Where Did I Get This Book: I received an ARC from NetGalley.
Book Description:In the new novel from the bestselling author of Final Girls, The Last Time I Lied follows a young woman as she returns to her childhood summer camp to uncover the truth about a tragedy that happened there fifteen years ago.
Two Truths and a Lie. The girls played it all the time in their tiny cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. The games ended when Emma sleepily watched the others sneak out of the cabin in the dead of night. The last she–or anyone–saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.
Now a rising star in the New York art scene, Emma turns her past into paintings–massive canvases filled with dark leaves and gnarled branches that cover ghostly shapes in white dresses. The paintings catch the attention of Francesca Harris-White, the socialite and wealthy owner of Camp Nightingale. When Francesca implores her to return to the newly reopened camp as a painting instructor, Emma sees an opportunity to try to find out what really happened to her friends.
Yet it’s immediately clear that all is not right at Camp Nightingale. Already haunted by memories from fifteen years ago, Emma discovers a security camera pointed directly at her cabin, mounting mistrust from Francesca and, most disturbing of all, cryptic clues Vivian left behind about the camp’s twisted origins. As she digs deeper, Emma finds herself sorting through lies from the past while facing threats from both man and nature in the present. And the closer she gets to the truth about Camp Nightingale, the more she realizes it may come at a deadly price.
Review: I want to extend a thank you to NetGalley for providing me with an ARC of this book!
If you remember, last year I was very excited about a book called “Final Girls” by Riley Sager. Sager kind of came out of nowhere with that book, an homage to the Final Girl trope from horror movies. So you can be sure that when I saw that he had a new one called “The Last Time I Lied” I was going to need to get my hands on it ASAP. The moment I sat down and started it, I was immediately sucked in and had a hard time putting it down, just like “Final Girls” the summer before. So thank you, Riley Sager, for taking me in and refusing to let me go until I found out what happened. AND for making it take place at a summer camp with a scandalous past. Because now I get to use “Wet Hot American Summer” and “Sleepaway Camp” references while I gush about this awesome mystery thriller, as is tradition when dealing with a story about summer camp.
Me as I think of all the GIFs I could use… (source)
If “Final Girls” was a homage to slasher films, “The Last Time I Lied” is one to Nancy Drew. There are teenage and adult female detectives alike trying to figure out mysteries from missing people, to a mysterious village that may have disappeared, to rumors of a once operational mental asylum. Granted, these mysteries are a bit more amped up in stakes than Nancy Drew ever was, but the parallels are certainly there. This story is told in two separate narratives (this is a really popular narrative form I’m realizing). There is the present day, where our protagonist Emma is a damaged adult who is haunted by her one summer at Camp Nightingale, and thirteen year old Emma while she is attending the camp during that fateful summer where her bunkmates Vivian, Natalie, and Allison disappeared. We see what a mess present day Emma is, and as we explore both timelines we not only get clues about what may have happened to the girls, but what has happened to Emma as well in the years after. Sager did a great job of using this plot structure to its full effect, as there were clues to all the various mysteries across both timelines, some obvious and some not so obvious. As you all know I liked trying to guess what is happening as I read along (more like I can’t help it), and I’m pleased to say that in “The Last Time I Lied” I was pretty much caught unawares, and the moments that I did guess part of a solution, I was missing vital pieces. Sager is even good at pulling off a last moment epilogue twist without supremely pissing me off, and THAT, as you know, is a feat that few an accomplish. I think that Sager did it so well because he knows that you have to set up a foundation for it, and definitely put it all in there even if I didn’t notice it. So when I got to the end I was definitely enthralled.
But on top of an excellent mystery, Sager also writes great characters who feel very real. Emma is such an interesting protagonist because she could fit the usual tropes of ‘damaged woman has to confront her dark past’ that we so often see in these stories, but she rises above them in almost every way. She’s a mess, but she’s not unlikable; on the contrary, she’s very easy to root for. She’s also realistic in how she behaves both as an adult and as a teenager. I found out about halfway through this book that Sager is a man (Riley Sager is a pen name, and the identity behind it was kept close to the vest for “Final Girls”), and I was surprised if only because DAMN does he know how to write teenage girls. I related hard core to thirteen year old Emma, with her shyness, insecurities, and awkward crush on Theo, the oldest son of the camp director, Franny. In fact, every teenage girl that Sager wrote reminded me of girls I knew in my teenage years. It’s a serious talent to know how to genuinely channel the minds and ways of teenagers, and Sager has proven that he has that talent.
In fact, all of the characters are given moments to shine and feel like fleshed out individuals. From Emma’s friend Marc (acting as a faraway Nancy Drew in his own right) to high strung camp counselor Mindy, all of his characters are given moments of humanity and expression, and it makes it so you don’t want ANY of them to be the culprits of the eventual stalking that Emma becomes victim of, and perhaps something even more sinister as well.
“The Last Time I Lied” was an awesome mystery thriller, and Riley Sager is one of the best in the business. If you haven’t already checked out his work, this book could be the place to start. Just be sure that any fond memories of camp you may have are kept safe and far far away. And if you have bad memories of camp, well, perhaps this can give you the perspective of ‘it could have been worse’.
Rating 9: A thrilling and exciting mystery from a stellar voice in horror thrillers, “The Last Time I Lied” kept me guessing, kept me going, and lived up to my high expectations and then some.
Book: “The Cabin at the End of the World” by Paul Tremblay
Publishing Info: William Morrow, June 2018
Where Did I Get This Book: A friend let me borrow it!
Book Description:The Bram Stoker Award-winning author of A Head Full of Ghosts adds an inventive twist to the home invasion horror story in a heart-palpitating novel of psychological suspense that recalls Stephen King’s Misery, Ruth Ware’s In a Dark, Dark Wood, and Jack Ketchum’s cult hit The Girl Next Door.
Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.
One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, “None of what’s going to happen is your fault”. Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: “Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world.”
Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.
Review: Paul Tremblay, you fucked me up again.
Though I don’t know what I expected because it always comes to this. (source)
I knew that this was going to happen, because he has done this twice before. First with “A Head Full of Ghosts”, a book about a family dealing with a teenage girl’s possible possession, and then with “Disappearance at Devil’s Rock”, a book about a family dealing with a boy’s disappearance. Now he came for me and his readers with “The Cabin at the End of the World”, a book about a family dealing with the threat of a home invasion and an impossible choice they may have to make. As you can see, Paul Tremblay likes to put families through the ringer, and that makes his books not only all the more scary, but it also makes them deeply emotional reads with characters whose pain you feel in the very pits of your stomach. The emotional connection to the characters is one of the things that sets Tremblay above many other horror authors today, and has him up there with Joe Hill, Stephen King, and Caroline Kepnes when it comes to horror and thriller fiction. CLAIM YOUR RIGHTFUL PLACE ON THE THRONE OF AGONY, YOU MAGNIFICENT BASTARD.
This time our family is comprised of Wen and her fathers Eric and Andrew. Wen is an eight year old trans-racial adoptee who is generally happy with her two dads, but has a nagging identity crisis that she can’t quite shake. Eric is an anxious person who has a healthy but somewhat hidden Catholic Faith, and he loves his husband and daughter even though he’s always worrying about her. Andrew is the more easy going of the pair, though a past trauma is always in the back of his mind even as he tries to be as pragmatic and logical as possible. So when they are cornered by a doomsday cult during their cabin weekend, a group of people who all came together by shared visions of the end of the world, they are suddenly forced into a dangerous situation that none of them are at all equipped for. The intruders believe that to prevent the end of days, this family needs to sacrifice one of it’s own. Eric, Andrew, and Wen are all complex characters who make realistic decisions based on who they are as people, from an eight year old child to a man consumed by nerves to a man trying to keep complete zen control of himself. I liked that while we didn’t see much interaction in the present outside of the home invasion, we are told through flashbacks and little hints and interactions just how much they mean to each other. I also appreciated that Tremblay did address the complex intricacies for families with transracial adoptees. While Eric and Andrew definitely do their very best to help Wen connect to her heritage (as she was adopted from China), there are still hints and references to her feeling out of place in her surroundings. It’s a narrative that isn’t seen much in adoption stories, and it was refreshing to show her multilayered feelings on her adoption and life with Eric and Andrew. Eric and Andrew were also well explored in their relationship and their own anxieties about parenting and living as gay men in a world where there is still stigma, no matter how much progress has been made. It was especially interesting exploring Andrew, who encourages Eric to be more relaxed but is still affected by a hate crime that was committed against him years before.
And the antagonistic group itself has some depth and complexity. Leonard, the leader of the doomsday group, takes no joy in the task he thinks he is sent to do. You can tell that he is pained by his ‘mission’, but he is also blinded by his own zealotry and it means that he can’t see the pain that he is causing. There is certainly an ambiguity there with him and his followers/fellow members; Tremblay makes sure to leave a lot of ambiguity about whether the world is actually coming to an end or not, and lets the reader decide if the signs that Leonard is seeing are real, or just coincidences as Andrew believes. But in the same token, it’s hard to know what the greater horror would be: that the end of the world may be coming, and only a terrible sacrifice can stop it…. Or that Leonard and his followers are just out of their minds, and that all of the suffering and torment that falls upon Eric, Andrew, and Wen is just for nothing. The story line and plot is tense as hell, and it wound me up as each new development happened. The brutality that Leonard and his group brings is unrelenting, but never feels tasteless of exploitative. You can see the motivations and fears on both sides, and as some characters begin to question what they are believing on both sides, the reader also begins to wonder just what is real and what is not. I loved that. Even if it messed me up. Don’t go into this book looking for straight up answers and conclusions: it is more a meditation on faith, family, and zealotry than your run of the mill end of the world tale. And I closed the book and just had to stare at the ceiling for a bit.
