Tag: 9 Rating

Kate’s Review: “American Vampire: Volume 5”


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Book: “American Vampire: Volume 5” by Scott Snyder, Rafael Albuquerque (Ill.), & Dustin Nguyen (Ill.)

Publication Info: Vertigo, March 2013

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: In the first story, series mainstays Skinner Sweet, Pearl and company return to Hollywood in the ’50s during the Red Scare. In a time where America was on the lookout for the next Communist threat, was the real danger something far more insidious? A major turning point in American Vampire lore begins here!

In the second tale, familiar face and vampire hunter Felicia Book is “retired” from vampire hunting when she gets called back into action to track down and kill the most powerful vampire of all time. The hunt takes our heroes through post-war Europe, behind the Iron Curtain and into the heart of Russia to track this deadly enemy…

Writer Scott Snyder (Batman, Swamp Thing) and artist Rafael Albuquerque bring together even more threads to the complex tapestry that is the world of American Vampire.

Review: When it came time to pick up “American Vampire: Volume 5” for this re-read, I remembered that I liked this volume a lot the first time I read it, but didn’t really remember why. So I was wondering if taking it on again almost ten years later was going to be a different experience, as lord knows I’ve already had some perspective shifts in the first four volumes. But almost immediately upon jumping in I realized that there was a reason I liked this volume so much, and it was pretty evident that was going to be the case once again.

Our first big story is set in 1950s Europe, with Felicia Book and her son Gus (both living more normal lives due to the supposed ‘cure’ for vampirism she got at the end of her last major arc) spending their time in France. When Felicia is approached by her former VMS boss Hobbes asking her to help the group track down a stolen Dracula (yep, THAT Dracula, the long dormant leader of the Carpathian vampires) she gets pulled back into a job she left behind because Gus is now being compelled by the notorious Count. Felicia continues to be my favorite character in this series, and I loved seeing her fight tooth and nail to keep her son safe, while also feeling lots of resentment about being pulled back into the Vassals at behest of her old friend and boss. I also think that Snyder did a good job of bringing in Dracula without making it hokey or, frankly, stupid. It’s certainly not the first time a modern vampire story has brought Dracula into the fold, but it’s a successful way to bring him in because it feels unique but also rooted in the source material, but also doesn’t overwhelm. Watching Felicia, Hobbes, Gus, and other unlikely allies track down Dracula in ways that mirror the way Dracula is tracked down in the original novel is just fun (I especially like the way that they bring in a Renfield character as well as substituting Soviet soldiers for glamored peasantry), and it all leads to a significant shift in Felicia’s and Gus’s storyline. I’m always happy to spend time with Felicia and Gus, and this really puts them at the forefront of their lovely mother/son relationship.

The other big story is back in the U.S. and has Pearl and Skinner (gag) at the forefront, and brings them back to her origins as an American Vampire in Hollywood. Now it’s the 1950s and Hollywood is undergoing the Red Scare, and Pearl and Sweet are recruited to investigate studio execs and other power players who may be harboring vampires. Pearl, however, is also contending with her husband Henry’s coma, as his attack at the end of her last arc has left her worried that she’s going to lose him. The relationship between Pearl and the absolutely sweet and wonderful (but mortal) Henry has been such a mainstay in this series, but time has been aging Henry while Pearl has stayed youthful, and his mortality is oh so very clear right now. I have always loved Pearl and Henry, and as the series has gone on Snyder has subtly addressed the elephant in the room of how she will ultimately have to say goodbye just due to the reality of their situation. I couldn’t give less of a fuck about how Skinner fits into all of this, though I do admit that I DO enjoy seeing a sire and his fledgling team up, especially after she believed she killed him during WWII. On my first read of this I remember really resenting the fact that Skinner is actually kind of tolerable in this arc, but because it’s mostly due to Pearl and their connection I guess I’m going to allow it. That said, he’s still so static and boring in his malevolence. It was just nice seeing Pearl be able to deal with the baggage there at least a little bit, while also revisiting the trauma that started it all back in Hollywood and the cesspit it is. The women continue to be the shining stars of the series, and, like Felicia, Pearl finds herself at a crossroads by the end of this volume. But hers is far more melancholy.

This was the best volume yet. Snyder both brings things to proper ends, but also opens new doors with more possibilities on the horizon. Keep Pearl and Felicia in the spotlight, “American Vampire”. They continue to be amazing in their complexity and resilience.

Rating 9: The strongest volume yet, with many things coming to conclusions and other things just beginning.

Reader’s Advisory:

“American Vampire: Volume 5” is included on the Goodreads lists “Vertigo Titles: Must Read Comic Books A-E”, and “Best Adult Vampire Books”.

Serena’s Review: “The Lies of Locke Lamora”

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Book: “The Lies of Locke Lamora” by Scott Lynch

Publishing Info: Spectra, September 2006

Where Did I Get this Book: audiobook from the library!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: An orphan’s life is harsh—and often short—in the mysterious island city of Camorr. But young Locke Lamora dodges death and slavery, becoming a thief under the tutelage of a gifted con artist. As leader of the band of light-fingered brothers known as the Gentleman Bastards, Locke is soon infamous, fooling even the underworld’s most feared ruler. But in the shadows lurks someone still more ambitious and deadly. Faced with a bloody coup that threatens to destroy everyone and everything that holds meaning in his mercenary life, Locke vows to beat the enemy at his own brutal game—or die trying.

Review: I’ve seen this book popping up on “best of” fantasy lists for quite some time. Likewise, it has been languishing on my TBR list for years now. But, as December is always a really slow time of year for new books, I figured now was the time to get to this one. I also found a very good audiobook version at the library with a narrator who I’ve always enjoyed listening to. I don’t have a lot more to say about the audiobook version in particularly, so I’ll just preface the entire review with a general recommendation to try out this version if you enjoy audiobooks as a whole.

