Book Description: The Helmacrons need more power to escape the earth’s atmosphere, so they have returned to demand the morphing cube. When Rachel tries to destroy their ship, the tiny egomaniacs bail — right into Marco’s left nostril. And the other Animorphs have to get them out before the little aliens do some real damage.
Narrator: Rachel & Marco
Plot: We all know the story: a frizzle-haired teacher, a class of students, and a magical school bus that goes anywhere and makes even the most ridiculous things seem fun and cool. Sure, many of their adventures were legitimately cool on their own; who wouldn’t enjoy traveling to all of the planets! But some of them…definitely could have gone another way. And Animorphs is here to prove how!
I mean, I could get worked up. But like the Atlantis book, it’s just so wacky that why even bother?
The story starts off in the normal way: the team returning from yet another battle. But as they demorph in an alley, they are temporarily blinded by the flash of a camera. Some kid has taken a picture of them mid-morph! They chase after him, but he disappears into an apartment complex. The team sets up a state-out and agrees to meet up at Cassie’s barn the next day to discuss next steps.
And from there, it all goes haywire with the sudden reappearance of the Helmacrons. All together in Cassie’s barn, the tiny Helmacron ship reappears and, predictably, is again after the blue box that Cassie has hidden there. Rachel and Marco both lunge to grab the ship before it can get to the box, and in the process, Marco hits his head and falls to the ground. From there, Tobias gets to witness the truly terrible image of a group of Helmacrons marching straight up Marco’s nose.
Now the team is in a real pickle. The Helmacrons have their tiny lasers on them, and there’s a real concern over the amount of damage they could do to Marco if they should start firing inside of his body. So naturally, the only thing to be done is to go in after them! Jake strictly instructs Marco to lay low and not to morph, not knowing how morphing could affect them while inside Marco’s body. They use the Helmacrons’ ship to shrink themselves down to size, and Marco uses a bit of straw to deposit them in his nose.
Insert lovely scenes about snot and walking through snot and burying oneself in snot to avoid a sneeze. Lovely stuff. They eventually come upon the Helmacrons but quickly notice something is wrong: the Animorphs are much, much smaller than even the Helmacrons. They realize that they had been set up and fallen into the trap. Luckily, the Helmacrons are engaged in a bit of a civil war between the genders and aren’t making too much progress with whatever their plan is either. After a few mishaps, the Animorphs and the Helmacrons all end up falling down Marco’s throat and end up in his stomach.
Meanwhile, Marco is getting bored of waiting. He can’t speak to the team, and for some reason Ax is just not updating him on what’s going on. Restless, he decides to go check out the kid’s apartment and try and get a hold of the camera and film. Breaking in doesn’t go as planned and he ends up being bitten by the kid’s pit bull.
In Marco’s stomach, the team struggles to survive being eaten away by the acid, an all too familiar scenario for poor Rachel and Tobias. Cassie morphs a whale at one point and the team huddles on top of her to try and gather their bearings. From there, they witness several Helmacrons die in the acid themselves, but the others manage to slice a whole in Marco’s stomach and make their way out into his blood stream. The team figures that they must be capable of breathing “under water” and determine that the best way to follow would be in shark morph. They morph sharks and all struggle at first with the madness that their close proximity with blood inspires in the sharks’ minds. They follow the Helmacrons out into the arteries. Along the way, Cassie shares “body facts” about what they’re seeing.
Back in Marco’s perspective, things are not going well. He has begun to feel strange, reckless and anxious. He decides to go back to the kid’s apartment once more and try again to get the camera. Once there, he decides that he needs to morph a cockroach. He proceeds to morph.
Inside Marco, the others realize that Marco is morphing and frantically wonder what is going on that would force him to take such a reckless action. They all manage to survive the morph, and immediately thought speak to Marco asking him why he felt the need to risk their lives morphing. Marco responds in a very petulant manner and Rachel begins to wonder what is going on. She knows that it’s not a great situation for Marco, but that he’s never stupid, and morphing with them in his body was stupid.
They finally catch up with the Helmacrons, but they won’t be reasoned with and start firing their guns. Marco goes still. The others are convinced that he has been killed by the internal damage. They manage to get a hold of the laser guns from the Helmacrons and force them to give in. They cut a hole in cockroach!Marco and make their way out. Outside his body, Cassie begins to theorize that it seems strange that Marco would have died as a cockroach, since they are practically unkillable. The team takes turns trying to wake him up before the two hour deadlines expires. At the last minute, he comes to. He morphs a gull, the team climbs on, still holding the Helmacrons hostage, and Marco grabs the camera in his beak on the way out.
Xena, Warrior Princess: Like the Atlantis book was for Jake, and the first Helmacrons book was for Cassie, these books that veer all the way into crazyland tend to be rather dud-like as far as any real character growth goes. But, on the other hand, the last several Rachel books have been more damaging to her character than anything, so maybe I should count this as a lucky miss that there’s practically nothing worth discussing for her here. Sure, there are a couple of moments where we see her dive head first into the action, but even those instances are pretty restrained and not too notable. Towards the end, there are a couple of moments that reflect the deeper understanding of Marco’s character that she has gained from being an Animorph with him. Before, I imagine, he was just her cousin Jake’s annoying friend. Now, she knows him well enough to notice that his defensive and weirdly aggressive responses to why he morphed when Jake had expressly told him not to were out of character for him. She notes that while he can be annoying, he is anything but stupid, and morphing in this instance was stupid. It not only risked the other Animorphs’ lives, but Marco’s own.
Our Fearless Leader: Jake has a few comical moments when he tries to mimic the Helmacrons’ grandiose way of speaking in an attempt to convince them to leave Marco and give up their quest for the blue box. He also shows how comfortable he has become giving members of the team orders, noting in the end that he still needs to talk to Marco about why exactly Marco disobeyed a direct order. This is definitely the type of comment that we’d not expect to hear from early-series Jake who was still struggling to accept his role as a leader, especially when it comes to laying down laws on his best friend.
A Hawk’s Life: Not much from Tobias in this book, which is always a bummer on its own, but is worse in Rachel books where we stand a better chance of getting more from him.
Peace, Love, and Animals: Cassie plays the role of “Ms. Frizzle” in this book and is pretty much giving them a tour of Marco’s insides throughout the story. At one point, she is so caught up in this role that she is essentially evaluating the state of Marco’s immune system instead of paying attention to anything else that is going on. It’s pretty bizarre, frankly. But with a book like this, which is essentially setting out to accomplish exactly the same thing that the Magic School Bus episode was, to teach kids about the body’s inner workings, we would need a character like this along the way, and Cassie makes the most sense. She’s also the one to realize that Marco is likely not dead in the end, noting how difficult it is to truly kill a cockroach.
The Comic Relief: This is a strange book in that it’s another one where we get weird insert of POV chapters from another character’s point of view. Rachel is one of my favorite characters and, not only do I think she gets short-changed in a lot of books, other than Jake, she has potentially the most interesting arc throughout the series to follow. So with that in mind, it’s a bit unfortunate to see one of her books divided between her and another character. But, if I was going to have to pick that character, Marco’s always a good choice. Of course, he’s also weirdly written for most of this as he is suffering from rabies-induced mania for much of it. Even without Rachel noting Marco’s strange behavior, fans of the series, especially this late in the game, are sure to raise an eyebrow at much of the out-of-character decision making we see from Marco here.
E.T./Ax Phone Home: Also not much from Ax. On and off, he serves as a communication point to Marco as one of the few members of group who can use thought-speak. But…yeah, other than that.
Best (?) Body Horror Moment: Really, most of this book. Unlike the cartoon-y take we get from Magic School Bus, this book tears that cutesy band-aid off right away with overly disgusting descriptions of the Animorphs having to bury themselves in snot to avoid getting sneezed out. It’s pretty disgusting and vaults this book up next to the “Andalite toilet” book as far as catering to middle grade body humor goes. I did not enjoy a return to this level of “entertainment.”
Couples Watch!: Ugh, practically nothing! There was literally one line where Tobias privately thought-spoke to Rachel when they were in Marco’s stomach telling her to morph quickly when she was stuck in the stomach acid. Which can also be attributed to the fact that the two of them already had a close encounter with potentially being digested back in Megamorphs #2. So yeah, as far as romance goes, a pretty big let down here. It’s all the more sad to see knowing how close we are getting to the end.
If Only Visser Three had Mustache to Twirl: No Visser Three in this book! The Animorphs note a few times that they can’t be sure that the Helmacrons aren’t working with the Yeerks, so this is meant to add another level of urgency to their mission, though I’m never quite sure their reasoning makes sense.
