Tag: 6 Rating

Book: “Woven in Moonlight” by Isabel Ibnez

Publishing Info: Page Street Books, January 2020

Where Did I Get this Book: BookishFirst

Book Description: Ximena is the decoy Condesa, a stand-in for the last remaining Illustrian royal. Her people lost everything when the usurper, Atoc, used an ancient relic to summon ghosts and drive the Illustrians from La Ciudad. Now Ximena’s motivated by her insatiable thirst for revenge, and her rare ability to spin thread from moonlight.

When Atoc demands the real Condesa’s hand in marriage, it’s Ximena’s duty to go in her stead. She relishes the chance, as Illustrian spies have reported that Atoc’s no longer carrying his deadly relic. If Ximena can find it, she can return the true aristócrata to their rightful place.

She hunts for the relic, using her weaving ability to hide messages in tapestries for the resistance. But when a masked vigilante, a warm-hearted princess, and a thoughtful healer challenge Ximena, her mission becomes more complicated. There could be a way to overthrow the usurper without starting another war, but only if Ximena turns her back on revenge—and her Condesa.

Review: This book was a no-brainer for me to request. I mean, look at that gorgeous cover? I’m not sure I can remember a book with a cover like that; it immediately stands out and I’m sure the book will benefit from many a spur-of-the-moment pick-up while on the shelves at stores. The book description itself was also incredibly unique-sounding and dealing with a people, place, and culture that I am only passingly familiar. In many ways, the cover and description reminded me greatly of “Gods of Jade and Shadow” which I read last summer and loved. Unfortunately, this comparison didn’t hold true in the actual reading experience…

Ximena has lived most of her life pretending to be someone else, a queen, the Condesa. But mostly a queen under siege: managing dwindling supplies, sending out scouting parties, and dreaming of one day returning her people to their homeland and the city that is now occupied by the cruel king Atoc. Now, with a demanded-marriage between the two leaders of these divided peoples, Ximena has the greatest of all performances before her. She must marry the usurper and serve as an embedded spy, searching for that crack that can benefit her people and her sister-friend, the true Condesa.

Even typing up that description makes me excited about the story this could have been. Yet, alas, could have been, but wasn’t. This is one of those strange books where I question whether I read the same story others read. Currently, it’s rated over 4 on Goodreads, so many people are loving it. Perhaps I can see elements of what all of these other readers are latching on to, but it all seems like too little, too familiar, and too inexplicable to really earn those 4 stars.

The biggest strength this book has going for it is the unique setting, the unique culture (what little we really get of it), and the descriptions of Ximena’s weavings. There are some truly lovely depictions of these detailed creations, and having a mother who is an avid weaver, I could see the magic in her abilities here, even without the actual magic involved. What descriptions we received of the countryside and the city itself were intriguing, but this is also where the bare minimums began to show. I had just enough to form loose images, but I have to admit that many of these were probably drawing from stereotypical images of South American culture (there isn’t even such a thing, hence the extreme stereotype of my mental images that were just drawing from random images from other books and movies set in South American countries). I wish there had been a more detailed look into the daily life of the people, a clearer image drawn of their lives and the world they lived in. Half of the reason I picked up this book was because of the uniqueness to be had here. Finally not another European fantasy novel! But then it felt like the author only went halfway, and I was left wanting.

From the “too little” we move to the “too familiar.” Most of this plot will read as incredibly predictable to anyone who reads a lot of YA fantasy. I could quickly guess who El Lobo was as well as predict several of the other major plot points of the story. Perhaps for readers who aren’t as well versed in current YA fantasy tropes this would read better. Or even age it down to middle grade readers who simply haven’t had the time to build up these stores of memory that make stories like this feel rote and tired. There’s nothing inherently wrong with it; I’ve just read it too many times before. And when the surprise has been taken out of most of the twists, there’s not a lot of drive behind speeding through the rest of the story.

