturo’s help getting it back before they kill him for what he’s done.
Review: One of the greatest discoveries that our book club helped me make was Marcus Sedgwick. When we read “Midwinterblood” I was completely enthralled by it, it’s dark fantasy/horrorscape sucking me in and twisting me all around. When we went to ALA in 2014, one of my greatest moments was meeting Mr. Sedgwick at a book signing (and a coffee klatch!), and getting to talk a little bit about the movie “The Wicker Man” with him, as “Midwinterblood” definitely took influence from it (and I’m talking about the original “Wicker Man”, not the one with Nicholas Cage in a bear suit). So now I do my best to read any Marcus Sedgwick books that cross my path. While none have quite lived up to “Midwinterblood”, Sedgwick has become one of my favorite YA authors. And that brings me to his newest YA novel, “Saint Death”. And amazingly, I think it’s his darkest one yet.
I will admit that I was a little hesitant to pick this one up when I first heard about it. After all, the subject of life for Mexicans in the border towns, especially Juarez, is a difficult and painful one. American corporate interests and consumption of illegal drugs has led to massive poverty, and lots of gang warfare between various Cartels. So yeah, my teeth got set a little bit on edge when I found out that a British man was going to tell a story set with this backdrop. I’m still not totally certain if I think it’s his story to tell. BUT, that said, I think that Sedgwick did take it on and portray it in a sensitive and responsible way. It’s pretty clear that he did some massive research on his own, and asked for input from those who may be more familiar with the realities of this situation. And besides, “Saint Death” pulls no punches in postulating where some of the blame can be laid for the violence, corruption, and poverty that is seen in Juarez. American corporations exploit NAFTA to profit off of factories across the border that make them richer but barely pay anything to the workers, and the American consumption of illegal drugs fuels the Cartels. Throw in the topics of undocumented immigration and closed borders, as well as some climate change to boot, and you have yourself a very political book that makes it’s readers question how culpable they are through Capitalist ideals and the supposed free market.
But even without the frank and brutal politics, the characters in “Saint Death” really kept me interested and invested. Arturo and Faustino both make terrible decisions in this book, decisions that may have baffled and frustrated me. But at the same time, because of how well written they both were, I not only believed that they would make them, but I also understood exactly why they were making them. Though it’s Faustino whose choice to steal money to save his girlfriend and baby sets our story in motion, it’s ultimately Arturo whose story we follow. His journey to try to get one thousand dollars for his friend is a short one, and only takes place over a couple of days, but so much happens and he grows and changes so much you really see how his circumstances have completely changed him and the course of his entire life. Even if we spend a comparatively short time with Arturo, Sedgwick does a great job of getting you attached to him. I felt completely tensed up as he got deeper and deeper into Faustino’s mess, especially because of the impending sense of doom that lingers throughout the pages. In part this is because of the presence of Santa Muerte, a folk saint that the people in Arturo’s community have come to worship, including Faustino. While Arturo goes in not believing in Santa Muerte, she is in the pages, given her own perspective points and waxing about the human race as a whole. I loved this device, as it was a great way to tie in the global politics to Arturo’s story.
Finally, while I don’t want to spoil anything about this book and the places it goes, I need to address one thing in vaguest terms possible. Remember all those times I’ve said that I hate last minute twists that feel like a cheap way to try and shock the readers one last time? Well, this book did that. But it did it SO WELL that it achieved what those kind of twists are supposed to achieve! When I got to that quick and fleeting passage that changed SO MUCH, I literally gasped out loud and yelled
Now THAT is how you pull off the end page twist. I salute you, Mr. Sedgwick!
“Saint Death” is a difficult book to read, but I think that it’s a pretty important one. I’m impressed that Sedgwick trusts his YA readers to be able to take on these topics and think critically about them, and hope that more authors follow his lead. Just be sure to steel yourself for something very dark, as important as it may be.
Rating 8: A tense and politically relevant thriller that raises a lot of questions about politics, capitalism, and American social values, and how they affect people living in Mexican border towns.
Where Did I Get this Book: audiobook from the library!
Book Description:Julia has the unusual ability to be . . . unseen. Not invisible, exactly. Just beyond most people’s senses.
It’s a dangerous trait in a city that has banned all forms of magic and drowns witches in public Cleansings. But it’s a useful trait for a thief and a spy. And Julia has learned–crime pays.
Her latest job is paying very well indeed. Julia is posing as a housemaid in the grand house of Mrs. Och, where an odd assortment of characters live and work: A disgraced professor who sends her to fetch parcels containing bullets, spiders, and poison. An aristocratic houseguest who is locked in the basement each night. And a mysterious young woman who is clearly in hiding–though from what or whom?
Worse, Julia suspects that there’s a connection between these people and the killer leaving a trail of bodies across the frozen city.
The more she learns, the more she wants to be done with this unnatural job. To go back to the safety of her friends and fellow thieves. But Julia is entangled in a struggle between forces more powerful than she’d ever imagined. Escape will come at a terrible price.
Review: This book is a strange combination of a million and one elements that shouldn’t work together, but somehow, do! We’ve got an “Ocean’s Eleven” style thieves guild, essentially, operating in a world that is similar to our own, but at an undefined period of time (there are carriages, but also “electric” carriages, people use swords, but there are also muskets, at one point they use an elevator in a building, but they also sail their boats…), There is an inquisition-style hunt going on for witches, but there are also other magical beings that are thought only to exist in folklore. And in the middle of the story we’re presented with an entire new level of world-building with the introduction of a new set of beings with a god-like relation to history and current events.
Throughout this all, what holds things together is Julia, her narrative style and individual character arc. Julia, and her brother Dek (the spelling of character names/places is always confusing when you listen to an audiobook and never see the name spelled out! Ah, the challenges of book reviews!), are the orphaned children of a father who drank and then abandoned what remained of his family when their mother is convicted and executed as a witch. They are taken in by Esme, a woman who runs a successful thieves underground system, and grow up working jobs for this new family. Which all leads to the current circumstance that places Julia, requested by the client for her unique ability to go “unseen” by others when she chooses, as a spy in the household of Mrs. Och and thus caught up in complicated mystery that surrounds the young woman and her toddler son who are taking refuge there.
Julia’s growth through the story was one of its strongest appeals. Not only does she not understand her own abilities, especially when she discovers there is more to them then simply becoming invisible for a bit, but her own world views, and her understanding of her place in it, are consistently challenged. I particularly enjoyed the parallel that is drawn between Julia and another character, Pia, and the example they each set for the consequences that come from making the choices we do in life. Julia, at first, has a very pragmatic approach to her life and her work. She does the job, she gets paid. And this is a comfortable arrangement, allowing her to morally set herself back from her own actions. But when this approach comes to a head in the middle of the book, Julia must question her own definition of “living.”
