Tag: 9 Rating

Serena’s Review: “One for My Enemy”

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Book: “One for My Enemy” by Olivie Blake

Publishing Info: Tor, April 2023

Where Did I Get this Book: ebook from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: In New York City where we lay our scene, two rival witch families fight to maintain control of their respective criminal ventures. On one side of the conflict are the Antonova sisters, each one beautiful, cunning, and ruthless, and their mother, the elusive supplier of premium intoxicants known only as Baba Yaga. On the other side, the influential Fedorov brothers serve their father, the crime boss known as Koschei the Deathless, whose community extortion ventures dominate the shadows of magical Manhattan.

After twelve years of tenuous coexistence, a change in one family’s interests causes a rift in the existing stalemate. When bad blood brings both families to the precipice of disaster, fate intervenes with a chance encounter, and in the aftershocks of a resurrected conflict, everyone must choose a side. As each of the siblings struggles to stake their claim, fraying loyalties threaten to rot each side from the inside out.

If, that is, the enmity between empires doesn’t destroy them first.

Review : Do you want to hear a first world reader problem with today’s booming SFF publishing industry? Way too often I find myself late to pick up a book by an author who is clearly widely popular and has been for a few years. Such is the case with Olivie Blake. Have I heard of “The Atlas Six” series? Yes. Do I even have a few eARCs of the books in that series on my Kindle now? Also, yes. Have I yet read and reviewed any of those books on the blog? Nope! Alas, there are just too many great books and great authors out there to stay on top of it all! So, instead of committing myself to a series, I thought I’d dip my toes into this author’s work by jumping on the re-release of one of her previously published books, “One for My Enemy,” a Romeo and Juliet retelling.

In the borroughs of New York City, witches and magic are closely monitored by the Council. That is, all except two shadowy and powerful witches: Baba Yaga, who creates powerful, hallucinogenic drugs, and Koschei the Deathless, who operates a shadow organization of favor-doing and debt-calling. Years ago, these two families fell into a dispute, and years later, it continues to play out on the street between the dueling families, each vying for power and control over the underground magical industry. Caught in these ebbs and flows of vengeance and retribution, the children of Baba Yaga and Koschei must decide where their loyalties truly lie and just how much they are willing to sacrifice to this ongoing war.

So, I’ll admit, I was a bit wary when I went into this book purely based on the “Romeo and Juliet” re-telling part. For one thing, I’ve read Chloe Gong’s “Romeo and Juliet”/modern gangster family duology and didn’t really love it. I’m not a “everything has to be rainbows and flowers” reader, but I also struggle to read a story where I’m being asked to become invested in two characters and their love story when I know it’s going to end in tragedy. There has to be more going on to make that feel worth my time, and in Gong’s case, there wasn’t. BUT! I’m happy to say that Blake has somehow caught magic in a bottle here and written a “Romeo and Juliet” story that both feels in-line with the original, but is also totally unique and not a total bummer of a read.

For one thing, there are no exact equivalents to Romeo and Juliet themselves. Indeed, there are two main couples in this book, and at various points throughout the story (some of it even taking place in references to past events), they all swap in and out of the roles of these two characters. There would be scenes and even lines that would directly reference the original play, but then a few pages later, a different character/couple would take on these roles. It was an interesting method that not only felt like a breath of fresh air to a classic story that has been retold countless times, but it also left me guessing as to what was going to come next. Very quickly, I came to understand that my knowledge of how “Romeo and Juliet” plays out in the actual play would give me next to zero hints as to how this story was going to go.

I also really liked the romance itself in this book. All told, there was actually a lot more romance than I has been expecting. It’s clearly an urban fantasy novel, but there were bits of it that read in a very similar manner to a romance novel. Nothing is overly explicit, but the author devotes a decent amount of page time and dialogue to the romantic dynamics and emotional aspects. This is in no way a dig, but it definitely had the rather flowery, dramatic proclamations and inner monologues that one comes to expect from romance novels. I also have to admit that one of the romances was a bit insta-lovey, but honestly, it didn’t bother me here. I think that’s because while the romance plays a big role, the story is equally (if not more!) concerned with the relationships between siblings, and most importantly, between parents and their children. Who would have expected any of that from “Romeo and Juliet??” Definitely not me!

Furthermore, I really liked the way Russian mythology and New York ganger fiction played into this. I’m honestly a bit bewildered by how Blake managed to juggle three very different types of books/genres and still come out with something that feels polished and organic. Baba Yaga and Koschei are both huge characters in Russian folklore with tons of background and fables existing to support them. Beyond that, we also had references to Ivan and other Russian fairytale characters. There were a lot of sly little Easter Eggs dropped here and there for readers who are familiar with those stories.

Overall, “One for My Enemy” was nothing like what I was expecting, and I loved it all the more for that fact. The writing could be a bit flowery and overwrought at times, but other than that quibble, I think this is a superb urban fantasy, especially those looking for a healthy dose of romance and family drama.

Rating 9: Heart-wrenching and sly, this “Romeo and Juliet” re-telling takes the original story and turns it on its head, adding in a healthy dose of Russian folklore and New York gangster fiction. A supreme work of modern fantasy fiction!

Reader’s Advisory:

“One for My Enemy” somehow seems to be on no Goodreads lists currently (how?!) but it should be on Romeo and Juliet Re-Tellings.

Kate’s Review: “Lone Women”

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Book: “Lone Women” by Victor LaValle

Publishing Info: One World, March 2023

Where Did I Get This Book: I received an eARC of this novel from the publisher via NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Blue skies, empty land—and enough room to hide away a horrifying secret. Or is there? Discover a haunting new vision of the American West from the award-winning author of The Changeling.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk is opened, people around her start to disappear…

The year is 1914, and Adelaide is in trouble. Her secret sin killed her parents, and forced her to flee her hometown of Redondo, California, in a hellfire rush, ready to make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will be one of the “lone women” taking advantage of the government’s offer of free land for those who can cultivate it—except that Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing keeping her alive.

Told in Victor LaValle’s signature style, blending historical fiction, shimmering prose, and inventive horror, Lone Women is the gripping story of a woman desperate to bury her past—and a portrait of early twentieth-century America like you’ve never seen.

Review: Thank you to One World for sending me a link to an eARC of this novel on NetGalley!

