Book Description:In his ancient hymns, Homer tells us of the unyielding Lord of the Dead who kidnapped the innocent daughter of Demeter. He tells us quite a bit, in fact, for someone who wasn’t there.
Persephone is no tragic victim, but a kind young woman held in place by her overbearing mother. A failed scheme by Apollo leads her to a chance encounter with the humorless Hades, who is struck by love’s arrow. Now he must wrestle with his aching heart before he loses control entirely.
…Not that the infatuated Persephone has any complaints regarding Hades’ plight.
As desire blooms between the secluded goddess of the harvest and the ruler of the underworld, the world changes both above and below.
Allison Shaw, creator of comics Far to the North and Tigress Queen, drew on her passion for mythology and ear for modern dialogue to create an updated myth for a mature audience. She wished to offer to her readers a feminist and sensual take on the story, which has grown more and more popular over the years, thanks to its themes of change, rebirth and growth.
Review: Ever since I was a kid I’ve been completely taken with the Persephone and Hades myth. I’m not sure if it’s because Hades is the original Depressive Demon Nightmare Boy, or that I’ve always loved the idea of a Queen of the Dead, but their romance and (part time) joint rule of the Underworld is one of my favorite pieces of mythology. As such, I’m always looking for adaptations of it. Sadly, I haven’t really found many to my liking outside of a few children’s stories (side note, if you have recommendations, send them my way!), and it saddens me that the myth is a bit underappreciated. But that’s why I wanted to spotlight “Persephone” by Allison Shaw, because the moment I started reading I knew that I was going to really enjoy what was done to the characters that I love so much.
The story that Shaw makes takes influence from the original Greek mythologies and updates them a bit to be, shall we say, less problematic than the source material. While it’s important to remember the historical and cultural context at the heart of these stories, the idea of a guy kidnapping a woman and making her his bride doesn’t sit well anymore (even if it’s all a metaphor for growing up and leaving home for a new family AND the changing of the seasons). So Shaw makes Persephone not only the main character, but Hades conflicted about his attraction to her (thanks in part to an errant arrow from Eros) as he doesn’t think that she would be happy with him in the Underworld. Persephone, too, approaches their romance in a different way, as her infatuation slowly grows and is VERY real by the time she and Hades disappear while a domineering Demeter panics. Side note: even as a kid I thought it was strange that Demeter was SO overprotective/controlling of her grown daughter, and found it creepy that she’d stop things from growing in a blackmail effort to get her kid back; I’m glad that authors of newer adaptations are willing to point out that this, too, takes away Persephone’s agency and has it’s own toxicity about it. Their characterizations are also quite strong, and you get a sense of their motivations and personalities pretty easily. She is bubbly and optimistic and kind, and he is sarcastic and dour and a bit lonely, and the differences round each other out well. The romance is very cute as it builds, and yes, it’s also pretty damn sexy. There is a reason this book is described as ‘mature’. It transforms original moments of potential violation in the original story and turns them into moments of very intentional consent, with very, shall we say, steamy results.
I may have made this face a few times during the more titillating moments… (source)
Now I’m not one who reads that much romance fiction, but I know good smut when I see it, and for the most part “Persephone” has good smut. There’s one moment that seems a bit tacked on as an afterthought, but who am I to complain about love scenes within a love story, especially if they’re between one of my favorite fictional couples of all time?
There are also VERY fun references to other Greek myths and characters, from a lecherous and obnoxious Apollo being a creep to a determined Artemis taking Persephone under her wing, to a snarky Eros who is dealing with his own conflicted feelings about Psyche, and oh can we please, PLEASE get an adaptation of that one next?! IT’S MY SECOND FAVORITE GREEK MYTH!! Persephone and Hades have interactions with all of these characters and act in ways that seem totally true to how their characters would act. I do wish that the story had been longer so that we could have had even more exploration of all of these characters, but I think that it’s better to be left wanting more than to feel like a story is slogging along at a snail’s pace.
