Book: “The Spirit in the Crypt” by Alexander Lound
Publishing Info: Self Published, June 2019
Where Did I Get This Book: The author sent me an eARC.
Book Description:When fifteen-year-old Jonathan Roberts goes out with his friends on a summer night, he doesn’t expect to be forced to enter a crypt by Francis Everton. To be forced to look at skeletons decaying in their graves.
To hear the voice, screaming at him. Screaming into his mind. Commanding him to leave.
What the voice in the crypt belongs to, he can only wonder. A demon? A ghost? It gives him nightmares for weeks afterwards. Of skeletons strangling him. And then, bizarrely, of a girl from his school, making the long walk across the graveyard and entering the crypt. Never to come out before his waking.
When he returns to school in September, he never expects to learn that something awful has happened to the girl, turning his fear to panic.
Panic which will force him to unravel the mystery of the crypt, and in doing so, many mysteries about himself.
Review: Thank you to Alexander Lound for approaching our blog and sending me an eARC of this book!
It’s been a little bit since I read a good old fashioned angry ghost story, and luckily I didn’t have to look far. I was approached by YA author Alexander Lound to see if I’d be interested in reading his new book “The Spirit in the Crypt”, and by the time I was diving in I realized that I had been in a serious mood for a story such as this. It checks off the boxes of subgenres in horror that I greatly enjoy: it has an angry ghost, it has a cute romance, and it has a psychic/medium theme to it. Add in some gloomy weather in my neck of the woods and it’s a perfect atmosphere to indulge in a spooky story!
What I liked most about “The Spirit in the Crypt” is that Lound makes his main character Jonny a pretty realistic teenage boy. While he definitely stands out from other kids his age in some ways, in a lot of other ways he ultimately wants to live a normal life and has the kinds of flaws you see in a lot of kids like him. From making questionable friend decisions to making impulsive choices, there were plenty of times where I wanted to smack him upside the head, but also could see a lot of realism within him. After he’s found himself pulled into a supernatural mystery, starting with an encounter in a crypt and escalating as he starts to see visions of children who have ended up in unexplained comas, Jonny has to look into himself and find out how he’s connected, and how far empathy will take him. Another aspect I liked about his character development was that not only was it about him figuring out his own supernatural abilities, but also learning about the power of empathy for those who have been victimized. Though there are a number of interesting ways this manifests, for me the most rewarding was when he befriends a girl named Cassy, who was the target of some pretty terrible sexual harassment at the hands of her ex boyfriend, who also happened to be a friend of Jonny’s for a time. Seeing Jonny have to reconcile the fact he’d shrugged off the abuse (never supported it or encouraged it, but didn’t discourage it either) was an arc that we’ve seen before (and frankly can be seen as frustrating when it’s framed as ‘he sees her as a person now that he’s gotten to know her and learned why he was wrong!’). But I felt that the way it developed and progressed in this story was more palatable if only because their friendship is definitely based on more than Jonny learning a lesson.
I’m also just a huge sucker for stories about mediums and ghosts. Jonny is taken under the wing of a psychic named Aaron, and they have to work together to figure out why this mysterious (and super pissed) ghost is victimizing kids. It also has a huge focus on Jonny himself learning about his own powers in this way, and boy oh boy do these kinds of stories really hit all my genre buttons! From seances to visions to exploring the true motivations behind the angry ghost, I was pretty hooked as I read this book. I also like it when an author or storyteller tries to give more depth to an antagonist, especially a ghostly one, and in this story there is a lot of background and reasoning that comes to light that makes the plot feel like it has more weight, both in a complexity sense and an emotional sense. I won’t spoil anything here, but I was pleasantly surprised with how much we got to learn about the titular spirit.
Was this book particularly scary? Perhaps not so much to me, but I’m old hat at this genre and it kinda takes a lot/very specific things to get me creeped out. But I think that for teens this is probably going to be a good match for levels of fear, as it does have its moments of creep factor in it. Because honestly, while I wasn’t particularly scared, I did find myself rather unsettled about being locked in a crypt, ghostly presence or not.
All in all, I thought that “The Spirit in the Crypt” was a fun read! I’m pleased that it showed up in my inbox, and given that it sounds like the start to a series, I can absolutely see myself reading the next one!
Rating 8: A fun and satisfying YA ghost story with a likable protagonist and the kind of story that I just love: mediums and angry ghosts.
“The Spirit in the Crypt” isn’t available on WorldCat as of now, but it will be available for purchase in June. For more information, go to Alexander Lound’s WEBSITE.
Book Description: Rielle Dardenne has been anointed Sun Queen, but her trials are far from over. The Gate keeping the angels at bay is falling. To repair it, Rielle must collect the seven hidden castings of the saints. Meanwhile, to help her prince and love Audric protect Celdaria, Rielle must spy on the angel Corien—but his promises of freedom and power may prove too tempting to resist.
Centuries later, Eliana Ferracora grapples with her new reality: She is the Sun Queen, humanity’s long-awaited savior. But fear of corruption—fear of becoming another Rielle—keeps Eliana’s power dangerous and unpredictable. Hunted by all, racing against time to save her dying friend Navi, Eliana must decide how to wear a crown she never wanted—by embracing her mother’s power, or rejecting it forever.
Review: As my review above indicates, I had some problems with the first book in this trilogy. But, as the book was so well-received, to a certain extent I know these were a lot of personal preferences, mainly having to do with the decision to include a prologue that, I felt, gave away a bit too much of the story, if read carefully. So, with that in mind, when I received an ARC in the mail from the publisher, I decided to give it a go. And, while I still struggled with aspects of the story, I also enjoyed it more than the first.
Rielle and Eliana both are thought to be the Sun Queen, though Eliana does have the dark history of her mother, Rielle’s, decent into darkness to back up her claim. But so far these titles and prophesies have brought nothing but danger and challenges, one after another. Eliana must bear the heavy load of her mother’s legacy, worrying constantly that she will follow in her footsteps, fearing her own powers. And Rielle, centuries earlier, must walk a tight line between protecting her kingdom and spying on the angels who threaten them, all while becoming increasingly intrigued by one of them, the mysterious Corien.
Having the world and writing set-up (alternating POVs from the past and the future) already established definitely helped me enjoy this book more than the first. If I worked very hard, I could even try and put the initial prologue out of my head and enjoy the story as it is. I’m particularly intrigued by the ongoing mystery of which Queen is really the Sun Queen and which is the one who turns to evil. While it feels fairly established as Rielle, I’m still on the look-out for a trick up this author’s sleeve in the eleventh hour.
As far as characters go, I still have enjoyed Eliana’s story more than Rielle’s. Part of this might have something to do with the timing of my read of this book. Frankly, I’m a bit exhausted by the “power hungry queens” in fantasy stories right now (I think the reason why is probably pretty obvious). This is definitely not the book’s fault. But timing aside, I do think that Rielle’s decision making and thirst for power made her a bit less appealing for me. At my heart, I always will prefer to the straight-forward hero character over an anti-hero. I also wasn’t a fan of the strange love triangle that was being built up between Rielle, Corien and Audric. I didn’t feel like there was enough established to really justify Rielle’s interest in Corien.
I do very much enjoy the general writing style and world-building of these books. The story feels expansive and epic, and the writing effortlessly flows between witting dialogue and engrossing descriptions of action and setting. If only the characters who populated it all were a bit better. The book is pretty long, however, and I do think some editing could have been in order to tidying it all up.
I also had some questions about the marketing of this book as YA. There are some pretty intense scenes in this book, particularly in the romance plot line between Corien and Rielle. This is by no means coming from a “the children aren’t ready for this!!” place, but more a general question about fantasy fiction and current marketing practices. It almost feels like a lot of good fantasy works are being relegated to YA regardless of that being the appropriate place for them simply because YA fantasy is booming. And look, I love that so many fantasy titles are coming out in YA. But I’m also starting to feel like there is an equal and growing lack of fantasy coming out in adult fiction for the very same reason.
I would place good money on the fact that several titles are pitched to publishers as adult fantasy fiction and then are sent back with the note “Great! But let’s make the protagonists teenagers so we can market it to YA, since that’s where this stuff sells!” It’s too bad, because a lot of adults want to read good fantasy fiction (again, look at the recent epic fantasy TV show that just concluded. Clearly, there is an adult interest in these types of stories). And books like this read as if they could just as easily, and perhaps more appropriately, be marketed as adult fantasy. Teenagers can pick up an adult fantasy novel just as easily as an adult can pick up a YA fantasy title. So maybe we can try giving each their due based on the story itself, and not marketing tactics. A girl can dream.