And I mean this in the BEST way possible. (source)
Paul Tremblay is one of our best horror writers out there because he can find the horror in the extreme, and the horror in the all too ordinary. He taps into fears of loss and injustice, and the unknown, and his words will linger with you long after you close the book. He can terrify and devastate you, and if you are anything like me you will look forward to it every single time. “The Cabin at the End of the World” was well worth the wait.
Rating 9: Paul Tremblay has created another disturbing and heart wrenching tale of family, faith, paranoia, and love that scared me and made me cry. “The Cabin at the End of the World” is another winner from a horror maestro.
Reader’s Advisory:
“The Cabin at the End of the World” is new and not included on many Goodreads lists yet, but I think it would fit in on “This Is The End….”, and “A Walk in the Woods”.
Book: “The Stepsister 2” (Fear Street #33) by R.L. Stine
Publishing Info: Simon Pulse, 2005
Where Did I Get This Book: ILL from the library!
Book Description:The doctor says Nancy is cured…
She’s over the murderous rage that made her try to kill her sister Emily last year. Now she’s home for good…
Or evil. Emily wants to forgive and forget, but the nightmare has started all over again. Someone wants to hurt her. Is it Nancy? Or is there someone else who wants Emily dead?
Had I Read This Before: No.
The Plot: For whatever reason, R.L. Stine has decided to write another sequel to one of his more lackluster early books. While part of me is relieved that he didn’t feel a need to revisit “Missing” or “The Secret Bedroom”, why oh WHY does he pick wet blankets like “Wrong Number” to follow up on? This time we’re revisiting “The Stepsister”, which means that Emily, Jessie, and good ol’ crazy pants Nancy are back at it again. We jump into Emily and Jessie, first sworn enemies now thick as thieves step sisters, waiting for Nancy to come home from her stint at the mental institution. If you remember she was there because she tried to kill Emily because she blamed Emily for their father’s death. We are also reminded that Jessie carries her own baggage, as her friend Jolie died and everyone thought she murdered her. As Jessie is putting her favorite crystal swan (a gift from her no longer around mother) on a shelf, screams startle her and she drops it. Rich, the third musketeer in this blended family recipe, storms into the room yelling at Emily. Apparently they were at the same party and Rich drank some beer. His Dad (remember Hugh? GOD he’s awful) found out and grounded him, and Rich thinks that Emily must have ratted him out. Emily denies it, but Rich says that he’ll get her back and leaves. Jessie and Emily talk about how WEIRD he is, with his love for Clive Barker and weird splatterpunk horror novels, and he doesn’t sound so bad to me. This is that time before Columbine and after the West Memphis Three where everyone thought violent horror media was what was driving kids to violence, so perhaps we’re foreshadowing. Then we get an appearance from Butch, the family’s new dog, and oh Butch, I’m not getting attached to you.
The doorbell rings, and Emily and Jessie go to answer it, assuming it’s Nancy… But it’s not, it’s Jessie’s friend Cora-Ann! Cora-Ann lives in a house where her parents are constantly physically fighting, so she’s spending time at Emily and Jessie’s house a lot. They retreat up to the girls shared bedroom (which is a new thing, and they are both getting used to it as they snipe on and off). Cora-Ann has some gossip about the party the night before, but just before it gets intolerably boring they hear the car doors. Nancy is home for real now. The girls go to the steps and Mrs Wallner greets them SUPER politely, which we are told means that she’s nervous. But then Nancy walks in, and she’s HOLDING A KNIFE!! But not to fear, it’s a prop knife that she found in the bushes, one that Rich must have left while filming a horror movie with his friends, and frankly THAT IS SO COOL. At first Nancy is a bit quiet as everyone bustles around her, but the moment that she says hi to Emily, Emily is super happy to see her. Mr Wallner yells at Rich to come down and say hi (using the phrase ‘insane’ in the process, way to be sensitive you fucking prick), and Rich does so while still showing his anger at Emily by bumping past her. Cora-Ann breaks the ice by telling him she likes horror movies, and then Rich acts like a fucking gatekeeper and tests her on what her favorite horror movie is and I don’t like him anymore. The family scatters, Nancy goes to her room, Cora-Ann and Jessie go to play with make up, and Emily assures her mother that she’s happy that Nancy is home….. But when she goes upstairs to her room she sees that the perfume that her boyfriend Josh gave her, all the way from PARIS, FRANCE, has been shattered on the floor. Emily is immediately convinced it was Nancy. Jessie convinces her not to confront her, and then Rich appears in the doorway and mocks the mess, which makes Emily think that maybe he did it. I find it very hard to give a hoot.
The next day the entire family (sans grounded Rich) goes out for waffles in celebration. Mr. Wallner makes an ass of himself, and Emily thinks about what a boor he is, but then we also find out that she’s been calling him ‘Dad’ now and I can’t comprehend why on Earth she would do that. Nancy says that she wants to talk with Emily when they get home, and after a nice long breakfast they return to the house. Nancy leads Emily into the living room, and then WRAPS HER HANDS AROUND HER NECK! Emily freaks out, and Nancy says that she did it to ‘prove a point’, that Emily is still afraid of her. Emily astutely points out that Nancy just tried to strangle her, but Nancy says that no, she just put her hands on her neck but didn’t squeeze, which is not threatening at all.
Lucky for Nancy, this is Shadyside so Emily mostly concedes the point. They got to Nancy’s room and Emily comments on how it’s starting to look like it used to, sans a big sheet on the wall. Nancy says that’s the mural she’s working on, but no peeking until it’s finished. They chat about Emily’s life and Emily asks about the hospital Nancy was staying in, and Nancy says that it was okay. They have a heart to heart and Nancy says that she’s sorry. All seems well between the sisters, and Emily leaves to go on a date with Josh.
Josh and Emily as ice skating on Fear Lake as their date, and while that may seem like a bad idea given how cursed it is it actually sounds like a pretty tranquil evening. As they wrap up and take off their skates they suddenly hear the sound of dirt bikes, which then turns into actual dirt bikes driving very fast right at them. The bikes stop right before hitting them, and one of them is Rich (okay where did he get a dirt bike?). When Emily reminds him that he’s grounded, Rich threatens her not to tell, but then totally backs down when Josh steps in, and oh God did R.L. Stine predict the Incel movement? Is Josh a Chad and Emily a Becky? Rich rides away and Josh makes like the New York Times and tells Emily that they should feel sorry for Rich. They get back to Emily’s house and start to make out on the couch, but Emily notices someone watching them from the door. She thinks it’s Nancy, but it’s actually Cora-Ann, who gets all flustered and runs off. Emily tells Josh that she likes Cora-Ann and feels bad for her, and Josh suggests that they go out that next Saturday for a dancing date at Red Heat. It ‘takes him awhile to leave’, and what kind of metaphor is Stine throwing our way this time? Emily goes upstairs and chats with Jessie, is thinks that Emily and Josh are too gross and that Emily should try dating other guys, and mind your own beeswax Jessie. Then Emily naps, but when she wakes up to get some water she is tempted to look at the mural on Nancy’s wall. She decides not to, but when she runs into Nancy on the steps her sister must be able to smell the guilt because she tells her that she wants the mural to be a surprise and no one can look until it’s finished. Emily promises her that she won’t, and they seem to be okay. But as Emily starts to descend the staircase, Nancy’s foot shoots out and Emily tumbles down the steps after tripping on it. Emily wakes up to Nancy freaking out over her, and Emily accuses her of tripping her on purpose. Nancy tearfully insists that it’s her anti-psychotic medications make her muscle control completely non-existent. She apologizes profusely, and since Emily is somehow not a bundle of broken matter they don’t call an ambulance. Apparently in Shadyside concussions aren’t a thing.
At school that week Emily and Cora-Ann talk about their home lives. Cora-Ann confides that her father left potentially for good the week before, and when Emily tries to make it about herself by saying she too is having a bad time at home Cora-Ann shuts her down. After their heartfelt talk Emily feels SO bad for Cora-Ann, but when she tells Jessie about it Jessie snaps that Cora-Ann is HER friend. Then we fast forward to the weekend where the three of them are hanging out before Emily’s date with Josh. As Jessie and Cora-Ann lament that they haven’t had dates in a long while, I lament the fact that this book isn’t promoting the idea that a girls night of dancing could be just as fulfilling. But then it was 1995, and the Spice Girls “Wannabe” is two years away from changing all girls lives. When Emily goes to check on her perfect sexy dancing dress, she finds that it has been cut in half, which makes her scream. Jessie, Cora-Ann, and Nancy come running, and Emily accuses Nancy of cutting it. Cora-Ann thinks that it’s actually the press at the dry cleaners that does it, and Nancy runs off to her room. As Emily goes to apologize, she passes Rich’s room. He holds up a pair of scissors and says ‘snip snip’. HE’S ESCALATING!!! I’ve been watching enough “Criminal Minds” to know what escalation looks like!