Adult Ugly Crying at a Middle Grade Book: Again, I cry at the return of childish body-humor as a form of entertainment. Just…no.
What a Terrible Plan, Guys!: Kind of the whole thing? I don’t understand what the Helmacrons’ endgame was. How was getting the Animorphs to follow them into Marco really going to accomplish anything? I’m not convinced that all of the Animorphs going in after them was wise, rather than just a few of them. And why oh why the group then chooses to keep Marco completely out of the loop the entire time is beyond strange. Ax should have been updating him the entire time and then when they all morph sharks, they definitely should have been letting him know what was going on. You could make the case that Marco wouldn’t have felt compelled to go after the camera in the first place had he been more in the loop with what the others were up to. Beyond that, I’m pretty skeptical of the whole rabies subplot. How exactly did someone’s pet pitbull end up with rabies? It’s pretty rare for that disease to be found in household pets since most are vaccinated and then rarely would come into contact with the wild animals that would need to give it to them in the first place. And there’s no mention of the fact that, hey, some kid and his family are now LIVING WITH A RABID ANIMAL! And Rachel thinks it’s more important to let Marco question his own sanity for another night than, I don’t know, warn this poor family about this life-threatening situation.
Favorite Quote:
TRUTH:
“You know,” Jake said thoughtfully. “I think this is the most disgusting mission we’ve ever done.”
Scorecard: Yeerks 11, Animorphs 15
No change!
Rating: All in all, a pretty “meh” book. It didn’t enrage me, but I also kind of buzzed through it, not caring at all what was going on. I didn’t enjoy the return of body humor and I was sad to see another book where Rachel doesn’t really have much character progression. For all that we hear about her deteriorating mindset from other characters in their books, it’s a real shame that we don’t see more of it from Rachel herself and how she is coping with these changes. The potential here is gold and it’s so, so wasted. Plus, the whole story was stock full of ridiculous scenarios that don’t make much sense. From the very beginning, it’s clear that this is just a “concept” book that derived from a wacky idea. There’s no good reason for the Helmacrons to be back, or for them to take the actions they do, or for them to give up in the end really and agree to leave. If I think about it too much, I could probably get frustrated with the laziness, but as it is, I’m happy enough just letting this one slide back into cool indifference, lost to memory eventually.
Note: I’m not going to rate these books since I can’t be objective at all!
Book Description: Kate has come a long way from her origins as a loner taking care of paranormal problems in post-Shift Atlanta. She’s made friends and enemies. She’s found love and started a family with Curran Lennart, the former Beast Lord. But her magic is too strong for the power players of the world to let her be.
Kate and her father, Roland, currently have an uneasy truce, but when he starts testing her defenses again, she knows that sooner or later, a confrontation is inevitable. The Witch Oracle has begun seeing visions of blood, fire, and human bones. And when a mysterious box is delivered to Kate’s doorstep, a threat of war from the ancient enemy who nearly destroyed her family, she knows their time is up.
Kate Daniels sees no other choice but to combine forces with the unlikeliest of allies. She knows betrayal is inevitable. She knows she may not survive the coming battle. But she has to try.
Review: It’s kind of a rare and strange thing to reach the end of an urban fantasy series. For some reason, it seems that urban fantasy in particular tends to draw forth series that go on and on. This has obvious pros and cons, but I tend to think that every story must come to an end, and I’d rather that happen on the author’s own terms than any outside factor. And, ideally, before the creativity of the world begins to leak out, something that occurs all too often with long-running series in any genre. So, it was with mixed emotions that I picked up “Magic Triumphs.”
There have really been only two urban fantasy series that I’ve followed for the last several years, the Kate Daniels series and the Mercy Thompson/Alpha and Omega series. My most recent review was from a book in the latter, and oof, it was rough and in many ways serves as a perfect example of the concerns I listed above about long-running series. With that warning in mind, I was pleased to discover that the Kate Daniels books would end with this one, but also…now what do I read as far as urban fantasy? Ah well, a problem for another day.
“Magic Triumphs” opens over a year after the events in “Magic Binds.” Kate and Curran have had their son, Conlan, and he is about a year old at this point. The rest of their lives are going as expected: continuously shoring up allies and points of strength in preparation for the ultimate show-down with Kate’s father Roland that they know could come at any time. And here, of course, it does. But not only that. Of course not only that! A new, mysterious and powerful force has attacked Atlanta, and now Kate and co. have to balance a war on two fronts.
This book was facing a pretty big challenge for me right off the bat: introducing a child character. This is completely a personal preference thing, but I often find child characters in books to have several problems. They’re often annoyingly “precocious” or “twee” and they have the tendency to re-focus all of the story’s action or the main character’s attention to them. Obviously, a new addition like this will impact the story and the main character’s relationships with everyone around them. But all too often I feel like authors somehow end up losing much of what made up the original characterization of their protagonists under this new force and drive.
Luckily, that is not the case here. While Conlan is definitely a new focal point for Kate and Curran and a huge motivation in the decisions they each make, all of the aspects of these characters that we’ve grown to know and love were still present. Kate kicks ass and takes names, but also, adorably, frets about minor issues with her son, constantly dragging him to the Pack doctor for check-ups. Curran is still protective and supportive, with his own plans on how to get his small family through the trials ahead.
There are also all of the many, many, MANY familiar faces sprinkled throughout this book. Honestly, I don’t think I had a full grasp on exactly who everyone was. The cast is so large and some characters have only had large roles in various books throughout the ten book series that I couldn’t quite pin down some of them. But, as far as it goes, Andrews gives readers enough information to catch you up on who is who and why they are important, so I was able to pretty easily just go with the flow for some of this unknowing.
I did like the addition of the new big bad that was introduced in this story. I was pretty surprised that the book even went this route, honestly. The series has been building to the show-down with Roland for books and books now, so I fully expected that to be the primary focus of this story. That made it all the more surprising when that aspect of the story took a back seat through much of it. I was sorry not to get more page time between Kate and her power-mad father, but given the situation that had been built up over the entire series, there weren’t that many options for resolving it that would have made sense, so this new addition and focus seemed to help. There were several other surprises in store throughout the book, including some hidden plans of Curran’s, an introduction to a new group of magical beings, and some pretty disgusting magical threats.
My one critique of the book comes down to pacing. The story starts off fairly slowly, taking quite a while to even get to the point where the main characters even know what they’re dealing with. And then once they do, there is very little page time left to really deal with the fallout of this situation. This then leads to a rather rushed ending and what felt like a bit of a truncated last battle and ultimate resolution. Like I said, the series has been building to this moment, so I wish there had been just a bit more given to it, be that increased page time or maybe just a bit more “oomf” put into the proceedings.
In the end, however, I was very satisfied with the conclusion to this series. I was sad to see these characters go, but I was glad they were able to go out on a high note. For fans of the series, this final chapters is definitely worth getting your hands on.
Rating 8: A bitter-sweet goodbye to what turned out to be an excellent urban fantasy series.
Where Did I Get this Book: audiobook from the library!
Book Description:Julia has been ensnared in so many different webs, it’s hard to see how she’ll ever break free. She must do Casimir’s bidding in order to save the life of her brother. She must work against Casimir to save the lives of most everyone else she knows.
Casimir demands that Julia use her vanishing skills to act as a spy at court and ensure that a malleable prince is installed on the throne of Frayne. But Julia is secretly acting as a double agent, passing information to the revolutionaries and witches who want a rebel princess to rule.
Beyond these deadly entanglements, Julia is also desperately seeking the truth about herself: How is it she can vanish? Is she some form of monster? Is her life her own?
With every move she makes, Julia finds herself tangled ever tighter. Should she try to save her country? Her brother? A beloved child? Can she even save herself?
Review: I have thoroughly enjoyed this very under-the-radar fantasy series. I knew very little about the book when I picked up the first one, but was quickly taken in by its unique world and a truly strong and complicated main character. The second book then impressed me even more by proving that not all YA series must rely on a “one true pairing!” romance as the emotional core of its story. The stakes were left higher than ever, so I was anxious to discover how things would be wrapped up in this, the third and final book. And I couldn’t be more pleased!
Back in Frayne, several weeks after the events of “Julia Defiant,” finds Julia up against a literal countdown to disaster. Not only is her beloved brother in the grips of the nefarious Casimir, but the political upheaval between the dying King and his cohort of witch hunters and the witches themselves seems to be coming to a head. And at the center of it all, a small child who has been left in Julia’s care and who holds the most powerful magic of all within him. A tangled web has been spun around her like a noose, and it’s slowly tightening.