While Julia’s is obviously the main arc of the story, I also appreciated the other views into poverty and the choices that are available to those struggling to get by that are presented by the other characters. Her brother, Dek, is a talented inventor, but due to their status as orphans and thieves, and his own deformities from a childhood illness, he worries about every being financially compensated if he came forward in an attempt to sell his goods. Another character, Wyn, hopes to be an artist, but struggles to get his foot in the door with an apprenticeship or a place in an art program. Again and again, we see these characters have doors shut in their faces and can understand the comfort that comes from the stability found in their role in this thieves guild, even if the work itself is morally questionable.
As for the story itself and the world-building, I was very surprised when about halfway through the book the plot suddenly expanded massively to include world-changing characters and events. Before it had been a rather simple murder mystery with a strange monster and a mysterious woman with a past. Suddenly these were all small pieces in a much larger moving plot machine. While I liked these expanded elements, they did seem to come out of the blue, forcing the entire story to shift completely, resolving some of the initial elements suddenly in the middle of the story while introducing new ones at the same time. It almost felt like two completely different books. I think this was simply a matter of pacing and of a few info-dumpy passages that were overwhelming. Ultimately, things did become clear, but there was a bit in the middle where I was honestly confused about who was after who and why.
The story does resolve itself for the most part in this book, however the door is clearly left open for sequels. Now that the cards are shown, per se, about the grander conflict going on in the series, I have hopes that any future books would be more settled in their own skin with what story they are wanting to tell. I was also given just enough of Julia’s abilities and origins to keep me coming back for the second book to find more answers alongside her. “Julia Defiant” will be up shortly, I suspect!
Rating 7: A great main character and interesting new world. But it felt like two books mashed together at times, with one focused on a simple monster story and the other setting up larger-than-life characters and plots.
Book: “The Fire Game” (Fear Street #11) by R.L. Stine
Publishing Info: Simon Pulse, 1991
Where Did I Get This Book: ILL from the library!
Book Description:It was just a game…
The first fire started almost by accident. A wastebasket fire in the school library. Jill Franks and her friends found it exciting. And it got them out of school for a few hours.
Who could have guessed that the fire game would quickly spread? That one fire would lead to another? What Jill, and Andrea, and Diane, and the three boys they hung around with would find themselves caught up in the most dangerous—and deadly—game of all?
When one of their fires ends in murder, the game ends—and the real terror begins. All of them realize that someone is playing the game for keeps. Now Jill has no choice. She knows she must find the murderer—before her life goes up in flames!
Had I Read It Before: No.
The Plot: We find ourselves back in Shadyside, after a field trip up to the mountains of Vermont. We join Jill, Andrea, and Diane, three teenagers going to Shadyside High. Diane is new, but Jill thinks that she fits in with her and Andrea because 1) they’re all gymnasts, and 2) Diane is sweet and serious, whereas Jill is flakey and Andrea is a mythic bitch. They’re all lamenting the upcoming geography quiz as they sit in the library, though Andrea is trying to think of a good song for her gymnastics routine instead of studying. Diane mentions that her old friend Gabe is not only a songwriter, he also is moving to Shadyside! And apparently he’s super handsome too. Before they can get more info out of Diane, Max and Nick stroll in. These boys both have crushes on Jill, which pisses Andrea off. Jill, however, isn’t interested. Max and Nick talk about horror movies they watched, and start horsing around. Nick pulls out a lighter and starts playing with it, which makes Diane freak out for reasons unknown to everyone else. A folder accidentally catches fire, and Diane runs away. Andrea snuffs the fire out and drops the folder in a waste basket. They meet up with Diane on the way to math and she apologizes for freaking out…. But then, in math class, smoke wafts into the hallway. Of course the fire wasn’t out, and they set the library on fire! Though no one gets hurt, the geography quiz is cancelled.
They friends all go out after the fire, and they run into Gabe! Boy is he handsome, if not super aloof and elitist about having to move to this small town. But his ears perk up when they mention the fire at school, especially when Andrea takes the blame/credit for it. When Max and Nick ask if he’s ever set a fire before, Gabe doesn’t really answer them, but smiles creepily. It becomes even creepier when at school the next day, he suggests that they set another fire so that they can take the rest of the day off, deliberately this time. Though the friends think that he’s joking at first, he makes it clear that he’s DEAD serious. Diane gets visibly upset and makes an excuse to leave, and when Jill calls after her Gabe dismisses her, saying she’s ‘always been jumpy’. Yeah, Gabe, JUMPY. Andrea, on the other hand, is practically flooding her basement at the concept of setting a fire, and Max grabs the lighter and rushes off. As the others leave the cafeteria, there’s an explosion from the boy’s bathroom.
At this moment it’s solidified that I’m really just reading a book about a bunch of teenage pyromaniacs.
After the attempt of deliberate arson, the friends all meet on the soccer field. Max made it out just in time, and explains that there was a bottle of cleaning solution in the bathroom next to the wastebasket. Diane isn’t pleased, but Andrea is elated. School is cancelled for the rest of the day (that’s it?) and they all go for a picnic and swimming at the cabin that Diane’s parents bought on Fear Island. The boys all have a swim race, and Gabe wins. Andrea makes her interest known, and Diane says she doesn’t care if they date, though doesn’t seem convinced anything will come of it. The friends eat hotdogs and then Diane surprises Gabe with one of his old guitars he gave Diane. As he plays (and is perfect, of course), Jill thinks about how much has changed since he got to Shadyside (a day ago?) and that things have really changed for the better. IIIIIII’M SORRY, he’s a psychopath, Jill! He then holds the lighter under his hand, mesmerized by the flames.
Soon after Jill, Diane, and Andrea are shopping. Andrea keeps grilling Diane for information on Gabe, and Diane talks about how she’s known him since Kindergarten. They pass a pet shop and Jill notices that the cats in the window look like her cat, Mittsy. Oh boy, does this mean Mittsy will be relevant later? Don’t you kill another cat, Stine! The girls go to try on new clothes, but when Andrea tries to go into Diane’s dressing room, Diane freaks out and starts screaming at her. Andrea is shocked. She knew that Diane was modest, but this is nuts! Andrea goes home and after having a pointless conversation with her Mom, she gets a call from Gabe, who asks her out. Even though she thinks that he’s kind of a wackadoo, she also thinks he’s cute, so she says yes. Because bad boys, right?
