Where Did I Get this Book: audiobook from the library!
Book Description: London, 1887. At the Curiosity Club, a ladies-only establishment for daring and intrepid women, Victorian adventuress Veronica Speedwell meets the mysterious Lady Sundridge, who begs her to take on an impossible task–saving society art patron Miles Ramsforth from execution. Ramsforth, accused of the brutal murder of his mistress, Artemisia, will face the hangman’s noose in a week’s time if the real killer is not found.
But Lady Sundridge is not all that she seems, and unmasking her true identity is only the first of many secrets Veronica must uncover. Together with her natural-historian colleague, Stoker, Veronica races against time to find the true murderer. From a Bohemian artists’ colony to a royal palace to a subterranean grotto with a decadent history, the investigation proves to be a very perilous undertaking indeed…
Review: I’ve finally gotten around to writing a review for the second book in this series! Confession: I read this several months ago…But! There have been several more recent releases that I’ve read between then and now that I wanted to get in nearer their publication date, so here we hare. #blogproblems. Anyways, all of that to say, the delay in this had nothing to do with reservations about the series or this book in general, because turns out, I liked this one just as much as the first, maybe even more!
Veronica Speedwell and Stoker have finally settled into a routine and are excited to set out on their first expedition with their wealthy patron. That is until he trips on a tortoise and has to cancel the whole thing, leaving Veronica and Stoker at a loss with how to fill their time. Wouldn’t it be nice if a mystery would fall on their doorstep right about now? And lo and behold, one does! This time with a murder in a close knit of artist friends and a speculation that the man found covered in blood at her feet may be innocent after all. Now it’s up to Veronica and Stoker to not only get to the bottom of all the shenanigans that this group has been getting up to over the years, but also to unravel a complicated knot of possible relationships and motives to hopefully save the life of an innocent man. Or is he?
Man, I’m just enjoying the heck out of these books! Veronica is such a hoot, and she’s even better in this book, now having found a new pursuit at which to aim her talents and intelligence. Stoker plays the reluctant side kick in front of Veronica’s unparalleled enthusiasm, and it sets a great tone for the series going forward. Further, in the midst of the mystery itself, we get some nice added building blocks to both of our main characters. Veronica is still reeling from the revelations about her parentage that she discovered in the last book. It’s not something that can simply be shrugged off, and specific elements of this mystery bring some of these lingering feelings to a head. Stoker, too, is still managing reconciling his complicated history with his past wife with his growing attachment (mostly just partnership, at this point) with another strong-willed woman.
The mystery itself also plays to both of these characters strengths and there were some fun swaps in gender roles that played for a lot of good comedic value. Stoker, for example, ends up being the distraction for fawning admirers while Veronica sneaks around hunting for clues. The pair also find themselves caught up in an underground…um…risque club? Stoker, of course, is horrified. Veronica is curious and enthusiastic. Which leads to even more horror on Stoker’s part.
The cast of possible suspects was large and I enjoyed many of the secondary characters that were introduced through the artists’ group. However, like the first book, I did find the ending a bit rushed and was able to predict the correct villain and their motivation fairly early on. But for me this didn’t dampen my enjoyment of the story. The writing is swift and sure, balancing excellent comedic dialogue with a never-faltering first person narrator.
One last criticism may be that I feel like the relationship between Veronica and Stoker might be moving a bit slowly, but this might just be due to the mental comparisons I can’t help but draw between this series and the Amelia Peabody series. They are very alike, both with the historical setting and the general temperaments of the two leads. And with that one, we’ve seen how successfully the series moved forward even after the two main characters got married in the very first book. Here, it feels like the author might be shying back a bit out of fear that the romantic suspense is what is driving the story. I don’t believe it is, and I’ve seen how well characters like these can flourish, even if the initial romance has been resolved happily early on. But I just received the third book from the library today, so we’ll see how things progress there.
All told, I enjoyed this second novel just as much as the first. Having already been introduced to these characters and had the partnership between Veronica and Stoker already built, I might even say this was the stronger outing of the two. If you enjoyed the first book, definitely check this one out!
Publishing Info: Scholastic Paperbacks, August 1999
Where Did I Get this Book: own it!
Book Description:Rachel is falling apart. Literally. Her newest morph the ability to regenerate its limbs, but when Rachel demorphs there’s a lot more Rachel than when she started out. One more Rachel, to be exact. Rachel is an okay person to have around. But two could be considered overkill. Especially two Rachels with completely opposite personalities: one is pathetically weak; one is super strong and super nasty.Now the Animorphs have to figure out a way to put Rachel back together again. Because if it’s up to the “twins, ” Rachel the weak will surrender to Visser Three. Rachel the super bold will try to single-handedly take him down. And twice the trouble may be twice as much as the other Animorphs and Ax can handle….
Narrator: Rachel
Plot:
Can that be my plot description? Just not continue? No? Ugh.
Rachel is out on a field trip when she drops a piece of jewelry into the ocean. Of course, this means she must morph the starfish she spots. On her way back out, some rude little kid cuts her in half with a shovel (that kid needs to be hunted down, just like Mean!Rachel thought, but mostly it’s due to the fact that he’s the reason we had to be exposed to this book). From there the chapters alternate between Mean!Rachel and Nice!Rachel. Mean!Rachel meets up with Tobias to go flying, as she had planned. Tobias immediately thinks something is up when she hunts and eats some prey on their trip. Cassie, too, notices that something is up with Nice!Rachel on their trip to the mall. For one, she admits to having skipped out on Tobias, and for two, after getting into a bit of a spat with another customer, she flees the mall crying.
Back in the barn, Cassie lets the group know that something is up and Rachel isn’t acting normal. This is confirmed when Mean!Rachel strides in the door wanting to kick Yeerk butt. Both Rachels are horrified by the other, but through their pieced together story, the group realizes that happens. The starfish DNA somehow allowed Rachel to demorph into two separate people, splitting her personality between them. Before they can figure out what to do next, Erek shows up and announces that the Yeerks are testing a new Anti-Morphing Ray gun. Jake tells the two Rachels to go home and sit this one out.
At home, Mean!Rachel is having none of this and immediately sets off after the Animorphs. Once she finds them, she barrels into the situation with a truck, ramming through walls and getting in fights with Hork Bajir. In the madness, the group manages to escape, but the plan to get destroy the gun is ruined. Back home, Wimpy!Rachel doesn’t know what to do with herself, so she decides to call her dad for comfort. After a very confusing conversation, she arranges to meet with him at the airport the next day and confess everything to him. Mean!Rachel shows back up rather put-out by how “unappreciative” the team had been to her escapades and promptly kicks Wimpy!Rachel onto the floor to sleep.
The next day, Wimpy!Rachel goes to school where both Marco and Cassie test her to see if they can figure out more about what aspects of the original Rachel is in each half of her. Mean!Rachel, of course, doesn’t go to school, but does decide to morph fly and spy on the group when they meet up in the barn at the end of the day. Ax says that he may have a plan to put her together again, but that it could also kill her. Cassie is vehemently against this. But Marco points out that the current situation won’t work either, that Mean!Rachel is too psychotic to left running around. Mean!Rachel flies into a rage, demorphs, grabs Tobias and threatens to strangle him if the team doesn’t agree that she should now be the leader. Jake sidles up and punches her in the face followed by a quick smack from Ax’s tail blade that knocks her out. Wimpy!Rachel shows up in the midst of this and flies into crying hysterics.
After Mean!Rachel wakes up, she heads home. But she’s begun to realize strangeness in her own ability to think, that she can’t figure out what to do next or plan. In her room, she sees the note that Wimpy!Rachel left to remind herself to meet her dad at the airport. With a new mission, Mean!Rachel takes off after her. At the airport restaurant, Wimpy!Rachel tries to suss out whether her father is a Controller, but before she can tell him the whole truth, Mean!Rachel shows up and forces her to leave. Mean!Rachel takes her place and is quite rude the her dad and the staff. She starts a food fight to prevent Wimpy!Rachel from showing up to ruin things and her dad finally has to leave for his next flight.
Back in the barn, the team meets up once again. They still need to deal with the Anti-Morphing Ray. The Yeerks are now up on the game that the Animorphs know of their plans (what with Mean!Rachel’s display the other day), so they have arranged for three trucks to transport the ray which means the team needs to split up. Cassie tells Wimpy!Rachel that they need her to come. Mean!Rachel demorphs and insists on coming along. During these exchanges, it’s made clear that the team doesn’t trust either of them and had been following them when they went to the airport. Ax once again knocks out Mean!Rachel to stop her from coming. And Jake invokes Wimpy!Rachel’s sense of duty to get her to come along, pairing her with himself so he can keep an eye on her.
During the mission, Jake has to continuously threaten and bride Wimpy!Rachel through every morph she has to make since she’s too scared to do most anything. After an “exciting” car chase, Jake and Rachel morph roaches as the truck they’re riding enters a building. They are quickly gassed, however, and knocked out. It turns out that Mean!Rachel woke quite quickly and morphed owl. She then followed the group, specifically her twin and Jake, and ends up in the same building.
Wimpy!Rachel and Jake end up captured. While Jake tries valiantly to keep Wimpy!Rachel calm, she ends up breaking and calling out to the Yeerks that she’ll do anything to be let go. In the mean time, Mean!Rachel had morphed Hork Bajir and casually marched into the room where Jake and her twin were being held. She attacks the Hork Bajir around her, but as she takes them down, the wall slides open and she sees even more Hork Bajir outside the room and Visser Three among them. After the remaining Controllers retreat, Visser Three orders the door to slam and turns on a machine that begins moving the walls and ceiling slowly down, taunting them that they must give themselves up or be crushed.
The boxes that Wimpy!Rachel and Jake had been in were crushed during the madness, so once free, she quickly demorphs. She doesn’t see Jake and Mean!Rachel casually comments that she may have stepped on him during the fight. Wimpy!Rachel can see a plan for escape, but she needs Mean!Rachel to carry it out with her bravery.
Wimpy!Rachel morphs Hork Bajir and calls out to Visser Three, threatening to cut her own throat rather than be infested. The door quickly opens and fly!Mean!Rachel swoops towards Visser Three. From within his ear, fly!Mean!Rachel calls out to Visser Three saying that he must give them their freedom or she will begin to demorph in his head, killing them both. Visser Three flies into a rage but quickly agrees and walks them both out. He leaves in a huff, saying that next time he’ll just kill them.
Jake demorphs next to them. It turns out he had been stepped on, but had been able to crawl his way to Wimpy!Rachel and hide out on her for the journey out. He says that this experience was necessary for both Rachels to realize that they need each other. That Wimpy!Rachel has the ability to think ahead and plan, but Mean!Rachel has the bravery to act. Back in the barn they go forward with the process to merge the two back together. Standing with the hands on each others shoulders, they begin acquiring each other and then morphing one another while Erek jolts them with electricity. It works and the newly reformed but shaken Rachel looks to Tobias to move forward with the knowledge that she is made up of two extremes.
Xena, Warrior Princess: I hate almost everything about this book. The entire plot is ridiculous, but my main frustration comes down to the way that this book mangles Rachel’s character. What always made her one of my favorites was the complexity of her character. In her we have a beautiful blonde who both loves gymnastics and shopping but is also the strongest and most fierce of this entire team. And she is never shamed for her “girly” pursuits. Those aspects of herself are never portrayed as silly or worth nothing when held up against her more heroic aspects. She’s an excellent example of how to write a strong, female character without feeling the need to throw traditionally female aspects out the window.