Having the characters and world set up in the first book, overall I felt as if I could sink more fully into this read and enjoy it. I still had some struggles, but some of that can be laid at the feet of the timing of my read more than any real flaw on the book’s part. Fans of the first book are sure to love this one, and those who may have had middling feelings might want to check it out as well, as I do think everything was strengthened, if not perfected, in this sequel.
Rating 7: An overall improvement on the first book!
Book Description: Rielle Dardenne has been anointed Sun Queen, but her trials are far from over. The Gate keeping the angels at bay is falling. To repair it, Rielle must collect the seven hidden castings of the saints. Meanwhile, to help her prince and love Audric protect Celdaria, Rielle must spy on the angel Corien—but his promises of freedom and power may prove too tempting to resist.
Centuries later, Eliana Ferracora grapples with her new reality: She is the Sun Queen, humanity’s long-awaited savior. But fear of corruption—fear of becoming another Rielle—keeps Eliana’s power dangerous and unpredictable. Hunted by all, racing against time to save her dying friend Navi, Eliana must decide how to wear a crown she never wanted—by embracing her mother’s power, or rejecting it forever.
Giveaway Details: I read and reviewed the first book in this popular fantasy duology last spring. But while I had middling feelings about it all, I was intrigued enough to pick up the second book. My full review is coming up later this week, so to build up the anticipation I’m offering a giveaway of an ARC version of this book. While I don’t want to spoil my own review, I will say that I enjoyed this one more than the first. And, beyond that, I know that the series is generally wildly popular, so don’t miss your chance at a free copy!
Book: “Bad Moonlight” (A Fear Street Super Chiller) by R.L. Stine
Publishing Info: Archway Paperbacks, 1994
Where Did I Get This Book: An eBook from the library!
Book Description:She wasn’t just crying wolf…
Danielle Verona can’t believe the band picked her to be their new lead singer. She’s on the road, performing at all the hot clubs. The adoring fans, the bright lights— it’s a dream come true!
But when nighttime falls, Danielle can feel the terror in the darkness. There’s eerie howling outside her window. And then a band member is killed—ripped to shreds by a wild animal. Danielle knows something is out there, lurking in the moonlight. Something savage…and hungry.
Had I Read This Before: Yes
The Plot: First I want to give a shout out to my friend Melissa, whose vivid memories of this book inspired me to re-read it myself! On the night of the half moon (mentioned as I’m sure this will be relevant to the timing later in the story), Danielle Verona is making a quick stop at the grocery store. Her physical description is given right away: brown hair with blonde highlights, and a body that looks like she’s twelve instead of eighteen. Why THAT is relevant, I’m not sure I want to know. Her obnoxious younger brother Cliff and her Aunt Margaret are also at the store. Margaret (who is described with bleached red hair? What does that mean? All we get beyond that is that she looks ‘hard’ and ‘tough’). Danielle and Cliff live with Margaret because their parents died, and she’s been very loving to them. Danielle has just returned from a two week trip with her band, and seems to be feeling strange. As she goes to look for Cliff, she wanders the aisles, feeling super cold and out of it. Before she knows it, she’s torn into a package or raw beef and started eating it! When Cliff asks her what she’s doing, she replies that she doesn’t know.
Let’s go back in time now! Specifically a couple weeks prior when Danielle and her as of now unnamed band members are traveling between gigs! Let’s meet her fellow bandmates. There’s Billy, the manager of the band and the twenty two year old hanging out with a bunch of teens. There’s Kit, the hot roadie that all the ladies have a crush on. There’s Dee, the former lead singer and now back up singer (and the one diverse character that Stine threw in here, so NATURALLY she is jealous of Danielle, who replaced her on vocals). There’s Caroline, the bubbly keyboardist that Danielle really likes, and Mary Beth the drummer, who doesn’t have much of a personality beyond being good at the drums. And last and totally least is Joey, the ‘sound guy’ who is presently driving the van at dangerous speeds as he fancies himself a Blues Brother and/or Corey Hart as he drives with his sunglasses on at night. Joey is a real creep who keeps asking Danielle for a kiss and he’s supposed to come off as crude and fun loving as opposed to a sexual harasser. As they drive Danielle thinks about the day she auditioned for the band, and how everyone loved her but Dee. When they took her on Dee cornered her in the driveway and told her that she doesn’t belong in the band. So now Danielle is intimidated by her. As Joey drives like an idiot and makes sexist jokes, Danielle suddenly freaks out as he DRIVES THE VAN OFF A CLIFF, and by that I mean he doesn’t actually do that, but Danielle has a hallucination that he did. She has hallucinations, you see. Joey says that since it’s a full moon and the moon makes him a little ‘wild’, that’s why he’s driving like a guy with a death wish. Danielle thinks about how her parents died in a car accident on a night like this one, in a similar way that her hallucination happened. She also seems to remember their bodies cut up by rocks, though she wasn’t there and her aunt Margaret never told her any details… She thinks about how her therapist Dr. Moore has been trying to help her with these hallucinations and hopes he can help her soon. The moonlight makes her shiver and then her hair stands straight up on end I guess?
They arrive at the hotel and after Caroline and Danielle drop their bags on in their room they go to the elevator to meet up with their bandmates to check out the club. Dee tells her that she has to talk to her and grabs her arm tightly, but Danielle, convinced Dee just wants to yell at her, blows her off. They all arrive at the club to check it out, and soon Joey is once again harassing Danielle and inviting her to his room and trying to force her to dance (SHE SAID NO YOU CREEP). She declines, and Bill shoos him off to help Kit with equipment stuff for the gig the next night. He then says that Joey ‘comes on kind of strong’.
My feelings towards many a dude right now between this and current events. (source)
Billy asks Danielle if she’s nervous about the show, and tells her that she’s going to be great. Danielle is more worried about Dee, who is staring at them from across the room. Danielle thinks that perhaps Dee has a thing going with Billy and is jealous, even though Billy isn’t doing anything untoward or unprofessional in this moment. Kit comes up and asks Danielle if she’d like to go for a walk, and now Danielle thinks that perhaps it’s KIT that Dee wants and that’s why she is mad! Because now KIT clearly, CLEARLY, wants to do her. She happily accepts, as Kit is cute, and she likes being ‘seen as a groupie’ or something? There was a weird quote like that, I don’t know. They get to a local park, the moonlight making her uneasy again, and he tells her that he’s wanted to be alone with her for awhile. They start to make out, but the mood is ruined when Danielle bites his lip so hard she makes him bleed! Horrified, she runs all the way back to the hotel. She bursts back into her room and Caroline asks what’s going on, and Danielle says that she has to see Dr. Moore! Unable to do anything in that moment, Caroline tells her to take a shower and relax. Once she does, and once Caroline gets in the shower for her turn, Danielle decides to try and write a new song, as she’s a lyrical wunderkid. She whips up a song about Bad Moonlight and Caroline is so impressed she gathers up the rest of the band to listen. The band then says that their name should be Bad Moonlight! They then decide to go their separate ways for the night. Caroline says she’s going to walk Billy out, and Danielle is so tired she falls right asleep. She startles awake around midnight to the sound of an animal making horrible noises outside, in fact, you could say that it’s howling. Danielle whispers for Caroline, but no answer. There is, however, a knocking on the door. It’s Dee, who whispers that she has to talk to Danielle, and Danielle ignores her until Dee leaves.
The next day Danielle goes back to Shadyside to see Dr. Moore before the gig that night. She tells him about her hallucination, the strange song she wrote, and biting Kit’s lip until he bled. Dr. Moore tells her that this is something that sometimes happens when two people who are attracted to each other kiss (uhhhh NOT ESPECIALLY), and in regards to her hallucination he starts doing some hypnotherapy for her, as is his usual method. She tells him that she sees herself running across a field as the moonlight pours down on her. She says she feels angry, and she turns around to fight someone or something that has been chasing her. He snaps her out of it, and tells her that letting her fantasies run their course will help her with her anger that she has over her parents’ deaths. She thinks that maybe this is all normal, but then looks at the arms of the chair she’s sitting in. She’s ripped them to shreds.
That night the gig goes well and the crown is chanting ‘BAD MOONLIGHT!’ over and over again, so Danielle encores with the same song that she presumably just played as if this is an episode of The Teletubbies. Danielle sees Kit watching her from the audience, and it makes her more confident. After the club has closed down the band is too excited to go home just yet, and Billy suggests that they go to the coffee shop at the hotel since it’s the only thing open at one in the morning. Joey also picks up Danielle and kisses her without her consent, and UGHHHHHH, can we please just get rid of him!? Danielle is concerned because Kit saw the whole thing and looked miffed. Still too wired to come down completely, she asks Caroline to order her a rare cheeseburger when she gets to the coffeehouse because she’s going to take a walk. While on her walk, she jumps over a high wall with ease and lands on all fours. When she stands up in the moonlight, she notices that her nails have grown long and look gnarled and crusty!! Then, someone runs up beside her. It’s Joey!…..