Sometime after, the group of friends are driving around Shadyside showing Gabe the sights. He’s not too impressed, but when they get to Fear Street his ears perk up enough to only make SOME disparaging comments about it. I assume it’s because he’s evil and feels at home there. They tell him about the time a crazy guy tried to kill people with a chainsaw (“The Wrong Number”), when an old house burnt down after a Halloween party gone awry (“Halloween Party”), and how two kids parents just vanished without a trace (“Missing”, though to be honest they were found pretty quickly…). Gabe thinks that they should go look at the cemetery. He then suggests that it’s time to start another fire, and it’s Nick’s turn. Gabe suggests an abandoned shack in the cemetery, and Nick refuses. Gabe tries to call his bluff, but then decides ‘ah, fuck it’, and sets it ablaze himself. They run off and watch the fire department come at a distance. When they get back to the car, Andrea, pushed to her sexual limits, starts making out with Gabe in the backseat of the car.
Later, Jill, Diane, and Andrea are hanging out watching videos at Andrea’s house. She shows off her new computer, lamenting that the ink in the printer is blue instead of black, but still writes a poem about how horny fires make her. The police are starting to think that there’s a pattern here, and while Jill and Diane are nervous, Andrea is still aroused. Diane says they should stop playing this game, but Andrea refuses to stop saying that it’s way too fun to commit arson. The phone rings, so Jill answers (even though it’s Andrea’s house?) and though the person on the other end says they’re from the fire department, it turns out it’s really just Max playing a trick. Jill hangs up, and demands that they stop the fire game. Andrea finally concedes that they can ‘slow down’ at least. While Diane is in the bathroom (totally happy that the game is going to maybe end), Jill tells Andrea that she has a date with Gabe the next night. Andrea sees it as a challenge.
On the date, Gabe is actually acting like a pretty nice and romantic guy towards Jill. He plays the guitar, opens up about some of his past, and they have a heartfelt conversation. Though when Jill brings up the fact that the girls want to stop the game, he’s dismissive of her and her feelings…. Until they get to Pete’s Pizza and they find that someone has set his father’s car on fire!!!
He and Jill think that Nick must have done it out of jealousy. She calls Nick later that night to ask him why he did it, but he denies it and hangs up on her. Then she calls Andrea to tell her what happened. Andrea is more concerned that the date ended without getting anywhere, but concedes that maybe the game will be done now. That night Jill wakes up to smell smoke, and then finds her cat Mittsy burnt to a crisp!!.. But then it’s just a nightmare, thank GOD, I’m glad no cats had to die for a plot twist this time.
The next day Jill and Nick talk a bit, and he asks her over that night to study together. When she goes to his house, she sees him and Max getting into a car and driving away. Suspicious (And miffed he’s breaking their study date), Jill follows them. They drive to Fear Street, and of course as soon as she turns down the street, her car lurches to a stop and dies. She starts to panic, but is helped by a kind policeman who saw her stranded. He gets her car going again, and she continues to drive. She parks near the cemetery, and gets out to walk on foot… And then sees their car by an old abandoned house… WHICH SOON BURSTS INTO FLAMES!! Jill sees Max and NIck running away from it! She drives to a fire box to alert the authorities, but then drives home. After trying to calm down with yoga and “Three’s Company” re runs, she turns on the news… and finds out that there was a homeless man in the house that burnt down!! Nick and Max are murderers!!
Jill calls Nick to confront him. He balks at first, but then admits that he DID ditch her that night to go to Fear Street with Max, but that they didn’t set the fire! Someone left a note on his doorstep (and Max’s too) telling them to go to Fear Street, and when they got there the fire started. Jill thinks that then it must be Gabe who did it! She calls Diane to go with her to get the note from Nick. But when they get the note, they see that it’s printed in BLUE INK!!!!! LIKE ANDREA’S PRINTER!
SO, Cagney and Lacey go to confront Andrea. Andrea says she didn’t do it and that Jill is only accusing her because her date with Gabe went sour. When they don’t believe her she yells at them to get out and never come back! But then in the middle of the night she calls Jill to ask her to meet her at the gym before school the next morning, because she thinks she may be close to figuring out what’s happening… and that it may involve Gabe! Jill agrees, and the next day she goes to the gym to find Diane there, who says Andrea called her too… BUT THEN THEY FIND ANDREA, AND SHE’S DEAD! Wait, not dead, knocked out. So an ambulance comes to get her. The gym teacher thinks she fell of the balance beam to have hit her head, but they can’t know until she comes to. Jill wonders if Gabe found out that Andrea was on to him, however….
Jill insists that the rest of the group come together, and suggests that perhaps it’s a stranger setting the fires to get to them (though Gabe is still a contender in her mind). It doesn’t go well, as they all start accusing each other of setting the fire and trying to kill Andrea. As Jill is walking home Gabe catches up to her and gives her a ride home. She’s convinced that he’s the one who did it, but doesn’t want him to catch on. He says he has a feeling the fires are done, and that he never should have come to Shadyside or none of this would have happened. I have to agree. Jill, unable to resist his charms in spite of the fact he’s a creep, agrees to go out with him again, especially after he assures her that he’s not interested in Andrea. Jill’s questionable happiness is short lived, as the police show up that night, asking her if she saw anything the night of the fire, since she was in the vicinity. She lies and says no.
Diane invites Jill to her family cabin on Fear Island to unwind. Jill breaks her date with Gabe, and is having a great girls weekend with Diane… Until Andrea calls. Andrea starts to threaten Jill, saying that she knows that it was HER who tried to kill her and that SHE was the one who wrote the note by using her computer!!! But then she says ‘Diane’. SHE THOUGHT JILL WAS DIANE!!! DIANE IS THE ARSONIST/MURDERER! Andrea tells Jill to leave, but after she hangs up Jill can’t find her keys!! So she runs into the woods, but of course gets lost, and of COURSE Diane finds her. When she acts perfectly normal, for whatever reason Jill goes back with her… But yeah, Diane is indeed nutty, and is the one behind all of this. Her motive, of course, is because of Gabe. She tried to take out Andrea for going on a date with him, and set Gabe’s car on fire because she saw him and Jill at a distance. Oh, and also, she is obsessed with fire because, shock and awe, her body is covered in burn scars after she was in a fire when a kerosene lamp exploded when she was a girl. Gabe was so sweet to her when she was recovering, she fell in love with him and has been obsessed with him since. But because of her scars, THEY CAN NEVER BE. Good God. Diane then starts setting the cabin on fire. She is about to set Jill ablaze, but Gabe bursts in, as Andrea told him where he could find them. They all get out of the cabin, and Gabe apologizes for setting off Diane’s psychotic break with his ‘fire game’. The end.