But here, both parts of Rachel are portrayed in truly despicable ways. For Mean!Rachel, this side should have had her bravery, her recklessness, and yes, her ruthlessness, all tempered with a high sense of practicality. She is willing to make the tough calls when the tough calls are also the most practical call. She’ll set aside emotional moralizing for this, yes. But here, she’s simply violent and there is no direction to her violence. She is just as likely to want to kill her friends as the Yeerks. As we’ve seen in book after book, Rachel is the character who is the first one to jump to the aid of her friends at risk to herself. She would never, NEVER want to kill her friends, not matter how ruthless she becomes. And for all of this, the reasons she wants to kill her friends are for stupid, petty reasons. Again, two more traits that we never see driving the real Rachel.
And then Wimpy!Rachel. For some reason, throughout this entire cluster of a book, we have to listen to Wimpy!Rachel insert the word “like” into every sentence. Real Rachel never spoke like this, so what aspect of herself is this, other than just a poor attempt to make this version of Rachel sound stupid? Her love of shopping and the mall are also reduced to the most basic stereotypes. In past books, we’ve seen Rachel approach shopping as a challenge to be accepted and conquered. Here, there’s none of that, just silliness. Further, her boy-craziness is based in nothing more than even more horrible stereotypes about “girly girls.” Real Rachel never gave even the slightest hint at having boy craziness in any part of her.
Both versions of Rachel are terrible and neither reflects most of the parts of the real Rachel that makes her such an excellent, complicated character. This book does a terrible disservice to all of the character building that has gone into Rachel for the last 30 books and basically it can die in fire for that.
Our Fearless Leader: Jake is clearly at his wits end with both Rachels by the end of the book. He pretty much says they have to agree to try to join back together or he’ll turn them over to Visser Three (a pretty empty threat, however, given their knowledge of the group). He also implies that part of the final mission was to convince both Rachels that they needed the other to help them to agree to the process. I’m not so sure about this, as it seemed pretty hap-hazard that they ended up in a situation that conveniently forced them to rely on each others’ skill sets. It’s not like Jake really engineered that situation. Sure, it worked out well, but I’m sure it wasn’t part of the plan since, in the end, dealing with the Anti-Morphing Ray was a bigger priority, and they failed at that.
A Hawk’s Life: Poor Tobias. In the very beginning, Wimpy!Rachel just ditches him for shopping and then Mean!Rachel hunts and kill some animal in front of him. And then tries to strangle him later in the book! But it was interesting to see that Mean!Rachel continually referenced having respect for Tobias because he was also a predator. To analyze that more than it probably deserves, it’s an interesting clue into part of the reason these two are drawn to each other. They each recognize the need for violence and have to reconcile it with their more peaceful other halves. And, unlike Cassie or even Jake sometimes, both are a bit more at peace with this balance overall. It’s also nice that in the end, once Rachel is back to being herself, she immediately looks to Tobias for support and he immediately picks up on the reason: that he too is made up of two very distinct selves.
Peace, Love, and Animals: Cassie has some good stuff in this book. She’s one of the first ones to notice that something is up with the version of Rachel she’s hanging out with. And then she’s the one to correctly analyze what portions of original!Rachel is in each version, giving Jake the hint that Wimpy!Rachel could be manipulated using her sense of duty. In the end of the book, she immediately asks Rachel is she’s ok and whether she wants to talk about her experience, another example of the solid friendship that these two have.
The Comic Relief: Marco is the other one who is sent to test Wimpy!Rachel to see what’s what. I think he was a bit more subtle about it than Cassie and was able to get some useful information out of Wimpy!Rachel regarding her inability to think quickly in the moment or have much short term memory. He also has quite a few good lines in this book.
E.T./Ax Phone Home: Poor Ax has very, very little in this. I hardly remember if he even spoke. He was the one to come up with the plan for getting the two Rachels back into one, but, again, Erek was the one who really pulled it off, leaving not much for Ax to do. Was he even in this book??
Best (?) Body Horror Moment: I mean, the whole concept of the book really? Being split in half and morphing two of herself? It does bring up some interesting ideas about just how much of one’s body can be lobbed off before demoprhing is a problem. So far, it seems that as long as you’re living, the demorphing process naturally regenerates any lost limbs/body parts. So I’m not sure how the starfish part lines up with this. Best not to think about it too much.
Couples Watch!: This is like adding insult to injury. I always love the Rachel or Tobias books because of the two couples, they often have the most in their books and I prefer their romance to the wishy-washy version that Jake and Cassie have. But what do I get here?!?! Mean!Rachel literally trying to strangle Tobias to death! Great. Just what I want to see. It was interesting to see that Mean!Rachel was much more into Tobias than Wimpy!Rachel.
Adding fuel to my secondary ship, Wimpy!Rachel admitted to Cassie that she could be into Marco. Marco, of course, took full advantage of this, saying at one point that Mean!Rachel could go with Tobias, leaving Wimpy!Rachel to give it a go with him.
But then she has to go too far…
Jake was there. He’s my cousin. He’s cute. Kind of big. I mean, if we weren’t cousins. . ..
Ah, cousins in love.
If Only Visser Three had Mustache to Twirl: You’d think by now Visser Three would have finally, FINALLY, learned his lesson about trying to trap the Animorphs rather than just killing them when he gets a chance. But no, still too egotistical for all that, wanting to bring in more valuable hosts. I’ve said it before though, this plan also makes no sense for a Yeerk who revels in being the only one with a morph-capable body. He is selfish and self-centered enough to want to keep a distinction like that for himself. So why he’s still hesitating to take them out when he has the chance is beyond me. He makes a comment towards the end about next time just killing them. But sure, Visser Three, whatever you say. Empty words and all of that.
Adult Ugly Crying at a Middle Grade Book: Again, another book during which I wept to remember the good books that came before and how far we have fallen to reach this point. There might have been some good stuff in there about Rachel’s seeming estrangement from her mother and need for her father, but there was too much other stupidness going on to even focus on that.
What a Terrible Plan, Guys!: Their last plan to go forward with tracking down the Anti-Morphing Machine in the midst of the Rachel crisis was just a bad idea. Not only did they leave Mean!Rachel behind, knowing full well that she’d simply follow them and they’d have no idea what type of damage she could do (I mean, at this point she was out-right threatening the lives of several of the group, so it’s not out of the realms of imagination to think she could have taken a few of them out, especially when they were all split up covering different trucks). But beyond this, manipulating Wimpy!Rachel to do what was necessary was also a risky choice. We saw several times that Jake barely managed to get her to do what was needed as they went along and he was spending by far more time watching out for her than on the mission itself. All told, they were way too vulnerable and weakened to be attempting a mission like this, and in the end, they failed anyways. And it was STILL probably the most lucky outcome they could have hoped for.
Favorite Quote:
Rachel loses yet another arm in her grizzly morph:
“So you know what I do? I reach down, pick it up, and use it like a club to beat him over the head.” [Mean!Rachel said]
As they’re holding shoulders to start the merge process, finally a moment that sounds like the real Rachel either way:
“Do you, Dr. Jekyll, take Ms. Hyde, to have and to hold -”
“Shut up, Marco, you’re already on my list!” Mean Rachel snapped.
Scorecard: Yeerks 8, Animorphs 12
I’m going to give this one to the Yeerks. In all the Rachel craziness, the Animorphs failed to destroy the Anti-Morphing Machine, so that’s a pretty big hit. Plus, I feel bitter about this book and will unfairly take it out on my scoring.
Rating: The lowest of all ratings. Not only does nothing in this plot make sense with regards to how the starfish thing worked, or, worse, how getting put back together worked, but the character assassination that is done to Rachel is unforgivable. I always look forward to Rachel’s books, and in my mind, this doesn’t even count as a one since neither version of her that we’re given is even remotely familiar to the character we’ve spent 30+ books getting to know. I really have nothing good to say about this book. I had a very clear memory of hating it the first go around and reading it a second time has not changed things.
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Publishing Info: Little, Brown Books for Young Readers, July 2017
Where Did I Get this Book: audiobook from the library!
Book Description: In this third book in the epic Court of Fives series, Jessamy is the crux of a revolution forged by the Commoner class hoping to overthrow their longtime Patron overlords. But enemies from foreign lands have attacked the kingdom, and Jes must find a way to unite the Commoners and Patrons to defend their home and all the people she loves. Will her status as a prominent champion athlete be enough to bring together those who have despised one another since long before her birth? Will she be able to keep her family out of the clutches of the evil Lord Gargaron? And will her relationship with Prince Kalliarkos remain strong when they find themselves on opposite sides of a war?
Review: This review is a long time in coming given how much I enjoyed the first two books in the trilogy since we’re coming up fast on a years since it’s been out! But I will blame my audiobook library queue. I had this one almost finished months ago, and then had to return it to the library and had to wait in line patiently to get it back. Yes, yes, I could have just read a physical copy or done any number of things to get it sooner. But my dedication to one format and the library knows no bounds! Even if that leads me to nonsensical places like writing a review months later and then dedicating an entire paragraph to these very trials and tribulations. Anyways, on to the review!
Things are coming to a head in the fight for the future of Jes’s homeland. And not only are her parents on opposing sides of this battle, but her beloved Prince Kal is finding himself more and more likely to be called upon as a leader in these trying times. While Jes’s prowess as an athlete and the star-power she has won for herself there has gotten her this far, what role will she play as events greater than she ever imagined begin to unfurl?
The story picks up immediately following the events of “Poisoned Blade.” I always like books that could be read as one, continuous story, but coming after a long break between reads, it did prove a bit challenging for me to fall back into this world. There is just so much here! After two books already, Elliott has set up not only a complex and believable world, but one that is peopled and driven by two different cultures with very different outlooks on life, and, importantly, history. That’s not to mention the ever growing cast of characters, all of whom have been slowly revealed to have their own motives in the ongoing conflict. Once I caught myself up again, all of these details fell neatly into place and this same complexity reestablished itself as firmly a plus for the series.
Especially the history aspect of the book. Throughout the series, Elliott has done a thorough deep-dive into what it really looks like to have a history that has only been told by the winners. Through all three books we have begun to see just how thoroughly retold and rewashed events of the past have been, and how now, in the third book, people are trying to reclaim these lost bits of history. This also was carefully crafted and presented. There are no easy pathways and correct decisions that can be made to right the wrongs of the past. And Elliott explores how the choices made in the present will continue to play into this narrative as the future of these two peoples continues to unfold.
Jes, as always, is a great character through whom to view this conflict. As a girl from both worlds, we are given front row seats to her own harsh realizations about what actual change would entail. Throughout the first two books and a large portion of this one, Jes’s outlook on the future has been, frankly, pretty naive. Here she is forced to truly confront her own ignorance of the political powers at play and the limitations that exist for even rulers themselves.
The action takes a swing away from the excitement of the court of fives games that has made up much of the other books. With stakes as high as these, there simply isn’t room for these type of trials as often. However, even with that being the case, I was impressed by how neatly Elliott was able to tie this aspect of the story into the greater conflict as a hole. Don’t get me wrong, Jes’s skill as a competitor is still important and relevant to this book, and the few races we saw all had incredibly high stakes and were just as thrilling as always.
However, the real action came back to the conflict itself. We saw more battles, more personal struggles in Jes’s ongoing conflict with Lord Gargaron, and a epic resolution to the entire chain of events that was both heartbreaking and incredibly satisfying. Elliott doesn’t back away from the ugliness that would take place in an overthrow of this kind, even with the most benevolent and wise of leaders at its head. Further, Jes and Kal’s romance does not get the “magic wand” treatment and they, too, much confront the challenges of any future they may have together.
I thoroughly enjoyed this final installment in the trilogy. I did knock it down one point from the previous two, simply because there were portions in the beginning and middle of the book where the pacing seemed off (events would move quickly, only to suddenly lag for several pages). This book had to fit a lot into one story and there were times where I felt like it had a few missteps simply due to the challenges of getting it all in there. But that said, this was still a thoroughly enjoyable read and very gratifying end to a solid fantasy trilogy.
