Serena’s Review: “A Court of Thorns and Roses”

A Court of Thorns and Roses Book: “A Court of Thorns and Roses” by Sarah J. Maas

Publishing Info: Bloomsbury’s Childrens, May 2015

Where Did I Get this Book: the library!

Book Description from Goodreads: When nineteen-year-old huntress Feyre kills a wolf in the woods, a beast-like creature arrives to demand retribution for it. Dragged to a treacherous magical land she only knows about from legends, Feyre discovers that her captor is not an animal, but Tamlin—one of the lethal, immortal faeries who once ruled their world.

As she dwells on his estate, her feelings for Tamlin transform from icy hostility into a fiery passion that burns through every lie and warning she’s been told about the beautiful, dangerous world of the Fae. But an ancient, wicked shadow grows over the faerie lands, and Feyre must find a way to stop it… or doom Tamlin—and his world—forever.

Review:  Last year our bookclub read “Throne of Glass” by Sarah J. Maas. The series was wildly popular with young adults, so we were diligent and added it to our list. Long story short, I was not a fan. I’ll refrain from getting on my soapbox for that book, but I make no promises that it won’t get pulled out again later in this review! Either way, when I saw that Maas’s next book was going to be a fairytale retelling, and one of my favorites, I decided to give her another go.

Fairytale snob moment: this book is often referred to as a “Beauty and the Beast” retelling. But actually! It is more accurately retells the fairytale “East of the Sun, West of the Moon” (“Beauty and the Beast” is a more recent retelling of this older story) in which a girl is stolen away by a polar bear king, and after failing to save him from his curse (in the traditional version she actually makes things worse), she must travel to an ogre queen’s castle and perform three impossible tasks to rescue her prince. It’s all quite lovely and romantic. I’ve always been particularly fond of this fairytale, especially the fact that it boils down to the prince being a damsel-in-distress who must be saved by the heroic maiden. Fun times!

So, first off, I really liked that aspect of this story. It does follow the fairytale in many ways while also adding its own creative twists. There were large segments in the middle and sections of the end where I was just breezing along enjoying the heck out of the story. Feyre is a great main character. She is flawed, but courageous. Her prejudices against fairies are given the proper amount of time to recede, and her emotional journey is believable. I particularly enjoyed a moment in the book where she has to completely readjust her opinions of her two sisters. In the beginning of the story, they are presented as the typical evil sisters that we are used to seeing in these kind of stories, and I was very disappointed that the book seemed to be going the “other women characters must be bad to make the heroine even more special” route. But, much to my surprise, this gets turned on its head in a way that is very emotionally satisfying.

The love story had the potential to be insta-love, but it was able to just walk that line enough that I bought it in the end. Your own tolerance level for that kind of thing will largely determine how successful this aspect of the story is. Tamlin is your typical hero, not much to say there, really. I honestly liked his companion Lucien much more.

But, as much as I loved parts of this book, I equally hated other parts. It was a very uncomfortable pendulum swing, honestly. I’m going to try to limit my rants, but man, some of the choices made in this book were so frustrating. First, there were small choices, like referring to women as “females,” that were so jarring that I almost put the book down.

enough-internet-dean-winchester-supernatural

What is this decision? What does it add to the story overall to use this type of terminology that is so inherently dehumanizing? I mean, is it as simple as that? Some weird attempt to not use the word “woman” as a way to differentiate them as fairies rather than humans? If so, it doesn’t succeed. Especially when it is paired with another one of my biggest complaints about the book.

This might be a spoiler, but the section I’m going to talk about now ultimately has no affect on the plot, which is actually a large part of the complaint itself. Towards the middle of the book, Maas sets up this whole fairy festival which essentially boils down to Tamlin being “taken over” by magic until he’s a sex-crazed beast who must choose from a line of fairy females to sleep with that night to replenish the kingdom’s magic. It is so awful! Pair this thought with the overuse of the term “female” throughout the book. Maas has essentially lined up a bunch of fairy women, reduced them to “females” with no characteristics other than their function as a sex objects, and had her hero lose his humanity to beast magic, then select one of these women (she has no choice if she’s selected) to breed with. And Maas go further! Having Lucien explain the ritual to Feyre as unpleasant because Tamlin “won’t be gentle.” Umm…so icky. And at the end of the whole bit, there is zero, I repeat ZERO, impact on the ultimate story by having this scene. Other than, maybe, giving Tamlin an excuse to go all “dominant” and bite Feyre on the neck when she wanders out of her room the same night as this festival. Can you say “not worth it” loud enough? Especially since he goes back to being the sweet, caring love interest the reader is used to the very next day and for the remainder of the book. The whole thing is just gross.

