Book: “Clueless: One Last Summer” by Amber Benson, Sarah Kuhn, and Siobhan Keenan (Ill.)
Publishing Info: BOOM! Box, December 2018
Where Did I Get This Book: The library!
Book Description:Cher, Dionne, and Tai set off for one last summer of footloose and fancy-free fashion and fun before college starts!
The class of 1997 has left Bronson Alcott High School for good, and as the weather heats up, Cher and besties Dionne and Tai head off for their last summer vacation adventure together before, ugh, REAL LIFE!
Picking up after Clueless: Senior Year, head back to the ’90s for summer fun and fashion from superstar writers Sarah Kuhn (Heroine Complex) and Amber Benson (The Witches of Echo Park), and illustrator Siobhan Keenan.
Review: It took a little while for my library to get this book in their catalog, but they did and I got it right in time for summer! As I mentioned in my review of “Clueless: Senior Year” (linked at the bottom of the post), “Clueless” is one of my favorite movies and no matter how many times I watch it I will never get sick of it. I was very excited for the next comic when I heard that it was coming out, and the sort of long wait was absolutely worth it. Just like “Senior Year” before it, “One Last Summer” brings back Cher, Dionne, Tai, and more, and gives them worthy stories of their fabulous characters. On top of that, we got some focus on characters we hadn’t even seen yet (still no Elton though. I get it, but I love that creep so much that I can’t help but be bitter).
Cher, Dionne, and Tai are the primary focuses of the story, as they all have their own conundrums to solve, while trying not to think about how things are going to be changing in their lives. Cher has taken on a summer internship as an assistant to an advice columnist (who is not a very good or honest person, much to Cher’s chagrin), Dionne is in charge of planning a beach party that her parents are helming, and Tai is preparing for her favorite aunt to come to town, and introducing her to Travis. On top of that, all three of them are hoping to solve a mystery for their friend Summer, who has a secret admirer. The stories are kind of simplistic to be sure, but the characters were just so in character and absolutely on point that I highly enjoyed every foray that they went on. I also enjoyed that for some of the characters, especially Dionne, the worries and anxieties about having to go to a new environment and leave people behind make things all the more stressful, even if they don’t totally get why. I found Dionne’s storyline to be especially compelling, as she and Murray are going to different schools across countries from each other. The anxiety and fear of a long distance relationship after high school was captured perfectly, and as someone who knows from experience hers was the story that I most related to. It’s also great seeing the spotlight being shared between these three girls once again, as they all are so endearing and different from each other.
But as mentioned above, “One Last Summer” also brings more attention to other characters that didn’t get as much last time. The biggest one is Summer, a character from the movie who is probably best remembering for her shining moments at the Valley Party, where she initiated a game of Suck and Blow, and snagged a lawn snowman for no discernible reason. I liked seeing her being brought into the main three friend group, and I liked how well she fit in. Benson and Kuhn made her a distinct and fun character who is similar enough to fit in with Cher, Dionne, and Tai, but different enough that she felt like she had her own complexities. And I mean, fine, if we can’t get Elton I was totally happy getting another awesome lady character. Along with Summer we did see a little more focus on other characters, like Josh, Murray, and Travis. And on top of that, they got to play roles that usually are reserved for female characters, which felt like a bit of a subversion and I REALLY liked it. For Josh, we got to see his own insecurities when it comes to his relationship with Cher and his worries that she still may judge him when he’s a bit of a geek. For Murray, it’s his fears about the long distance relationship, and not being sure of how to deal with Dionne when her anxiety turns into anger. And for Travis, HE IS JUST SO SUPPORTIVE AND ADORABLE AND SWEET, just there to love Tai like she’s the goddamn best thing ever. HOW WONDERFUL IS THAT?
While Josh and Cher are my favorite couple, THESE TWO MELT MY HEART TOO. (source)
And the art continues to be very bubblegum and perfect for the tone. The characters look enough like their counterparts that it feels like the actors and actresses, but also show off Keenan’s unique style.
“Clueless: One Last Summer” was a bittersweet but lovely story for the characters from “Clueless”. I understand that Benson and Kuhn might stop here, but honestly they could keep telling these stories with these characters and I would be filled with joy.
Rating 8: Another fun and nostalgic story featuring some of my favorite movie characters, “Clueless: One Last Summer” brings back some classic characters, brings in new ones, and serves some cute summer stories!
Book: “Bloom” by Kevin Panetta and Savanna Ganucheau (Ill.)
Publishing Info: First Second, February 2019
Where Did I Get This Book: The library!
Book Description:Now that high school is over, Ari is dying to move to the big city with his ultra-hip band―if he can just persuade his dad to let him quit his job at their struggling family bakery. Though he loved working there as a kid, Ari cannot fathom a life wasting away over rising dough and hot ovens. But while interviewing candidates for his replacement, Ari meets Hector, an easygoing guy who loves baking as much as Ari wants to escape it. As they become closer over batches of bread, love is ready to bloom . . . that is, if Ari doesn’t ruin everything.
Writer Kevin Panetta and artist Savanna Ganucheau concoct a delicious recipe of intricately illustrated baking scenes and blushing young love, in which the choices we make can have terrible consequences, but the people who love us can help us grow.
Review: We’re getting near the end of summer (kind of?), and on the hot days sometimes you just need to have a cute, sweet, comfort read that you can enjoy in the sun… or air conditioning in my case. I saw “Bloom” by Kevin Panetta and Savanna Ganucheau on a display at the library I was working at, and decided to pick it up on a whim. It had been a bit since I’d read a one shot graphic novel, and the look of it and the summer feeling the cover gave me stood out to me. I hadn’t heard of “Bloom” until I picked it up, and after reading it I wish I’d found it sooner. I really, really enjoyed “Bloom”!
The story involves two young adults who are both looking for some self discovery and paths for their future. Ari is determined to move away from his home and his family bakery to become a music star with his friends, while Hector is trying to wrap up his late grandmother’s affairs and move on from a needy relationship. While they are both starkly different, you can’t help but love both of them for what they are. Ari is over emotional and a little bit self centered, but also wrapped up in insecurities about those around him. You understand why he wants to go out and make his own life, but can’t help but feel for his parents, who want him to join the family bakery business. Panetta did a really good job of showing how people can be torn between by their individual dreams, and their familial expectations. Ari is complex and at times very frustrating, but he also is a character I think a lot of people can see themselves in. Hector, too, is a fascinating character, as while he isn’t as conflicted as Ari, he has his own insecurities, but is better at navigating them. That said, I liked the foil that he played, as his kindness and patience has led him to troubles in the past because of his compassion and empathy for people. I loved them both for who they were, and I loved seeing them interact with each other. The side characters were a bit more hit or miss for me. On the one hand you have Ari’s parents, who I really liked. Ari’s father was the strict and singleminded parent you tend to see in stories like this, who could have easily fallen into the box of being the ‘out of touch parent who doesn’t care about what their kid wants’. But instead, Panetta does a fantastic job of showing complexities there, and his worries and fears regarding his business, his livelihood, and his relationship with his son were definitely well defined, and brought tears to my eyes. Ari’s mother was a bit more of the supportive parent of the two parent dynamic, but I also liked that she had moments of stepping out of that box too and being stern and realistic. But while Ari’s parents were great and spot on, I thought that Ari’s and Hector’s friend groups were a little two dimensional. They tended to check off a lot of trope boxes (the aggressively quirky, the jerk, the snarky, etc), and while I didn’t mind seeing them I didn’t really get much interesting from them.
The romance and overall plot of this book was very sweet and rewarding. Ari and Hector get closer because of baking, and Panetta focuses as much on the slow burn of the love story as much as he focuses on the intricacies and art of baking. Passion, be it romantic passion of passions for hobbies, are a huge theme in this book, and you can see the passion of a number of characters, and how it drives them, and sometimes makes them forget about the potential consequences of said passions. You can’t help but root for Ari and Hector as their romance slowly blooms and comes to life. And you can’t help but think about the metaphors of baking and the patience that it takes, the time and care it can require, and how sometimes you have to restart when unanticipated problems arise. I loved every panel and every moment, and savored the story as it unfolded. And as I mentioned above, I definitely cried as I was reading it.
The artwork is understated and lovely. I loved the blue hues and the sketches, and how the art not only brings the people to life, but the food as well. The style sometimes looks like sketches that aren’t quite finished (with arrows denoting movement and bare boned sketches occasionally making appearances), but it only added to the charm of the story. Also, the occasional large splash panel would showcase both the people and their emotions, as well as the food that they were making.
“Bloom” is an adorable and touching summer romance about finding yourself, finding love, and finding your passions. If you want a cute and satisfying love story, look no further than Ari and Hector!
Rating 9: A sweet, emotional, and mouth watering romance that has delightful characters, a lovely romance, and some tasty looking baked goods!
Book Description:A powerful coming-of-age story about grief, guilt, and the risks a Filipino-American teenager takes to uncover the truth about his cousin’s murder.
Jay Reguero plans to spend the last semester of his senior year playing video games before heading to the University of Michigan in the fall. But when he discovers that his Filipino cousin Jun was murdered as part of President Duterte’s war on drugs, and no one in the family wants to talk about what happened, Jay travels to the Philippines to find out the real story.
Hoping to uncover more about Jun and the events that led to his death, Jay is forced to reckon with the many sides of his cousin before he can face the whole horrible truth — and the part he played in it.
As gripping as it is lyrical, Patron Saints of Nothing is a page-turning portrayal of the struggle to reconcile faith, family, and immigrant identity.