Body Count: 1. I always find it a bit cheap when a homeless person is used as a convenient dead body. Let’s just dehumanize them a bit more, why don’t we?
Romance Rating: 3. I gotta admit that Gabe playing the guitar for Jill was pretty romantic, but then again, he’s also happily stringing along Andrea and Diane to an extent. Also, he’s a complete psychopath.
Bonkers Rating: 2. This was just about a bunch of arsonists being the goddamn worst. Nothing bonkers about that outside of the sheer despicableness of it all.
Fear Street Relevance: 8. The biggest fire with the most dire consequences took place on Fear Street, but more importantly we got a nice little run down of previous “Fear Street” plots in this one! That walk down memory lane easily bumps the number up!
… And then, she isn’t dead. She’s very much alive. Wishful thinking, Diane.
That’s So Dated! Moments: There is a whole scene in which Andrea is showing off her new computer. It’s so amazing it can do calculations, has games, and even a ‘word processor’ on it. It was so quaint and cute. And there is also a scene in which a lime green shirt is the pinnacle of fashion.
Best Quote:
“‘Well I’m not sure about the Undead,’ Jill admitted, ‘but there is something very creepy about Fear Street.'”
It was as if R.L. had to remind us of the premise of this entire series.
“The Fire Game” was really just about a bunch of arsonists with far too much privilege for their own good. I’m hoping that our next book, “Lights Out”, has more responsible (and less sociopathic) protagonists.
Publication Info: Simon and Schuster, December 2013
Where Did I Get this Book: audiobook from the library!
Book Description:A Victorian boarding school story, a Gothic mansion mystery, a gossipy romp about a clique of girlfriends, and a dark other-worldly fantasy—jumble them all together and you have this complicated and unusual first novel.
Sixteen-year-old Gemma has had an unconventional upbringing in India, until the day she foresees her mother’s death in a black, swirling vision that turns out to be true. Sent back to England, she is enrolled at Spence, a girls’ academy with a mysterious burned-out East Wing. There Gemma is snubbed by powerful Felicity, beautiful Pippa, and even her own dumpy roommate Ann, until she blackmails herself and Ann into the treacherous clique. Gemma is distressed to find that she has been followed from India by Kartik, a beautiful young man who warns her to fight off the visions. Nevertheless, they continue, and one night she is led by a child-spirit to find a diary that reveals the secrets of a mystical Order. The clique soon finds a way to accompany Gemma to the other-world realms of her visions “for a bit of fun” and to taste the power they will never have as Victorian wives, but they discover that the delights of the realms are overwhelmed by a menace they cannot control. Gemma is left with the knowledge that her role as the link between worlds leaves her with a mission to seek out the “others” and rebuild the Order.
Review: You may be wondering…a book about snarky popular girls? Why is Serena reviewing this and not Kate, the keeper of snarky girls’ clubs? Well, after I started this book, I found out that Kate did in fact read this book before we started this blog, and I’m now just playing catch up. But, in many ways, this book also sounded like something that would be up my alley. I love historical books, and especially those that fall into the very specific “fantasy of manners” category that often mixes Regency/Victorian fiction with magical worlds and systems. So, while the snarky girls did get on my nerves at points, these other elements that are more typical of my usual reading wares were definitely working in its favor.
The story starts out with us meeting Gemma, a spoiled and rather bratty teenage girl living in India with her parents and dreaming of London. After tragedy strikes and her mother dies in the midst of some strange dark magic, Gemma finds her “dreams” coming true, but not in the ways she would expect. Yes, she’s now in England. But being the new girl isn’t all that she thought it would be, and not only is she set apart by this status, but she’s hiding a dark secret of her burgeoning magical abilities. All too quickly, things begin to spiral out of control and now Gemma needs to not only manage learning her own powers, but finding a way to keep her new friends safe in the process.
While I found myself wanting to smack each of these girls up side the head at one point or another, I loved the clear-eyed look at the harsh realities that were forced upon Victorian young ladies. Each girl has her own struggles to overcome. The beauty who is being essentially sold to the highest bidder in a marriage of convenience. The powerful, popular girl whose charm and magnetic personality allows her to reign over the school but whose control over her self and her decisions doesn’t translate to a life where she has been abandoned by her mother and ignored by her father. The orphan, attending school on a scholarship and whose dreams of beauty and singing are being squashed beneath the realities of an almost unavoidable future as a governess. And Gemma, herself, who is being told again and again by the men around her to keep her head down, be a good girl, and definitely don’t learn anything more about her own magical abilities.
Each of these girls was distinct, and each responded differently to the sudden power and freedom they discover in Gemma’s abilities and the mystical Order, a group of magical women that existed for centuries before coming to a mysterious and tragic end a few decades ago. I loved the slow reveal of the Order and the truth behind the girls who had been at the center of its downfall. There were plenty of surprises, and some that, while I was able to guess the result, were just as delicious in the telling.
I was pretty much picturing scenes from “Practical Magic” throughout this entire book. (source)
My few qualms with the story are purely personal preference. There’s a reason why Kate is the queen of the snarky girls groups and I’m not. At various points in the story, but especially towards the last third, I would get increasingly frustrated with the nonsense of these girls. While the tenuous balance of their friendships read as true of teenage girls, even if I found it annoying at times, it was the complete lack of thought that went into some of their actions towards the end that really got to me. The author did a good job of building up the desperation, frustration, and fear of the future that drove these actions, but I still had a hard time with the complete idiocy that made up some of these decisions, given the information they had about past events. However, this last third was saved by some good action sequences, and a realistic bout of consequences for everything that occurred.
My last point will be that there was the seemingly required romance sub plot in this story. And when I say sub plot, I mean sub sub plot. It was barely there to the point that whenever it was referenced, it almost felt like it was coming out of the blue. The boy in question was rarely involved in the action of the story, would be absent for large chunks of time, and really had no relationship building with Gemma, leaving any feelings she had for him based purely on physical appearance. Luckily, the relationship doesn’t develop much, which felt on par with the above mentioned limitations, but I was left wondering whether it needed to be included at all. I’m guessing that more will come of this in the next few books, which may, in retrospect, make this element read better a second go-around.
All in all, I very much enjoyed this book. I loved the setting of a Victorian boarding school, with the strict boundaries set before these girls as the force upon which the freedoms and power of the magical elements worked against. While I can only hope that in future books the girls wisen up a bit, and maybe snap at each other a bit less, I’m definitely interested enough to continue with the series.