This book did everything you want to see in a trilogy. Most especially, it took the strengths that had been established in the first two books and seemed to almost perfect them, all while wrapping up a complicated story and resolving the character conflicts that had been left over.
Throughout the series, I’ve liked the complicated world that has been built. Here, the conflict has expanded out to a city-wide, even nation-wide, level as the witches have finally found a rally point in a new heir to the throne who will look with a more friendly eye on their kind and hopefully reduce the persecution they have been living through during the past several decades. But Julia and co. are quick discover that no cause is perfect and that methods can matter just as much as the lofty goals behind them. Through this lens, the story explores topics such as domestic terrorism and political balance. Those who start out as heroes are questioned and those who have been presented as nothing more than villains are given expanded histories. This all leads to delicious conflicts that Julia must navigate. Her extraordinary power makes her a valuable ally to all groups involved, but she is beholden to no one and must come to her own decisions and walk her own path.
I’ve loved Julia as a character from the beginning, and this book really solidifies her as a unique heroine. As I mentioned in my review of the second book, I’ve really appreciated the author’s approach that has allowed non-romantic relationships to come to the forefront as the driving emotional force behind Julia’s choices. Rather than a “one true love,” Julia fights for her brother and the small boy under her care. She also fights for herself. She knows the power she possesses is rare and valuable to those around her. She knows that others will likely try to use her and manipulate her into aligning herself with their own pet causes. But Julia is her own woman.
We get to learn much more about Julia’s own history and abilities. Questions were raised in the second book that serve as a central plot point here. And the answers were surprising and satisfying. She also forms a brief, new romantic relationship. But like the ones that came before, she sees these relationships for what they are: meaningful, but not THE MEANING. There is a particular line that comes in the story where another independent woman, when asked if she needs help before setting out on a mission, responds with “You would only slow me down.” Julia takes this short phrase to heart, setting it as a goal: to be a strong woman who is simply slowed down by others, free to choose her own paths and complete her own goals. It was a refreshing new take on a YA heroine, and I loved her use of this phrase as a personal mantra.
I honestly can’t say enough good things about this book and series. My one complaint, perhaps, is that events are quickly wrapped up in the end. But even that flaw barely registered in my general enjoyment of the book as a whole. As I’ve said, this book has flown mostly under the radar, and it’s such a shame! In a genre that is flooded by novels that often follow fairly tried and true (and increasingly predictable) paths with tried and true (and increasingly predictable) heroines, this series stands alone as presenting something different. Read these books! Read them now!
Rating 9: An excellent finale to an excellent series!
Where Did I Get this Book: audiobook from the library!
Book Description: The empress in the east—the unspeakably cruel ruler whose power grew in Flamecaster and Shadowcaster—tightens her grip in this chilling third installment in the series.
Vagabond seafarer Evan Strangward can move the ocean and the wind, but his magical abilities seem paltry in comparison to Empress Celestine’s. As Celestine’s bloodsworn armies grow, Evan travels to the Fells to warn the queendom of her imminent invasion. If he can’t convince the Gray Wolf queen to take a stand, he knows that the Seven Realms will fall. Among the dead will be the one person Evan can’t stand to lose.
Meanwhile, the queen’s formidable daughter, Princess Alyssa ana’Raisa, is already a prisoner aboard the empress’s ship. Lyss may be the last remaining hope of bringing down the empress from within her own tightly controlled territory.
Review: This book came out last spring, and yet I’m reviewing it almost six months later. Part of this is due to the way my library holds list played out, and the other part of it almost seems reflective about my attitude towards this series. I just don’t know what to expect anymore, and so, I delay. I loved the original series that was prequel to this one, but that love hasn’t translated well, at least not consistently or evenly. I wasn’t a huge fan of “Flamecaster,” and while “Shadowcaster” was an improvement, it still didn’t reach the highs of the originals. What makes these feelings all the more clear in hindsight is the fact that when I started this book, it took me forrrreeevveerr to remember the details of the story or who some of these characters even were. Not a good sign. And, while I did like this one more than the fist book in the series, I’m also starting to accept the fact that, as a whole, this series might just not be my jam.
Per the usual with the books in this series now, the story opens in the past, then catches up to events that were occurring to other characters during the present of the period that made up the first book and much of the second, and then finally catches up to the last portion of the second book and moves forward. Confusing? A bit. The timeline jumping didn’t help with my general disconnectedness from the larger narrative. Our newest member to the ever-growing cast of characters is the titular stormcaster, Evan Strangward, a character we met briefly in the first book as a pirate who delivered the dragon, Cas, that Jenna has paired up with. (Another example of my confusion and lack of memory of this series: I absolutely did not remember this at all until it was literally pointed out on the page much later in the book. I thought this was a completely new character for most of it. So…yeah, that says a lot, I think). Evan has his own motives and connections to the villainous Empress across the sea, and teams up with other familiar characters. Meanwhile, we check in briefly with our other main characters, including Jenna/Cas, Lyss, Adrian, Lila, Hal, etc etc.
Look, I’ll just say it: there are too many characters for this series to handle well. At this point, Jenna, our main character from the first book and a girl with a literal dragon best friend, has only gotten about 3-4 chapters in the last two books. Adrian, the son of Raisa, was almost gone completely from the second book, but gets a bit more here. Hal and Lila have their own roles to play, and Lyss finally shows up about halfway through the book, but it’s all just too little too late. For one, there are simply too many characters to feel equally invested in them all. This will inevitably lead readers to forming preferences and then facing disappointment in one book or another when those characters have to be pushed to the side to fit in all of the other characters that have been introduced. For two, trying to juggle this large cast while sticking with a reasonable page length leads to corners being cut as far as character development goes. Most particularly, the romance suffers.
This series insists on pairings all of its characters up, and so far I’ve only really been able to buy into one of these relationships, the between Lyss/Hal. And objectively, this is likely due to my preference for Lyss as a character rather than any particular strength of this relationship on its own. Adrian and Jenna suffered from an extreme case of instalove, and we saw another version of that here in the relationship formed between Evan and Destin. One of the biggest strengths of the first series was the slow-burn/development of its main romantic pairing that took place over four entire books. Because this series has so many characters and adds more in each book, every single romantic pairing suffers, if not in the beginning (like the cases of instalove), then as the story progresses (like Lyss and Hal who in this book spend the entire time on opposite sides of the world.)
The story itself also suffers for this large cast. The action often feels reduced and stunted because the book must jump around so often to cover what is happening to everyone in their own little corners. And then in this book in particular, the “big confrontation” that comes towards the end felt a bit subdued and predictable. There were a few exciting moments in it, but ultimately, in an epic fantasy series, it felt more like a small action scene that should have happened in the middle of some book, rather than the grand finale of the third in the series.
There were a few things that still intrigued me here. I still very much enjoy Lyss as a character and was very pleased when she finally turned up. It was good to hear (and see!) more from the Empress and what her motivations/plans are. There are also a few neat scenes where various characters meet up with each other for the first time, and that was particularly enjoyable.
However, ultimately this series is starting to fall prey to what I call “Game of Thrones” syndrome where the concept has started to kill what might have been good originally. Namely, too many characters and POV switches don’t always help a series and can often prove to be detrimental, especially as they continue to build and eventually start overwhelming the story itself. An author is so busy catching up with a million different people and POVs that the story itself begins to feel lost. At this point, I will still finish off this series, but I feel pretty confident that unless there’s a major turn-around in the last book, this won’t be going down as as much of a favorite as its predecessor series.
Rating 6: Stumbles under the weight of its own increasing cast size.
Reader’s Advisory:
“Stormcaster” isn’t on many relevant Goodreads lists for some reason, but it is on “2018 – Sequels.”
Where Did I Get this Book: ARC from the publisher!
Book Description: The Amrithi are outcasts; nomads descended of desert spirits, they are coveted and persecuted throughout the Empire for the power in their blood. Mehr is the illegitimate daughter of an imperial governor and an exiled Amrithi mother she can barely remember, but whose face and magic she has inherited.
When Mehr’s power comes to the attention of the Emperor’s most feared mystics, she must use every ounce of will, subtlety, and power she possesses to resist their cruel agenda.
Should she fail, the gods themselves may awaken seeking vengeance…
Review: A big thanks to Orbit for sending me an ARC of this book! I’ve been on a bit of a roll lately with fantasy stories set in desert climates, so reading the description for this one, I was quick to place a request. Unfortunately for me, while not a bad book, this one didn’t quite do it for me. My streak had to end sometime, I guess, and it was unfortunate that it had to be with this book.
