Tag: Dystopian

Fire’s Catching: “The Ballad of Songbirds and Snakes”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

It’s been eighteen years since Suzanne Collins wrote “The Hunger Games”, the smash hit literary sensation that continues to feel relevant and capture the attention of readers. This ongoing series will be a review series of both the Suzanne Collins books, as well as the film adaptations of the novels. I will post my review on the last Thursday of the month as we revisit the totalitarian world of Panem and the hope of the Mockingjay.

Book: “The Ballad of Songbirds and Snakes” by Suzanne Collins

Publishing Info: Scholastic Press, May 2020

Where Did I Get This Book: I own it

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Ambition will fuel him.

Competition will drive him.

But power has its price.

It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute.

The odds are against him. He’s been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined — every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute… and must weigh his need to follow the rules against his desire to survive no matter what it takes.

Review: A few years after “The Hunger Games” trilogy wrapped up with “Mockingjay”, the announcement was made that Suzanne Collins was going to write a prequel story. It was a bit vague at first, and I remember the buzz and anticipation that was tittering throughout the fandom. Who could it be about? Maybe Haymitch’s Games? Or maybe it was going to be about Mags? I was thinking it was maybe going to be about my gal Johanna Mason to see how she played everyone to think she was a scaredy cat and then eventually came out on top through brutality and managed expectations. And then it was announced that it was going to be about Coriolanus Snow, the brutal dictator in charge of Panem in the original trilogy. And I remember people being PISSED.

I will admit that as someone who always thinks that fandoms do the absolute most sometimes, I was pretty amused by the tantrums people were throwing. (source)

I wasn’t as put off by the concept. It did take me some time to read the book initially, but I did enjoy it, and re-reading it this year made me appreciate it even more. Because once again, Suzanne Collins knows EXACTLY WHAT SHE IS DOING.

So I will say right off the bat that this is probably my least favorite of the “Hunger Games” books, but that isn’t because it’s a bad book. I still really like this book. But there is a big narrative shift from the original trilogy to follow Katniss Everdeen and all of her innermost thoughts to Coriolanus Snow as a teenager and all of his innermost thoughts. But it’s still a very well written book that only expands more of the lore of Panem and builds the world even more in a way that makes it all the more intriguing. When we follow Coriolanus as he mentors Lucy Gray Baird from District 12 in the 10th Hunger Games, we get to see Panem in a transition period. It’s post-War/Rebellion, and the Capitol is still in shambles (which means you know the districts are having a rougher time as a whole). The Games right now aren’t the big entertainment event that they are when Katniss is reaped; if anything they are kind of run down and gritty. I really loved seeing the huge difference between the two time frames, and it goes to show just how much Snow influenced the Games and how much inspiration he took from his mentee Lucy Gray. Because Lucy Gray is the first one to weaponize her personality to be likable and to make it a bit of a spectacle with her singing and performance to make people root for her. If Coriolanus is a grating narrator (as he is supposed to be), Lucy Gray is a shining light of a character who has moxie and a drive to survive at all costs, even if it means cuddling up with Coriolanus (though I do believe that she DID care for him at one point, even if it wasn’t at the level of obsession and possession that he saw her at; notice I say obsession and possession as opposed to love). I also really liked seeing Lucy Gray’s Covey community, as by the time we get to the original trilogy in the timeline The Covey, a group that was trapped in District 12 after the rebellion after years of being nomadic, have all but disappeared, at least culturally. Seeing how Panem has changed between this book and the original trilogy is jarring but also so, so interesting.

I also liked getting some insight into the Capitol side of things in this book, be it with Coriolanus and his fellow students at The Academy being recruited to mentor the Tributes for the games, or the faculty indoctrinating them and manipulating their every move. We spend so much time in the Districts in the “Hunger Games” trilogy and only see the opulent and decadent Capitol in very specific instances, and in “Ballad” we see a Capitol that is grimy and, as I said, in transition, but it still has the superiority complex and the hints of totalitarianism that is still in shaky stages and is only waiting for a truly ruthless leader to bring it to its full horrific potential. It’s also interesting seeing the politics and ideologies of how the Capitol views the Districts at this point, still dehumanizing them but in a far more overt way at this point, like the Tributes being held in literal zoo cages. Or the way fellow students and Coriolanus look at Sejanus Plinth, who grew up in District 2 and whose family became wealthy and was able to essentially able to buy its way into the Capitol through loyalty and money, but is still looked down upon by others and feels like he is in an identity crisis. There are so many layers here and I greatly appreciated seeing this side of Panem, if only to get context.

Now, I may be treading into some kind of controversial territory here, but I kind of want to address one of the biggest hang ups people have about this book. There were a lot of people I saw, be it in my own life or online, who were very put off by the idea of this book following something of an origin story for President Snow. I had a few people say ‘I am not interested in getting a villain origin story that humanizes PRESIDENT SNOW’, and I mean, hey, that’s a valid worry about the book because there have been some stories where a clearly bad or villainous person gets some kind of redemption arc because of a sad backstory. But I never really had the fear that Collins was going to do that with Snow, as I know that she isn’t going to be an apologist for a fascist dictator just based on the original trilogy. Yes, Coriolanus Snow grew up during a time or war that left his life in shambles, even if his family was on the ‘winning’ side. He and his cousin Tigris are living with their completely indoctrinated grandmother in abject poverty, and while he comes from a prestigious family with name recognition (especially at the school he is attending), he has a huge victim complex because he isn’t living the life he was promised as a Snow. And that victim complex simmers as resentment, then turns into ambition, then turns into a thirst for power at any cost which turns into violence. I have always said that Collins’s “Hunger Games” stories always, ALWAYS have something to say, and the clear message of “The Ballad of Songbirds and Snakes” is about the way that young men can be radicalized by fascist ideology in times of instability within their lives, and while she explains it, she never excuses it with young Coriolanus, especially since we get into his head so deeply and he is just awful. This came out in 2020 when we had been seeing the starts of the Manosphere, and white male grievances were motivating a lot of young white men to embrace far right values, and unfortunately it has only gotten worse since then. So while I understand people not wanting to read about Coriolanus Snow as anything but an irredeemable villain, I also think that turning away from uncomfortable truths about radicalization of people like him in real life just helps the problem grow and grow. Collins doesn’t excuse his actions throughout the book, which are reprehensible even before he becomes president. But to dismiss this kind of exploration as being apologia for his actions is missing the point Collins is trying to make.