Emily Prentiss, save me from this book of cliches. (source)
The next morning Emily is talking to her mother about Rich and his ‘shenanigans’, but her mom brushes it off saying that they’re looking for a therapist for him and that until that happens Emily should ‘stay out of his way’. Christ, I can’t even with this. THEN when Emily confides that she is still kind of scared of Nancy (as she watches Nancy tool around outside), the person who tried to kill her, her mother scolds her and reminds her that she needs to be extra sensitive about this whole thing. And I get it. Nancy has problems, no doubt. But to ask her VICTIM to be a little braver and understanding is just wrong. Emily does wonder if she should be more understanding, and goes outside to talk to Nancy. They end up building a snowman to rival the one that Cora-Ann and Jessie made, and it turns into a lovely afternoon. But as Emily is driving to Josh’s house that night, the brakes give out on the car! She crashes into a tree, and wakes up in the hospital. Mr. Wallner, or “DAD”, is there, and Emily tries to tell him that she thinks that Nancy tampered with the breaks. He tells her that no, he knew that the breaks were feeling a bit loose but didn’t take the car in, and besides, how could NANCY possibly know how to tinker with a car? Even when Emily says that Nancy studied car repair during her psych ward stay, Hugh waves off this theory, most likely because Emily is a girl and what does she know?
A few nights later Emily wakes up to Jessie sobbing. She had a bad dream about Jolie again. The sisters bond over their mutual nightmares about the people they lost in their past, and reaffirm that they are good sisters to each other. Jolie realizes that Emily has never seen a picture of Jolie, and so she digs out a memory box and shows her a picture. Emily point s out that Jolie and Cora-Ann are strikingly similar. Jessie wonders if she’s been having nightmares because she’s been hanging out with Cora-Ann so much….. The next day (maybe?) Emily is trying to write a paper about what would happen to Holden Caulfield after “The Catcher in the Rye” (I have a theory: he grows up and becomes a phony). She attempts to call Josh but when she picks up the phone Rich is on the line with a friend who is encouraging him to sneak out. Emily listens in a bit but then hangs up, but Rich knew it was happening and comes into her room to yell at her a bit asking what he has to ‘do to her’ to get her out of his life.
Later, Emily and Jessie are watching a movie when there is a knocking on the door. They go to the door and find Cora-Ann with a white canvas bag. She says her Dad is back and wonders if she can sleep over. They say sure. The next morning Emily wakes up and brushes her teeth, but then can’t get her jaws to open. Then she sees a bottle of super glue in the garbage!!! Okay, this is straight up assault at this point!! She rushes out of the bathroom and demonstrates what has happened to Jessie and Cora-Ann, and Cora-Ann calls 911. She is told that they should take Emily to the ER, and as they are leaving Emily accuses Nancy through her glued teeth, who then bursts into tears, and Mr. Wallner says that they need to act like a family, dammit. But I put forth that it’s hard to act like a family when you are being assaulted by your sibling or stepsibling or WHOMEVER. After she gets fixed up and they are leaving the ER, Cora-Ann says that this is still better than HER family (not the time, Cora-Ann), and says that her Mom may be moving them back to Parkerstown. Jessie stops short, and says that Jolie was born in Parkerstown. Cora-Ann asks if Jolie was the girl who died, and Jessie asks how she knows about Jolie, because she has never mentioned her. Cora-Ann balks and doesn’t answer.
In French class later that week Jessie and Emily whisper about Jessie’s new suspicions about Cora-Ann. Jessie thinks it’s weird that she knew about Jolie, but Emily says that in Shadyside EVERYONE gossips and that must be how she knows. When Emily gets home that day she sees Rich and Nancy up in the second floor window, perhaps arguing. It’s very strange. We THEN jump ahead to Saturday night, as Emily is returning from a movie she saw with Josh. She’s thinking a lot about all the stuff that’s happened, but when she walks into the living room the worst thing that I KNEW was coming has happened: Butch the dog is dead. Emily freaks out, and starts screaming for Nancy. When the family comes down the steps to see what happened, Rich mutters ‘another dog bites the dust’ (prick), and Emily attacks him.
We cut to Jessie driving Emily down the driveway as Hugh digs a hole for Butch the next morning. That night Hugh and Mrs. Wallner are leaving their kids alone (?!?!??!!?!) because of a sick relative (do they BOTH have to go though?!), and Emily is scared that she’s going to be killed next. They drive up to Cora-Ann’s house, but then Jessie freaks out because she sees two people walking out of her house… and they are Jolie’s parents! Jessie wants to hide but they are spotted, so they get out to talk to them. After awkward pleasantries, Jolie’s parents tell them that Cora-Ann is Jolie’s cousin!!! Jessie insists that they have to leave now, and as they’re driving SHE thinks that it was Cora-Ann who did these thints!! When Jolie died Cora-Ann was devastated. Jessie had told Cora-Ann that she was going out the night that the brakes gave out, she may have thought that the dress was hers, and Jessie was always borrowing the perfume. AND Butch was always jumping on Jessie, AND she was there for a sleepover when the glue was put in the toothpaste!! Emily now feels TERRIBLE for accusing Nancy of these things!!! Because obviously it was Cora-Ann, right?
When they get home Emily runs up to Nancy’s room and knocks on the door. She apologizes through the door when Nancy won’t open it. Emily says she’ll come back later, and goes to find Jessie, who can’t get a hold of their parents. The phone rings, and Jessie picks it up. And since it’s Cora-Ann, she loses her cool and yells at her to NEVER COME BACK AGAIN EVER! Then the power goes out because of a poorly timed thunderstorm during a time of year where it’s usually snowing. The girls go to grab candles, when there’s a knocking on the door. When Emily looks out the window, she sees Cora-Ann on the porch, and she’s HOLDING A KNIFE!!! Jessie tries the phone, but the line is dead. Did the storm do it, or did Cora-Ann do it?! They look out the window again and Cora-Ann is gone, but then they remember that they didn’t check the windows and other doors. And then Cora-Ann bursts through the back door in the kitchen, and comes at Jessie with the knife! But NANCY TO THE RESCUE!! She bolts out of nowhere, grabs a pan, and hits Cora-Ann in the head! Jessie and Emily are stoked, and thank her for saving them…. But when Jessie goes to hug her, Nancy hits HER with the pan as well! Then she turns to Emily and says ‘you’re next’. I guess it was Nancy the whole time, and all the red herrings proved to be nothing and we just get a repeat of the first book.
SO apparently, Cora-Ann took Nancy’s bag by accident when she left, and that bag had a huge ass knife in it. Cora-Ann was coming to warn Jessie and Emily. Nancy has been biding her time and waiting, pretending to be well and better and fooling everyone, including the medical professionals who were tending to her. But now she’s going to kill Emily. She tries to stab her but misses, and Emily goes running. She eventually runs up to Nancy’s room, and pulls the sheet off the mural. The mural just says “HATE HATE HATE HATE” a bunch of times and it doesn’t exactly sound like a Diego Rivera level masterpiece. When Nancy comes into the room and says she’s going to kill her, Emily, remembering her mother’s toxic advice about having to forgive Nancy to truly save their relationship, instead wraps Nancy into a bear hug and tells her that she forgives her, squeezing her tight. At that moment their parents come home, thanks to a washed out road, and all seems to be okay.
And in a neat little wrap up around the dinner table a few weeks later, we find out that Cora-Ann’s parents are in marriage counseling, Cora-Ann and Jessie are friends again (Cora-Ann admits that she was trying to figure out if Jessie killed Jolie but figured out right away she hadn’t), and Emily has been visiting Nancy in the hospital, where she is going to stay for a long time. They tell Rich to turn off the TV and join them at the table, and when he does he tells them that he was watching “Family Feud”. The End.
I take last time’s declaration back, I hate these bad jokes in light of such tragedy. (source)
Body Count: 1. Poor Butch. I hate it when Stine kills animals.
Romance Rating: I’ll give it a 7! I liked Emily and Josh’s relationship this time around.
Bonkers Rating: 5. Not really crazy, and kind of a rehash of the first one.
Fear Street Relevance: 4? They were ice skating on Fear Lake and there were mentions of Fear Street here and there, but not much of the true action felt Fear Street related.
Silliest End of Chapter Cliffhanger:
“‘No!’ Emily let out a cry as she saw the blood-stained knife in Nancy’s hand.”
… But it was the prop knife. Which wasn’t a prop knife after all??? I wasn’t clear on this.
That’s So Dated! Moments: Well outside of Emily overhearing Rich talk on a shared land line, at one point Emily and Jessie are watching a VHS of “Sleepless in Seattle” but I’m not even mad about it because I straight up love that movie!!
Best Quote:
“‘Pete is such a loser,’ she murmured. ‘I’m surprised I haven’t gone out with him.'”
I applaud your self awareness, Jessie.
Conclusion: “The Stepsister 2” was just a rehash of “The Stepsister” when it all comes down to it, so I wasn’t impressed. Next up is “What Holly Heard”.
Book: “DC Bombshells (Vol.6): War Stories” by Marguerite Bennett, Aneke (Ill.), Mirka Andolfo (Ill.), Laura Braga (Ill.).
Publishing Info: DC Comics, April 2018
Where Did I Get This Book: The library!
Book Description:The ultra-popular statues from DC Collectibles come to life in their own ongoing hit comic book series, now in its sixth and final installment!
The Bombshells face their final battle as a supernatural Nazi invasion begins! On top of that, Hugo Strange unleashes his failed lab experiments on Harley Quinn and Poison Ivy’s circus and Lois Lane has her chance to avenge her family on the villain — will she take the shot? Amid the chaos, discover Lex Luthor’s true colors as he reveals which side he’s really on, and what that means for the future of the Bombshells!
The incredibly popular DC Collectibles line is brought to life in these stories that reimagine the course of history! From writer Marguerite Bennett (BATGIRL, EARTH 2: WORLD’S END) and featuring artists including Marguerite Sauvage (HINTERKIND), Laura Braga (Witchblade) and Mirka Andolfo (Chaos) comes DC COMICS: BOMBSHELLS VOL. 6. Collects DC COMICS: BOMBSHELLS #25 and #30-33.