And finally, I really loved the art work and the character designs. From Persephone’s voluptuous frame to the fact that Hades has his own speech bubble type, I thought that artwork was unique and fit the tone of the story.
Source: Hiveworks
I greatly enjoyed what Allison Shaw did with the Hades and Persephone myth. “Persephone” was a sweet and satisfying adaptation of a myth that I have always held dear to my heart.
Rating 8: A sweet and sexy retelling of the Persephone and Hades myth, with a focus on agency, attraction, and choosing one’s own path in life no matter how it may diverge from original expectations.
Reader’s Advisory:
“Persephone” isn’t included on any Goodreads lists, but I think it should be on “Hades and Persephone”.
You can find “Persephone” at Hivemill in both print and eBook form. It isn’t available on WorldCat, but keep an eye out should this change in the future.
Book: “Bad Moonlight” (A Fear Street Super Chiller) by R.L. Stine
Publishing Info: Archway Paperbacks, 1994
Where Did I Get This Book: An eBook from the library!
Book Description:She wasn’t just crying wolf…
Danielle Verona can’t believe the band picked her to be their new lead singer. She’s on the road, performing at all the hot clubs. The adoring fans, the bright lights— it’s a dream come true!
But when nighttime falls, Danielle can feel the terror in the darkness. There’s eerie howling outside her window. And then a band member is killed—ripped to shreds by a wild animal. Danielle knows something is out there, lurking in the moonlight. Something savage…and hungry.
Had I Read This Before: Yes
The Plot: First I want to give a shout out to my friend Melissa, whose vivid memories of this book inspired me to re-read it myself! On the night of the half moon (mentioned as I’m sure this will be relevant to the timing later in the story), Danielle Verona is making a quick stop at the grocery store. Her physical description is given right away: brown hair with blonde highlights, and a body that looks like she’s twelve instead of eighteen. Why THAT is relevant, I’m not sure I want to know. Her obnoxious younger brother Cliff and her Aunt Margaret are also at the store. Margaret (who is described with bleached red hair? What does that mean? All we get beyond that is that she looks ‘hard’ and ‘tough’). Danielle and Cliff live with Margaret because their parents died, and she’s been very loving to them. Danielle has just returned from a two week trip with her band, and seems to be feeling strange. As she goes to look for Cliff, she wanders the aisles, feeling super cold and out of it. Before she knows it, she’s torn into a package or raw beef and started eating it! When Cliff asks her what she’s doing, she replies that she doesn’t know.
Let’s go back in time now! Specifically a couple weeks prior when Danielle and her as of now unnamed band members are traveling between gigs! Let’s meet her fellow bandmates. There’s Billy, the manager of the band and the twenty two year old hanging out with a bunch of teens. There’s Kit, the hot roadie that all the ladies have a crush on. There’s Dee, the former lead singer and now back up singer (and the one diverse character that Stine threw in here, so NATURALLY she is jealous of Danielle, who replaced her on vocals). There’s Caroline, the bubbly keyboardist that Danielle really likes, and Mary Beth the drummer, who doesn’t have much of a personality beyond being good at the drums. And last and totally least is Joey, the ‘sound guy’ who is presently driving the van at dangerous speeds as he fancies himself a Blues Brother and/or Corey Hart as he drives with his sunglasses on at night. Joey is a real creep who keeps asking Danielle for a kiss and he’s supposed to come off as crude and fun loving as opposed to a sexual harasser. As they drive Danielle thinks about the day she auditioned for the band, and how everyone loved her but Dee. When they took her on Dee cornered her in the driveway and told her that she doesn’t belong in the band. So now Danielle is intimidated by her. As Joey drives like an idiot and makes sexist jokes, Danielle suddenly freaks out as he DRIVES THE VAN OFF A CLIFF, and by that I mean he doesn’t actually do that, but Danielle has a hallucination that he did. She has hallucinations, you see. Joey says that since it’s a full moon and the moon makes him a little ‘wild’, that’s why he’s driving like a guy with a death wish. Danielle thinks about how her parents died in a car accident on a night like this one, in a similar way that her hallucination happened. She also seems to remember their bodies cut up by rocks, though she wasn’t there and her aunt Margaret never told her any details… She thinks about how her therapist Dr. Moore has been trying to help her with these hallucinations and hopes he can help her soon. The moonlight makes her shiver and then her hair stands straight up on end I guess?