And then it’s the next morning and a number of the band members have gotten together for breakfast. Everyone but Joey. They ask Danielle where she was the night before as she never showed, but she says she just went back and straight to bed. The reality is she doesn’t remember. No one knows where Joey is, and Dee says that he said something to her about Danielle before he left. Danielle notices that Dee seems nervous. The band eventually meets up in the lobby, ready to head home to Shadyside, but still no Joey. Danielle notices Caroline and Kit talking in low tones, and she hopes that there isn’t anything going on btween them. As they all start to load up the van, emergency vehicles rush down the street towards the park, and Kit says they should go rubberneck see what’s going on. When they get to the park, they see an ambulance. Dee and Kit rush ahead, and soon Dee screams. When Danielle gets to the scene, she sees a dead body, it’s clothes and skin all torn up. And, wouldn’t you know it, it’s Joey.
Three weeks later, Danielle is in Dr. Moore’s office, lamenting that she couldn’t POSSIBLY have killed Joey! But she also admits that she doesn’t remember what happened that night, so maybe she DID kill him. Dr. Moore says that she was probably over tired and that’s why she doesn’t remember what happened, and that in all likihood she went back to her room without incident. He says that she’s still trying to work through the death of her parents and that she probably wont’ actually act on her fantasies, and performs more hypnotherapy on her just to ease her mind.
On the way to the next gig, Danielle is feeling a lot better. Dee is upset that they’re just continuing on as if Joey was never important, and newsflash, Dee, that’s exactly right. He was awful. Danielle tells the band that she wrote a new song specifically for Dee to sing, and it’s just kind of “Bad Moonlight” again, but with more aggressive lyrics, like ‘don’t let me kill again’. Everyone LOVES it, however. Except Dee, who accuses Danielle of killing Joey and proceeds to jump on her and strangle her! Mind you, we’re still in a moving vehicle here! The van pulls over and Kit pulls Dee off, and Danielle says that she didn’t write that song to accuse Dee of anything. Kit reminds them that they have a show to do so they all need to just chill out. Danielle notices that Mary Beth the drummer looks nervous, but Danielle doesn’t know if she’s scared of Dee or scared of her. They eventually make it to their next destination in spite of band strife and a thunderstorm. Danielle gets out of the van, and then for some unknown reasons she sprints down the sidewalk. Once she can’t run anymore, she falls on all fours and starts to drink water in the puddles on the ground next to her. Like you do when you’re a wolf.
At the club the next morning the band is rehearsing and the club owner is already counting all the money he’s bound to get from their appearance. Because he heard that Danielle is ‘dy-no-mite’. Danielle is still on edge because of how Dee’s been acting, and how she drank rain water from a dirty gutter. May wanna get tested for giardia, Danielle. That evening as Danielle and Caroline are trying on outfits for the gig, Billy comes into their room asking if they’ve seen Kit. The last Mary Beth saw him was leaving the club with Dee, and it looked like they were fighting. Danielle is worried when she hears this, and as they all go to look for Kit she runs ahead, in a way that I would describe as aimlessly. She arrives at an empty lot, and sees Dee standing over Kit. She yells out, and Dee smiles at her, and then attacks Kit! Danielle starts to scream, and Caroline runs up behind her asking her what’s wrong. Danielle yells about Kit and Dee, but Caroline tells her that Kit and Dee aren’t there, it’s two kids just wrestling. Another hallucination strikes again! Caroline says they should go back to the hotel, and asks Danielle what Dr. Moore has said about all this. When Danielle tells her that he says her hallucinations happen because of her memories of her parents deaths, and Caroline says that ‘makes sense’. NOT REALLY, CAROLINE. Danielle is still wondering why she just knows her parents were torn up when no one told her they were. She asks Caroline not to tell Billy about this, and Caroline agrees. When they get back to the hotel, Kit and Dee are there. Kit says he was catching up with friends, and Dee says she went on a walk.
The gig that night goes great. The band decides to go for a walk by the river afterwards, but when Danielle looks up at the moon she decides she isn’t feeling well enough to be in the ‘bad moonlight’ (Stine is REALLY trying to make this happen). Kit says he wishes she’d come, but she declines. When she gets back to her hotel room, Dee suddenly jumps out of the closet, and tells Danielle to not even ‘try to get away this time’. She says that she knows what really happened to Joey. But before this can be elaborated on, Kit comes into the room and asks them what’s going on. Dee says she was just saying goodnight to Danielle, and rushes away. Danielle says that she’s convinced Dee was going to attack her again and that she said she knew the truth about Joey. When Kit asks what that means, Danielle admits she doesn’t know. And she says it’s weird because Dee didn’t act like she even liked Joey, and Kit says that some people don’t show how they actually feel. But he’s not one of those people. That’s Santana/Rob Thomas levels of Smooth, my man! They start to kiss, but then a howl outside makes Danielle jump and freak out. Kit asks what’s wrong, and she says it’s the howling, but he tells her he can’t hear anything. Put off and feeling a little sheepish, Danielle tells him that she’s tired and needs to work on a song, and says he should go on the walk with their bandmates. Kit is sad that he couldn’t round the bases, but kisses her and tells her goodnight. Danielle tries to ignore the howls, and falls into a not so pleasant sleep. She wakes up a little while later, and Caroline isn’t in her bed. She goes into the hallway, and sees Billy on the floor, and she’s convinced he’s dead…. but no, he’s just drunk. Now THIS is how rock and rollers behave! Late night river walks and cheese burgers my ASS! She wakes him up and asks him why he got so drunk, and he says that he has a lot on his mind. She helps him back to his room, and then he wraps his arms around her and hugs her. She likes the feel of his arms around her (DUDE, SHE’S EIGHTEEN!), and when she presses him to tell her what’s wrong he snaps at her to forget it, and they part ways.
The next day Danielle is back home and she’s telling Aunt Margaret that maybe she should quit the band. Margaret tells her that she should just rest up and see how she feels after the next show, but Danielle insists that her hallucinations have only been getting worse. Margaret reminds her that Dr. Moore said this was normal, but Danielle says that maybe if she knew about the accident that killed her parents in full detail she could process things better. Margaret says no way and then makes up an excuse to walk away. Danielle mulls over her options of things she could do and decides to call Caroline, but when she picks up the phone she hears Margaret on the line talking to someone. It’s Dr. Moore! He tells her to come over so they can discuss their worries about Danielle. Danielle plays dumb when Margaret comes back into the kitchen, but then goes to snoop once Margaret leaves. She goes to Margaret’s room and starts rifling through her things. She finds a newspaper clipping about her parents’ deaths that says they ‘died mysteriously’, but Margaret always told Danielle it was a car accident! To make matters worse, the article says that their bodies looked like they’d been shredded up in an animal attack.
Were there any shredded tracksuits near by? (source)
At her appointment with Dr. Moore the next day Danielle expresses her confusion and anger towards Margaret, but Dr. Moore tries to assure her that Margaret is just worried about her. He also tells her that their concern isn’t about the hallucinations themselves, but how Danielle reacts to them, and suggests that they do some more hypnosis. In this hallucination/flashback/whateverthefuck, Danielle sees herself running with Dee, and getting into a scuffle with her. Just as Danielle is about to strangle Dee, Dr. Moore snaps his fingers. She tells him that wasn’t really helpful, and says she wants to quit the band. He encourages her to stay in it as it seems to be the only thing she has going for her right now (I guess she’s a high school graduate?). She says she’ll take that advice for now, and the session ends. She’s supposed to meet Caroline in the parking lot so they can go shopping, but whoops, it’s Dee instead. Dee says she wants her out of the band, and that she’s running out of time to leave. They argue and eventually they end up wrestling around on the ground, with Danielle getting very violent with Dee. Caroline breaks it up, and Dee storms off. Danielle tells Caroline that she felt out of control, and Caroline says that everything was probably not as out of control as she thought it was and offers to take her home. But Danielle sees that Caroline looks a little worried.
The next day Danielle and Cliff and playing together, and after Cliff gets hurt Danielle starts to lick the blood off his arm. That night as she tries to relax she starts to write a new song that is also about moonlight (BIG OL SHOCK), but then sees someone in her backyard! It’s just Billy, and she lets him inside so they can talk. He tells her that the gig the next night is sold out, but the bad news is that Dee quit the band. Danielle thinks that it’s her fault, but he tries to assure her it isn’t, but won’t give her an answer when she asks how he could think that. After he leaves she calls Kit to voice her concerns/suspicions about Billy, and he tells her that Billy is probably just stressed. He invites her over and she agrees to stop by. When she gets there he suggests they go for a walk, and they start to walk down Fear Street (CONTINUITY ERROR! It was stated that Kit lived in a carriage house on a North Hills estate! North Hills isn’t in the same area as Fear Street, it’s the rich part of town!). She suddenly has an urge to run randomly. As she runs way ahead of Kit, she smells a rabbit, and decides to chase after it, thinking about how she can taste the blood already.