Review:I didn’t realize it when I reviewed our previous “DC Bombshells” Collection that “War Stories” was the last in the first large series within this alternate historical universe starring the awesome ladies of DC. I also didn’t realize that the second series, “DC Bombshells: United” was cancelled about a year into it’s run. Trust me, if I had known these things when we last visited this series, I would have gone on a long rant. In fact I’m pretty sure that I will be ranting before this review is through. But for now I’m going to try and focus on the big finale and pretty solid wrap up that was “DC Bombshells: War Stories”. Let’s see how long it takes me before I start going off. I’ll try to keep my cool.
When we left off, Ivy and Harley were in Russia helping civilians out, Raven had stowed away with them to try and find her father, Zatanna and Constantine were trying to find her, and Kara and Lois Lane had tracked down Hugo Strange and found that he’d used some of Kara’s DNA to make a clone of her, whom he called Power Girl. Also there was another captive they rescued, named Superman. And The Suicide Squad showed up, led by Batgirl and including Frankie, Killer Croc, Enchantress, and Ravager. So in this volume, all of these stories come to a head. Sadly, this means that Wonder Woman, Batwoman, The Batgirls, and Mera are all absent from this final volume in this large arc/first series, and to me that didn’t sit right. I know that all of them are going to have more to do in “DC Bombshells United” as the focus turns to the home front and the ills the American Government commits against it’s own citizenry, but this was a significant end and shift, and I think they should have shown up in some capacity. But the stories here as they are are all pretty satisfactory in spite of this glaring absences. I especially enjoyed the Suicide Squad mission, which took our team into a German Sub in hopes of finding Luc, Batgirl’s long lost paramour. I liked this storyline because while it continued the themes of Nazi occultism and mystic plotting, we got to see Edward Nygma and a few Lovecraftian-esque threats. Plus, this Suicide Squad is pretty excellent, all of them with a 1940s flair, which means that in my mind Killer Croc has a Mid-Atlantic accent and that just tickles me. Along with this already bonus storyline we get another one involving some of the Batgirl of Burnside characters, mainly Frankie, Qadir, and Nadimah dabbling in some magical mischief. It was a one off and didn’t really add much to the overall plot, but it was still enjoyable and fun to see more characters appear in this alternate timeline.
The climax of this series, however, comes with the Battle of Leningrad, as the Bombshells have to come together to not only fight Hugo Strange, Killer Frost, and the Nazis, but to try and save Leningrad and the people there. I liked seeing all of the ladies come together in one place, and I felt like they all got some decent moments to shine within this final battle. That said, it wouldn’t be a pivotal battle of a series if there wasn’t some sadness and sacrifice, and while it never reaches levels of Stargirl loss here, there are definitely repercussions and moments of sadness for some of our characters, which all were executed with deft emotion and feeling. What I love about this series is that it shows that sadness and pain are not weaknesses in our characters,, and it’s refreshing to see that some characters do get lost in their emotions, both in good ways and in bad ways. But even when it’s in bad ways you never get the sense that these emotions are bad to have, just that they need to be used in less destructive ways. Its a theme we see a lot in these stories and it makes me wonder if a comic that was starring the males of DC would be so bold as to take that stance. I think I know the answer to that, sadly.
And finally, there is a whole new threat that comes from the Russian side and brings more storyline to Kara and her origins: Faora Hu-El from Krypton has arrived once more (seen previously WAAAAAY back when Supergirl and Stargirl were being used as Russian Propaganda), and boy has she brought some serious baggage to our finale. And since I want to discuss it here, this is our SPOILER ALERT moment that almost always pops up in this series. One of the things that “DC Bombshells” has done is made this universe and it’s characters and storylines very female centric, and that has altered some backstories here and there. The biggest alterations to date are pretty Kryptonian centric. Not only is Superman a clone of unknown origins created in Strange’s lab (as far as well know at this juncture), Kara’s own origin story is shaken up with the arrival of Faora, who tells her that she is a perfect being created by Faora, Alura, and Lara. It’s pretty neat and ballsy to reveal within this final battle that Supergirl, the last true Kryptonian (given Superman’s new origin) and most powerful being in the story, is the product of three women and Kryptonian science. I have this image of ‘well actually’ toxic nerdboys pitching a HUGE fit about this. But that’s what “DC Bombshells” has always been about: it’s about women at the forefront, women supporting and loving and fighting women, and women as the main components of a story, with guys playing the traditional roles that women have played in comics for years. Frankly, it’s genius.
Which is ALL THE MORE REASON THAT IT SUCKS THAT DC HAS PULLED THE PLUG. Representation in comics is so important because representation in all types of media is important. With women being in the lead, women of all races, religions, and sexual orientations, “DC Bombshells” has been one of the best comic series DC has when it comes to representation (especially since apparently “Batwoman” is ALSO getting axed! Sure, I wasn’t a fan, but BATWOMAN IS IMPORTANT)! DC is still going to toss a whole lot of bank into it’s middling AT BEST movies (“Woman Woman” not included, and holy SHIT is THAT ironic given the context of this rant) and keep rebooting Batman and Superman over and over AND bastardize Alan Moore’s “Watchmen” universe for funsies, but it can’t throw a bone to a series where women are at the forefront and aren’t sexualized and objectified through a male-only gaze? IT’S UNACCEPTABLE!!!!
Hey, I lasted awhile before I full on lost it, right? (source)
Well, regardless, this first arc of “DC Bombshells” comes to a solid close in “War Stories”, and while I know that “Bombshells United” isn’t as long, I’m going to really, REALLY savor it as I make my way through. These DC women continue to create a better world filled with compassion and justice, and I know that even though it’s ending that won’t change the importance of this series as a whole.
Oh, and is Black Canary going to show up in this next series? Asking for a friend.
Rating 8: A solid and mostly satisfying end to the first major arc of the “Bombshells” comics, “DC Bombshells: War Stories” is a wrap up with most of the characters we love, though a few notables were missing and it was very noticeable.
Where Did I Get This Book: I received an ARC from NetGalley.
Book Description:A propulsive new thriller about the obsessive nature of love when an intensifying relationship between best friends is disrupted by a kidnapping.
Growing up as best friends in small-town New Hampshire, Jon and Chloe are the only ones who truly understand each other, though they can never find the words to tell one another the depth of their feelings. When Jon is finally ready to confess his feelings, he’s suddenly kidnapped by his substitute teacher who is obsessed with H.P. Lovecraft and has a plot to save humanity.
Mourning the disappearance of Jon and facing the reality he may never return, Chloe tries to navigate the rites of entering young adulthood and “fit in” with the popular crowd, but thoughts of Jon are never far away.
When Jon finally escapes, he discovers he now has an uncontrollable power that endangers anyone he has intense feelings for. He runs away to protect Chloe and find the answers to his new identity–but he’s soon being tracked by a detective who is fascinated by a series of vigilante killings that appear connected.
Whisking us on a journey through New England and crashing these characters’ lives together in the most unexpected ways, Kepnes explores the complex relationship between love and identity, unrequited passion and obsession, self-preservation and self-destruction, and how the lines are often blurred between the two.
Review: I wish to extend a thank you to NetGalley for sending me an eARC of this novel!
You all know that I love me some Joe Goldberg from the “You” series by Caroline Kepnes. I love how sinister, creepy, and yet hilarious Joe is, as an obsessive stalker and serial killer who takes us into his mind and judges others in both deadly, and incredibly superficial ways. So when I heard that Kepnes had a new book coming out, this one called “Providence”, I figured that it would be similar in tone and execution. True, it wasn’t about Joe and his ongoing adventures in murder, but it was billed as a thriller with Lovecraftian themes. I went in with some very clear expectations of how this book was going to go down, expectations that were not met. But they weren’t met in the best way possible, because “Providence” is my first perfect 10 of 2018.
This was me as I finished this book. So many happy and sad tears. (source)
“Providence” has sort of framed itself as a dark fantasy thriller, but at its heart it is a story about love and what love can do to a person, be it good or bad. Our three narratives we follow are from the perspectives of Jon, Chloe, and Eggs. I’ll start with Jon and Chloe since they are the heart of the book. Their deep and intense friendship really propels this book, as they truly and totally get and understand each other, even when others may not. So when they are split up because of Jon’s kidnapping, and then the dangerous ‘powers’ he is left with afterwards, the injustice of it all just hits you right in the gut. Their love definitely treads the line between obsession and devotion, but I always found both of them giving equally and taking equally so it was never a problem for me. I also loved seeing their own personal journeys in the novel, from Jon trying to survive and figure out how to reverse his deadly powers without drawing too much attention to himself, or harming others. His captor experimented on him, and driven by an obsession with Lovecraft’s “The Dunwich Horror” Jon now is completely toxic to those he physically encounters. His slow realization that he is toxic was so upsetting, and the lengths that he goes to try to reverse it all because of Chloe is so heartbreaking that I just felt my heart breaking for him every step of the way. Chloe, too, has her own difficult road she’s travelling, as she knows that she should forget about Jon (as she’s under the impression that he wants nothing to do with her) but just can’t get him out of her head or her heart. Things become all the more complicated when she turns to her high school boyfriend in hopes that he can help her forget about Jon. It doesn’t help that said boyfriend was also one of Jon’s main tormentors, and has always resented her attachment to her long lost friend.