Rejoice, horror fans, for we are once again blessed with a stunning new horror story by Victor LaValle. It has been awhile since I’ve dived into a LaValle book, and I was very, very stoked when “Lone Women” ended up in my inbox. And I was even MORE thrilled when Book of the Month had it as a choice for March, because I DO LOVE A PRINT COPY OF A GREAT HORROR NOVEL! I had high expectations for this novel, following a Black woman named Adelaide who decides to try and homestead in Montana in the early 20th Century, and who has a mysterious steamer trunk she just needs to keep an eye on and keep closed. Because that premise alone is VERY enticing, and when you throw in LaValle, you know it’s going to be even moreso. This man knows how to craft a well done horror tale with lots of subversions, after all.

I can’t really talk too much about the horror aspects of this novel, as I really don’t want to spoil too much because I do think that part of the appeal is the slow reveal and the surprises that come with it. What I will say is that LaValle has once again taken something that we’ve seen before, but turned it on its head and made it feel fresh, unique, and tragic on top of the scary. Adelaide is running from a violent moment that has changed the course of her life, and she is bringing with her the literal baggage that comes with that violent moment, and we have no clue as to what it is. But what we do know is that she is desperate to keep that baggage contained, whether it is the actual bag that she has brought with her, or the trauma that has been inflicted upon her and her family due to the circumstances that fell upon them all. I loved the slow tension of the trunk with the lock, and I also loved the slow burn horror elements that were more steeped in realism. I was just as nervous of Adelaide when she was surrounded by suspicious people whose motives we had no clue about as I was worried about just what it was that she was lugging around in the trunk. And I REALLY loved what exactly it was what was in said trunk, as it reminded me of a specific story that I had enjoyed at one point, but have turned my back on as of late due to questions of ethical consumption of it. And that’s all I will say.

And I won’t tell so as not to ruin it. (source)

But it is also the very gritty and realistically bleak historical fiction aspects of this book that jump off the page. LaValle weaves together a tapestry of not only the American imperialist ideals of Manifest Destiny, but also the way that the American Government would use this to its own advantage, and how it could appeal to a group of Othered women. Whether it is Adelaide due to her race as well as her horrific burden, or neighbor Grace and her son Sam who are functioning as a single mother and child trying to make it together, or Miss Bertie and Fiona Wong who are not only women of color but also two lesbians who have to hide who they are, the idea of being ‘lone women’ and trying to make a life in isolation, as well as while carrying various secrets that may keep them emotionally isolated, was profound as hell. The grim realities of trying to make it in an unfamiliar place with harsh winters, the danger of being a woman alone with strangers passing through, the way that the haves will try and take advantage of the have nots, all of it feels very real and unromantic takes on the idea of the West. This book absolutely feels like a Western, but it doesn’t make it seem like a charming simpler time you may find in a John Wayne movie. It highlights the misogyny, colonialism, and racism of that ideal. And I loved that.

“Lone Women” is another fantastic novel by Victor LaValle that takes on horror themes and tweaks them to feel more resonant and poignant than one may expect. I always love LaValle’s horror works, and this one is, I think, my favorite of the lot.

Rating 9: Breathtaking horror and gritty historical fiction rolled into one, “Lone Women” shows the tenacity of outsider women with secrets, some of which are otherworldly.

Reader’s Advisory:

“Lone Women” is included on the Goodreads lists “The Best Historical Horror Novels”, and “Horror to Look Forward To in 2023”.

Kate’s Review: “Lore Olympus: Volume 2”


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Book: “Lore Olympus: Volume 2” by Rachel Smythe

Publishing Info: Del Rey, July 2022

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Persephone was ready to start a new life when she left the mortal realm for Olympus. However, she quickly discovered the dark side of her glamorous new home—from the relatively minor gossip threatening her reputation to a realm-shattering violation of her safety by the conceited Apollo—and she’s struggling to find her footing in the fast-moving realm of the gods. Hades is also off-balance, fighting against his burgeoning feelings for the young goddess of spring while maintaining his lonely rule of the Underworld. As the pair are drawn ever closer, they must untangle the twisted webs of their past and present to build toward a new future.

This full-color edition of Smythe’s original Eisner-nominated webcomic Lore Olympus features a brand-new, exclusive short story, and brings Greek mythology into the modern age in a sharply perceptive and romantic graphic novel.

Review: We are back for more Greek Mythology soapy romantic goodness, everybody! It has been awhile since I have had a full blown content obsession, but “Lore Olympus” has really snagged me but good. Greek myths! Humor! A favorite ship! LOTS OF PATHOS! It all comes together in this series and we are starting to parse out the various complications that are facing Persephone, Hades, and more Greek Gods and Goddesses in “Volume Two”. Our star crossed would be lovers, Persephone and Hades, are trying to find their footing after their chance meeting has set them both a little off kilter, and while that could just be a lot of pining and wallowing in angst, Rachel Smythe takes the opportunity to build up more backstory and more characterization, and it is for the better. “Volume Two” is keeping the series going strong. But yes, there is still some lovely Hades angst, and given that I LOVE to be emotionally wrecked by fiction, I say bring it on.

SAD BOYS FOR THE WIIIIIIIN. (source)

One of the most rewarding things about “Lore Olympus” is that Smythe is taking her time to set groundwork, characterizations, and background. We start this volume off with Persephone starting her schooling with her scholarship from The Goddesses of Eternal Maidenhood while silently grappling with the sexual assault she endured at the hands of Apollo. She loves being away from her doting mother’s eyes, but given she’s drawn to Hades she is feeling that perhaps joining TGOEM isn’t what she really wants. Meanwhile, Hades is stewing about his feelings for her and trying to keep his distance, and to make matters worse a tabloid has shown innocuous pictures of them and spinning them to seem scandalous, which threatens Persephone’s reputation. Throw in Hera’s suggestion that Persephone take on an internship in the Underworld (as she secretly wants Hades to be happy and thinks that this would help that), and the two would be lovers are being shoved into some fun forced proximity!