So while “The Ballad of Songbirds and Snakes” is probably my least favorite of the books about Panem, I still really enjoy it whether it’s the new lore and expanded world building of Panem, how it has changed over time and how the Games themselves have changed, and how it explores the dangers of radicalization through one of the biggest monsters in the series. Suzanne Collins does not miss. Next up I take on the next prequel book and the final book in the series “Sunrise on the Reaping”. Haymitch’s moment is upon us.

Rating 8: While it’s probably the weakest of the books for me, I still find it to be compelling and complex with a lot of relevant things to say. Also, I love seeing the huge differences in Panem between Katniss’s time and Snow’s time as a mentor.

Reader’s Advisory:

“The Ballad of Songbirds and Snakes” is included on the Goodreads list “YA Dystopia Novels”.

Fire’s Catching: “Mockingjay”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

It’s been eighteen years since Suzanne Collins wrote “The Hunger Games”, the smash hit literary sensation that continues to feel relevant and capture the attention of readers. This ongoing series will be a review series of both the Suzanne Collins books, as well as the film adaptations of the novels. I will post my review on the last Thursday of the month as we revisit the totalitarian world of Panem and the hope of the Mockingjay.

Book: “Mockingjay” by Suzanne Collins

Publishing Info: Scholastic Press, August 2010

Where Did I Get This Book: I own it

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: My name is Katniss Everdeen. Why am I not dead? I should be dead.

Katniss Everdeen, girl on fire, has survived, even though her home has been destroyed. Gale has escaped. Katniss’s family is safe. Peeta has been captured by the Capitol. District 13 really does exist. There are rebels. There are new leaders. A revolution is unfolding.

It is by design that Katniss was rescued from the arena in the cruel and haunting Quarter Quell, and it is by design that she has long been part of the revolution without knowing it. District 13 has come out of the shadows and is plotting to overthrow the Capitol. Everyone, it seems, has had a hand in the carefully laid plans—except Katniss.

The success of the rebellion hinges on Katniss’s willingness to be a pawn, to accept responsibility for countless lives, and to change the course of the future of Panem. To do this, she must put aside her feelings of anger and distrust. She must become the rebels’ Mockingjay—no matter what the personal cost.

Review: We are now coming to the end of the initial “Hunger Games” Trilogy, and I finally took on the final book in the series “Mockingjay”. Much like “Catching Fire”, I skipped this book in my initial read because I was told that it wasn’t very good. Nay, I was told that it was boring. BORING. After finishing “Catching Fire” and really liking it, I knew that I would probably have a similar experience with this one. Little did I know that I would actually end up ranking it almost as high as the first book. Yeah, I loved “Mockingjay”. It destroyed me (probably thanks in part to listening to Tatiana Maslaney read it, God she was good). As we follow Katniss into her final arc of this saga, I was moved and on edge, even though I knew what was coming thanks to the movies. Suzanne Collins always has something to say. And this time, as we rejoin Katniss, newly whisked away from the wreckage and chaos of the destroyed arena, she is already so damaged and alone, with Peeta captured and Haymitch revealed as hiding the rebellion he helped force her into. Collins’s message this time: War is Hell, and no one comes out unchanged.

We get some new insight to some previous characters, and also meet new characters who become power players for the last book in the series. The biggest stand out for previous characters for me is Plutarch Heavensbee, the game maker for the Quarter Quell who was actually part of the rebellion the entire time. I love Plutarch, not because he’s a good guy (he’s not, really), but because I appreciate his goal of trying to overthrow Snow and the Capitol and think he’s very interesting because he is ruthless and willing to do a lot of bad to achieve his goals. We are also introduced to Alma Coin, the President of District 13, a long forgotten District that has been biding its time underground waiting for a spark of revolution so she can swoop in and help overthrow the Capitol. As Katniss worries about Peeta, who has been captured by the Capitol and is now being used in propaganda as the uprising turns into all out war, she is thrown into the role of being the Mockingjay leading a rebellion when she doesn’t know how to be a leader. It’s just a new situation where a teenage girl is being used by ambitious and power hungry adults for their own ends, and her mental health and PTSD is tossed aside as she is constantly pushed to the brink. Is she a bit more of a passive player in this one? Sure. But while that was used as a criticism by those around me, I actually think it makes complete sense. Katniss never wanted this and is still a child. Her struggles may seem repetitive but she is riddled with trauma. To portray it as anything other than messy and complicated would be unrealistic and, frankly, irresponsible.

I was also struck by how Collins makes it pretty clear from the jump that the Rebellion’s alliance with District 13 is a complicated, possibly even dangerous, one. Katniss is thrown into the depths of District 13’s underground bunker with its highly authoritarian society, finding out that it has been there the entire time living off the grid after striking a deal with the Capitol to be able to walk away in exchange for not using nuclear weapons against Snow’s regime (the absolute gall). We will talk more about the portrayal of 13 in the movies when we get to the film reviews, but in the book? I was immediately put off by President Coin and her government and its brutal ways, both towards its supporters and towards the people who have been pulled in from the rebellion as allies. Hell, EVERYTHING about 13 feels like its own nightmare, with no dissent allowed, dehumanization of anyone seen as collaborators (one instance with Katniss’s Prep Team, who feel like fish a barrel being shot for funsies, really disturbed me), and a very officious and scary power structure that Katniss is suspicious of while her closest friend Gale becomes more and more indoctrinated and into the totalitarian ethos that Coin is feeding him.

And I love that Collins was more than willing to portray that way that a war being fought can have horrific tactics from both sides, even the side that is ultimately more ‘in the right’, and this book really hits it home in the most devastating ways as Katniss has to be the face of a rebellion and to try and keep herself safe from Coin, who clearly wants her gone so she can take over and become the person with the power going forward. She is used as a tool by Coin and Heavensbee (I love the guy and his moral grey character, but man he’s a dick), only a means to an end because they know that Coin won’t cut it, and she is repeatedly victimized in hopes that she can just keep Peeta and Prim safe…and we all know what happens to Prim. Prim and the children of the Capitol, who all become targets of the ‘righteous’ side and are slaughtered to finally put down Snow’s regime in one final bombing… and it is sickening. Collins isn’t going to let the ‘correct’ side off, not only having Katniss’s side commit war crimes that are similar to her enemies, but also murder the person that she sacrificed everything for, almost making all of her suffering and purpose moot. GOD it’s so, so sad. It’s such a harsh truth that people forget all the time, that war, as a whole, is BAD, and ANYONE participating can do MONSTROUS things (even if they are on the side that is OBJECTIVELY more moral) because that is war at its heart. “Mockingjay” tells this truth by spilling more child blood, done by the side that the reader wants to succeed. Fuck Coin. But fuck Gale more. And Katniss is left to pick up the pieces. Again, war. Is. Hell.