Eggs is the third perspective in this book that I was prepared to find underwhelming. After all, juggling three perspectives and doing them all justice is hard enough as it is, and when you add in the obsessive detective trope it can come off as old hat and unoriginal. But Eggs also had such a rich narrative that I found myself juts as compelled by his sections. They way that he approaches Jon as a threat, and gets fed stories and perceptions that don’t match the actual realities of what happened, just adds to the dread for Jon and also the injustice of it all. But Eggs is no villain. He’s a man who is trying to find sense in senselessness, his motivation partially being because he can’t find the sense in his only child’s autism. This whole aspect of his background, as a father who loves his son but can’t connect with him and therefore stays away from him, gave his backstory the same level of sadness that Jon and Chloe each had. They are all looking for solutions, and none of them can find any.
But there is always hope in “Providence”. The goodness of the protagonists is always apparent and all of their hearts are in the right places, even if they sometimes make mistakes that hurt others and themselves. They are all written in such a way that I completely believed all of the choices that they made, and I understood their motivations. I was rooting for all of them, even if my rooting came in direct conflict with what each of them wanted and needed from each other. Caroline Kepnes had already convinced me that she knew how to write a darkly funny thriller novel with an entertaining monster for a protagonist. Now I know that she can also write people filled with goodness, even if their circumstances may hinder it once in awhile.
I loved “Providence”. It’s my first 10 rating of 2018, and I can see myself revisiting it again and again as I do with the Joe Goldberg series. Caroline Kepnes is amazing, and I continue to be in awe of her story telling abilities.
Rating 10: A powerful and bittersweet thriller about love, friendship, obsession, and fate, “Providence” is not only entertaining and engaging, it’s also touching and emotional.
Book Description: Kacey is the new girl in Broken Falls. When she moved in with her father, she stepped into a brand-new life. A life with a stepbrother, a stepmother, and strangest of all, an adoring younger half sister.
Kacey’s new life is eerily charming compared with the wild highs and lows of the old one she lived with her volatile mother. And everyone is so nice in Broken Falls—she’s even been welcomed into a tight new circle of friends. Bailey and Jade invite her to do everything with them.
Which is why it’s so odd when they start acting distant. And when they don’t invite her to the biggest party of the year, it doesn’t exactly feel like an accident.
But Kacey will never be able to ask, because Bailey never makes it home from that party. Suddenly, Broken Falls doesn’t seem so welcoming after all—especially once everyone starts looking to the new girl for answers.
Kacey is about to learn some very important lessons: Sometimes appearances can be deceiving. Sometimes when you’re the new girl, you shouldn’t trust anyone.
Review: I did not grow up in a small town, but both of my parents did, and they have many stories from their childhoods about small town life and culture. Rumors and gossip were things that spread like wildfire, and get passed down from generation to generation and live longer than anyone imagines they would. I think of the story my Dad tells about a rumor that Dick Hickock and Perry Smith, the murderers from “In Cold Blood”, stopped in the town limits on their way to Mexico after they killed The Clutter Family. No can prove that they did, but to some people it’s absolute fact. I really enjoy stories that explore the power of rumor and urban legends, especially within small communities. Enter Kare Thomas and her novel “Little Monsters”. Thomas is making her way up alongside Stephanie Kuehn for must read YA thriller authors, as hot off the tail of “The Darkest Corners” she put out another stellar YA thriller and mystery that kept me on the edge of my seat and needed to know more. I have her upcoming novel “The Cheerleaders” sitting on my Kindle thanks to NetGalley, and I can tell you that’s going to get priority on my reading list thanks to this awesome read about small town society, and interloper trying to fit in, and rumors and urban legends that take on lives of their own.
Thomas brings us to the town of Broken Falls, Wisconsin as our protagonist Kacey settles into her new life with her father and his family. Kacey is damaged and wary, a teenager whose mother had been toxic and abusive and whose behavior prompted social services to step in. Her transition to a new life from a life where she felt completely unwanted makes for an interesting and complex protagonist, and Thomas writes her pretty well and believably. I totally bought into why she would cling to Bailey and Jade, and also understand why she may not see some of their manipulations for what they are. So, too, is she believable when she makes poor decisions in the face of accusations that she has something to do with Bailey’s disappearance. I found myself feeling to Kacey as well as wanting to shake her whenever she was confronted by a suspicious authority or community member, but at the same time a teenager probably wouldn’t be making the best decisions without guidance from a busy father and loving, but stressed, stepmother. The town of Broken Falls itself, from the physical description to those who populate it, also felt well fleshed out and realistic in the reaction to Bailey’s disappearance. My folks have many a story about the mistrust of outsiders, and outsiders being looked at first when something awful happens because of the false idea that no one from the community could POSSIBLY do such a thing. Such ideas can be very damaging, and to see them play out with a teenage girl at the center kept me on the edge of my seat, especially since Kacey herself dabbles in unreliable protagonist tropes herself.
The mystery itself is told through two POVs: Kacey’s, and then through diary entries that Bailey left behind but are seemingly only seen by the reader. This allowed for a slow burn of a reveal to unravel at a good pace, and I loved seeing the facts come out one by one. I was definitely tantalized by the various clues that would be laid out, and they all come together so neatly and tautly that I was pretty blown away by it. Thomas did a great job of setting this all up, and the payoff was well worth it. I definitely didn’t solve this a moment before Thomas wanted me to, and as the results fell into place I was genuinely caught off guard and then totally satisfied by it. The mystery also does a good job of slowly revealing truths not only about Bailey, but other people in the story, which make sense going back before they are revealed. And I don’t want to give anything away, so I’m going to leave the mystery at that.
The other component of this book that I REALLY enjoyed, even if it didn’t have as much obvious play, was the urban legend of The Red Woman. Broken Falls has a story about a man who murdered his family and burned down his house, but the body of his wife was never found. Now there is a legend about her ghost being seen on the property of the farm they shared, given the fact no one bought it and it has been left to rot. I LOVE a good urban legend, and Thomas does a really good job of creating a new, believable one that is INCREDIBLY creepy (images of and specters of bloody women running after dark, anyone?) and plays a very key, but subtle, role in the other themes of this book. I would read a book all about The Red Woman urban legend, if Thomas were so inclined to write it.
So all in all, “Little Monsters” was a fast, fun, satisfying read. Kara Thomas is up there with the other greats of the YA Thriller genre, and I can’t wait to see what she brings us with “The Cheerleaders”, and any other works that she puts into the YA literary world.
Rating 8: A tight and tense thriller with a solid mystery and creepy characters, “Little Monsters” is another winner from YA Thriller superstar Kara Thomas!
Book: “College Weekend” (Fear Street #32) by R.L. Stine
Publishing Info: Simon Pulse, 1995
Where Did I Get This Book: An eBook from the library!
Book Description:Nightmare weekend
Nothing can ruin Tina River’s big weekend at Patterson College with her boyfriend, Josh Martin. She’s so excited, she doesn’t even mind that her cousin, Holly, will be tagging along.
But when Tina and Holly arrive, Josh is gone. His roommate, Christopher Roberts, says Josh is stuck in the mountains, delayed by car trouble. That’s weird—Josh never mentioned he was going away.
It gets even weirder when Holly suddenly disappears. But Christopher isn’t worried—about Holly or Josh. Christopher seems to have the answer to everything. Tina is confused. But one thing is clear—she’s about to learn more about love and murder than she ever wanted to know.
Had I Read This Before: No.
Review: We open with a short prologue in which our protagonist, Tina, is on the phone with Josh, her college boyfriend. She’s going to visit him that weekend and unfortunately has to bring her cousin Holly with because her Mom doesn’t want her traveling alone. While Josh is a little miffed, they are still excited to see each other and he’s convinced his friends are going to like her. But we find out from the omnipotent narrator that they are going to have some problems that weekend.
Fast forward to Tina and Holly riding the bus from Shadyside to Patterson College. Tina is excited to see Josh because she hasn’t seen him for three months, and Holly is excited to check out all the college boys during the Spring Fling Weekend. Tina wants to be a fashion model, but as of right now all she is interested in is seeing Josh. I’d make fun of her or get snarky, but during my freshman year of college my then boyfriend/now husband and I were in a long distance relationship and I KNOW how it feels like the end of the world until you can see them again. So Tina, you’re a-okay in my book. The train arrives at Patterson Station, and Tina practically drags Holly off the train by her hair. The conductor tells them that they’re the only ones getting off and that the station is super deserted, so they should be careful, but JOSH is supposed to be meeting them so all is well!… Except, big shocker, Josh isn’t there when they get off, and the station is basically empty. Holly says that she hopes this isn’t a sign of how the weekend is going to go, and Holly, you have NO idea. Holly says that she has a bad feeling, but then asks if there are any good dance clubs around because she’s SO breaking curfew and staying out all night, so she’s not THAT worried. They leave the platform and go into the station and it’s JUST as deserted outside of a black cat (BAD SIGN Holly says), and when they go out onto the platform AGAIN Tina sees Josh! Except it’s not, it’s a random creep who demands that they give them money or else. But then another guy swoops in to rescue them from the person who is no doubt a casualty of Reagan Era Social Policy! The guy says his name is Chris and he’s Josh’s roommate, and that Josh got caught on a geology field trip and won’t be back until later that night. Tina is bummed because she wants to have as much time as possible with Josh, but they follow Chris to his Jeep. Chris is confused to see Holly because he thought Tina was coming on her own, but Tina explains the situation of a human chastity belt.