premio-liebster-iv-cuartas-partes-veces-fuero-l-slyx1b

And sadly, this type of weird sexual objectification continues towards the end of the story with Feyre herself. I’ve always loved the ending of the original fairytale with the heroine attempting to complete her three impossible tasks. And, again, when this story is sticking to these origins, it’s very strong. I loved the tasks that were set up and Feyre’s struggles with them. So, why?! Why do we need to introduce what I can only assume is going to be the third character in the seemingly required love triangle, Rhys? A character who, even while helping Feyre through the tasks, in the mean time, has her dressed in lingerie each night, has her entire body painted so that he can tell if anyone else touches her, refers to her as his property, and then drugs her with fairy wine so she loses her senses and seductively dances in front of the entire fairy court and sprawls around on his lap. Again, I say, why?! What does any of this add to the story? Maas has already set up the fact that this court is terrible, and that Feyre is suffering getting through these trials. What does it add to have this element?

And, as these books can never just be stand alones, there is going to be a sequel, which this book sets up to strongly feature Rhys. Ugh. And this is where my main problem with this type of love triangle lies. Love option one: a man you’ve grown to love over months of time spent with him, someone who has proven his love to you through self-sacrifice and respect, and a person who you’ve now literally gone through hell to save. Love option two: a man who has, sure, helped you out a time or two, but in repayment has forced you to become his “love slave” essentially for two weeks every month for all eternity, and has dressed you up, drugged you, and humiliated you in front of hundreds of people. Yeah. Those are equal options. How could she ever choose?! It’s obnoxious. And yes, I see the clever Persephone/Hades thing you’re setting up there, Maas. It’s not cute.

i-dont-even-have-time-nonsense

Ok, that was long. All in all, I was more upset by the fact that at times I was thoroughly enjoying this book. Honestly, if you just took out these bits I’ve mentioned you’d have a kickass fairytale retelling that I’d probably be raving about. But these other parts kept hitting like buckets of cold water being repeatedly dumped on my head throughout the story. Very disappointing.

Rating 4: The bad parts were a 1, but the fact that there was so much potential and parts I truly enjoyed, I bumped it up. Sadly, I couldn’t get past these flaws.

Reader’s Advisory:

“A Court of Thorns and Roses” is included in these Goodreads lists: “Best Retellings of Beauty and the Beast”and “Best Books about Faeries.”

Find “A Court of Thorns and Roses” at your library using WorldCat!

Serena’s Review: “Morning Star”

Morning StarBook: “Morning Star” by Pierce Brown

Publishing Info: Del Rey, February 2016

Where Did I Get this Book: The library!

Book Description from Goodreads: Darrow would have lived in peace, but his enemies brought him war. The Gold overlords demanded his obedience, hanged his wife, and enslaved his people. But Darrow is determined to fight back. Risking everything to transform himself and breach Gold society, Darrow has battled to survive the cutthroat rivalries that breed Society’s mightiest warriors, climbed the ranks, and waited patiently to unleash the revolution that will tear the hierarchy apart from within.

Finally, the time has come.

But devotion to honor and hunger for vengeance run deep on both sides. Darrow and his comrades-in-arms face powerful enemies without scruple or mercy. Among them are some Darrow once considered friends. To win, Darrow will need to inspire those shackled in darkness to break their chains, unmake the world their cruel masters have built, and claim a destiny too long denied – and too glorious to surrender.

Unavoidable spoilers for “Red Rising” and “Golden Son.”

Review: This is it! The final book in Pierce Brown’s “Red Rising” trilogy. For me, from past experience with YA trilogies, the last book is what makes or breaks the series. And sadly, more often than not, they fall in the category of “breaks.” I’m looking at you “Allegiant” and “Mockingjay.” But not so with “Morning Star.” It’s good, guys, it’s really good!

happy win excited star trek yes
Yes! Nailed it!