If one can call an orphan “lucky,” Locke Lamora is it. Having escaped the tragic fate of many such children, he grew up under the tutelage of a master con artist and now runs his own gang of thieves and tricksters. So deep are their cons that even the renowned gangster lords who rule the streets are unaware of just how successful Locke’s small band really is. But, in the midst of what should be one of their biggest takes yet, things begin to unravel beneath Locke’s feet. And as the noose slowly tightens, Locke must face his most cunny adversary yet.

This was a really enjoyable read! As I said earlier, the narrator did a fantastic job, his style very much emphasizing the excellent dialogue written for all of the characters. The story plays out in a rather unique way, with a lot of time jumps and such. Which means that as the story continues, we’re slowly piecing together Locke’s life up to this point, how he gained the skills he did, and how he formed the friendships that are at the heart of his existence. However, we also don’t get all of the information. For example, there is a love interest who is repeatedly referenced. But we never see this character, not in the flashbacks and also not in the present. It’s an interesting and bold choice, to have so many references that are just left hanging until the next book. Personally, as this book felt full to the brink as it was, I was fine with this choice. But it could nag at other readers to a certain extent.

There were also interludes between certain chapters which told various stories and histories of this world. I found these to also be very interesting. I’m not sure if the physical book had a map or any sort of glossary, but I would say this was the one area where I struggled with the audiobook version. While all of this extra detail added flavor and texture to the world, very much making it feel like a living, breathing place, I also struggled to keep track of all of the locations and people. This is very much a high fantasy story, and with that comes a whole bunch of new words and names, which added to some of my struggles.

I really enjoyed the story and action found in this book. There were definitely a few shocks and twists, especially around the midway point of the book, that really threw me off of what I had thought was the direction of the story to come. But I also struggled a bit with some of these plot points. This book is going on twenty years old, at this point. Which means there have been a lot of “brilliant thief” books to come out since. And I’ve read a bunch of them. That being the case, I kept having expectations of certain characters and certain plot twists, and kept feeling a bit let down when things resolved in a different way. Like I said, I think this is very much a “me” issue and comes from having read books like this that, in the twenty years since this book was written, have pushed the boundaries on this sort of story. So while much of this is perfectly good and still very enjoyable, there were aspects of it that felt a bit dated, particularly to those who have read books like this before.

Overall, I really enjoyed this book. I would recommend it to most high fantasy readers, especially those who like action-packed stories full of twists and turns.

Rating 9: Witty and clever, much like its titular character, this book is definitely deserving of its placement on many “best of” fantasy lists!

Reader’s Advisory:

“The Lies of Locke Lamora” can be found on these Goodreads lists: Thieves and The anti-hero in fiction.

Kate’s Review: “The Babysitter Lives”

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Book: “The Babysitter Lives” by Stephen Graham Jones

Publishing Info: Simon and Schuster, August 2022

Where Did I Get This Book: I own it.

Where You Can Get This Book: Amazon | Libro.fm

Book Description: When high school senior Charlotte agrees to babysit the Wilbanks twins, she plans to put the six-year-olds to bed early and spend a quiet night studying: the SATs are tomorrow, and checking the Native American/Alaskan Native box on all the forms doesn’t mean jack if you choke on test day.

But tomorrow is also Halloween, and the twins are eager to show off their costumes—Ron is a nurse, in an old-fashioned white skirt-uniform, and Desi has an Authentic Squaw costume, complete with buckskin and feathered headdress. Excitement is in the air.

Charlotte’s last babysitting gig almost ended in tragedy, when her young charge sleepwalked unnoticed into the middle of the street, only to be found unharmed by Charlotte’s mother. Charlotte vows to be extra careful this time. But the house is filled with mysterious noises and secrets that only the twins understand, echoes of horrors that Charlotte gradually realizes took place in the house eleven years ago. Soon Charlotte has to admit that every babysitter’s worst nightmare has come true: they’re not alone in the house.

The Babysitter Lives is a mind-bending haunted house tale from the Jordan Peele of horror literature, Stephen Graham Jones.

Review: I did very little babysitting in high school. I had two families that I did the occasional babysitting job for, and they were family friends so it wasn’t really a ‘business’ relationship. Basically it was guaranteed pizza, soda, and the promise of watching “X Files” in syndication after the kids went to bed with a chunk of change to show for it. But I love a horror story involving a scrappy babysitter, so when I read that Stephen Graham Jones had a new audiobook about that very thing I was very, very excited. The man has already solidified his place as a favorite horror author of mine, and this trope just makes it all the more tantalizing! I went into “The Babysitter Lives” with a unique reading experience from the get go: it’s rare that I do audiobooks these days as I am not in a car nearly as much as I used to be. Because of this, I didn’t devour this book with as much aplomb as I may have a print book. But it’s still Stephen Graham Jones, and he is still a master of strange and entertaining horror stories, so as that was my only option, it was necessary, albeit a change from how I usually enjoy him.

Overall, I enjoyed “The Babysitter Lives”. I love a haunted house story, and Jones is always up to the task of tinkering with a classic trope and making it fresh and deeply unsettling or weird. It’s pretty clear pretty quickly that this isn’t your average haunted house or babysitting in trouble story, and as we follow Charlotte and her charges through a terror filled night things get more and more dire, and the plotting gets more and more compelling. There are a lot of different horror elements at play; a haunted house, shadow doubles, space/maybe time rifts, and some good old fashioned body horror and splatterpunk gore that had me cringing throughout. There were so many what the HELL is going on moments and twists and turns that it felt a bit like whiplash, but we were always grounded in Charlotte and her drive to be a responsible and effective babysitter, especially after a close call involving one of her other charges. She goes through some serious shit as this babysitting job goes on, and Jones really knows how to milk the scares and unease for all they’re worth. While it’s true that I wasn’t the BIGGEST fan of how some things shake out, I definitely get why they have to go the way they do when it comes to the story that Jones is trying to tell.

