Book Description: When Greta Helsing, doctor to the undead, is unexpectedly called to Paris to present at a medical conference, she expects nothing more exciting than professional discourse on zombie reconstructive surgery and skin disease in bogeymen — and hopefully at least one uneventful night at the Opera.
Unfortunately for Greta, Paris happens to be infested with a coven of vampires — and not the civilized kind. If she hopes to survive, Greta must navigate the darkest corners of the City of Lights, the maze of ancient catacombs and mine-tunnels underneath the streets, where there is more to find than simply dead men’s bones.
Review: I loved the brilliantly odd “Strange Practice” and blazed through it in a single summer day last year. So there was no question that I would get my hands on its sequel, “Dreadful Company” as soon as possible. And the quirkiness, strong characters, and unique world-building came through for me again!
Though a doctor to the undead, Greta Helsing’s responsibilities are very similar to those you’d find for any medical professional, up to and including attending conferences and presenting on obscure topics of medical interest. While at such a conference in Paris, however, things go astray when Greta starts noticing strange (but adorable!) little monsters popping up at her hotel room. Where did they come from? Why are they here? What starts out as innocent questions quickly leads Greta down a path that leads to a nasty group of vampires who read a few too many Anne Rice novels for anyone’s tastes. But even this may be just the beginning of a much more serious threat looming over the entire city.
One of the biggest strengths of the first book was its world building and the clever manipulation of classic monsters into new, often very suave, beings. And here that strength is just as evident. In a new city, we are introduced to several new creatures ranging from the adorable well monsters and hair monsters that lurk in Greta’s hotel room to the bigger power players such as a werewolf who has been the guardian of the city for centuries and two undying ghost experts who are just in town to handle a local haunting. They are all expertly crafted and incorporate interesting twists on the traditional lore associated with these types of supernatural creatures.
Of course, the vampire coven itself is one big mockery of many of the tropes found in vampire fiction. You’ve got leather, you’ve got glitter, you’ve got bones used to decorate gothic, blood orgies. And while they serve as menacing villains on their own, half of the fun is enjoying Greta and her friends scathing judgement of the silliness of this group.
Of course, among the new faces, we also have the familiar ones of our favorite vampires, Rutheven and Varney who must come to Paris when they discover that Greta may be in over her head (but is she really, guys? It’s Greta! Girl can get it done!). In the first book, there were several fun asides having to do with the classic vampire fiction which was derived from these two real vampires’ lives. Here, we have even more classic monster tales making an appearance, even if the monsters themselves remain in the shadows. Probably one of the most fun pieces of this story, for me, was watching how these classic tales were worked into the story on hand, and I was particularly thrilled when one in particular became a much larger focus than I had originally thought!
Greta, of course, is her usual excellent self as the heroine of the tale. While this book incorporated even more characters, which meant even more page time that needed to be shared between their stories that twisted in and out of Greta’s own, I still found myself preferring her story specifically. Not only is she a fun character to follow, but it was great seeing her in action in this story, winning over her foes with her competence and sympathy. She may not be up to fighting any battles with supernatural beings, but here she proves why she doesn’t have to.
The story was slower in the beginning, so it did take a bit for me to become fully invested in events. As I said, Greta is sharing the stage not only with the familiar characters from the first book, but with an entirely new cast of characters, friends and foes alike. And while all of their various plot lines tie together neatly in the end, in the beginning it was a bit tough reading some of the slower storylines while wanting to anxiously get back to the action with Greta. It all pays off in the end, however.
For fans of the first book, I definitely recommend continuing with this series! In many ways, it’s even stronger than the first.
Rating 8: A solid second showing proves that the clever concept and compelling characters weren’t a one-off!
“Dreadful Company” is a newer book so isn’t on any relevant lists, but it should be on “Magic Punk.”
Book Description: They are the wild and the broken. The werewolves too damaged to live safely among their own kind. For their own good, they have been exiled to the outskirts of Aspen Creek, Montana. Close enough to the Marrok’s pack to have its support; far enough away to not cause any harm.