“Morning Star” picks up pretty much where “Golden Son” left off. Darrow has been betrayed and captured by his enemies. Cue pain and suffering. It goes without saying that eventually he is rescued, otherwise there would be no book here, so I don’t think I’m spoiling much by acknowledging that yes, he does eventually escape. But only after his confidence has been shaken. This book is the culmination of Darrow’s journey towards leadership. One of my complaints from “Golden Son” was Darrow’s tendency towards over-confidence and arrogance. In this book he has to re-make himself and discover what it is that he really has to contribute to the uprising. It’s no longer as simple as “Darrow: magical leader fighting guy.” His journey through this book is so incredibly satisfying.

All the right character beats are hit exactly. And moreover, not only do we get more time and character expansion for favorite characters from past books (Sevro, Victra, Mustang) but yes, even more awesome characters are added, like the Queen of the Obsidians. I can’t write this review without dedicating at least a few sentences to my girl, Mustang. This series has come so far from its roots where I was skeptical as to the treatment of the few female characters. In this, Mustang comes into her own as equally important to the success of the revolution as Darrow. They’re the definition of a power couple.

Believe it or not, the world building expands even further in this final book. It’s incredibly impressive how creative, well-thought out, and organized this massive world is. We get to spend time in a variety of new settings and, specifically,  the politics of the Obsidians and Moon Lords are more fully explored.

The most impressive part of this story, for me, is the fact that Brown doesn’t shy away from the harsh realities of a revolution of this nature. Darrow is forced to make heartbreaking compromises and, in the end, his “rising” looks much different than the one he imagined as the idealistic sleeper spy from book one.

My few criticisms of the book: I mentioned in my review for “Golden Son” the odd balance Brown strikes between writing shocking revelations and dealing with the boundaries of a first person narrative. There was some improvement in this area, but ultimately, I still found some of these reveals a bit awkward in the context of how the reader is viewing the story. I’m starting to think that Brown could also make it as a screenwriter given this tendency. There are also several grand speeches (ala “Independence Day” style) throughout the book which are easy to picture going over well in a summer blockbuster. Perhaps a few too many, honestly. However, it is ultimately saved by a couple of self-aware jabs at Darrow’s tendency to speechify which play well for humor’s sake.

Ultimately, I think that Brown nailed the landing on this one. While the end was slightly predictable, Brown’s complex world, engaging characters, and talent for writing fast-paced, exciting action scenes make this book (and series) a must for sci-fi lovers.

Rating 8: Highly enjoyable. Am waiting for the movie announcement to come any day! How could it not?

Reader’s Advisory:

“Morning Star” is included in these Goodreads lists: “Best Science Fiction of the 21st Century” and “Best Grimdark.”

Find “Morning Star” at your library using WorldCat!

Serena’s Rev-Up Review: “Golden Son”

Golden SonIn anticipation of my up-coming review of the recently released “Morning Star,” the final book in Pierce Brown’s “Red Rising” trilogy, I thought I would go ahead and post reviews for the two previous books in the series. Just so we’re all caught up and ready for what promises to be an action-packed conclusion! Here’s my review of the second book in the trilogy.

Book: “Golden Son” by Pierce Brown

Publishing Info: Del Rey, January 2015

Where Did I Get this Book: Bought

Book Description from Goodreads: With shades of “The Hunger Games,” “Ender’s Game,” and “Game of Thrones,” debut author Pierce Brown’s genre-defying epic Red Rising hit the ground running and wasted no time becoming a sensation.

“Golden Son” continues the stunning saga of Darrow, a rebel forged by tragedy, battling to lead his oppressed people to freedom from the overlords of a brutal elitist future built on lies. Now fully embedded among the Gold ruling class, Darrow continues his work to bring down Society from within.

A life-or-death tale of vengeance with an unforgettable hero at its heart.

Inevitable spoilers for “Red Rising.”

Review: Oh, look! Publishers have now added “Game of Thrones” to the list of books this series resembles! Except for space. And a color-based hierarchy. And set in the future of our current world. And a single, first person narrator. Wait…

“Golden Son” starts with a significant jump in time. This was very unexpected. As the series was initially marketed as young adult, it is usually customary for the story to pick up immediately where the previous book left off. However, for this series, I think it really works. “Red Rising” ends with Darrow being fully accepted into the Gold society, triumphant after his overthrow of the battle school system, and moving on to the next level of his training under the tutelage of his nemesis, Nero au Augustus. I suspect that Brown may have caught on to the lessons learned by “Catching Fire:” readers don’t necessarily appreciate “Sequel: Battle School 2.0.” So the decision to skip the majority of Darrow’s time going through this process is not only unexpected but appreciated. We are introduced to a recognizable, but extremely more confident and assertive Darrow who has fully come into his own without needing to experience every growing pain along the way.