They arrive at the hotel and after Caroline and Danielle drop their bags on in their room they go to the elevator to meet up with their bandmates to check out the club. Dee tells her that she has to talk to her and grabs her arm tightly, but Danielle, convinced Dee just wants to yell at her, blows her off. They all arrive at the club to check it out, and soon Joey is once again harassing Danielle and inviting her to his room and trying to force her to dance (SHE SAID NO YOU CREEP). She declines, and Bill shoos him off to help Kit with equipment stuff for the gig the next night. He then says that Joey ‘comes on kind of strong’.
My feelings towards many a dude right now between this and current events. (source)
Billy asks Danielle if she’s nervous about the show, and tells her that she’s going to be great. Danielle is more worried about Dee, who is staring at them from across the room. Danielle thinks that perhaps Dee has a thing going with Billy and is jealous, even though Billy isn’t doing anything untoward or unprofessional in this moment. Kit comes up and asks Danielle if she’d like to go for a walk, and now Danielle thinks that perhaps it’s KIT that Dee wants and that’s why she is mad! Because now KIT clearly, CLEARLY, wants to do her. She happily accepts, as Kit is cute, and she likes being ‘seen as a groupie’ or something? There was a weird quote like that, I don’t know. They get to a local park, the moonlight making her uneasy again, and he tells her that he’s wanted to be alone with her for awhile. They start to make out, but the mood is ruined when Danielle bites his lip so hard she makes him bleed! Horrified, she runs all the way back to the hotel. She bursts back into her room and Caroline asks what’s going on, and Danielle says that she has to see Dr. Moore! Unable to do anything in that moment, Caroline tells her to take a shower and relax. Once she does, and once Caroline gets in the shower for her turn, Danielle decides to try and write a new song, as she’s a lyrical wunderkid. She whips up a song about Bad Moonlight and Caroline is so impressed she gathers up the rest of the band to listen. The band then says that their name should be Bad Moonlight! They then decide to go their separate ways for the night. Caroline says she’s going to walk Billy out, and Danielle is so tired she falls right asleep. She startles awake around midnight to the sound of an animal making horrible noises outside, in fact, you could say that it’s howling. Danielle whispers for Caroline, but no answer. There is, however, a knocking on the door. It’s Dee, who whispers that she has to talk to Danielle, and Danielle ignores her until Dee leaves.
The next day Danielle goes back to Shadyside to see Dr. Moore before the gig that night. She tells him about her hallucination, the strange song she wrote, and biting Kit’s lip until he bled. Dr. Moore tells her that this is something that sometimes happens when two people who are attracted to each other kiss (uhhhh NOT ESPECIALLY), and in regards to her hallucination he starts doing some hypnotherapy for her, as is his usual method. She tells him that she sees herself running across a field as the moonlight pours down on her. She says she feels angry, and she turns around to fight someone or something that has been chasing her. He snaps her out of it, and tells her that letting her fantasies run their course will help her with her anger that she has over her parents’ deaths. She thinks that maybe this is all normal, but then looks at the arms of the chair she’s sitting in. She’s ripped them to shreds.