And lastly, the “too inexplicable.” I really struggled with Ximena herself. The love story was, again, predictable. And she kept referring to said characters as “the boy” which I just found cringe-worthy. I get that typing out “young man” seems kind of silly and obviously “guy” is anachronistic and has its own issues. But given the situation we’re meant to be in (she’s there to marry a king), I think we can just stick with “man” and be done with it. Regardless of age, this is an adult situation, and she’s been an adult for many years, making decisions as a ruler and now serving as a spy meant to marry the enemy. Referring to someone as “a boy” can only be a demeaning comment in these circumstances. But she uses it as a bland, seemingly objective description, and it bothered the heck out of me. If he’s “a boy,” he’s a kid and my mind will neatly file him away in the “non-love-interest” section.

Beyond that small nit-pick that I blew out of proportion with my own annoyance, it was hard to understand Ximena. We’re meant to believe that she’s been training, and acting, as the Condesa for almost all of her grown life. Not only would the real Condesa have to be well-versed in self-control, cool thinking, and precise speaking/acting, someone who grew up to serve as a decoy in this role would have to be all of that twice over. But Ximena routinely and regularly loses all self-control. It’s hard to believe that she wasn’t immediately seen through. Or, if not that, it would seem that all respect would be quickly lost for “the Condesa” as a leader since she can’t stop behaving like a rash, easily provoked youth. Ximena spends way too much time caught up in her own personal angst and far too little behaving as a true Condesa would. Sure, she always comments after the fact on how that was really “un-Condesa-like,” but that doesn’t do away with the fact that had she been trained to do this her entire life, there should be nowhere near as many outbursts as there are in the first place.

A book is always going to be a hard sell for me if I can’t connect with the POV character. I found Ximena unbelievable at best and incredibly annoying at worst. From there, the predictable story just lowered it further. I’m really sad that this wasn’t a great read for me. So many people are enjoying it, and I really wish I had read whatever book they’re loving so much. There are many great elements of this story, particularly with the snippets of the world, culture, and history we get. Unfortunately, there’s not enough of any of those things to counteract the weak main character and tired story. But, like I said, lots of people are liking it, so if you’re looking for an ownvoice, Latinx story, it might still be worth a shot.

I didn’t love this one, but a lot of people do. So I’d like to share it with someone who will appreciate it more than I was able. If this sounds like something you would enjoy, make sure to enter the giveaway for a hardback copy!

Rating 6: A really confusing read where I’m not sure what I’m missing that so many other people are loving.

Reader’s Advisory:

“Woven in Moonlight” is on these Goodreads lists: “Latina Leads in YA and Middle Grade Fiction” and “Upcoming 2020 SFF Books with Female Leads or Co-Leads.”

Find“Woven in Moonlight” in your library using WorldCat!

Book: “Winterwood” by Shea Ernshaw

Publishing Info: Simon Pulse, November 2019

Where Did I Get this Book: NetGalley

Book Description: Be careful of the dark, dark wood . . .

Especially the woods surrounding the town of Fir Haven. Some say these woods are magical. Haunted, even.

Rumored to be a witch, only Nora Walker knows the truth. She and the Walker women before her have always shared a special connection with the woods. And it’s this special connection that leads Nora to Oliver Huntsman—the same boy who disappeared from the Camp for Wayward Boys weeks ago—and in the middle of the worst snowstorm in years. He should be dead, but here he is alive, and left in the woods with no memory of the time he’d been missing.

But Nora can feel an uneasy shift in the woods at Oliver’s presence. And it’s not too long after that Nora realizes she has no choice but to unearth the truth behind how the boy she has come to care so deeply about survived his time in the forest, and what led him there in the first place. What Nora doesn’t know, though, is that Oliver has secrets of his own—secrets he’ll do anything to keep buried, because as it turns out, he wasn’t the only one to have gone missing on that fateful night all those weeks ago.

Review: Yet another sophomore book from an author whom I missed out on the first go around. Not quite sure why I never got around to “The Wicked Deep,” but when I saw this one pop up, once again I decided to be late to the party and see what all the fuss was about. Unfortunately, while this strategy has worked with other books (shout out again to “Song of the Crimson Flower”!), here it just proved that I probably made the right choice with the first book and these are just not for me.