SMASH CUT TO rehearsal the next day. Billy thinks they sound like shit, and the new backup singer/bass player Shawna is probably questioning why she agreed to join this band. Danielle assures her that he isn’t usually like this, he’s probably just nervous about playing at Red Heat (yes, THE Red Heat! Been so long since we had reference to it!). Kit asks Danielle if he upset her since she ran away the night before, but she says no. They all decided to play her new song in her ‘Moonlight’ catalog. Well that’s what I’m calling it because so many songs about Moonlight that aren’t part of a multi song story arc is just ridiculous. After they’re done Danielle asks Billy what his problem is but he doesn’t answer. That night before the show the band is getting ready and Shawna says she needs to go get her bass, which is in a big trunk in the dressing room. Danielle offers to go get it, and when she opens the big trunk, guess what happens! Dee’s body spills out onto the floor! And she’s been shredded up! Danielle wonders if she did this, along with Joey, and makes a break for it. She runs into Billy who grabs her, and tells her that she can’t leave! She breaks away frmo him and keeps running, past Caroline and Mary Beth (remember her? She’s the drummer), and into the night. She worries that Billy may try to come find her at her house, but before she can think too much she hears Caroline calling after her. She stops, and Caroline catches up. Danielle begs for Caroline’s help, saying that Billy is going to kill her, and that they have to get to her house to warn Margaret and Cliff. Caroline says she should calm down, but then the moon comes out, and guess what! CAROLINE TURNS INTO A SWEARWOLF WEREWOLF!!! For a moment Danielle tries to reason with her, but there’s no reasoning with a werewolf, Danielle, and wolf!Caroline grabs her. A car suddenly drives past and Danielle yells for help as she breaks away from wolf!Caroline. The car stops, and Danielle realizes it’s a van! It’s Billy and Mary Beth who have come to save the day! And by that I mean they too suddenly turn into werewolves. They back her into a corner, but once the clouds cover the moon they all say that she doesn’t have to worry. Then another car pulls up and it’s Kit, saying to run with him, that they’re in a werewolf band. Billy says that Kit is one of them but Kit says that Danielle can trust him, and Danielle doesn’t know what to believe. But she decides to believe Kit, and they start to run away as the moon comes back. But wolf!Billy catches up with Kit and tackles him, and Kit tells her to run and save herself. Danielle throws mud in the eyes of wolf!Mary Beth and wolf!Caroline, distracting them in time for her to run to the van and get inside. It takes a bit but it starts, and Danielle drives away to safety planning to come back for Kit.
Danielle rushes home and finds Aunt Margaret. She says that they have to call the police because werewolves are chasing her and Kit is in danger, but Aunt Margaret balks, and says that they can’t call the police because it would ruin the plans that they all have for her. Danielle thinks that she’s having one of her hallucinations, but nope. Margaret confesses that she isn’t, in fact, Danielle’s aunt. Danielle’s actual aunt died the same way her parents did, disemboweled by werewolves! Margaret has been part of a conspiracy to make Danielle a werewolf bride to her master! It must be Billy! Cliff comes in and acts as a momentary distraction, just in time for Billy to show up and for Danielle to break away, making a run for it once again. She gets back to the van, Billy on her heels, but is able to get in. He tells her that she can’t win, but she’s willing to test that theory, and decides to go to Dr. Moore’s house. As she drives she realizes that the moonlight never bothered her until she joined the band. Clouds cover the moon again and Danielle thinks that may buy her time.
She gets to Dr. Moore’s house and pounds on his door. He lets her in and she tells him everything. He tells her to sit and gets her a glass of orange juice to calm her nerves, though I feel like a nice shot of whiskey may do her better. He tells her that he believes her and that perhaps they can work together to find a way to trap the werewolves. Then someone else enters the house and calls out ‘Dad? Where is she?’, and Danielle recognizes that voice. It’s Kit! And Dr. Moore says ‘yes, your bride is waiting for you!’
I’ve heard of a Werewolf Bar Mitzvah, but a wedding?! (source)
Kit tells her that not only is he a werewolf, he’s the pack leader! All the others are controlled by him, and Dr. Moore has been hypnotizing Danielle to act more like a wolf so that the transition will be easier for her I guess? Kit once saw Danielle a few years prior and decided that she was destined to be his bride and she was absoLUTELY not of age when THAT happened, so they decided to wait. He isolated her (killed her parents and her real aunt) and sent Margaret to keep tabs on her. He killed Joey because Joey knew that she was betrothed to him but flirted/harassed her anyway, and killed Dee because she was trying to warn Danielle. And now he has to take care of Billy since Billy tried to save her tonight. Kit also tells her that once they’re married she will be one hundred percent devoted to him and won’t want to escape. She tries to escape, but Kit grabs her and tells his Dad they’re perform the ceremony now in the backyard in the moonlight. Question: why didn’t Kit turn into a werewolf before? This isn’t explained.
In the yard are the wedding guests, including all the members of the band (who look guilty and chastened), and Margaret. Kit says that before his father marries them, he wants her to sing “Bad Moonlight” to him. Danielle, thinking this could buy her some time, subjects us to the awful lyrics again. She tries to stall, but Dr. Moore tells her to hurry up and do it so they can do the ceremony. She goes from guest to guest, hoping to get some help, and even though Billy can’t help her as he’s under Kit’s thrall, he does tell her that she can save herself by using the ‘bad moonlight’ and I AM SO SICK OF THAT PHRASE. She rejoins Kit and the ceremony starts. But once the moon comes out, Danielle turns into a werewolf (why is this happening now?), and ATTACKS KIT. She lunges and bites him in the throat and won’t let go. As the moon fades away again, she turns back into a human, and Kit is dead. Then Dr. Moore starts shaking and his limbs start flying off (?!), and the same thing happens to Margaret and Kit!! I DON’T UNDERSTAND THIS MYTHOLOGY BUT WHATEVER. Somehow Billy, Mary Beth, and Caroline are spared from this fate and now they’re no longer werewolves because Danielle killed the head werewolf (because I guess it’s the same rules as vampires) in spite of the fact she was never actually a werewolf but somehow turned into a werewolf right when she needed to.
I like to imagine that while all this is going down Shawna is doing a solo set at Red Heat and is just KILLING IT.
Danielle realizes that she has to raise Cliff on her own now but ‘can face anything’ since she killed a werewolf all by herself (honey, you haven’t tangled with the U.S. Legal System, have you?). Billy puts his arms around her shoulders) (? Are they a thing now? Four years is a big age gap when you’re eighteen and twenty two), and says they don’t have to fear the moonlight anymore. Danielle says that she’s looking forward to some ‘bright sunlight’. The End.
Sure, whatever, it’s a better ending than “Game of Thrones” could come up with. (source)
Body Count: 5! And what crazy deaths we got out of it as well!
Romance Rating: 2. Given that Kit was ready to make a barely legal and uncooperative bride out of Danielle, I gotta say that the yuck levels were off the charts. She may have better luck with Billy, but…. still.
Bonkers Rating: 8! The werewolf violence, the weird hypnotherapy stuff and EXPLODING BAD GUYS was totally nuts.
Fear Street Relevance: 4. Dr. Moore lived on Fear Street, and the final confrontation was on/around there.
Silliest End of Chapter Cliffhanger:
“Danielle heard the crush of metal as the van crashed through the low metal guardrail. She screamed again as the van sailed off the edge of the cliff.”
…. But it was just a hallucination. They were never in any danger.
That’s So Dated! Moments: Almost right out the gate Danielle asks Margaret if she’d make her a chicken dish that she describes as ‘oriental’. Holy shit for the casual racism tossed in here, but we’ve seen it before in these books, sadly.
Best Quote:
“‘Bad moonlight, falling over me, bad moonlight shining down on me, bad moonlight makes me feel so strange and new….'”
Once again, Stine shows us his musicality based talents that we have not seen since the halcyon days of Stevie Nicks….
Conclusion: “Bad Moonlight” was a kind of fun and totally bananas romp that leaned all the way in with supernatural elements. It’s always nice seeing werewolf tales, as they seem to have fallen out of style. Up next is “The Dead Lifeguard”!
Where Did I Get This Book: I received an eARC from Edelweiss+
Book Description:Whenever another kid goes missing in October, the Pender kids know what is really behind it: a horrific monster out in the marshes they have named the Mumbler.