That night the gig goes well and the crown is chanting ‘BAD MOONLIGHT!’ over and over again, so Danielle encores with the same song that she presumably just played as if this is an episode of The Teletubbies. Danielle sees Kit watching her from the audience, and it makes her more confident. After the club has closed down the band is too excited to go home just yet, and Billy suggests that they go to the coffee shop at the hotel since it’s the only thing open at one in the morning. Joey also picks up Danielle and kisses her without her consent, and UGHHHHHH, can we please just get rid of him!? Danielle is concerned because Kit saw the whole thing and looked miffed. Still too wired to come down completely, she asks Caroline to order her a rare cheeseburger when she gets to the coffeehouse because she’s going to take a walk. While on her walk, she jumps over a high wall with ease and lands on all fours. When she stands up in the moonlight, she notices that her nails have grown long and look gnarled and crusty!! Then, someone runs up beside her. It’s Joey!…..
And then it’s the next morning and a number of the band members have gotten together for breakfast. Everyone but Joey. They ask Danielle where she was the night before as she never showed, but she says she just went back and straight to bed. The reality is she doesn’t remember. No one knows where Joey is, and Dee says that he said something to her about Danielle before he left. Danielle notices that Dee seems nervous. The band eventually meets up in the lobby, ready to head home to Shadyside, but still no Joey. Danielle notices Caroline and Kit talking in low tones, and she hopes that there isn’t anything going on btween them. As they all start to load up the van, emergency vehicles rush down the street towards the park, and Kit says they should go rubberneck see what’s going on. When they get to the park, they see an ambulance. Dee and Kit rush ahead, and soon Dee screams. When Danielle gets to the scene, she sees a dead body, it’s clothes and skin all torn up. And, wouldn’t you know it, it’s Joey.
Three weeks later, Danielle is in Dr. Moore’s office, lamenting that she couldn’t POSSIBLY have killed Joey! But she also admits that she doesn’t remember what happened that night, so maybe she DID kill him. Dr. Moore says that she was probably over tired and that’s why she doesn’t remember what happened, and that in all likihood she went back to her room without incident. He says that she’s still trying to work through the death of her parents and that she probably wont’ actually act on her fantasies, and performs more hypnotherapy on her just to ease her mind.
On the way to the next gig, Danielle is feeling a lot better. Dee is upset that they’re just continuing on as if Joey was never important, and newsflash, Dee, that’s exactly right. He was awful. Danielle tells the band that she wrote a new song specifically for Dee to sing, and it’s just kind of “Bad Moonlight” again, but with more aggressive lyrics, like ‘don’t let me kill again’. Everyone LOVES it, however. Except Dee, who accuses Danielle of killing Joey and proceeds to jump on her and strangle her! Mind you, we’re still in a moving vehicle here! The van pulls over and Kit pulls Dee off, and Danielle says that she didn’t write that song to accuse Dee of anything. Kit reminds them that they have a show to do so they all need to just chill out. Danielle notices that Mary Beth the drummer looks nervous, but Danielle doesn’t know if she’s scared of Dee or scared of her. They eventually make it to their next destination in spite of band strife and a thunderstorm. Danielle gets out of the van, and then for some unknown reasons she sprints down the sidewalk. Once she can’t run anymore, she falls on all fours and starts to drink water in the puddles on the ground next to her. Like you do when you’re a wolf.
At the club the next morning the band is rehearsing and the club owner is already counting all the money he’s bound to get from their appearance. Because he heard that Danielle is ‘dy-no-mite’. Danielle is still on edge because of how Dee’s been acting, and how she drank rain water from a dirty gutter. May wanna get tested for giardia, Danielle. That evening as Danielle and Caroline are trying on outfits for the gig, Billy comes into their room asking if they’ve seen Kit. The last Mary Beth saw him was leaving the club with Dee, and it looked like they were fighting. Danielle is worried when she hears this, and as they all go to look for Kit she runs ahead, in a way that I would describe as aimlessly. She arrives at an empty lot, and sees Dee standing over Kit. She yells out, and Dee smiles at her, and then attacks Kit! Danielle starts to scream, and Caroline runs up behind her asking her what’s wrong. Danielle yells about Kit and Dee, but Caroline tells her that Kit and Dee aren’t there, it’s two kids just wrestling. Another hallucination strikes again! Caroline says they should go back to the hotel, and asks Danielle what Dr. Moore has said about all this. When Danielle tells her that he says her hallucinations happen because of her memories of her parents deaths, and Caroline says that ‘makes sense’. NOT REALLY, CAROLINE. Danielle is still wondering why she just knows her parents were torn up when no one told her they were. She asks Caroline not to tell Billy about this, and Caroline agrees. When they get back to the hotel, Kit and Dee are there. Kit says he was catching up with friends, and Dee says she went on a walk.