But the aspect of this book that made this all the more layered was Charlotte herself, whose babysitting duties are well honed and whose characterization makes the tale richer. Charlotte is a driven teenage girl who has dreams for herself, but is always having to deal with perceptions of those around her because of her Indigenous heritage. Whether it is the twins she is caring for who have Indian Halloween costumes, or hints of microaggressions for their parents, or even well meaning but sometimes insensitive girlfriend Murphy, Charlotte has lots of experience having to combat racist bullshit, and unfortunately it’s just another thing she has to fight against during this babysitting job. Jones balances this pointed commentary with other things at hand, so it always flows really well and just feels like another, more realistic horror (along with other aspects I haven’t touched upon here, but let’s just say that as a teenage girl Charlotte also has to protect herself from a more worldly creep than any spectre this house could create) to permeate the narrative and make it all the richer.

And finally, this is an audiobook, and I have found that even the strongest story can be derailed by an audiobook narrator who is lackluster. But we are in very good hands with Isabella Star LeBlanc, who brings all of the characters to life with varied performances, and who builds up tension with her stylistic choices in narration. I don’t do audiobooks as much anymore, but LeBlanc is a narrator who makes me think that perhaps I should carve out more time to do so.

“The Babysitter Lives” is a scary and relentless horror story that turns the haunted house and babysitter slasher tropes on their heads. We are so lucky to have Stephen Graham Jones here in the horror world! He consistently delivers!

Rating 8: Stephen Graham Jones keeps up with the weird and unsettling terror in a book about a badass babysitter!

Reader’s Advisory:

“The Babysitter Lives” isn’t on any Goodreads lists as of now, but it would fit in on “Haunted House Books”.

Serena’s Review: “Gilded”

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Book: “Gilded” by Marissa Meyer

Publishing Info: Feiwel and Friends, November 2021

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Long ago cursed by the god of lies, a poor miller’s daughter has developed a talent for spinning stories that are fantastical and spellbinding and entirely untrue.

Or so everyone believes.

When one of Serilda’s outlandish tales draws the attention of the sinister Erlking and his undead hunters, she finds herself swept away into a grim world where ghouls and phantoms prowl the earth and hollow-eyed ravens track her every move. The king orders Serilda to complete the impossible task of spinning straw into gold, or be killed for telling falsehoods. In her desperation, Serilda unwittingly summons a mysterious boy to her aid. He agrees to help her . . . for a price.

Soon Serilda realizes that there is more than one secret hidden in the castle walls, including an ancient curse that must be broken if she hopes to end the tyranny of the king and his wild hunt forever.

Review: We read “Cinder” for bookclub many (many) years ago, and I remember enjoying it for the most part. Which is why I bewilder myself that I haven’t read any of the rest of the books in that series or by this author! She writes creative fairytale retellings (some times even including science fiction angles!) for heaven’s sake! That sounds right up my alley! Whatever the case, I did request an e-galley of this book back in 2021 when it came out….and again failed to prioritize it. But when I saw that the second one was coming out this fall, I finally decided that enough was enough, so here we finally, finally are.

Serilda is a story-teller at heart, spending her days spinning wonderous tales of magic and danger. Most of the time, however, this propensity for tall-tales is only appreciated by the village children. Indeed, most others see the mysterious wheels of color that mark her eyes and see nothing but trouble, a young woman touched by a god known for lies. Soon enough, however, magic seems to escape from the world of words and Serilda finds herself caught up in a tall tale herself, forced to spin straw into gold (a skill she foolishly claimed during one of her stories) for a cruel Fae king. Luckily for her, she meets a strange young man who does in fact have this skill. But what will he ask for in return?

I have to say, discovering that you’ve been missing out on something awesome has to be one of the few times where you’re almost rewarded for your own delay. I mean, I loved this book and I had the second book already primed and ready to go and got to merrily skip out on the year-long wait that other fans had to put up with! But it also means I’ve just been missing good books for years. I’ll definitely be checking out those other “Cinder” books now, that’s for sure.

This book was a solid fairy-tale retelling, meeting all of the requirements I look for in this sort of book. The plot hits all the major markers that readers are familiar with from the original “Rumpelstiltskin,” but other than these basic points, the world, characters, and story all feel fresh and unique. Obviously, the biggest change is that Gild himself is not the villain but the love interest. This is definitely an example of a “less is more” romance, and I appreciated that the author didn’t abandon her premise to give more page time to this character or the romance in general. Indeed, it proves just how well-written Gild was that I was fully invested in his story and the romance between him and Serilda given we only see him briefly here and there, broken up by large sections of the story that follow only Serilda.

But this choice is even neatly referenced by Serilda herself at times, noting that this is her story and not Gild’s. While the mystery surrounding him and his ability to spin gold is at the heart of much of the story, Serilda’s own motivations and priorities are what drives things: her love for her father, a mother she lost to magic years ago, and to the young children she tells stories to in her village. She was an excellent character in that you can see her making choices that you, as the reader, know will lead to mischief and sorrow, but they also feel true to the character she is. She also never shies away from the fallout of her own decisions, good and bad. She’s an incredibly strong and brave character, and, at times, laugh out loud funny.

But the story was also much darker than I was expecting. The Erkling was a terrifyingly cruel character, his presence seeming to leak off the page and let you viscerally feel the fear that everyone experiences when around him. There were several moments in the story where it felt like the author was going in a certain direction and I thought “oh, she won’t follow through on that, there will be a way out.” Nope! This had all the darkness and grim horror that is often found in classic fairytales where innocence is not a magical shield that protects characters from bad outcomes.