That’s what Clara’s new crew tells her when she moves to town: Bree and Sage, who take her under their wing; spirited Trace, who has taken the lead on this year’s Halloween prank war; and magnetic Kincaid, whose devil-may-care attitude and air of mystery are impossible for Clara to resist.
Clara doesn’t actually believe in the Mumbler. But as Halloween gets closer and tensions build in the town, it’s hard to shake the feeling that there really is something dark and dangerous in Pender, lurking in the shadows, waiting to bring the stories to life.
Review: Thank you to Edelweiss+ for sending me an eARC of this novel!
I’ve been racking my brain, but given that I lived in a fairly large metro area when I was a kid (and still do for that matter) I can’t think of any ‘urban legends’ that were prevalent in my hometown during my childhood. The closest I can come is when two mean girls in first grade tried to convince me that at midnight if you looked up at the sky you’d see a star that would automatically kill you and everyone you loved, and yes, I totally fell for it. But in terms of rumors turned folklore, I can’t recall any. But I’ve always been fascinated with localized urban legends, even back then, so finding books that have those themes are always going to grab my interest. That’s why I was so eager to read “The Missing Season” by Gillian French, a YA mystery thriller that includes tales of a mysterious figure called “The Mumbler” that supposedly snatches teens up during Halloween season. I went in expecting a mystery thriller with ambiguous horror elements. But instead, I got… a mishmash of themes that didn’t work for me.
Me as I was reading this book and I still wasn’t clear in regards to its intent… (source)
“The Missing Season” takes place in the smallish town of Pender, and our protagonist Clara has just moved there due to her father’s somewhat nomadic career in construction. As our main character, I will say right off the bat that I liked Clara and I liked following her story and point of view. She lacks the luxury of being able to make connections because of the chance she might be moving again, so when she does make these connections there is a palpable fear of losing them, even if it isn’t outright said. The biggest conflict of this kind is the friendship between her and a girl named Bree. Bree, along with another girl named Sage, takes an immediate shine to Clara, and their friendship is a mix of the rush of having a girl pal, and the angst of competing with that girl pal in ways that were unanticipated. I know this familiar feeling all too well from my adolescent years, and I thought that French did a great job of showing it instead of telling it. The conflict in this case is the competing affections for local mysterious outsider Kincaid, who is the deepest in The Mumbler mythology of all the friends that Clara makes. The underlying tension and hurt between the two friends was the strongest aspect of this book, and the ways that Clara did, or in some cases didn’t, deal with that conflict felt very realistic.
But here is the problem with “The Missing Season”: it is very much marketed as a mystery thriller, and the description makes it sound like a new missing kid case is the center of the novel. But it’s very much not. The center of the novel is Clara’s relationships with the kids in town, and how she navigates her friendship with Bree and her need to fit in as those things come in conflict with the relationship she wants with Kincaid. Sure, another kid goes missing, and sure, there’s a question of what happened to her, but it wasn’t focused on nearly as much as I thought it was going to be. Instead, most of the conflict was Clara worrying about what Kincaid’s deal was, and what was going to happen to her new friendship with Bree if Clara and Kincaid did pursue their mutual feelings for each other. It wasn’t until the last fifth of the book that a full conflict with another child kidnapping raised the tension and thriller stakes, and even by then it was wrapped up VERY quickly, so quickly it almost felt like the author realized that oh yes, this was supposed to be a mystery thriller, better toss in a climax and wrap it up as quickly as possible. Even the ultimate solution felt tossed in there, with a couple of hints and clues scattered early on in the book, but not in a way that felt cohesive to a mystery. I kept waiting for the mystery and tension to build, but it plateaued very early at a level that wasn’t terribly high. I would be more inclined to call this book a contemporary realistic YA fiction book with some mysterious elements, but not enough for it to be considered an actual ‘thriller’. And because of that, I was totally let down by “The Missing Season”. If I had gone in with the expectations of this being about a teenage girl’s bildungsroman I think I would have enjoyed it much more than I actually did, but as it was I couldn’t enjoy the story. I felt too duped.
I hesitate to write off “The Missing Season” for everyone, because my expectations were in a completely different place than they should have been. If you go in without the supposition that it’s a thriller, it may be more appealing. But, given that it’s trying to portray itself that way, I don’t feel comfortable recommending it as it’s presented.
Rating 5: While I liked the protagonist, the description of this being a ‘thriller’ did not fit the content of the story, and because of that I was pretty disappointed with “The Missing Season”.
Publishing Info: Katherine Tegan Books, March 2019
Book Description:An Amazon Best Book of the Month! A captivating and powerful exploration of the opioid crisis—the deadliest drug epidemic in American history—through the eyes of a college-bound softball star. Edgar Award-winning author Mindy McGinnis delivers a visceral and necessary novel about addiction, family, friendship, and hope.
When a car crash sidelines Mickey just before softball season, she has to find a way to hold on to her spot as the catcher for a team expected to make a historic tournament run. Behind the plate is the only place she’s ever felt comfortable, and the painkillers she’s been prescribed can help her get there.
The pills do more than take away pain; they make her feel good.
With a new circle of friends—fellow injured athletes, others with just time to kill—Mickey finds peaceful acceptance, and people with whom words come easily, even if it is just the pills loosening her tongue.
But as the pressure to be Mickey Catalan heightens, her need increases, and it becomes less about pain and more about want, something that could send her spiraling out of control.
Giveaway Details/Mini Review: I read “Heroine” after purchasing it on a whim while on a book store run, and it blew me away. It didn’t quite make the cut for a review on this site for various reasons, but I can tell you that it’s good. It’s dark. It’s raw and difficult and a gut punch. But it’s also an honest look at the opioid epidemic in our country, and how it can affect just about anyone. I was emotionally wrung out after I read it, but I thought that it was a very important, if not heartbreaking, read. And on top of that, it’s absolutely riveting. Mindy McGinnis is a strong and gritty voice in YA fiction, and her stories will suck you in. So because of that, I wanted to give one of you a chance to see for yourself, so I’m running a giveaway of a hardcover, mostly brand new copy of it.
This Giveaway is open to U.S. Entrants only, and will run until April 29th. Good luck and happy reading!
Book Description: A girl who can speak to gods must save her people without destroying herself.
A prince in danger must decide who to trust.
A boy with a monstrous secret waits in the wings.
Together, they must assassinate the king and stop the war.
In a centuries-long war where beauty and brutality meet, their three paths entwine in a shadowy world of spilled blood and mysterious saints, where a forbidden romance threatens to tip the scales between dark and light.
Review: This was book-cover love through and through. Sure, the description sounds good enough, but there were also some warning signs there (love triangle??) that would typically make me a bit wary. But I love the simplicity of this cover and the way the colorization is used. Alas, by the end of the book, the cover was still probably my favorite part.
Nadya can speak to the gods, an entire pantheon of them. But for most of her life, she has been hiding and training in a remote monastery, a secret weapon that hasn’t been used yet in a growing political war. One day, that war arrives on her doorstep, quite literally, and everything changes. Now caught up in events moving in ways she barely understands, Nadya finds herself working a boy she’s not sure she can trust but who might also be the key to it all.
Honestly, there wasn’t much I loved about this book. That’s not to say I hated a lot of it either, but more like, I felt like I had read much of it before and read it better. Russian-based fantasy stories have been the rage for a few years it seems, and as such, there have been a million and one entries into the sub-genre with a wide range of quality, as far as I’m concerned. There have definitely been worse ones than this, but when I just finished up the last book in the “Winternight” trilogy, it’s hard to look at this one and not be a bit disappointed.
Aside from that trilogy, the more direct comparison for this book would be Bardugo’s “Grisha” trilogy. I’m pretty sure there have been quite a few comparisons already floated around between the two and I can definitely see it.
The biggest similarity comes with the romance and the enemies-to-lovers trope that is at the heart of both (sort of). On its own, I think this is one of the harder love arcs to right and I would say its this aspect specifically that sunk Bardugo’s series for me as I could never buy this part of the story. So, here, too, I struggled. I could never understand the “whys” behind any emotion our two romantic interests had for each other. Why did they really hate each other in the first place? Patriotic prejudices can only go so far as an explanation. And then, worse, why do they fall for each other? The motivation behind either emotion wasn’t fully fleshed out in any way, and when you’re dealing with some of the strongest emotions out there, love and hate, you need a pretty darn good reason to have your character feel them, and even more so, change from one to another. Throughout the story, the male love interest lied repeatedly to Nadya, and yet somehow, we’re meant to buy her continued interest in him. By about halfway through the book, I started to give up on getting the strong character I wanted from Nadya and was resigned to the fact that she was mostly a love interest in her own story.
I also struggled with the magic system. Again, as it was incorporated in the story, it felt very similar to other Russian-based fantasies I’ve read, but here it only skimmed the surface. The end of the story in particular seemed to really highlight this struggle as aspects of the magic system seemed to come out of nowhere or operate in ways that didn’t really make sense all of a sudden.