Rating 8: An epic conclusion to a high stakes fantasy trilogy, full of action, heartbreak, and an introspection on what it means for a nation to rediscover its history and reclaim its future.
Book Description: They are the wild and the broken. The werewolves too damaged to live safely among their own kind. For their own good, they have been exiled to the outskirts of Aspen Creek, Montana. Close enough to the Marrok’s pack to have its support; far enough away to not cause any harm.
With their Alpha out of the country, Charles and Anna are on call when an SOS comes in from the fae mate of one such wildling. Heading into the mountainous wilderness, they interrupt the abduction of the wolf–but can’t stop blood from being shed. Now Charles and Anna must use their skills–his as enforcer, hers as peacemaker–to track down the attackers, reopening a painful chapter in the past that springs from the darkest magic of the witchborn…
Review: This is going to be a really challenging review to write. For one thing, I have read all of the other books in this series, but they were all before Kate and I started this blog, so the progression of my feelings for this particular series isn’t already documented. I’ll try to discuss that a bit in the beginning to lend some context to this review. My feelings are also all tied up because a very small moment in this book has a massive effect on not only this series, but also the Mercy Thompson series which I have been reviewing here. I’m still not even completely certain if my ultimate rating is accurate. So with that super clear and stellar intro, let’s get into it, shall we?
This story takes place directly after the events in the last Mercy Thompson book, thus Bran is still away overseas. This leaves Charles and Anna in charge of managing the pack back home in Montana. All seems well until the some of the more dangerous members of the pack, those so wild that they live removed from the others out in the wilderness, begin to report being pestered and attacked by strangers with powerful magical tools. But how are these strangers even aware of these far and removed wolves and what do they ultimately want?
As I said, I’ve been reading this series right alongside the Mercy Thomspon books, as Briggs seems to release one book from either series almost yearly. I’ve had my up and down moments with the Mercy books, but overall, I’ve always enjoyed her as a character and had a fun time with those books. Not so with this series. For some reason, Anna’s more passive character has never seemed to translate well for me, and combining her with the often stoic and reserved Charles does nothing to add any more energy to the story. What’s worse, I’ve felt that the books previous to this have been pretty light on the action over all, leaving most of the story to be carried by characters alone, something that I never felt either Charles or Anna were up to.
So that’s what makes this story particularly hard. For the most part, action-wise at least, I enjoyed this book way more than I have other entries in the series. Particularly the one that came directly before this, “Dead Heat,” which I barely made it through out of sheer boredom. Here, the action takes off almost immediately and the tension and mystery remains interesting throughout the story. While I still did get to a point where I was over halfway through the book and wondering when the main plot was going to get going, I still had had enough action in smaller moments to keep me on board. I particularly liked the addition of a few new wolves in the half-crazed wildlings that live on the periferary of the Montana pack. One in particular, a crux point for the entire story, had a very compelling back story and new take on how one becomes a werewolf and how ones life prior to this change can affect their life going forward.
I also liked the way witchcraft was brought into this story. There were some new magical weapons that were introduced, and an longer story arc was referenced that I could see continuing to play out in exciting ways in both future books in this series as well as in the Mercy series.
Charles and Anna, too, were fairly strong in this one. While I still don’t enjoy them nearly as much as Adam and Mercy, they were interesting enough here. Anna’s passivity still makes her not the most interesting character, but her unique Omega powers were used in a new way that lent some new depths to her character. We also had some ties to her past that reinforced some of the challenges that she still struggles with. Charles was…Charles. Not much changed there, but oh well.
So, with all of that, I would rate this book on its own around a seven. I probably would have rated most of the other books in this series around a 5 or 6, so a 7 is a marked increase for me in general enjoyment. And yet, as you can see, it has a 4.I really can’t discuss the reason for this drastic drop without spoilers. So for those who still want to read this book, spoiler free, just know that there is a particularly conversation that massively retcons a certain character that has, in my opinion, a dire impact on both this series and, maybe even more so, the Mercy series. But for those want to know, spoilers below!
It’s bad guys, it’s real bad.
Apparently, Bran has had romantic feelings for Mercy since forever. And both Charles and Anna, and probably Leah, and pretty much everyone but Mercy (AND THE READERS) have known about this the entire time. I have so many problems with this, let me list the ways:
First and foremost, we have had ZERO indication that this is the case through two entire series made of 14+ books. That’s a whole lot of writing in which this was never referenced in even the slightest way. Every discussion about Bran and Mercy’s relationship has firmly framed it as a father/daughter relationship. Nothing Bran has done or said has indicated anything else. Nothing Mercy has said or thought has indicated anything else. And no other character, even in passing reference, has even hinted that there is a romantic element to all of this. It’s a retcon in the most clear way.
This is hugely upsetting and pretty much ruins Bran’s character. Up to this point, Bran had been one of my favorite characters in the series. He is supremely powerful, but has hidden it successfully for centuries. His love (fatherly!) for and loyalty to Mercy were always touching moments, especially for a character whose own real parents were largely absent from her life. Now he’s a pedophile. There’s just no way around this fact. Bran sent Mercy away from the pack when she was a teenager, fifteen or sixteen I think. He did this to prevent his own son from pursuing a relationship with her, knowing that the age difference and differing motives (Sam just wanting kids who will survive) made it an almost predatory situation for Mercy. She then spent the rest of her growing and adult years removed from Bran and the pack. So what this entire conversation between Charles and Anna sets up is a horrible, pedophilia-based interest from Bran in Mercy. Charles and Anna discuss that Leah’s poor treatment (abusive in its own right) of Mercy was largely due to her own knowledge of Bran’s feelings for Mercy. From what we know, Leah was terrible to Mercy almost always, meaning that Bran had romantic interest in Mercy from when Mercy was a very young child. Even in the best light (which again, doesn’t work with the Leah timeline), Mercy was only 15 when she and Bran were living in the same pack and had a relationship together. 15!!! And he’s thousands of years old!!! And the entire reason he sent her away in the first place was presumably because of his own son’s age (and the child stuff).
This entire thing also puts a horrible spin on Leah’s treatment of Mercy. It was always bad and cast probably the darkest shadow (up to this point) on Bran’s character that he didn’t stop it. Again, Mercy was a child and Leah tormented her to the point where Charles, in this book, admits that he followed Mercy when she was alone to make sure Leah didn’t try anything, hinting that he had legitimate concerns that Leah could do something extreme to Mercy. This book proceeds to try and make Leah a more sympathetic character by setting up this “Bran having feelings for Mercy” thing. As if Leah has some sort of right to be angry AT A CHILD for inspiring wildly inappropriate feelings in her mate, and in some ways Mercy had the bad treatment coming.
Anna, too, is ruined by this, because at one point she says she “understands” Leah and would “feel the same way” had Charles had similar feelings. Anna is supposed to be a character whose empathy and social awareness makes her unique among a species prone to emotional denseness. And this is terrible, to at all relate to essentially a mother who abuses her child (to the point that others fear for the child’s life) because the father has an inappropriate fixation on said child. For Anna to be on the wrong side of this situation, to be casually talking (and smiling!) about it as if no part of it is that big of a deal, other than pack gossip, pretty much ruins what is supposed to be her “super power.”
This is a small thing in the grander scheme of disgustingness that is this entire situation, but we now have almost every male character in this series falling in love with Mercy. It was bad enough before with Samuel and Stephen, but now it’s just gone to a crazy level. As if no man is capable of having a healthy, platonic relationship with her without succumbing to wanting more.
I really can’t say enough about how upsetting this turn of events is. It’s truly going to make it difficult to continue with either series. If taken as fact, it makes Bran a despicable character, a predator in the most base sense, and someone who can only be seen as a villain going forwards. Any interaction between him and Mercy has now retroactively been made cringe worthy to read, and going forward impossible to support. I honestly don’t know how Briggs can fix this or if she even will try. I’ll probably read the next Mercy book just to find out, but I don’t really have any hope for the situation. Other than killing off Bran, I don’t know what can be done. And even that still leaves it very difficult to go back and re-read the other books in the series without feeling incredibly uncomfortable and put off. If I could just tear these pages of dialogue out of the book and pretend I had never read them, I’d be so much happier.
So, that’s my feelings on that. As you can see, I massively downgraded this book because of what is only a short conversation, but one that has dire consequences for this and the Mercy Thompson series as a whole. And it’s too bad, because on its own, I liked this book the best of all the others in this specific series. But if I could, I’d rather have not read it at all and kept my good feelings about Bran and the Mercy Thompson series instead.
Rating 4: Honestly, if you’re a big fan of the Mercy Thompson series, I wouldn’t read this. It does more damage to those books than the good it does for its own series, in the end.
Book: “My Plain Jane” by Cynthia Hand, Brodi Ashton, and Jodi Meadows
Publishing Info: HarperTeen, June 2018
Where Did I Get this Book: Edelweiss
Book Description: You may think you know the story. After a miserable childhood, penniless orphan Jane Eyre embarks on a new life as a governess at Thornfield Hall. There, she meets one dark, brooding Mr. Rochester. Despite their significant age gap (!) and his uneven temper (!!), they fall in love—and, Reader, she marries him. (!!!)
Or does she?
Prepare for an adventure of Gothic proportions, in which all is not as it seems, a certain gentleman is hiding more than skeletons in his closets, and one orphan Jane Eyre, aspiring author Charlotte Brontë, and supernatural investigator Alexander Blackwood are about to be drawn together on the most epic ghost hunt this side of Wuthering Heights.
Review: I picked up the first book in this series (?) pretty much on a self dare: how could the tragic story of Lady Jane Grey somehow be turned into a fantasy/comedy YA story and NOT be terrible? Well, I was definitely proven wrong, so when I saw this book coming out, I did nothing more than glance at it, see that it was somehow a Jane Eyre retelling, and instantly request it. Seriously, I didn’t even read the actual book description, because I was surprised as heck that there were two other narrators when I actually started reading, even though it states it right there in the blurb. Anyways, long story short, I loved this book.
Jane Eyre is working as a teacher at the orphanage/school where she was raised, alongside her friend Charlotte Bronte. Their quiet, but not so happy, lives are interrupted with the arrival of ghost hunter extraordinaire, Alexander Blackwell, who sees in Jane a powerful addition to the supernatural services organization for which he works. Jane doesn’t see it the same way and flees to be a certain governess at a certain dark and creepy house with a certain brooding gentleman in residence. Charlotte, on the other hand, is all too willing to prove that she, too, has what it takes to hunt ghosts and gets herself involved, like all good heroines do.
It’s really hard to blurb this book as so much of the plot is caught up in the twists that the authors are constantly lobbing into what is a very well known classic tale of tragic love. And man, I don’t want to ruin the surprises that are in store! In many ways, I enjoyed this book even more than the first book. Other than her terrible end, I didn’t really know anything about the history behind the original Lady Jane Grey and, from what I do know, the story veered from that path pretty early on to allow for our leading lady to have a proactive role, rather than sitting alone and doomed on a throne for a few days.
But here, I am very familiar with the original plot line of “Jane Eyre” so watching the story unfold in a completely unexpected way, artfully tying in characters and events that mirror those from the original but who show up and do things that I would never have guessed was an utter delight. For all that we gain two additional characters, one of whom is the author of the original book in question, it was truly impressive how closely these authors managed to tie it all together with that story. They also neatly explored some of the criticisms that can be thrown at the door of the original, as well.