The downside of this decision is that readers are immediately plopped into the middle of a very complex story. There are new characters everywhere (this isn’t helped by the use of difficult, Roman-inspired names like “Victra” and “Pliny” who are hard to keep track of). The story is also much more firmly set within a science fiction landscape. While “Red Rising” was considered a science fiction work, the majority of the plot took place on the planet and in an environment that resembled Earth in many ways, advanced technology aside. This story takes place in space with a capital “S.” There are battles between space ships, scenes set on different planets and moons, and space jumps similar to the kind seen in the 2009 remake “Star Trek.” If you were hoping for more sci-fi, Brown delivers.

Darrow remains an interesting protagonist. There are a few times in this book, however, where he makes decisions and acts in a way that, as a reader, you’re just shouting “Darrow, noooo!” It’s like when you’re watching a horror movie and you just know that that character shouldn’t go down into the basement. Why won’t they just listen to good sense? And Mustang? Mustang is the good sense Darrow doesn’t listen to. My concerns from the previous book regarding the use of female characters are addressed here. Mustang continues to be my favorite character, and there are several other female characters introduced who play vital roles to the story. Victra, especially, is a great addition as a scathing, broken Gold who, clearly against her will, befriends Darrow.

One other odd bit: the book is written in such a way that it seems like it would be an effortless translation from page to screen. However, the types of revelations that come naturally to film play oddly within the structure of the book. There is a moment later in the book when a shocking plot point is introduced in a way that feels a bit unnatural. It should, and does, come out of left field for those around Darrow. But we’ve been living in his head for the past 200 pages with no reference to this information, even though facts that tie into it have been mentioned often. So it reads like a great movie reveal. But it’s weird when you’re reading a first person narrative where information should be as known to the reader as it is to the narrator (unless the author is writing an unreliable narrator, but that’s not the case here). The plot point is fun, it’s just the way it’s introduced that feels strange.

“Golden Son” expands Brown’s world in every way. The reader’s understanding of how this society operates and spans a solar system is grown and the political mechanisms at work to sustain such a web are fully explored. A final downside? Cliffhanger alert. But, luckily, “Morning Star” was published early this year, so that’s a relief.

Rating 7: Very good, slightly lower than “Red Rising” due to a challenging balancing act between so many new components and character motivations

Reader’s Advisory:

“Golden Son” is included in these Goodreads lists: “Best Picks: Science Fiction, Fantasy, and Horror Novels of 2015” and “Can’t Wait Sci-Fi/Fantasy of 2015.”

Find “Golden Son” at your library using WorldCat!

Serena’s Rev-Up Review: “Red Rising”

Red RisingIn anticipation of my up-coming review of the recently released “Morning Star,” the final book in Pierce Brown’s “Red Rising” trilogy, I thought I would go ahead and post reviews for the two previous books in the series. Just so we’re all caught up and ready for what promises to be an action-packed conclusion! Here’s my review of the first book in the trilogy.

Book: “Red Rising”

Publishing Info: Del Rey, January 2014

Where Did I Get this Book: Splurge! I bought it.

Book Description from Goodreads: Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations.

But Darrow and his kind have been betrayed. Soon he discovers that humanity already reached the surface generations ago. Vast cities and sprawling parks spread across the planet. Darrow—and Reds like him—are nothing more than slaves to a decadent ruling class.

Inspired by a longing for justice, and driven by the memory of lost love, Darrow sacrifices everything to infiltrate the legendary Institute, a proving ground for the dominant Gold caste, where the next generation of humanity’s overlords struggle for power. He will be forced to compete for his life and the very future of civilization against the best and most brutal of Society’s ruling class. There, he will stop at nothing to bring down his enemies… even if it means he has to become one of them to do so.

Review: This book was marketed as a cross between “The Hunger Games” and “Ender’s Game.” I liked “The Hunger Games” and loved “Ender’s Game,” so I was pretty sold. (Of course, this book also came out during a time when all YA books published that had even a whiff of dystopian influences were marketed as “THE NEXT HUNGER GAMES OMG.” So I was understandably skeptical of this claim.) However, for once, this marketing ploy wasn’t far off and actually followed through with its promise!