With their Alpha out of the country, Charles and Anna are on call when an SOS comes in from the fae mate of one such wildling. Heading into the mountainous wilderness, they interrupt the abduction of the wolf–but can’t stop blood from being shed. Now Charles and Anna must use their skills–his as enforcer, hers as peacemaker–to track down the attackers, reopening a painful chapter in the past that springs from the darkest magic of the witchborn…
Review: This is going to be a really challenging review to write. For one thing, I have read all of the other books in this series, but they were all before Kate and I started this blog, so the progression of my feelings for this particular series isn’t already documented. I’ll try to discuss that a bit in the beginning to lend some context to this review. My feelings are also all tied up because a very small moment in this book has a massive effect on not only this series, but also the Mercy Thompson series which I have been reviewing here. I’m still not even completely certain if my ultimate rating is accurate. So with that super clear and stellar intro, let’s get into it, shall we?
This story takes place directly after the events in the last Mercy Thompson book, thus Bran is still away overseas. This leaves Charles and Anna in charge of managing the pack back home in Montana. All seems well until the some of the more dangerous members of the pack, those so wild that they live removed from the others out in the wilderness, begin to report being pestered and attacked by strangers with powerful magical tools. But how are these strangers even aware of these far and removed wolves and what do they ultimately want?
As I said, I’ve been reading this series right alongside the Mercy Thomspon books, as Briggs seems to release one book from either series almost yearly. I’ve had my up and down moments with the Mercy books, but overall, I’ve always enjoyed her as a character and had a fun time with those books. Not so with this series. For some reason, Anna’s more passive character has never seemed to translate well for me, and combining her with the often stoic and reserved Charles does nothing to add any more energy to the story. What’s worse, I’ve felt that the books previous to this have been pretty light on the action over all, leaving most of the story to be carried by characters alone, something that I never felt either Charles or Anna were up to.
So that’s what makes this story particularly hard. For the most part, action-wise at least, I enjoyed this book way more than I have other entries in the series. Particularly the one that came directly before this, “Dead Heat,” which I barely made it through out of sheer boredom. Here, the action takes off almost immediately and the tension and mystery remains interesting throughout the story. While I still did get to a point where I was over halfway through the book and wondering when the main plot was going to get going, I still had had enough action in smaller moments to keep me on board. I particularly liked the addition of a few new wolves in the half-crazed wildlings that live on the periferary of the Montana pack. One in particular, a crux point for the entire story, had a very compelling back story and new take on how one becomes a werewolf and how ones life prior to this change can affect their life going forward.
I also liked the way witchcraft was brought into this story. There were some new magical weapons that were introduced, and an longer story arc was referenced that I could see continuing to play out in exciting ways in both future books in this series as well as in the Mercy series.
Charles and Anna, too, were fairly strong in this one. While I still don’t enjoy them nearly as much as Adam and Mercy, they were interesting enough here. Anna’s passivity still makes her not the most interesting character, but her unique Omega powers were used in a new way that lent some new depths to her character. We also had some ties to her past that reinforced some of the challenges that she still struggles with. Charles was…Charles. Not much changed there, but oh well.
So, with all of that, I would rate this book on its own around a seven. I probably would have rated most of the other books in this series around a 5 or 6, so a 7 is a marked increase for me in general enjoyment. And yet, as you can see, it has a 4.I really can’t discuss the reason for this drastic drop without spoilers. So for those who still want to read this book, spoiler free, just know that there is a particularly conversation that massively retcons a certain character that has, in my opinion, a dire impact on both this series and, maybe even more so, the Mercy series. But for those want to know, spoilers below!
Apparently, Bran has had romantic feelings for Mercy since forever. And both Charles and Anna, and probably Leah, and pretty much everyone but Mercy (AND THE READERS) have known about this the entire time. I have so many problems with this, let me list the ways:
First and foremost, we have had ZERO indication that this is the case through two entire series made of 14+ books. That’s a whole lot of writing in which this was never referenced in even the slightest way. Every discussion about Bran and Mercy’s relationship has firmly framed it as a father/daughter relationship. Nothing Bran has done or said has indicated anything else. Nothing Mercy has said or thought has indicated anything else. And no other character, even in passing reference, has even hinted that there is a romantic element to all of this. It’s a retcon in the most clear way.
