Tag: Non-Fiction

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Book: “Worm” by Edel Rodriguez

Publishing Info: Metropolitan Books, November 2023

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From “America’s illustrator in chief” ( Fast Company ), a graphic memoir of a childhood in Cuba, coming to America on the Mariel boatlift, and a defense of democracy, here and there.

When Edel was nine, Fidel Castro announced his surprising decision to let 125,000 traitors of the revolution, or “worms,” leave the country. The faltering economy and Edel’s family’s vocal discomfort with government surveillance had made their daily lives on a farm outside Havana precarious, and they secretly planned to leave. But before that happened, a dozen soldiers confiscated their home and property and imprisoned them in a detention center near the port of Mariel, where they were held with dissidents and criminals before being marched to a flotilla that miraculously deposited them, overnight, in Florida.

Worm tells a story of a boyhood in the midst of the Cold War, a family’s displacement in exile, and their longing for those they left behind. It also recounts the coming-of-age of an artist and activist, who, witnessing American’s turn from democracy to extremism, struggles to differentiate his adoptive country from the dictatorship he fled. Confronting questions of patriotism and the liminal nature of belonging, Edel Rodriguez ultimately celebrates the immigrants, maligned and overlooked, who guard and invigorate American freedom.

Review: Every once in awhile my Mom will send me a link to an article through the New York Times that has a review of a book that she thinks that would interest me. More often than not I’ve already read it or it was at least on my radar, but sometimes she will send one my way that is totally novel. In this case it was “Worm: A Cuban American Odyssey” by Edel Rodriguez. Perhaps you know of Rodriguez as an artist, specifically the artist behind the viral and infamous Trump artwork that has been on the likes of Der Spiegel and Time Magazine. Rodriguez felt it important to call out Trump on his dangerous and totalitarian tendencies, something he recognized even during the 2016 Primaries when a Trump Presidency was seen as merely a fantasy (we all know how that went). Rodriguez knows this because his family fled Cuba in the 1980s, after his family was being watched, surveilled, and threatened by the Government. “Worm: A Cuban American Odyssey” is that story, as well as story about life in a totalitarian regime, and how even a country that seems filled with idealism can fall into that trap.

Rodriguez combines modern Cuban history, starting with the Cuban Revolution, and moves through it until the 80s, tracking his family’s experience living under Castro in the town of El Gabriel. His father was a photographer while his mother stayed at home, but joined up with the local CDR, a group that was made up of Cuban citizens that would essentially ‘keep an eye’ on the community for any anti-regime activities or sentiments. Edel and his sister grew up with a meager education, and with parents who were constantly worried about watching what they said or did, all while trying to keep their family alive under pretty poor conditions due to poverty and corruption. We follow Edel through various childhood anecdotes and experiences, from the mundane involving friends and family, to the disturbing (such as the time Edel contracted a parasite that went through his legs, and the local hospital didn’t have enough medicine to treat him). As times become more dire as Edel grows older, his family make the choice to leave when Fidel allowed anyone who wanted to leave to leave so long as they could find a boat (and so long as they weren’t killed in the process whether it be by the Government or their own communities, who saw them as traitors and ‘worms’). It’s a deeply harrowing and emotional memoir, and as someone who knows very little about the Cuban Revolution and had certain ideas about Cuban immigration in my mind, this was pretty educational and eye opening (little did I know that the Cuban Immigrant community has MANY reasons to leave, not just because they were Batista loyalists). It also tracks the story of what adjusting to America was like for the family, not only through the eyes of Edel, but also through the eyes of his parents, who came with nothing and had to find their way to provide for their children in a wholly new environment. His parents are so well depicted in all of their complexities, and Rodriguez also touches a bit on how the traumas of escaping this kind of life can spill over into a new life with new challenges.