Review:There are some days that I open up my news feed and just feel utter despondency. There are so many horrible things going on in the world right now that they sometimes blur together for me, and then I become peripherally aware of some but not as knowledgeable about others. This is representative of my general awareness/lack of knowledge about Rodrigo Duterte, president of the Philippines, and his human rights record, specifically the fact that his ‘war on drugs’ has led to numerous murders and deaths of drug addicts and dealers all under government approval. Given that I knew a little bit about his policies (and how much they horrify me), my knowledge of Filipino society, culture, and history, both before and during his rule, is scant. So I was very interested in reading “Patron Saints of Nothing” by Randy Ribay, as it focuses on these themes yet is written for an audience who may be unfamiliar. I buckled up for an emotional ride.
“Patron Saints of Nothing” approaches the controversial Duterte regime and its policies through the eyes of a Filipino-American teenager whose cousin Jun was killed, supposedly because of drugs. Jay is a good way for the audience to connect to the story, as while he himself was raised by a Filipino father, his American experience (and his father’s personal need to assimilate) has superseded his Filipino culture. But guilt and sadness over his cousin’s death is the perfect motivator to send him on this personal journey where he will learn about himself and also the culture that he hasn’t paid much attention to, or has taken for granted. As Jay learns about the society that Jun lived and died in, we are presented with a crash course of information about the modern day Philippines and the policies of the Duterte regime. Jay sees Duterte and his policies through American/Western eyes and values, and while he talks about the violence and the human rights violations that are incredibly disturbing, there is a stark contrast to how many Filipinos feel about said policies. I really liked how Ribay definitely addressed how brutal and corrupt this dictatorship is, and addresses the Marcos dictatorship as well, but also doesn’t pass judgement on those who live there who may not feel the same way. One really good example of this is Jay’s uncle Tito Maning, who is a government official and is incredibly loyal to Duterte, so loyal that he sees his own son’s death as justified. Ribay isn’t hesitant to show what kind of environment this man has fostered within his own family, and is absolutely critical of his blind loyalty and its consequences. But at the same time, Tito Maning isn’t a moustache twirling villain. Ribay makes sure to show how someone like him could still be loyal, in spite of his loyalty costing him is son, and how his choices aren’t as black and white as our own personal experience might perceive them to be.
The mystery about what happened to Jun is also well done and well paced. Jay has to make connections with family members, friends, and activists to figure out just what happened to his cousin, and I greatly enjoyed following him as he tries to find the puzzle pieces. You get the sense that there is more to the story than that which is presented to Jay, and themes of social justice and activism, and the dangers it can put you in within a dictatorship, are added into the drug war at hand. I didn’t feel much suspense when following this story, but I liked that the stakes were high regardless. What added to this is the epistolary aspect of this book, through letters that Jun sent to Jay over the years. It helps you get a sense of who Jun was outside of a victim of violence, and it helps you understand Jay’s own need to understand what happened to him. There is a lot of sadness permeating this story, sadness about what happened to a young person like Jun, sadness over the injustices of the society he was living in, and sadness for Jay and his own residual guilt, be it earned or not. The mystery also helps Jay learn about himself, but it’s done in a way that doesn’t feel forced or in bad taste. As he learns and connects to his heritage, so too does the reader.
I really enjoyed “Patron Saints of Nothing”. I felt like it told a unique and needed story, and gave context and voice to realities that are easy to ignore when it comes to human rights issues around the world. I am going to keep my eye on Randy Ribay, because I feel like this is the start of a storied and rich writing career.
Rating 8: A powerful and eye opening story about identity, loss, and standing up for what’s right, “Patron Saints of Nothing” casts a spotlight on a less talked about human rights issue and the complexities that surround it.
Reader’s Advisory:
“Patron Saints of Nothing” isn’t included on any Goodreads lists yet, but I think that it would fit in on “Best Asian-American Teen Fiction”.
Book: “Superman: Dawnbreaker” (DC Icons #4) by Matt de la Peña
Publishing Info: Random House Books for Young Readers, March 2019
Where Did I Get This Book: The library!
Book Description:When the dawn breaks, a hero rises.
His power is beyond imagining.
Clark Kent has always been faster, stronger–better–than everyone around him. But he wasn’t raised to show off, and drawing attention to himself could be dangerous. Plus, it’s not like he’s earned his powers . . . yet.
But power comes with a price.
Lately it’s difficult to hold back and keep his heroics in the shadows. When Clark follows the sound of a girl crying, he comes across Gloria Alvarez and discovers a dark secret lurking in Smallville. Turns out, Clark’s not the only one hiding something. Teaming up with his best friend, Lana Lang, he throws himself into the pursuit of the truth. What evil lies below the surface of his small town? And what will it cost Clark to learn about his past as he steps into the light to become the future Man of Steel? Because before he can save the world, he must save Smallville.
Review:Though I’ve come to terms with the fact that Batman is always going to be my choice of male DC superheroes (depressive demon nightmare boys are my weakness, as we all know) Superman is a very close second, and it’s probably because he’s the exact opposite of Bruce Wayne and his brooding tendencies. Clark Kent/Superman is an optimist who just wants to do the right thing, and to help people because he can. Sure, he has sadness about his home planet of Krypton blowing up, but overall he’s a cheerful and stand up guy whose motivation to do good is pretty much without strings. So it makes sense that the DC Icons Series, the YA books that have taken on DC’s favorite characters, has saved their Golden Boy for last. Therefore we come to Matt de la Peña’s “Superman: Dawnbreaker”, a new quasi-origin story for Superman set during his teen years in Smallville.
But without the ‘somebody saaaaave meeee’ intro. (source)
Overall, this was a very satisfying and well done Superman origin story. We’ve seen so many different iterations of this, but de la Peña manages to make it feel fresh and original, if only because he takes it to places that aren’t as obvious as the usual plot points. There are still familiar faces, like Ma and Pa Kent and Lana Lang, but de la Peña tweaks the relationships a tiny bit. In “Dawnbreaker”, Clark knows that he has powers, but he doesn’t know why, and he hasn’t felt comfortable asking his parents for answers. He gets the feeling that something is being hidden, but doesn’t necessarily know if he wants to know what, and wonders if he can be okay with not knowing all facets of his identity if it means living a relatively uncomplicated life. But, given that this is a Superman origin story, one can guess that all will come out soon enough, but even this I felt was handled with nuance and complexity. You see both Clark’s AND The Kents having to come to terms with the fact that Clark isn’t of this world, and what that could mean in both the greater scheme of things, but also their own familial ties. I was also VERY happy to see what de la Peña did with Lana Lang. I’ve always been solidly a Lois girl, and portrayals of Lana that I have seen have made her into an uninteresting love interest that I can’t abide. Partially because she’s competition for Lois (YES I AM THAT PETTY), but mostly because she could be so much more than just the hometown sweetheart. And de la Peña allows her to be more than that! While it could be argued that she’s just kind of been turned into Lois (though to be fair the comics did this too, with her being a TV newscaster on and off), I liked the spunky and intrepid Lana we got on the page. Also, she isn’t relegated to love interest here! She and Clark are best friends, and while they have some romantic tension it feels more like a wink towards their original storyline as opposed to a ‘will they or won’t they’ scenario. It means the Lana can be her own person, and her story isn’t defined by Clark’s affection for her. This is the Lana that Lana deserves to be.
But what struck me the most about this story was the plot and themes that de la Peña was able to bring together in a seamless way. When people think of Smallville they usually think of the humble and down home hometown that Clark grew up in, and the positive Americana that such a place an evoke. de la Peña doesn’t exactly blow this notion out of the water, but he does bring up the notion that small town simplicity and charm generally favors a very specific population, aka white people. In “Dawnbreaker”, Smallville (like many small towns in America’s midwest and heartland) has seen a growing population of Latinx immigrants, and racial tensions are on the rise as some townspeople miss ‘the good old days’. Seeing Clark hope that at the end of the day the people of Smallville will do the right thing is SO very Clark Kent, but it’s also a sad reality that unless checked and questioned and called out, prejudice and racism can easily run amok. And given that the people who are going missing are from the local Latinx population, Clark learns some hard truths about why they aren’t being sought out so much, and why their loved ones are too scared to push the authorities too much. In fact, while the main plot and mystery surrounding strange people in town and a mysterious new corporation moving in was well done, I was more interested in the themes about racism and xenophobia, and how capitalism and capitalist interests can claim they want to help, when they actually want to make a profit. And while it’s true that sometimes de la Peña is more inclined to spoon feed these themes to his reader as opposed to trusting that they can pick up on it, for the most part the execution was fairly well done.
“Superman: Dawnbreaker” was a strong end to the DC Icons series. I’m glad that they saved this one for last, because I think that it was my favorite of the bunch.
Rating 8: A strong end to a fun series, “Superman: Dawnbreaker” gives Clark Kent a timely and fun new origin story, while addressing social issues that remain incredibly relevant in today’s societal climate.
Book Description:In the tropical kingdom of Rhodaire, magical, elemental Crows are part of every aspect of life…until the Illucian empire invades, destroying everything.
That terrible night has thrown Princess Anthia into a deep depression. Her sister Caliza is busy running the kingdom after their mother’s death, but all Thia can do is think of all she has lost.
But when Caliza is forced to agree to a marriage between Thia and the crown prince of Illucia, Thia is finally spurred into action. And after stumbling upon a hidden Crow egg in the rubble of a rookery, she and her sister devise a dangerous plan to hatch the egg in secret and get back what was taken from them.
Review: Whatever my feelings ultimately were for this book (an ominous beginning if ever there was one), there is no denying that it has beautiful cover art. That, coupled with an intriguing description of a world built around the powerful abilities of magical crows, made it a pretty easy decision to request a copy from NetGalley. However, while the book does a lot of things right, most especially for its representation of a main character who is struggling with depression, it never quite clicked for me.