I loved this book. For all that it had dark, sob-worthy moments, I also found the dialogue and inner monologue to be clever and witty, giving the reader a nice reprieve from too much gloom. It does end on a pretty massive cliff hanger, but luckily for me (and anyone else who hasn’t read it yet) the second book in the duology is coming out this month, so there’s not much of a wait there. I definitely recommend this for fairy-tale fantasy readers. It might also fall into the rare “new adult” fantasy genre.

Rating 9: Sooooo good! An excellent fairytale retelling that takes a familiar story and character and remakes them into something entirely new and fresh.

Reader’s Advisory:

“Gilded” can be found on these Goodreads lists: YA Fractured Fairytales/Radical Retellings and YA/NA Fantasy Romance Book Club Nominations.

Serena’s Review: “Poster Girl”

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Book: “Poster Girl” by Veronica Roth

Publishing Info: William Morrow & Company, October 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: WHAT’S RIGHT IS RIGHT.

Sonya Kantor knows this slogan–she lived by it for most of her life. For decades, everyone in the Seattle-Portland megalopolis lived under it, as well as constant surveillance in the form of the Insight, an ocular implant that tracked every word and every action, rewarding or punishing by a rigid moral code set forth by the Delegation.

Then there was a revolution. The Delegation fell. Its most valuable members were locked in the Aperture, a prison on the outskirts of the city. And everyone else, now free from the Insight’s monitoring, went on with their lives.

Sonya, former poster girl for the Delegation, has been imprisoned for ten years when an old enemy comes to her with a deal: find a missing girl who was stolen from her parents by the old regime, and earn her freedom. The path Sonya takes to find the child will lead her through an unfamiliar, crooked post-Delegation world where she finds herself digging deeper into the past–and her family’s dark secrets–than she ever wanted to.

With razor sharp prose, “Poster Girl” is a haunting dystopian mystery that explores the expanding role of surveillance on society–an inescapable reality that we welcome all too easily.

Review: While I wasn’t a big “Divergent” fan (I didn’t even finish the trilogy), I’ve really enjoyed the adult/new adult fiction Veronica Roth has written recently. There’s also no denying that, like Margaret Atwood, Roth has a keen eye for producing dystopian works that can feel all too believable. It’s this sort of believability that truly gives dystopian works their chills, and with this book’s focus on technology and the surveillance state, I knew we’d be deep-diving into some uncomfortable ideas. And sure enough, it was uncomfortable and it was great!

For Sonya, time has stopped. After serving as the face of a regime known as the Delegation, after a revolution overturned society, she and other prominent members of the fallen system are now locked in a prison complex with no hope of rejoining society. But when she’s given the change to earn her freedom tracking down a missing girl, Sonya ventures back out into a world very unlike the one she left a decade before. As she digs into her past as well as her present, Sonya discovers dark truths that reorganize everything she once believed.

As I said earlier, in my opinion what makes a great dystopian story is the ability to create a world and society that is believable, thus all the more horrific. Here, with the creation of a society existing beneath an authoritarian regime that monitors and rewards behavior, the path to this destination is obvious. The Aperture, an implant that is placed in the eye that essentially acts like a smart phone that is even more accessible, is very easy to imagine. The story neatly demonstrates how the ease and functionality of a device like this would have a lot of immediate appeal. We see similar choices being made today; the ease and convenience of smart devices already leave many people unaware of how much of their personal information they are giving up for these creature comforts. The turn of this information then being used against the populace is easy to imagine.

Beyond that, it’s also incredibly easy to see this type of authoritarian system of governance grow into existence. What makes it even more compelling is that some of the rationales behind certain “esteemable” behaviors are easy to understand or agree with. Again, a dangerous slippery slope that is very recognizable. I was also impressed by Roth’s ability to side-step current political positions and parties; it was all too easy to go into it trying to paint both the Delegation and the system that came after it onto our current political parties. But neither fits the other perfectly, so there are no easy conclusions to be had.

Sonya was also an interesting character. She grew up as a “success story” to an oppressive system, largely benefiting from a government that hurt countless others. But we are meeting her ten years after the fact, trapped in a prison compound where she and many others expect to live out their days. Through her eyes, we see how various different individuals and groups have dealt with this shift in power and position. As Sonya ventures back into the world, she’s in a unique position to not only reflect on the world that she grew up in, but in the world that replaced it. Like all revolutions, though they may be replacing a great evil, they aren’t often followed with utopias of their own. She also is forced to confront the decisions that she and her family made and benefited from. I really liked her journey, especially the fact that it felt true to character. Nothing is hand-waved away or excused, but it is ultimately a hopeful story for her.

For this world? I’m not so sure. But I think the not knowing is what is important and what forces the reader to reflect on the messages and themes of the story afterwards. This book definitely touched on a lot of current issues we as a society are grappling with. This is just one direction that someone imagines things could go. But through this lens, we’re invited to do our own critical thinking. I know “critical thinking” isn’t the type of fun, exciting endorsement that often gets people galloping to the nearest bookstore. But it’s also a refreshing, unique read that will stick with you long after you’ve finished the last page.

Rating 9: Uncomfortably believable, this story asks readers to reflect on the nature of technology, surveillance, what we give up for convenience; that right and wrong are not as easy of concepts as we may wish them to be.

Reader’s Advisory:

“Poster Girl” isn’t on any relevant lists but it should be on Adult Dystopia.

Kate’s Review & Giveaway: “Gallows Hill”

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Book: “Gallows Hill” by Darcy Coates

Publishing Info: Poisoned Pen Press, September 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: The Hull family has owned the Gallows Hill Winery for generations, living and working on the beautiful grounds where they grow their famous grapes. Until the night Mr. and Mrs. Hull settle down for the evening…and are dead by morning.

When their daughter, Margot, inherits the family business, she wants nothing to do with it. The winery is valued for its unparalleled produce, but it’s built on a field where hundreds of convicts were once hanged, and the locals whisper morbid rumors. They say the ground is cursed.