Mehr has grown up straddling two worlds. In one, she is the noble daughter of an imperial governor, raised in luxury and comfort and largely protected from any tumult going on in Empire at large. In the other world, she is the bastard daughter of a mother whose people have become outcasts in their own land and who are becoming increasingly persecuted by the Emperor. Of course, these two worlds will inevitably clash, Mehr must find a way to fight for not only her own future but that of her people.
While I already noted that this book wasn’t a win for me, there were a few things that played in its favor that I want to highlight. Firstly, the setting. I still love a good desert-based fantasy novel, and this one perfectly captures the wild nature of its location and plays with usual cast of fantasy characters often found there, such as daevas. I also enjoyed the descriptions of Mehr’s Amrithi culture and the intricate dances they perform as part of their power.
And lastly, Mehr herself is a strong enough character. She’s not one that will likely stand out in my memory, but she also didn’t commit any of the cardinal sins that get my hackles up with main characters. She’s practical and level-headed (though she does make a few confusing decisions early in the book, but no one’s perfect, I guess). She also has a lovely relationship with her much younger sister. Sadly, this character and a few others that we meet early in the book pretty much disappear from the story, which is too bad.
Ultimately, I think my biggest problems with this book had to do with pacing and the odd balance that was trying to be struck between YA fantasy fiction and adult fantasy. There are elements of each in the book, and yet they never mesh together well, and what may appeal to one set feels like exactly the points of note that would ring false with others. The pacing is quite slow and the world-building, history, and politics are quite detailed. These are elements that one is more often able to find in adult fantasy. However, on the other hand, character moments and the overall story arc largely follow a pretty familiar beat-by-beat YA story. Put together, I was never able to fully engage with the book. The detail that was given to the world and history combined with the very familiar order of events left many of the “reveals” feeling predictable and lacking the excitement and thrill that one would want. Even with a few more surprises, I think the pacing itself would still have been lacking. It was just slow. There was a lot of discussion and preparation and very little action for a book that is following the now very established “weapon floating on cover” book design.
As I said, there’s nothing objectively “wrong” with this book, perhaps other than its slow nature. But even that may appeal to some readers. For me, the other elements in the story were all just…fine. And “fine” characters, “fine” romance, and “fine” magical elements just weren’t enough to boost this one up my interest scale. But fantasy readers looking for a slower-moving story that plays to its strengths with its desert setting may still want to check this one out!
Rating 6: Just kind of meh, for me, unfortunately.
Book Description: The Battle of North Fields is over—or so Aliza Bentaine, now a Daired, fervently wants to believe. But rumors are spreading of an unseen monster ravaging the isolated Castle Selwyn on the northern border of the kingdom. When she and Alastair are summoned from their honeymoon by the mysterious Lord Selwyn, they must travel with their dragon Akarra through the Tekari-infested Old Wilds of Arle to answer his call.
And they are not alone on this treacherous journey. Shadowing the dragonriders is an ancient evil, a harbinger of a dark danger of which the Worm was only a foretaste. And soon Aliza realizes the terrible truth: the real war is only beginning.
Review: “Heartstone” was one of those unicorns of a book that was marketed as a retelling of “Pride and Prejudice” and actually managed to not only not disappoint but also hold its own as a solid piece of fantasy fiction, regardless of comparisons to beloved classics. What made it so special was the author’s ability to perfectly balance retaining the basic elements of the original story while not feeling bound to hit every beat or even exist in a world that looked very similar. I mean, the Mr. Darcy character rides a freaking dragon in this book! And “Elizabeth” helps kill a gigantic, beastly worm. Your typical Jane Austen re-telling this is not. This all left me in a strange state when I saw that there was a sequel. For one thing, the first book wrapped up so nicely that a sequel was by no means necessary. And for two, would the author be able to manage this again? Well, never fear, readers, “Dragonshadow” is proof that “Heartstone” wasn’t just a lucky hit, but evidence of a strong author with a clear story on her hands.
Aliza and Alastair have been on their honeymoon. But as enjoyable as it is, inevitably, it must come to an end. And with this change comes the stark reality of the life that Aliza has signed up for: not being a Rider herself, she is destined to remain behind, alone in a large house she is meant to run, knowing her beloved husband is battling danger at every turn. She quickly realizes that this is unacceptable. So now, together, she and Alastair and his dragon Akarra set out on a new adventure, one riddled with danger at every turn and a mysterious force pulling the strings from behind the curtains.
Well, I just loved this book. And what I most loved about it was the fact that it went in directions I never would have expected. I am going to do a bad thing now and compare this book to another Jane Austen retelling (of sorts), but it’s another one of the few examples of these types of books that I think succeeds. “Death Comes to Pemberley” by PD James is essentially a mystery novel that also serves as a sequel to “Pride and Prejudice.” It features a murder mystery at Pemberley, but also dives into Elizabeth’s experiences after the wedding, now mistress of a large estate. Like that book, “Dragonshadow” does an excellent job looking past the “happily ever after.” Both Elizabeth and Aliza are in worlds that are unfamiliar, that they were largely unprepared to enter, and that naturally bring out many insecurities into their own roles and the strength of their relationships with their husbands.
While Aliza played a major role in the action of the first book in this series, it was clear that her choices were largely driven by extraordinary circumstances. An unbeatable foe was on the move, Alastair was dying slowly of poison. Her actions were a last resort, not a natural next step for a character who grew up with no battle training herself. And here, we see how these realities play out, her now being married into a family of warriors. So much of her arc here is just excellent, from her pushback against expected roles put upon her, to the still very true realities of her inexperience and lack of preparation to participate actively in Alastair and Akarra’s world. Alastair’s reactions are equally compelling. He makes several “wrong” choices, but also is largely right in his fears. Aliza, and his love for her, is not only incapable of taking care of herself, but is also a risk for him as a distraction. That said, her insistence to be more than a lady waiting at home isn’t wrong either. It’s exactly the kind of complicated, both sides are right/wrong situation that provides a rich reading experience.
I also greatly enjoyed the action of this book. We’re exposed to a wide variety of the different magical beings that make up this world, and much of the politics and interactions between their species and how they interact with humanity is explored in a bigger way than the first book’s “big, bad, monster.” Importantly, the wide swath of grey and neutral roles that exist between the building sides in this larger conflict are explored in great detail. There were some excellent surprises, especially towards the end, and I particularly enjoyed how Aliza’s strengths were used to suss these things out. While not a fighter, she was able to prove her worth in other ways.
I was also very surprised by another element added to the story about halfway through. At first, my kneejerk reaction was negative as it seemed to be following (or introducing) a fairly typical romance novel trope that I’ve never particularly enjoyed. But instead, the story veered wildly into a topic that is rarely explored in many novels, let alone fantasy fiction. And the delicacy and care that was shown to a particularly challenging subject was lovely to see. In the end, I have to greatly applaud the author not only for choosing to include this difficult topic, but for handling it so well.
“Dragonshadow” was exactly the sequel I didn’t know I needed. In many ways, it makes “Heartstone” read as a bit simplistic. There’s a compelling mystery, dangerous action, an incredible character arc for both of its main characters, and the exploration of deeper topics such as love, loss, and the choices that these greater forces inflict upon us. Fans of “Heartstone” should definitely check out this novel. And new readers should definitely get their hands on the first book, knowing that it is just the beginning!
Rating 9: An excellent, unexpected sequel that raises the stakes in every way: action, topic complexity, and characterization.
Publishing Info: Viking Books for Young Readers, November 2018
Where Did I Get this Book: ARC from the publisher
Book Description: Lady Helen has retreated to a country estate outside Bath to prepare for her wedding to the Duke of Selburn, yet she knows she has unfinished business to complete. She and the dangerously charismatic Lord Carlston have learned they are a dyad, bonded in blood, and only they are strong enough to defeat the Grand Deceiver, who threatens to throw mankind into chaos. But the heinous death-soaked Ligatus Helen has absorbed is tearing a rift in her mind. Its power, if unleashed, will annihilate both Helen and Carlston unless they can find a way to harness its ghastly force and defeat their enemy.
Review: Whelp, as I warned, the horrid covers continue. I mean, look, we all know how I feel about cover models: almost always worse than a cover without a model. But if you’re going to go the whole “girl in a dress” route for a historical novel, at least have the basic decency to choose a beautiful dress!!! I mean, what even is that thing? A dress? A weird, wizard robe? And the model’s sneering facial expression doesn’t help matters. Now not only do I have to stare at this ugly cover whenever I pick the book up, but I have to actively concentrating on NOT letting that model take over my imagined image of Lady Helen.