Thia’s life literally crashes and burns around her when her city is attacked by invading enemies, killing her mother and all of the magical crows that serve as the foundation for their culture. Before the disaster, Thia had been on the brink of gaining her own crow and joining the ranks of those who protect and build there country. Now, with that future lost foreer, Thia struggles daily to see what life holds for her. However, the world continues turning, and with new challenges banging on her door (like an unwanted marriage prospect), This is forced to re-engage with the world and begin building a new future for herself and, hopefully, her country.
There were a few things that I really did like about this book. For one, I think the idea of crows with elemental powers is a pretty intriguing idea. Yes, they’re essentially the same as dragons, but whatever. What really made them stand out, however, was the variety of ways that their powers were used. It wasn’t just battle crows, which is the expected route to go with something like this. No, the crows are used in almost every area of life in Thia’s land, including farming, travel, and more. It is because of this deep dependency on crows that the attack and their annihilation hits as hard as it does on Thia’s nation. It wasn’t just their military that was taken out, but basic needs like food and water are struggles without the crows.
The other thing I like is the fact that This struggles with depression. I haven’t experienced this myself, so I can’t speak to how accurate the portrayal is, but I appreciate that it is included in a YA fantasy book like this where you typically only see one type of main character: badass young woman! And Thia definitely does have strength, having to struggle through really tough feelings while her country is also in crisis.
However, even with my appreciation for what the author was trying to do with Thia, I could never really connect with the character. I can’t put my finger on exactly what the struggle was, but I was never fully invested in her plight or in her as a unique character, distinct from all the other YA fantasy heroines one reads about. She was better in theory than in actuality, I guess.
Part of my struggle with the character could also just be simply an off-shoot of my greater struggle with the pacing of the book. Unlike some other books that suffer from a slow start, this book takes off with a bang with the invasion of Thia’s home. From there, naturally, things slow down a bit. But I kept waiting for it all to pick back up as the story progressed. And I waited. And I waited. And it never really happened. The story was simply slow throughout the rest of the book, not helped by the fact that since I wasn’t overly attached to Thia as a character, I wasn’t able to sustain an interest for the character’s sake.
I was also underwhelmed by the end. Combined with the slow pacing of the story, it, and many other plot/character beats felt extremely predictable. There weren’t any huge twists, and what had started out as such an interesting concept, quickly faded into the background as we simply waited for Thia’s crow to hatch.
There is a sequel coming out and I’m mildly curious to see where things go from here. But I have to say, I won’t be racing out to get my hands on it. Likely, I’ll either read it or not simply based on how short or high my TBR pile is at the time. This is by no means a bad book, and for those with personal experience with depression, it may very well be just the book you’re looking for. But for me, from a purely reading-experience point-of-view, I didn’t love this book.
Rating 6: The cool premise died with the crows, unfortunately.
Book: “The Burning” (Fear Street Saga #3) by R.L. Stine
Publishing Info: Simon Pulse, 1993
Where Did I Get This Book: An eBook from the library!
Book Description:The end…and the beginning
Simon Fear thought changing his name would stop the evil. He was wrong—dead wrong.
After generations of unspeakable horror, it is up to Daniel and Nora, brought together by their fateful love, to unite the feuding families. But is their forbidden love strong enough to withstand such awesome evil?
Poor Nora—desperate to tell the truth and bury the family curse…before it buries her.
Had I Read This Before: No.
The Plot: In the Village of Shadyside in 1900, Nora Goode is writing away at the history of the Goode and Fier (Now Fear) Feud. It’s implied that she is on a time crunch, but is determined to finish it in spite of the fading candlelight. So we jump to 1845 New Orleans, and our old friend Simon Fear is standing outside of a sprawling mansion, looking in at a party and planning on crashing it. He’s certain that he’s charming and handsome enough that if the daughter of the house, Angelica Pierce, knew him she’s absolutely have invited him. He goes to the front door and tells the servant that he is there for the party. When asked for his invitation, Simon does a slight of hand where he drops his hat, and when the servant goes to grab it he snags it up and gloms on to another guest. Somehow this works and he’s inside with the high society of New Orleans. He tries to impress the ladies but no one wants to talk to him or even acknowledge him. But then he notices the beautiful Angelica Pierce, and SHE is the one that he wants to bag. But before he can approach her, two servants (okay, look, given the time period and place I have a hard time believing that they are ‘servants’…) tell him he has to leave. Meanwhile, Angelica is gossiping and having a grand old time with her cousin Liza. They bad mouth other girls and note the fashions of the night, but then Angelica notices a mysterious man staring at her (clearly it’s Simon). Liza thinks he looks sad, and Angelica says that his staring is ‘scaring’ her. When the servants approach him and escort him out, Angelica changes her tune and says that he was actually interesting looking. Bad boys, am I right? Liza scolds Angelica, as she already has two men courting her as it is, James and Hamilton. She dances on and off with them the rest of the night, but isn’t sure which one she wants to marry. After the party ends she goes for a walk around the property to try and figure out which man she loves more, when suddenly Simon Fear takes her by surprise. She demands to know who he is, and when she says that he was uninvited to her party and NOW he’s sneaking around her property. And he tells her that he wants to marry her. When she asks him if he’s drunk or merely insane, he insists that he is GOING to marry her. When she says she’s going to call for help, he runs away yelling over his shoulder that he’s going to marry her, mark his words!
Simon walks through the streets of New Orleans (and it also happens to be Mardi Gras), thinking that he totally crushed tonight’s courting ritual. He eventually finds himself at the docks, and is confronted by a robber, who puts a knife to his throat and demands his money. Simon is willing to give his cash, but then the robber notices the silver pendant. Simon has ‘resisted’ it’s powers up until now, in SPITE of the fact he promised himself that he didn’t have any use for ‘goodness’ anymore. The robber says he wants that too, and Simon pretends that he’s going to give it to him, but instead hits him in the face with it. The robber comes at him with a knife, but then his face starts to heat up and blister. The man shrieks for help, and then his face pretty much melts off of his skull. Simon realizes that black magic can get him what he wants; if he kills Angelica’s suitors, she will be his!
Angelica is at the opera with Liza and James. They are in one of the exclusive opera boxes, and as Liza makes snide remarks about other womens’ fashion choices, James says that perhaps someday he and Angelica can have an opera box of their own, and Angelica wonders if that means he plans to propose. She thinks about how Simon Fear came back to her house after his creepy stalking tendencies. She had agreed to see him, and the visit had gone a bit better as they’d talked about the weather and Mardi Gras. Liza had told her that since he was a Yankee Angelica’s father would never approve, and Angelica probably saw that as a challenge. So even though she’s at the opera with James, she has Simon on the mind. And by PURE coincidence, Liza points out that Simon is right below them, staring up at their box as thought this is perfectly acceptable social etiquette. James asks her who she’s looking at, and Angelica says that it’s just some boy. Then James suddenly stands up, climbs up on the balcony ledge of the box, and jumps to his death! As Angelica and Liza scream, Simon tucks his amulet away and rushes up to the box to comfort Angelica, who is wondering why he jumped. Liza says that there’s no way that James jumped, but Angelica is comforted by Simon, who says that if she needs anything he will be there for her.
After James’s funeral, Angelica’s father makes lemonade from lemons and says that Hamilton will make a great husband. Angelica, however, confides to Liza that she has been spending a lot of time with Simon, and Liza is scandalized not because Simon has been inserting himself in her life, but because he isn’t wealthy. But wait, he IS wealthy! The Fears are a wealthy Massachusetts family, that’s been established. Regardless, Liza doesn’t trust him, and tries to make the case for Hamilton. Hamilton arrives to take Angelica out, and Simon stands outside watching everything, telling himself that Hamilton will be out of the way soon enough.
A month later Angelica, Liza, and Hamilton have gone to the pier to watch the paddlewheel boats and to see their Aunt Lavinia depart for Memphis. After they say their goodbyes, Angelica insists they go further out on the roped off part of the pier to get a better look of the boat leaving. Liza is skeptical, but they go out anyway. Liza then notices someone else in the crowd. Simon Fear! Angelica sees him futzing with a silver amulet around his neck. As the boat starts to pull away, Angelica realizes that Hamilton has disappeared… He’s fallen into the water! And then he gets sucked into one of the paddles!!! He is repeatedly crunched and crushed in the paddles (lol oh my God that’s so twisted), and Liza is in hysterics and constantly asking ‘did he fall?!’ SURE SEEMS LIKE IT, GIRL. Simon is suddenly there to comfort Angelica.
Two months later Angelica’s mourning period for Hamilton has ended, and her father wants her to take some time abroad. He also comments on the fact that Simon has been around quite a bit, but doesn’t say anything else, just excuses himself with a sour expression on his face. Angelica goes and prepares two silver goblets for a visitor, and lo and behold, who should arrive, but Simon. Before he can say anything, she tells him that she wants to marry him. He says that he’s so happy that she does, and she pours celebratory beverages into the goblets. But before he can toast, he tells her that he HAS to confess something. He loves her so much, that he killed James and Hamilton to get them out of the way! I feel like that’s a bold move. But then…. Angelica starts laughing. She laughs and laughs and calls him a fool, letting him know that HE didn’t do SHIT! SHE’S the one who killed James and Hamilton with the black magic she’s been practicing since she was a little girl!!!! She did that so she could marry Simon, and that they can combine their powers!!
She says that the only obstacle now is her father. He says they should go tell him now, and when they go upstairs Angelica is shocked to find her father sprawled on the floor, dead. Simon says that the doctor will think that it was his heart, but he was the one who did it. Angelica is thrilled, as now they are going to get all of his money! They go back to the sitting room, and toast their glasses…. which are, of course, filled with blood.