This is hugely upsetting and pretty much ruins Bran’s character. Up to this point, Bran had been one of my favorite characters in the series. He is supremely powerful, but has hidden it successfully for centuries. His love (fatherly!) for and loyalty to Mercy were always touching moments, especially for a character whose own real parents were largely absent from her life. Now he’s a pedophile. There’s just no way around this fact. Bran sent Mercy away from the pack when she was a teenager, fifteen or sixteen I think. He did this to prevent his own son from pursuing a relationship with her, knowing that the age difference and differing motives (Sam just wanting kids who will survive) made it an almost predatory situation for Mercy. She then spent the rest of her growing and adult years removed from Bran and the pack. So what this entire conversation between Charles and Anna sets up is a horrible, pedophilia-based interest from Bran in Mercy. Charles and Anna discuss that Leah’s poor treatment (abusive in its own right) of Mercy was largely due to her own knowledge of Bran’s feelings for Mercy. From what we know, Leah was terrible to Mercy almost always, meaning that Bran had romantic interest in Mercy from when Mercy was a very young child. Even in the best light (which again, doesn’t work with the Leah timeline), Mercy was only 15 when she and Bran were living in the same pack and had a relationship together. 15!!! And he’s thousands of years old!!! And the entire reason he sent her away in the first place was presumably because of his own son’s age (and the child stuff).
This entire thing also puts a horrible spin on Leah’s treatment of Mercy. It was always bad and cast probably the darkest shadow (up to this point) on Bran’s character that he didn’t stop it. Again, Mercy was a child and Leah tormented her to the point where Charles, in this book, admits that he followed Mercy when she was alone to make sure Leah didn’t try anything, hinting that he had legitimate concerns that Leah could do something extreme to Mercy. This book proceeds to try and make Leah a more sympathetic character by setting up this “Bran having feelings for Mercy” thing. As if Leah has some sort of right to be angry AT A CHILD for inspiring wildly inappropriate feelings in her mate, and in some ways Mercy had the bad treatment coming.
Anna, too, is ruined by this, because at one point she says she “understands” Leah and would “feel the same way” had Charles had similar feelings. Anna is supposed to be a character whose empathy and social awareness makes her unique among a species prone to emotional denseness. And this is terrible, to at all relate to essentially a mother who abuses her child (to the point that others fear for the child’s life) because the father has an inappropriate fixation on said child. For Anna to be on the wrong side of this situation, to be casually talking (and smiling!) about it as if no part of it is that big of a deal, other than pack gossip, pretty much ruins what is supposed to be her “super power.”
This is a small thing in the grander scheme of disgustingness that is this entire situation, but we now have almost every male character in this series falling in love with Mercy. It was bad enough before with Samuel and Stephen, but now it’s just gone to a crazy level. As if no man is capable of having a healthy, platonic relationship with her without succumbing to wanting more.
I really can’t say enough about how upsetting this turn of events is. It’s truly going to make it difficult to continue with either series. If taken as fact, it makes Bran a despicable character, a predator in the most base sense, and someone who can only be seen as a villain going forwards. Any interaction between him and Mercy has now retroactively been made cringe worthy to read, and going forward impossible to support. I honestly don’t know how Briggs can fix this or if she even will try. I’ll probably read the next Mercy book just to find out, but I don’t really have any hope for the situation. Other than killing off Bran, I don’t know what can be done. And even that still leaves it very difficult to go back and re-read the other books in the series without feeling incredibly uncomfortable and put off. If I could just tear these pages of dialogue out of the book and pretend I had never read them, I’d be so much happier.
So, that’s my feelings on that. As you can see, I massively downgraded this book because of what is only a short conversation, but one that has dire consequences for this and the Mercy Thompson series as a whole. And it’s too bad, because on its own, I liked this book the best of all the others in this specific series. But if I could, I’d rather have not read it at all and kept my good feelings about Bran and the Mercy Thompson series instead.
Rating 4: Honestly, if you’re a big fan of the Mercy Thompson series, I wouldn’t read this. It does more damage to those books than the good it does for its own series, in the end.
Where Did I Get this Book: audiobook from the library!
Book Description:After a human uprising was brutally put down by the Elders—a primitive and lethal form of the Others—the few cities left under human control are far-flung. And the people within them now know to fear the no-man’s-land beyond their borders—and the darkness…
As some communities struggle to rebuild, Lakeside Courtyard has emerged relatively unscathed, though Simon Wolfgard, its wolf shifter leader, and blood prophet Meg Corbyn must work with the human pack to maintain the fragile peace. But all their efforts are threatened when Lieutenant Montgomery’s shady brother arrives, looking for a free ride and easy pickings.