But this isn’t only a memoir about escaping a totalitarian regime: it is also a warning about the rise of totalitarianism through the eyes of someone who lived it, and how romanticizing or ignoring it is so, so dangerous. Rodriguez doesn’t only take those who romanticize Castro’s Cuba to task, he also REALLY digs into the way that America is embracing their own totalitarian tendencies, as Trump became President and his stink has infected so many other people (or perhaps just let them let their own stink loose). The connections that he draws between the life his family fled and how it all has to start somewhere is bleak and really alarming, and the way he compares the lies of January 6th and the Unite the Right Rally and other far right rage and venom to the violence he saw back home is really, really stark. And we’d best pay attention.

And the artwork is just astounding. It’s visceral and surreal in some ways, but always knows how to cut to the bone. In mostly blacks, whites, greens, and reds, it has a unique and signature style that is reminiscent of Rodriguez’s political works, but which still feels very personal. There is a LOT of text in this book, it almost feels like more of a memoir with an artistic backdrop on each page, but it never feels overwhelming and is still very easy to read.

“Worm” is a fantastic memoir with an artistic and emotional edge. It’s so important to learn history, especially from those who lived it, and to remember that just because things feel abstract or like they couldn’t happen in your own life, that there will always be people to tell you that you may be wrong. Edel Rodriguez is here to do that.

Rating 9: A harrowing and deeply personal memoir about fleeing totalitarianism, and the looming threat of it in a new home, “Worm” is a fantastic graphic memoir from an outspoken artist.

Reader’s Advisory:

“Worm” is included on the Goodreads lists “NPR’s Books We Love 2023: Favorite Comics and Graphic Novels”, and “Memoirs Published in Year: 2023”.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Run: Book One” by John Lewis, Andrew Aydin, Nate Powell (Ill.), & L. Fury (Ill.)

Publishing Info: Abrams ComicsArts, August 2021

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: First you march, then you run. From the #1 bestselling, award–winning team behind March comes the first book in their new, groundbreaking graphic novel series, Run: Book One

“In sharing my story, it is my hope that a new generation will be inspired by Run to actively participate in the democratic process and help build a more perfect Union here in America.” –Congressman John Lewis

The sequel to the #1 New York Times bestselling graphic novel series March—the continuation of the life story of John Lewis and the struggles seen across the United States after the Selma voting rights campaign.

To John Lewis, the civil rights movement came to an end with the signing of the Voting Rights Act in 1965. But that was after more than five years as one of the preeminent figures of the movement, leading sit–in protests and fighting segregation on interstate busways as an original Freedom Rider. It was after becoming chairman of SNCC (the Student Nonviolent Coordinating Committee) and being the youngest speaker at the March on Washington. It was after helping organize the Mississippi Freedom Summer and the ensuing delegate challenge at the 1964 Democratic National Convention. And after coleading the march from Selma to Montgomery on what became known as “Bloody Sunday.” All too often, the depiction of history ends with a great victory. But John Lewis knew that victories are just the beginning. In Run: Book One, John Lewis and longtime collaborator Andrew Aydin reteam with Nate Powell—the award–winning illustrator of the March trilogy—and are joined by L. Fury—making an astonishing graphic novel debut—to tell this often overlooked chapter of civil rights history.

Review: In 2020, we lost John Lewis, who passed away that summer after a fight with cancer. I remember being so saddened by this, as he was such an amazing man who helped change our country for the better. It wasn’t until the next year that I found out that before his death he had continued his graphic novel endeavors after “March”. “Run: Book One” is the continuation of Lewis’s work as a social justice advocate, as well as a history lesson on what happened directly after the Civil Rights Act was put in place, both in terms of the backlash from white people who were against it, as well as people within the movement who thought it didn’t go far enough.