Rating 8: While my tolerance for bratty girls may be rather low, I still loved the magic and the Victorian setting.
Book Description:For the first time, Lois Lane has almost everything she wants. Non-temporary home? Check. Dream job? Double check. Incredible BFFs? The absolute best. And now, her online crush, SmallvilleGuy, is coming to Metropolis. If all goes well, they’ll turn their long-distance friendship into a some-kind-of-fairy-tale romance. But when does all ever go well? Before she can check boyfriend off her list, Lois must take down a mad scientist plus a trio of mutant teens, protect the elusive flying man from the feds (including her dad), and navigate her very first date with SmallvilleGuy. In the follow-up to FALLOUT and DOUBLE DOWN, Gwenda Bond’s reimagination of DC Comics’s first leading lady takes on her toughest challenge yet: Love.
Kate’s Thoughts
So I will wholeheartedly admit that after reading “Double Down”, the previous book in this series, I was starting to feel disheartened. While I absolutely loved Lois Lane and her relationship with SmallvilleGuy, I was starting to realize that I just wasn’t interested in Lois’ life in Metropolis, or her friends, or the mystery that they were all trying to solve. Plus, I was worried that Gwenda Bond wouldn’t be able to sustain the cute relationship between Lois and SmallvilleGuy, aka Clark Kent, aka the future Superman, because if she was to stick with canon, Lois and Clark don’t meet until they are adults. How much longer could I accept Lois and SmallvilleGuy just having an online relationship that doesn’t progress beyond that?
Well good news! Gwenda Bond just tosses all that canon out the window, because it is in “Triple Threat” that Lois and Clark finally meet in person!!!!! Most of the time I’m kind of irked when a new writer or content creator ignores the history of the characters, but in this case I’m grateful that she did. Because I’m still really just here for Lois and Clark.
That isn’t to say that I don’t like Lois’s friends in Metropolis. Because I do, for the most part. But ultimately they are kind of inconsequential, because they just aren’t quite strong enough to stand on their own two feet next to Lois and Clark. And hell, next to the rest of the original characters that have shown up in the series thus far. I even find Lucy Lane infinitely more interesting than Maddy, James, and the rest of the gang. I also wasn’t too interested in the main mystery this time around, just like last time. Teenagers with mysterious powers, potential connection to SmallvilleGuy, blah blah blah.
The true strength in this series is definitely Lois, and to a slightly lesser extent Clark. It’s fun seeing them interact with each other, and be cute and hesitant boyfriend and girlfriend together. These were the parts that I liked, and boy did I like them a lot. I think that while I don’t want Lois to lose her reporter storylines, because that IS who Lois is and she does deserve to be on her own without Clark part of the time, she is stronger with Clark. And honestly, I think that’s kind of a shame.
But something else that I enjoyed about this book? Lex Luthor has shown up. And I think that he could potentially bring interesting storylines in the future should this series continue. Especially seeing the dynamic between the three of them has been switched up a bit.
“Triple Threat” brought us some wonderful and cute Lois and Clark moments. But while I greatly liked those parts, part of me wishes that this Lois Lane could interest me more in her own right, not just when she’s with Clark. However, for pure shipping and romance purposes, this really does a great job of showing what a great couple Lois and Clark are, both romantically and professionally.
Serena’s Thoughts
I had the same feelings going into this one as Kate has expressed. I’m mostly here for Lois and Clark, and while the system that Bond has put in place for them to interact through a virtual reality chat system is cute and all, it was beginning to wear thin. So, in this instance, I was more than thrilled when Bond just threw her hands up in the air and said “Canon schmanon!” and had them finally meet up.
Also, as Kate said, I had similar feelings in the first two books about the unfortunate comparisons that are inevitably drawn between canon characters and the original characters. There’s nothing inherently wrong with any of these characters on their own, but they don’t have the emotional heft and weighty backstory that accompany even the most minor of original characters. Like Kate said, even Lucy, who has tiny, incremental scenes in all of these books, reads as more interesting than the story lines of Maddy, James, Dante, and the crew. This problem is only being expounded upon as the number of canon characters is beginning to heavily out number these originals. We had Perry, the Lanes, Lucy, and online-Smallville guy in the first two books. But here, we have the addition of not only Clark in the person, but his parents the Kents (who I always adore in every version!), and another heavy-hitting character with Lex. Even his father shows up!
This feels weird to say, as the concept of these books as an original take on Lois Lane as a teen is a great idea, and with that goal should come new characters. But whether it was the execution of these new characters or the fact that their storylines were frankly not that interesting ever (there’s a lot of relationship drama between Maddy and Dante that doesn’t fair well in a book where you have Lois and Clark meeting for the first time in real life. The comparison level of interest is never going to play in favor of that), my urge to skim these sections is at an all time high. At this point, there are so many canon characters and their storylines and scenes are so inevitably more interesting, that I almost think it would be best to just shelve these original characters largely. It feels wrong to say/admit that, but I kind of think it’s the truth. I love that Bond has brought in Lex and Clark (outside of the internet), but it’s kind of a game-changer move, and the reality is now that we have them, it’s even harder to think of a fourth book not predominantly focused on this threesome.
In the last two books, I’m also on the record as saying that I have never been a huge fan of the mysteries that are central to the plots. It’s a weird believablity issue, really. Which is a strange thing to say about a book that has a flying alien as a romantic hero. But, look, Superman aside, this is supposed to take place in the real world. So when I’m reading a mystery about teens with wacky abilities, and the science behind it, and the scientists themselves, are all pretty wacky, I end up being thrown out of the story. If my brain is waking up and questioning the physics of things, there are problems. This is also a strange problem, as the comics, cartoon versions, and my beloved “Lois and Clark: The Adventures of Superman” all have a long history of zany mysteries that are just like this. But, and we’re back to it, at the center of all of those plot lines you had Lois and Clark together and a great super villain behind it, Lex. Without those core elements, the wacky, unbelievability of these plot lines just stand out in a negative way.
But, as Kate said, this book gets major props for the things it did right. Namely, forgetting canon and bring in Clark early in Lois’s life, and the addition of Lex. Bond did some creative things with his character that laid a really solid groundwork to understanding how this teenage Lex could grow to be the super villain we all know and love. So for these things, I will be still be here when book 4 comes out!
Kate’s Rating 7: Once again I had little investment in the main story line, BUT there was so much Lois and Clark interaction (and a surprise cameo by Lex) that I was pretty happy with it overall.
Serena’s Rating 7: I’m staring to admit to myself that I just want a novel version of “Lois and Clark: Teenage Reporters” without any of the original added aspects of this series. Sorry, but not sorry.