As characters go, I actually ended up enjoying Charlotte and Alexander more than Jane herself. Charlotte has the go-getter gumption that I like in my leading ladies, and Alexander was appropriately put off but also endeared by her, which I like in my romantic heroes. This all left poor Jane to still have to fulfill the role of the one who falls in love with the very brooding, slightly suspicious Mr. Rochester. Yes, things don’t all turn out as they do in the book, but given the dueling goals of retelling the story while also criticizing some of the peculiarities of its romance, this left Jane in the awkward position of having to mimic some of the foibles (at least they are presented as foibles in this view of the story) of the original Jane as well. But, don’t get me wrong, the book takes a massive turn halfway through the story, and in the latter half Jane gives it as good as she got.
I’m sure this was true of the first book as well, but what stood out to me the most in this one was the bunches of fun I was having simply spotting references to other pop culture memes and moments. I know that “Ready Player One” has come under a lot of fire (I don’t think deserved, save it for the second book!) for being nothing but a loose plot full of 80s references. And while I had fun with that book and those nods, I’m not a pop culture aficionado like Kate, especially not about the 80s, so I’m sure I missed the majority of the more subtle Easter eggs. Not so here! These are the kind of references that I can get behind. We have “The Princess Bride,” “Harry Potter, ” “Ghostbusters,” “Lord of the Rings” and so many more! They were everywhere, and what made this even better was how artfully they were sewn into the story itself. It never felt like they were shoehorned in, but instead each reference came about in a natural and often very subtle way.
I again loved the way that the authors wove supernatural events into this story. Yes, it’s probably a bit easier to sell a ghost story with actual ghosts for “Jane Eyre” than shapeshifters in a real historical event like with the first book, but there are still a million ways this thing could have gotten away from them. Instead, the entire production felt tightly controlled and masterfully directed the entire time. The characters each had distinct and interesting character arcs, the magic was well thought out and integral to the story itself, and the original “Jane Eyre” was deftly retold and lampooned at the same time. I zipped through this book in one day! If you enjoyed “My Lady Jane” or are up for a good comedy version of “Jane Eyre,” than I definitely recommend checking out “My Plain Jane.”
Rating 9: Adding comedy, magic, and bucket loads of literary references only improves this retelling of “Jane Eyre.”
Book Description:Jake’s dad and brother Tom have left for a meeting of The Sharing, where Tom may force their dad into involuntary Yeerk infestation. Jake must save his father, but for the first time, his quick-thinking tactical mind freezes up … with everything at stake.
Narrator: Jake
Plot: Another one where I only had vague memories of the entire plot. I knew that it was a big Tom book and that Jake’s leadership came under question. And then the entire read through I was wondering why they didn’t just break Tom’s leg, and then they do in the end, so that entire thought must have just been an extremely vague memory of that specific plot point. And now after reading it, my main take away is:
Jake and Marco nooooo!!!
Jake arrives home to see his mother getting in a taxi crying. It turns out that Jake’s Grandpa G has died, and the entire family is going up to his remote cabin in the woods to prepare for the funeral. Jake, Tom, and their Dad will come up in a few days and stay for four days. Four days, one day past the three day limit that will lead to starvation for the Yeerk in Tom’s head. This presents a problem, especially when Jake’s Dad refuses to budge on insisting that Tom come on this trip. (We’ll give Jake a break for emotional distraction, but he doesn’t realize that this four day limit will be a problem until he runs into Marco and after telling him the whole story suddenly realizes ah, that’s why Tom as so upset.) What’s worse, Marco points out that Jake shouldn’t have left Tom alone with Jake’s dad, surmising that he might do something desperate to get out of this trip.
When the two get back to the house, Tom and his dad are gone, but there is a crumpled note in the trash (Tom through it away to cover their tracks) from his dad saying that he and Tom are going to the Sharing so he can explain why Tom will need to be away. Jake and Marco know the truth: they’re going to try and infest his dad with a Yeerk. Still panicking, Jake thinks to have the Chee track his father down. Marco steps in saying they need to be careful and use a pay phone so they’re not tracked. The Chee have Jake call his dad’s cell phone so they can track its location, but to make sure to stay quiet so the Yeerks won’t get suspicious. When Tom answers it, Jake almost speaks and Marco has to lunge to get the phone away from him before he reveals them. The Chee narrow the location down to a few blocks and Jake and Marco morph birds to check it out.
They arrive at a mini mall where Jake spots his dad’s car in the lot. He starts to morph tiger and once again Marco has to pull him back, pointing out that they can’t barge in and make it known that the “Andalite bandits” have any interest in this. Instead, gorilla!Marco begins setting off car alarms, punching Jake’s dad’s car and Chapman’s car for extra fun. Tom, his dad, Chapman and few other Controllers come out. Jake is able to confirm that his dad is still free when Tom tries to convince him to leave the car and come back inside. But Jake’s dad refuses, saying he needs to take care of his car now.
The group meets back up in the barn and discuss the general crappiness of the entire situation. Rachel is mad that Marco and Jake went in alone, Tobias is confused by family dynamics having had a terrible aunt and uncle his entire childhood, and the group as a whole recognizes that there is no larger fight going on here, but that it’s a terrible position for Jake. They all come to the conclusion that there is a good chance that Tom will simply try to kill his dad as a way out of this situation and that they will all need to go on surveillance to try and prevent it.
The next day, roach!Jake follows his dad to work, hitching a ride on his dad’s pants leg. At the doctors office, Tobias spots an angry looking guy lurking around the entrance. But throughout the rest of the day, nothing of note happens. On the way back out, the angry looking guy is still there. Tobias and Ax ask Jake what they should do, and Jake freezes. Deciding to go with the “gross out” method, roach!Jake runs up the angry man’s body and perches on his hair. Just then, Tobias swoops down and tries to rake his hair, but instead ends up with the toupee and Jake caught in his talons. Jake realizes that because of his freeze, Tobias and Ax made the wrong call, exposing weird animal behavior that could have been spotted by Yeerks. And all for nothing, as the angry man just had a beef about parking spots.
Back home, Jake tells Tobias and Ax to head out and no need to send reinforcements, he’ll cover it. After dinner, Jake notices that Tobias is outside, clearly having ignored his instructions to go home. Jake decides to join him for a bit and morphs falcon. From the air, the two of them spot Chapman and another man with a gun in a car heading their direction. Jake frantically swoops down and starts to demorph on his own roof, in plain sight of anyone who would be looking. As he demorphs, he slides down the roof and is dangling in front of a window. Tom is facing the other direction on the phone, the only reason Jake isn’t spotted. Jake overhears Tom telling someone on the phone that his dad is outside, take the shot. Finally demorphed, Jake drops to the ground and rushes around to volunteer to finish watering the lawn for his dad. As the car drives by he “accidentally” sprays it with the hose, and they continue on.
Again in the barn, Tobias relates everything that happened that day (Rachel and Ax are away watching Jake’s house). No one is too impressed with Jake, not only for freezing up in the parking lot but for demorphing in plain sight. Even Cassie doesn’t come to his defense. But Marco is the most harsh.
I glared at him. “You’re enjoying this, aren’t you? This is payback for when I doubted you over your mother.”
“I was ready to do what had to be done,” Marco said.
“So am I!”
“No. You’re not. You endangered all of us. You demorphed on your roof! On your roof! In daylight. With your brother in the house! If Tom had seen you do that you’d be head down in the Yeerk pool right now, and the rest of us would be standing in line behind you!”
Marco insists they take a vote on what to do next, saying that Jake’s not in a position to make a good call. Cassie, through silence, sides with Marco, surprisingly. They assume that Ax will take himself out of the vote and Rachel will side with Jake. Tobias essentially defuses the situation by saying they need to come up with a plan that isn’t just reacting to what’s going on. Jake bursts out that he has such a plan: capture Chapman and use him as a distraction so the Yeerks won’t have the time/energy/resources to focus on Tom’s problem.
To pull this off, they go for the very unsubtle route. Rhino!Jake, grizzly!Rachel, gorilla!Marco and partially human morphed Ax (to make his human more unrecognizable) all barge into Chapman’s house under the pretense that Ax is a friend of Melissa’s. There they bring down destruction (with a near miss of Marco being shot and just being able to demorph/remorph), but manage to nab Chapman in the end and smuggle him to a nearby house where they tie him up and begin the charade. Ax is tasked with convincing Chapman that the Andalite bandits have captured him to torture information out of him.
The next morning Jake checks in on Ax who has had enough with this entire plan. He tells Jake that this was a dishonorable plan, to be threatening torture. Then, after deliberately leaving behind some broken glass, they leave Chapman behind for him to “escape.” Back home, Jake tells the others that his family is leaving at noon, but really they leave in the next two hours. After all of the missteps on his own part, Jake has decided that this is his problem to solve on his own.
After a tense ride, they find themselves at the cabin and reunited with Jake’s mom and other members of his family. Jake’s grandpa had fought in WWII, and while discussing this, Tom makes a few insensitive comments about wars and sacrifice. He and Jake go up to the attic to look through some of their grandpa’s things. There, Jake tries to get through to his brother Tom one last time, hoping to get a glimpse of him beyond the Yeerk’s control. They again discuss war and what parts honor and courage play in it. They discover some medals of honor and an old Nazi dagger that their grandpa must have retrieved from a fallen soldier. Jake insists that Tom not take it, knowing that the Yeerk would like to use it to kill Jake’s dad.
Later that night, Jake has disturbing dreams about being in a war, freezing in the trenches and wishing for the fighting to be done. He wakes up and sees that Tom’s bed is empty next to him. He goes downstairs and sees that his father is no longer asleep on the couch with his mother. Outside, he sees his father and Tom sitting together on the dock on the lake. Peaking out of the back of Tom’s pants is the Nazi dagger.
Jake starts to morph tiger, knowing that this is what it has finally come down to, him having to kill Tom. But before he can even finish the morph, he hears a loud crash and watches the dock collapse into the water. Both Tom and his father go under. Even more strange, his father, who is a good swimmer, is bobbing up and down in the water, being pulled somehow away from the dock and Tom. While Tom tries to keep his eyes on his dad, a dolphin fin appears in the water and rams him in the back, leaving him to float face down in the lake. Jake hears one of the Animorphs thought speaking to him to demorph, that he is out in the open in a partial form.
He is unable to get to Tom whom he is sure must be drowning with his face in the water. But suddenly Tom’s body begins skimming across the water being pushed from below. Jake grabs him and he coughs, coming to. His leg has been broken badly, however.
In the end, Tom is taken on a medical helicopter all the way back to their hometown. The next day, Jake goes out in the woods and meets up with his friends who explain how they did it. Tobias watched the house and notified them when Tom and his father left. Whale!Cassie managed to drag herself through the shallows and ram the dock, crashing it into the water. Rachel and Ax as dolphins broke Tom’s leg and dragged his father to safety. Looking around, Jake asks where Marco is. Cassie says that he’s hanging back, unsure how happy Jake would be to see him. He finally comes out and Jake notes that this all had to have been his plan, which he admits. Marco adds that the Chee helped: they were the ones who showed up in the helicopter and insisted that Tom be flown all the way back to their home town.
Jake admits that he was too close to everything, that he should have seen this solution of injuring Tom sooner. Jake takes Marco aside and thanks him for what he’s done. Jake hesitates, and then asks what the plan was going to be if Tom hadn’t made himself vulnerable by coming outside late at night with his father. Marco is silent, but Jake pushes, saying that Marco had to preserve the safety of the group and keep Jake alive. Marco finally agrees and coolly lays out his reasoning: If Tom killed Jake’s dad, Jake would kill Tom, and Jake and the others would be exposed. The expendable piece was Tom. He doesn’t finish saying what they would have done had Tom not come out before Jake stops him, saying he doesn’t want to know.
Back home, Jake looks at his Grandpa G’s medals and reflects on the fact that they had been stored away in a box in the attic and not on display. As a soldier himself, Jake understands this, that living it once is enough without being reminded constantly. He decides that if he is ever awarded any medals for the war with the Yeerks, he too will need to find a box for his attic.