Nora is out in the woods after one of the worst winter storms in years. Everything is closed down, but she is not like others: she is a Walker woman and does not fear the woods. Instead, she shares a close bond with this strange, mysterious place where others dare not to walk. This connection leads to her a lost boy, missing for weeks and presumed dead. But he has survived the forest…somehow. As they grow closer to each other, Nora begins to suspect that Oliver has secrets of his own. Perhaps he, too, shares a connection with the forest? But what is it and does it pose a threat?

There were several reasons this book didn’t work for me, and most of them have to do with either the YA fantasy genre reading as a bit tired recently, or it’s just me. But the first thing that stood out to me as a warning sign that this book and I might not get along was the writing itself. I had heard that this, like the author’s first book, was noted for its atmospheric writing. I think I may have a different understanding of that word than the way it is often used. I have used it myself, don’t get me wrong. Probably recently, because if I didn’t say it in my review of “The Starless Sea,” then that’s an example of the type of book that I would describe that way. But when I use that word it has to do with how an author draws a scene. It doesn’t have to be restrained to the physical characteristics of setting, but to a scene as a whole: the action of it, the location, the indescribable “feel” of a situation. An atmospheric style of writing adds depth and is beautiful to read on its own, often with a poetic choice of words.

But I feel that when it is used to describe books like this one, most reviewers are getting at something different. I think it’s still consistently used for these books, but in a different way than what I described above. Most notably, I think the “atmosphere” is often applied to the characters themselves. Perhaps there is still some sense of poetry to the words chosen, but beautiful words devoid of rational meaning don’t result in much, in my opinion. This then ends up with books that use random, disconnected phrases to describe characters. In this book, only two pages in, the main character is describing herself as “more darkness than girl.” Ok. Sounds nice enough, I guess. But what does that actually mean? I have no idea, and given that we’re only two pages into the book, I don’t even have any context where I could try to parse out an actual meaning from that. Instead, it reads as if the author is simply throwing around  pretty phrases and not bothering to ground them in anything, or, frankly, make them worth while to the story at all. This is only one example, but it continues throughout the book.

This is the type of “atmosphere” that I find all too often in YA fantasy, and it’s always a red flag for me. It may not always be true (I’m sure there are exceptions if I really thought about it), but usually it’s a good predictor that the author seems to be having more fun writing pretty strings of words than constructing an actual story. Paired with this habit often comes bland characters, convenient plots, and stories that sound good on paper but prove to be underwhelming. Unfortunately, that all proved to be true here as well.

I didn’t care about our main characters. Neither of them were bad, but I also didn’t feel particularly attached to them. How can I be attached to someone who introduces herself to me as “more darkness than girl?” I don’t know what that means, and honestly I’m too lazy to find out. It’s the books job to make me care, and that doesn’t do it. I did like the general overview of the story, and the witchy elements and spooky woods were promising. But they were paired with a convenient and predictable plot. I was able to guess many of the twists (including the big one) right away which cut the legs out of it right from the start.

I feel like I’ve come down hard on this book, and I don’t want to make it seem that this one is any worse than most of the run-of-the-mill YA fantasy stories out there like this. I guess I was just in a mood to talk about this particular frustration, and this book had the bad luck of being the most recent one to show up on my reading list featuring this specific peeve. Fans of the author’s first book and her writing style will likely be pleased with this. But those who recognize the traits I’m talking about may find themselves underwhelmed by this story.

Rating 6: Hits a nerve for one of my pet peeves, but is otherwise a fairly standard, if uninspiring, story.

Reader’s Advisory:

“Winterwood” is a newer title, so it isn’t on many relevant Goodreads lists. But it should be on “Magical Trees.”

Find “Winterwood” at your library using WorldCat!

Book: “Sisters of Shadow and Light” by Sara B. Larson

Publishing Info: Tor Teen, November 2019

Where Did I Get this Book: NetGalley

Book Description: “The night my sister was born, the stars died and were reborn in her eyes…”.

Zuhra and Inara have grown up in the Citadel of the Paladins, an abandoned fortress where legendary, magical warriors once lived before disappearing from the world―including their Paladin father the night Inara was born.