But these very common tropes feel fun and new in this story, and it means that we can carefully explore their budding friendship while also exploring them as individuals who are dealing with a lot of baggage on their own. I thought that Smythe is really careful but also powerful when exploring the aftermath of Persephone’s rape, and does a good job of portraying the shame, the fear, and the apprehension, especially since her abuser is inserting himself in her life vis a vis his clueless sister Artemis, whom Persephone is living with. It’s tackled in a way that feels real, but doesn’t feel melodramatic or exploitative. I’m hoping that it stays that way and isn’t used for man pain or anything like that, but I trust Smythe to continue to be mindful. We also have a lot of other facets to Persephone’s growth as she tries to make sense of what she has been told she wants from life, and what she actually wants from life. There have also been hints about some darkness involving her backstory and her nature, which is VERY interesting to say the least…

Okay now we talk about what I loved most in this book. HECATE IS HERE!!! I’ve talked about how Persephone is my favorite Greek deity, and Hades is definitely number two? Well Hecate, the goddess of witchcraft, is third. I love Hecate. So I was very interested to see how Smythe depicted her, and I was NOT disappointed, as she is Hades’s COO and number two in command, who calls him out on all his nonsense and bullshit while trying to support him in other ways. She is THE BEST, and also very competent at keeping things in the Underworld running. In this the Underworld is a very necessary, non-evil place that has to be run efficiently, and having Hades and Hecate as co-runners feels very Eric and Pam from “True Blood” (without any of the clichéd longing on her part). It’s also really cool to see the depiction of the Underworld here, as we’ve seen the Mortal Realm as fields and vastness, and Olympus as an upperclass city scape. The Underworld feels a bit more hardboiled with a corporate undertone, and I love seeing how it is run, and how the various workers fit in, like Thanatos, who escorts souls to the Underworld, and Minthe the nymph (who just so happens to be in an on again off again/toxic relationship with Hades and she’s also kind of the worst but also seems pretty damaged so she isn’t just a girl to get in the way, HOW REFRESHING!).

And I’m still in love with the artwork. The designs of all these characters are perfection. I mean LOOK AT MY GIRL HECATE!

Source: Random House Worlds

I’m still obsessed with “Lore Olympus”. There isn’t much else to say, I’m head over heels.

Rating 9: Still loving this. What a fresh, soapy, emotional and sometimes hilarious take on Greek Mythology!

Reader’s Advisory:

“Lore Olympus: Volume 2” is included on the Goodreads lists “Greek Mythology Retellings!”, and “Hades and Persephone”.

Previously Reviewed:

Serena’s Review: “Emperor of Ruin”

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Book: “Emperor of Ruin” by Django Wexler

Publishing Info: Orbit, February 2023

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: The last surviving Chosen, Ashok has finally risen up and taken control of The Twilight Order. He promises equality and prosperity, but Gyre and Maya know the truth. Only death follows in Ashok’s wake. To take him down, Gyre will have to unite old allies—from all across The Splinter Kingdoms and the depths of Deepfire. And Maya will have to seek out a legendary weapon hidden in the mountains that could turn the tide in their battle for freedom.

Previously Reviewed: “Ashes of the Sun” and “Blood of the Chosen”

Review: I’ve really been enjoying this trilogy so far. It’s not really a surprise, however, as I’ve been on record as a fan of Wexler’s work for quite some time. But there has also been a lot to like specifically about this series. It’s been a wild romp of a ride with two characters who are both sympathetic and wonderfully flawed individuals. I’ve gone back and forth between loving them both and then wanting to smack them each upside the head. But here we are at last with the final book in the trilogy. Will my beloved, broken, estranged siblings finally get their acts together in time to save the world? Let’s find out!

A Chosen has finally returned to the world and with him comes great change. While many see the return of a fabled god-like being, Gyre and Maya know first-hand that Ashok is no one’s savior. Indeed, his monstrous exterior barely hints at the darkness within. Now, not knowing what horrors Ashok has cooked up over his centuries’ long exile, Maya and Gyre must race to not only piece together the mysteries of the past, but cobble together a resistance that can save their world. But even if they succeed, each most grapple with the fact that the world that emerges will look nothing like the one that will now be left behind. And will there be a place for a mythical thief and revolutionary? Or for a powerful, near-Chosen herself?

So, I’ll just get right to it. I think this was my favorite book of the trilogy! In hindsight, maybe I shouldn’t be surprised by this fact. Thinking back on my reactions to the first books, I realize that many of my minor frustrations dealt with the growing pains through which our two main characters were constantly struggling. They’d each keep coming out with these perspectives that were either incredibly naive or supremely narrow-minded, and, at times, it drove me bonkers! So, is it really any wonder then that when we get to the final book, presumably where our two main characters do in fact get their acts in order and temper their instincts, I’m suddenly all in? And don’t let this say anything about the quality of the first two books. Indeed, without those character moments where Maya and Gyre were frustrating and short-sited, we’d never get the true payoff that we see here when each has to come fully into the roles they have chosen for themselves. Roles that are much more nuanced and full of compromise than their former selves could have ever imagined.

But while my sudden increase in appreciation for these two characters may come as no shock, this trilogy also had a lot of surprises in store that I truly wasn’t suspecting. The end of the second book sets up Ashok as your rather typical “big bad” who will come and lay waste to the world unless the ragtag group of resistance fighters come together and dramatically hold him off. And yes, that all did happen, too. But what surprised me was the addition of a third character perspective that layered on an entire new story on top of the one that I thought we had been developing. When I started this book, I’d have said I had a pretty clear understanding of the history and world that had been developed. All that was left was for the grand confrontation. But nope! There was almost more world-building and history in this book alone than in the first books together, and I gobbled it all up! Truly, there were some excellent surprises and twists that I think will please all fans of this series so far.

I also really liked the use of the ever-growing cast of characters. I particularly liked the role that Kit played. Not only do we see her abilities with her constructs used to their full creative powers, but the character was once again allowed to be a fully-fledged character, instead of only the quippy, raunchy, side-kick she’d kind of become in the second book. There were also a few twists towards the end with her that I was particularly happy about, especially with regards to her complicated relationship with Gyre.

There were, however, a few hiccups in pacing that came in the beginning of the story, I felt. There were a few quests and and extra missions that began to feel…well…extra. Not that they weren’t necessary for getting crucial pieces of information or crucial characters all together, but I did struggle a bit with the pacing in the first half of the book due to these various side stories. But once I got to the halfway mark, things picked up and never stopped until the end.