We jump to 1865 to the town of Shadyside. Simon and Angelica have moved there, built their huge mansion, and had five kids of their own: Julia, Hannah, Robert, Brandon, and Joseph. Julia is the oldest and Simon is sad that she’s a bit of a wet blanket. She’s only happy when she’s at her pottery wheel. Hannah, however, is an effervescent delight! Simon is trying to plan the seating chart for their upcoming party, and wants to put Hannah next to a potential donor for the library Simon wants to build (how bad can he be?!). Julia is hurt that Simon is writing her off, and even though Hannah tries to change his mind he won’t hear it. As Julia throws her fit, the housekeeper Mrs. MacKenzie walks in to introduce the new maid, Lucy. Mrs. MacKenzie tells Lucy to be careful around Julia’s pottery, and Simon leaves the room, hoping to escape Julia’s shrill whining. Gee, a whiny, insecure, spoiled and boring debutante who thinks she’s the perpetual victim? Where have I heard this before?
Simon stumbles upon Angelica, who looks dead but has just been in a trance to consult the spirits. She says that she also consulted her tarot cards, and they say the dinner party shouldn’t happen, so she cannot act as hostess and he’ll have to ask one of their daughters, but suggests Hannah over Julia. Simon leaves the room to go find his daughters, and then hears a crash. He runs into the parlor and finds Julia howling over one of her ceramic bowls, which has been shattered, as Lucy dropped it. Hannah tells Lucy it’s not her fault, and Mrs. MacKenzie says that she warned the girl. Simon tells Hannah she’s going to act as hostess that night, and when Hannah points out that Julia is the oldest and should probably do it he tells her not to argue and storms from the room. Julia laments that Simon doesn’t trust her, and Hannah feels awful. In the kitchen Ms. MacKenzie scolds Lucy, and then reminds her to sign the servant’s list. Lucy tells her that her last name is “Goode”. To this I say HOW?! Franklin said he was the last one!! Ms. MacKenzie tells her to keep that name to herself.
At dinner that night Hannah is being the perfect hostess, and she also encourages Julia in her confidence. As they are all seated for dinner, Lucy starts to serve the soup course. But, oops, she spills soup all over Julia’s shoulder and dress! She shrieks and knocks her chair away, and Simon tells her to excuse herself and go clean up. I, however, am more shocked that Lucy wasn’t fired on the spot!! As someone who worked as a guide in a historic home that had a family like this one living in it during this time period, I am all too aware of how this would have been a fireable offense. Hannah asks Julia if she wants help, but Julia refuses and runs off. She sees Lucy, and wonders if Lucy was smiling about the mess…
Late that evening Hannah and Julia meet in a secret room that ‘only they know about’, which makes NO sense as Simon built and designed the damned place! Surely he’d know about this room! Anyway, Julia asks Hannah if she saw Lucy’s smile, and Hannah says no, and says that Lucy couldn’t have meant it. Julia is convinced between the broken pot and the soup Lucy is out to get her. She asks if Simon said anything to Hannah, but Hannah says no, he seemed upset about the disturbance but overall happy. Julia continues to sulk. They part ways, and when Hannah is going back to her room she sees Lucy leaving it. She’s suspicious at first, but then sees that Lucy just laid out her bed clothes. But when she crawls into bed, she finds a snake in the linens!!
Her brothers are blamed for the snake, and the next day Hannah is getting ready for dinner. Lucy had helped her with her hair earlier. As Hannah puts her shoes on, she suddenly screams in pain. She pulls her feet out of the shoes, and finds that glass has cut up her heel. She screams for help and Mrs. MacKenzie rushes in and helps her bandage her foot. Julia eventually enters as well, and Hannah tells her that maybe Julia was right about Lucy and that they have to tell Simon. Julia says that they have no proof, and PLEASE. Do you really think that the Victorian Elite needed PROOF to fire their servants?! Hannah says that she will hold off, but thinks that Julia is being too timid. She says she’ll join for dinner soon, and Julia leaves. As Hannah goes back to getting ready, Lucy comes into the room saying that she heard about the shoe and asks if there’s anything she can do to help. Hannah says that she’s done quite enough, but then feels guilty because Lucy looks hurt. So she backs off, and goes back to giving her orders, which I guess denotes that she is actually okay with her because CLASSISM!
Three days later the Fear siblings are going for a picnic with their little dog Fluff. They walk past and open grave and we are told that the gardener passed away, and he’s going to be buried there. FORESHADOWING? They all go into the woods, and the boys go off to follow a deer while Hannah and Julia start to lay out the spread. Hannah feeds Fluff some pie… And then he starts to cough, vomit, and then dies! Julia says that the pies must be poisoned!! And Lucy has to be the one who made the pies! Hannah tells Julia to gather their brothers, and she’ll go ahead to tell Simon. When she gets to the house she runs into Lucy, and accuses her of poisoning the pies and killing Fluff. Lucy denies it, and Mrs. MacKenzie hears their fight and asks what is going on. Hannah says that Lucy poisoned the pies that she made, and Mrs. MacKenzie says that she was there and Lucy didn’t even prepare the pies so much as poison them. Because it was JULIA who made the pies!!! Hannah is horrified, and then rushes out of the house to confront Julia. She finds Julia by the open grave, and tells her she knows about the pies. Julia doesn’t deny it, and says that she hates Hannah and wants her to die because she’s pretty, charming, and Simon’s favorite. Ugh, such an Edith thing to do. She then attacks Hannah. Hannah tries to run, but Julia tackles her onto the pine coffin for the poor dead servant and starts to strangle her. Hannah nearly passes out, but then Julia, thinking she killed her, lets her go, and climbs off of the coffin. Hannah catches her breath, and then rolls off the coffin as well. Julia, shocked she’s still alive, comes to finish the job, but Hannah grabs the nearby shovel and smacks her with it, killing her. In a panic she stuff’s Julia’s body in the coffin as well, and then rushes to the woods. She watches the coffin bearers lay the coffin into the ground, and then goes back to the house.
Simon is looking for Julia, and thinks that perhaps she’s wandered off in the woods. So he goes outside that evening and goes looking for her, and hears a distant noise of someone shrieking. He realizes with horror that it’s Julia, and that it’s coming from teh ground in the fresh grave! He grabs a shovel and unburies her, but it’s too late. She has died by being buried alive. Woof. He runs away howling with grief, and then runs into the house. He stumbles upon the servant log, and sees the name “Lucy Goode”. He’s convinced that Lucy did this, and grabs his amulet and a sword from his collection of antiques. Angelica, hearing the ruckus, runs down the steps, telling him to stop, but he doesn’t, and he sees Lucy and plunges the sword in her chest….. Except, it wasn’t Lucy. It was Hannah. Hannah falls dead in his arms, Angelica screams her head off, and Simon says he wanted to kill Lucy, not Hannah! Mrs. MacKenzie tells him that Lucy resigned that afternoon. Simon and Angelica cry and scream over the deaths of their daughters.
Time jump to Shadyside Village in 1900. Daniel Fear, grandson of Simon and Angelica and son of their youngest Joseph, has come to visit the grandparents he has never met. After Julia and Hannah died, Joseph never forgave his parents and left as soon as he could. Daniel calls a cabbie to take him to Fear Mansion, and the cabbie tells him about his family’s unfortunate history as Joseph never talked about it. Daniel has only come because he was invited to Simon’s seventy fifth birthday. The Cabbie drops him off at the end of the drive, and Daniel asks if he can be taken up to the door, but the cabbie is like ‘fuck no’, and drives the carriage away. Daniel walks through the overgrown lawn, and up to the ramshackle house. He knocks on the door, and an old woman answers, telling him to go away. But he says he’s Daniel Fear and was invited. The woman introduces herself was Mrs. MacKenzie, and says she’s the only servant who stayed. She leads him to the parlor, and Daniel sees his grandmother Angelica, who has pretty much gone completely mad. She tells him to put more logs on the fire, and then screams at him to leave. He runs into Simon, who is now wheelchair bound and laughing about his wife’s grief stricken madness. Daniel says that his father sends his love, and then Angelica asks ‘what is love?’, and Simon says that Joseph has no love for them so cut the bullshit. He says that Joseph should have stayed because Fears have to stick together, casually mentions that the other boys are dead, and gives Daniel the silver amulet while Angelica keeps screaming about more logs on the fire. Daniel puts the amulet on, and sees a vision of fire and a girl burning and screaming in pain. Daniel realizes that the necklace has weird powers. Mrs. MacKenzie leads him to his room, and how Daniel didn’t high tail out of there after this is beyond me.
Daniel goes into town the next day to check it out, and finding himself thirsty goes to the general store. And there he sees a beautiful girl behind the counter and falls in love instantly. She offers him some cider, and he accepts, and asks her what there is to do in Shadyside. She says that the only interesting thing is Fear Mansion, and he decides to pretend he doesn’t know anything about it. She tells him that it’s said to be cursed and people avoid it (so why she said it was an interesting thing to check out is a little beyond me). He says that perhaps she’d like to show him around town, and introduces himself as Daniel. She says that her name is Nora Goode, and HERE. WE. GO.
Daniel and Nora spend their afternoons walking in the woods together. She says that his grandparents must wonder where he’s going each day, but he says that his grandparents don’t give a rip about him. Nora is lonely too, as her mother died in childbirth (This can’t be Lucy though, because she wouldn’t have been married as a servant as that wasn’t done, so is she Lucy’s niece?), and she dreams of running away someday for better things. Daniel wants to tell her he’s a Fear, but is afraid she’ll think less of him because his family is cursed. But they kiss and they’re both quite smitten. Daniel is determined to debunk this curse business before he reveals his identity. They part ways at the edge of town, and Nora is on cloud nine. But when she gets home to the store she sees her father waiting for her and looking grumpy. He asks her where she’s been, and even though she tries to be coy he says that he knows she’s been sneaking around with Daniel and that he’s a FEAR! Nora is shocked, and wonders why he never told her his true identity. But she tries to convince her father that Daniel is wonderful. Her father tells her about Julia and Hannah and how their bodies were found of the woods, skinned (wait what?! Did this happen after the fact?!), and that Angelica is a known witch, and that she is forbidden from seeing Daniel. She says that he can’t stop her from seeing him, so he locks her in her room, like any reasonable parent would do, right?