“Run: Book One” picks up shortly after the passing of the Civil Rights Act that ended the “March” Trilogy. While in American history class it’s tempting to end the story there, with a great success and a fantastic development in social justice and civil liberties, things didn’t just magically get better. Lewis lays out some of the events that happened right after, such as Black people still being assaulted and murdered by police and white people, the race riots in Watts, and the mass anger on behalf of white supremacy that saw a doubling down on racist leaders and hate groups. It’s framed in such a way that one can’t help but draw comparisons to some of the similar events that have happened in the past couple of years, let alone half a century ago, and it feels deliberate on the part of Lewis. He also dives more into the systemic issues that were stoking a lot of the injustices towards Black people at the time, specifically the Vietnam War and how so many Black men were being sent to fight in an unjust war and were dying for a cause that was rooted in Imperialism. He looks at how he and other Civil Rights leaders agreed or disagreed on how to approach the war and the draft, and how foreign policy was directly connected to the Civil Rights Movement that was still going on even after the Civil Rights Act. There is also the matter of the mass voter suppression of Black people in the wake of the Civil Rights Act being passed, which is just a reminder that the more things change, the more they stay the same, and that’s disgraceful. The direct mirroring of that moment then and the moment we are finding ourselves in right now is stark.

But what was even more interesting to me (and something I admittedly knew very little about) was how John Lewis addresses the strife and splintering of people within the Movement itself, and how that changed his role within. Again, I feel like in history class we are told about SNCC in the context of the sit ins and other nonviolent actions, as well as John Lewis’s role. Because of that, I had NO idea that he was effectively forced out of power by Stokely Carmichael and other members who were beginning to feel that SNCC wasn’t doing enough to combat injustice. Lewis talks about this in a way that never really comes off as bitter or angry, but more saddened as to how everything turned out. I definitely don’t think that I can comment too much upon different approaches to achieving social justice goals by these two ideologies, and Lewis comes off as very careful not to denigrate those who cast him out. He also begins to set up his eventual successful stint as a Congressman, devoting arcs to Julian Bond and Marion Barry, who broke ground as Black government officials right in the thick of the backlash.

And when it comes to the art, L. Fury is now a part of the team, as Nate Powell takes a bit of a back seat but does give input (at least that’s what some research told me). Fury’s style blends enough with the style of the original style of “March” that it feels like a good successor, with black and white aesthetics and similar designs.

I’m not sure if there will be more “Run” books, as Lewis passed in 2020. There is a note at the beginning of this saying that the script was finished before his death, but I don’t know if that means the entire script, or just for “Book One”. Regardless, “Run” is a fantastic follow up that is an important reminder that with great strides and success comes resistance to change, and that you just have to keep going and doing what you believe in. Add this to the collection with “March”, for sure.

Rating 9: A powerful new memoir from John Lewis that reminds us that stories don’t always end with triumphs, “Run” is a must read continuation of the fight for civil rights and against white supremacy in America.

Reader’s Advisory:

“Run: Book One” is included on the Goodreads lists “Graphic Novels About Black Lives”, and “Teaching African American History After Obama”.

Book: “Did You Hear What Eddie Gein Done?” by Harold Schechter and Eric Powell (Ill.)

Publishing Info: Albatross Funnybooks, July 2021

Where Did I Get This Book: I own it.

Book Description: One of the greats in the field of true-crime literature, Harold Schechter (Deviant, The Serial Killer Files, Hell’s Princess), teams with five-time Eisner Award-winning graphic novelist Eric Powell (The Goon, Big Man Plans, Hillbilly) to bring you the tale of one of the most notoriously deranged murderers in American history, Ed Gein. DID YOU HEAR WHAT EDDIE GEIN DONE? is an in-depth exploration of the Gein family and what led to the creation of the necrophile who haunted the dreams of 1950s America and inspired such films as Psycho, The Texas Chainsaw Massacre and The Silence of the Lambs.

Painstakingly researched and illustrated, Schechter and Powell’s true-crime graphic novel takes the Gein story out of the realms of exploitation and gives the reader a fact-based dramatization of these tragic, psychotic and heartbreaking events. Because, in this case, the truth needs no embellishment to be horrifying.

