Book: “The Kingdom of Copper” by S.A. Chakraborty
Publishing Info: Harper Voyager, January 2019
Where Did I Get this Book: Edelweiss +
Book Description: Nahri’s life changed forever the moment she accidentally summoned Dara, a formidable, mysterious djinn, during one of her schemes. Whisked from her home in Cairo, she was thrust into the dazzling royal court of Daevabad and quickly discovered she would need all her grifter instincts to survive there.
Now, with Daevabad entrenched in the dark aftermath of the battle that saw Dara slain at Prince Ali’s hand, Nahri must forge a new path for herself, without the protection of the guardian who stole her heart or the counsel of the prince she considered a friend. But even as she embraces her heritage and the power it holds, she knows she’s been trapped in a gilded cage, watched by a king who rules from the throne that once belonged to her family and one misstep will doom her tribe.
Meanwhile, Ali has been exiled for daring to defy his father. Hunted by assassins, adrift on the unforgiving copper sands of his ancestral land, he is forced to rely on the frightening abilities the marid-the unpredictable water spirits-have gifted him. But in doing so, he threatens to unearth a terrible secret his family has long kept buried.
And as a new century approaches and the djinn gather within Daevabad’s towering brass walls for celebrations, a threat brews unseen in the desolate north. It’s a force that would bring a storm of fire straight to the city’s gates . . . and one that seeks the aid of a warrior trapped between worlds, torn between a violent duty he can never escape and a peace he fears he will never deserve.
Previously Reviewed: “The City of Brass”
Review: Obviously, I was excited for this book. I’ve been patiently waiting and waiting for its release, and the second I spotted an e-copy available, I rushed to snag it. And then…I delayed reading it! Mostly because I was so excited that I wanted to ensure that I had as much uninterrupted time as possible to read major chunks of it. I’m typically fairly good about being able to pick up books and read a few pages here and there throughout the day and enjoy them as much as reading any other way. But, like every avid reader, I feel, there’s nothing like having a solid chunk of hours/days solely devoted to reading. And the cherry on top of that cake is having what is sure to be an excellent read to fill it! So I waited until my husband and I headed up north for a cabin trip and then whizzed through this book in blissful, quiet hours reading by the fire.
The story picks up a few years after the events of “The City of Brass.” Our two main protagonists from the first book, Nahri and Ali, are both making due with a life that hasn’t gone to plan. Nahri, married through a political alliance to the heir to a throne that had been stolen from her family generations ago, has continued to learn to master her own healing abilities and navigate the unfamiliar historical and political upheaval at the heart of djinn society. Ali has made a quiet life for himself living in a small village, banished from his beloved home city. There, he has been diligently trying to hide the residual water powers that he has developed after his experience with the marid in the lake around Daevabad. Joining our main two narrators, we also have chapter perspectives from Dara, a character that is believed dead by Nahri and Ali after the events of the last book.
What struck me most forcefully in the first book was the complicated and detailed world and history that the author had built. This wasn’t simply a story of the now, it was a story of how hundreds and thousands of years shaped what is the current situation. Similar to the true history of the Middle East, nothing is so simple as what can bullet pointed with current tension points. No, you have to dig back through centuries to understand a complicated history that more and more begins to resemble an impossible knot. So, too, in this fantasy version of the region. The first book laid the foundation, but this one really dives into the bigger questions that arise in a situation like this, where wrong-doings have been being committed for centuries and no party is innocent. Where is the line between justice, revenge, pride, and simple violence? When atrocities have been committed for centuries, one people to be repressed by another, only to rise and switch the roles for a few more centuries, who’s “wrongs” outweigh the other’s? There is no easy answer, and Chakraborty does a masterful job of portraying just how challenging finding peace and resolution in situations so whetted in historical conflict can be.
And to tackle all of these complex themes, we have our main characters. Nahri continues to be the stand-out character for me in this series. Not only is she approaching this situation from an outsider’s perspective, often giving her the most healthy and balanced outlook on the situation, but she is an eminently practical and resilient character. Where other books would get bogged down in the angst and drama of an arranged marriage, Nahri has persevered. She knows where her power lies and recognizes the powerlessness of those around her as well; for everything else, she will make the best out of a less-than-ideal situation. I can’t say how relieved I was to find that the book didn’t get caught up in relationship drama, as far as her arranged marriage goes. Too often I think this type of romantic drama is misidentified as action in and of its own. But here, it’s clear that Nahri’s priorities are much bigger than worrying about her political marriage. She has a proper perspective on not only her own challenges, but the challenges of her people and city.
Ali, too, was still a fantastic character. If anything, I grew to like him more and more as this book continued. He, too, has had to face the realities of his own idealistic tendencies. While he still had moments where I wanted to slap him around the side of the head (because again, Nahri sometimes seemed to be the only adult in the room), his arc was compelling. I particularly enjoyed the deeper look into his relationship with his siblings.
Dara, our new character POV, was also a fantastic addition. He operates outside of the main action of the city for the majority of the story, but through him, we can see the conflict coming that both Nahri and Ali are ignorant of. Further, Dara, more so than the other two, truly understands the horrors of the past, having lived through much of it. His wrestling with these issues felt that much more poignant for having residual PTSD, essentially, from his own actions. It was heart-breaking reading him come up against some of these same terrible choices once again.
I also can’t say enough good things about the general strength of the writing in these books. Chakraborty pens her words with a solid, confident stroke. Not only is the imagery beautiful, but the dialogue is snappy and the philosophical explorations are cleverly drawn. It’s a big task to try to address such large and complicated issues as the ones presented in this book. But to do it, while also not losing sight of her characters and presenting a compelling book that feels fast-paced throughout? Incredible! Fans of the first book are sure to be happy with this one (though I will say, you have to be patient for the Dara/Nahri) re-union! The story also leaves off with a fairly sizeable cliff-hanger, so beware of that. But don’t let that put you off!
Rating 10: Simply excellent. No second-book slump here!
“The Kingdom of Copper” is a newer title, so it isn’t on many relevant Goodreads lists, but it should be on “Fantasy of color.”
Find “The Kingdom of Copper” at your library using WorldCat!