With the humans on guard against one of their own, tensions rise, drawing the attention of the Elders, who are curious about the effect such an insignificant predator can have on a pack. But Meg knows the dangers, for she has seen in the cards how it will all end—with her standing beside a grave.
Review: GAHHHHH!!!! What is it with the number of series that have failed to stick the landing recently?! (“Recently” being my own recent reading history, mind). I guess I really should be reading the writing on the wall a bit better. Just like the Gemma Doyle series, Bishop’s “The Others” series has slowly, steadily, agonizingly determinedly, been working its way down the sad decline into the land of boredom and “who cares.” That “Etched in Bone” finally lands this decline at the very bottom and adds a nice kick in the butt right at the end for your effort…maybe shouldn’t be surprising.
There will be some spoilers in this review, because I’m definitely talking about the ending for this one!
It’s on the record that I didn’t love “Marked in Flesh,” either. But the one thing that it did deliver was the massive, destructive climax that had been building up between the Humans First and Last movement and the Others for the last several books. Shit went down. Cities were systematically wiped out. And because most of the human characters (other than all the special ones that seemed to live in Lakeside) were truly awful people, there was some sick joy in watching them go.
“Etched in Bone” opens shortly thereafter with the powers-that-be conferring together and still asking their one driving question: “How much Human do we keep?” To determine this, a select few travel to Lakeside to witness this hybrid example of Other/Human life being lived in harmony, all due to the changes brought about by Meg. With the massive damage dealt in the last book, this one had a problem right from the start: is it really credible that any humans would still be holding to these crazy views? Literally thousands of lives have been lost and the Others didn’t even blink an eye. It was hard to buy in the last several books that people could be willfully this stupid, but it got to a point of complete ridiculousness here.
And, as always, the villain character was the worst of it all. It seemed that he was evil purely for evil’s sake, and the fact that anyone would still buy his crazed philosophies after witnessing the prior destruction and knowing the thin knife’s edge that human life as a whole balanced upon was just too big an ask of my imagination.
On top of this all, the previous book also fully cracked the rose-colored lens through which I had been reading this series. It’s no surprise that I (and I believe many fans of these books) have been following the series primarily out of a love and interest in the two main characters, Simon and Meg. As their relationship has floundered (more on that) and more side characters have been introduced, the series’ flaws have begun to show more and more. Specifically, its very stereotypically gendered roles. References to the “female pack” that before were a funny little quirk, now read as supremely uncomfortable in light of the fact that all of the women, aside form a sassy elderly woman character, exist in very narrow confines. None of them are in leadership roles, and their friendships and lives are littered with pitfalls of silliness.
Beyond this, the series’ other main weakness has been a penchant for info-dumpy chapters full of mundane details. In my last review I complained about the pages devoted to stock piling toilet paper, and nothing has changed here. In the first few chapters, we’re already enduring pages and pages full of characters (not even the main ones!) discussing the ins and outs of Lakeside’s economy and trading. It’s just…dull.
And then. AND THEN! Simon and Meg. I knew I was going to be disappointed right from the beginning. In the end of the last book, it seemed that there were a few steps being taken in the right direction. Meg asked Simon to go skinny dipping, very PG skinny dipping of course, but still. But here, in the second chapter of the dang book, we have Simon recounting how that pretty much went nowhere and that, while he was potentially interested in Meg that way, he wasn’t willing to risk there friendship. And then Meg gets her own chapter and what do you know? She thinks the same! And so on and so on. Any progress that readers thought they saw in the last book was immediately walked back, and for the majority of this book, it was business as usual.
Until the end. And what do we get? What do we get for sticking through 5 damn books of packing lists and excruciating infodump conversations? We get one, very brief scene where Meg and Simon agree to try to make something work. And a kiss. IT’S ONE SCENE AT THE END OF THE BOOK!! There is no build up. There is no follow through. No relationship learning and stumbles. Nothing.