The way I sobbed as this book was coming to a close. (source)

But then there is the rebirth. Because Katniss has to keep going. And Peeta has to keep going. The book ends with Panem starting a new path, and it feels hopeful, but tenuous. But for Katniss and Peeta, they have to keep moving forward, and rebuild, and the gentle aftermath of them slowly starting to do so is bittersweet to say the least. But it felt correct and satisfying. Collins doesn’t pretty it up. They are forever changed. They are forever haunted. Katniss and Peeta don’t get better just because they are free and their goals are achieved. But they keep going and find hope and happiness with each other. I know that there are people who hate that Katniss has kids in the future, thinking that it betrays her character because of her refusal to have kids in the first book. But to that I say, her and Peeta having kids is actually the best way to end it, because it shows that Katniss finally, FINALLY, can feel safe enough to live her life because the oppressive society she grew up in and helped overthrow is truly gone. It’s lovely.

I loved “Mockingjay”. It wasn’t flashy and it wasn’t cheerful. But it feels realistic to me in how it portrays trauma, war, and trying to start over after having experienced so much grief, and finding love and peace in spite of it. Next up I will review the first prequel, “The Ballad of Songbirds and Snakes”, where we go back to one of the first Hunger Games, and see the origins of President Coriolanus Snow.

Rating 9: A heavy and bittersweet conclusion to a series that still feels resonant, “Mockingjay” focuses on the hell that is war, the lingering affects of trauma, and picking up the pieces even in the wake of victory that may not feel wholly victorious.

Reader’s Advisory:

“Mockingjay” is included on the Goodreads lists “Best Survival Stories”, and “YA Dystopia Novels”.

Fire’s Catching: “Catching Fire”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

It’s been eighteen years since Suzanne Collins wrote “The Hunger Games”, the smash hit literary sensation that continues to feel relevant and capture the attention of readers. This ongoing series will be a review series of both the Suzanne Collins books, as well as the film adaptations of the novels. I will post my review on the last Thursday of the month as we revisit the totalitarian world of Panem and the hope of the Mockingjay.

Book: “Catching Fire” by Suzanne Collins

Publishing Info: Scholastic Press, September 2009

Where Did I Get This Book: I own it

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Sparks are igniting. Flames are spreading. And the Capitol wants revenge.

Against all odds, Katniss Everdeen has won the Hunger Games. She and fellow District 12 tribute Peeta Mellark are miraculously still alive. Katniss should be relieved, happy even. After all, she has returned to her family and her longtime friend, Gale. Yet nothing is the way Katniss wishes it to be. Gale holds her at an icy distance. Peeta has turned his back on her completely. And there are whispers of a rebellion against the Capitol—a rebellion that Katniss and Peeta may have helped create.

Much to her shock, Katniss has fueled an unrest that she’s afraid she cannot stop. And what scares her even more is that she’s not entirely convinced she should try. As time draws near for Katniss and Peeta to visit the districts on the Capitol’s cruel Victory Tour, the stakes are higher than ever. If they can’t prove, without a shadow of a doubt, that they are lost in their love for each other, the consequences will be horrifying.

In Catching Fire, the second novel of the Hunger Games trilogy, Suzanne Collins continues the story of Katniss Everdeen, testing her more than ever before . . . and surprising readers at every turn.

Review: I mentioned before that this is a part re-read/re-watch, part initial read, as while I read “The Hunger Games” proper (as well as “Songbirds” and “Reaping”) and have seen all of the movies, I didn’t read “Catching Fire” or “Mockingjay” because I was told that they weren’t as good as the first book. I don’t know who told me that, thinking back. It wasn’t my husband, who has read ALL of the books (and dove into the series the moment we got back from the first movie), but whoever it was is on notice because while I was reading “Catching Fire” I muttered to myself ‘okay, this is really good, who lied to me?!’

Mystery person, whoever you are, welcome to my shit list. I WILL NOT FORGIVE THIS DISCREPANCY! (source)

I think that what I really liked about this book (and I liked it about the movie version too so why oh WHY couldn’t I have used my brain to realize the book was probably also good!?) is that we get to not only get some expanded lore about Panem and the aftermath of ‘winning’ The Hunger Games, we also see the folly of trying to appease a fascist, and the way that revolutions can slowly gain momentum because of fates aligning in just the right way (I will undoubtedly talk more about this when I eventually review “Sunrise on the Reaping”). Katniss and her Night Lock rebellion at the end of hers and Peeta’s games has enamored her with the citizens of the Capitol, but President Snow sees this moment not as two lovers willing to die for each other, but a direct threat to his power because of how it showed that, in fact, he cannot control the district citizens, and therein cannot control Panem. Since this is a first person perspective and it’s all through Katniss’s eyes we don’t REALLY get to see the way that the uprisings are starting, outside of hints here and there, but as she goes on her Victory Tour and more people connect with her, she becomes more desperate to appease Snow to keep her loved ones safe. She is not in control any more than he is, and it made for such a fascinating trajectory for her.

I also liked spending more time in District Twelve and getting more insight into what her mother and sister Prim have been doing (healers!), and seeing how Katniss and Peeta are heroes but nothing really changes for their community outside of having bragging rights (and honestly, how it just gets worse as Snow gets more desperate and more brutal Peacekeepers are sent into the District and wreak more havoc). And while I don’t like Gale, I do like seeing a bit more of him and his perspective as a non Victor who has to play his own part by nature of being Katniss’s friend (and the first glimmers of radicalization that are being set in motion even more so). By the time things are starting to get out of control and Snow and Katniss both realize she can’t stop it, her death is going to be the only recourse, and therefore the Quarter Quell happens and Victors from all over are pulled into it as a huge ruse to take her out. And probably send a message that none of them better get any ideas. You cannot appease fascists, and that is a clear theme in this novel (as all of Collins’s novels have themes).

And the Games this time around are brutal. I mean, they are always brutal, but we add in a layer of the absolute unfairness of all of these victors being brought back to fight again in spite of the trauma they have already endured and the promise that they could be left alone after their initial win. Katniss doesn’t know who she can trust in the arena, knowing that she has made SOME alliances, or has been thrown into others, and the suspense of having to be in another fight to the death while thinking maybe she CAN trust some of the players (but maybe not?) just adds to the suspense, especially since we are seeing it all through her eyes. This also is the book that we meet one of my other absolute favorite “Hunger Games” characters, Johanna Mason, and having only seen her on screen until this point it was VERY gratifying seeing her on the page. Because she manages to be even MORE bitchy here, and seeing her be a terror was a lot of fun. At the same time, however, I feel like it was almost more interesting leading up to the games, as while this is still pulse pounding and a great dystopian thriller, I don’t think that it could top those initial games because it was so novel in the initial book, even with the added suspense about the other tributes and their motivations.