It’s been more than a decade since Margot last saw her childhood home. But now that she’s alone in the sprawling, dilapidated building, she begins to believe the curse is more than real―and that she may be the next victim of the house that never rests…

Review: Thank you to NetGalley for sending me and eARC of this novel and thank you to Poisoned Pen Press for sending me a print ARC of this novel!

I can’t believe that Halloween is almost here. While I love Halloween to death, I always get a bit melancholy around the end of October, as it’s my favorite time of year, and when Halloween happens, then it’s over. But fear not! Just because the season is ending, that doesn’t mean that the scares are going to stop on this blog, and let me tell you do I have a doozy of a haunted house story to close out the month with. “Gallows Hill” by Darcy Coates is the second of her novels that I have read, and I went into it with solid anticipation, as I enjoyed “From Below” a great deal. So going from ghost ship to haunted house seemed like a good transition, and hoo boy, I was NOT prepared for this book. This book was SCARY!

One night in particular as I read was filled with anxiety, and I loved it. (source)

In terms of plot and cast of characters, I thought that “Gallows Hill” was well imagined and well presented. I liked Margot, the woman who left the winery as a child with no explanation from her parents for her exile, and who has now returned for the first time, an adult who is inheriting now that her parents have died strange and premature deaths. Coates takes her time in slowly revealing just what is going on with Gallows Hill and the winery, laying out puzzle pieces bit by bit and letting us investigate along with Margot. Everything that seems strange or farfetched has a well thought out explanation, and every character has a part to play. Margot herself is easy to like and easy to relate to, as she discovers what is going on at the same pace the reader does, and I thought that all the pieces came together well, with some solid surprises along with reveals that are perhaps obvious but still weighted with some mystery. Coates makes it easy to invest in every character, which makes the stakes all the higher when creepy things start to turn into the flat out horrifying. And the Gothic setting of an isolated winery with a new owner who has no idea what she is getting into, and what secrets the people around her are keeping from her, fits the sub genre so well while also being a bit unconventional, which was super satisfying for someone who loves a good Gothic horror story.

And let’s talk about scary. This book is SCARY. I absolutely found myself setting my Kindle down in the middle of one particularly scary moment, and told myself ‘I should probably put this down for the night’. But after I went to brush my teeth and get ready for bed, I crawled back into bed and picked it right back up. So obviously it’s also incredibly addictive. Coates really knows how to create a tense moment, and then to ratchet it up about ten times, and the grotesque imagery uneasy history of the horror points, and the isolated and suffocating setting of a country estate haunted by its history is a perfect horror combination. I am not going to go into specifics as it’s far more effective to be surprised. But holy cow, we absolutely get the sense of being stalked and hunted in this moment that I told myself I was walking away. But along with that, Coates doesn’t feel tempted to leave ambiguity open as the story progresses and comes to a close. The end is definitive, and I appreciate that in a time where sometimes horror stories feel a need to leave things open in an effort for a fear of the unknown. Which, fine, if done well. But there is something to be said about committing to a conclusion, and I love that Coates does that.

You can’t do much better than a classic haunted house tale during Halloween, and “Gallows Hill” is a great example of that. I really enjoyed this book and how freaky it was. Darcy Coates is officially a must read horror author for me now, which means I have a lot of back catalog to explore. And I can’t wait.

And wait, there’s more! Given that this is the end of Horrorpalooza 2022, I thought it would be fun to end with a special treat. So I am running a giveaway of a print ARC of this book, that also has Darcy Coates’s signature in the front (thanks again to Mandy Chahal for providing the book!)! The giveaway is open to U.S. residents only and will end on November 3rd.

Enter The Giveaway HERE

And that is the end of Horrorpalooza 2022! I hope that everyone has a fun, safe, and spooky Halloween!

Rating 9: Scary, entertaining, and the perfect Halloween read. If you haven’t tried Darcy Coates yet, start with “Gallows Hill”.

Reader’s Advisory:

“Gallows Hill” is included on the Goodreads list “2022 Gothic”.

Kate’s Review: “Ghost Eaters”

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Book: “Ghost Eaters” by Clay McLeod Chapman

Publishing Info: Quirk Books, September 2022

Where Did I Get This Book: I received a print ARC from the publisher at ALAAC22.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: From the acclaimed author of The Remaking and Whisper Down the Lane, this terrifying supernatural page-turner will make you think twice about opening doors to the unknown.

Erin hasn’t been able to set a single boundary with her charismatic but reckless college ex-boyfriend, Silas. When he asks her to bail him out of rehab—again—she knows she needs to cut him off. But days after he gets out, Silas turns up dead of an overdose in their hometown of Richmond, Virginia, and Erin’s world falls apart.

Then a friend tells her about Ghost, a new drug that allows users to see the dead. Wanna get haunted? he asks. Grieving and desperate for closure with Silas, Erin agrees to a pill-popping “séance.” But the drug has unfathomable side effects—and once you take it, you can never go back.

Review: Thank you to Quirk Books for giving me an ARC of this book at ALAAC22 (and for Clay McLeod Chapman for signing it!)!

I had a few books that were must grabs at ALAAC22, and “Ghost Eaters” by Clay McLeod Chapman was on that list. I had read his book “Whisper Down the Lane”, and while I enjoyed it, it set off a bunch of my rage triggers regarding Satanic Panic, so I was more angry than scared as I read it. But when I read the description of this book there were no rage triggers to be found, which meant that I anticipated a more chill experience as I read it. Which, uh, wasn’t super correct. Was I rage filled as I read this book? No. Was it super terrifying and therefore it wasn’t exactly ‘chill’? Hell yes.