Our Fearless Leader: It’s been a while since we’ve had a big Tom-related moment, let alone an entire book. It’s easy to forget that Tom was the reason that Jake signed on to this war to begin with. And here he is presented with the terrible decision to essentially choose between his brother and his father. It’s no wonder that he breaks down.
As readers, we’ve seen the inside of Jake’s head several times before and know that the confusion and fear that he feels pretty much constantly about his own abilities to lead this group effectively. He’s constantly asked to make split second decisions, many of which put his friends in mortal danger. In the very last book we saw him pretty coldly agree that Marco’s plan to kill his own mother was the best route to go. But what the other members of the group see is simply his effectiveness and sure handedness. So you have to imagine that witnessing him break down like this had to be a shock for the group. Again, as a reader, it didn’t strike as hard because we’ve seen Jake have these same moments of panic in the past. But here they really start affecting his outward behavior and choices.
Some of the strongest moments came outside of the Animorphs action and instead focused on Jake inner thoughts about war, honor, and what the choices that are asked of soldiers really mean in the larger scale of things. Particularly, he discussions with Tom about these things. Through Tom, the Yeerk is essentially presenting the case for the entire Yeerk forces’ view on war: there is only room for honor when the war is finished, while Jake is arguing the other side, that right and wrong always exist.
Xena, Warrior Princess: Rachel does very little in this book. She’s along for a few missions, but she’s also absent during one of the biggest debates when Marco brings up voting on Jake’s leadership abilities. Jake immediately says that Rachel would side with him, and no one questions this. I’m not really sure why this was so assumed. Looking at almost all of the previous book in which there is some type of vote, Rachel almost always sides with Marco. So much so, that when she doesn’t in the vote to make David an Animorph, Marco remarks on it as a surprising divergence from their usual like-minded way of thinking. She’s also proven herself to be more than willing to step into a leadership role if Jake is out of it for some reason, like we saw when he was sick and they were all eels in the pipes. So it’s not like she is unwilling to consider alternatives to Jake making the calls. I mean, for plot reasons Marco’s vote had to go against him. But I think it’s a mischaracterization to present it as if Rachel would have voted this way.
A Hawk’s Life: Tobias is present both times that Jake errs in his leadership abilities, first freezing up in the parking lot and then demorphing in broad daylight on the roof. He is able to cooling tell the group what happened and Jake notes that he does it without judgement. But when Jake starts pushing back against Marco’s harsher view of things, Tobias, still calmly, tells Jake that Marco is right: Jake’s been out of it and he isn’t putting the group and their larger war first and it could be disastrous. But when it comes down to a vote, Tobias is also the one to essentially diffuse what was becoming a pretty heated moment by redirecting the conversation away from the vote and onto the fact that they should be on the offensive rather the defensive with this situation. This allows Jake another opportunity to come up with his own plan, to capture Chapman.
Peace, Love, and Animals: Like Rachel, I’m not sure whether Cassie’s characterization in the vote scene is spot on. I get that the fact that her not immediately siding with Jake is meant to highlight just how out of it he is, if even Cassie is questioning his decisions. But the fact remains that this book is coming directly after Marco’s book, and it just doesn’t make sense for Cassie to switch positions on this, especially when the person in question is Jake. If anything, the same concerns she had in Marco’s book should be present here, and even more strongly. But beyond that, she’s always had complete faith in Jake’s abilities, and I’m not sure either of his mistakes up to this point would be enough for her to question that. Unlike Rachel, for instance. I think the swap of their votes was done more for the “shock factor” than as a true portrayal of how these two characters would have acted in this situation.
The Comic Relief: Marco was by far the MVP of this book. Everything with him was great and I loved how it built off the fact that this was happening immediately after his own nightmare situation with his mother. It’s hard to count how many great moments there were from him. We had the parallel situation with him and Jake as we saw with him and David when it came to calling up Jake’s dad (reminding them both to use a pay phone rather than a trackable phone, stepping in when both Jake/David were about to slip up and give up crucial information). We had him calling out Jake on his bad decision making (though perhaps it was a bit much to be coming down on him about the public morphing given the, ahem, elevator scene from the previous book).
In many ways, I think the last book was a turning point in Marco’s character. Up to that point, he knew that he was probably one of the more clear-minded members of the group as far as completing an objective in the most direct manner, regardless of collateral. But after that book, he seems to admit his own ruthlessness. He knows that he is capable of doing the unthinkable, killing his own mother (he would have if Jake hadn’t knocked him out of the way) and that he is also the most capable of putting together a clear plan because of this ruthlessness. Not only does he not pull any punches when noting Jake’s priorities being out out of whack, but he early on sees the clear reality of the situation: Tom is the expendable piece. And he comes up with the plan to take Tom out, preferably by injuring him. But in the last conversation between him and Jake, we know that Marco had another plan for the more dire outcome, if that became necessary.
E.T./Ax Phone Home: Ax has a very strong reaction to his role as faux interrogator/torturer of Chapman. This is probably one of the biggest moments for Jake to realize just how completely off the reservation his thinking has become. Ax is typically a “yes” man, and here we see him push back strongly against his Prince saying that this was the wrong thing to do, it was dishonorable, and while he’ll complete this mission, he will not do something like this again. That last bit in particular stands out as very rarely does Ax make statements like that, especially to and against Jake.
Best (?) Body Horror Moment: I can’t remember any real gross out moments from this. I mean, Jake morphs a cockroach and that’s never pleasant, but we’ve also read that one so many times that the shock factor is kind of lessened. He does effectively use the grossness of the roach itself to freak out both his dad (unintentionally as he tries to hitch a ride) and the angry parking lot guy (intentionally, in case he was a Controller).
Couples Watch!: Early in the book when Jake first finds out about his grandpa’s death, he has a moment where he wishes he could talk to Cassie about everything. Instead, he runs into Marco. Probably for the best, given the events that followed, but it’s still notable that Cassie is more and more who he turns to for support. Marco, while still his best friend, is also something more now, and Jake seems to recognize that the tactician in Marco can never quite turn off now.
Another moment is when they are first discussing Tom’s situation. Tobias is confused and asks why Tom doesn’t just say he’s not going and be done with it. Tobias genuinely doesn’t understand family dynamics in this matter, as he slowly realizes that his aunt and uncle only didn’t push back against his own refusals to do things because they didn’t care about him.
Rachel, of course, is having none of this:
“Your relatives are jerks and they didn’t deserve you,” Rachel snapped.
If Only Visser Three had Mustache to Twirl: Another rare book where Visser Three doesn’t even make an entrance!
Adult Ugly Crying at a Middle Grade Book: I mean, like Marco’s book, the whole thing is fairly tragic, with Jake’s slow realization that his father’s and Tom’s lives don’t really matter in the larger scheme of things. Especially when he stops Marco from telling him what the plan was in the end to take Tom out of the equation. He doesn’t even berate Marco for this anymore, some part of him recognizing that Marco was right.
But I think one moment that really stood out was about Tom himself. After Jake manages to break up the attempted shooting of his father in the front yard, he turns around and sees Tom watching from the window, hatred in his eyes. But Jake knows that his real brother is still there and that he had to helplessly watch as the Yeerk set up his father to be gunned down in his own yard and couldn’t do anything about it but watch from a window as his younger brother “luckily” steps in and stops it. It’s another reminder of just how awful the life of the host of a Yeerk must be.
We also get another rough Melissa moment, when Jake and Ax discuss the fact that Melissa has been wandering the streets crying and calling for her dad while they have him tied to a chair and are threatening to torture him.
What a Terrible Plan, Guys!: Well, a lot of this book is centered around the idea of Jake coming up with terrible plans due to being emotionally compromised. I guess three really stand out to me, though.
One, I get that the “capture Chapman” plan was meant to distract the Yeerks from Tom’s situation. And we have to assume it worked as nothing happens to Jake’s dad. But from a reader perspective, we have nothing really to base this on. We don’t see any Yeerk plans fall apart, and it ends up largely feeling unnecessary. Even a small thing, like seeing cars with Controllers who had been staking out Jake’s house pull away after hearing about Chapman would have been enough of a nod that something had changed because of this. But as it was, we never knew what/if the Yeerks had any plans for that night, so we can’t see any change when nothing happens.
Two, Marco’s plan in the end is good. Just injure Tom enough that he had to go back. So good in fact that it is kind of questionable that they didn’t think of this before. In the days leading up to them leaving, I feel like there had to have been a way they could have done something similar that would have forced Tom to stay home in the first place.
Lastly, why oh why is Tom still trying to kill Jake’s dad once they get to the cabin? I don’t quite get how murder is going to get him to a Yeerk pool any faster, and if it has to be murder, why it is so specifically the dad, when, as far as the Yeerk is concerned, anyone would do. Frankly, Tom is sharing a room with Jake. Easier to just murder your sleeping brother than anyone, if that’s really the plan. But again, why is this the plan at all? Even the Yeerk should have come up with the “break my own leg” way out of this.
Favorite Quote:
A good moment from Marco:
“You need to back off on this,” Marco said quietly. “You can’t make this call. Not about your dad and your brother.”
“You made it when it was your mom,” I said.
Marco shrugged.”Yeah, well, that’s me. If it’s any comfort to you, I’d like myself more if I was like you. But the question here is, how far do we go to protect your father?”
Also, a lighter moment, just after human!Ax has asked Mr. Chapman to go get Melissa about a homework assignment:
“Good,” Ax said. “She is my close friend and also classmate and thus this is a perfectly normal thing for me to do.”
Scorecard: Yeerks 7, Animorphs 12
No change! I think someone even notes that this had no effect on the larger war at hand. It was just a personal crisis for Jake himself.
Rating: I really liked this one. It was great to have another Tom-focused book, and this one really capitalized on the events of the previous book, playing with the differences between Marco and Jake in these similar situations. We see the aftermath for Marco’s character in going to the dark depths he did in his book, and Jake, too, has to confront the harsh realities of the situation with his brother. We know that his whole reason for joining this war was to save Tom, and for those of us who know the end, we know where that leads. This book is almost perfectly positioned in the middle of the series, and it’s an interesting point for the the story and Jake to come back around to Tom’s place in this war and what his life means in the scale of things and how that is changing as the war continues.
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Publishing Info: Bloomsbury USA Childrens, June 2018
Where Did I Get this Book: ARC from the publisher
Book Description: Caro Oresteia spent her life waiting to be called by the river god, as those in her family had been for generations. But when she’s swept away on an adventure to save the Akhaian royal prince, Markos, her destiny is sealed by the sea god instead.
For now, Caro is landlocked, helping Markos reclaim his throne after nearly his entire family was assassinated in a political coup. Without any financial or military support, Markos is desperate for allies, and Caro has fought off more than one attempt on his life. When a powerful Archon offers his army in exchange for Markos’s marriage to his daughter, Caro must choose: Her love for Markos, or the fate of Akhaia? And more importantly: How much is she willing to risk to defy the sea god’s wishes and chart her own course?
With shipwrecks, lost treasure, old and new enemies, dark magic, and breathtaking romance, Sarah Tolcser weaves another epic story about chasing your fate.
Review: Remember a time, not so long ago, when “Pirates of the Caribbean” was actually acclaimed and not a national joke? I mean, those first few movies were a blast! I may, may, have even seen the first one in theaters three times. I remember being almost giddy over just how much unadulterated, unquestioned fun that first movie was offering up. Adventure! Romance! Great characters! And some top notch humor that the other films never seemed to really understand or replicate in all the many, MANY, iterations that followed. So you can imagine just how thrilled I was when I discovered about halfway through this book, that “Whisper on the Tide” was essentially what you’d get if you took that first movie and then took Kiera Knightley’s character from the third movie, but actually made her, you know, a good character and had her run the show.