On that same night, a massive, magical hedge grew and imprisoned them within the citadel. Inara inherited their father’s Paladin power; her eyes glow blue and she is able to make plants grow at unbelievable rates, but she has been trapped in her own mind because of a “roar” that drowns everything else out―leaving Zuhra virtually alone with their emotionally broken human mother.

For fifteen years they have lived, trapped in the citadel, with little contact from the outside world…until the day a stranger passes through the hedge, and everything changes.

Review: I highlighted this book as one I was looking forward to reading this month. I had requested it based on the fact that it seemed to be a YA fantasy that centered around a relationship between sisters, a pretty basic plot that I typically enjoy. Unfortunately, while it does deliver on the elements that drew me to it originally, there wasn’t enough else to keep me invested, and a few too many YA tropes that induced eyerolls.

Zuhra and Inara have grown up in the wreckage of what was once a great power in the world. Locked in a fortress and surrounded by a sentient hedge that keeps out all others, the two sisters have grown up isolated from the world with only their fragile mother as a connection to not only their origins but also the world outside the walls. Inara is isolated even further by a power that manifests itself in ways that produce great effects but also cut her off from the world outside her own mind. But the world has continued to move outside their small home, and one day it breaks in, bringing new faces and new challenges.

While this book wasn’t for me, I do, as always, want to start with the things I did appreciate. I requested this book based on my love for sister stories, and luckily for me, that was the aspect of the story that was the strongest throughout. There was a clear, consistent bond between the two from start to finish, without any delving into melodrama or cattiness. We start out the story with only Zuhra’s POV, so there was a lot of time spent setting up how she view the relationship between herself and her sister, who is very cutoff from those around her. This was all well and good. But this aspect of the story was greatly strengthened when, about a third of the way in, we’re given Inara’s perspective as well. Having both POVs really fleshed out the nuances of their relationship, and while I did struggle with much of the rest of the book, I did still enjoy this portion of the story throughout.

Alas, much of the rest of it wasn’t as much of a hit. For me, part of the problem was how similar this read felt to “Strange the Dreamer.” The set up of siblings, some with magical abilities, growing up isolated from the world in the husk of a place that used to belong to god-like beings, one of whom was the father of said siblings? It’s pretty identical. And “Strange the Dreamer” was a superb book, so it’s rare that a direct comparison like this is going to go well for another book. Had I read this one without that one in mind, perhaps some things would have been better received. But that’s also the world of books: readers will always approach stories in the context of what they’ve read before. This can be a good or bad thing; unfortunately, here it was a bad thing. While the elements were similar, they were noticably weaker than Laini Taylor’s similar set-up.

While I liked the sister relationship between our two main characters, I still never really connected to either of them as wholly realized characters on their own. Zuhra, in particularly, was hard to identify with, especially in the beginning when we are left with only her perspective. Both sisters fell into the unfortunate trap of immediately going googly-eyed over the first boys they see, which felt not only silly, but also undermined some of the strengths we had been told they possess, having grown up needing to be so self-reliant.

The world and plot suffered from a writing style that erred more towards telling rather than showing. The middle of the book especially dragged, which I find is often a problem with this style of writing. When you have a new world to introduced, it’s easier for a “tell vs show” style to go unnoticed amid all of the new things being thrown at the reader. And the end typically has enough action when building to the climax of the story to also get away with it. But the middle is where it always shows up, and it was just as true here as in other books with a similar writing issue.

There were some good ideas in this book, and I did enjoy the sister relationship. I was able to predict a few of the twists, but one or two did actually catch me by surprise. However, all of that was not enough to pull the book through. The characters fell into a few too many YA “boy crazy” tropes, the world and plot were a bit on the limp side, and the style of writing was particularly captivating. Not to say that this book should be written off anyone’s list full-stop. But I do think there are betters versions of it out there.

Rating 6: An OK read, but one that felt flat and dim in comparison to its contemporaries.

Reader’s Advisory: 

“Sisters of Shadow and Light” can be found on this Goodreads list: “We Fire the Darkness And Flame At Night.”

Find “Sisters of Shadow and Light” at your library using WorldCat!