Daniel is exploring his grandfather’s personal library, and sees a lot of books on black magic and sorcery. He thinks that his family must have a scientific interest in these books even though he knows the weird rumors of a curse and the fact his family is blatantly batshit.
He wanders to the kitchen in search of a snack, but instead of the delicious ginger cookies Mrs. MacKenzie made he finds a hidden room (omg it must be the room Julia and Hannah used to hang out in!). Inside he finds the family bible, that has the names of all the Fiers/Fears and also talks about the terrible deaths that so many of them experienced. Suddenly a cold hand grabs him, and it’s Mrs. MacKenzie. She tells him that if he wants family history, she can tell him everything. So she gives him the whole run down of everything that has happened thus far, though honestly it’s pretty skewed to favor the Fiers/Fears even thought THEY STARTED THIS WHOLE THING. She tells him that the other family is named Goode, and he is horrified because he loves Nora so much and she isn’t evil like her family is! Mrs. MacKenzie mentions that perhaps the two of them will be the ones to break the curse by marrying each other. And this seems like a great idea to Daniel!
The next day he goes to meet her for their walks, but sees that the store has been boarded up. He thinks that perhaps she left, but then he hears her crying out for help from her window. He climbs up the side of the store and onto the balcony, and breaks the window open. She tells him that her father is going to move them away, and he confesses that he’s a Fear. She says she knows but doesn’t care. He suggests that they run off and get married, and she accepts, and he gives her the amulet as a stand in for a ring. She quickly sees a flash of a vision of fire, but it passes quick and he says they’ll go to the justice of the peace and get married right now and tell his grandparents at his grandfather’s seventy fifth birthday party that night.
Daniel takes his new bride to Fear Mansion, and Nora is uncomfortable, perhaps because she’s deep in enemy territory. Daniel introduces Nora to Mrs. MacKenzie, who seems to approve, and he takes Nora towards the ballroom where he expects a large party…. Except it’s just his grandparents, him, and Nora. He wishes Simon a happy birthday, and Simon is happy that SOMEONE came to his party. Look man, you have no friends and family, what did you expect? Angelica, however, says that they should mingle with the huge amount of guests that are attending, and hoo boy, that’s awkward and very sad. Even sadder, though, is the giant cake that is wheeled in with seventy five burning candles. Daniel decides that now is as good a time as any to tell his grandfather the good news! So he introduces Nora and says that he’s married a Goode!
It goes as well as to be expected.
Simon starts to scream ‘noooooo!’, stumbles from his chair, and knocks the cake over. Which sets the damn ballroom on fire. Nora has somehow lost Daniel at this point (HOW IS THAT POSSIBLE?), and the fire spreads and we get cameos of basically every person who has died in these books (but I have a note: The referred to Abigail Fier as Abigail Goode and I don’t know if that was Stine or the eBook transcribers. Either way, FAIL!!!!). Nora flees the house, but is the only one to make it out. So yeah, the curse is broken. But only because the Fear line ended in that ballroom. Bummer.
So we wrap up with Nora writing her story. But she has been committed to an insane asylum. So when she looks at her lovely and completely pages, some nurses enter the room. Nora says she has to show the doctor her story, but one of the nurses promptly burns the pages, saying it’s for her own good. The nurses escort Nora to talk to the doctor, and tell her that they have news that should cheer her. The Fear Mansion may have burned, but there is now a new road that is passing by it, where they are going to build homes. They ask Nora if she wants to know what they’re going to call it, and when she bites, she’s informed that it will be called “Fear Street”. THE END.
We have come to the end of our Revisit to Fear Street. (source)
Body Count: 10! And that’s not including a couple Fears who died off page. And I’m not sure if the housekeeper died in the fire, so I’m potentially being conservative in my counting.
Romance Rating: 8. Daniel and Nora are the perfect star crossed lovers, and honestly I kind of loved how evil Simon and Angelica were together.
Bonkers Rating: You know what? I’m feeling generous. It gets a 10! From Simon Fear’s flamboyant attitude and deadly courting rituals to his witch wife to people being buried alive and burned to a crisp, this book went into the bonkers stratosphere!
Fear Street Relevance: 10 again! It’s great to finally see just how Fear Manor burnt to the ground, and how Fear Street came to be in the unassuming town of Shadyside.
Silliest End of Chapter Cliffhanger:
“Simon stared down at her. She was sprawled on the floor on her back, her black hair in disarray around her head, her green eyes staring blankly at the ceiling, her mouth open. Angelica. Nor breathing. Lifeless.
‘Angelica!’ Simon cried. ‘Oh, Angelica!'”
… But she isn’t dead. SHE WAS BEING SUPER EXTRA AND CONFERRING WITH THE SPIRITS IN THE MOST DRAMATIC WAY POSSIBLE!! I LOVE THIS BITCH!!!
That’s So Dated! Moments: As a historical fiction novel, just like the two before it, that sadly doesn’t apply here.
Best Quote:
“‘Delicious,’ Simon declared. ‘So bitter and sweet at the same time.’ He smiled at her knowingly. ‘It isn’t wine – is it?’
‘No’ Angelica replied, returning his grin. ‘It isn’t wine. It is blood.’
Simon snickered and stared into the goblet. ‘You are full of surprises tonight, Angelica.'”
ARE YOU SERIOUS?!?! I LOVE THIS!! WHAT A POWER COUPLE!! (source)
Conclusion: “The Burning” had some seriously stellar moments, but it felt like it wrapped up too quickly and had a number of continuity issues (HOW DID THE GOODE LINE GO ON IF FRANKLIN THOUGHT HE WAS THE LAST GOODE?!). I liked having the history of Fear Street laid out, however, and therefore as a whole it was part of a pretty good trilogy.
And that is the end of my “A Revisit to Fear Street” series on our blog!! It was a serious trip and a true joy to go back and re-read (or in a number of cases read for the first time) these books from my childhood. Thank you to everyone who read this endeavor, and I hope that you guys enjoyed reading the recaps as much as I enjoyed creating them. And a very special thank you to R.L. Stine for being such a formative part of my childhood, and for creating a twisted and entertaining series of books for young horror fans!!!
Book Description:In this tiny, terrifying town, the lost are never found. When Araceli Flores Harper is sent to live with her great-aunt Ottilie in her ramshackle Victorian home, the plan is simple. She’ll buckle down and get ready for college. Life won’t be exciting, but she’ll cope, right?
Wrong. From the start, things are very, very wrong. Her great-aunt still leaves food for the husband who went missing twenty years ago, and local businesses are plastered with MISSING posters. There are unexplained lights in the woods and a mysterious lab just beyond the city limits that the locals don’t talk about. Ever. When she starts receiving mysterious letters that seem to be coming from the past, she suspects someone of pranking her or trying to drive her out of her mind. To solve these riddles and bring the lost home again, Araceli must delve into a truly diabolical conspiracy, but some secrets fight to stay buried…
Review: This was an impulse request mostly because I was in the mood for something creepy and the title/cover art combo seemed to fit those criteria pretty well. The description of a teenager discovering the mysteries of a strange, small town just cemented by interest. But while the book does deliver on what it sets out to do, it didn’t quite match up with what I was looking for.
Araceli doesn’t know what to expect when she shows up at the small town where her great-aunt lives. But a town full of missing people and mysterious happenings in the woods surrounding it is not what she had in mind for her visit. Soon enough these mysteries end up knocking on her own door and curiosity and bewilderment quickly turn into fear and a fight for not only her future, but those who have been lost before her.
This is a tough book to evaluate, mostly due to the fact that it’s just not the type of book I read often. And for the reason that I typically don’t enjoy them as much as others. I’m not sure where the line is between “contemporary fantasy” and “urban fantasy,” but there definitely is one and it’s enough to make me greatly prefer the latter to the former. In this book’s case, there were a few aspects of the former that didn’t quite fit with what I was looking for.
First, our main character, Araceli. Most of the fantasy fiction that I read that features young protagonists is set in a world or time period where a young age doesn’t mean the same thing it does here. Teenagers often find themselves in very adult situations and it is perfectly normal that they be there. And, in fact, they have often been raised to expect to operate in an adult fashion by this age. This makes many YA fantasy novels essentially read as adult fantasy novels (I won’t start up again on the marketing mechanisms behind these choices).
So in part I’m simply not used to reading teenagers that, well, act like teenagers. It’s not really the fault of the book that Araceli is a believable teen and thus often makes poor decisions. But I won’t concede some of the dialogue. Teenage characters don’t have to sound immature in their speaking, and there were often bits of both her actual voiced comments as well as the commentary in her head that read as even more juvenile than necessary for belivablilty.
My other main struggle came down to genre confusion. Simply put, there are too many genres and genre conventions vying for page time in this book. I had a hard time settling in to any one type of story. Some genre blending is to be expected, but this one had a bit too much on its hands with fantasy, thriller, horror, and mystery all packed in. I think it was more a fault of blending than anything. It felt a bit too obvious when the story switched from one genre focus to another, reading as bumpy and jarring rather than a smooth, unnoticeable transition.
The mystery of the story is good, though the comparison to “Stranger Things” is a bit too on the nose. I mean, creepy woods. Dudes in bio-hazard outfits. People disappearing. We get it. But still, I was intrigued enough about discovering what exactly was going on that I was able to get through my general frustration with the main character and some bumpy writing.
Essentially, if you’re a fan of contemporary YA fiction and enjoy a fantasy/horror aspect to your tale, you might really like “Heartwood Box.” Most of my complaints for this one are purely my own preference, so take that with what you will. I do think the writing lacks a bit to be desired overall, but that’s not a deal breaker if this kind of story is your thing.