After the events of the previous book, Lady Helen is preparing to become the next Duchess of Selburn. However, her work with the Dark Days Club is in no way over. In fact, the world is becoming more and more dangerous as the threat of the Grand Deceiver looms ever nearer. What’s more, after absorbing the Litigus, Lady Helen is struggling to contain the damage is creating. Will her bond with Lord Carlston as the Grand Reclaimer be enough to stop this oncoming nightmare?
My feelings for this, the final book in the trilogy, are kind of what I expected after reading the second book. The trilogy started out on a massive high, masterfully balancing dark fantasy elements, high-stakes action, and a prim and proper Regency setting. The second book, while moving the larger story forward, did get stuck a bit with its character arc, leaving Lady Helen floundering in indecision a few too many times for my taste. So here, while we never return to the high that was the first book, I ultimately found myself satisfied with the trilogy overall.
Lady Helen’s character, for one, I felt was largely improved in this book. After some of the revelations and resolutions found in the second book, Lady Helen continues to gain a better grasp on the players at work and her own role in the looming battle ahead.
I still enjoy the historical elements of the story, and for fans of period pieces, there are a lot of nice little details that speak to the time. This element of the book will gain better traction with some readers than others. These books are long. They’ve always been long, and this one is no different. So while yes, you’re getting lots of magical battles with demonic creatures, you’re also getting extended shopping expeditions to Bath. Personally, as much as I love these historical details and segments, I do feel like all of the books, including this one, could have benefited from a bit more tightening around the waste. Ideally, this balance would be found in trimming back not only on some of these extended shopping scenes, but also in some of the slower moving fantasy action as well.
I was pleased to find that there were in fact a few twists and turns that came as unexpected surprises. As I mentioned in my reviews of the other books, there were a few secrets that were all too easy to call, even from early in the series. Unfortunately, this aspect of the story, its tendency to be a bit too predictable, didn’t help the aforementioned pacing issues, again causing the book to read as a bit long as slow. However, while some of those “big reveals” did indeed fall flat, there were also a few surprises that did enough to keep me turning pages with interest. I still loved all the gentlelady fighting scenes, and we got even more of them here, in a few unexpected places.
And, of course, readers were all waiting on pins and needles to see how the romance of the story would be resolved. This too was a balance of good and bad for me. I very much like slow-burn romances, and this was nothing if not that. But throughout the trilogy, there was also a tendency to create unnecessary angst through silly decisions and lack of communication that never felt grounded in true characterization. I was pleased with the way the romance was tied up here, though I will say that I wish there had been a bit more of it. Again, if the book is going to insist on being as long as it is, and readers had to go through an entire trilogy full of angst and will they/won’t they-ness, I felt like we deserved a bit more than we got here.
While for me the trilogy never quite lived up to the strength of its initial concept and book, it also stands on its own as a shining example of mixing historical, Regency romance with dark fantasy action. Lady Helen, other than a few moments here and there of indecision, was a fantastic leading lady and aptly carried the trilogy. The romance was solid, perhaps striking different chords for different readers simply depending on preferences. And the fantastical elements and action, while predictable at times, were also exciting and appropriately dark. Overall, the trilogy was an entertaining and reliable, never presenting any major stumbling blocks to its readers and sticking its final landing.
Rating 8: Fans of the first two books are sure to enjoy this one!
Reader’s Advisory:
“The Dark Days Deceit” is a newer book, so it isn’t on many interesting lists. It is on this one (though I’d debate the use of YA for this series): “YA Regency Fantasy.”
Book Description: Jake’s finally weakened. After a grisly battle, the Drode offers the Animorphs’ leader an escape from the terrifying pressure. He’ll reverse the decision to start the Animorphs. Now, there’s no morphing, no missions, and no knowledge of the Yeerks. That is, until very strange things begin to happen and Jake, Rachel, Tobias, Cassie, Marco and Ax are forced to confront their new reality.
Narrator: Everyone!
Plot: After a particularly horrible battle, Jake is back in his room, dreading the inevitable nightmares that are sure to come: his friends dying, all because of his own decisions. At this weak point, Crayak’s servant the Drode appears and gives Jake an out: say the words and this can all go away, Jake and the other Animorphs can go back to blissful ignorance, back before they met Elfangor in the abandoned construction lot. From there, a weird alternate reality takes over.
Summary of my feelings during the entire book.
After meeting up at the mall one evening, Cassie and Rachel spot Jake, Marco and this guy named Tobias, (they think?) heading out. We witness the same exchange that we got from Jake’s perspective way back in book #1, but this time from Cassie’s POV. They agree to head home together, but instead of going through the construction site, they take the long way around. In the sky, they see a flash of what looks like a meteorite falling. Cassie gets an odd feeling, but they all reach home safely.
Over the next few days, we check in with the rest of the crew. Tobias is living with his uncle and has quickly fallen out of hanging around with Jake and Marco, getting the sense that while nice enough to him, they’re not really looking for new friends. This leaves Tobias at the mercy of even more bullies, that is until he’s invited by another kid to a meeting of The Sharing. He sees Jake and Tom there, but doesn’t talk to them.
Cassie is having weird dreams, voices in her head and images of the ocean. She goes into the barn now and then and is having weird memories of Marco lounging on hay bales (but Marco’s never been there) and a large bird of prey up in the rafters.
Ax is under the sea, waiting for rescue. It’s been weeks, however, and no one has come. We see him captures and acquire the hammerhead shark morph that he had when the Animorphs originally met up with him back in book #4. After a period of time, he finally decides to give up waiting just as a group of Controllers make their way towards the Dome ship. He escapes as a shark, taking out a bunch of Taxxons on his way, and makes his way to the surface.
Jake is receiving increasing pressure from Tom to join The Sharing. He has nothing against it, but is more and more beginning to resent the pressure from Tom to join.
Marco and Rachel go on a school trip together where Marco flirts outrageously with her. He is happy to find that there is more to her than her looks as she wittily matches him and puts him in his place with his ridiculous come-ons. Just as things are getting interesting, Marco spots his “dead” mom and takes off after her, trying to chase her down.
Rachel has felt all her life that something is missing, and when Marco takes off after some woman who can’t possibly be his dead mother, she doesn’t think twice, leaping into action and following after. The two chase Marco’s mom around town, finally backing her into a corner in an alley, only to find that she’s called reinforcements and now it’s they who are trapped. What’s more, the reinforcements don’t shoot regular guns, but some type of strange laser beam. Rachel and Marco manage to make their escape up a fire ladder in the end. They also start quasi-dating off page.
Tobias, now being protected from the bullies by members of The Sharing, finally decides to join as a full member. He meets Jake in the hall at school and mentions this. Jake seems suspicious of the whole thing, mentioning that any group that asks individuals to give up themselves in order to be part of some whole might be a bit weird. Tobias, though, at the mercy of bullies and practically no family, decides to go through with it. At The Sharing, he and a few others go into a room to become full members. To his surprise, Vice Principal Chapman and a strange man named Mr. Visser are there. Chapman gives a pretty speech about how Tobias will now be part of something bigger than he is. Mr. Visser scoffs at the necessity of the speech, but Chapman says it usually helps. Even with the speech, Tobias starts freaking out when they lock him down to a chair. From there, he’s infested with a Yeerk. But not just any Yeerk, a Yeerk who secretly works for Visser One and there to tell Visser Three that the Council of Thirteen wishes Visser Three to proceed with Visser One’s more secretive approach to the invasion on Earth.
Ax has found himself a place to stay: the mental hospital. But after a while there, he realizes that he must do more and the only way to tell if the Yeerks are on Earth is to present them with bait they can’t resist, an Andalite. He makes his way to a TV station and projects a short video of himself.
At home, Jake and Tom both see the video. Tom freaks out and tries to sneak out of the house, but Jake sees that he has a gun with him and, suspicious, stows away in the back of the car. Tom makes his way to the TV studio. There he meets up with Chapman, Mr. Visser, and, strangely, Tobias. A small fight breaks out, and in the chaos, Tom shoots at Jake with a ray gun (though he can’t see who it is to know it’s Jake). Jake briefly sees his own hand start to change into the paw of a tiger. He freaks out and rushes back to meet up with Rachel, Cassie, and Marco in the barn.