Not only do we get absolutely nothing out of this scene, but this same chapter could have been tacked on to the ending of any of the 3 books that came before it and you wouldn’t have noticed. We’ve all been going along trusting that this slow burn relationship was just that, a slow burn relationship. Instead, now, we realize we’ve been tricked the whole time. It wasn’t a slow burn, it was nothing. “Slow burn” implies we are building towards something. This book makes it very clear that either Bishop didn’t know what to do with these characters’ relationship (and hasn’t for the last several books) or never cared to begin with and just tacked it into a series where her main interest was writing about the minute details of the world itself, only to be dismayed by fan reaction and throw in this final scene as some attempt to quell readers.
At this point, anyone who is reading this book has read the ones that came before it. If you did enjoy those, maybe this one won’t be as frustrating for you, as much of the actual plot is lather, rinse, repeat with the conflict between dumb, evil people and the Others who are bizarrely still enamored by Meg (her special snowflake status has reached a peak, if you’re curious). But I have a hard time seeing many longtime fans being satisfied with this conclusion. I know I’m not.
Rating 2: Not only did this book continue to trot out the tired themes of the previous books, it failed to provide any resolution for the one part of the story that had retained any of my interest throughout.
Book Description:Greta Helsing inherited the family’s highly specialized, and highly peculiar, medical practice. In her consulting rooms, Dr. Helsing treats the undead for a host of ills – vocal strain in banshees, arthritis in barrow-wights, and entropy in mummies. Although barely making ends meet, this is just the quiet, supernatural-adjacent life Greta’s been groomed for since childhood.
Until a sect of murderous monks emerges, killing human and undead Londoners alike. As terror takes hold of the city, Greta must use her unusual skills to stop the cult if she hopes to save her practice, and her life.
Review: First off, thanks to Orbit for providing me with an ARC of this book in exchange for a review! I read the description for it, and was pretty much like “Yep, gotta read that!” As a lover of urban fantasy, it’s been a distressing few years recently. Many of my favorite series (“Mercy Thompson” and “Kate Daniels”) are beginning to show their age and are likely (perhaps hopefully) going to wrap up soon. Beyond these, many of my other forays into the genre have yielded middling returns. Either these books stray too closely to tropes already well-established in staple series in the genre to trigger any sense of originality and interest, or…they’re just kind of bland? Not so with “Strange Practice!” Shaw has expertly introduced a new leading lady with a unique perspective on her urban fantasy world and lifestyle, and I was digging it the entire way.
Greta Helsing is a doctor for the strange and unusual, the monstrous and the arcane. It is a family practice after her family decided to turn away from the hunting business and re-focus in on the helping side of things. Right here we have such a unique take on urban fantasy that I was immediately completely sold on. Not only is Greta a great character on her own, but her perspective as a doctor presented readers with an entirely new lens through which to view the supernatural world. How do mummies get by with their rotting bodies? What about sunburns for vampires? Do any of these creatures suffer from mental illnesses? Cuz living forever could have some major psychological implications. Not only was there a plethora of creativity in this area, but Greta remained true to this focus throughout the story, even when the evil monks showed up and the action really got started.
A big frustration of mine with urban fantasy is when the heroes or heroines sillyly jump beyond their own abilities, somehow thinking (and for plot convenience, accurately thinking) that they can play on the same field as magical beings who have million times the magical power as they. Suddenly the author is forced to create loop hole after loop hole to keep their protagonist up and moving instead of simply being hand-swiped away in the first minute. With this in mind, it was refreshing that Greta’s entire perspective on her situation was always rooted firmly in her position as a doctor. Even more so, in that she realizes the unique service she provides to her clients and understands the importance of staying safe, not only for her own sake, but for those who would suffer without access to medical care. As I said, refreshing, and when she does end up in the action (cuz of course, she must), she plays a believable, yet important, role. See?! It is possible to keep your heroine grounded while also staying true to the action of your story!!
Beyond Greta, I was surprised to discover that we had several other point of view characters as well. I always wish there was some way for these book descriptions to hint at this possibility, as it always feels like a bit of a side-swipe to be set up as if the book is from one protagonist’s point of view, and then end up with a handful of others. But alas. With this story, it is of no matter since I thoroughly enjoyed the perspectives these other creatures brought. We had a vampire and a vampyre (the distinction having to do with the type of blood they require), a demon, and even a few chapters from the viewpoint of the nefarious schemers. There was quite a lot of unique world-building and monster “history” that was brought in with all of these characters, and the many other supernatural beings who made appearances.