On top of that all, I was just bored throughout most of this. Other than the frenetic last few chapters of the story, I just felt like I was following the predictable footsteps of a well-worn path. There wasn’t anything new here, and in a subgenre that has so many offerings, I’d say if you’re looking for Slavic fantasy, you can find better. Just this year there was the final book in the “Winternight” trilogy, “The Winter of the Witch” by Katherine Arden and “Spinning Silver” by Naomi Novik. And if you want a better “enemies to lovers” story, you can check out “Sherwood” by Meagan Spooner.
Rating 6: Nothing terribly bad, but also not really holding its own in a pretty packed subgenre of YA fantasy.
Book: “The Sword and the Dagger” by Robert Cochran
Publishing Info: Tor Teen, April 2019
Where Did I Get this Book: NetGalley
Book Description: During the time of the Crusades, an unlikely trio—a Christian princess, her affianced prince, and a Muslim assassin—embarks on a quest to the court of the most fearsome warrior the world has ever known, Genghis Khan.
A rousing tale of adventure and romance about three young people who must grapple with fundamental issues of loyalty, friendship, faith, honor, and courage against the backdrop of conflicts that still resonate today.
Review: I placed a request for this book based on the strength of its plot description and the beautiful cover. Even though there was a massive red flag telegraphed to me with the love triangle set up, I thought “Sure, why the heck not? Who doesn’t like a good ole fun trip into the time of the Crusades?” Alas, right off the bat I struggled to get into this book, and by the last page I was more confused by the editing (or lack thereof?) of this book than anything else.
The story follows our three intrepid adventureres: Princess Elaine, her betrothed Conrad, and Rashid, an assassin sent to kill Elaine. All three are made up of a complicated mixture of the best and worst aspects of their respective belief systems, be those religious or cultural, as well as a myriad of other aspects that go to prove that no person can be defined so simply. While journeying together through various trials and tribulations, they all must learn that their fellow travelling companions are just as complex as they themselves.
As I said, I didn’t love this book. But before I get into its challenges for me, I want to highlight some aspects of the book that I did enjoy. Firstly, I liked the historical setting and the way that was tied into the book. I also really liked a lot of the broader concepts about prejudice and tolerance that our three main characters explored throughout the story. There were the obvious debates about religious disagreements came to by the Christian Conrad and the Muslim Rashid, but the story also explored gender roles with the limitations placed on Elaine as a woman growing up in a time where very little was expected, or permitted, of women. Overall, there was a nice combination of action and adventure mixed in with these larger debates in a way that allowed the book to explore some pretty big topics without coming across as overly preaching. The fast pace of the story also helped in this regard.
So those are my pros. But mixed within some of those same things that I enjoyed were also the parts of this book that I struggled with. As I said, I liked the historical setting of this book and the fast paced nature of the adventure made for a snappy read. But mixed together, it also left the book feeling oddly light and surface-level as far as its world. Our main characters jump from place to place and action piece to action piece so quickly that I never really felt like I had time to really sit back and examine the intricacies of the setting in which these events were taking place. For a book that covers of settings and ground, I never felt like I was really given any time to appreciate that fact. The plot was too busy getting from point A to point B to allow for this.
The fast paced nature of the story was also fun, but it also felt like it undercut some of the more somber moments in the story and restricted some of the character development. While overall I did like the three main characters, I also never really felt overly attached to any one of them. They often felt like the standard, expected characters for a story like this. So, too, the story they were travelling through also felt pretty expected. There weren’t any big surprises, and the few twists that there were, were exactly the ones you’d come to expect. I don’t need huge surprises around any corner, but at a certain point a sense of newness does help.
But my biggest problem came down to the writing itself and one very specific thing: the POVs would change without any indication or warning. Even in the middle of paragraphs! Even to characters who weren’t one of the main three. In the very first chapter, we’re introduced to Elaine, but then random sentences come through from the perspective of those around her commenting on Elaine herself. There’s no explanation for why we’re suddenly in this new character’s mind and then just as suddenly, we’re back to Elaine. It was incredibly distracting and quickly started to drive me crazy as we went on. I’m not sure what was going on there, but this specific aspect is where I think a good editor was needed. This is the kind of writing tic/flaw that a good editor will flag and help an author work through during the revision process. For some reason that didn’t happen and what could have been a better story suffered for it.
Ultimately, this writing issue was really the nail in the coffin of my enjoyment of this book. There are some good bones here, but for me, I couldn’t get past the distraction of this. That, plus the light descriptions of setting and sometimes too-fast nature of the story, ended up outweighing the parts of the story that I did enjoy. This could be good for fans of historical fiction, especially those interested in this time period. But we warned that if you’re sensitive to writing quirks, this one might be a struggle.
Rating 5: It had some good things to say about prejudices and tolerance, but the weird POV issue was too much for me.
Reader’s Advisory:
“The Sword and the Dagger” is a newer title so it isn’t on many relevant Goodreads lists, but it is on “2019 YA Historical Fiction.”
Book Description:Some kids in the sixties used to party in the tunnels under Shadyside High, until something left a bunch of people dead. But that’s just a story, right? Besides, exploring the tunnels is more fun than being stuck in Saturday detention. Too bad there’s no turning back–because in the tunnels there’s no one around to hear your screams.
Had I Read This Before: No.
The Plot: First I REALLY need to talk about that cover. What IS that cover? It looks like it’s trying to be the sleeve for the 1980s remake of “The Blob”, which served as serious nightmare fuel whenever we’d go to the local convenience store to rent a movie and it was RIGHT. THERE. Also, much like last time, the font has totally changed and it’s a weird time to change font when we’re at the end of the original series. But anyway. Our protagonist is Elaine. She’s usually a GREAT student, but after having forgotten to turn in a third assignment in a row for trigonometry she’s found herself at Saturday detention. And it occurs to me that I don’t think we’ve had any substantial “Fear Street” storylines that involve detention? At least not the I can remember. Anyway, it made me nostalgic for my detention days. Elaine arrives and speaks with the new principal, Mr. Savage, who says that he hopes such a good student like her won’t be making a habit of this. He also mysteriously says that he’s learned hard lessons in his life, and tells her where to go. She arrives to the classroom and finds a motley crew of detention kids. You have goody goody Elaine, graffiti aficionado Max, nerd Jerry, tough girl Darlene, and bad boy Bo, who may or may not have stolen a car. I think we’ve found our Bender, ladies and gentlemen, which means I will no doubt have a serious affection for him by the time this book is done.
Oh GAAHHHD he’s such a PRICK but I JUST LOVE HIM SO MUCH. (source)
Elaine asks if this is detention and Bo tells her that it’s dissection class (so… biology), and when Darlene throws a piece of paper at him in a flirtation ritual he takes out a lighter and sets it ablaze. Jerry is afraid he’ll set off the sprinkler system, and listen, narc, Bo doesn’t give a shit about your RULES. Jerry is there because he refused to dissect a frog in biology class and gee, that seems a bit harsh, being punished for having a conviction about animal mutilation… Bo keeps lighting things on fire and Mr. Savage comes in and tells him to put it out, which Bo does. Elaine is shocked and disgusted but probably also intrigued. Mr. Savage lets us know Darlene is here for cutting class and Max is here for graffiti-ing a school bus. He tells them that if they stay in their seats and focus on their punishment and police themselves they can leave at 3 and that will be that. As he’s leaving, Bo throws a switch blade. But it of course isn’t aimed at him, but at a cork board, and Mr. Savage doesn’t notice. Bo asks Elaine what she’s in for and she tells him it’s for not turning in homework, and Bo is amused. Darlene, unable to stand that he’s paying attention to Elaine (because girls are ALWAYS fighting over boys, right?), plants herself in front of him and says she’s bored. Bo suggests that they all go look for snacks in the cafeteria, and Jerry says he’s not getting in trouble by leaving. Bo specifically asks Elaine if she’s coming, and wanting to prove she’s not a goody goody she says she is. So they head out and down the hallway, and of COURSE Jerry runs to catch up with them. Elaine notices how not nervous Bo is, and given that she’s so responsible she envies his irresponsibility and finds it sexy.
