Book: “Burn Bright” by Patrica Briggs
Publishing Info: Ave, March 2018
Where Did I Get this Book: from the library!
Book Description: They are the wild and the broken. The werewolves too damaged to live safely among their own kind. For their own good, they have been exiled to the outskirts of Aspen Creek, Montana. Close enough to the Marrok’s pack to have its support; far enough away to not cause any harm.
With their Alpha out of the country, Charles and Anna are on call when an SOS comes in from the fae mate of one such wildling. Heading into the mountainous wilderness, they interrupt the abduction of the wolf–but can’t stop blood from being shed. Now Charles and Anna must use their skills–his as enforcer, hers as peacemaker–to track down the attackers, reopening a painful chapter in the past that springs from the darkest magic of the witchborn…
Review: This is going to be a really challenging review to write. For one thing, I have read all of the other books in this series, but they were all before Kate and I started this blog, so the progression of my feelings for this particular series isn’t already documented. I’ll try to discuss that a bit in the beginning to lend some context to this review. My feelings are also all tied up because a very small moment in this book has a massive effect on not only this series, but also the Mercy Thompson series which I have been reviewing here. I’m still not even completely certain if my ultimate rating is accurate. So with that super clear and stellar intro, let’s get into it, shall we?
This story takes place directly after the events in the last Mercy Thompson book, thus Bran is still away overseas. This leaves Charles and Anna in charge of managing the pack back home in Montana. All seems well until the some of the more dangerous members of the pack, those so wild that they live removed from the others out in the wilderness, begin to report being pestered and attacked by strangers with powerful magical tools. But how are these strangers even aware of these far and removed wolves and what do they ultimately want?
As I said, I’ve been reading this series right alongside the Mercy Thomspon books, as Briggs seems to release one book from either series almost yearly. I’ve had my up and down moments with the Mercy books, but overall, I’ve always enjoyed her as a character and had a fun time with those books. Not so with this series. For some reason, Anna’s more passive character has never seemed to translate well for me, and combining her with the often stoic and reserved Charles does nothing to add any more energy to the story. What’s worse, I’ve felt that the books previous to this have been pretty light on the action over all, leaving most of the story to be carried by characters alone, something that I never felt either Charles or Anna were up to.
So that’s what makes this story particularly hard. For the most part, action-wise at least, I enjoyed this book way more than I have other entries in the series. Particularly the one that came directly before this, “Dead Heat,” which I barely made it through out of sheer boredom. Here, the action takes off almost immediately and the tension and mystery remains interesting throughout the story. While I still did get to a point where I was over halfway through the book and wondering when the main plot was going to get going, I still had had enough action in smaller moments to keep me on board. I particularly liked the addition of a few new wolves in the half-crazed wildlings that live on the periferary of the Montana pack. One in particular, a crux point for the entire story, had a very compelling back story and new take on how one becomes a werewolf and how ones life prior to this change can affect their life going forward.
I also liked the way witchcraft was brought into this story. There were some new magical weapons that were introduced, and an longer story arc was referenced that I could see continuing to play out in exciting ways in both future books in this series as well as in the Mercy series.
Charles and Anna, too, were fairly strong in this one. While I still don’t enjoy them nearly as much as Adam and Mercy, they were interesting enough here. Anna’s passivity still makes her not the most interesting character, but her unique Omega powers were used in a new way that lent some new depths to her character. We also had some ties to her past that reinforced some of the challenges that she still struggles with. Charles was…Charles. Not much changed there, but oh well.
So, with all of that, I would rate this book on its own around a seven. I probably would have rated most of the other books in this series around a 5 or 6, so a 7 is a marked increase for me in general enjoyment. And yet, as you can see, it has a 4.I really can’t discuss the reason for this drastic drop without spoilers. So for those who still want to read this book, spoiler free, just know that there is a particularly conversation that massively retcons a certain character that has, in my opinion, a dire impact on both this series and, maybe even more so, the Mercy series. But for those want to know, spoilers below!
Apparently, Bran has had romantic feelings for Mercy since forever. And both Charles and Anna, and probably Leah, and pretty much everyone but Mercy (AND THE READERS) have known about this the entire time. I have so many problems with this, let me list the ways:
- First and foremost, we have had ZERO indication that this is the case through two entire series made of 14+ books. That’s a whole lot of writing in which this was never referenced in even the slightest way. Every discussion about Bran and Mercy’s relationship has firmly framed it as a father/daughter relationship. Nothing Bran has done or said has indicated anything else. Nothing Mercy has said or thought has indicated anything else. And no other character, even in passing reference, has even hinted that there is a romantic element to all of this. It’s a retcon in the most clear way.