There, Cassie confesses to the strange visions she’s been having. Before Jake can describe the alien on the video, Cassie is able to describe him herself, based on these strange “visions.” They all agree that some sort of conspiracy is going on, likely involving The Sharing since they know Tom and Tobias were involved. Cassie watches the discussion and notes that everyone is the way they “should” be: Jake is the leader, making the decision when necessary; Rachel is ready to act, now; Marco is sitting back, cautious and analyzing the situation from afar. But something is still missing.
Back with Tobias, we see the slow spiral of his thoughts as he realizes the truly terrible situation he has gotten himself into. There’s no going back, and this is his life now. He also realizes that the Yeerk in his head is a bit scared, noting that Visser Three is being too accommodating of a Yeerk who just delivered bad news. At a meeting, Visser Three confronts Controlled!Tobias and accuses the Yeerk of working for Visser One. After threatening to starve him to death, the Yeerk confesses and Controlled!Tobias is shot in the head.
The others have decided to track Tom, their only known lead. But we see how difficult their task is without morphing abilities: even following him becomes almost impossible because they can’t drive. Jake and Marco try to sneak through Tom’s things, but don’t see anything. On the TV, however, they see another broadcast from Ax, this time on all of the stations. He explains about the Yeerks, how they Control people and that Earth is under attack. Marco quickly guesses that this is what has happened to Tom and his mother. Tom confronts them with a laser gun and tries to herd them out into a waiting car, likely to be infested now themselves. Rachel shows up with a bat and takes Tom out. From there, chaos breaks out.
A Bug fighter shows up in plain sight and begins chasing them. They manage to make it a few blocks before the fighter blows up some cars. The explosion beats up Rachel and Jake, but it kills Marco. Shell-shocked, they make their way to the mall and meet up with Cassie. Ax is there as well, having holed up in Circuit City to broadcast his message. On his way out, he runs into three teenage humans who are now being chased by a bunch of Yeerks through the mall. One of them knows his name. Cassie convinces Ax that she doesn’t know what’s going on, but something’s not right and they are supposed to be friends and allies. Ax says they need to make their way to the roof to escape.
On the way there, several fights break out and Rachel comes into her own with a blaze of battle prowess. But once on the roof, she is killed by a Hork Bajir. Ax, Jake, and Cassie run towards the Blade ship that has landed on the roof. As they run, Cassie, too, is shot and killed by a laser. Jake and Ax make their way on to the Blade ship, but they run into Visser Three who is about to kill them when Cassie appears again out of nowhere and kills him. A disembodied voice complains that she was dead and that this is getting out of hand.
Ax, Cassie, and Jake fly the ship into space and are just about to take out the Yeerk Pool Ship, likely resulting in their own death as well, when it all stops. A being that calls itself the Drode and an old, grandfatherly-like creatures calling itself the Ellimist show up. The other dead Animorphs also show up. The Drode complains that the Ellimist cheated, that Cassie is an anomaly that messed with the alternate reality. He accuses the Ellimist of “stacking the deck” by selecting Cassie, a time/space anomaly, Marco, the son of Visser One’s host, Tobias, Elfangor’s son, and Ax, Elfangor’s borther, to be part of his team. The Ellimist says that his decisions came into play before the timeline change, so it was a fair deal. It’s not his fault that Cassie’s mere presence will always ruin it, grounding the timeline into the one that is meant to be. Besides, the Drode was the one to call things off in the end, just as Jake, Ax, and Cassie were about to blow up the Yeerk Pool Ship.
Through all of this, the others regain their memories. Jake is horrified that he gave in and that this was the result. The Ellimist says that things will reset to the night Jake made this decision and that none of them would remember but for Cassie who would have vague images here and there. Cassie decides that whatever she remembers she will keep to herself. She doesn’t want Jake to know he ever caved to Crayak or Tobias to know he chose to be a Controller. Rachel comments that she will be more than happy to forget dating Marco.
Time resets. Jake is in his room, dreading his nightmares. The Drode appears and temps him, just as Jake is about to answer, the Drode sighs in annoyance, says never mind, and disappears.
Our Fearless Leader: The brief scene at the beginning of this book is brutally effective, especially given how short it is. We don’t know the details of the mission, but multiple members of the Animorphs almost die. They also have to walk out on a dying human Controller that was taken out in the action. There’s nothing special about this fight, which is what makes it all the more believable that it would be the one to break Jake. It isn’t a matter of the fight itself being worse, but the accumulation.
We get some good stuff from Jake throughout the book, but some of the bigger moments are his discussion with Tobias about The Sharing and his natural fall into leadership, even in this alternate reality. The former gets at Jake’s inherent distrust of organizations that call for the loss of the individual, and it’s a brief discussion, but very interesting for what it says about him. The second is a good example of just how inevitable it was that Jake would be the one to lead this group. He’s a natural leader, able to make tough decisions quickly when they need to be made, regardless of changed circumstances. It’s also definitely for the best that Cassie is the only one who will even partially remember this whole thing. Jake has enough weight to carry and the knowledge that he ever made this choice would surely be the straw that broke the camel’s back.
Xena, Warrior Princess: Rachel, too, falls naturally into her regular role. She pines for action from the very beginning and doesn’t question motives or sanity or anything when Marco takes off after his “mother.” She acts, and she acts quickly. She’s the one that really gets them out of the alley situation, vaulting Marco up to pull down the escape ladder.
There’s also the neat scene where she comes to Jake and Marco’s rescue when they’re being carted off by Tom, and she takes him out with a bat. We get this line from Jake, and it’s the kind of scene that you can picture showing up in a movie:
I stared at my cousin. Rachel was breathing hard. But her outfit, hair, and makeup had remained perfect.
We also see what has to be a contender for one of her most bad-ass moments in the entire series during the fights that take place in the mall. At one point, the group is fighting a bunch of Hork Bajir with the few ray guns they’ve manged to get their hands on. Things aren’t looking good at one point when Rachel manages to use the decapitated head of one Hork Bajir to stab another Hork Bajir in the chest, killing him.
A Hawk’s Life: Omg, Tobias. His entire section is just heart-wrenching. What makes it all the worse is how very believable it is. Through the entire series, it’s easy to wonder what would make a person agree to be a Controller, and it’s hard to imagine any scenario where that would be a choice someone would make. But here, we see not just some random person do it, but a beloved hero we’ve followed through tons of books. Tobias’s life is terrible. His aunt and uncle are the worst kind of indifferent. One set of bullies was put off by Jake, but another group is always waiting to beat up on him next. Even his rescuers, Jake and Marco, don’t really do much to help Tobias. Sure, Jake stood up for him, but Tobias can sense their lack of interest in being friends, and he inevitably drifts away. The Sharing is perfectly positioned to prey on kids like him.
And when he’s Controlled, the situation is just worse. He sees his life before and acknowledges that it was terrible, and that while yes, there was nothing he could do at the moment to change it, all he had to do was endure. But even with these thoughts, it’s not made to seem like Tobias made a stupid, easy-to-avoid decision . His life was hard; even knowing that endurance will provide an escape at some point, the reality of what life is like for kids like this is still really tough. And then he gets shot in the head because the Yeerk inside him is caught out as a spy. Oof.
Peace, Love, and Animals: This is a great book for Cassie. Not only are her chapters fun to read (especially the first one when we experience the scene before the construction night from her POV), but her insights into the team are put to great use. Through her eyes, we see how these individuals have key characteristics that remain true, regardless of how things played out. Her visions of the future are also great, being just subtle enough to create disturbing moments for her (like her recurring vision of a hawk in the barn) and clear enough for readers to get excited about the familiarities. She never just “suddenly remembers” anything in the lazy way of writing that so easily could have happened. Instead, her small insights and visions are always just enough at any given moment to slowly push things. Her memory of Ax’s name is the biggest one. Without that name, there’s a good chance things would have gone very differently, with the team never coming together and all being killed before they could reach the Blade ship and fly it into space, creating enough of a threat to force the Drode to stop things.
And then, of course, there are passive things that Cassie caused, like Jake’s weird hand morphing incident and the much more extreme example of her essentially coming back to life just in time to kill Visser Three. Most importantly, she realizes immediately that any memory of this experience that she retains is one that she must keep to herself; it would be too damaging to the group to know, especially Tobias and Jake.
The Comic Relief: For all that Marco quickly calls out the insanity when they’re all in the barn discussing the possibility of some weird conspiracy with The Sharing, he’s also the one to really defend the idea too, nicely highlighting the strengths of Marco’s character: he can say what everyone is thinking, but do it in a way that also highlights the realities of the situation. He has several moments where he shows his smarts, especially when it comes to spying on Tom. While Rachel wants action (any action!), Marco knows that they have to be cautious. He’s the one who warns Jake to look for booby traps that Tom might have set to warn him if anyone snoops around his room. Because of this, Jake is able to see the hair placed in a door to do just that.