Overall, I really loved this conclusion to the book. Not only did it follow through on the grand confrontations that had been set-up in the first two books, but it added so many new layers to the world and extra twists to the story that it ended up being the best book in the trilogy. I highly recommend this book to fans of the first two books. And now that the trilogy is done, complete with a stellar conclusion, I can universally recommend the series as a whole to practically all science fiction/fantasy fans, especially those who enjoy lots of action in their stories.

Rating 9: Not content to rest on any laurels, this book rose above and beyond the numerous promises made in the first two books to deliver a conclusion that is as epic and enjoyable as the best SFF out there today!

Reader’s Advisory:

“Emperor of Ruin” isn’t on any Goodreads lists yet, but it should be on Can’t Wait Sci-Fi/Fantasy of 2023.

Kate’s Review: “Don’t Fear the Reaper”

his post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Don’t Fear the Reaper” by Stephen Graham Jones

Publishing Info: Gallery/Saga Press, February 2023

Where Did I Get This Book: I received and eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: December 12th, 2019, Jade returns to the rural lake town of Proofrock the same day as convicted Indigenous serial killer Dark Mill South escapes into town to complete his revenge killings, in this riveting sequel to My Heart Is a Chainsaw from New York Times bestselling author, Stephen Graham Jones.

Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho.

Dark Mill South’s Reunion Tour began on December 12th, 2019, a Thursday.

Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Let me tell you what kind of a human disaster I am. I get so hyped about things that I love, or things that I’m really excited about. But then I get almost bogged down in the anticipation, and if I don’t dive in right away (and if there is a long out deadline or no deadline at all, thanks ADHD), I will probably freeze on it, even if I’m looking forward to it. Enter “Don’t Fear the Reaper” by Stephen Graham Jones, the second book in his Lake Witch Trilogy. I loved “My Heart Is a Chainsaw”, the slasher love letter that had the lovely, funny, and plucky but somewhat tragic Jade Daniels as a protagonist. It was a top 3 read for me in 2021. So when I was approved for “Don’t Fear the Reaper”, I celebrated, overjoyed that I got it…. And then it sat on my Kindle for months. I was so excited I just froze up. I was just so excited I didn’t know what to do with myself. But I did eventually get to it. And my horror loving heart was, once again, blown away by how much Stephen Graham Jones knows this genres, and how well he can make it his own while still paying homage to those who came before. Jade Daniels, I missed you. I’m glad you’re back for more.

You’re doing awesome, Jade!

It’s so good to see Jade again. Though she would prefer to be called Jennifer. In “Don’t Fear the Reaper”, Jade has left prison after having her wrongful conviction in the wake of the “Independence Day Massacre” overturned, and is coming home just wanting to survive and put all of that behind her. Including her love for slashers and the genre. A downtrodden final girl returning in movie two is pretty standard (Sidney Prescott went full morose quasi-Goth for “Scream 2”, after all), and Jade/Jennifer has every reason to be weary given that the system failed her and she’s untrusted by most. Seeing Jade/Jennifer try to suppress her vast knowledge and, in some ways, nature is heartbreaking, and watching her gain more confidence in her knowledge, ability, and destiny is a really satisfying journey for her. And it’s a hoot watching her reunite with Letha, the girl she though was the final girl in “My Heart is a Chainsaw”, and seeing how she, too, has become a horror movie expert in hopes of staying alive. The way they play off each other with this shared passion and knowledge is a treat, and watching them try to piece together their situation as well as the slasher at hand is fun as well as suspenseful. And seeing Letha again, now as a resilient albeit traumatized young mother, was also wonderful. I’m so glad she and Jade/Jennifer got to properly team up.

I could rave about Jade/Jennifer and her amazingness for days. But I also really want to talk about our primary antagonist this time around Dark Mill South. What a perfect idea for a slasher villain (with a little bit of a point to his rage). The origin of his original motive, the Dakota 38 Execution on Boxing Day in Mankato, Minnesota in 1862, is a horrific moment in Minnesota history, and as someone who worked at the historic site Fort Snelling (which served as a prison and the site of a concentration camp for 1000+ Dakota, mostly women, children, and the elderly in the aftermath of the US-Dakota War), I was quite familiar with this moment. I used to teach it to visitors who would come to the Fort, and was almost always saddened/incensed to see that most people were more interested in watching the musket and cannon drills than grappling with some very dark and complex history. I think that for Dark Mill South to be enraged because of this event, and to be revenge killing in the name of it, was a very good literary choice. Lord knows there have been slasher killers who have a point in their rage, that can spill over into a gory conclusion for bystanders, and Dark Mill South feels a lot like that. It adds weight and subverts this ‘he’s not wrong he’s just an asshole’ trope you see in some slasher killers (Jason Voorhees being my favorite of this subtype), as well as subverting other expectations of a named slasher killer. [And if you want more information about the Dakota 38 + 2 and the U.S. Dakota War, the Minnesota Historical Society has some pretty good info, as does Indian Country Today, as does an article about an annual ride to commemorate the prisoners from Minnesota Public Radio. Please read about it. Don’t be like the indifferent visitors I saw every shift.]

And finally, Jones’s reverence for the horror genre, specifically slashers, is once again on full display in this book. There is SO much meta-analysis of the genre, so many references, it’s a true feast for fans of all things horror. I loved seeing the chapter titles, I loved the idea of not only Jade but also now Letha looking to the slashers for guidance, I loved seeing some of my favorites mentioned (Hello “Happy Death Day”!) as well as some not as popular films given a shout out. Jones’s love for slashers is infectious. It’s so fun to hunt for the Easter eggs. And we even have a new voice that is deconstructing slasher tropes between certain chapters. The identity is a secret, so no spoilers here. But I liked that Jones found a way to do it again, even with Jade/Jennifer out of commission. Oh, and there is still a lot of horror movie-esque gore to be had on these pages.

This was well worth the wait. “Don’t Fear the Reaper” is a complex and gory sequel to a complex and gory predecessor, and I now wait on pins and needles to see how Jones brings it all together in the final installment. Long live Jade.

Rating 9: A riveting, scary, and emotional horror tale that both pays homage to and re-writes the rules of slasher stories, “Don’t Fear the Reaper” is a much welcomed return to Proofrock, Idaho, and a wonderful reunion with Jade.

Reader’s Advisory:

“Don’t Fear the Reaper” is included on the Goodreads lists “Slasher Horror Books”, and “Book Riot 2022 #19: Read A Horror Novel by a BIPOC Author”.