In the car Holly goes on about the drama programs she’s visited, while Chris puts in a CD by Psycho Surfers, which happens to be Tina’s favorite! Chris then tells her that he heard she wants to be a model, and that his uncle is THE Rob Roberts, famous fashion photographer! He could take some photos of her this weekend and then send them to Rob, but Tina says she may not have enough time because she’s planning on spending it all with Josh. They get to the dorm and Chris says that the girls can sleep in his and Josh’s room and he and Josh will crash at his photography studio (I should mention Chris is RICH). Tina asks Chris to call the studio to see if Josh is there yet, but he’s not. Chris leaves for the night, and Holly and Tina settle in. As Tina admires the absurd amount of rocks on Josh’s side of the room, she also notices that the plethora of photos Chris mentioned are all gone. Then there’s a knock on the door, and when Tina opens it a girl is there, who seems to freak out at her appearance. But then she says that Tina just looks like someone she used to know, and introduces herself as Carla. She’s dating Steve, who is in the geology program with Josh, AND she went to high school with Steve and Chris so she’s an old friend. Carla confirms the car trouble situation, and then tells Holly and Tina about Chris’s old girlfriend in high school, Judy. She died in a sailing accident and Chris is still really broken up about it. Carla says that she’s going to talk to Josh when he gets back, because she doesn’t think he appreciates Tina, and Tina thinks that’s a little weird. Chris comes back because he forgot his chemistry notes, and he suggests that they all go to a party to pass the time. Tina is reluctant at first but eventually agrees, and says she needs to put some things away first. But when she opens Josh’s closet, she sees his hiking boots. Why did he leave them behind on a geology trip? The others come back and Carla says that Josh doesn’t deserve Tina because he’s on that trip and he hasn’t seen her in months, but Chris stands up for him and they go to his Jeep. Tina asks Chris about the boots and he says Josh got new ones. He puts in another CD and OH WOW, it’s another band that Tina likes! How coincidental, I’m sure.
They get to the party and Holly is stoked while Tina is intimidated about the COLLEGE GIRLS. Carla takes Holly to meet some drama kids, and Chris asks Tina if she wants a drink. As they drink soda (SUUUUURE) they talk more and they have so much in common! He then asks her if she wants to dance and she says sure. Then they go out to the back porch and he tells her to wish upon a star (Christ). She says that she wishes to be a famous model one day, and he says he can help make that come true by taking her pictures. Then he kisses her. They’re BUSTED by Carla, and Tina is first scared that Josh is going to find out about this. But then she realizes that Holly isn’t there. Carla says she las saw her dancing with a townie. When they go back inside, the party has TAKEN A TURN BECAUSE THOSE ROWDY TOWNIES ARE THERE and perhaps a bike race is the only way to solve all their differences? I’m saying it now, I’m Team Cutters!
One of the townies tries to get Tina to drink beer by forcing it in her mouth and no, the Cutters wouldn’t do that, they’re gentlemen, and Tina can’t find Holly anywhere. But she does hear a scream that sounds like Holly, and she runs out back to see a curly haired girl (like Holly) being dragged off “Road Warrior” style on the back of a motorcycle, and Tina chases after them for a bit but tells herself maybe Holly wanted to go with them (UHHHH), but maybe it wasn’t even Holly at all. Then she finds an earring that looks just like Holly’s and yikes. She runs to find help but finds Carla instead, who tells her that she JUST SAW Holly go off with drama major extraordinaire Alyssa Pryor, who Tina remembers from Shadyside High. Phew, thinks Tina, but then wants to talk to Carla about the kiss she walked in on. Carla says Tina shouldn’t worry because in COLLEGE you totally hook up at will, and she and Steve aren’t monogamous so it’s really not a big deal.
Tina is in a mood by the time they get back to the dorm, and she hopes that Josh is finally back. Chris says he’ll walk her up because he has MORE THINGS to grab, and when they enter the room it’s still just them. She worries Josh has been in an accident, and Chris says he’ll call the studio to see if Josh has left a message, and says he’ll call her when he finds out after he gets there for the night. He does so, and claims that Josh did leave a message that he won’t be back until the next afternoon because the garage can’t get the car part they need til the next morning. Tina is now full on peeved and decides to try to sleep. But she’s awakened by a strange sound, and is convinced that someone is in the room with her, and the door is indeed open (there’s a weird moment here where she doesn’t realize it until she turns the light on, BUT wouldn’t the light from the hallway be a tip off??). She closes the door and locks it, admonishing herself for not locking it in the first place. Then she goes to Josh’s desk and finds his CAR KEYS. How is he on a trip WITHOUT HIS CAR KEYS???
The next morning Tina wakes up at tenish, and sees that Holly’s clothes remain untouched. She still isn’t back! While Tina knows she isn’t Holly’s mother, she is a good cousin and wants to make sure she’s, you know, ALIVE. She calls information and asks for Alyssa’s phone number, but there is no one listed under that name. She calls Chris at the studio to see if he’s heard from Josh, but nope. He says he’ll give her a tour around campus, and when she asks about Josh’s keys he says he can’t hear her and hangs up. Subtle. When he arrives with donuts she asks him about they keys again, and he says that he must have taken his spare set, and when she asks why he didn’t just bring his regular set with the quartz key chain she got him, he says he probably didn’t want to lose them. and she TOTALLY buys into it. Look, there’s gaslighting, and then there’s willful stupidity, Tina, and you are being WILLFULLY STUPID right now. He takes her to fraternity row and tells her that Josh is pledging, and Tina thinks that’s odd since Josh has never been into fraternity life, and maybe she doesn’t know him like she thought she did. They can’t find Holly at the drama department or the cafeteria, and Chris says he’ll go grab Alyssa’s number from the student directory at the bookstore. He comes back with it and gives Tina a quarter for a pay phone, but when Tina calls the number the voice on the answering machine is NOT Alyssa’s! Chris suggests that perhaps Alyssa is trying out a new voice because actresses, and once again Tina thinks that’s a very reasonable explanation.
Carla shows up and tells them that she just heard from Steve and Josh and their car broke down AGAIN, so she’s off to pick them up. Tina says she wants to go but she says no, she can’t come because her car is only a two seater and one of the guys is already going to have to trunk it (I’ve done this before. Don’t be dumb like me, kids!). Tina suggests the Jeep, but then realizes that she should wait around for Holly and Carla heads off to get the boys. Chris suggests that they should go rent a motorscooter and go for a ride. They go around town and he takes pictures of her on his camera, and then they go to the Spring Fling Carnival that afternoon because OBVIOUSLY Holly will turn up there.
As they hang out at the carnival, they run into a guy named Jack, who when to Shadyside the year before. Chris tries to get Tina to head off with him, but Tina wants to hang with her old friend for a bit. She tells him that Holly is here too, but she went off with Alyssa and she hasn’t seen her since. Jack tells her that Alyssa transferred to a school in Seattle and doesn’t go here anymore. Tina FREAKS, and Jack heads off totally unconcerned. Tina says that Carla must be lying, and Chris tells her to relax and that Holly is probably fine and just enjoying a spot of rebellious independence. He suggests they just try to enjoy themselves, and they end up at the Ferris Wheel. And they get stuck at the top, which makes Chris think it’s the perfect time to put the moves on her. They do kiss a little bit, but then Chris gets all pensive and shit. He says he hasn’t been on a Ferris Wheel since Judy, and she comforts him. He starts ragging on Josh for leaving, and says that if HE were her boyfriend he’d NEVER leave her. He then scoots closer, offsetting the balance of their car, and tries kissing her again, and when she refuses he threatens to tip it over because she’s a TEASE. Before he can, though, the car starts up again, and they start to descend. He tells her he was just kidding. and that he’s sorry. Now Tina is back to the ‘I feel sorry for him’ portion of our reading journey, and thinks that if she’d never kissed him in the first place none of this would have happened. To that I say HELL NO AND I HATE THAT STINE EVEN PUT THAT OUT IN THE UNIVERSE.
Tina thinks they’re heading back to the dorm, but Chris says they should go to his studio instead so they can take indoor shots. She is reluctant, but he reminds her that his uncle is THE Rob Roberts, and Tina thinks that this is the only way to achieve stardom. As they ride the scooter Tina thinks she sees Carla who is supposed to be going up to pick up Josh and Steve! But when they swoop back they don’t see her, but another girl in similar clothes and with similar hair. So they get to the studio, which is in a basement, nothing sketchy about that, and she looks at all his state of the art equipment. She sees a picture on the wall of a girl who looks a LOT like her, outside of the darker hair and different eyes, and it’s implied that it’s Judy. Chris shows her where she can go get into modeling makeup, and when she nearly opens a closet door he FLIPS and tells her not that one because it holds lots of chemicals. She finds the bathroom, freaks out because she thinks a mannequin is a body (it’s not), and then he starts telling her how to do her makeup for his ‘vision’. He then applies it the way he likes and tells her what kind of outfit to pick out. Lucky for her all of the dresses are just her size! He starts taking her picture and telling her how to pose, and retouches her makeup just the way he likes….
And when she compliments the dress he says that it belonged to Judy!!! She continues the shoot, and then he starts calling her Judy and tries to kiss her. She tries to remind him that she is NOT Judy, and he kind of gets it but, like, not really? She realizes that she has to play along or he’s going to flip out on her, and he tells her to put on this old fashioned dress now.