This book is fast paced. You meet Darrow, an unambitious family man (yes, he’s also a teenager, but hey, dystopia world!) who is content to live his life as a Helldiver, a risky role where he operates a clawDrill that bores into Mars’ core in an effort to terraform the planet for human life on the surface. Two seconds later, tragedy has struck, he’s been recruited to a rebel organization, and is a sleeper spy caught up in political intrigue within a  tyrannical society that spans the solar system. A society that uses an elaborate death school to identify the leaders in its elite youth. Hence: “Hunger Games in Space!”

The world building is impressive. The combination of a complex hierarchical system based on colors (Blues work in the medical field, Green are tech, etc. with Gold ruling over the lot), plus a sci-fi backdrop on Mars, with many creative uses of technology, leaves the reader constantly wondering what will come next and how these pieces will all fit together. Brown is clearly having a blast with this world, and his appreciation of staple works in the sci fi/fantasy genre  is expressed with a fun smattering of Easter eggs for fans to fish out.

Darrow is also a fantastic protagonist. At one point as I was reading, I started to become concerned that he was going to turn into the typical, hero-journey character that neatly ticks the boxes in his predictable path to becoming the savior of the people. But, luckily, his flaws are highlighted and there are enough wrenches thrown into the plot to defy expectation and keep things interesting.

And his companion, Mustang, is amazing. I want a companion series all about her. My one concern, however, is that in this book she seems to operate as the token “strong woman” character with several other female characters sliding into obscurity. And worse, at one point there comes a bit that strikes too closely to using violence against women purely for shock value. My biggest hope for this series is that it improves in this area.

All in all, I highly enjoyed “Red Rising.” The book is obviously setting up a trilogy but is also enjoyable on its own. Stay tuned for my review of “Golden Son” coming soon.

Rating 8: Very good, fun sci fi read

Reader’s Advisory:

“Red Rising” is included in these Goodreads lists: “Best Science Fiction of the 21st Century” and “YA Novels of 2014.”

Find “Red Rising” at your library using WorldCat!

Bookclub Review: “City of Bones”

City of Bones

We are part of a group of librarian friends who have had an ongoing bookclub running for the last year and a half. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “Books with Movie Adaptations.”

For this blog, we will post a joint review of each book we read for bookclub. We’ll also post the next book coming up in bookclub. So feel free to read along with us or use our book selections and questions in your own bookclub!

Book: “City of Bones” by Cassandra Clare

Publishing Info: Margaret K. McElderry Books, March 2007

Where Did We Get this Book: The library!

Book Description from Goodreads: When fifteen-year-old Clary Fray heads out to the Pandemonium Club in New York City, she hardly expects to witness a murder― much less a murder committed by three teenagers covered with strange tattoos and brandishing bizarre weapons. Then the body disappears into thin air. It’s hard to call the police when the murderers are invisible to everyone else and when there is nothing―not even a smear of blood―to show that a boy has died. Or was he a boy?

This is Clary’s first meeting with the Shadowhunters, warriors dedicated to ridding the earth of demons. It’s also her first encounter with Jace, a Shadowhunter who looks a little like an angel and acts a lot like a jerk. Within twenty-four hours Clary is pulled into Jace’s world with a vengeance, when her mother disappears and Clary herself is attacked by a demon. But why would demons be interested in ordinary mundanes like Clary and her mother? And how did Clary suddenly get the Sight? The Shadowhunters would like to know…

Serena’s Thoughts:

As the professed fantasy-lover on this blog, I feel like it’s a bit unfortunate that this happens to be the first fantasy novel I’ll be reviewing. Ah well! I will blame my bookclub friend who chose this as her selection for bookclub and leave the regret with that.

I approached this book with what can by only described as extreme trepidation. It’s a staple in the YA fantasy genre and one I knew I should be getting around to, even now, many years after its publication. Cassandra Clare is nothing if not prolific with her writing given the number of sequels and prequels she’s rolled out! And, alas, my trepidation was warranted. While I love fantasy and young adult novels, “City of Bones” was not my cup of tea, and by the end I was frankly skimming along.

Positives first! I can definitely see why this book took off the way it did. Clare’s writing is fast-paced, her characters are witty, and the story includes every fantasy angle a reader could ask for. Negatives? The writing is so fast-paced that the story seems frenetic, ALL the characters are eerily similar in their witticisms, and the story includes every fantasy trope there is in the book. Vampires! Werewolves! Zombies! Hidden fantasy world in a major city! Heroine is more than she seems! It was a bit much. Don’t even get me started on the tired love-triangle trope. *sigh*

And, full disclosure, I came into this book having heard about the trials and tribulations of Clare’s fanfiction history. And while I’m not here to delve into that, I read a good amount of Harry Potter fanfiction in my day, and Jace? Jace was fanfiction!Draco. Clary’s connection to Ginny was harder to spot which was only a disservice to Clary, as Ginny is by far a more appealing protagonist. Clary did grow on me towards the end of the novel, but it was a bit too little, too late. And honestly, “Twilight” has forever biased me against a YA novel where the heroine describes herself as “clumsy” within the first 20 pages.