Kate’s Review: “One Girl In All The World”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “One Girl In All The World” by Kendare Blake

Publishing Info: Disney Hyperion, January 2023

Where Did I Get This Book: I received an eARC from the publisher via NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Into every generation, a slayer is born. One girl in all the world . . . maybe.

Frankie Rosenberg is the world’s first slayer-witch, but she doesn’t have that slay-life balance figured out just yet. After all, being the newest slayer means that another slayer had to die. Frankie and the Scooby gang are still reeling from the deadly explosion that rocked the annual slayer retreat―and grappling with new evidence that some slayers may have made it out alive. And even though they defeated bloodthirsty vampire the Countess, it doesn’t mean Sunnydale is free from the forces of evil.

Something has reawakened the Hellmouth―and is calling old friends home. Someone is performing demon magic in the shadows, opening portals between dimensions. Everyone has demons to contend with―of the metaphorical and the very real (occasionally very hot) variety. And an oracle warns of a new evil on its way: the Darkness.

Could this be what attacked the slayers? And is it coming for Frankie?

Review: Thank you to Disney Hyperion for sending me an eARC of this book via NetGalley!

Well after that awesome opportunity we had last week with our blog’s Q & A with Kendare Blake, I am now going to talk about the newest book in her “Buffy the Vampire Slayer” Universe set YA Series, “One Girl In All The World”. It took some willpower to not dive immediately into this one once I had finished “In Every Generation”, as the first book that focuses on Frankie Rosenberg, Slayer-Witch, and her 2nd Generation Scoobies was such a hit for me. But I found the right moment with “One Girl In All The World”, telling myself I wouldn’t take it too fast and would just enjoy my time with Frankie, Hailey, Willow, Spike, and everyone else….. Yeah, then I pretty much read three fourths of it in one sitting. Late into the night. So much for self control.

This could be footage of me sitting up in disbelief after looking at the hotel room clock. (source)

When we left off, Frankie and friends Jake, Hailey, and Sigmund had basically formed Scooby Gang 2.0, with Frankie as the Slayer and her pals as her rag tag gang of fighters and supporters. With Buffy and a number of other Slayers still missing and possibly trapped in another dimension, Frankie is just about it for fighting the forces of darkness, and it is clear that the burden is starting to wear on not only her and her friends, but also on her mother Willow and her Watcher Spike. It doesn’t help that someone has seemingly set a beacon to lure any and all demons back to the Hellmouth, so they are all working overtime and are all VERY stressed. I thought that it was a good idea for Blake to show just how hard this would be for these teenagers to have to deal with, magical powers or not, and I liked that there were some very realistic problems with a supernatural twist (like Frankie’s attraction to Hunter of Thrace Grimlock, a morally grey demon that serves as a broody Angel-esque love interest; teenage romance is so messy even if you’re a Slayer-Witch). And even without super powers at play there are still relatable issues, like Hailey feeling torn between her new friends and her Slayer sister Vi, who has returned and is acting a little cagey, or Jake and his newfound feelings for a fellow athlete named Sam, or Sigmund feeling parental pressure to live up to a role he may not be cut out for. And since I really like all of these kids, the suspense isn’t just about whether or not this so called “darkness” is going to put them in danger, but if they are going to crumble because of this huge responsibility that is just exacerbating built in teenage struggles.

But it’s not just Frankie and her friends who are dealing with the weight of all of this. The first and most obvious old favorite is Willow, who has not only lost her best friend, but is also having to deal with her child being put in constant peril by the very nature of her being a Slayer. Willow remembers what it was like for Buffy when the weight of the world was on her shoulders. Now her daughter is carrying that burden. On top of all of that, Willow knows that her magic is a way that she can help Frankie and also Buffy, but there is the pesky fact that she was once consumed by her magic and almost destroyed the world. Blake really nails this stressful line that Willow has to walk, and the fear of not only losing her child, but also of losing herself. And it’s not just Willow who gets in on the angst. Because oh God how Spike is just ACHING for Buffy in this book. My old shipper heart was breaking over and over again. I am someone who can see Spike with Buffy, or Angel, or Faith (haaa I’ve written fan fiction with ALL of those combinations), but when you have an author like Blake who really gets the complex and undefinable but super intimate relationship that Buffy and Spike had by the end of Season 7, I just die. She just GETS it. She gets Spike, she gets Willow, she gets it all.

And Blake continues to give plenty of fan service to old seasoned “Buffy” fans like myself, and for anyone who has watched the series in full and enjoyed it. For one, there are so many references to old episodes and enemies, be it the return of the Sunnydale Swim Team that turned into aquatic monsters, or a reference to the episode where Giles was turned into a demon by a nemesis (oh my God, this moment had me howling with laughter because Spike, natch, was at the heart of it and it was PERFECT, PERFECT I SAY). Blake obviously loves the show and the canon and the characters, and you can really tell she is having a blast while she writes these new stories as she references the source material. But she also weave it into the story at hand so effortlessly that it doesn’t feel out of place or too twee due to fan service. All of these bits fit in with the various scenarios that Frankie et al are dealing with within this new story, and it’s a true joy to watch it all come together.

I’m still loving this series. I don’t know what I’m going to do while I wait for the conclusion. Frankie Rosenberg, you have earned your place as a kickass Slayer.

Rating 9: “One Girl In All The World” continues to reimagine “Buffy” for a new generation, with great, great success. The characters, old and new alike, are still highly enjoyable, and it feels like I’m a teenager watching my favorite show all over again.

Reader’s Advisory:

“One Girl In All The World” is included on the Goodreads list “Buffy The Vampire Slayer”.

Kate’s Review: “How To Sell a Haunted House”

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Book: “How To Sell a Haunted House” by Grady Hendrix

Publishing Info: Berkley, January 2023

Where Did I Get This Book: I received and eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Every childhood home is haunted, and each of us are possessed by our parents.

When their parents die at the tail end of the coronavirus pandemic, Louise and Mark Joyner are devastated but nothing can prepare them for how bad things are about to get. The two siblings are almost totally estranged, and couldn’t be more different. Now, however, they don’t have a choice but to get along. The virus has passed, and both of them are facing bank accounts ravaged by the economic meltdown. Their one asset? Their childhood home. They need to get it on the market as soon as possible because they need the money. Yet before her parents died they taped newspaper over the mirrors and nailed shut the attic door.