- This is hugely upsetting and pretty much ruins Bran’s character. Up to this point, Bran had been one of my favorite characters in the series. He is supremely powerful, but has hidden it successfully for centuries. His love (fatherly!) for and loyalty to Mercy were always touching moments, especially for a character whose own real parents were largely absent from her life. Now he’s a pedophile. There’s just no way around this fact. Bran sent Mercy away from the pack when she was a teenager, fifteen or sixteen I think. He did this to prevent his own son from pursuing a relationship with her, knowing that the age difference and differing motives (Sam just wanting kids who will survive) made it an almost predatory situation for Mercy. She then spent the rest of her growing and adult years removed from Bran and the pack. So what this entire conversation between Charles and Anna sets up is a horrible, pedophilia-based interest from Bran in Mercy. Charles and Anna discuss that Leah’s poor treatment (abusive in its own right) of Mercy was largely due to her own knowledge of Bran’s feelings for Mercy. From what we know, Leah was terrible to Mercy almost always, meaning that Bran had romantic interest in Mercy from when Mercy was a very young child. Even in the best light (which again, doesn’t work with the Leah timeline), Mercy was only 15 when she and Bran were living in the same pack and had a relationship together. 15!!! And he’s thousands of years old!!! And the entire reason he sent her away in the first place was presumably because of his own son’s age (and the child stuff).
- This entire thing also puts a horrible spin on Leah’s treatment of Mercy. It was always bad and cast probably the darkest shadow (up to this point) on Bran’s character that he didn’t stop it. Again, Mercy was a child and Leah tormented her to the point where Charles, in this book, admits that he followed Mercy when she was alone to make sure Leah didn’t try anything, hinting that he had legitimate concerns that Leah could do something extreme to Mercy. This book proceeds to try and make Leah a more sympathetic character by setting up this “Bran having feelings for Mercy” thing. As if Leah has some sort of right to be angry AT A CHILD for inspiring wildly inappropriate feelings in her mate, and in some ways Mercy had the bad treatment coming.
- Anna, too, is ruined by this, because at one point she says she “understands” Leah and would “feel the same way” had Charles had similar feelings. Anna is supposed to be a character whose empathy and social awareness makes her unique among a species prone to emotional denseness. And this is terrible, to at all relate to essentially a mother who abuses her child (to the point that others fear for the child’s life) because the father has an inappropriate fixation on said child. For Anna to be on the wrong side of this situation, to be casually talking (and smiling!) about it as if no part of it is that big of a deal, other than pack gossip, pretty much ruins what is supposed to be her “super power.”
- This is a small thing in the grander scheme of disgustingness that is this entire situation, but we now have almost every male character in this series falling in love with Mercy. It was bad enough before with Samuel and Stephen, but now it’s just gone to a crazy level. As if no man is capable of having a healthy, platonic relationship with her without succumbing to wanting more.
I really can’t say enough about how upsetting this turn of events is. It’s truly going to make it difficult to continue with either series. If taken as fact, it makes Bran a despicable character, a predator in the most base sense, and someone who can only be seen as a villain going forwards. Any interaction between him and Mercy has now retroactively been made cringe worthy to read, and going forward impossible to support. I honestly don’t know how Briggs can fix this or if she even will try. I’ll probably read the next Mercy book just to find out, but I don’t really have any hope for the situation. Other than killing off Bran, I don’t know what can be done. And even that still leaves it very difficult to go back and re-read the other books in the series without feeling incredibly uncomfortable and put off. If I could just tear these pages of dialogue out of the book and pretend I had never read them, I’d be so much happier.
So, that’s my feelings on that. As you can see, I massively downgraded this book because of what is only a short conversation, but one that has dire consequences for this and the Mercy Thompson series as a whole. And it’s too bad, because on its own, I liked this book the best of all the others in this specific series. But if I could, I’d rather have not read it at all and kept my good feelings about Bran and the Mercy Thompson series instead.
Rating 4: Honestly, if you’re a big fan of the Mercy Thompson series, I wouldn’t read this. It does more damage to those books than the good it does for its own series, in the end.
“Burn Bright” is a newer title so isn’t on many relevant lists, it should be on this list (like many of Briggs’ other books are): “Best novels with Native American main character.”
Find “Burn Bright” at your library using WorldCat!