I particularly liked the tone of the story. Dark, witty, and full of literary allusions that were great fun to spot. There as a nice balance struck between the horror aspects and the vampire-friendship-fluff. On one page there would be murder and mayhem, and on the next, a vampire shopping spree! And never once does the story get swept away by its own concept. It would have been all too easy for the humor of the story to have veered into the silly, but Shaw walks the perfect line. Lastly, the setting of London for this story gave it an extra dash of depth, as, like the city itself, the timeless aspects of these creatures that are steeped in history and meaning must now adapt to exist alongside the speed and change of the modern world.
If you enjoy urban fantasy, and are hankering for a new series to follow, I can’t recommend enough that you check out “Strange Practice!”
Rating 9: An excellent new entry into what was beginning to feel like a tired genre.
Where Did I Get this Book: e-book provided by the author in exchange for an honest review
Book Description: Chosen have walked the earth for time immemorial. Tasia is a very special Chosen. Warned to keep her distance from her brethren, she makes a fateful decision one night to assist an injured Shape-shifter. Suddenly, Tasia finds herself in the cross-hairs of Shifter mercenaries encroaching on San Francisco. Forced out of the shadows, Tasia has little choice but to ally herself with the local Shifter Pack led by a formidable and dangerous Alpha Protector. In the cut-throat world of a Shifter Pack, Tasia must fight to protect her secrets while struggling to negotiate with the enigmatic Alpha who holds his violent Pack together with a ruthless hand on its reins.
Grave danger threatens their world as a powerful wizard exploits an old prophecy to divide the Chosen. When the Pack is asked to investigate the twenty-five year old mystery, Tasia is drawn deeper into a past that risks raising the suspicions of the very Chosen she hides from. As danger closes in on her, Tasia must decide who to trust with the deadly secrets she guards.
Review: I was approached by the author to read and review this book, and after looking over the book description, I decided to give it a go! While urban fantasy isn’t my go-to subgenre in the larger speculative fiction group, there are several series that I have read and enjoyed for a several years now, and this book sounded as if it would fit in well with those! And, for the most part, I wasn’t disappointed by this initial assessment. “The Prophesy” is a solid entry into the urban fantasy realm, if still in need of a bit of tightening up and a few more elements that differentiate it as a unique world.
From my experience, most urban fantasy series live and die by the strength of their main character. Tasia, I am happy to say, held her own very well. Her voice was interesting and the mysteries of her abilities and why she is disguising herself as a lesser being were intriguing strings to follow throughout the book. I will say that this initial set up struck a bit too closely to the Kate Daniels books which are set up with a similar premises (very strong heroine hiding her abilities from the rest of the supernatural world), but as I continued reading I was able to appreciate the unique aspects that the author brought to Tasia and her own story.
I also enjoyed the larger world building and the inclusion of many different supernatural beings with creative names and relationships between the groups. Obviously we spend much more time with the Shifters than any other group, so they stood out as a highlight in the book. At first I was a bit confused about the power structure within this group and how the different Shifters all related to each other. It was clear, however, that the Alpha Protector was the One-Shifter-To-Rule-Them-All, and I liked him as a character very much.
This is a hefty read. The page count is fairly long, especially for urban fantasy which tends towards the shorter page counts for fantasy fiction. But the book is full of action and adventure, so after a bit of a slow start, I was able to fully invest myself in the story and simply enjoy the ride.
There were a few writing mechanics issues that I did struggle with. I, personally, am not a fan of exclamation points in most of my reading. Perhaps in some dialogue, they can work. But they were used a bit too often in the general narration, for my preference, and I found myself being thrown out of the story a bit due to it. And, as I said, there were a few aspects of the story that struck a bit too close to home to general urban fantasy tropes. I very much liked Tasia, but she also felt a bit too familiar to other classic urban fantasy heroines at times. However, this is the beginning of a series, so there is plenty of room left to grow her character and this world even further, lending more distinction to the series as an entry into the genre.
So, in conclusion, this was a solid start to a new urban fantasy series. There were a few parts that I struggled with, but if you’re looking for another dose of urban fantasy action, check out this book!