And the cliffhanger packs a wallop too. Poor Katniss. She tried to hard to keep her loved ones safe and then her whole community gets blown off the map in retaliation. Snow being on the page more this time made it all the more cruel, I think, because she tried her best but it was never going to be good enough. That’s one of the ultimate tragedies of this series that I will probably keep harping on as my reading and viewing goes on: she never wanted this. And even when she grudgingly accepts it, and even if it is for the greater good of Panem, she’s just a kid, and it’s such a weight to carry.

“Catching Fire” was another great read in this series. I’m kicking myself for having left it by the wayside all those years ago. Up next is “Mockingjay”, the one I was told by many was the most boring. But after reading this one and finding it better than I was told, I’m thinking that I will probably be taken aback by how deceived I was with that one too. I guess we’ll see!

Rating 8: We get more into the intrigue of a fomenting revolution seen through the eyes of someone who never meant to start it, as well as more insight into a totalitarian society. Throw in another brutal games and “Catching Fire” is another harrowing read, and I’m glad I finally picked it up!

Reader’s Advisory:

“Catching Fire” is included on the Goodreads lists “Best Young Adult Dystopian Novels”, and “Best Survival Stories”.

Fire’s Catching: “The Hunger Games”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

It’s been eighteen years since Suzanne Collins wrote “The Hunger Games”, the smash hit literary sensation that continues to feel relevant and capture the attention of readers. This ongoing series will be a review series of both the Suzanne Collins books, as well as the film adaptations of the novels. I will post my review on the last Thursday of the month as we revisit the totalitarian world of Panem and the hope of the Mockingjay.

Book: “The Hunger Games” by Suzanne Collins

Publishing Info: Scholastic Press, October 2008

Where Did I Get This Book: I own it

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Winning means fame and fortune. Losing means certain death. The Hunger Games have begun. . . .

In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV.

Sixteen-year-old Katniss Everdeen regards it as a death sentence when she steps forward to take her sister’s place in the Games. But Katniss has been close to dead before-and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weigh survival against humanity and life against love.

Review: I got back from a week long cruise with friends this past Monday, having to sink back into the real world like one always does after a vacation. As I was taking my kid to school on Tuesday and I was pulling into the drop off lane, I noticed something that hadn’t been there before I left: there were now people in green vests standing on the corners by the various drop off and pick up entrances to her elementary school, keeping an eye on the drivers who were coming and going. I immediately clocked that they were there to watch out for ICE. Coming back to reality after a fun trip with dear friends is already hard; it’s even harder when you come back to an occupied metro area that has an ever present anxiety of our neighbors being harassed and kidnapped and murdered, especially when those being targeted include children.

Welcome to “Fire Catching”, my series where I revisit “The Hunger Games”, the dystopia phenomenon written by Suzanne Collins. It had been some time since I read the first book in the series, almost fifteen years probably by my count, though my husband and I have watched the movies many times. When I read it originally it was a fun dystopia with complicated world building, nuanced characters, and a lot of action that fit well together and created a book that I read in about one afternoon. I really loved it then. I still really love it on this revisit, though it feels a bit closer to home these days. This will be a review for the most part! That’s what you are here for. But I’m sure I’ll also be reflective a bit. I feel like I have to be.

(source)

What strikes me about “The Hunger Games” this time around is just how much Collins trusts her readers to be able to handle dark and complicated themes, while also being able to break them down for the audience in ways that aren’t condescending but are easy to understand. Katniss Everdeen is our first person protagonist, a sixteen year old girl living in a poverty stricken community known as District 12, one part of multiple districts that have to answer for a rebellion against The Capitol years earlier. The districts answer by sending two kids, one boy and one girl, drawn by a lottery, to a battle to the death. Katniss isn’t selected, she volunteers so that her gentle younger sister Prim doesn’t have to go. It’s most likely that you know the story. But I never get sick of it, and re-reading it this time I was pleased with how harrowing her story of training, preparing, fighting, and having to perform for her oppressors as entertainment remains. Katniss is prickly, she’s had to grow up far too fast (not just because of life in the Districts but also because of her father’s death leaving her mother catatonic for a spell), and now she has been chosen to be a prop for an oppressive government’s bloodsport. She’s complex and hard headed, but Collins is also great and bringing her vulnerability out, more than happy to remind the reader that she is a child who has been put into a horrifying situation. We see everything through her eyes, and while sometimes it’s a bit on the nose as to how she is misinterpreting things (girl, of COURSE Peeta adores you and has adored you this whole time), but at the same time I fully believe that she has EVERY reason to be paranoid and to think the worst of people, whether it’s her drunk mentor Haymitch, or even the sweet and quiet Peeta.

And we are just starting to scratch the surface of the world building for Panem and its history here, and Collins gives us enough information to make a compelling story while also holding enough back to give us much more to work with as the series goes on. The idea of children’s peril and death being used as punishment and control isn’t new by any means (from The Minotaur to “The Long Walk” to “Battle Royale” it has been seen in so many stories throughout history), but the way that Collins builds this world makes it feel freshly horrifying. With Katniss giving tidbits about how the Hunger Games work, the various ins and outs of how the system can be rigged and gamed based on social standing (because even in the oppressed districts there are still class differences within themselves and between themselves), hints of how The Capitol crushes dissent with a veneer of beauty and wealth, and showing how death has been turned into eagerly eaten up entertainment due to years of propaganda, the world building is rich and incredibly well done. The games themselves are horrifying, more horrifying than I remembered from the first time I read it. I’m sure that’s in part due to the fact I now have a child of my own that I can’t help but project into the horrors, as well as the other stuff going on in my community that seems downright dystopian at the moment. Still so relevant, unfortunately.

This is going to be a gratifying and intense re-read, I can tell. “The Hunger Games” is still such a great start to the series. Next up I will tackle “Catching Fire”. Which I haven’t actually read! So that will be interesting!

And please take a look at this link for Stand With Minnesota, a resource hub for mutual aid, donation drives, and other resources to help communities all over my home state right now. We need help.