Sometimes we feel like puppets, controlled by our upbringing and our genes. Sometimes we feel like our parents treat us like toys, or playthings, or even dolls. The past can ground us, teach us, and keep us safe. It can also trap us, and bind us, and suffocate the life out of us. As disturbing events stack up in the house, Louise and Mark have to learn that sometimes the only way to break away from the past, sometimes the only way to sell a haunted house, is to burn it all down.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

It has been a little bit, but the time that many horror fans have been waiting for has arrived! Grady Hendrix has another horror novel out! “How To Sell a Haunted House” has been on my radar for quite some time now, as I have been a fan of Hendrix for years now, ever since my old boss handed me “Horrorstör” from our New Materials delivery and said ‘is this something you may like?’. I’ve been reading his books ever since as he takes on various horror sub genres with humor, heart, and well done scares. And guys, the time I have been waiting for has finally arrived: this one is a haunted house story.

But of course it has a twist. It’s Grady Hendrix, after all! (source)

Excited is an understatement. And by the time I did sit down to read it, I was happy that it was a holiday weekend, because I pretty much tore through this thing whenever I had down time. It’s a top 3 Hendrix book for me, to be sure.

Hendrix is kind of known for cheeky and quirky horror stories that do have legitimate scary foundations, and “How To Sell a Haunted House” continues that streak, this time giving his take on a haunted house story. We have Louise and Mark, estranged siblings who have to come together after their parents are killed in a car accident and leave behind their childhood home and all their possessions. As the bitter siblings try to sort through the house and all the things, weird noises start to come from a nailed shut attic, and memories of strange moments from their childhood start coming to the surface. I’m going to keep things kind of vague with the specifics, but Hendrix combines some genuinely creepy and scary moments of horror and dread that build at a great pace with super funny moments. He is always able to combine two different tones without giving too much distracting weight to one or the other. The scary moments aren’t negated by the humorous bits, just as the really funny bits don’t feel out of place or unwarranted because of the scary stuff. Hendrix knows how to make the balance hit just right. He’s SO good at that.

The portrayal of dysfunctional family dynamics and generational trauma is really well done in this book (this has kind of been a theme in the books I’ve been reading lately, but hey, I’m down for metaphors!). We go into this story from Louise’s point of view, who has left her childhood home of Charleston for California, and who is returning due to her parents’s deaths. Her relationship with her brother is strained at best, and the usual tension in the wake of a sudden loss is exacerbated by the fact they seem to hate each other. I went in fully expecting to hate Mark due to the way he was acting and how Louise was reacting, but this is the thing about Hendrix, by the time we had gotten through the book I was rooting for both of them in all of their complicated, nuanced and imperfect selves. As mentioned above it isn’t like the idea of using family trauma and dysfunction as horror is a very new idea in the genre, but Hendrix really sells it because of the compelling characters, be they two antagonistic siblings, quirky relatives, or a free spirited woman who performs exorcisms on dolls. Hendrix always comes through with the characters in his stories, and it was because I cared about them so much in this one that I felt the stakes were super high, and that makes for high tension horror as two damaged people try to stop harmful family cycles before they damage the next generation. Watching this very messy sibling relationship go through ups, downs, and evolution was emotional as hell, and Hendrix nails all of the complex feelings and actions between Louise and Mark.

I can once again say that Grady Hendrix has knocked it out of the park. “How To Sell a Haunted House” is freaky and funny and emotional, and I really, really enjoyed my time with it.

Rating 9: A fun and at times quite scary horror novel about how houses aren’t the only things that can be haunted, “How To Sell a Haunted House” is another triumph from Grady Hendrix.

Reader’s Advisory:

“How To Sell a Haunted House” is included on the Goodreads lists “Architectural Horror/Fantasy”, and “Horror to Look Forward To in 2023”.

Kate’s Review: “Bound Feet”

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Book: “Bound Feet” by Kelsea Yu

Publishing Info: Cemetery Gates Media, September 2022

Where Did I Get This Book: I own it.

Where You Can Find This Book: Amazon | Indiebound

Book Description: On the night of the Hungry Ghost Moon, when spirits can briefly return to the living world, Jodi Wu and her best friend sneak into Portland’s Chinese Garden and Ghost Museum. Kneeling before the pond where Jodi’s toddler drowned one year before, they leave food offerings and burn joss paper—and Jodi prays that Ella’s ghost will return for the night.

To distract Jodi from her grief, the two friends tell each other ghost stories as they explore the museum. They stop at the main display, a centuries-old pair of lotus slippers belonging to a woman whose toes were broken and bound during childhood. While reading the woman’s story, Jodi hears her daughter’s voice.

As Jodi desperately searches the garden, it becomes apparent that Ella isn’t the only ghost they’ve awakened. Something ancient with a slow, shuffling step lurks in the shadows…

Review: It has become more and more clear that ever since I became a mom that I have a harder time with stories and movies and what have you that involve endangered or dying children. Or hell, even moments where parents have to grieve or mourn or see the deaths of their older progeny. I cannot watch the opening scene of “Scream” anymore once Casey’s parents arrive home, in the middle of her being murdered. I had to step away from watching “Cujo” when Terror Tuesday had it as the feature, telling my friends I’d return to the keyboard eventually. So maybe me deliberately picking up “Bound Feet” by Kelsea Yu seems like an odd choice, given that right in the description it talks about a mother trying to connect with the ghost of her dead toddler. Well, I never said I was a reasonable person when it comes to exposing myself to this kind of stuff. But “Bound Feet” was a very worthwhile read, even as I was sobbing on and off as well as being VERY freaked out by ghostly imagery.

The story centers around Jodi and her friend Sarah, who have decided to break into the Portland Chinese Garden and Ghost Museum. It is during the Hungry Ghost Festival, when it is said that spirits are more likely to reach out from the spirit world, and Jodi is hoping to connect with her daughter Ella, who drowned in that very garden a year prior. The setting is already fraught and tense, as they are there after dark, illegally, with a deep personal trauma at its center. As Jodi hopes to get closure with Ella, the restlessness of the garden awakens other threats, and Yu really nails the slow tension of the suffocating grief as well as the ghostly imagery of a vengeful spirit. There is lots of built up dread that has a great pay off as the weird turn to the outright horrifying, and the descriptions of the ghosts and the things that they do really got under my skin. I also really liked some of the cultural aspects that Yu brought to the tale, be it the Hungry Ghost Festival itself, the Chinese folklore that the story takes a lot of inspiration from, and the dark realities of what it meant to be a woman in the past and the awful shit they would sometimes have to do to survive.