Rating 7: A good start for a new urban fantasy world if still leaving room for improvement going forward as a series!
Where Did I Get this Book: e-galley from NetGalley
Book Description:Attacked and abducted in her home territory, Mercy finds herself in the clutches of the most powerful vampire in the world, taken as a weapon to use against alpha werewolf Adam and the ruler of the Tri-Cities vampires. In coyote form, Mercy escapes only to find herself without money, without clothing, and alone in the heart of Europe…
Unable to contact Adam and the rest of the pack, Mercy has allies to find and enemies to fight, and she needs to figure out which is which. Ancient powers stir, and Mercy must be her agile best to avoid causing a war between vampires and werewolves, and between werewolves and werewolves. And in the heart of the ancient city of Prague, old ghosts rise…
Review: The tenth book in the Mercy Thompson series sees our intrepid heroine off on her own, kidnapped to another country. While the series is beginning to show its age, I still very much enjoy these characters, and choosing to set the story in a new location added a new dimension to a familiar story.
Mercy Thompson remains my one of two favorite urban fantasy heroines (right up there with Kate Daniels), and, as the series has progressed, she has been the primary draw for my returning to the series. As I mentioned earlier, this is the 10th book, and with a long-running series like this, its not surprising that story arcs can begin to feel familiar and the cast of characters begins to be unmanageably large. Briggs uses a clever trick to side-step both of these issues by setting this book in Europe after Mercy is kidnapped by a powerful Italian vampire. Suddenly we’re in a new location and the cast of characters involved is greatly reduced to only Mercy herself and Adam and the select few others he brings along on his “rescue” mission (the term “rescue” always requires quotes when it comes to Mercy as she is typically as capable of getting herself out of trouble as she is at getting herself into it, though she gets a pass on that last part in this one as her kidnapping was clearly not of her own volition). We’ve had a few other books where we’ve swapped viewpoints between Mercy and Adam, and here that format is utilized once again.
Mercy’s storyline is fairly straight forward. Escape her kidnappers, travel across Europe, somehow land in even more hot water, and learn more about her shapeshifter heritage and how her unique powers to see and talk with ghosts could mean even more than she had previously known. The first bit is pretty par for the course. At this point there really isn’t much tension that can be built around Mercy’s original dilemma. We’ve seen her kidnapped or in the clutches of a much more powerful being one too many times to be really intimidated by this setting, and, smartly, Briggs moves past this fairly quickly.
One of the remaining mysteries in this series is Mercy’s background as a child of Coyote, a powerful Native American spirit, and what gifts this has bestowed upon her. My favorite parts of this story revolved around the added depth that was given to this topic and the introduction of a much more vast and expansive history for Coyote’s influence and work in the greater world. Briggs also introduced a new creature with the Golem of Prague, a powerful being whose mysteries Mercy must unlock to save herself and the city.
Adam’s storyline was much more…political. While I enjoyed seeing a few of my favorite characters back (Stephan has been absent quite a lot in the last several books), it was also disappointing to find that much of his story arc ultimately served very little purpose. The larger dynamics that take place within the vampire seethes worldwide was interesting, but Briggs sets up the Italian vampire lord as one of the most powerful supernatural beings in the world and then…it all kind of comes to nothing? There were a few exciting moments, but much of this arc was taken up with carefully worded negotiations and power plays, but very little action. And in the end, the reader is kind of left wondering what was the point of it all?
There was also a neat twist towards the end that I didn’t see coming. However, it also threw a few things into question. Adam’s perspective makes up half of the story, and we know that he would be informed of this particular secret, but when we’re reading his earlier sections, it reads as if he is unaware of this. I know that this is to keep the reader in the dark, but it doesn’t ring true that Adam would think/act this way knowing the truth that we later find out. When it was revealed, I found it to be very jarring and had to go back and re-read several section to both now further appreciate what was going on and to confirm that yes, it was weird that this was written this way in the first place given Adam’s knowledge of it the whole time. This seems like a small quibble for what was actually a very neat reveal. But I wish there had been a way to neaten it up so that that same fun reveal wasn’t undercut by what had come before.