Rating 9: Still as harrowing and relevant as when it first came out, which is both a positive (for timelessness purposes) and negative (for the too real feels of it all).

Reader’s Advisory:

“The Hunger Games” is included on the Goodreads lists “Best Dystopian and Post-Apocalyptic Fiction”, and “Best Survival Stories”.

Kate’s Review: “The Long Walk”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Long Walk” by Stephen King (writing as Richard Bachman)

Publishing Info: Signet Books, July 1979

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Against the wishes of his mother, sixteen-year-old Ray Garraty is about to compete in the annual grueling match of stamina and wits known as The Long Walk. One hundred boys must keep a steady pace of four miles per hour without ever stopping… with the winner being awarded “The Prize”—anything he wants for the rest of his life. But, as part of this national tournament that sweeps through a dystopian America year after year, there are some harsh rules that Garraty and ninety-nine others must adhere to in order to beat out the rest. There is no finish line—the winner is the last man standing. Contestants cannot receive any outside aid whatsoever. Slow down under the speed limit and you’re given a warning. Three warnings and you’re out of the game—permanently…

Review: I first read “The Long Walk”, one of Stephen King’s ‘Bachman Books’, in 2015, just a couple of months before we started the blog. So about ten years ago! It had be recommended to me by one of my very closest coworkers at the library I was working at at the time, and I was absolutely enthralled with it. It instantly skyrocketed up to my top 3 Stephen King books (with “The Stand” and “Carrie” along with it). When I saw that they were going to make a movie based on this book I was excited, but nervous. Then I saw the trailer, and was like “I NEEEEEED TO SEEEEEE IT!!!” Serena and I are actually planning on going at some point, and I have plans to see it with other people too. And the time is almost upon us, as the movie comes out this Friday. So I thought that it would be the perfect time for a reread and to finally review it on this blog, since it JUST missed out. And wow. It hit even harder this time around.

Actual footage of me reeling on the couch while reading as the kittens come to see what’s happening…. (source)

I’ve always said that when King was writing as Bachman he felt no need to be hopeful or optimistic. Most of King’s books have some kind of hints at hope even in all the darkness (there ARE exceptions; “Pet Sematary”, “Cujo”, “Carrie” all come to mind), but when he wrote as Bachman he was just fine being a huge bummer. “The Long Walk” basically keeps up with that pattern, as a group of teenage boys participate in an unending walk in hopes of being the last man standing to receive a prize to make their lives better. After all, in “The Long Walk” America has been taken over by cruel authoritarian fascists who value control and violence to maintain it (ughhhhh), and the televised Long Walk competition is entertainment built from children being killed if they stop walking at the speeds they are supposed to be at. Our protagonist is Ray Garraty, who joined like all others thinking that walking at 5 miles per hour is easy and that the money will be his, but as the walk keeps going he and his companions start to break down as they are all picked off one by one (and let me tell you, when I was originally reading this I tried to walk as long as I could at 5mph while on a treadmill at the gym. It was NOT EASY). Garraty and other contestants, like the steadfast and snarky McVries, the antagonistic and crude Barkovitch, and the mysterious Stebbins, enter in and out of each other’s orbits as their companions are killed, they become physically exhausted, and their mental faculties start to break down. It’s tense, it’s awful, and it is relentless. I know that King has said he originally wrote this book when he was in college, when boys he knew were being drafted and sent to Vietnam, and the hopelessness and bleakness definitely harkens to the idea of young men and boys being sent into a meat grinder for a country’s own devices. But as someone who now has a kid of her own this book hit THAT MUCH HARDER, with these children sobbing, screaming, or in some cases dying slowly and painfully before actually being shot for losing (one character contracts pneumonia while walking, and my God it was harrowing as he slips further and further into illness with no ways to rest and heal). There was one moment with a character screaming about his feet for prolonged moments where I couldn’t go any further for a bit. I just had to put it down. It’s an effective and dark dystopian nightmare.

BUT. There are also moments of intimacy and camaraderie between some of the characters, specifically Garraty and McVries, that show that even in the darkest and most terrible times and experiences, if you can find someone, or a community, to hold onto, there will always be bits of hope. The relationship between Garraty and McVries was so, so lovely, as while it has its ups and downs as the contest goes on and their stress, exhaustion, and fear kick in, you can tell that they both have a connection that keeps each other going. There has long been queer subtext speculated about these characters, which is definitely a fair way to interpret it, but what I loved about their friendship is that it’s another example of one of my favorite relationship portrayals: when two people connect to each other and get each other on a level that transcends platonic and romantic and is a whole other thing that isn’t quite definable. It makes them that much more touching and intimate, and that much more tragic as the story goes on. This book isn’t optimistic or hopeful as a whole, but these bits as these boys keep each other going DO have small bright spots in a sea of despair. And it’s a reminder of how important that can be.

“The Long Walk” is still one of my favorite Stephen King novels. It’ll wreck you if you let it. But it’s so, so good.

Rating 10: This is still one of my favorite Stephen King books. Devastating, tense, and bleak, but so incredibly emotional with glimmers of intimacy and camaraderie.

Reader’s Advisory:

“The Long Walk” is included on the Goodreads lists “Dystopia!”, and “Games of Death”.

Kate’s Review: “The Ground That Devours Us”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Ground That Devours Us” by Kalla Harris

Publishing Info: Entangled Teen, June 2025

Where Did I Get This Book: I received an eARC from the publicist via NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The world ended ten years ago. Vampires showed up, took over, and turned the whole planet into their personal all-you-can-drink buffet. The president? Bloodsucker. The government? Bloodsuckers. My social life? Absolutely nonexistent.

But hey, at least I had one thing going for me—slayer training. My twin sister, Ripley, and I were about to go pro, officially joining the ranks of the last people on earth who actually do something about the whole “undead overlords” situation.

And then X had to show up. The vampire boogeyman. The worst of the worst. And instead of killing Ripley, like any decent monster would, he turned her. Now she’s technically a vamp, but something tells me my sister is still in there. Which means I can’t slay her.

What can I do? Break every rule. Lie to my friends. Strike a deal with the most dangerous vampire on the planet: X will protect Ripley from everyone else who wants her dead—like, really dead—until I can snag the cure for vampirism. The catch? Risking my own head to help him free his good-for-nothing BFF from the very slayers who taught me everything.

If I want Ripley back, I’m going to have to play nice with the thing that ruined my life. And the worst part? I think he’s enjoying this.

Review: Thank you to Kaye Publicity for sending me an eARC of this novel!