It’s also important that Marco spotted his mom in the beginning of this book. We know from what we saw in the beginning of this series that, while smart, Marco is a very pragmatic character and would likely be unmoved to get involved in this whole situation had he not had a good motivation. And now, like then, that motivation comes in the form of his mother. It’s interesting to think, then, that if the only thing that changed was missing that construction site meeting, then there had to have been some Animorphs-related mission in the normal reality that prevented Marco and Rachel from being at that theater and seeing Marco’s mother then, instead of on the ship in book #5.
E.T./Ax Phone Home: It’s great to get some scenes from Ax’s time in the Dome ship in the ocean before the Animorphs would have rescued him. We even get to see how he goes about acquiring the shark, which is a great little tidbit of a scene to throw to fans of the series.
It’s also interesting to see how (and what) he learns about humanity without the Animorphs to help him out. For one, it takes him a bit to even establish which living being he should be when trying to fit in on Earth. In another nice Easter egg, we see that he considered cows at first because of their physical similarities to Andalites before dismissing them as too stupid. He does settle on humans eventually and it’s also no surprise that he would then wind up in a mental hospital. More nice tidbits with references to his eating habits, having managed to once again eat cigarette butts. But this time he fixates on Oreos instead of Cinnabuns.
His plan with the TV studio is also interesting, especially his final broadcast when he transmits the entire plot to the world. It’s hard to know whether this was really a good plan, as it forces the Yeerks’ hands into all-out warfare that humanity was clearly not ready for. But Ax is operating alone, and it’s easy to see him deciding to do something like this when he’s alone on a planet and playing any type of long-game would be incredibly difficult, both in actuality and emotionally.
Best (?) Body Horror Moment: Tobias being infested, hands down. We’ve seen this before with Jake, but there it was kind of happening in the background and readers, like Jake, weren’t really sure what was happening. Here, we know the entire time where things are leading with Tobias’s plan to become a full member of The Sharing. And then reading about him being literally strapped down to a chair and a Yeerk climbing in his head…yikes, it’s bad.
Couples Watch!: I mean, obviously I’ve read this entire series before, so I knew this book existed way back when I started promoting the secondary Marco/Rachel ship. But c’mon, the very fact that it exists proves that that theory was a good one even from the very beginning. It’s not a hard leap to watch Marco and Rachel’s banter morph into something that could actually work. Marco makes Rachel laugh. Rachel is able to match Marco’s wit. They both leap into action together to chase Marco’s mom and are even able to quickly read each other’s minds as far as next steps with their approach to the chase and their final escape. Obviously, I still love Tobias/Rachel (and Rachel has a great moment in the end where she’s quick to reassure Tobias about his choice to become a Controller, that of course that would never happen), but the book does do a good job of presenting a legitimate alternative.
It’s also worth noting that Cassie pretty much asks Jake out (asks him to come study at least), which is more than what she’s managed to really do in main series. Non-Animorph Jake and Cassie are definitely more brave about their relationship than they end up being in reality.
If Only Visser Three had Mustache to Twirl: We get an interesting look behind the curtain into the world of Visser Three early in the invasion. Through Controlled!Tobias’s eyes, we see that the maneuvering between Visser One and Three had been going on long before the events of book #5. Given the small change in history, there’s no reason to think Visser Three hadn’t made this request to the Council in the normal time line as well, and that Visser One had tried to trick him out of it using a spy. We also see Visser Three sneer at Chapman’s attempts to convince Tobias that this choice is something good; Visser Three clearly sees it as a waste of time.
But, of course, the true enemy in this book is again Crayak, experienced through his minion, the Drode. The Drode has some pretty amusing lines and ways of speaking, but the scene in the very beginning when he temps Jake, really highlights how truly awful Crayak is:
“Just one word, Jake,” the Drode whispered. “No … no, two, I think. One must not sacrifice good manners. Two words and it never was. Two words and you know nothing, have no power, no responsibility.”
“What words?”
“One is Crayak. The other is please.”
Adult Ugly Crying at a Middle Grade Book: Again, like, the entire book? We’ve seen Animorphs die before, but there is something particularly heartbreaking about watching it happen here. In the other versions, the Animorphs have all been fighting a very dangerous war for quite a while. In their own ways, they’ve all grappled with the reality that they or their friends may die at any time. And they each continue to make the choice to get up and fight again, knowing that the risk is worth it in their attempt to save humanity.
Here, they’re just kids (even younger than the Animorphs we’re used to, as around two years has probably gone by at this point). Regular kids, with no powers, no greater knowledge of this war or greater responsibility to handle it, than anyone else. Tobias gets shot in the head for simply having the wrong Yeerk Control him. Marco gets taken out by a Bug fighter the first time any of them truly understand the technology they’re up against. Rachel holds her own in a fight for a bit, but the reality is that no teenage girl can last against Hork Bajir warriors. And the others have to just watch their friends die, in no way prepared for it or accepting that this was a risk when they got up that morning. It’s shell-shocking and traumatic.
What a Terrible Plan, Guys!: As I said in Ax’s section, there could be some questioning of whether or not Ax’s approach was truly a wise decision. With the Andalites nowhere near, goading the Yeerks into an all-out war is a pretty risky decision. But he’s an alien kid, alone on a strange planet, we’ll cut him some slack. And, as far as it goes, with no powers and very little information, it’s pretty impressive that the remnants of the team manage to maneuver themselves into a situation where they’re essentially about to win, even if they die in the process. So much so, that they force the Drode’s hand in calling the whole thing quits.
Favorite Quote:
An obligatory section of Marco and Rachel flirting/quipping:
“Still, we should go out. Do a movie. Eat some burgers. I could make you laugh.”
“Actually, I think the mere memory of that suggestion will supply me with plenty of laughter.”
And, a longer section, but a good one given how the events of this entire book start because of Jake grappling with the challenges of being the leader and what that means:
“Jake? What do we do?” [Rachel]
“Yeah. What do we do, Big Jake?” Marco asked, half-mocking.
“What do you mean, what do we do?” Jake shot back. “Why are you asking me?”
Marco shrugged. “You’re the leader, man.”
“What are you talking about? The leader of what? And why am I the leader?”
“Because you are,” I [Cassie] said. The words were out of my mouth before I could think about them. I felt as if… as if I was a judge and had just passed sentence on Jake.
Marco jerked his thumb at me. “What the crazy chick said: Because you are.”
Scorecard: Yeerks 10, Animorphs 15
No change! Obviously none of this comes to pass, so the results don’t have any larger impact on the war. The Ellimist can count it as a win, though.
Rating: Sadness, this is the last Megamorphs book of the series. The Megamorphs books are a really mixed bag of experiences. The first one, I felt, was a big old swing and a miss. The concept was fun, as it’s the first book where we had multiple perspectives, but the action wasn’t really enough to support the style. It had some of the most memorable lines in the series (“Do you just hate trash cans?! Is that what it is?”), but as a whole, it’s not a great introduction into these off-shoot books.
I have a soft spot for Megamorphs #2 and #3. Both are completely hinging on the weird concepts of their stories (dinosaurs! time travel!) and it seems like readers’ appreciation of each will come down to how much fun they can have with those, albeit silly, themes. I was there for the campiness of the dinosaurs and entertained enough by the time travel (and the Tobias/Rachel kiss!) that I could turn my brain off enough to not think too hard about how it would really work.
But after all of this, the best was saved for last. This is the only one of the four that not only fully takes advantage of its split narrations (probably works so well because several members of the team, like Ax and Tobias, are completely disconnected and doing their own things for the majority of the story. And unlike amnesia!Rachel in Megamorphs #1, their actions are actually important to the story), but also has a solid concept that actually has things to say. We get a few great scenes that we missed in the early part of the series (Cassie’s perspective of their first meeting, Ax’s acquiring the shark), and the way the entire thing unfolds is as believable as it is terrifying. While, again, because of the nature of Megamorphs books, that they operate outside of the regular series, everything gets returned to normal and there is no lasting effect on the main plot, this book also seems to have enough new things to show and say that it seems like it should be required reading for the entire series.