Rating 6: Not for me. “Realistic” teenagers apparently annoy me too much.
Where Did I Get This Book: I received an eARC from NetGalley.
Book Description:It’s been eighteen months since the Raxter School for Girls was put under quarantine. Since the Tox hit and pulled Hetty’s life out from under her.
It started slow. First the teachers died one by one. Then it began to infect the students, turning their bodies strange and foreign. Now, cut off from the rest of the world and left to fend for themselves on their island home, the girls don’t dare wander outside the school’s fence, where the Tox has made the woods wild and dangerous. They wait for the cure they were promised as the Tox seeps into everything.
But when Byatt goes missing, Hetty will do anything to find her, even if it means breaking quarantine and braving the horrors that lie beyond the fence. And when she does, Hetty learns that there’s more to their story, to their life at Raxter, than she could have ever thought true.
Review: Thanks to NetGalley for sending me an eARC of this novel!
Oh boy, look what we have here. Another boarding school book! And on top of a boarding school book, we got some plague horror, some vague cosmic horror, and some queer representation thrown in for good measure. Suffice to say, when I read about “Wilder Girls”, I was interested enough to request an eARC from NetGalley.
What makes “Wilder Girls” by Rory Powers a bit different from other plague horror that I’ve seen lately is that we don’t know WHAT the Tox is. The students at Raxter School for Girls just know that they have been stricken with this disease, which causes body disfigurement, severe aggression, and in many cases (such as that of most of the faculty members and huge portion of the student body) death. They are cut off from the outside world immediately, and those who do have the tenuous connection to the outside world that sends supplies their way aren’t saying much. In many plague horror stories we will ultimately get at least some information as to what happened, be it a government made virus run amok a la “The Stand” or a supermutated flu a la “Station Eleven”. But in “Wilder Girls” it is largely unknown, and that fear of the unknown (both in origin of The Tox and what it has done to the woods outside the school) is what takes this towards Cosmic Horror territory, and makes it feel a bit more unique than similar tales that I’ve read. And, hooray but also YIKES, along with cosmic horror comes body horror, and “Wilder Girls” has that AND THEN SOME. From descriptions of mutated wildlife to body mutilation to other moments of supreme yuck, Powers knows how to up the gross factor in ways that would make David Cronenberg proud.
Kinda like this in some ways. Also, this movie is devastating. (source)
Plus, when you combine plague and the unknown you have a volatile situation in terms of how the social structures have changed, and Raxter School for Girls has DEFINITELY degraded as they try to wait for their rescue, even as supplies dwindle more and more and desperation starts to cloud the judgments and actions of those who are supposed to be friends. Powers doesn’t shy away from some really brutal moments that are set off by these moments of desperation, be it those in power abusing those below, or those who are friendly towards each other suddenly attacking each other verbally AND physically. There are connections to the outside world, sure, but it becomes clearer and clearer that the outside world, in whatever state it may be in, is forgetting about these girls, and it may be intentional.
I also really enjoyed the slow growing and complicated relationship between Hetty, our main protagonist, and Reese, a sometimes friend but mostly roommate to Hetty and their friend Byatt. Byatt is the main connector between the three girls, as both Hetty and Reese have their affections for her. But when Byatt disappears, the two girls left, who have had rocky at best interactions as of late, have to learn to trust each other, and also deal with how they may actually feel for each other. The romance isn’t really at the forefront of this story, and it doesn’t end up defining either character, but it is always a bit below the surface, and I found it realistic that these two girls in a horrifying situation would have a lot of complex feelings towards each other. Especially when they had been vying for the attention of the bright and friendly Byatt.
But for me, and for reasons I can’t really figure out, the broader plot of “Wilder Girls” really didn’t interest me as much as I had hoped it would. While the parts about The Tox and the dwindling hope of rescue were absolutely right up my alley, for the life of me I couldn’t bring myself to care about Byatt’s disappearance. Sure, I usually like the conspiratorial themes that this book was filled with (why did Byatt disappear? Who knows more than they’re telling?), but I think that I was more interested in The Tox itself. Since we jumped in AFTER the Tox has already ravaged this school and it’s inhabitants, and since the school has adjusted, albeit poorly as it turns out, I wish we had a little more information about the build up and fall out of that initial infection. To me that seemed like a better story than that of a missing friend. That said, I can understand why the emphasis on that might be more interesting to other people. As it was, I wasn’t into it. On top of that, we got a clunker of an ending that felt like it was trying too hard to tread between ‘we definitely could end this story here if we needed to’, and ‘promises of more secrets and perhaps a sequel is the only thing to be done’. It felt too obvious as to what it was trying to do.
“Wilder Girls” was a bit of a disappointment to me, but that doesn’t mean it will be disappointing to all fans of plague and cosmic horror. If you want more focus on The Tox, it may not give you what you need, but if you are fine dealing with the fallout alone, it could be a good fit.
Rating 6: While it had a good premise and some interesting female characters, I didn’t find myself as invested in “Wilder Girls” as I had hoped I would be.
Book: “The Secret” (The Fear Street Saga #2) by R.L. Stine
Publishing Info: Simon Pulse, 1993
Where Did I Get This Book: An eBook from the library!
Book Description:Buried Evil
What is the secret of Fear Street?
Why has its horror lasted so long?
Ezra Fier wants to find out. He searches for the answer among the rotting bones in the ghostly town of Wickham. But he find only betrayal and death.
Elizabeth and Kate are in love with the same boy. How can they know that they too are caught by the evil that will haunt this family forever?
Had I Read This Before: No
The Plot: Moving on to part 2 of “The Fear Street Saga”! We join Nora Goode again, who is writing the long, dramatic, and violent history of the Goode family and the Fear Family. We still don’t know why she knows it, or why she as a Goode has the Fear amulet, or her back story with the now presumably deceased Daniel Fear.
BUT, before we go into that, we go back in time to Wickham Village in the Massachusetts Colony in 1737! And we catch back up with Ezra Fier, the son of that dunderheaded narc Edward, who let his girlfriend Susannah Goode burn at the stake by orders of his father. Ezra has been nursing his grudge towards the Goodes since Willaim, Susannah’s father, took his revenge which led to the deaths of Ezra’s grandfather, great aunt and uncle, mother, and aunt. His dunderheaded father died too, but probably from idiocy. Ezra has been tracking George, William’s son, for most of his adult life, and has dragged his family around the colonies on his hunt. His son Jonathan thinks that this is a ridiculous situation to be in, but wife Jane goes with it and daughters Abigail and Rachel are too young to be put off. Ezra is convinced that he’s tracked George down to this town, but as their wagon approaches they see a stopped carriage, with two dead horses next to it. When they look in the carriage, there are bloated and decaying dead people. And when they get to town, it’s more of the same. FILLED with dead people! Ezra isn’t swayed, and makes Jonathan go with him to explore, and tells him the whole background of his family. Ezra says they should go to the inn, as innkeepers will know the tea, but they TOO are dead. He tells Jonathan to go to the magistrate’s office to ask HIM what’s up, so it hasn’t really gotten through his dumb skull that EVERYONE IN TOWN IS DEAD, DUDE! Poor Jonathan goes, and once again finds a corpse. Ezra finally takes this for what it is, and they return to the wagon to tell Jane and the girls what they found. Ezra drives the wagon to a farmhouse, and while he doesn’t tell his family why they are there, he says that he wants to see their dead and rotting corpses, so we can assume this is where he decided the Goodes lived. But they aren’t there! Ezra throws a fit, and when Jane says that she doesn’t want their children living in a town full of bodies he pulls the ‘wives should be obedient’ card and says they are staying there for the foreseeable future, and that he’s going to find The Goodes.
The Fier family settles in okay, though Ezra is still a Ahab-esque tyrant. A few weeks after moving in, Ezra says to Jonathan that they are going to visit some farms a few miles away. But instead of exchanging pleasantries, Ezra immediately asks if they know about the Goodes. The first family just tells him to leave, and the second family threatens to cut his throat. Ezra says that this is proof of how evil the Goodes are because EVERYONE hates them, and to me I would say it’s a good sign to just let it the hell go. Ezra thinks these neighbors have to be hiding something.
The next day Abigail tells Jonathan she wants to go to the village. Jonathan says that they aren’t supposed to wander too far (doesn’t bring up the fact that it’s filled with rotting bodies), but Abigail says that he’s chicken. Given that being teased by his little sister will not stand, he agrees and they go. Yep, still filled with a bunch of bodies, but Abigail takes it upon herself to find bodies of animals and give them a proper burial. Super Goth there, Abigail. She keeps insisting that they go back so she can do this, and one day while they’re in town she wants to go so far as to bury the body of a girl. Jonathan says that they’d need a coffin for a person, and instead of being swayed Abigail says that they should look for a box. This girl is giving me Mayhem’s lead singer Dead vibes what with her strange fascination with death and decay. Jonathan inexplicably agrees and goes into the tavern to find a box, and when he returns Abigail is gone. He goes to find her, and then sees her playing with another little girl. When he approaches them the girl runs off, and Abigail says that her name is Hester. He asks where this girl lives, thinking that maybe there are people still alive in town, but Abigail says she doesn’t know. They go back to their house, and Jonathan doesn’t seem at all worried.