They go to the kitchen and raid the fridge, but after pigging out a bit Elaine notices that Bo has gone missing, and so has one of the big knives. They go looking for Bo, and find him splayed out with a cut throat. It is, of course, a dumb practical joke, and this kid, I swear… They don’t stay mad at him long, however, because they hear Mr. Savage walking down the hallway. They lose track of his movement, but know he could cut them off back to the classroom, and Elaine suggests that they cut through the auditorium. So they get to the auditorium, and dick around on stage a bit. Max destroys some sets, Bo plays with a prop fiddle (as the drama club is doing “Fiddler”!), and Elaine goes exploring backstage. There she finds a strange black curtain hanging in a far off corner. When she pulls it, it reveals a corridor. Which she, of course, has to explore! So she starts down the hallway in the dark but chickens out. Unfortunately, as she’s heading back the floor gives way and she falls through it, plummeting down! She lands hard, and has no idea how far down she is. It’s dark and she feels broken glass and paint cans, and when she tries to stand her ankle hurts like the dickens. Also, a rat drops on her. She screams and it runs away, and she fumbles in the dark, able to find a ladder but unable to put enough weight on her ankle to actually climb it. Luckily her scream is heard by the others. Bo lights his lighter and looks down, telling her she fell through a trap door. She says she can’t climb because of her ankle, and Bo says he’ll come down to get her. Perplexingly they all climb down with him, though Bo is now suddenly quite protective of Elaine. He lights up his lighter again, and they see they’re in a space with LET’S PARTY written on the wall, and multiple hallways to pick from. Bo and Max tell them that it must be the Labyrinth, a tunnel system built to be a bomb shelter like tunnel system during the Cold War. It spreads across all of Shadyside. For years it was used as a party spot for teens, but the tunnels were all closed up after a number of teens died. So NATURALLY Bo and Max want to explore. Darlene and Jerry aren’t convinced and want to go, and Bo tells Elaine she’s the tie breaker. And now that she wants to impress Bo, she says they should explore.
Bo scrounges up some sticks and some rags from the trash and makes some torches they can use, and they venture into the tunnel on the right. They find a school newspaper from 1972 reviewing ‘the new Doors album’ (bitch, Morrison was long dead by that time, that album wasn’t going to be too great), and head deeper into the tunnels even though now Elaine is losing her nerve. The reach a dead end when they find a big pool of dirty water and trash, and decide to turn back. But it becomes quite clear that they are lost. Bo suggests that they go back across the water, as the tunnels are all over town and there HAS to be an exit somewhere. They manage to find a narrow ledge around the water, but while trying to cross it Elaine slips and falls into the dirty pool. Oh GOD, think of the germs. Bo pulls her out because he’s her protector now, obviously, and lets her wear his army jacket so she doesn’t get a chill. IS SHE GOING TO GIVE HIM HER DIAMOND EARRING BY THE END OF ALL THIS?
They keep going forward, and find a weird bricked up section that looks different from the other walls they’ve seen. The bricks are red instead of cinderblocks. Bo begins poking the mortar with a stick and it falls away, and the one of the bricks pops out about an inch, without any of them touching it. Bo hesitantly tries to push it back in, and then suddenly the wall EXPLODES! Elaine is thrown back into a wall, and as she sits up she notices that only one torch is still lit at this point. Everyone gathers their wits, and Bo relights his torch. Red dust hangs in the air, and they decide to keep going, but before they can, the separate red dust clouds suddenly gather together and surround Max. He says that something is wrong, and then the red mist envelops him and lifts him up! Bo tries to pull him back down, but the mist throws him away and starts BREAKING MAX’S BONES! It pulls Max up more and pretty much just snaps all of his bones IN GREAT DETAIL ON THE PAGE, killing him and flying down one of the tunnels with his corpse.
Bo screams and chases the mist down the hallway, and Elaine and the others look on in horror. Jerry says they have to get out of there, and Elaine says that they can’t leave without Bo. Jerry tries to take the torch from her but she says no, and Darlene says that she and Jerry are leaving and they are taking the torch with them whether Elaine likes it or not. After some sniping, Elaine eventually sees reason and agrees to go with them. But, of course, those two book it and Elaine has a bad ankle! She follows the flicker of the torch, and eventually catches up with them, but only because they’ve stopped. Jerry says he thought the water was this way, but it’s nowhere to be seen. Darlene starts to panic, and Elaine grabs the torch back and says that they have to keep moving to get away from the mist. She’s still thinking about Bo, but agrees that they should keep going on their own.
Unfortunately, they almost immediately stumble over a corpse and drop the torch, leaving them in the dark. Darlene thinks it was Bo, which means the mist may be in the dark with them. Elaine says that Bo had the lighter, so if they can find it on his body they can relight the torch. Darlene and Jerry are both too big of wusses to touch the body, so Elaine says she will. But she doesn’t find the lighter, and realizes that these clothes are ragged and old. That wasn’t Bo’s body. Soon they see another light coming, and wonder if the mist can glow. But nope, it’s Bo! He’s alive! Darlene hugs him and he tells them that he tried to get Max’s body back, but wasn’t successful. And whatever that mist was, it’s probably coming for them next. Elaine notes that he doesn’t seem like the cocky prick he was earlier, but a scared boy who saw his best friend killed. Very Bender in his ‘FUCK YOU’ monologue if I do say so myself. Bo makes new torches but says his lighter is out so this is it. As they walk Elaine wonders what this mist could possibly be (GOOD QUESTION). Jerry thinks that if they can figure out where they are under the city they could figure out where the school is, but Bo rightfully points out that that might be hard. They stumble into a room full of garbage and LET’S PARTY written all over the walls, and find ANOTHER tunnel, but oh dear! THE RED MIST IS BACK! Thus a crazy chase begins wtih them running through God knows how many tunnels, and Elaine falls because HER ANKLE and Bo isn’t leaving her behind (even when Darlene insists that he do he does NOT!), and somehow they stumble into the first LET’S PARTY room which is below the stage at the school!! Darlene launches herself up the ladder first, and I can’t blame her, and Bo wants Elaine to go next but she tells him to go because of her ankle, so he does. And as Elaine starts to climb up too the ladder starts to give way!!! But Elaine is convinced they’re all going to make it, but guess what, Jerry does NOT make it. Because the Red Mist surrounds him and starts to squeeze him. Elaine grabs his hand, determined to hold on, and he keeps crying out ‘help me!’ (oh God, this is actually brutal), but the Mist keeps pulling on him and starts to envelop Elaine’s hand. Bo screams at her to let go… And Elaine knows she has to. So she does. The mist grabs Jerry, crumples him up into a BALL, and then flies down into the darkness. I’m honestly upset by all of this. Elaine feels horrible that she let go. But no time to feel bad, because the ladder breaks, sending her and Bo falling into the darkness. They land on the ground below, and Elaine asks Bo to hold her. Which he does. That diamond earring is going to be yours, Judd Nelson! Darlene is dangling from the top rung, unable to hold on much longer. Bo and Elaine tell her to just let go, that Bo will catch her, and she does. She suggests that they could keep calling for help, that Mr. Savage could be around, but Bo is convinced that he’s long gone now. And school won’t open again until Monday, and they probably don’t have time to wait. They have to find another exit. Elaine points out that the only tunnel they haven’t for sure tried is the tunnel the Red Mist came from.
They find the water pool again and continue past it, and find the chamber behind the red bricks. What they find isn’t another tunnel, but a giant pile of dirt and rubble that looks like a cave in. But at the top of the pile there is a hole that could be an exit. Bo starts to climb, but it isn’t easy going because the dirt pile is loose. But he gets up and crawls up through the hole. Elaine and Darlene call up to him, and he assures them he’s okay but that the tunnel is ‘wild’. WHATEVER THAT MEANS, BO. Darlene tells Elaine to go first, and Elaine does. She makes her way up, and into the hole, and it’s a small tunnel that she barely fits in, and oh GOD I’m going to have a panic attack. Elaine feels the same and has a panic attack, convinced she’s going to get stuck, but manages to get through. She finds that the dirt tunnel ends in another chamber, where Bo is waiting for her at the bottom of another dirt pile, and it smells aged and isolated. She slides down to join him, and Darlene comes down behind, and informs them that the tunnel partially collapsed behind her. Bo says that this isn’t where they want to be, and points out six skeletons! Bo says that the cave in must have trapped them, and points out that there are no rats. Darlene says that the Red Mist must have killed them and someone must have put the bricks up to keep the Red Mist in. But Elaine points out that the small garbage in this room was neatly stacked and it was less haphazard. These people weren’t killed by the Red Mist, they must have been trapped inside and starved to death or died of thirst. They look on the wall and see six names written in red paint, which must be the skeletons. But there is also one name carved into the wall with rock: “Scott Savage Knows”. Mr. Savage must have something to do with all of this! Before the can ruminate too long, however, the Red Mist comes out through the dirt tunnel!! Bo makes it focus on him so Elaine and Darlene can make their way back through the dirt tunnel! So noble! But soon the Red Mist has instead poured over the skeletons… BRINGING THEM TO LIFE. That’s fucking badass. Darlene starts to panic and Elaine yells at her to run through them and back up to the tunnel. Elaine beats the skeletons off of her as she runs, and manages to get up to the top of the dirt pile. But she looks down and sees that Darlene has frozen in her tracks. Bo tries to distract the skeletons, and Elaine books it, crawling through the dirt tunnel and coming out the other side. She hears Darlene’s horrible screams, and then silence.