Book: “A Conspiracy of Kings” by Megan Whalen Turner
Publishing Info: Greenwillow Books/HarperCollins Publishers, March 2010
Where Did I Get this Book: audiobook from the library!
Book Description:Sophos, under the guidance of yet another tutor, practices his swordplay and strategizes escape scenarios should his father’s villa come under attack. How would he save his mother? His sisters? Himself? Could he reach the horses in time? Where would he go? But nothing prepares him for the day armed men, silent as thieves, swarm the villa courtyard ready to kill, to capture, to kidnap. Sophos, the heir to the throne of Sounis, disappears without a trace.
In Attolia, Eugenides, the new and unlikely king, has never stopped wondering what happened to Sophos. Nor has the Queen of Eddis. They send spies. They pay informants. They appeal to the gods. But as time goes by, it becomes less and less certain that they will ever see their friend alive again.
Across the small peninsula battles are fought, bribes are offered, and conspiracies are set in motion. Darkening the horizon, the Mede Empire threatens, always, from across the sea. And Sophos, anonymous and alone, bides his time. Sophos, drawing on his memories of Gen, Pol, the Magus and Eddis, sets out on an adventure that will change all of their lives forever.
Review: After blazing through the first three books in this series last fall, I decided I needed to pump the brakes so I could stand the wait until the fifth book’s publication this spring. Delayed gratification and all of that. But by now the next book has dropped, I’m on the waiting list at my library, and it’s time to finally catch up with the last book in the series to this point.
One thing that I have commented about in all of the previous books in this series, is the way the author plays where her narrator and narrative method. For a series that has such a strong character as Gen, it’s a brave choice to focus the story on periphery characters and leave your star player benched, essentially, for large chunks of the story. Here, she takes an even bolder risk by throwing the story into the hands of Sophos, a character who played a large role in the plot of the first book “The Thief” but has been entirely absent, apart from random asides, throughout the rest of the series. He was an interesting enough character there, but it is always hard to tell how truly compelling any character is on their own when they’re working of the character of Gen who seems to draw out the best parts of many characters. So if you’d asked me whether I was interested in an entire book seen through his eyes and regarding his struggles with family and kingship, I’d probably have been like “…meh?” But, as usual, I should never have doubted!
One of the few things I remembered about Sophos as a character was his crippling insecurity. Here, after the events of “The Thief” and back in his home country under a new tutor, we can see why he struggles with this. His father is completely disappointed in him as a son and heir and never misses an opportunity to rub this fact in. So in many ways this is a story of self-discovery and self-confidence, all wrapped beneath an action packed plot. After Sophos’ family is attacked and he is sold into slavery, he finds himself completely alone in the world, and, for the first time, anonymous. How can he escape his current situation and re-claim his throne? And, more importantly, does he even want to?
As I mentioned earlier, Whalen Turned doesn’t just change up narrators between books, but she also changes the way she tells the story. Here, very early on, it is clear that Sophos is relating his experience to a listener, but it is not clear who that listener was. This plot device was both interesting and endlessly frustrating as I kept coming up with guesses for who he was talking to and the purpose of telling the story the way he was.
I don’t think it’s a spoiler to say that yes, he eventually does meet up with Gen, Attolia, and, most importantly Eddis again. As leaders of their own countries, each are valuable allies for the displaced Sophos. But much has happened since he last left them, most importantly the upstart theif Gen is now King of Attolia. And Eddis…he’s not quite sure where he stands with her. I loved seeing all of these characters through the eyes of Sophos who has been gone for much of the series and missed the progression of change that we the readers have had time to come to terms with. Further, all three rulers have different approaches to what it means to lead a country and how they go about it. I loved the insights they each provided Sophos as he began to realize the depth of the decisions before him.
The only thing that knocks this book down from a perfect score is the complicated politics of the regions. And I even hesitate to mention it because this aspect of the series is also one that makes it stand out and has been one of the draws for me as a reader. And it still is here. However, there were times when the plans and actions of the characters were confusing to me and I had to re-read portions to fully understand how everyone knew what when. But, like I said, I’d rather things be more complicated than be spoon-fed the plot, so take this “criticism” how you will.
Surprising no one, I loved this book. And surprising no one, all the doubts I had going in where laid fully to rest. I will now go back to obsessively refreshing my library hold account page to see if the line of people before me is dwindling for the next book “Thick as Thieves.”
Book: “Ski Weekend” (Fear Street #10) by R.L. Stine
Publishing Info: Simon Pulse, 1991
Where Did I Get This Book: InterLibrary Loan from the library!
Book Description:Snowbound!
“Red” Porter was a stranger they’d met on their ski weekend. But Ariel Munroe, Doug Mahr and his girlfriend Shannon Harper were grateful he was there when they set out for home on the icy roads. Thank heaven for Red! He spotted the hilltop lodge when they were stranded by the blizzard. He took charge when they stumbled into strange surroundings, scared, tired and looking for refuge. But can he save them when their refuge becomes a trap? Suddenly their hosts are acting very sinisterly. Doug’s car is gone. The phones are dead. And the house is full of guns. If they steal one, maybe they can escape! Until a shot is fired and the real terror begins…
Had I Read This Before: Yes.
The Plot: We start out in a car with a group of friends from Shadyside who are coming home from vacation. We have Ariel, a science minded girl who is also our protagonist. There’s Doug, Ariel’s oldest friend who is kind of a tough guy who makes bad choices. There’s Shannon, Doug’s girlfriend who is pretty bland but very pretty. And then there’s Red. Red is NOT part of this group. You see, the fourth is supposed to be Randy, Ariel’s boyfriend. But they got in a fight over the fact that he wanted to cut the ski weekend short so he could go play basketball. After a blow out argument they had in public (which led to Randy leaving with his car), Red approached Ariel to see if she was okay. After he got along with her and her friends, he asked if they could drop him off in Brockton. I don’t know, but an older guy swooping in on a teenage girl who is vulnerable after a fight isn’t someone I would trust, but here we are. Doug is driving like a maniac in spite of the fact there’s a snow storm falling on them, Red suggests that they turn down a country road, because according to him the plows clear those out before the highways. Horseshit, Red! But these city kids don’t know up from down, so Doug turns down the road, and doesn’t get far before his car dies. Red says he’s overheating the engine, and they should ask one of these farm houses to give them shelter for the night. So they grab their gear and go to ask if they can crash.