While Caro has finally discovered her true calling, with the goddess of the ocean in her ear and a ship to her name, her time of late has been spent decidedly NOT at sea. After pledging herself to help Markos regain his lost throne, she’s recently discovered that much of what this help is made up of is running a few messages here and there and sitting through various speeches and rallies while Markos looks to drum up support for his cause. And all is not going well. The ocean god is displeased with Caro’s lack of sea time adventures and Markos few followers are pushing towards a marriage of convenience that would bring in much needed support. Caro has more and more difficulty seeing a path forward that allows her to keep both of her loves, the sea and Markos himself.
For all that the description of the story, both mine and the official one, puts a lot of weight on Caro’s decision about her future, part of what has made me like this series so much so far is Caro’s no nonsense approach to life and decision making. She doesn’t wilt away from tough choices and she is endlessly practical. In many ways, she sees her ability to make hard calls as her biggest asset to Markos, whom she often derides as getting too caught up in the emotions of things. Here, these character traits move the story along and keep it from being marred in the emotional duldrums of soap opera-ness that could have come about with a different character in this situation. But what makes it all the better is that through this book, Caro must learn that her own practicality and willingness to follow the harder path is not always a boon.
In short order, she’s back out on the ocean and beginning to understand how very little she knows of life as a sea captain, for all that she has her own ship and the ear of the sea goddess. The action never lets up and Caro’s adventures are filled with everything you’d want from a pirate adventure. We have storms, and ships sinking, and maroonings on islands, and lost treasure, and pirate lairs. Really, like I said at the beginning, all the best parts of the “Pirates of the Caribbean” movies, though each with their own unique spin and connection to the larger plot.
For secondary characters, we sadly saw much less of not only Markos, but Caro’s magic-wielding cousin, Kente, was also out of commission much of the time. But what we did get from her was integral to the plot, and I liked the the fact that she had a role at all, as with the way the last book ended, I wasn’t sure we were going to see more from her. Markos, also, was abscenfor much of the middle portion of the book. I was ok with this. I still very much enjoyed the romance between him and Caro, and their banter and Markos’ own cluelessness about certain things were still some of the most fun pieces of dialogue in the story. However, by sidelining him and their romantic entanglements, Caro was given the space and time to really come into her own as a character and drive the plot on her own.
This also gave room to add a surprising new (?) character who I had not expected to see at all. I don’t want to spoil it, but I thoroughly enjoyed this addition and the character added a much needed sense of ambiguity and moral greyness to an otherwise fairly straightforward adventure story. To continue the “Pirates” compariosons, if Caro is Elizabeth and Markos is Will, this new character was Jack Sparrow and lived up to the utter delight that any character should be if trying to fill that role.
I also greatly enjoyed the expanded idea of Caro’s relationship with the sea god. While we heard a lot about the river god and the solid, calm prescense that he transferred to those who were chosen by him, we only briefly met the sea god in the last book. And true to the nature of the sea, she is much more volatile and unpredictable than the god of the river seemed to be. I was relived that she wasn’t reduced to just another magical ability for Caro, but given her own agendas and whims that often came into conflict with Caro’s. Their ongoing battle of wills was a large secondary driver of much of the story and I was very pleased with how it played out.
In the end, I enjoyed this book even more than the first. While “Song of the Current” had a slow start, this one jumped right into the action and never let off the gas pedal. Caro was her same sassy self, but was given more room to proactively drive the plot herself this go around. I still very much enjoyed the romance, but was pleased to see that it played second fiddle to the action and adventure. And between the ocean god and the surprise Jack Sparow-esque character, there was enough double crossing and cross purposes to keep readers on their toes about what would be coming next. If you enjoyed the first book, I’m sure you’ll love this one!
Rating 9: Take all the good parts of the “Pirates” movies, make them even better, and turn it into a book and ta da!
Reader’s Advisory:
“Whisper on the Tide” is a new title, so it isn’t on many relevant Goodreads lists, but it is on “Teen Pirate Books.”
Where Did I Get this Book: audiobook from the library!
Book Description: Since birth, Nyx has been betrothed to the evil ruler of her kingdom-all because of a foolish bargain struck by her father. And since birth, she has been in training to kill him.
With no choice but to fulfill her duty, Nyx resents her family for never trying to save her and hates herself for wanting to escape her fate. Still, on her seventeenth birthday, Nyx abandons everything she’s ever known to marry the all-powerful, immortal Ignifex. Her plan? Seduce him, destroy his enchanted castle, and break the nine-hundred-year-old curse he put on her people.
But Ignifex is not at all what Nyx expected. The strangely charming lord beguiles her, and his castle—a shifting maze of magical rooms—enthralls her.
As Nyx searches for a way to free her homeland by uncovering Ignifex’s secrets, she finds herself unwillingly drawn to him. Even if she could bring herself to love her sworn enemy, how can she refuse her duty to kill him? With time running out, Nyx must decide what is more important: the future of her kingdom, or the man she was never supposed to love.
Review: Sigh. I don’t know, I think I’m in some very specific, “Beauty and the Beast” related slump. Don’t get me wrong, you can tell from the above alone, this was better than the “Star-Touched Queen.” I mean, at least I finished it! There were things I legitimately liked about this story, but in the end, I was still very disappointed by yet another much-lauded retelling of this classic tale.
Nyx has known her entire life that she only has one destiny: to marry the Gentle Lord and try to save her world. But in reality, she is likely a sacrifice who will die on her wedding night at the hands of a demon lord who has imprisoned her world and tempted her people (including her father) with wicked bargains that never turn out well. But when she finds herself finally married and in a castle with secrets around every corner, she begins to question this mission. Who is this Gentle Lord really? How did he get here and what will it take to truly save herself and her people?
This story started out strong. As I said in my review of “The Star-Touched Queen,” I was enjoying this read as a palate cleanser for the first several chapters. The writing is strong, freed from the syrupy prose that drove me nuts with the former, the world-building was unique, and Nyx herself was complicated and interesting.
Nyx’s world is essentially a version of England had it remained under its Roman influences. Her people have combined the folklore of the original residents of Arcadia and the Roman pantheon of gods and myths. These myths and characters are sprinkled throughout the story, and I enjoyed this new take on the magical elements that came directly from some of these myths and how they could be twisted to fit a Beauty and the Beast like story.
Nyx also started off as a promising heroine. She’s a brave, strong young woman, but also embittered and resentful of the role she is meant to play. Her father’s deal required he choose one of his twin daughters to marry the Gentle Lord, and Nyx has felt the weight of being the lesser loved for her entire life. What’s more, her sweet and naive sister has played a complicated role in Nyx’s life. She is innocent and has done no wrong, and Nyx can’t help but resent her. And this resentment leads to Nyx’s own self-loathing at her inability to disconnect her father’s choices from her relationship with her sister. So this was all a strong foundation. Nyx is presented as conflicted, but determined. Not perfect, but recognizing her own flaws. Seemingly, a character I should root for.
The problem became that Nyx was SO conflicted that I couldn’t root for her because I could never be sure what her actual goals were from one page to the next. Once she gets into the castle, meets the Gentle Lord, and begins going about her mission, Nyx becomes a bundle of confusion and indecision. This would be fine, except for the fact that every other page she states that she is DETERMINED to do such and such. Then a few pages go by and she’s DETERMINED to do the exact opposite. Her emotions are all over the place, and they are all the most extreme at any point. She hates her sister and the Gentle Lord. But no, she loves her sister and maybe the Gentle Lord is OK. It got to the point that whenever she had a new revelation, I couldn’t invest any true meaning into it, because chances were good she was going to walk back that decision/emotion in just a few pages, depending on whatever position on things the person she next interacted with had.
There was also a dreaded love triangle introduced almost immediately. Granted it was a unique version of a love triangle (more on that later), but a love triangle it remained. What’s more, both points of the love triangle capitalized on flaws that particularly irk me in romances. One was pretty much an instalove connection, with Nyx and this man kissing on almost their first interaction and their practically announcing their love a few interactions later.
The other came with all the complications of the romantic character being a truly bad guy as far as Nyx knows at this point. Obviously, with any Beauty and the Beast story (or Hades/Persephone, what have you), you know going in that there is going to be a change of heart somewhere along the line. But my one requirement for these types of romances is that the change of heart comes AFTER the love interest has done something to make the heroine begin to question her assumptions about his cruelty. He needs to earn not only her love, but first even the opportunity for her to consider him as even a decent person who might be worthy of love. When the heroine, like Nyx here, falls for the “Beast” when he’s still full-on in beast mode and has done nothing to redeem himself, it’s not a tragic love story but instead another example of setting up unhealthy and scary expectations for the type of behavior that is acceptable in a romantic partner. No amount of “hotness” makes it OK. When Nyx first starts feeling drawn to him, he’s still only the demon who killed her mother and is actively killing more of her people. She has no reason to question this, even if we the readers know this tale backwards and forwards and can suspect there’s more to it than that. She doesn’t know that, and it makes any attachment she feels for him at this point just another example of problematic romances in YA fiction.
The other big problem I had was that this love triangle also gave away the answer to the end of the book. I had no problem whatsoever immediately guessing the secrets involved in this story right off the bat. Not only does this drain any dramatic tension from the story, but it damages Nyx’s characterization by making her seem rather dull-witted for not figuring it out herself. What’s worse, the author makes the bizarre choice of having Nyx discover the answer halfway through the story and then conveniently forget. And that’s not even getting into the fact that the device used to reveal these facts to her had killed every wife of the Gentle Lord before, but not Nyx. It’s never explained why not Nyx, not even a tertiary throw-away comment that would somehow make her an exception. Nope, she’s just special because the story needs her to be.
Between the love triangle, Nyx’s inconsistent and hard to root for characterization, and the early reveal of an obvious conclusion, I really struggled with this book. It did have a unique magical world set up and I enjoyed Nyx at the beginning, but after she arrived at the castle, the story took a distinct downwards trajectory and never managed to recover.
Rating 4: Another disappointing “Beauty and the Beast” retelling, this time with improvements to the heroine, but an unnecessary and plot-revealing love triangle.
Reader’s Advisory:
“Cruel Beauty” is included on a million Goodreads lists about heroines who fall for bad guys and best fairytale retellings, but I just can’t. Go read “Beauty” if you haven’t already. And if you have, give yourself a treat and re-read it!
Where Did I Get this Book: audiobook from the library!
Book Description: After a harrowing journey across the country, Leah Westfall and her friends have finally arrived in California and are ready to make their fortunes in the Gold Rush. Lee has a special advantage over the other new arrivals in California—she has the ability to sense gold, a secret known only by her handsome best friend Jefferson and her murdering uncle Hiram.
Lee and her friends have the chance to be the most prosperous settlers in California, but Hiram hasn’t given up trying to control Lee and her power. Sabotage and kidnapping are the least of what he’ll do to make sure Lee is his own. His mine is the deepest and darkest in the territory, and there Lee learns the full extent of her magical gift, the worst of her uncle, and the true strength of her friendships. To save everyone, she vows to destroy her uncle and the empire he is building—even at the cost of her own freedom.
Review: As I said in my review of the first book in this series, “Walk on Earth a Stranger” was pretty much what you’d get if you turned the old Oregon Trail game into a full length novel. Add in a small dash of fantasy with Lee’s gold sense, a few more references to the prejudices and wrongs of the time, and there ya go! As a travelogue, I very much enjoyed the story. But in the end, they arrived at California. Without the travel/Oregon Trail part of the story, would this series continue to hold up. And the answer is…kind of?