So the hype about this book being super scary? Accurate! I started reading this book in the evening, and once it became clear just how creepy it was going to be I made the decision to set it down and proceed in the morning. Which ended up being a good decision, because holy CATS, the ghosts in this book are SO disturbing and scary. You kind of get the gamut of things. You get shadows in corners. You get slow moving creepers closing in on Erin, our protagonist, and only she can see them as she takes a drug called “Ghost”, which allows her to do so. You get descriptions of rotting corpses, of spewed up ectoplasm, of ghost babies crawling around like feral animals, you get it all, and it really, REALLY messes with you. Chapman doesn’t hold back in the nightmare fuel department, as we travel through Richmond, Virginia with Erin as she starts seeing more and more ghosts after ingesting a drug that has this explicit purpose. The problem is, she just wanted to see ONE ghost in particular, that of Silas, her ex boyfriend who had a huge emotional hold on her and their friend group. So as more and more ghosts close in and she takes more and more Ghost in hopes of it finally being Silas, the tension builds and builds until it snaps, and boy oh BOY does it snap.

But Chapman doesn’t stop at making this a mere super scary ghost story. He also explores some very real world themes and horrors, namely that of addiction and the whitewashing of history. Addiction is probably the more obvious of the two, and while I think there could have been potential for it to come off as hamfisted or after school special-esque, Chapman always makes it feel earnest and super, super disturbing. Erin’s sadness and grief and loss and guilt drives her to try Ghost in hopes of finding closure with Silas, and she almost immediately spirals as the drug not only catches hold instantaneously, it also makes her a beacon for lost spirits that are drawn to her. But we also get a great foundation for why Erin is feeling this way over a man who was, by all accounts as seen in this story, kind of a selfish asshole, and the empathy he draws for her in her actions and also, somewhat, for him, makes it all the sadder and therefore all the scarier. And while she is terrified of the spirits, and the drug itself causes moments that cost her almost everything, she keeps coming back because of her need to see Silas one more time. It is the perfect metaphor for addiction, and while the ghosts are truly and incredibly scary, so is watching Erin completely wreck her life in the course of days, as well as seeing the other Ghost addicts as they spiral all in hopes of seeing a lost loved one again (a woman whose child died of SIDS was especially heartbreaking). Along with that, Chapman raises some GREAT points about ghost stories and folklore and how they have, in many ways, been whitewashed and in some ways romanticized. “Ghost Eaters” takes place in Richmond, a city that has been around a LONG time and has had a lot of blood spilled, a large part due to atrocities committed against Indigenous people and Black people. So many of the ghosts that Erin sees aren’t the wandering war widow or the little white girl from Antebellum times, but those of POC who died in horrific ways because of racism, Colonialism, and genocidal violence. As I was reading this book I kept thinking of “Ghostland” by Colin Dickey, which has this as a running theme, and LO AND BEHOLD this book was mentioned in the acknowledgements. What an awesome topic to tackle, and Champman does it with ease.

“Ghost Eaters” is a must read this Halloween season. Go get it, tear through it, and make sure you have the lights on.

Rating 9: Raw, profoundly disturbing, and genuinely scary, “Ghost Eaters” is a story that not only has some supremely fucked up ghosts, but also takes on themes like addiction, and which people are represented in traditional ghost stories.

Reader’s Advisory:

“Ghost Eaters” is included on the Goodreads list “Horror to Look Forward To in 2022”.

Serena’s Review: “The River of Silver”

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Book: “The River of Silver” by S. A. Chakraborty

Publishing Info: Harper Voyager, October 2022

Where Did I Get this Book: ALA convention!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Bestselling author S. A. Chakraborty’s acclaimed Daevabad Trilogy gets expanded with this new compilation of stories from before, during, and after the events of The City of Brass, The Kingdom of Copper, and The Empire of Gold, all from the perspective of characters both beloved and hated, and even those without a voice in the novels. The River of Silver gathers material both seen and new–including a special coda fans will need to read–making this the perfect complement to those incredible novels.

Now together in one place, these stories of Daevabad enrich a world already teeming with magic and wonder. Explore this magical kingdom, hidden from human eyes. A place where djinn live and thrive, fight and love. A world where princes question their power, and powerful demons can help you…or destroy you.

A prospective new queen joins a court whose lethal history may overwhelm her own political savvy…

An imprisoned royal from a fallen dynasty and a young woman wrenched from her home cross paths in an enchanted garden…

A pair of scouts stumble upon a secret in a cursed winter wood that will turn over their world…

From Manizheh’s first steps towards rebellion to adventures that take place after The Empire of Gold, this is a must-have collection for those who can’t get enough of Nahri, Ali, and Dara and all that unfolded around them.

Previously Reviewed: “City of Brass” and “Kingdom of Copper” and “The Empire of Gold”

Review: This collection was released as an audiobook around a year or so ago, I believe. But I knew if I just stuck it out, it would be released in hardcover as well. What good publisher would turn away the opportunity to cash in on another installation in a beloved fantasy trilogy? I also held off because this was one of those cases where I wondered if it might be difficult to transition between having read the entire first trilogy in print and then to listen to this one as an audiobook. For one thing, I’m sure I was mispronouncing tons of names and words. And with that being the case, I worried that returning to this world a few years after the last book released and listening to a version where some of the words were pronounced differently than the way I (erroneously) had been used to…well, let’s just say the world and the history of this fantasy series has never been the most easy to get straight so I wasn’t about to add another layer! So, lucky me that I was able to nab an early ARC of this at ALA and get on with things!

I’m going to skip my typical paragraph detailing a summary of this book. For one thing, I think the one provided by the publisher is more than enough. And for another, it’s hard to really summarize a collection of stories that are each separate mini stories in and of themselves. This is all the harder when these stories are woven before, between, and after the events of a previously written trilogy that, itself, takes place over a good number of years. There’s a lot of history and time covered in this book and, frankly, it would be impossible for me to summarize it further!

So, first off, this is definitely the kind of collection that must, must, must be read after completely the initial trilogy. There isn’t a single story in this collection that doesn’t touch on characters and histories that were further detailed in that series, and thus would all be completely meaningless to somehow coming at it as a stand-alone.