The door is opened by a guy straight out of a backwoods horror movie, at least in mannerism and stereotypical personality. He says his name is Lou, and introduces them to his wife, Eva, who sounds like she’s a mouse of a woman to his boonies son of the soil demeanor. He says that they can stay overnight, and tells them to make themselves at home. He also blatantly lusts after Shannon, and let me tell you it’s disgusting. He also tells stories about misfortune that his acquaintances have met in the past, and laughs about it. Amazingly, their phone works, so Doug calls his parents, and when Ariel tries it’s very hard to hear anything. She asks Eva for a cup of tea, and notices that Eva is very quiet and kind of jumpy. Back out in the living room, Lou opens the door and sees that a branch has crashed through the porch roof. The men go outside to move it, and Lou is mad that Doug doesn’t listen very well. I sense the start of a rivalry.
After dinner, Ariel, hoping to escape Lou and his awful stories, asks Eva where she can sleep. After being led to a room, she tries to sleep… But wakes up to the noise of the front door opening and closing. She sees no one has gone outside, but hears footsteps downstairs, though everyone seems to be in bed. She goes to investigate, but chickens out when she hears a lamp crash to the floor. She runs into Red, who tells her he thought he heard Lou and Eva fighting, and Lou hitting Eva. Ariel votes that they should try and bail, but then they start kissing a bit. Which is pretty gross, R.L. It sounds like Red is definitely older than 18. They eventually stop and go back to their separate rooms. No thought as to whether Eva could be hurt. Oh the 90s.
The next morning Ariel wakes up to the smell of bacon. She goes downstairs and finds her friends at the kitchen table, and Lou making them breakfast. When asked where Eva is, he says he’s letting her ‘sleep in’, and I’m suspicious because I don’t remember Eva from my time as a kid reading this book. Doug announces his intentions to check on the car, though Lou berates him for thinking about that because there’s no point until the road crews come. Red and Ariel opt to go with him (WHY SHANNON STAYS BEHIND WITH PREDATORY LOU IS BEYOND ME). They find that the car is gone, and when they do find it it’s been pushed into a ditch. When they return Lou offers to call for a tow, but NOW the phone is dead. Lou freaks out about the phone, and says that while he does have four wheel drive he’s not going to take them anywhere because the snow is too deep. After they beg, he says that he’ll give it a go and tells them to get their things.
WHile they wait for him they have a snowball fight, and when Lou pulls up Ariel notices his plates are from Alabama and not Vermont. Red says that there are lots of cars with out of state plates and it doesn’t mean anything. Lou smells of beer (SO GREAT that he’s driving), and tells Shannon to sit next to him. But the the Jeep also sputters and dies. Lou freaks again and storms into the house, and the gang is getting more worried. That afternoon while Red works on the Jeep and Lou gets more drunk, Ariel goes to find Eva. Eva is NOT dead, but she’s pretty beat up and says that Ariel and her friends shouldn’t be there. Seemingly not so concerned, Ariel goes downstairs just in time for Lou to yank the phone out of the wall. So stable, this Lou. Ariel, Doug, and Shannon play cards, and when Ariel looks out the window SHE SEES A STRANGE MAN IN A SKI MASK! She screams, and Doug and Shannon see him too just before he vanishes. They tell Lou, but Lou is too drunk to care. Red comes in and says he doesn’t know what they’re talking about. Then Lou asks Doug if he works out. I have to assume this is the kind of thing those self proclaimed Alpha guys do. Instead of calling Doug a cuck, he challenges him to a wrestling match. Doug is on the school wrestling team so he agrees, and I’m just flabbergasted. They fight, and Lou smashes Doug in the knee and hits his head against the floor a bunch, until Red pulls him off. Doug is convinced his leg is broken, but Ariel, who wants to be a doctor, reminds him that she did a school project on the knee, and after examining it says it’s just sprained. Lou shrugs it all off.
The gang gathers in Ariel’s room and tries to plot an escape. Red tells them that he heard Lou and Eva conspire to rob them and make it so they can’t leave, and that he found some photos in a drawer of a couple that isn’t Lou and Eva. Come to think of it, Eva doesn’t know the kitchen and Lou’s clothes don’t fit. So this must not be their house!!! Red says that he lied when he said the Jeep was still dead, he just wanted to wait for the right moment to get in it and leave. So they decide to wait Lou out. So after Lou goes to bed around midnight, they wait another hour to sneak out of the house with their things, Doug grabbing a gun. THey go into the barn, ready to go, but then are surprised by a strange man standing in the doorway in the dark. They assume it’s Lou, and Doug fires the gun, shooting him… BUt it’s not Lou!! It’s some random guy! Ski mask guy?? It’s at the very least the man in the photos Red showed them! Lou runs in and says that they just killed Eva’s brother JAKE?!?! Who must have been coming to save them in the storm?! They find a ski mask in Jake’s coat, so he was the guy looking in the window. Which makes NO sense, but everyone buys it. Lou tells them they have to help him hide the body in the basement.
While Lou is telling Eva that her brother is dead, Ariel feels like something is off. She goes into the basement to check out the body. She examines poor dead Jake, and notices that not only is there not a lot of blood, but the body is completely frozen even though he’s only been dead for a short while. Red interrupts her examination, and she says they need to find Doug and Shannon! They find their friends, and Ariel says that she thinks Jake was already dead when Doug shot him. If he’d been alive he would have bled a lot, which he didn’t. And his body wouldn’t be frozen solid yet! I like how brainy Ariel is! Red isn’t convinced, and thinks they should confront Lou. The others outvote him and opt to leave. They run outside, and Ariel tells Red that he doesn’t need the pistol he’s carrying… But he tells them that HE DOES. AND HE POINTS THE GUN AT THEM.
Oh wow, the older guy macking on a teenage girl turns out to be a creep, I’m so shocked. (source)
Red takes them back to the porch and he and Lou tell them the whole scheme: Red was the one in the ski mask (the cover of this book is officially wrong then), the phones have worked the whole time, and not only are Eva and Jake siblings, Red is the THIRD sibling! Apparently Jake stole the inheritance from his siblings, and Lou killed him because of it. Eva, however, tells them that she never wanted this, and JUST CALLED THE COPS ON LOU! While Lou is processing this, Ariel hocks a snowball at him. He drops the gun and Doug tosses it (why he didn’t hold onto it is beyond me). The teens run back to the barn, but realize that Red has the keys to the Jeep! Ariel, always thinking, jumps on a snowmobile and just as Red and Lou are running in, she plows through them and towards the lake. She falls off the snowmobile and skids onto the ice. The guys catch up with her and grab her, but with the police sirens blaring they argue about how to proceed. Lou wants to give up, but Red wants to take her as a hostage. While they fight Ariel runs onto the ice, and Red follows her. But then the ice starts to crack, and Red falls through, as his sister screams on the banks (this is actually way sad). Ariel almost falls through, but Doug saves her. Lou gives himself up. Eva’s life is ruined.