Review: A statement I am about to throw out there is going to sound weird and perhaps a bit screwy, so I need to proceed with a caveat: true crime as a subject matter is depressing. It is a genre that is predicated on the suffering and victimization of others, transformed into a kind of ‘entertainment’ (though admittedly I don’t think that I’m, like, ‘entertained’ in the ‘wheee this is fun!’ sense of entertainment whenever I consume it). Like it’s ALL depressing. But for me, one of the more depressing stories is that of Ed Gein, murderer, grave robber, and recluse whose furniture and decorative creations were made of body parts. Gein has always bummed me out because it is VERY easy to trace his warped sense of self to the massive amounts of abuse he was subjected to from a very young age. It sure doesn’t excuse what he did; plenty of people are abused and don’t turn into the kind of guy who makes a belt out of women’s nipples. But It is just another example of how trauma has long reaching consequences. And that brings me to “Did You Hear What Eddie Gein Done?” by Harold Schecther, a new comprehensive true crime narrative from a true crime giant. This time in graphic novel form!

(And it probably goes without saying, but this book has SO MANY CONTENT WARNINGS. From child abuse to spousal abuse to necrophilia to gore to animal abuse, proceed with caution)

In terms of how Schechter tackles the story of Ed Gein, from childhood to murders, I thought that he did a pretty good, comprehensive job. The research is obviously there, the sensationalism is to a minimum (even kind of scolded, as in the book there is a section on people who turned his gross crimes into urban legend lore just for attention), and the way that Gein’s crimes influenced modern horror are well parsed. He starts with the premiere of “Psycho”, a story that takes inspiration from Gein’s twisted and abusive relationship with his mother, and slowly starts to tell the tale of Gein and how he potentially went from mild mannered and scared boy to small town monster. It’s nothing I didn’t already know, but Schechter is great at contextualizing the story. As I mentioned above, Gein’s life was one of horrendous abuse, from the physical the the emotional to the religious, as his mother was tormenting and supremely controlling, his father was an at times violent alcoholic, and due to his suppressed and weird nature, his peers ostracized him… which then sent him more under the wing of his mother Augusta… who was very unwell. There’s a reason that “Bates Motel” explores the depths of Norman Bates’s mother in the way it does. But all that said, Schechter doesn’t feel like he’s making excuses for Gein. There isn’t any sympathy put his way. A little bit of pity, sure, as we do see what a scared and abused little boy he was. But no sympathy, especially since his victims (including possibly his own brother!) were wholly separated from his misery.

I think that the biggest stumble for me with this book is that I’m not sure that being a graphic novel really added much to the story. Don’t misunderstand me, Eric Powell has a really well done final product with his illustrations, and they have a weird and unsettling energy to them that still feels based in realism. But I’m not certain that we gained anything from this story being in a graphic format. I’ve definitely seen graphic formatting add more to historical events, either through the visual literacy aspects of graphic novels or through contextualizing complex or heavy subject matter, especially for younger audiences. But in the case of “Did You Hear What Eddie Gein Done?”, I don’t know if it really enhances the story with a visual element. But again, the style itself was well done. Man did he get the Ed Gein look down.

“Did You Hear What Eddie Gein Done?” is a well laid out summary of the Ed Gein story and all the dark and depressing facts it has to offer. The comic aspect doesn’t enhance it, per se, but the overview is comprehensive without succumbing to exploitation or bad taste.

Rating 7: A pretty comprehensive (and therefore deeply disturbing and depressing) history of Ed Gein and his crimes, though the format felt at times unnecessary.

Reader’s Advisory:

“Did You Hear What Eddie Gein Done?” is included on the Goodreads list “Comic Book Club Recommendations”.

Find “Did You Hear What Eddie Gein Done?” at your library using WorldCat, or at a local independent bookstore using IndieBound!