Anyone who has followed my reviews of vampire fiction on this blog can probably tell you that I am VERY particular about the genre, and that in many cases I have a really hard time getting into straight up human/vampire romance. THERE ARE EXCEPTIONS (love Spike and Buffy, I’ve really enjoyed the “My Roommate Is A Vampire” series by Jenna Levine), but overall it’s just not something I like. But when I was sent the description of “The Ground That Devours Us” by Kalla Harris, even though I knew it had romantic elements, I ALSO saw that it was a dystopia. And man I love dystopia. So I threw caution to the wind, hoping that the dystopic angles would outweigh the romantic ones.

This book gave me a mix of general dystopia, the book “The Coldest Girl in Cold Town” by Holly Black, the book/movie “Warm Bodies”, and some sprinkles of various CW vampire shows whether it’s “Buffy” or “The Vampire Diaries” (which was a direct influence according to Harris), and as a whole I found it very enjoyable and to be a well done mish mash. I liked the world that Harris built, with non-vampire survivors training and preparing to try and overtake the bloodsucker threat, while vampires are getting their own stuff in order, bringing more humans into the fold and turning them into vampires. And like with any dystopian stories worth their weight, we have a well established societal system, with our humans in one well guarded sanctuary compound, and our vampires (some sentient, some almost like zombies called ‘bloodwalkers’) outside the walls and living in their own society. I really enjoyed the vampires mythos, with there being more traditional vampires and the zombie-esque ones, and I liked the way that Harris slowly unveils the way that Vaille works, for better or for worse.

I also was a pretty big fan of our cast of characters, finding them all pretty well rounded and fleshed out. Our protagonist is Ruby, and she and her sister Ripley live in the compound Vaille and are training to be vampire slayers under the eye of Barnett, the head of their community. So when Ripley is turned into a vampire by notorious vampire X, Ruby wants to get her sister back because Vaille may be on the verge of a cure. It’s good hook, and Ruby is both an interesting and confounding protagonist, but confounding in a good way. She’s stubborn, bitter, and always on guard and ready to lash out at X, but when she teams up with him in hopes of getting Ripley back on her side, we really start to see her character growth. Especially as her worldview starts to be challenged the community she has put so much faith and devotion into starts to be revealed as not what she thinks. I was surprised by how well done this exploration of clannishness and blind devotion after being flooded with propaganda, and how Ripley has to start deconstructing what she thinks is true about her life in Vaille and being so tied to Barnett. It’s a pretty heavy theme, and Harris clearly trusts her reader to be able to parse out the nuance.

And okay, I probably have to talk about the romance, which was the element that I was the most nervous about. As mentioned above, I am really picky about my vampire romance. But I ended up really enjoying the relationship between Ruby and X. It wasn’t instalove, which is always a plus (and how could it be? He turned her sister into a vampire!), but it was done in a way that actually felt believable, going slowly enough that she could work through her anger, so he could help her understand his position, and so they could connect at a steady and acceptable pace (and there are some mitigating factors, too, but I won’t go into it here). X is a fun foil to Ruby, and I was definitely harkening back to some of the snide banter between Buffy and Spike in earlier seasons of “BTVS”.

I am such a predictable sucker for that kind of thing, take me back to swooning on the phone with my cousin after an episode of especially good Spike and Buffy banter! (source)

So overall, “The Ground That Devours Us” is a unique vampire dystopia tale that I found to be incredibly engaging. If Harris wanted to write more stories in this universe, I would read them for sure.

Rating 8: A unique and entertaining vampire dystopia that goes into some existential meditations on clannishness, blind allegiances, and propaganda. Oh, and vampire romance, too, and it didn’t make me want to pull my hair out.

Reader’s Advisory:

“The Ground That Devours Us” is included on the Goodreads list “YA Novels of 2025”.

Serena’s Review: “Silver Elite”

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Book: “Silver Elite” by Dani Francis

Publishing Info: Del Rey, May 2025

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: The world is divided. On the Continent, you’re either a Prime—immune to the biotoxin that nearly wiped out the Earth’s population 150 years ago—or a Modified, one who was enhanced by the toxin, developing powerful psychic gifts.

As conflict rages between the two sides, Wren Darlington lives in hiding. Occasionally running the odd op for the rebel Uprising against the Primes’ oppressive rule, she must keep a low profile. After all, if the enemy finds out that she is a Mod with a staggering four psychic abilities, she won’t just be sent to the labor camps. She’ll be executed—immediately and without trial.

When a careless mistake puts Wren in the crosshairs of the Continent’s military, she is taken captive and forced to join their most elite Silver Block. Unwittingly, they’ve handed her the perfect opportunity for the Uprising to strike a devastating blow from inside their ranks. That is, if she can keep her powers hidden, survive training, and prove herself to Cross Redden, her maddeningly cocky commanding officer.

Despite the explosive chemistry between them, Cross doesn’t trust her—even as he seems determined to destroy the remaining shreds of Wren’s self-control. Yet as the war between Primes and Mods escalates, and as Wren and Cross find themselves unable to stay away from each other, they must decide how far they’re willing to go for their secrets—and how much of the Continent is worth saving.

Review: While I love romance and romantasy, it’s always a breath of fresh air to wander into other genres. And while dystopian fiction had its day in the sun, it’s been a while since I’ve seen a title like this! However, my reading experience of this book was highly mixed. There were things I enjoyed for sure, but I also struggled to maintain interest at times.

Largely, I think this comes down to the balance between the romance and the dystopian aspects. This book promotes itself as slow-burn which I think is misleading. Perhaps I’m just a romance snob, but to me, slow-burn isn’t just “how far into the book does the sex scene happen” but instead refers to the slow development of interest/feelings which then leads to intimacy. Here, however, the book leans heavily into lust almost instantly, which very much turned off my slow-burn-loving heart.

It didn’t help that some of the “reveals” around the identity of one of the characters was telegraphed a mile away. I found that once I got further in the book and some of this information had come out, I was able to enjoy the romance more. That said, I never fully recovered from the instalust turn off, so by the end, the romance was solidly in the “meh” category. I also felt there were too many spicey scenes for my taste, leaning more heavily into the smut side of things, especially given some of the weaker aspects of the world-building as a whole.

The writing was approachable, but I also felt that it was a bit simplistic at times. The tone often didn’t seem to match the serious nature of the world that was being describing, coming across as far too unserious for the situations on hand. Similar to the reveals regarding characters, many of the plot points were very familiar. Again, this can be comforting for some readers who are more focused perhaps on the love story than the over-arching plot. But for me, it was a definite let down. Pacing-wise, however, it was fairly steady throughout. And readers who enjoy more straight-forward writing may be less put off by the writing style. For me, it came across as a bit too juvenile for an adult book.