But the grief aspects were the strongest part of the narrative for me. I went into “Bound Feet” able to emotionally prepare myself for the themes of losing a child, which was good, because even with the preparedness I had it was still a bit of a gut punch. Jodi’s grief and her desire to see her dead child again is a theme that has been tapped into a number of times in horror literature’s past (“Pet Sematary” is the one that comes to mind for me), and Yu does it in the length of a novella while still being able to explore it well and thoroughly in the limited pages. There were moments that just killed me, but they also felt necessary and not overwrought so that we could get into the true motivation of this mother who is making a lot of CRAZY choices that are getting her and her companion into deeper and deeper danger. It’s a more realistic layer of horror that drives our protagonist but also makes her, at least to me, all the more relatable and understandable. Even when there was a very uncomfortable finale that set my teeth on edge, I still, in a basal part of my soul, understood. There is also a very personal Afterword section by the author that I found to be really, really powerful and enlightening. Do not skip that section.

“Bound Feet” is a quick, emotional, and scary read. I definitely recommend it, but steel yourself. It’s not the supernatural that left this story lingering in my head after finishing, but the very real horrors within its pages.

Rating 9: A genuinely terrifying and emotionally gut-wrenching horror novella about grief.

Reader’s Advisory:

“Bound Feet” isn’t included on any relevant Goodreads lists as of now, but it would fit in on “Horror Novellas”.

Serena’s Review: “Emily Wilde’s Encyclopaedia of Faeries”

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Book: “Emily Wilde’s Encyclopaedia of Faeries” by Heather Fawcett

Publishing Info: Del Rey Books, January 2023

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world’s first encyclopaedia of faerie lore. But Emily Wilde is not good at people. She could never make small talk at a party–or even get invited to one. And she prefers the company of her books, her dog, Shadow, and the Fair Folk to other people.

So when she arrives in the hardscrabble village of Hrafnsvik, Emily has no intention of befriending the gruff townsfolk. Nor does she care to spend time with another new arrival: her dashing and insufferably handsome academic rival Wendell Bambleby, who manages to charm the townsfolk, get in the middle of Emily’s research, and utterly confound and frustrate her.

But as Emily gets closer and closer to uncovering the secrets of the Hidden Ones–the most elusive of all faeries–lurking in the shadowy forest outside the town, she also finds herself on the trail of another mystery: Who is Wendell Bambleby, and what does he really want? To find the answer, she’ll have to unlock the greatest mystery of all–her own heart.

Review: This book wasn’t on my radar at all, somehow. Horror of horrors, since, spoiling myself here, I loved this book! Instead, it ended up on my TBR list only because I saw that it was likely going to be the December Adult Fairyloot book, and I wanted to get an idea of what it was all about ahead of time. So I read this about a month ago, but saved my review for closer to the publishing date. And here we are, ready and willing to give a rave review for this book!

When Emily Wilde arrives at the remote, northern town of Hrafnsvik, she is there for one purpose and one purpose only: studying the local Fae for inclusion in her in-progress encyclopaedia. While she is an excellent scholar, she is less skilled at ingratiating herself with the locals and quickly finds herself on the outs with most everyone in the village. Even more infuriating is the arrival of her charming academic rival who quickly attaches himself to her work and seems to soon have the entire town besotted with him. As the two work together, Emily begins to uncover clues of larger, nefarious curse that is plaguing Hrafnsvik…as well as clues that her rival may be more than he seems.

We have again one of those situations where I stumbled upon a book completely by chance and am now terrified of how many other lovely titles I’m missing out on! Alas, such is the life of an avid reader, I guess. Whatever way it made it onto my TBR pile, I’m sure glad it did. This book was pretty much everything I like about fantasy. It has a quasi historical setting, a buttoned-up, bookish leading lady who seems to always get herself into trouble, an adorable animal companion, a charming love interest with a subdued romantic subplot, and an interesting, but not overly embellished (side-eying Sarah J. Maas here) Fae world.

On this last point, the story is definitely a slow-burn on its fantastical elements. The plot, of course, is centered on Emily’s research of Fae and the story starts out simply enough with her following these regular steps of study. But the plot takes a few sudden twists and turns towards the middle and final third of the book that truly bring these fantasy Fae elements to the front. I was both surprised and delighted by these twists. There were a couple of choices, particularly towards the end of the book, that definitely took the story in a direction I hadn’t anticipated (or, at least, I hadn’t anticipated just how much the author would commit to these decisions).

But because this book is a slow-burn story, plot-wise, much of its success rests on just how charming Emily Wilde is as a narrator. As I said, I particularly enjoy this type of scholarly, semi-stoic woman protagonist. The unintentional hilarity of this type of narrator’s way of speaking is half the fun, and such is the case here as well. It was all the better when Wendell arrives, and the the whole “fire and ice” dynamic gets going. Their chemistry is immediately charming, and the reader gets to enjoy being on the “in” about Wendell’s obvious feelings for Emily while she remains the obtuse dunderhead she is about human interactions.

Like Wendell, I think “charming” is probably the best word to describe this entire book. I definitely recommend this book for most all fantasy readers, especially those who like subdued but lovely romances and new versions of Fae and Fae courts.

Rating 9: A delight from start to finish, never stumbling in its tone while weaving together a subtle romance and a heartfelt journey of discovering the importance friends and community.

Reader’s Advisory:

“Emily Wilde’s Encyclopaedia of Faeries” can be found on these Goodreads lists: Upcoming 2023 SFF Books With Female Leads or Co-Leads and First AND Last Name Please

Kate’s Review: “In Every Generation”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “In Every Generation” by Kendare Blake

Publishing Info: Disney-Hyperion, January 2022

Where Did I Get This Book: I received an eBook from the publisher.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Frankie Rosenberg is passionate about the environment, a sophomore at New Sunnydale High School, and the daughter of the most powerful witch in Sunnydale history. Her mom, Willow, is slowly teaching her magic on the condition that she use it to better the world. But Frankie’s happily quiet life is upended when new girl Hailey shows up with news that the annual Slayer convention has been the target of an attack, and all the Slayers—including Buffy, Faith, and Hailey’s older sister Vi—might be dead. That means it’s time for this generation’s Slayer to be born.