Lee and her friends have finally arrived in California, found a claim spot ripe with gold, relying on Lee’s gold sense, and begun to set up their own little town. But when a string of misfortune’s start befalling the growing township and its residents, Lee’s the only one to suspect the truth: her uncle Hiram is back after her and these little “accidents” are his way of warning her. Determined to set things straight once and for all, Lee and Jefferson set out to confront her uncle and gain Lee’s freedom. But it all goes wrong, and Lee is about to find out just how awful her uncle truly is.
So I have very mixed feelings on this book. But I’ll start with the things that I know I enjoyed. I still very much liked the mixture of a historical setting and Lee’s magical abilities. If nothing else, the author makes you feel like you’re in this time period. There are no missteps, and I always felt fully immersed in this world. The challenges of living during this period are clear: weather, nature, sickness/injury, they must overcome it all and the day to day life is so distinct and well-described that I never questioned the authenticity of this world. The real skill was then in merging Lee’s magical abilities into this world without disturbing the balance of realism. Her gold sense played a background role in the first book, serving primarily as a motivation for the villain and coming into play here and there when needed. Here, even with Lee’s growing understanding of her own powers, her gold sense still remains mostly in the background. It is the crux of the conflict, but it isn’t really used much beyond that, besides in the final conflict. This balance allowed the historical elements and characters themselves to serve instead as the main point of interest for the book.
I also still enjoyed Lee as a character. Here, she is forced to confront the role that she plays in the way that history is unfolding. Yes, she is sympathetic and “ahead of her time” for a character living in this period of history, but she is not excused from responsibility. She’s still claimed land that belonged to others and through her and the others mining for gold, irrecoverably changed the very landscape upon which they’re living. I liked that she wasn’t let off the hook for these actions and, while she recognizes the harm, she doesn’t have, or is given, any quick and easy solutions. What’s more, she doesn’t always come to these conclusions on her own, but must be informed of her own ignorance and remaining prejudices by those around her.
However, Lee wasn’t given much to do in this book, frankly. In the last, we saw how she contributed to the wagon train which she was a part of. She took action on her own and used her own skills, not just her gold sense, to solve problems. Given the nature of this story, Lee is sidelined for much of this book. It is up to others to plan and plot, and while she’s not strictly speaking a damsel in distress, she’s probably only one step away. And, because the story is told from her point of view, the reader is left with a lot of inaction and waiting, just as Lee is herself.
And in that time, the book becomes very hard to read. As I said, the author doesn’t flinch away from portraying some very ugly realities for what this time period could be like for many people, especially at the hands of the worst of the white settlers (though, as I said, even the “best” are not let off the hook for their own compliance and ultimate self-interest). While I admire this dedication to revealing the ugliness that existed, it also began to be almost too much as the story progressed. Because of Lee’s own captivity, the reader also feels like a captive audience to pages and pages of depravity and various horrors.
It is this combination of reduced action for Lee herself and this laser focus on some very tough scenes that made the story lag quite a bit in the middle. “Lag” is even a strange word for it, since boredom was definitely not the emotion most sparked by the harsh images presented. But plot-wise, the story did feel adrift and wallowing. The action picked up again in the end, and I liked that even in the resolution, things do not end in any type of perfect, utopia-like fashion. This specific horror might have been ended, but the world that they all are living in is unchanged.
Again, this story also resolves in a way that leaves me questioning where the third book will go from here, similarly to the first. While I did struggle with this book a bit, I’m still curious to see where things will ultimately end up and I’m sure I’ll pick up the next one soon!
Rating 6: A reduced role for our heroine combined with some really tough scenes seemed to negatively affect the pacing of this book. But the historical aspects are still excellent.
Book Description:Marco is faced with a difficult decision when his mother threatens to seize control over Visser One.
Narrator: Marco
Plot: Didn’t remember much about this one either, other than the obvious fact that the “reunion” that drives the title was between Marco and his mother, Visser One. And then I started reading…and became very concerned. And kept reading…and was a bit less concerned. And then it actually kind of turned into a good book?
But the beginning…man, it’s bad.
Marco decides to skip school and go downtown (for plot reasons cuz we’re literally given no other explanation.) He then just so conveniently happens to literally bump into his mother, Visser One, in the busy streets. What follows is a ridiculous series of events that in any other book would have never happened for so many reasons. At one point Marco morphs to a fly in the MIDDLE OF A FULL ELEVATOR but somehow we’re to believe that this is fine because he….puts a newspaper over his head? And then, after locating the office where his mother goes, fly!Marco gets sucked into an AC vent and ends up having to MORPH A HUMAN (whom he had conveniently acquired earlier to get into the building, somehow using the morphing trance to get through the door with him, claiming it was a “take your kid to work” day or something.) Again, there is zero reason for him to be morphing human when he could easily go back to bug. Not to mention the fact that when this happens, he’s alone in an office hiding behind a desk. A notably MUCH MORE HIDDEN spot than in the damn elevator where he just did this before. Whatever. He ends up back in the barn with the others and tells them that he found Visser One, and we can all pretend that this is the real start of the book since there’s almost a complete turn around in quality of the story after this point.
Jake quickly decides that they need to investigate this further, however he, Rachel, and Cassie are all out for a mission that night. This leaves Tobias, Marco, and Ax. Jake makes it clear that Marco is too close to this, and that because of this, Tobias has last say on what goes down. Later that night, the infiltrate the building in roach morph. After a wild ride down a stair banister, the small group make their way to the office. There, they see the horrifying image of a small Yeerk pool, portable Kandrona ray, and Marco’s mother, locked on her side with her ear in the pool. She’s free for a brief minute and Marco struggles not to go to her. They also notice satellite images of the free Hork Bajir in their valley. Before they can investigate further, the Yeerk reinfests Marco’s mother and the door is knocked down by Visser Three’s goons coming after Visser One.
Marco is not about to let his mother die at the hands of Visser Three, and he is able to spin it to Tobias that saving her could benefit them as well. Gorilla!Marco, Tobias, and Ax rush in and fight off the invading Hork Bajir. They manage to corner Visser One and get her talking. She reveals that she planned to find the free Hork Bajir and use that information as leverage to discredit Visser Three and regain her place on the Council of Thirteen. Visser One wants to strike a bargain: she will help them kill Visser Three, and the Animorphs will lead her to the free Hork Bajir. They agree, but Marco has a plan that will take out both Vissers and leave the Hork Bajir safe. They arrange to meet Visser One the next day.
As they fly away, Marco reflects on what it means to be ruthless and the fact that others have thought that of him in the past. Instead, he says that he is simply practical and sees a bright line between point A and point B. Through all the mess of worries & fears, the line is what drives his decisions. And that right now he sees a clear line, but one that will result in the death of his mother.
But for his plan to work, they need a specific morph. They fly to Cassie’s house and wake her up, asking where they can acquire goats morphs. She says there is a new mountain goat section at the Gardens, so the three make their way there and acquire the goats (not with out some knocks, of course).
The next day he begins to explain his plan and how it will result in them taking out both Visser Three and Visser one, while also convincing the Yeerks that they have destroyed the Hork Bajir colony. They will also need the help of Erek.
Using their best arrogant Andalite voice (Tobias is the best, having spent so much time with Ax), they instruct Visser One to go to the mall and buy mountain climbing gear. Various Animorphs keep an eye on her the entire time. They also assume that Visser Three will eventually spot her and send Controllers to follower her as well. Plus, they’re sure she has her own reinforcements.
As they head out, in the midst of a parlay between Visser One and Cassie, Visser One notes that there are significantly more Hork Bajir and Taxxon deaths in the casualty lists in the Yeerks’ fights with the “Andalites.” It is clear that she stumbles upon the truth, which only increases the stakes. No one can live who knows the truth.
In bug morphs, Marco, Jake, Cassie and Rachel stash themselves in her car, Tobias and Ax are waiting at the destination. Once they reach the mountain, they tell Visser One to start climbing. Jake tells everyone to go to bird morph. Rachel and Marco make it out of the car, but Jake and Cassie are still in the car morphing when Visser Three shows up in his limo and casually blows it up with a Dracon beam. Marco is the only one who sees it, and when he frantically calls for them, they don’t answer.
Sure that his friends are dead, Marco has no choice but to continue the mission, flying up the hill where he spots Tobias and Rachel in Hork Bajir morph meeting up with Visser One to “lead her to their valley.” As Marco continues to fly, he notes empty camp sites that look recently vacated. Ax has been successful at scaring away other innocents. When asked, he has to reveal to Tobias and Rachel the likely fate of Jake and Cassie.
The climb takes hours, with Tobias and Rachel having to slip away to re-morph every once in awhile. Far behind, osprey!Marco sees Visser Three and his Controllers making their way up after her, willing to let her live until she reveals where the free Hork Bajir have been hiding. On the way up, Visser Three morphs a new alien, one that is quite capable of climbing, and worse, has the ability to camouflage itself with its surroundings.
Marco demorphs and remorphs as a goat, and Ax meets back up with him in bird morph. Ax notes that the numbers are now not in their favor, with Visser Three having many more Controllers than they had anticipated. Marco snaps at him about not seeing any reinforcements anywhere. Ax then takes off. Goat!Marco zips up the mountain, quickly passing Visser One and arriving at the top near a cliff side with a sheer drop on three sides. When Visser one arrives, Marco “shows” her the Hork Bajir colony: Erek puts up a hologram of the Hork Bajir valley that has been “concealed” using another hologram in the mountainside. In a slip of tongue, Marco cracks a joke, even further confirming to Visser One that they are not Andalite warriors. What’s worse, Visser One is suspicious that she recognizes his voice and type of joke.
Visser Three is next to arrive. They both order their cloaked ships to attack. Visser Three with his Bug fighters and Blade ship and Visser One with a massive ship that Visser Three looks at with awe, calling it a Nova class Empire ship. He and Visser One go at it as well, each striking a hit on the other. Goat!Marco can’t stand it, and attacks Visser Three who shoots him in the leg. Visser One orders her ships to destroy the Hork Bajir colony and Erek displays the valley’s destruction. However, the guns are still hitting a mountainside that in reality is much closer than a valley floor. A fissure cracks the ground, leaving Visser Three, his troops, and Hork Bajir!Rachel & Tobias on one side, and Visser One and Marco on the other.
Marco whispers that he loves her and Visser One instantly recognizes him as “the boy.” Goat!Marco charges her, but at the last minute a tiger!Jake knocks him aside and osprey!Cassie scrapes Visser One upside the head, preventing her from shooting Marco with the Dracon beam. Visser One overbalances and falls backwards off the cliff. The free Hork Bajir show up, lead by Ax, and the battle between the ships rages above. Marco is only dimly aware of any of it.
He stays in bed for the next week, watching TV and trying not to think. Jake shows up and explains that once Visser Three saw the free Hork Bajir arrive, he and his Controllers skedaddled, but five free Hork Bajir were lost in the battle. He also explains that when he and Cassie saw the limo arrive, they went straight to roach morph, assuming that nothing can kill a roach. Cassie made it all the way, but Jake was midmorph when the car blew up and was knocked unconscious. Cassie stayed by his side and was only able to wake him up a few minutes before the two hour time limit was up.
A few days later, Rachel visits. She says she didn’t see Visser One’s body. Marco says the Yeerks would have cleaned up after themselves. She says that there were scorch marks where they burned other dead Controllers, but there was nothing where Visser One fell. Marco remembers a Bug fighter roaring past. Maybe it was able to catch her? Marco snaps that he doesn’t want her pity, but Rachel notes that telling him she may still be alive is worse. If Visser One was dead, Marco’s already being going through the stages of hate and sadness. If she’s alive, he’ll have to confront the same decision all over again. With some hope, they sit in silence and watch TV.