This is a hard one to rate. I personally didn’t have a great time with it, as it felt very derivative and like something I had read many times before. That said, I also think it’s just the sort of story that will appeal to romantasy fans who are more interested in spice and the romantic plot line and who are looking for some more variety in their reading (after picking up the millionth dragon or Fae book). If the latter sounds like you, by all means, check this one out! But if you’re more interested in the world-building or the complexity of a dystopian novel, this might be a bit of a let down.

Rating 7: A bit too predictable in its plotting and its character reveals, but romantasy readers will likely still gobble this one up!

Reader’s Advisory:

“Silver Elite” can be found on this Goodreads list: 2025 Debut Novels.

Kate’s Review: “You Must Take Part in Revolution”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “You Must Take Part in Revolution: A Graphic Novel” by Melissa Chan & Badiucao (Ill.)

Publishing Info: Street Noise Books, March 2025

Where Did I Get This Book: I received an eARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From acclaimed journalist Melissa Chan and esteemed activist artist Badiucao comes a near-future graphic novel dystopia that explores technology, authoritarian government, and the lengths that one will go to in the fight for freedom.

Three idealistic youths, forever transformed by the real-world protests in Hong Kong in 2019, develop diverging beliefs about how to best fight against techno-authoritarian China. As conflict escalates and a nuclear disaster looms, is working with an increasingly fascist and non-democratic United States the answer? Andy, Maggie, and Olivia travel different paths toward transformative change, each confronting to what extent they will fight for freedom, and who they will become in doing so.

A powerful and important book about global totalitarian futures, and the costs of resistance.

Review: Thank you to Street Noise Books for sending me an eARC of this graphic novel!

When I was an undergrad at the U of MN, I had my first library job working in the Annex at Wilson Library. My duties included shelving books all throughout the library, as well as working the desk to pull materials like old journals, microfiche, and newspapers. One of my friends at the time was my coworker Hugo, who was an exchange student from Hong Kong. A few years after graduation he moved back home and we lost touch, but in the summer of 2020 he reached out during the George Floyd protests/the uprising to see how I was doing since he knew I was still living in the area. We chatted a bit, and he told me that he had been a part of the protests in Hong Kong in 2019, and gave some tips to pass on to others who were out protesting. It was interesting hearing him talk about all of that, as I certainly heard about it peripherally, but hearing about it first hand was jarring. I kept thinking about Hugo as I read Melissa Chan’s new graphic novel “You Must Take Part In Revolution”, as it has a start in 2019 Hong Kong, and then delves into a not so distant possible future where autocracy is rising across the world. So….. relevant reading to say the very least.

The first thing you need to know about this book is that it is GRIM. That isn’t meant to be a negative critique, because I think that any book talking about a totalitarian world needs to be grim on some level, and Chan feels no need to hold anything back in this possible future as China has cemented itself as an autocratic world power and a fascist United States starts to push against them in a bid for its own power. We follow three characters, all of whom bonded and became friends during the 2019 Hong Kong protests. We have Andy, who has been trying to keep his head down but has been helping resistance against the CCP in his own ways and finds himself recruited to a rebel paramilitary group . We have Maggie, who went to prison in 2019 for her part in a violent protest tactic that had severe consequences. And we have Olivia, who has some dark secrets that she is hiding after dropping off radar after the protests. One of the greatest strengths of this story is that all of these characters are well drawn out and have many layers, and while the reader could certainly have opinions and feelings about the actions they take, Chan is careful to not label any of them as doing something right or wrong, but all trying to survive in a world that is filled with horrors and complexities.

Both Chan and illustrator Badiucao have backgrounds that can lend first hand to the story being told, as Chan is a journalist and Badiucao is an activist, and their critiques of the autocratic and oppressive CCP are blistering, but they don’t stop there as the United States in this book is ALSO rather villainous. As both countries start to set their sights on Taiwan, and the fallout from that unwinds as the years pass, we see a very scary possibility that our own world could be headed in such a direction. I was chilled to the bone reading this book, and I feel like it is a must read for anyone who may be terrified about the state of things, and who are wanting to find their place in not only a new reality, but also within an urge to resist. That said, let’s go back to the grimness mentioned above. This book makes it VERY clear that there is a stark cost for anyone who wants to fight back. That isn’t to say it’s a condemnation of fighting back, because it is not at all. Chan and Badiucao are very clear that resistance against such things is necessary. But it also has no room for romanticism of revolution against a world of surveillance, greed, and corruption, and the pain and consequences are laid out in full honesty.

And finally the artwork. I was fully unfamiliar with Badiucao before reading this, though apparently he is known as Australia’s answer to Banksy. I really, REALLY liked his art style, as the visuals and unique and jarring and sharp in all the right ways for the story at hand. It brings in glimmers of humanity against a backdrop of oppression and despair.

(source: Street Noise Books)

It’s hard to stomach at times, but “You Must Participate In Revolution” is absolutely necessary reading for the times we are living in. I hope that we heed its warnings.

Rating 9: A stark warning for a possible dark future, “You Must Participate In Revolution” is a call for resistance to authoritarianism. Incredibly relevant reading.

Reader’s Advisory:

“You Must Take Part In Revolution” is included on the Goodreads list “Great Graphic Novels (Released In) 2025”.

Kate’s Review: “American Rapture”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “American Rapture” by C.J. Leede

Publishing Info: Tor Nightfire, October 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A virus is spreading across America, transforming the infected and making them feral with lust. Sophie, a good Catholic girl, must traverse the hellscape of the midwest to try to find her family while the world around her burns. Along the way she discovers there are far worse fates than dying a virgin.

Review: Thank you to Tor Nightfire for providing me with an ARC at ALAAC24!

Now that we are no longer in the fully acute stage of the COVID pandemic (not saying we are out of the woods yet, necessarily, as we are just getting out of another big wave here in Minnesota), I am far more able to read end of the world/disease based horror than I was four (or even three) years ago. So when I had to option to get a copy of “American Rapture” by C.J. Leede, an end of the world horror tale about a disease that makes its infected wholly uninhibited and wanting to have sex, and a Catholic teenager trying to survive, I was all in and excited to read it. And it takes place in Wisconsin! Sure, I’m a Minnesota girl, and while I too enjoy a good hearted border battle with our Eastern neighbors, I do really like Wisconsin for a lot of reasons, so that was a bonus.