If you haven’t read this book by now and are a completest about YA fantasy series, than purely for the sake of popular relevance, you might want to check this book out. But for me, I won’t be continuing on.

Kate’s Thoughts:

Gosh, I’m not even certain of where to begin with this book. I had heard of it around the time that it first came out, but since back in 2007 I hadn’t really discovered YA Fiction and since it hadn’t really taken off yet as its own industry I wasn’t interested in reading it. But then it was picked for our YA Book Club and I found myself finally about to fill the void that not having read it admittedly left in my YA repertoire. But having gone through it now, I think it probably would have been just fine if that void had not been filled.

My main problem with it is that even though it was probably one of the first series to do the things that it does, coming in almost ten years after it was published made the themes and tropes seem VERY old hat. I can’t say that I was a fan of Clary being not only the point on a love triangle, but also a ‘chosen one’ figure AND incredibly snarky and witty and quirky. These themes are so commonplace now that I can hardly abide them anymore. I do think that there is some potential in this world, however, as I think that the magical system does have a pretty strong foundation. The Shadowhunter mythology is something that does intrigue me. It’s just that the focus is too much on Clary and how special she is when she was convinced that she wasn’t special at all. I liked Jace enough as a character, though knowing that this story is derived from a Harry Potter Fan Fiction that Clare wrote made it all the more clear to me that Jace is really Draco Malfoy, at least what he is seen as within the Harry Potter Fan Fiction Fanon. It’s too bad, because I wanted to see more ‘Jace-ness’, less ‘Draco-ness’.

The most intriguing character to me was Isabella, a female Shadowhunter (apparently such things are rare in this world. Hi, mild sexism, how are you?) who comes from an elite family and is used to all the male attention being on her. So of course she’s going to be threatened by Clary, who is so plain yet all the boys love her. What I liked about Isabella is that she did have glimmers of being pretty interesting, and it was evident that she cared about her cause and those around her. I have nothing bad to say about Isabelle, and I would probably read the entire series if it was about her. I can definitely see why this book could and would appeal to teenage readers, though. I know that when I was a teenage girl living a pretty normal, sometimes stressful, life, I would have loved the idea of having a completely different life, with two hot guys in love with me and a set of special powers to boot. And besides, I’m pretty sure that this book wasn’t written for me. So all in all I can’t fault it too much for being what it is. I just think that it could have been better.

Serena’s Rating 3: Too many YA fantasy tropes, not enough substance

Kate’s Rating 4: Predictable and shallow, but had some merits

Book Club Notes and Questions:

We also watched this movie, per the instructions of this bookclub season’s theme. It was what one would expect. The cinematography was beautiful, it adhered to the plot as much as a movie can within its time frame, and it had many of the same failings as the book did. It also bombed in the theater which is actually a bit of a surprise given the series’ popularity and the fact that most popular YA book-to-movie adaptations have been met with success. Sadly, since a sequel is not in the works, movie-goers will be forever left with…that ending…you know the one I’m talking about…

  1. “City of Bones” came out in 2007, and is nearly ten years old. Given that YA literature has changed so much in that time, do you think that this story would follow a similar path if it were written today? If not, how do you think it would change?
  2. What did you think of the magical world and magical system that Clare created for her series? Did it feel well thought out and complete? Did you want more?
  3. Was Clary a relatable protagonist for you? Did you find it easy to sympathize with her? If not, how could she have been more relatable?
  4. If you have read the book and watched the movie, how do they compare? Were there choices that the movie improved upon? Failures of omission?
  5. This book was influenced by Cassandra Clare’s very popular Harry Potter fanfiction writing. Were there resemblances between this world and the Harry Potter world that were easy to spot? Did it stand well enough on its own?

Reader’s Advisory:

“City of Bones” is included in these Goodreads lists: “All The Great Guys Books Have to Offer”, and “If You Love Harry Potter, Read These!” 

Find “City of Bones” at your library using WorldCat!