Second off, I’ll say that this book would probably be appreciated most being read directly after completing the initial trilogy. As I said, those books make up a complicated and rich world and history, and much of that is touched on here. Even just the few years that I’ve had between completing the last book and picking up this one left me feeling like I was having to really work to recall how everything fit together.

But taking this into account, this was a supremely well-done collection of stories. I went in not really know whose stories we were going to hear, when they were going to take place, or anything really. And one after another I found myself surprised and intrigued by the insights into the world and characters we were given. Chakraborty in no way wrote this book as fan service; while there are surely characters everyone wanted to hear more from, there are also a number of characters who were either villains, side characters, or even characters we had only heard about in passing (or not at all).

I really liked the way the book was organized, moving in chronological order from stories taking place before “The City of Brass” until its last few entries that take place after “The Empire of Gold.” In this way, it was easy to slot in these added layers of depth to what I remembered happening in the original trilogy. Even more impressive, some of the early stories helped to lay the groundwork for insights that were going to come from stories later in this very collection. In that way, the book felt like a word in and of itself, rather than just an assortment of long footnotes for the initial trilogy.

If you enjoyed the original Daevabad trilogy, this is an absolute must read. It adds so much depth to the story as a whole, especially some of the characters we only met briefly before who are more fleshed out here. It was also simply a sheer joy to return world and be reminded just how much of a powerhouse Chakraborty is as a writer. She has a new book coming out this spring, and this just made the itch all the stronger to get my hands on it as soon as possible.

Rating 9: A must-read for fans of the original series, this book accomplishes the impossible of not only making those books all the better for the added context but of being a fantastic reading experience in and of itself.

Reader’s Advisory:

“The River of Silver” isn’t on any Goodreads lists, but it should be on Best Fantasy Short Story Collections.

Kate’s Review: “Malice House”

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Book: “Malice House” by Megan Shepherd

Publishing Info: Hyperion Avenue, October 2022

Where Did I Get This Book: I received a print ARC from the publisher at ALAAC22.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Of all the things aspiring artist Haven Marbury expected to find while clearing out her late father’s remote seaside house, Bedtime Stories for Monsters was not on the list. This secret handwritten manuscript is disturbingly different from his Pulitzer-winning works: its interweaving short stories crawl with horrific monsters and enigmatic humans that exist somewhere between this world and the next. The stories unsettle but also entice Haven, practically compelling her to illustrate them while she stays in the house that her father warned her was haunted. Clearly just dementia whispering in his ear . . . right?

Reeling from a failed marriage, Haven hopes an illustrated Bedtime Stories can be the lucrative posthumous father-daughter collaboration she desperately needs to jump-start her art career. However, everyone in the nearby vacation town wants a piece of the manuscript: her father’s obsessive literary salon members, the Ink Drinkers; her mysterious yet charming neighbor, who has a tendency toward three a.m. bonfires; a young barista with a literary forgery business; and of course, whoever keeps trying to break into her house. But when a monstrous creature appears under Haven’s bed right as grisly deaths are reported in the nearby woods, she must race to uncover dark, otherworldly family secrets—completely rewriting everything she ever knew about herself in the process.

From New York Times bestselling author Megan Shepherd comes a complex tale of dark magic, family secrets, and monsters that don’t stay on the page.

Review: Thank you to Hyperion Avenue for giving me an ARC at ALAAC22!

It’s October, everyone, and that means that we are officially at the Most Wonderful Time Of The Year in my book: HALLOWEEN SEASON!!! And that also means that it is once again time for Horrorpalooza, in which my focus is on all horror or horror-esque titles for my blog posts through the end of the month! I’m feeling especially good about Halloween this year, as the whole family is vaxxed up, I have a slew of horror content I’m going to devour this month, and my kid is, through no undue influence of mine, FULLY INTO HALLOWEEN! Oh yeah, I’m READY.

As Betelgeuse says, ‘it’s showtime!’ (source)

And we are kicking off Horrorpalooza 2022 with a title that I have been eagerly awaiting for a long time. I first heard of “Malice House” by Megan Shepherd when Chuck Wendig was tweeting about it in a very positive way. Looking into it, it ticked off a lot of boxes that I love in a book: it’s horror based, it has Gothic elements, and it has a book theme within the narrative. I was super lucky that not only did they have ARCs of it at ALAAC22, but that Megan Shepherd was there signing said ARCs. I let it sit a bit, wanting to get closer to the spooky season before I picked it up, and then once I did, it snared me in almost immediately. It was worth the wait.

“Malice House” is just as much dark fantasy as it is a horror novel, and given that the two genres overlap a fair bit perhaps it’s not so much of a surprise that the combination works well. But Shepherd does a marvelous job of not leaning two much on either genre, while also bringing out the best of them both to create a very suspenseful, scary, and also dreamlike tale of loss, creativity, and the secrets kept within families and from those we love. Haven is our main character, who has returned to her father’s isolated old house after his death, her memories of a strained relationship haunting her as she lives in his famed novelist shadow. Haven is a good mix of deeply complex and somewhat unlikable, but Shepherd gives her the space to be these things without making her feel overdone or cartoonish. We get the sense that she is a bit unreliable, as she hid things from her father before his death, and as she starts to try and make movements regarding the lost manuscript she finds in his home, we start to realize that she’s not the only one with secrets and perhaps darker motivations. From locals who knew her father when he was alive to a mysterious neighbor to a barista who loves her father’s work, Haven has a lot of people who seem to be in her corner, but she soon finds out that, like her, everyone has their secrets. Secrets, isolation, a narrator who may not be reliable, oh how Gothic! And Shepherd really nails that tone.