Elaine calls for Bo, and hears footsteps and sees a light coming through the entrance to the chamber that had been bricked up. It’s Mr. Savage! He says that she has to get out of here and asks where the others are, and Elaine tells him that they’re dead. Mr. Savage is upset by this news, and Bo bursts through the dirt tunnel as it collapses behind him. They all tumble into the dirt, but Elaine thinks that the Red Mist is trapped now. Bo says that Mr. Savage is at fault, and they tell him everything they found. Mr. Savage confesses what it is he knows. He went to Shadyside High back in the day and he and his friends went into the tunnels. There was a cave in, and Bo says that’s pretty OBVIOUS and that he wants to get out of here now. Mr. Savage says he’s been carrying this secret for years and NOW he’s going to tell it. I think that’s misguided at best, but whatever. Mr. Savage was on the other side of the collapse, and he called for them but they never answered. Assuming they were dead and wanting to cover his tracks, he bricked up the tunnel. Unfortunately, his friends WEREN’T dead, and they were able to dig their way out… until they ran into his brick wall. Elaine and Bo blame Mr. Savage for everything that happened… but one COULD argue that if they hadn’t ditched out on their detention none of this would have happend either… BUT WHATEVER, potato, po-tah-to. They ask him about the Red Mist and he says he has no clue what they’re talking about and thinks they’re lying about what happened to their classmates. But before they can debate, the Red Mist BURSTS out of the ceiling. And NOW Mr. Savage believes them, and he knows what it is. It’s the VENGEFUL SPIRITS OF HIS DEAD FRIENDS!! The Red Mist didn’t kill those students, it IS those students! Knowing his time has come, Mr. Savage tells Elaine to take six consecutive left turns and that’s the way out. Then the Red Mist envelops him, crunches his bones, and squishes him into a tiny ball. Then the Red Mist and the Savage Ball disappear. Bo and Elaine make six consecutive lefts and make their way out of the tunnels. He asks what they’re going to tell people, and she says she doesn’t know. And they climb up the ladder. The End.
Body Count: 4! A little higher than we’ve seen lately, but at this point I think Stine was like “It’s the last one in the series! LET’S DANCE!”
Romance Rating: 2. Elaine and Bo clearly have a thing for each other, but they don’t really act upon it at all.
Bonkers Rating: 9! From endless underground tunnels to a ravenous red mist to moving skeletons, this one was up there for craziness! Again, Stine didn’t give a fuck.
Fear Street Relevance: 2. It took place in Shadyside, but I really don’t think that Fear Street came up.
Silliest End of Chapter Cliffhanger:
“Elaine stared at his shirt. His neck. His face.
Soaked with blood.
‘Nooo!’ She let out a moan. Bo’s throat. His throat had been cut.”
… Except no, he just played a trick on them.
That’s So Dated! Moments: Darlene refers to Elaine as ‘Miss Yuppie’ at one point, and who even says ‘yuppie’ anymore?
Best Quote:
” ‘What’s the lighter fluid for?’ Jerry demanded. ‘Are you some kind of pyromaniac?’
‘What I do with my spare time is none of your business,’ Bo replied.”
HA, I knew I liked this kid.
Conclusion: “Trapped” was a super bizarre and oddly violent final book for the “Fear Street” original series!! I enjoyed it for the most part because it was so bananas! I can’t believe that we got through it all! And we aren’t done yet. I am going to slowly bring it on home with a few more books: one ‘Super Chiller’ that a friend of mine remembers vividly, one ‘Super Chiller’ that I remember vividly, and then one last trilogy. So up next is “Bad Moonlight”.
Book Description: Tea is a bone witch with the dark magic needed to raise the dead. She has used this magic to breathe life into those she has loved and lost…and those who would join her army against the deceitful royals. But Tea’s quest to conjure a shadowglass—to achieve immortality for the one person she loves most in the world—threatens to consume her heart.
Tea’s black heartsglass only grows darker with each new betrayal. And when she is left with new blood on her hands, Tea must answer to a power greater than the elder asha or even her conscience…
Review: Given the timing of when I started reading this series, I was able to get through the first two books quite close together. Which meant I had a long wait ahead of me getting to this one. And, since the storytelling presented in this book is broken into two portions, there were quite a number of cliffhangers and unresolved plotlines left dangling after the second book. All the more nerve wracking as I waited for this, the final book in the trilogy. And, well, I’m not sure that the extra time between reads worked in this book’s favor. Or perhaps I was already on a downward trajectory overall. Either way, unfortunately, I felt like this was a frustrating end to the series.
Things are finally starting to come ahead for both Teas, past and present. The past version of our main character is beginning to feel the walls close around her as one disaster after another seems to strike. Surrounded by a small band of loyal followers, she finds herself on the run from not only the elder Asha but entire nations. Driven by the knowledge that secrets about shadowglass and bone witches are being kept from her and the world, Tea goes on a path of discovery that will lead ultimately to her banishment and the death of many of her loved ones. Present Tea, on the other hand, has come fully into her own, surrounded by her powerful beasts and on a rampage throughout nations. Her plans are not fully clear, but it’s clear that those who stand in her way are not coming out of things on the winning side. Is Tea’s mission one of justice or is it simply the darkness inside of her fully taking control?
I’ve always found these books a bit confusing. The world-building is incredibly unique, and that’s a huge pro for the series. But there is something about its execution that doesn’t read clearly. The writing style, perhaps, leaves something wanting in the clarity department, and the choice to alternate between two story lines, each with its own complications and mysteries, doesn’t help matters. There are aspects of past Tea’s life that are referenced way back in book one, but aren’t answered until this, book three. That’s simply too long for me to have kept track of everything involved in the timeline, especially when all references made in the “present” timeline are obscured through the strange way that present-Tea is made to speak.
This has annoyed me from the start: Tea’s sudden tendency to rattle of pert little phrases of wisdom and mystery. It’s not a natural way to talk and reads in stark contrast to the past Tea who reads and speaks more like a typical person. The mode of present-Tea’s speech added extra layers of confusion to all of the references she made to events from the past. This being the case, as I was reading this book, I constantly felt like I was missing things. And then when I referenced back to the first book, I would fine that present-Tea has entirely misrepresented the situation, usually, again, with some type of unnecessarily cryptic remark. This made for an incredibly frustrating reading experience. I was lucky that I still had copies of the first two books on hand, but even so, I found this need to refer back very annoying.
I also had had some concerns from the very start about how well these two storylines would merge, and I was right to worry. Again, Tea’s sudden transformation from the past version of the character to the cryptic, almost all-powerful Tea of the present didn’t read as natural. Had the chapters been laid out in order, the jump would have been sudden and strange, and the fact that it was broken up over three books didn’t do enough to obfuscate the matter.
I was also unsatisfied with the reveals themselves. Like I said, there were about a million and one referenced mysteries that had been dropped throughout the first two books that needed resolutions here. But as these resolutions appeared, I found them increasingly annoying. Several of the referenced events don’t really make much sense and require characters to be willfully blind to some pretty basic facts to pull off. Tea’s own regrets and feelings of guilt also don’t make sense, now seeing some of these events play out. Everything just felt a bit off.
This feeling of being offkilter was all the worse because the bones (pardon the pun) of the story are still good. Like I said, the worldbuilding is incredibly unique, and I’m always going to applaud an author for creating a complicated world, magic system, and arc for her story. But the slight “offness” of everything, be it the writing itself or the way the storyline actually unfurled, became increasingly hard to read as the series progressed.
Like I said, maybe the fact that I was able to read the first two books more closely together played in their favor. I definitely had to spent a lot more time reminding myself of a lot of details of this world, character, and story as I got into this book which made it hard to simply sink in and enjoy it. I also feel like the time away left me freed up to think more critically about the story and character arc itself, as well as be a bit more put off by the writing style.
This was a disappointing return to the series. Though, I will say that now that the series is complete, readers might have more luck and enjoyment if they are able to read all three books back to back. That mode of reading could play highly in the series’ favor, reducing the confusion of a returning reader and retaining the interest of readers across books. If you do like dark fantasies, I still recommend checking this series out, but definitely plan on reading them all at once. As for returning readers, your experience may be different than mine, but I was left disappointed by this conclusion, not because of the ending itself, but by basic mechanics of the storytelling that seemed to stand out in a more negative light in this book than they had in the first two.
Rating 6: For me, a disappointing end. The writing felt more strained and the storylines didn’t feel like they ultimately linked up together naturally.