As she’s changing, Tina finds a picture in a drawer. It’s of HER SLEEPING IN THE DORM ROOM THE NIGHT BEFORE. When she exits he says that they’re going to photograph a beach scene, and it makes no sense given her gown but Judy died at the beach so it probably makes sense in his mind. She asks if she can have a soda, and when he goes to get her one she bolts! But all the doors and locked. And as Chris starts to chase her around, he says that he’ll have to kill her ‘again’. SO HE KILLED JUDY TOO. They struggle a bit and he locks her in the dark room. When she finds the light for the room, she realizes that she’s surrounded by pictures of her of all shapes and sizes, the photos being the ones that she sent to Josh, and the last one is of her at the train station the night before. She decides she needs to find a weapon, but when she opens that cabinet, JOSH’S BODY TUMBLES TO THE FLOOR!!! Looks like she threw chemicals in his face and then based his brains in. Chris bursts in and grabs her, calling her Judy all the while. She tries to reason with him, and then tries to throw acid in his face… but it’s just water. Some acid does drip on her arm and it sizzles, and just as Chris is about to lunge she distracts him and then hits him in the head with a tripod.
She runs and tries to think of a way to escape and/or call the police. THen she opens the door that Chris didn’t want her to open, and HOLLY IS IN THERE! Chris introduced her to a guy the night of the party, and when hse got back to the dorm Chris grabbed her and tied her up and threw her in the closet. Tina tells her that she thinks she killed Chris, and unties her. But unfortunately, CHRIS IS ALIVE! He’s about to lunge at them with scissors, but then Carla and Steve enter. THey look like they are taking Chris’s side, talking him down and suggesting that he get one more picture of Judy, the two of them together. Tina refuses, but then does when it looks like it could mean life or death. But when Chris goes to get his camera, Carla and Steve subdue him and tie him up. Carla explains that they were only going along with him to disarm him. Chris had told her that Josh was with another girl this weekend and to cover for him, which is why Carla was participating in the lies. But then Steve told her as she picked him up that Josh would never do that, and they put two and two together. Holly calls the police, and Tina tells Carla and Steve that he killed Judy too, and Carla and Steve feel like fools for thinking otherwise. As Chris rants and raves about developing ‘Judy’s’ photos the next day, Tina runs outside into the night. As she looks up at the first start of the night, she thinks forlornly that no matter how much she wishes it away, she’ll never be able to forget what happened to her and Josh this past weekend. The End.
Gee, for once I wish we did have a dumb quippy end line. (source)
Body Count: 1, but if we’re going to count Judy it would be 2. The injustice of Josh dying is too much.
Romance Rating: 2. I feel so badly about Josh because he and Tina seemed happy, but we never saw them actually interact. And Chris and Tina is obviously gross and creepy as hell.
Bonkers Rating: 7, just because of the SUPER disturbing ‘dress this girl up like my dead girlfriend’ photo session that sounds like something out of “The Neon Demon”.
Fear Street Relevance: 1. ONCE AGAIN, we aren’t even in Shadyside and the only time Fear Street is even mentioned is when someone says something about Fear Street having a carnival, but NO, R.L., FEAR STREET wouldn’t have a carnival, SHADYSIDE would have a carnival, and it feels like you just forgot to even mention Fear Street and tossed it in at the last second.
Silliest End of Chapter Cliffhanger:
“She glanced down at Josh’s body sprawled on the floor. Then she let out a horrified gasp. ‘Chris! It’s Josh! He’s moving! He’s getting up!'”
… But it was just a distraction tactic so she could hit him. I mean, of course it was, but what a stupid cliffhanger. A kid reading it might think this was turning into a zombie story, which would have been SO cool….
That’s So Dated! Moments: Chris’s Jeep is described as not only having a fancy CD player, but EVEN A CAR PHONE!!!! And he has a COLOR MAC WITH A CD-ROM AND A LASER PRINTER!
Best Quote:
“‘Well, I always say,’ Carla continued with a grin, ‘if you can’t be with the one you love, love the one you’re with.'”
Uh, NO, Carla, YOU don’t say that! Stephen Stills says that, you goddamn plagiarist! And he isn’t exactly the best person to ask for relationship advice, if you’re going to ask a member of CSN about love I would argue Graham Nash is the way to go. He wrote “Our House” for Joni Mitchell for God’s sake (not that she was very, uh, grateful in the end)….
Conclusion: “College Weekend” was surprisingly dark and a pretty good, creepy read. Definitely one of the more twisted “Fear Street” novels I’ve read. Up next is “The Stepsister 2”!
Book: “A People’s History of the Vampire Uprising” by Raymond A. Villareal
Publishing Info: Mulholland Books, June 2018
Where Did I Get This Book: I received an ARC from the publisher.
Book Description:A virus that turns people into something somehow more than human quickly sweeps the world, upending society as we know it.
This panoramic thriller begins with one small mystery. The body of a young woman found in an Arizona border town, presumed to be an illegal immigrant, walks out of the town morgue. To the young CDC investigator called in to consult the local police, it’s a bizarre medical mystery.
More bodies, dead of a mysterious disease that solidifies their blood, are brought to the morgue, and disappear. In a futile game of catch-up, the CDC, the FBI, and the US government must come to terms with what they’re too late to stop: an epidemic of vampirism that will sweep first the United States, and then the world.
Impossibly strong, smart, poised, beautiful, and commanding, these vampires reject the term as derogatory, preferring the euphemistic “gloamings.” They quickly rise to prominence in all aspects of modern society: sports, entertainment, and business. Soon people are begging to be ‘re-created,’ willing to accept the risk of death if their bodies can’t handle the transformation. The stakes change yet again when a charismatic and wealthy businessman, recently turned, decides to do what none of his kind has done before: run for political office.
This sweeping yet deeply intimate fictional oral history–told from the perspectives of several players on all sides of the titular vampire uprising–is a genre-bending, shocking, immersive and subversive debut that is as addictive as the power it describes.
Review: I want to extend a special thanks to Mulholland Books for sending me an ARC of this novel.
It’s been awhile since I’ve read vampire fiction. I don’t know if it’s because the pop culture fascination with vampires has waned again and not much has come out, or if I have just been oblivious to what new offerings are out there. But when I saw that “A People’s History of the Vampire Uprising” was about to come out, I was immediately interested by the premise. I liked the book “World War Z” by Max Brooks, which is a similar premise, but with zombies, and was curious to see how such a thing would be done with vampires.
“A People’s History of the Vampire Uprising” feels like an amalgamation of “World War Z”, “The Strain”, and Charlaine Harris’s “Sooki Stackhouse” series, a brew that comes together to make a fairly unique new vampire mythos. We follow a few different perspectives and plot points as the rise of the NOBI Virus is laid out on the page. Once a person is infected with NOBI, they have a fifty fifty chance of transforming into a ‘gloaming’, a being that has gained a longer lifespan and other supernatural abilities, but cannot survive in the sunlight and must feed off of blood. This story postulates less of an immediate vampire apocalypse, and more of a slow shift as they appear to try to integrate into modern society. It’s a more in depth analysis than the “Sookie Stackhouse” books gave, and a bit more cynical as well. Villareal is far more interested in how this kind of shift would affect the laws and civil liberties of modern societies, and he has a number of characters who fall on either side of the gloaming ‘issue’. These characters include CDC Investigator Dr. Lauren Scott, the woman who was on the scene when Patient Zero, Liza Sole, is found along the U.S.-Mexican Border, only to escape into the night. Another is Father John Reilly, a Catholic Priest who is going through his own journey regarding the rise of ‘gloamings’ and how it’s changing society. We also follow Joseph Barrera, a political wunderkid and spin doctor who is approached to run the gubnatorial campaign for Nick Claremont, a gloaming who wants to become Governor of New Mexico, and Hugo Zumthor, and FBI Agent whose field is mostly gloaming issues. Along with various perspective sections with these characters we get newspaper articles, message board posts, transcripts, and interviews that slowly show how NOBI rises and changes society over the course of a few years. My favorite parts were definitely the ones that involved Lauren, as the description of the NOBI virus was fascinating and reminded me of “The Strain” series in the virology of this kind of vampirism.
I also enjoyed the various ethical and philosophical debates that Villareal brings up in this book that have been glossed over in other similar stories. The debates of gloamings being able to have similar rights as humans, and the question of tolerance and equity and how to accommodate for this new population, are addressed and waxed poetic in this book, and the legal and cultural perspectives were in depth and well laid out. I enjoyed that Villareal made it a complex and grey issue, with various likable characters having deep prejudices, but also having fair questions and reservations about gloamings and what their ultimate motivations are. Especially as they start coming into positions of power, and what that power does and what it means for the shared space between humans and gloamings alike. Villareal dives a bit deeper into the legal and policy aspects of this quandary than “World War Z” did in its ‘history’, and while it was mostly fascinating sometimes it felt a little bloated, as did some of the medical aspects that come with the description of the NOBI virus. Because of this, at times I was thinking that it was a bit tedious to get through, though overall it was neat that Villareal went the extra steps into the philosophy behind it all.
Overall I enjoyed reading “A People’s History of the Vampire Uprising”, and it’s a notable contribution to modern vampire lore. You will need to go in expecting a deeper dive than what you usually find in the genre, but ultimately it’s worth taking a look if you are a fan of vampires and vampire mythos.
And good news! I’m giving away an ARC edition of this book! Given that it’s on a number of ‘Hot Summer Book’ lists, this book is bound to be the talk of the town this season!
Rating 7: A solid tale in the tradition of “World War Z”, “A People’s History of the Vampire Uprising” is a creative new take on the vampire mythology.
Reader’s Advisory:
“A People’s History of the Vampire Uprising” is fairly new and not on many Goodreads lists yet, but it is included on “June Buzz Books”, and I think that it would fit in on “Not The ‘Normal’ Paranormal”.
Where Did I Get This Book: I received an ARC from NetGalley.