As an apocalypse story I found “American Rapture” to be a unique take on a sub genre I have enjoyed for a very long time. I will say that I’m not wholly sure as to why I was thinking that the premise was going to be kinda fun when a disease that completely breaks down all inhibitions of an infected person and makes them only want to have sex with anything and anyone at ANY cost is the name of the game (in my defense, there is a tagline that uses the phrase ‘coming’ in a cheeky way and I thought that signaled light heartedness. IT IS NOT, be warned). But I really did enjoy this premise because it made for very intense horror moments as teenager Sophie is trying to survive and find her brother as the world around her crumbles to disease and danger. It felt a bit like the George Romero’s “The Crazies”, and I mean that in the very best way. I also liked how Sophie is wandering through Wisconsin and finding fellow survivors to cling to and lean on, as found family tropes in apocalypse stories always tug at my heartstrings and are one of the things I love most about the sub genre, and Leede really nails the tone, which in turn just raises the stakes even more.

But what made this book stand out even more to me was the fact that one of the major themes within its pages and story was that of religious trauma and religious fundamentalism and its damaging effects on its followers and also greater society. When we meet Sophie she is very clearly very attached to her upbringing and a true believer, though her faith has started to show cracks due to her twin Noah being sent away for being gay even before the outbreak has occurred. We are in her head basically the whole time and we get to see how her doubts and her anxieties about her faith have driven her to this point, and how the horrors that are unfolding are causing even more of a crisis within herself even as she tries to detach herself from the upbringing that has damaged her. Add in some wholly understandable PTSD responses as she interacts with fellow survivors while also trying to come to terms with her repressed upbringing AND the violence surrounding her and it is a wallop of a character arc. And even more chilling (and a bit too real given the way that just a couple weeks ago militias were out to get hurricane aid workers) is how religious fundamentalists from her community have taken up against relief and scientific efforts to try and stop the diseases from spreading, going so far as to commit violence like arson, torture, and murder all in the name of their faith. Leede doesn’t really hold back on the violence, both physical and psychological, and it elevated the horror levels to higher and more disturbing heights.

And with that in mind, I definitely want to make clear that this book has some pretty heavy content warnings attached to it, from religious trauma/abuse to animal death to sexual assault and sexual violence to child death. I didn’t feel like any of it was done in poor taste, but its still good to be mindful.

“American Rapture” is sure to stand the test of time as a new classic in apocalypse horror. I found it gut wrenching and tense, but also in some ways hopeful. I definitely need to check out more stuff by C.J. Leede.

Rating 9: Harrowing, terrifying, too real, and raw. “American Rapture” is a new classic in the end of the world horror sub genre!

Reader’s Advisory:

“American Rapture” is included on the Goodreads list “Horror to Look Forward to in 2024”.

Serena’s Review: “Arch-Conspirator”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Arch-Conspirator” by Veronica Roth

Publishing Info: Tor Books, February 2023

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Outside the last city on Earth, the planet is a wasteland. Without the Archive, where the genes of the dead are stored, humanity will end.

Passing into the Archive should be cause for celebration, but Antigone’s parents were murdered, leaving her father’s throne vacant. As her militant uncle Kreon rises to claim it, all Antigone feels is rage. When he welcomes her and her siblings into his mansion, Antigone sees it for what it really is: a gilded cage, where she is a captive as well as a guest.

But her uncle will soon learn that no cage is unbreakable. And neither is he.

Review: Roth has become a must-read author for me recently. The last few books I’ve read from her have all surprised me with their ability to push the boundaries of their genres and leave me thinking about their stories and themes days later. So I was excited when I saw that she was releasing a dystopia/science fiction version of “Antigone,” knowing that whatever I was in for, it was something I wouldn’t want to miss.

The earth is a radiated hellscape, and humanity has been reduced to one, struggling city where just the effort of avoiding extinction takes up the priorities of almost every aspect of society. Antigone’s parents hoped for more, for themselves, for their children, and for their world. But instead they were met with a violent coup, and now Antigone and her siblings have grown up in the household of Kreon, their power-hungry uncle. As she has grown, so, too, has Antigone’s anger. And when her uncle pushes his power past what can be born, Antigone finds herself facing a world that badly needs to be shaken.

Like many others, I read “Antigone” back in high school and really haven’t thought much more about it since. I do remember lots of tragedy and death all around just so one man could learn the lesson of not being a stubborn ass. Or something like that, at least. So I was curious to see how close to the original Roth stuck with this adaptation and how she would reconstruct a classical Greek story into a science fiction dystopia.

And I think the answers are that while she sticks fairly close to the original story, her abilities to write dystopian fiction should never be doubted, because she found very clever ways of adapting this ancient tale within futuristic and creative trappings all while exploring modern themes of power, science, and religion. Most especially, she finds a very unique way of adapting the central premise of the original story (Antigone attempting to perform banned funeral rites for her dead brother and being punished for this) into something that would raise the stakes of the entire situation. Here, these funeral rites hold much more power and import than as simple ritual acts. I don’t want to get into too many details about the world-building, but suffice it to say, it was a very clever interpretation, I thought.

Roth utilizes a multi-POV tactic with telling this story. While we do get more chapters from Antigone’s perspective than anyone else’s, we also see through her brother’s eyes, her sisters, Kreon’s son (with whom Antigone has an arranged marriage), Kreon’s wife, and even Kreon himself. I really enjoyed what all of these perspectives brought to the story. But as much of the tale is focused on the role that women play in this world and the kinds of power that they wield even while their options are so limited, I found Kreon’s wife and Antigone’s sister to have some of the more powerful sections (other than Antigone herself). Given how short this novella is, I was impressed by how well Roth fleshed out these themes in ways that will strike true to readers.

I also liked the way that the science fiction elements were used. There were a few things that left me questioning if I thought too hard about the mechanics of it all, but for the most part, I was so thoroughly invested in the story itself that I didn’t get too bogged down in these details. I also liked that while Roth remained true to the story as a whole, her story ends with both the necessary tragedy but also a sense of hope. I think this hope is necessary to any good dystopian story, and Roth neatly balances it while not loosing the sense of the original story. Fans of dystopian stories as well as retellings of tales that aren’t fairytales will likely enjoy this book.

Rating 8: Full of tragedy and hope, Roth uses the lens of a classic tale to shine a light on the power of women and the individual.

Reader’s Advisory:

“Arch-Conspirator” can be found on these Goodreads lists: Antigones and Can’t Wait Sci-Fi/Fantasy of 2023