The horror elements of this book are pretty strong, the dread slowly building up as Haven hears things in the walls, or fixates on tales of the demons that her dementia addled father was seeing as his condition deteriorated. And by the time people around town start dying in gruesome ways that may or may not connect to her father’s books, Haven has already fallen into a nightmare scape where things she thought were hallucinations are perhaps living, breathing threats. The various villains range from pretty run of the mill creature feature fare (a hellhound, a weird lobsterlike creature called ‘Pinchie‘), to far more sinister characters that really got under my skin (no spoilers here, but on in particular known as “Uncle Arnold” is not going to leave me any time soon). And that is what I loved the most about “Malice House”; it is not only a creepy and dreamlike supernatural tale, it is also a story about the power of art, and creativity, and how artistic creations can take on lives of their own that can stun even the creator. And sure, this is probably happening in the worst way imaginable in this book, but I thought it was a really, really nifty facet of this horror story that made me love it all the more.

“Malice House” absolutely lived up to my expectations. The ARC I have mentions that this is the first in a series, though I haven’t seen much additional information about that possibility. If it is, though, I am absolutely aching to see where Megan Shepherd takes Haven and the creatures of Malice House next.

Rating 9: Dark, unnerving, and a love letter to the power that art and stories can have, “Malice House” is a fun and chilling dark fantasy horror tale.

Reader’s Advisory:

“Malice House” isn’t included on any Goodreads lists yet, but I think it would fit in on “Modern Gothic”.

Serena’s Review: “Spells for Forgetting”

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Book: “Spells for Forgetting” by Adrienne Young

Publishing Info: Delacorte Press, September 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: A deeply atmospheric story about ancestral magic, an unsolved murder, and a second chance at true love.

Emery Blackwood’s life changed forever the night her best friend was found dead and the love of her life, August Salt, was accused of murdering her. Years later, she is doing what her teenage self swore she never would: living a quiet existence on the misty, remote shores of Saoirse Island and running the family’s business, Blackwood’s Tea Shoppe Herbal Tonics & Tea Leaf Readings.

But when the island, rooted in folklore and magic, begins to show signs of strange happenings, Emery knows that something is coming. The morning she wakes to find that every single tree on Saoirse has turned color in a single night, August returns for the first time in fourteen years and unearths the past that the town has tried desperately to forget.

August knows he is not welcome on Saiorse, not after the night everything changed. As a fire raged on at the Salt family orchard, Lily Morgan was found dead in the dark woods, shaking the bedrock of their tight-knit community and branding August a murderer. When he returns to bury his mother’s ashes, he must confront the people who turned their backs on him and face the one wound from his past that has never healed—Emery.

Review: I’ve been a big fan of Adrienne Young from the start. I think I’ve read all of her YA fantasy to date? But I believe this is her first foray into adult fantasy, so I was really excited to see what changes in storytelling we’d see from her in this new target demographic. Some authors can managed the switch back and forth, while others struggle. Given her general high quality of writing, though, I was never really in doubt that we’d get anything other than a success from this book. And low and behold, how right I was!

Two tragedies in one shocking night. A fire in the apple orchard that provides the primary source of tourism to the remote island of Saiorse. And worse, the murder of a teenage girl right on the verge of starting her life. But while these tragedies might be in the past for some, for Emery and August, their lives have never been the same. After being accused of the murder, August is only now returning to his island home after a decade of exile. And while Emery remained on the island, her close connection to her accused boyfriend August has left her dealing with mistrust and sideways glances her entire adult life. But August’s return has forcibly dragged the past into the present, and old forces on the island are beginning to awake again.

A lot of the promotional blurbs for this book mentioned the word “atmospheric” and likened the feel of the story to “Practical Magic.” And I am here to attest to the fact that both of those descriptions are spot on! This is the type of fantasy story where the magic to be found is very mystical, more to be seen in the fluctuations of nature, the small changes of animal behavior. To be enacted by a very few and in very specific, restricted ways. In that way, the magic of this story was mostly to be found in the misty, mysterious island of Saiorse. From the get go, the sense of place was strong in this book. And as the island itself serves as such a backbone to the story that is being built up, this immediate feeling of familiarity and wonder instantly drew me into the book.

But more than just the beaches and forests that make up the island itself, Saiorse is a place with history. And that history was slowly, oh so slowly, unspooled for the reader as the story continued. Outside of our primary two narrators in August and Emery, we would get sporadic chapters from the perspectives of the other side characters who play such an important role not only in the events we are trying to piece together from the past, but in the mystery of the current day. These interwoven lives and each character’s different understanding of their own place in this community added such a level of depth to the story; it was fantastic.

I will say I was able to predict a few of the major twists of the story, which, at times, left me feeling anxious to speed through the book so our main characters could begin to piece things together, too. But I think this instinct to rush undermined the true beauty of the book which was to be found in the slow, ratchetting up of tension and dread. Even guessing a few pieces of the puzzle, there was no escaping the feeling of immanent doom careening towards our main characters. In a similar vein, the romance is a slow burn as well, with Emery and August drifting around each other in ever tightening circles for much of the book before finally coming back together at last. And as tense as that was, waiting for them to get their acts together, their romance was one of the strongest parts of this book for me. I liked what we were given in the present portion of this book, but I also loved the insights into their doomed teenage romance. It’s the kind of teenage relationship that every romantic young girl wishes for and one that even older, married women can still sigh over.

I really enjoyed this book. It only gets marked down from a ten due to some of the pacing issues regarding the reveals of certain mysteries and a couple of questions I had regarding the way the murder wrapped up. I’ve watched a few too many crime dramas to not be suspicious of some of the conclusions that were being reached about what could and couldn’t be actually prosecuted. But crime drama this is not, and once I firmly turned off that portion of my brain, I was able to fully sink into the lovely reading experience that was this book.

Rating 9: Beautiful and heart wrenching, the story revolves around a romance and mystery that draw the reader in and won’t let go until the final moment.

Reader’s Advisory:

“Spells for Forgetting” can be found on this Goodreads list: Spooky Season Reads.