Book Description:Three sisters. One spell. Countless dead.
Lula Mortiz feels like an outsider. Her sister’s newfound Encantrix powers have wounded her in ways that Lula’s bruja healing powers can’t fix, and she longs for the comfort her family once brought her. Thank the Deos for Maks, her sweet, steady boyfriend who sees the beauty within her and brings light to her life.
Then a bus crash turns Lula’s world upside down. Her classmates are all dead, including Maks. But Lula was born to heal, to fix. She can bring Maks back, even if it means seeking help from her sisters and defying Death herself. But magic that defies the laws of the deos is dangerous. Unpredictable. And when the dust settles, Maks isn’t the only one who’s been brought back…
Review: I first want to say a special thanks to NetGalley for providing me with an ARC to this book!
Awhile back I read the book “Labyrinth Lost” by Zoraida Córdova, a fantasy novel that took some influence from “Alice In Wonderland”. I remember liking the characters in it for the most part (well, mostly Alex, our teen witch protagonist), but having a harder time with the fantasy world setting that she found herself in. Look, I have lots of opinions about “Alice in Wonderland,” as you guys know, and that one didn’t really live up to my very high expectations. But I liked Alex and her family enough that I told myself I’d continue in the series, so when I saw that “Bruja Born” was on the way I requested a copy from NetGalley, thinking I had little to lose. But I have great news. If “Labyrinth Lost” has similarities to “Alice in Wonderland,” “Bruja Born” also has a book to which it has similar themes and concepts. And that book is “Pet Sematary”.
Words that we should all take to heart. Especially if we live on cursed soil in Maine. (source)
The whimsical and dreamy fantasy setting from the first book has gone out the window, and Córdova has taken us straight into dark fantasy/horror for the second book of her “Brooklyn Brujas” series. And this is where, for me, the series has spread it wings and flown high, because THIS is the kind of book I was waiting for. This time, our main character is Lula, Alex’s older sister who was one of those who was in need of rescue in book one. Her emotional and physical scars from her time in Los Lagos have really weighed her down, and she has changed from popular and bubbly extrovert to sullen and bitter killjoy. I was really happy to see that we got to focus on her this time, as while I liked Alex I liked having a new character to explore. And Lula was so flawed and complex, more so than Alex, and getting to know her (as well as Rose, their youngest sister) made this book all the more rich. In fact, this book gave us a better grasp on all of the family members, and world building exploded and really sucked me in. Lula’s relationships, be it with her sisters or her mother or Maks as he becomes the living dead due to a spell that was cast, felt deeper and more rewarding this time around. I also really have to give Córdova props because while I found Lula to be really hard to take at times, I TOTALLY understood the choices that she made and believed every single one of them. And her romance with Maks is so, so emotional and tragic, as you know that it is doomed once he becomes more and more in tune with the undead side of him. But his emotions and feelings and memories are still there, and we have to slowly watch him fall away, and watch Lula potentially lose him all over again. Man was it painful and an emotional rollercoaster, and I, of course, was living for all the agony it was causing me.
The stakes have grown exponentially in this one as well. While those in danger in “Labyrinth Lost” was limited to the Mortiz family alone (which are high stakes for them, of course), the threat of an undead horde threatens all of New York City after the Mortiz Sister’s healing/resurrection spell goes terribly wrong. We get to see how the magical systems within the book not only affect the characters, but how they could potentially affect the world that they live in. There was a lot of loss in this book, loss that actually caught me off guard. This book goes dark, far darker than “Labyrinth Lost”, but I think that it is richer for it. Córdova also brings in concepts from her other stories outside of the “Brooklyn Brujas”, and fits them into this world and the Bruja culture seamlessly. When we find out that this world is not limited to witches, Córdova opens up a world of possibilities that I cannot wait to see her explore as the series goes on. This series has officially gone from ‘yeah, I guess I will go on with it’ to ‘OKAY SERIOUSLY WHEN DOES THE NEXT ONE COME OUT?!’, and now looking at both “Labyrinth Lost” and “Bruja Born” as two parts to the same whole, I’ve gained more appreciation for the former. The stories are very complementary, and the next one, almost assuredly following the youngest sister Rose, can only strengthen it more.
If you like teen horror and an emotional chaser to your terror, “Bruja Born” is definitely a book that you need to pick up. You do need to read “Labyrinth Lost” before going into this story, but given that I have a feeling that the “Brooklyn Brujas” series is going to be VERY strong overall, you’ll be glad that you did. And now seriously, when does the next one come out?
Rating 9: A solid dark fantasy that borders towards horror, “Bruja Born” brings the Mortiz Family into their own and expands into complex and deeply satisfying world building and magical systems.
Where Did I Get This Book: I received and ARC from NetGalley
Book Description:From the #1 New York Times bestselling author of In a Dark, Dark Wood, The Woman in Cabin 10, and The Lying Game comes Ruth Ware’s highly anticipated fourth novel.
On a day that begins like any other, Hal receives a mysterious letter bequeathing her a substantial inheritance. She realizes very quickly that the letter was sent to the wrong person—but also that the cold-reading skills she’s honed as a tarot card reader might help her claim the money.
Soon, Hal finds herself at the funeral of the deceased…where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the center of it.
Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, this is an unputdownable thriller from the Agatha Christie of our time.
Review:I want to extend a thank you to NetGalley for sending me an ARC of this book!
I was so excited when I opened up Ruth Ware’s previous book “The Lying Game”, as I had thought up until that point that I had found a new guaranteed-to-read author to keep in mind. I love having authors whose works I know I am going to like and therefore need to get my grubby mitts on ASAP. But when I was done with “The Lying Game” I was left with a slight dissatisfaction. It just hadn’t lived up to “In a Dark, Dark Wood”, nor “The Woman in Cabin 10” (which hadn’t lived up to “In a Dark, Dark Wood” either, though it was still enjoyable). I hoped that my ennui with “The Lying Game” was a fluke, and picked up “The Death of Mrs. Westaway” with apprehension. This was going to make or break the guaranteed-to-read status of Ruth Ware.
In “The Death of Mrs. Westaway”, Ware exchanges the whodunnit murder storyline for a treasure trove of family secrets and scandal, which is a whole other kind of beast when it comes to mystery themes. While the slow decline of the aristocracy and family manor houses has made these stories less and less common, the Westaway Family at the center of the novel harkens back to a time of squabbles over inheritance and land ownership, which I quite enjoyed. I do love a good scandals of the upper class plotline, and Ware makes it feel believable even though the time of “Downton Abbey” has long past by the time we meet Hal and the family she is trying to infiltrate. Hal is the perfect protagonist for this kind of book, as she is a twentysomething who has recently found herself alone in the world and in monetary straits while she tries to run her deceased mother’s tarot card/psychic booth on a boardwalk carnival. While you know that her trying to masquerade as someone she isn’t is morally wrong, Hal is likable enough and sympathetic enough that you have to root for her. Unlike other train wreck protagonists that you see in the genre, Hal’s life is a mess, but she herself doesn’t seem like one, just a victim of circumstance and bad choices made during a time of vulnerability (in this case being the death of her mother). The various members of the Westaway Family are also well developed and understandable in their actions because of the fallout of their terrible mother’s death, and the sudden appearance of someone they believe is the daughter of their long lost sister. I loved seeing the conflict of a few of their members, the resentment of losing part of the inheritance mixed with the longing of connecting to their supposed niece. It makes Hal’s own inner turmoil about deceiving them that much more high stakes, because most of them are legitimately good, if not damaged, people.
The mystery itself was also pretty well done. This book didn’t have as many high stakes thrills as previous novels, but it was solid in it’s footing and the puzzles surrounding the family kept me reading. I was also left questioning many of the twists and turns that Ware threw out there, the clues being given in both Hal’s story and diary entries of someone who lived at the estate years in the past. While I kind of guessed the solution to part of the puzzle early on, there were definitely pieces that I didn’t get. Along with that, I did find myself questioning my guesses, so Ware did keep me on my toes until the final reveals. While there weren’t many moments of intense suspense, it was still what I would consider a page turner. It just wasn’t as focused on blood and gore as it was on intrigue and family scandals. I liked the diary entry angle, because it did give out clues at an even pace, and while it was truthful and reliable in its contents, it was written in a way that still could have been deceptive if you didn’t know what you were looking at. Ware was masterful in making it all come together in the end, which is a skill that not all authors can pull off.
I’m pleased that “The Death of Mrs. Westaway” has solidified Ruth Ware as a must read author for me. It went beyond what I normally expect from her, and shows that the comparisons to Agatha Christie are not just hyperbole. If you want a mystery by Ware that isn’t as intense, this is the book that you should pick up.
Rating 8: Ruth Ware returns to form with this strange and twisty mystery. It’s not as suspenseful as her past books, but it still keeps the reader invested and guessing.
Book: “The Last Time I Liked” by Riley Sager
Book: “The Cabin at the End of the World” by Paul Tremblay
Book: “The Stepsister 2” (Fear Street #33) by R.L. Stine
Book: “DC Bombshells (Vol.6): War Stories” by Marguerite Bennett, Aneke (Ill.), Mirka Andolfo (Ill.), Laura Braga (Ill.).
Book: “Providence” by Caroline Kepnes
Book: “Little Monsters” by Kara Thomas
Book: “College Weekend” (Fear Street #32) by R.L. Stine
Book: “A People’s History of the Vampire Uprising” by Raymond A. Villareal
Book: “Bruja Born” by Zoraida Córdova
Book: “The Death of Mrs. Westaway” by Ruth Ware
The Library Ladies 