But being the first ever Slayer-Witch means learning how to wield a stake while trying to control her budding powers. With the help of Hailey, a werewolf named Jake, and a hot but nerdy sage demon, Frankie must become the Slayer, prevent the Hellmouth from opening again, and find out what happened to her Aunt Buffy, before she’s next.

Get ready for a whole new story within the world of Buffy!

Review: Thank you to Disney-Hyperion for sending me an eBook copy of this novel!

It’s so funny, when the shows “Buffy the Vampire Slayer” and “Angel” ended I never really went back to revisit them. I wrote a hell of a lot of fan fiction about my favorite characters, but I don’t think I’ve ever done a full rewatch. This is odd because “Buffy” is a show that had a huge impact on me as a teen for a litany of reasons, but between dissatisfaction with some of the way the stories ended and the fact that Joss Whedon is a massive prick, actually getting back into my “Buffy” love has been pretty much sidelined until the past year or so. Whether it was watching “Cobra Kai” and seeing striking parallels between bad girl Tori and my favorite dark slayer Faith, or getting books at ALAAC that were part of the “Buffy” universe, 2022 kind of brought back some of that love. So when I was approached to read Kendare Blake’s new Buffy books, starting with “In Eery Generation”, I went in with an open mind, because I like Blake as an author and I’ve been feeling extra nostalgic. That said, I was not prepared for how much I was going to enjoy “In Every Generation”, the first book in her Frankie Rosenberg series. Guys. I REALLY LIKED THIS BOOK! I was transported back to when the whole family would watch “Buffy” and then my high school best friend Blake would call to dissect the episode!

Queen. (source)

There is always a bit of a risk when a franchise is rebooted for a new generation, and given that “Buffy” ended almost twenty years ago (oh GOD I’m getting old) it may have seemed odd that suddenly we are getting a lot of new content that stems from our favorite vampire slayer. It doesn’t really help that Buffy Summers’s creator Joss Whedon has been exposed as a total shithead in recent years. But Blake takes a job that could have been VERY difficult and makes it seem so easy, in that not only does she effectively capture the pure snarky, heartfelt, and very 2000s essence of “Buffy”, but she also creates new characters that feel real, believable within the world, and makes them just as likable and able to hold their own against old favorites. I really, really loved Frankie Rosenberg, the daughter of Willow who has been awakened as the first Slayer-Witch after an attack on a gathering of slayers that may have left Buffy, Faith, et al dead. We have familiar call backs to Buffy’s own original journey through Frankie and her new group of Scoobies (such as her best friend Jake Osbourne, teen werewolf and cousin to Willow’s ex-boyfriend Oz, and Hailey, a human girl with a missing slayer sister), but Frankie is wholly different from Buffy and really feels like a well thought out person and character. I wholly believed her as an awkward teenage girl who grew up around some of Sunnydale’s best and brightest combatants against evil, and also liked that there was a certain Gen Z flair brought to her character I also liked how Blake taps into vampire lore beyond the “Buffy” stuff, as Frankie may or may not be gearing up to fight against Countess Elizabeth Báthory, notorious Hungarian murderess who, in this, may or may not be a vampire. Blake has used historical events for inspiration before in her horror fiction, vampire fiction no less, and I really liked how it worked here too. It makes the stakes (hurr hurr) higher and it feels more interesting than just having it be Dracula or something (yes, that is a read, if you know, you know). Frankie is just so likable, her friends are adorable too, and I am wholly eager to follow then through this trilogy.

But here is the thing that really sold it for my elder millennial self: BLAKE HAS BASICALLY SHOWCASED A FEW OF MY FAVORITE CHARACTERS FROM THE SHOW AND MADE THEM EVERYTHING I EVER WANTED THEM TO BE! We all know what a big Spike fan I am thanks to my review for William Ritter’s “Bloody Fool for Love”, and I have very high standards and expectations and hopes for any interpretation of my favorite snarky ensouled vampire. Blake has made him SO, SO EXCELLENT!! She has his voice down, she gives him a lot of really fun things to do, and she really knows how to tap into his more vulnerable sides by making him Frankie’s Watcher (with full school librarian aspects and everything, much to his chagrin) and making him care for her like a daughter. I also really loved Willow in this, as she is very much Willow but with a motherly bent, but also a woman who has been thrust back into a magical role that she had been limiting because of her past with dark magic getting out of control. And the one that surprised me the most but also made me SO happy was seeing that Oz is here!! This surprised me a bit because he left in Season 4 and was barely ever mentioned again, but I always had a soft spot for him because Seth Green was the reason I started watching “Buffy” in the first place. Blake expertly taps into the Willow and Oz connection without erasing the fact that Willow is a lesbian, but still keeps their care for each other feeling very real even if platonic. Honestly, everything Blake did with these characters, be it their interpretations or the backstory she built to get from the “Angel” finale to here (I’m fine with erasing the comics canon), made it feel so, so perfectly “Buffy”. Hell, she even limited Xander’s role, and as someone who has never liked Xander (don’t even get me started, I could do a TED talk) but understands why he kind of needs to be here, I was very okay with the part he did play. If Faith shows up as the series continues, I will be on cloud nine. I WANT TO SEE WHAT SHE DOES WITH FAITH. And I, of course, want to see Buffy. But I appreciate that Blake is holding off a bit. Frankie needs to grow into her own thing without THAT weight on her shoulders, so I will bide my time for Buffy to show up. Because she has to.

Overall I super, super enjoyed “In Every Generation”. I am SO amped to see where we go from here, and I am so happy that Kendare Blake has taken on a universe near and dear to my heart and continued it so well. “Buffy” fans old and new need to seek it out.

Rating 9: Boy did this hit every single “Buffy” note that I ever hoped for. So good to see an old favorite in good hands.

Reader’s Advisory:

“In Every Generation” is included on the Goodreads lists “Buffy the Vampire Slayer”, and “Countess Elizabeth Báthory – Fiction and Non-Fiction”.