The Comic Relief: Like I said earlier, this book is very weird in the way it is written. The first 25% of the book is frankly awful, probably the worst I’ve read so far. There are no explanations for Marco’s choices and the plot convenience factor is out of control. He makes stupid decision after stupid decision, two that are against the most cardinal rules that Animorphs have: don’t reveal yourself by morphing public & don’t morph human. And his reasons for doing each are incredibly poor.
But when the story actually gets into it, there’s some really good stuff here. Whenever teh story focuses on Marco’s situation with his mother as Visser One we’re going to see some pretty heart wrenching stuff. What makes it worse and different than Jake’s situation with Tom is both down to who is Controlling Marco’s mother and who Marco is himself. Obviously, Visser One is a much more dangerous and well-protected Yeerk than whomever is currently infesting Tom. This makes the equation of saving her vs taking her out very different. Tom’s loss would have zero impact on the Yeerk war at this point. However, taking out Visser One is worth almost any cost, including the life of Marco’s mother.
And Marco himself knows this. Jake, though we’ve seen him hardening himself more and more through each book, is still hopeful for Tom (again partially due to his unimportance all told). But one of Marco’s defining characteristics is his all-consuming practicality of thought. He himself identifies it as ruthlessness. His metaphor of the bright line and how it drives everything he does, is spot on not only for how we see him in this book, but for the decisions and reactions to situations that we’ve seen from him in the past. Rachel is ruthless in a reckless, sometimes mindless, way. Marco is ruthless in a cold, conniving way. He knows what he is doing and he chooses to do it over and over again. At one point in this book, he thinks about what the history books will say if the Animorphs manage to win this war. That this Marco guy was cold. So cold that he took out his own mother. And while Marco hates this idea, he never wavers from following his plan. Of course, he hesitates at the last minute on the mountain, even intervening when Visser Three attacks her. But at the last, when he’s in goat morph, he chooses to go through with it. Had tiger!Jake not hit him, he would have succeeded in knocking her off that cliff. Everyone questioned his ability to make the tough calls throughout this book, but this one act really proves that the cold, calculating Marco will follow that line no matter what.
Our Fearless Leader: Jake has a few really good moments in this. They’re small, but notable. One, when he first sends them to check out Visser One in the office building. He can sense Marco’s reckless energy and wisely puts Tobias in charge (yet more evidence for my “Tobias should be second in charge” theory.) Then, when Marco is explaining his plan to take out both Visser One and Visser Three, Jake doesn’t question him. When Cassie explodes, saying that they can’t let this happen, that this is Marco’s mother, Jake silences her. Not only does he recognize that this is Marco’s decision, but the leader in him knows that this is the right call, and that the sacrifice of his best friend’s psyche or ability not to self-loathe himself is a price that needs to be paid. But again, in the end, Jake takes it out of Marco’s hands, knocking her out of the way. Had Visser One not fallen herself, one wonders if Jake would have been the one to actually push her.
Xena, Warrior Princess: Rachel comes down hard on Marco a few times in this book, about whether or not he’ll be able to take out his own mother. Most especially after she’s heard that Jake and Cassie are dead. Marco almost suspects that she will take out Visser One right then and there and is relieved when she doesn’t.
But, like in the last book with Visser One, it’s Rachel that takes the time to follow up on Visser One and give Marco hope. She checked out the mountain side in detail and tells Marco his mother might still be alive. There’s no mention that any of the others thought to do this. She also notes that she doesn’t fell that telling him this is a kindness, but that it’s just a fact. As she and Marco are often the two most prone to relying on facts over kindness, this makes a lot of sense. She also stays with him, not hugging but sitting with him. It’s a very sweet moment and speaks to a unique connection that the two of them have, for all of their bickering in other stories.
A Hawk’s Life: Tobias also has a lot of action in this book. Not only does he end up as the leader in the late-night office raid, but he also does much of the talking to Visser One since he talks to Ax the most and is most capable of mimicking his patterns of speech. His dialogue for all of this is pretty spot on. When he feels that Marco’s plans are going sideways, we get another fun look at sarcastic Tobias which is, of course, the best Tobias. Then, of course, he’s with Rachel as one of the Hork Bajir that leads Visser One up the mountain.
Peace, Love, and Animals: Cassie comes up with the mountain goat morph idea, and the fact that she is able to morph all the way to cockroach, unlike Jake, before the car is blown up is another example of her proficiency at morphing. It does seem like since she was in roach morph, she should have been able to let osprey!Marco know what happened instead of leaving him to think they were dead, so that’s strange.
When Marco first explains his plan to take out Visser One and Visser Three, she has this to say:
“She’s your mother!” Cassie exploded. “She’s not ‘Visser One.’ She’s your mother! Is everyone just going to let this happen?”
Jake sent her a cold look. “This is not the time, Cassie.”
It seems pretty inline with what we know of Cassie that she would be the one protesting this. After this bit, she goes on to say that they should be concerned about what state Marco will be in if they let this happen. And, as I mentioned in Jake’s section, he ignores her. It is a sign of her strong sense of friendship and concern for others, but on the other hand, she does make an already almost unbearable situation for Marco worse by having this outburst.
E.T./Ax Phone Home: Ax has some funny moments being offended by the others’ versions of how arrogant Andalites talk, but it does seem pretty spot on. Throughout the book, it’s made clear that he’s on board for Marco’s plan mostly because of his ongoing mission to take out Visser Three, the killer of his brother, at any cost. While he feels bad for Marco, he’s also pretty cold about his priorities, regularly suggesting that they just take her out now.
He’s also the one to think to get the free Hork Bajir as backup when it becomes clear that they are outnumbered.
Best (?) Body Horror Moment: Marco mentions that Tobias’s morph from bird to cockroach is particularly horrifying, noting that roach wings begin to form out of the top of his bird head.
Mother Nature didn’t come up with a birdbug on her own for good reason.
Couples Watch!: Not a lot of couple action in this one, as per typical for Marco or Ax books. But there is a pretty interesting moment between Rachel and Tobias. After Marco has told them about Jake and Cassie, Rachel is pretty hard on Marco. She continues to pick at him throughout the trip up the mountain, until at one point Tobias quietly interrupts her and says “That’s enough” and she immediately stops. Marco notes that he is surprised that Tobias stood up to her as he doesn’t do it very often. I think it’s another nice example of how Rachel and Tobias work well together. He mostly respects and values Rachel for the bad-ass she is, but he is also not intimidated or scared of her, and feels comfortable enough to speak up when he thinks she’s crossed a line. And Rachel respects him enough to listen when he does.
Also, when the three wake up Cassie to get the goat morph, her first words are “Jake?” Marco has some fun teasing her about this.
I’ve already briefly noted my feelings on the secondary Marco/Rachel thing that seems to go on. And like I said in her section, it’s important I think that she was the only one to follow up on the fate of Visser One and the one to sit with Marco and provide hope and comfort in the end.
If Only Visser Three had Mustache to Twirl: Man, Visser One is so much smarter than Visser Three. It takes her all of what, maybe a few hours total, talking to and interacting with the Animorphs to figure out their secret. And it wasn’t even first down to any slip up on their part. She’s done her research and noted the oddness of the casualty lists, information that is equally available to Visser Three. And then when Marco slips up, she’s quick to zero in on a familiar pattern to his voice, meaning she’s spent the time to learn and distinguish between individual humans. All told, the Animorphs are super lucky they ended up with a fool like Visser Three instead of her.
We also got another example of Visser Three losing his shit at one of his own Controllers.
Evidently encouraged by Visser Three’s seemingly tolerant mood, another human-Controller made the mistake of offering an opinion.
The end result is a missing arm. Probably should count himself lucky for that.
Adult Ugly Crying at a Middle Grade Book: Um, the entire last half? As I discussed in Marco’s section, his books that deal with his mother are always going to be rough. And here, unlike the last time, from the very beginning the plan is for her not to make it out of this, and it’s Marco’s plan on top of that. Throughout the entire story he struggles with what this says about him and about whether he’ll be able to pull it off in the end. And while he is able to, he is not able to stop himself from trying to give his Controlled mother one last bit of peace. He’s been reflecting this entire time on what he would say to his father when/if he found out, and what his mother would think if she knew what he planned. So, before charges, he tells her that he loves her. Not only does this confirm that the Animorphs are humans, but now Visser One knows WHO one of them is as well. And as we’ve heard about ad nauseum, once one is outed, it’s a quick step to the rest. But with all of the inner torment we’ve read for the entire book, it’s hard to fault Marco for this small moment of weakness right when he is making the worst decision anyone could be forced to make.
What a Terrible Plan, Guys!: With all that goes wrong, it’s hard to actually see what the original plan was. Just let Visser Three and Visser One duke it out? But this seems like a pretty bad plan, knowing they’ll both be bringing reinforcements, including massive space ships. It seems like a given that the Animrophs would get caught in the middle and be overwhelmed. Maybe they were just going to take off in bug morph and avoid the whole thing. Who knows.
The one part I really don’t get is the goat morph. It seems like a pretty blatant shoe-in for some editor being like “But they don’t get any new morphs in this! Add one!!” Not only is the goat morph not really necessary (Marco could have just flew to the top of the mountain and morphed something with power there), but it’s completely bizarre that they decided to go acquire these morphs in the middle of the night after returning from the city. There’s no real reason for the urgency, and it’s even stranger that then that leaves only the three of them with this morph. I mean, as I’ve said, it doesn’t seem like any of them really needed it. Ax and Tobias don’t even use it and there’s no clear point in the plan where it seems like they would have. And why wouldn’t they all get it and not just those three if there even was a purpose in having more than one goat. It’s pretty dumb.
Favorite Quote:
Oh, delusional Ax:
<It will certainly require good acting skills to imbue the fundamentally humble and dispassionate Andalite character with a taint of arrogance,> he said.
“Yeah. Humble is the very first word that comes to mind when I think ‘Andalite,'” Rachel said with a drawl.
Also, when Marco first realizes that his joke may have alerted Visser One to his identity and he starts panicking:
<It’s okay, Marco,> a gentle voice said. But not my mom. Rachel. <It’s okay, man. It’s okay.>
Scorecard: Yeerks 7, Animorphs 12
I’m giving this one to the Yeerks, specifically Visser One. By exposing themselves for longer periods and through talking to her, the Animorphs gave up their biggest secret to the most wily Yeerk they’ve run across. And what did they get for it? Nothing! Not a good day for our team.
Rating: If I was actually rating these books, I’d have a really hard time with this one. The Marco and Visser One stuff is excellent, just top notch. And the whole last half was action- packed and dramatic. But that first bit. It was so awful that I actually caught myself wondering if I had really forgotten this book and that this was another Ellimist/Crayak weird thing. Like, the Ellimist was somehow triggering Marco to do these things, because in any regular world, his actions were not only completely out of character but just stupid to read about. He successfully morphed a fly in an elevator full of people…really? REALLY?! We’ve been told it takes 2-3 minutes to morph and no one noticed a kid weirdly ducking down behind them and turning into a bug. Sure. Suuuurre. And then the blatant abuse of human morphing, again for no reason. I really can’t express how terrible I thought these opening chapters were. But, like I said, the book turned a huge corner and by the end I was really enjoying it. I just have to not think about the beginning or the rage takes over again.
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Book: “A Perilous Undertaking” by Deanna Raybourn
Animorphs #32: “The Separation”
Book: “Buried Heart” by Kate Elliott
Book: “Burn Bright” by Patrica Briggs
Book: “My Plain Jane” by Cynthia Hand, Brodi Ashton, and Jodi Meadows
Animorphs #31: “The Conspiracy”
Book: “Whisper on the Tide” by Sarah Tolscer
Book: “Cruel Beauty” by Rosamund Hodge
Book: “Like a River Glorious” by Rae Carson
Animorphs #30: “The Reunion”
The Library Ladies 