It’s just that the town was filled with rotting corpses and now there’s a girl who is as weird as Abigail and goes there to play? That isn’t sketchy!? (source)
The next day Jonathan is in town digging a grave for a baby (this is also thrown out there with the nonchalance of him digging a grave for a hamster or a goldfish, by the way), and he realizes that Abigail hasn’t returned from fetching a grave marker. He eventually finds her and Hester playing in a cemetery. And then Hester grabs Abigail and pulls her into an open grave! Jonathan runs there and sees Abigail pop out of the coffin, and that’s enough death metal shenanigans for one day, and he grabs her by the arm and says they’re going home much to her protestations. The next day Jane says that they aren’t allowed to leave the property because they have to watch Rachel. But Ezra pretty much derails that when he asks Abigail to go for a walk with him, and says that Jonathan can handle it on his own and that he likes Abigail’s company. As Jonathan watches them walk away through the window, he sees Hester meet them in the road. Not trusting this weird coffin hopping kid, Jonathan rushes outside. Hester asks Ezra if Abigail can come to her house, and when Jonathan tells his Dad not to let her go, Ezra blows him off and says that Abigail can go. Jonathan begs him to let him go with, but Ezra says that SOMEONE has to watch Rachel (though gee, Ezra, up until this point you were just going for a meandering walk, maybe YOU could watch your own damn kid!). Jonathan obeys. Big surprise, Abigail isn’t home by suppertime. Ezra insists that she’s fine, but we all know better, don’t we? Ezra goes to look for her, and Jonathan comes too. They hear the sounds of girls’ laughter on the wind, and eventually follow it to a grave… And the headstone says Hester Goode!! And uh oh, next to the grave there is a new grave, with a headstone that says ABIGAIL FIER!! Ezra freaks and uses his hands to dig up the dirt, and there is Abigail, super dead.
Jump forward six years, and Ezra is putting Rachel to bed with the bedtime story of the time he and Jonathan found Abigail in a shallow grave. Wholesome bedtime storytelling at it’s finest. They’ve moved away from plague town and somehow they got richer in that time as Ezra has just kind of resold whatever supplies they’ve had extra of. This is their newest home and they’re just settling in. There’s a knocking at the door, and Jonathan goes to answer it. A pretty girl is on the stoop, and she says her name is Delilah Wilson and she lives down the road. She brought a pie to welcome the new neighbors. Jonathan takes her to the parlor (DAMN, they did do well for themselves), and tells his mother about Delilah. He goes to tell Ezra, but Ezra is too busy obsessing in his office and pawing at his amulet (you know the one). Rachel sneaks out of bed to go meet Delilah too, and when Jane sees her she has a momentary grief spell where she thinks Rachel is Abigail. After being gently corrected, she goes to prepare the pie. Jonathan and Rachel talk with Delilah, and Delilah asks why they’ve moved so much. Rachel, not one to play it cool, says it’s because of the family curse and tells her all about it. Rachel is all in on the Goode hate train, but Jonathan blames Ezra for Abigail’s death.
A few days later Jonathan is in town and he sees Delilah. She says she’s come from her father’s church and is on the way home, and he offers to escort her. He apologizes for his family’s behavior, especially Rachel’s, but Delilah says that she loved outlandish stories when she was a little girl too. Jonathan is very smitten, and that night he’s thinking about her as he’s falling asleep. He thinks he hears someone calling for help outside and a strange noise, but when he runs to his window he sees nothing out there. He thinks he’s imagining things, but can’t sleep the rest of the night.
The next day Jan asks Jonathan to go get kindling and asks Rachel to go get water from the well. As he’s gathering wood he hears Rachel screaming, and runs to the well to see what’s going on, Jane and Ezra leaving the house. Rachel points at the bucket, and it’s filled with blood. Ezra says that it’s the curse, and when Jonathan says that that isn’t real Ezra calls him foolish, and that there have to be Goodes nearby. Jonathan, sick of his family’s histrionics, goes to call on Delilah. He meets her father, Reverend Wilson, and then he and Delilah go for a walk. He confides in her about the noise and the bucket of blood, and she says that there has to be a rational explanation. But now Jonathan isn’t so sure, but he likes how sensible Delilah is.
That night, Jonathan is awakened by footsteps in the hallway. When he opens his door he sees Jane, crying out for Abigail. She insists that she heard Abigail calling to her. Jonathan says that she has to have been dreaming, and leads her back to bed. The same thing happens the next night, though Ezra is the one to take care of Jane that time. It happens again and again, and Rachel says that she wants to do something for Jane to cheer her up. They start to plant some roses, and Delilah pays them a visit. They all sit in the shade, and tell Delilah what has been going on with their mother, how she keeps saying she sees Abigail in the backyard. Rachel thinks it’s a ghost, and Jonathan thinks it’s hallucinations. Delilah suggests that it could be dream, meeting in the middle of two extremes. But that night, Jonathan hears Abigail, and Rachel says that she saw her outside her window, warning her, though she doesn’t know of what.
The next day Jonathan goes to visit Delilah. Jane sends sweet rolls with him, and when Jonathan gets to Delilah’s house her father asks how Jane is doing. Jonathan says not well, and when he and Delilah go for a walk he tells her that now he has heard Abigail and Rachel saw her. Delilah starts to cry, and when he asks what’s wrong says that she would never wish harm upon his family. He’s confused, and she tells him that she and her father are leaving town soon, and that it’s for the best. When he begs her to stay, she says that he has to go, even though she obviously doesn’t want him to do so. Jonathan leaves with a broken and confused heart.
Shortly before dawn the next morning Jonathan is awakened by a terrible scream. He looks out the window and sees nothing, but when Ezra and Rachel come downstairs Ezra says that Jane is gone. They search high and low and can’t find her, and after hours of looking Jonathan goes to the well to get some water… but the bucket is VERY heavy. He calls to Ezra to help him pull up the bucket, and when they do Jane’s body is sitting in it, drowned.
Jonathan is all in on the curse business now. And it suddenly occurs to him that Delilah’s sadness and insistence on leaving might have something to do with all of this. He and Rachel rush to her house, and he confronts her. Delilah tells him that she is, in fact, a Goode. She says that she and her father changed their name after they were run out of Wickham after they were blamed for the plague. She said that she hadn’t believed in the curse and that when he hadn’t either she thought that it really couldn’t be true, but now she thinks that it is. She tells him that there’s only one way to end it: a Goode and a Fier have to get married. Jonathan says that he’s in love with her so that’s not a problem, and even Rachel, who has been indoctrinated by Ezra her whole life, is on board! Delilah says she’s worried the curse will try and stop their wedding, but Jonathan says they can just get married today! WHAT COULD POSSIBLY GO WRONG!?
So Jonathan and Delilah rush to the church and Reverend Wilson is going to marry them, but before they can finish the ceremony Ezra bursts in with his rifle. Rachel, carrying the “Fier Narc Trait” says that she told him because he MADE her, and girl? How hard is it to make up some LIE?! Ezra says that all Goodes must die, and raises his rifle. Jonathan lunges at him, and they fight over it, but it goes off, and it shoots Delilah! Ezra then points the rifle at Reverend Wilson, and repeats that ‘all Goodes must die’, but then Wilson drops a huge bombshells: THEY AREN’T ACTUALLY GOODES. He told Delilah to lie to Jonathan because the curse is infamous and they are poor while the Fiers are rich. He convinced her to lure Jane out of the house at night to make her think it was Abigail, but they never intended for her to fall in the well. Delilah felt awful about everything. Jonathan said he’d marry her anyway, whether she was a Goode or not. Ezra starts to have a nervous breakdown, and runs out of the church in a frenzy, and is promptly trampled by a horse. Before he dies he gives Jonathan the amulet and tells him to avenge his death… But Jonathan swears that he is stopping the feud now. When he eventually buries Ezra’s body, he buries the pendant with him.
BUT NORA TELLS US THAT IT DOESN’T STOP THERE!
Me as I realized that there was still a fair amount of book left (source)
It took one hundred years, but yes, there’s more.
Flash forward to 1843, still Western Massachusetts. A teenager named Elizabeth Fier is in her backyard digging up the ground for a new planting project, when she finds a rusty metal box. She digs around the dust (IT’S CREMAINS, ELIZABETH!!!) and finds a pretty silver amulet. She doesn’t know what the words ‘dominatio per malum’ mean, but perhaps her brother Simon would know. She joins her family for dinner, which includes brother Simon, sister Kate (oh gosh), father Samuel, and mother Katherine, who tells her to go wash her hands (thank GOODNESS). Elizabeth shows them all the necklace as they eat, but then she has a vision of the dining room being engulfed by flames. But since the vision stops and nothing else happens, Elizabeth plum forgets about it!
Several weeks later, there is a knock on the door around dinner time. Elizabeth answers, and sees a dirty and malnourished looking man on the stoop. He looks at her necklace, an then says that he needs help. He’s hungry, and will gladly work for food. Mr. Fier tells the man that they have plenty of food to go around, and invites him in. Generous, but not something I’d have done! You have no idea who this guy is! Eventually as he’s eating he says his name is Franklin, and after he lost his family and the farm he’s been wandering around picking up odd jobs. He says that after he eats they should give him a task, but they say that they have no work to be done but instead offer him a bath. Elizabeth watches him start to undress, and even though he’s described as skeletal and thin he somehow still has enough muscle mass in his back that they ‘ripple’. Elizabeth rushes off. When he joins them in the parlor after his bath, Elizabeth realizes that he’s SUPER cute. But little do the Fiers know that Franklin is deliberately trying to gain their confidence and trust, and then he will turn on them all and they will pay for the pain that his family had to endure at their hands. Because his name is Franklin GOODE!
The Fiers insist that he stay, and Elizabeth is totally smitten with him.
Elizabeth spends time with Franklin the next day and they go for a walk. She takes him up to a spot where she used to play with Kate and Simon when they were kids, and confides in him about a strange old woman with a cane who scared them back then. People called her Old Aggie and it was rumored that she was a witch. Franklin asks where she got her necklace, and she says she found it. He says that he hopes that it can keep her safe from harm, and she’s certain he’s in love with her just as she is with him.