A tow truck comes and is able to get Doug’s car out of the ditch, and it runs just fine now. They’re driving home and Ariel jokes that they should go on another ski weekend next weekend. Doug, as if predicting her bullshit joking in lieu of a trauma, pulls a snowball out of the glove compartment and smashes it in her face. The end.
Body Count: 2. Luke didn’t deserve that, but Red sure did!
Romance Rating: Gotta be 1. Domestic abuse, statutory make outs, attempted murder, and basketball being prioritized over a ski weekend. At least Doug seems to care about Shannon.
Bonkers Rating: 3. I’ll give some credit for the Red twist, but otherwise it’s pretty milquetoast.
Fear Street Relevance: 1! It has nothing to do with Fear Street besides Ariel living there, but she lives there off page! It probably should have been a standalone like “The Babysitter” or “The Snowman”.
Silliest End of Chapter Cliffhanger:
“I started to say something else – but stopped. Doug and I both cried out in surprise when we heard the snap of a gunshot right behind us!”
…. And it’s a mousetrap. PLEASE.
That’s So Dated! Moments: Well besides Red on the cover looking like David Hasselhoff (seriously, look at him), when Lou and Doug are having their awkward and stupid wrestling contest Lou keeps calling Doug ‘Hulkster’. As in Hulk friggin’ Hogan.
“Be a scientist, Ariel, I told myself. Examine the corpse… scientifically.”
Okay, Ariel’s determination to be STEM-y is kind of adorable.
SO, it doesn’t fit in on the “Fear Street” roster at all, but I remember that child me was totally blown away by the Red revelation. “Ski Weekend” is pretty okay, and at least it was memorable all these years later, unlike others I’ve read. Next up is “The Fire Game”!
Emily and I (Serena) have been friends since the first week of freshman year of college. Other than a lost purse (I did the losing, Emily did the calming), take a wild guess as to what we bonded over? Yes, that is correct: books. And the fact that we both had plans to be English majors and would go on to coordinate our schedules to have as many similar classes as possible! All that said, Emily has agreed to be a semi-regular contributor to our blog, so keep your eyes open for posts from her in “Emily’s Corner” on random Mondays going forward!
Book: “Ready Player One” by Ernest Cline
Publishing Info: Ernest Cline sold the novel in June 2010 in a bidding war to the Crown Publishing Group, a division of Random House. The book was published on August 16, 2011.
Where Did I Get this Book: Barnes and Nobles
Book Description:In the year 2044, reality is an ugly place. The only time teenage Wade Watts really feels alive is when he’s jacked into the virtual utopia known as the OASIS. Wade’s devoted his life to studying the puzzles hidden within this world’s digital confines—puzzles that are based on their creator’s obsession with the pop culture of decades past and that promise massive power and fortune to whoever can unlock them.
But when Wade stumbles upon the first clue, he finds himself beset by players willing to kill to take this ultimate prize. The race is on, and if Wade’s going to survive, he’ll have to win—and confront the real world he’s always been so desperate to escape.
Review: I adore science fiction, though I often lament the cheesiness that plagues the genre. So I was utterly floored by this book. This is the kind of science fiction that would convert even the most ardent sci-fi hater. Ernest Cline absolutely hit it out of the park on his first try.
“Ready Play One” is set in our world, less than thirty years into the future. The world is a bleak place, with a gaping divide between rich and poor, where the OASIS is the only respite from a reality of war, famine, violence, and disease. This book is believable because both the reality and virtual reality presented hit close to home. Global war is the norm, the populace consists of the uber-wealthy and people living on the streets, there is no middle class. In-game commerce is more valuable than hard cash, and the OASIS has more engaged voters than the actual government does. This isn’t Star Trek; it’s a future that feels hauntingly close at hand.
Wade is the perfect protagonist. Yes, he’s a teenager. He’s whiny at times, and you want to smack him upside the head when he pines too long after his love interest. But you can’t help rooting for him because he represents what it means to be the little guy, to go up against “the man” against all odds. He’s brilliant, but flawed enough that he doesn’t get preachy.
Wade’s story pivots around a global treasure hunt set up within the OASIS by its’ creator, a treasure hunt that is in itself a love letter to pop culture of the 80s. I loved the references I caught (shout-out to Wil Wheaton, who also narrates the audio book!), but wasn’t distracted by the ones that went over my head. I’m too young to catch the majority of the early 80s gaming references, but if anything it made me want to research Pong-era gaming systems. Atari, anyone?
The treasure hunt within the game is an engrossing adventure, complicated by real-world villains in the book, the IOI conglomerate who want to monetize and control the OASIS. Wade, known as Parzival in the OASIS, becomes the first player to crack the first of three clues that lead to both in-game and real-world treasure. He becomes the target of the IOI and cautiously teams up with other top players, known as Art3mis (pronounced Artemis), Aech (pronounced like the letter “H”), and brothers Daito and Shoto to win the game and keep IOI from dominating the OASIS.
“Ready Player One” is a great springboard for discussion on issues of technology, privacy, monetization, and legal liability which are hot topics today. It also provides thoughtful commentary on the positives and negatives of a fully immersive virtual world and the risks inherent to addictive technology. This is a thoughtful book, one that immerses you in the story but also makes you question your own addictive tendencies. Personally, I was struck by the idea that books were the first virtual reality, and wondered if I, as a self-proclaimed book addict, could really judge people who spend hours on video games.
There is a great twist near the end of the book, as Wade’s in-game friends introduce themselves to him in the real world. If nothing else, the reveal of Aech’s identity is worth reading the book for. There is also a teaser at the end which could leave room for a sequel. My guess is that Ernest Cline will wait to see how the movie adaptation turns out before deciding whether or not to pick up the story again.
Rating 10: This is one of the best books I’ve read in a long time, one that may just get added to my annual reads list.
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Emily and I (Serena) have been friends since the first week of freshman year of college. Other than a lost purse (I did the losing, Emily did the calming), take a wild guess as to what we bonded over? Yes, that is correct: books. And the fact that we both had plans to be English majors and would go on to coordinate our schedules to have as many similar classes as possible! All that said, Emily has agreed to be a semi-regular contributor to our blog, so keep your eyes open for posts from her in “Emily’s Corner” on random Mondays going forward!
Book: “Ready Player One” by Ernest Cline
The Library Ladies 