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Publishing Info: HMH Books for Young Readers, October 2018
Where Did I Get this Book: NetGalley
Book Description: When Rose first met Charles, he was trapped in the form of a white bear. To rescue him, Rose traveled to the land that lay east of the sun and west of the moon to defeat the evil Troll Queen. Now Rose has found her happily-ever-after with Charles—until a sudden storm destroys his ship and he is presumed dead. But Rose doesn’t believe the shipwreck was an act of nature, nor does she believe Charles is truly dead. Something much more sinister is at work. With mysterious and unstoppable forces threatening the lives of the people she loves, Rose must once again set off on a perilous journey. And this time, the fate of the entire world is at stake.
Review: I read “East” forever and a day ago. It was an obvious read for me, as I love fairytale re-tellings and love “East of the Sun, West of the Moon” in particular. While I have yet to find my “one true love” version of this story (yes, this is a thing for me. For example, Robin McKinley’s “Beauty” and Juliet Marillier’s “Daughter of the Forest” both hold this esteemed title for their respective fairytales), I remember enjoying Pattou’s version and mentally shelving it as a “win” for this fairytale. So, when I saw that now, years later, Pattou was releasing a sequel story, it was a no-brainer to pick it up.
A few years after the events of “East” readers find Rose and her beloved Charles mostly settled into life. With a young baby boy to call their own and established lives pursuing their passions (Charles’s music), they are happy and it feels like the fantastical events of their lives are behind them. That is until Charles’ ship is struck down in a strangely powerful storm on a return journey from one of his musical expeditions. Now Rose will once again brave all to track down the love of her life who she knows, deep down, has not died but must have once again fallen into the grasp of villainy.
Reading this story so many years after “East” was an interesting experience. To be honest, I only had the vaguest memories of that book and they mostly had to do with generally liking it. But, as I said above, not loving it to the extent that I have other fairytale stories. With this book, as I read, I began to remember more and more about the original, not only its own specific take on the tale, but what exactly I liked about it, as well as what held me back.
What I liked has largely to do with a rather nebulous idea regarding writing tone. For fairtyales in particular, there’s a hard-to-pin-down style of writing that often comes hand-in-hand with this type of fantasy. It seems to be a combination of lyrical word choice, simple sentence structure, and a general approach to fantasy that leaves many things unexplained. Magical elements just exist, and it’s expected that readers can just accept them without detailed histories or systems. So, in this way, “West” definitely excels. While the story doesn’t speed along, it also reads nicely, filling its pages with the types of mini adventures and new characters that one expects to run across in fairytales.
The other thing that I remember enjoying from “East,” and that remains strong here, was the characterization of Rose herself. She’s a no-nonsense, go-getter type of heroine of the type that I always particularly enjoy. She doesn’t waffle amidst indecision or others fears (her family all try to convince her that Charles truly died in the ship wreck, as that’s how it appears in every rational sense), but instead has faith in her own abilities and feelings and takes charge of her situation. I also particularly enjoyed her knowledge of trolls to suss out suspicious instances early in the story.
However, there were also elements of this story that reminded me why I didn’t absolutely love “East” either. For one, like that book, Rose is not our only POV character. In the first book, I didn’t love this take on the story either, but I remember enjoying a few of the other POV characters enough that I was able to get on board with it. Here, I feel like there are not only even more POV characters, but that, between them, they tended to bog down Rose’s own story, rather them add nice supplements to it. On top of Rose’s own adventures, we have her brother who is always one step behind her. And her family back in her home village confronting a deadly plague. Both stories were fine, as far as it goes. But there was just too much going on between them all to ever feel truly invested in any of them. Mostly, I just wanted to focus on Rose’s journey to find Charles; I wasn’t too interested in seeing her brother just miss her time and time again. And the plague story, while interesting, just seemed like another tacked on plot that distracted from the main plot line.
In the end, I think my feelings for this book were about on par with what I felt for “East.” Perhaps a bit less so, since the whimsy of trying to track the original story in the retelling was lost in this one. But, as the books are so similar in whats on offer at their core, I think there’s a good chance that however you felt about “East” will transfer to how you feel here. And, as I know a lot of readers really loved that book, I’m sure this will also find a large number of devoted fans. For me, it was still just “kinda good.”
Rating 7: A steady sequel that aptly captures the same tone and feel of the first book, for better or worse.
Publishing Info: Viking Books for Young Readers, January 2017
Where Did I Get this Book: from the library!
Book Description: June 1812. Just weeks after her catastrophic coming-out ball, Lady Helen Wrexhall—now disowned by her uncle—is a full member of the demon-hunting Dark Days Club. Her mentor, Lord Carlston, has arranged for Helen to spend the summer season in Brighton so that he can train her new Reclaimer powers. However, the long-term effects of Carlston’s Reclaimer work have taken hold, and his sanity is beginning to slip. At the same time, Carlston’s Dark Days Club colleague and nemesis will stop at nothing to bring Helen over to his side—and the Duke of Selburn is determined to marry her. The stakes are even higher for Helen as she struggles to become the warrior that everyone expects her to be.
Review: Ok, I haven’t ranted about a cover for a long time. But man. MAN! This one deserves a good rant. Not only is this cover truly awful on its own, but when you compare it to the first book’s cover, it just gets even worse.
That cover is good. It’s not doing anything super brilliant or unique, but it’s getting the job done. We know this is a historical novel, and we get that there is some darkness involved in the story, likely fantasy-related. And then we have this new cover…The model looks ridiculous. The weird magical sword is bizarre (and hard to connect with anything in the book). And the whole thing looks like the type of book you’d scoff at in an airport. We’d all like to think that we don’t judge books by their covers, but we do. And this series was already criminally underappreciated, and I can’t imagine this change to cover art helped anything. Also, spoiler alert, it definitely DOESN’T improve with the third book. *sigh*
Lady Helen has forgone the life of marriage and respectability she had previously seen as her future. Instead, she is now a full-fledged member of the Dark Days Club, a secretive society that fights against demonic beings that lurk among the unwary. More to the point, she and her colleagues suspect that the Grand Deceiver is on the move, one of the most powerful and evil beings the Club has ever faced. But Lady Helen is also still in training, with much to learn not only about her own unique abilities, but how she is to balance her responsibilities to the society as well as her loyalties to her friends. Especially Lord Carlston, whose erratic behavior has set him smack dab in the cross hairs of the leadership in the Dark Days Club.
While this book was a bit more wishy-washy for me (not really a surprise for the dreaded “second book” in a trilogy), there were still several aspects of the series that I greatly enjoyed. For one, the pitch perfect mixture of historical regency “manners” story, flitting through ballrooms and strolls through parks with parasols, and magical adventure featuring some legitimately dark villains. Lady Helen must be given full credit as a well-drawn character who is capable of reading as believable in both these very different scenarios. What’s more, both versions of herself, socialite and powerful Reclaimer, are not two suits that fit well together. Those who know her as a well-bred lady first and foremost, question her ability to exist in an action-packed and dangerous world. Here, she rises to the occasion by learning to fight and donning an alter-ego as a young man. On the other side, her Reclaimer friends don’t see the importance or value that Helen does in maintaining a grip on her role as a woman in society. And here, she proves that a well-timed conversation with the right person can be just as valuable as pulling out a sword.
I still also very much like the world that has been imagined here. Reclaiming is a dangerous business, and we see that though Helen has great power, she still has much to learn to survive in this world. Not only that, the most successful Reclaimer must still deal with the negative side-affects of their work, which we see in Lord Carlston’s quick spiral into violence and madness. We also see that the Deceivers themselves can come with a wide variety of motives and ways of living in the world, some more destructive than others. There are also more than a few humans who prove that you don’t have to be a demonic being to be evil.
While I liked all of these general aspects, I did find myself struggling with much of the book. For having so much action and adventure, the pacing also felt very slow. This is a long book, and towards the middle I was becoming more and more tempted to skim along. This is partly due to Helen’s arc itself within the story. Yes, she is new to this world and still trying to figure out who to trust and how to align herself. But she was just so indecisive, trying to play a middle field that anyone a mile away could see as a fool’s quest from the start. She also falls victim to the unfortunate and all too common martyr complex, choosing to make incredibly stupid decisions rather than, I don’t know, communicate with her friends. And for heaven’s sake, it seems all too clear who and what the Duke of Selbourn really is. Even the most naive lady of the time would be side-eyeing a man like this so determinedly not being put off by the repeated refusals and strange revelations about his lady love.
So, while I still liked much of the story, it ultimately felt a bit too long, a bit too predictable, and a bit too clumsy with its main character. But, that said, I’m still all in for the third and final book. At the very least, I can’t wait to read about Lady Helen finally waking the hell up about some things that I’m sure most readers have already guessed.
Rating 7: Falls victim to “second novel syndrome” a bit, but still has enough going for it to pull readers in for the final story.