At dinner that night Franklin continues to charm the Fiers. They ask him what happened to his family, and he tells them that they all died one by one, though no one could figure out why. He said that no one would take him in lest he be a carrier for a mysterious illness, and that he’s worried that the curse will strike him dead too. Elizabeth feels so bad for him, but notices that Kate, too, is looking at him with pity. Which makes her SUPER jealous. In the parlor Elizabeth asks Kate what her deal is, and Kate says that she likes Franklin like everyone else, and so what? Franklin watches the awkward exchange and is happy his plan is working.
The next day Franklin and Elizabeth go for a walk, and they sit down at the same place that she brought him to from her childhood. He tugs the ribbon out of her hair, and she is excited to see what he’s going to do. She isn’t at all suspicious when he loops it around her neck. In FACT, she’s excited to see what he’ll do next because this is clearly normal courting behavior! He’s about the strangle her, but then Old Aggie hobbles out of the woods. Elizabeth panics and jumps up, foiling Franklin’s plan and dragging him out of the woods and back towards home. She apologizes for ruining their perfect(!!!!) afternoon, and he says nothing. They go inside and find Kate cooking some soup. When she sees them (and Elizabeth’s hair rumpled and UNDONE), she runs out of the kitchen. Elizabeth thinks that’s odd, but Franklin says she’s probably fine.
A few weeks later Elizabeth is waiting for Franklin to come find her, and decides to work on her knitting to pass the time. She hears the door thinking it’s Franklin, but instead it’s Kate. And she has interesting news. She and Franklin are getting married!!! The entire family gathers in the parlor to hear the good news, but then Elizabeth starts screaming that SHE loves Franklin and he loves her, and that Kate stole him from her! Kate is confused, and Elizabeth runs out of the house determined to find Franklin. Kate follows after her. Mr. and Mrs. Fier tell Simon to follow and see what is going on. He goes into the woods and hears his sisters voices, but then hears a horrible scream. He runs to the clearing where they used to play, and finds something horrible: Kate is sprawled on one of the big rocks, and she’s dead, with a knitting needle in her heart!
In the parlor Elizabeth is muttering to herself that Kate was a liar and that Franklin loves her, but when her parents look at her in abject horror she is like “WHY DO YOU THINK I DID THIS?!” Well, maybe because you’re more concerned about Franklin being your boyfriend rather than your sister being found murdered with YOUR KNITTING? When she and Franklin are alone he tells her that HE believes her, and knows that Kate must have killed herself because she was obviously unstable. After all, he NEVER said that he wanted to marry her, Kate was deluded, and he and Elizabeth should elope straight away. She says that she’d love to marry him! Franklin thinks about how he killed Kate, and how this is all going according to plan.
Simon has to get away from his grieving parents and his batty younger sister, so he goes for a walk in the woods. He finds himself back at the scene of the crime, and thinks about the evil that killed his sister. He also muses that there is evil inside of him as well, he feels it, and clunky exposition much? Someone grabs his arm, and he turns around and it’s Aggie. She takes his hand and tells him that Franklin Goode killed Kate and is going to kill Elizabeth. She says that ‘fire’ is in the Fier name, and that is how they’ll all come to an end, and ALSO tells him about the curse that the Goodes cast because of the Fier’s evil deeds. She gives him a dagger with a poison tip and tells him that this will stop Franklin, but to be careful as it only works once. He says that he will be, and runs back home.
And when he gets home it’s a mess. Franklin has murdered Mr. and Mrs. Fier with an axe and he’s threatening Elizabeth! He tells Simon that he’s the last of the Goodes and he’s going to destroy the Fiers. They start to scuffle, and even though Simon does stab Franklin with the dagger it doesn’t seem to work. Franklin is about to hack Elizabeth, but then the poison DOES work after all and he falls down dead. Simon and Elizabeth hug, but instead of being like ‘whoa, that guy was totally nuts but that’s behind us’, Simon starts to think about how goodness never did anyone any good and that being evil is the way to go. Elizabeth gives him the silver amulet and says that it must have protected her, and that he should have it so that HE can have the power. HOW ARE YOU COMING TO THESE CONCLUSIONS?! WHY DO YOU THINK HE DESERVES ANY POWER MORE THAN YOU DO?! Simon vows that he won’t let his family die in flames, and that obviously to break that prophecy is to change his name. The Goodes are dead, the curse (that he JUST learned about not twenty minutes before and has no reason to think is real) has lifted, and he’s going to change his name to FEAR.
And Nora tells us that, given that she’s a Goode, the story is far from over. TO BE CONTINUED.
Body Count: 8! And along with that an entire town of people!
Romance Rating: I GUESS I’m going to give it a 5, since Delilah did love Jonathan, even if she lied to him and was complicit in his mother’s death. Until her father manipulated her they went well together.
Bonkers Rating: 7. Not as crazy as “The Betrayal”, but that murder spree at the end and murderous child ghosts showed just how over the top it could be.
Fear Street Relevance: 10 again! We’re getting all the dish on the Fear family, after all!
Silliest End of Chapter Cliffhanger:
“I will become your sisters’ only hope. Then I will watch them die, one by one. Frank slid his queen across the board. ‘Checkmate,’ he said, grinning.”
Oh, a chess metaphor, HOW ORIGINAL.
That’s So Dated! Moments: Again, as this is historical fiction that doesn’t really apply.
Best Quote:
“”The letters in your name – they can be rearranged to spell ‘fire’. Fier. Fire. Fier. Fire.'”
Yeah, we, uh, we get it.
Conclusion: “The Secret” was a little more haphazard than “The Betrayal”, but overall it bridged the time periods well, as the final book will no doubt cover Simon Fear and all of his bullshit. Cannot WAIT to see how that goes. Up next for our very final “Fear Street” book (for the foreseeable future) is “The Burning!
Publishing Info: Houghton Mifflin Harcourt, April 2012
Where Did I Get this Book: audiobook from the library!
Book Description: Seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where the sisters still serve the gods of old. Here she learns that the god of Death Himself has blessed her with dangerous gifts—and a violent destiny. If she chooses to stay at the convent, she will be trained as an assassin and serve as a handmaiden to Death. To claim her new life, she must destroy the lives of others.
Ismae’s most important assignment takes her straight into the high court of Brittany—where she finds herself woefully under prepared—not only for the deadly games of intrigue and treason, but for the impossible choices she must make. For how can she deliver Death’s vengeance upon a target who, against her will, has stolen her heart?
Review: Our bookclub theme this go-around is books that have been on our TBR list for over two years. And there are a lot. My lists is somewhere in the mid-300s though, so cut me some slack! But while going through it, I tried to match up a few titles with ones that are currently available at the library in audiobook format and I struck across “Grave Mercy” and thought “Why not? Killer nuns sounds pretty neat.” And here we are. Sadly, killer nuns were not, in fact neat. But one could argue that the story wasn’t really about that anyways, so some other author could still cash in on what sounds like a cool idea.
Just as Ismae’s life is taking a distinct turn for the worst (an arranged marriage, said husband being an abusive jerk, etc. etc.), she’s caught up by a mysterious organization., a convent that follows an old god, one who calls upon his followers to take out evil in the world. The convents train in these deadly arts to carry out this work. With a new route before her, Ismae excels in her new life and role. But when the straight-forward plan of killing targets gets caught up in a much more murky world of courtly politics, Ismae finds herself out of her depth. Add in some romantic feelings, and she’s in a real mess.
To start with any pros, the best thing this book has going for it is the cool premise. I was excited to pick up this book, as assassins always seem like they would be good for an action-packed story full of potentially interesting moral quandaries. Unfortunately, the book itself fails to follow through on this premise, so even that is a pretty luke warm pro.
My biggest problem with this book comes down to the writing itself, both the style of sentences construction as well as the numerous plotting issues. I’m not personally a fan of first person present tense writing, and this one definitely falls prey to the weaknesses of this tense. The voice is often wooden and off-putting. Her emotions are conveyed using a handful of cliches that do nothing to really show us Ismae’s feelings, rather just informing us of them, as a matter of fact. I’m not sure I would have loved the character of Ismae had she been presented in another way, but this definitely didn’t help.
The other big problem with the writing is the way numerous writing crutches are used. The story opens with Ismae’s abusive first day of married life, quickly moves on to her being taken in by the convent and informed, succinctly, of their role in the world. Then two seconds later Ismae’s all on board and we have a time jump. Suddenly, she’s now this badass assassin out on her first mission. It all happens too fast and readers are left to just swallow it all, no questions. There is far too much telling and no showing. We never see Ismae gain any of these so-called skills, and with the introduction of a magical knife that kills with just the barest touch, we’re left wondering why any training is needed at all.
Frankly, it feels as if the author did the barest amount of work in the beginning of her story to get to the part she really wanted to write about. Which, fine. But if that’s your goal, just skip it all together and introduce these pieces of history as the current story plays out. This method would have worked much better and solved several of these problems.
I also struggled with the romance. It’s pretty much just what you would think, so I don’t really need to even bother explaining any of the details. But given Ismae’s early marriage (which, by the way, seems fairly valid and never is addressed again) and the abuse that came with it, I would have hoped for a more nuanced approach to her love story. Instead, we have generic googly eyes at the hawt guy and, again, a long list of cliched descriptions and emotions.
Assassin books are a strange thing for me, now. I feel like I really like them. But when I try to think of examples of books with this theme that I’ve enjoyed, there are really very few. And on the other hand, a rather long list of books with this plot that I’ve absolutely hated. It makes sense: how do you write about something as brutal as assassination without also taking the time to really address the moral issues at the heart of it? Far too many authors simply want the badass points of it all without the latter responsibility to the emotions and decisions behind it. So we end up with books like this, where we’re told that our main character is a badass and then proceed on to a pretty bland love story that is more focused on court politics that assassinations, anyways.
Rating 4: The weak writing really killed this one for me.