Ultimately, I very much enjoyed Mercy’s story line, but I was left underwhelmed by Adam’s. I still loved reading chapters from his perspective, but the arc he was given wasn’t strong. For an Alpha werewolf, he was given very little actual action, and the end results of his storyline didn’t feel worth the time it was given throughout the book. In the end, I’m not quite sure why it was even necessary to split this book into two parts. The ending would have needed to be changed, but it feels like very little tweaking would have been necessary to focus this story in on the more interesting arc and do away with the overly extended political maneuvering all together. Especially given that, by the end, things simply felt re-set and I was still left questioning the point of it all.
Rating 6: The original strengths of these books (its main characters) are still going strong, but the series is beginning to fray at the edges.
Book Description:Kate and the former Beast Lord Curran Lennart are finally making their relationship official. But there are some steep obstacles standing in the way of their walk to the altar…
Kate’s father, Roland, has kidnapped the demigod Saiman and is slowly bleeding him dry in his never-ending bid for power. A Witch Oracle has predicted that if Kate marries the man she loves, Atlanta will burn and she will lose him forever. And the only person Kate can ask for help is long dead.
The odds are impossible. The future is grim. But Kate Daniels has never been one to play by the rules…
Review: From all accounts, the Kate Daniels series is set to be a ten book run. And this, the 9th, definitely feels like it is the setup for a grand finale, hitting all the right notes by growing the conflict with Roland, raising the psychological stakes for our heroine, and setting up a clear end game for the story as a whole.
The last few books were a bit middling, if I’m honest. As I said in my last review of this series, with Roland on the scene any other “big bad” feels superficial and like a place-holder whose only purpose is to delay the big eventual show-down between Kate and her father. In this book, we’ve arrived at that show-down. Or, at least, to the initial skirmishes that lead up to it.
For a series that started out fairly firmly rooted in the urban fantasy/romance genre, I feel like the story has really come into its own as a family drama. And what a dysfunctional, all-powerful, ego-maniacal family it is! While Curran still plays his role, his and Kate’s relationship has felt steady and well-defined for some time now. And I really appreciate that after the one stumble with relationship shenanigans a few books ago, Andrews hasn’t felt the need to fiddle with this aspect much. Instead, the focus has shifted to Kate’s growing understanding and relationship (?) with her remaining family, in whatever form they may now be.
Kate’s aunt, the “City Eater,” who was killed off a few books ago makes a refreshing re-appearance. That character was brilliant the first time around, both as a legitimately threatening enemy for Kate, but almost more importantly as another bridge into Kate’s family history. Here, this secondary role is even more strongly focused in upon. Kate is feeling the repercussions of her claim on Atlanta, an action that has triggered a well of power and family ambition. Not only do we get Kate’s aunt back with all of her amazing snark, but we even get to meet whatever remains of Kate’s grandma, a powerful being whom Roland has trapped to serve as an energy source to power his massive prison. There’s a lot of focus on the extensive history of Kate’s family with some beautiful looks back to what their world had been like. These flashes, combined with some quiet moments between Roland and Kate, served to much better flesh out Roland’s character and motivations.
Roland himself was great as always. Here we really begin to see the pay-off of taking this long (several books worth of time) to fully flesh out a villain. Roland is so many things all at once: loving father, murdering sociopath, sympathetic hero, misguided maniac. The reader both despises him, but also understands him. With Kate herself struggling with the “Dark Side,” for lack of a better word, it is easy to see Roland’s own fall from hero to villain. His relationship with Kate is so tragic, and yet Andrews saves the book from melancholy with trademark wit. At one point Roland is both threatening to end Kate while also being offended on her behalf about the “shameful lack of feasting” that is planned for her wedding. It’s lovely.
There are few short mini-adventures in this story, and those were the weaker points for me. They were fun enough and we run into a few interesting new creatures (a spunky pegasus is a high point), but given the added depth that we were seeing in the other parts of the book, these adventures also felt a bit too simplistic.
My only other quibble was with the very end of the story, and it was an event that had been literally prophesied from the very beginning of the book, if not the book before even. And really, this quibble is only a personal choice as *spoiler warning* not typically being a fan of pregnancy storylines in fantasy is purely on me.
All in all, I very much enjoyed this book. It actually might be one of my favorites in the series. The stakes are higher, the personal conflict is greater, the backstory is richer, and the characters have all come into their own.