The gig that night goes great. The band decides to go for a walk by the river afterwards, but when Danielle looks up at the moon she decides she isn’t feeling well enough to be in the ‘bad moonlight’ (Stine is REALLY trying to make this happen). Kit says he wishes she’d come, but she declines. When she gets back to her hotel room, Dee suddenly jumps out of the closet, and tells Danielle to not even ‘try to get away this time’. She says that she knows what really happened to Joey. But before this can be elaborated on, Kit comes into the room and asks them what’s going on. Dee says she was just saying goodnight to Danielle, and rushes away. Danielle says that she’s convinced Dee was going to attack her again and that she said she knew the truth about Joey. When Kit asks what that means, Danielle admits she doesn’t know. And she says it’s weird because Dee didn’t act like she even liked Joey, and Kit says that some people don’t show how they actually feel. But he’s not one of those people. That’s Santana/Rob Thomas levels of Smooth, my man! They start to kiss, but then a howl outside makes Danielle jump and freak out. Kit asks what’s wrong, and she says it’s the howling, but he tells her he can’t hear anything. Put off and feeling a little sheepish, Danielle tells him that she’s tired and needs to work on a song, and says he should go on the walk with their bandmates. Kit is sad that he couldn’t round the bases, but kisses her and tells her goodnight. Danielle tries to ignore the howls, and falls into a not so pleasant sleep. She wakes up a little while later, and Caroline isn’t in her bed. She goes into the hallway, and sees Billy on the floor, and she’s convinced he’s dead…. but no, he’s just drunk. Now THIS is how rock and rollers behave! Late night river walks and cheese burgers my ASS! She wakes him up and asks him why he got so drunk, and he says that he has a lot on his mind. She helps him back to his room, and then he wraps his arms around her and hugs her. She likes the feel of his arms around her (DUDE, SHE’S EIGHTEEN!), and when she presses him to tell her what’s wrong he snaps at her to forget it, and they part ways.
The next day Danielle is back home and she’s telling Aunt Margaret that maybe she should quit the band. Margaret tells her that she should just rest up and see how she feels after the next show, but Danielle insists that her hallucinations have only been getting worse. Margaret reminds her that Dr. Moore said this was normal, but Danielle says that maybe if she knew about the accident that killed her parents in full detail she could process things better. Margaret says no way and then makes up an excuse to walk away. Danielle mulls over her options of things she could do and decides to call Caroline, but when she picks up the phone she hears Margaret on the line talking to someone. It’s Dr. Moore! He tells her to come over so they can discuss their worries about Danielle. Danielle plays dumb when Margaret comes back into the kitchen, but then goes to snoop once Margaret leaves. She goes to Margaret’s room and starts rifling through her things. She finds a newspaper clipping about her parents’ deaths that says they ‘died mysteriously’, but Margaret always told Danielle it was a car accident! To make matters worse, the article says that their bodies looked like they’d been shredded up in an animal attack.
Were there any shredded tracksuits near by? (source)
At her appointment with Dr. Moore the next day Danielle expresses her confusion and anger towards Margaret, but Dr. Moore tries to assure her that Margaret is just worried about her. He also tells her that their concern isn’t about the hallucinations themselves, but how Danielle reacts to them, and suggests that they do some more hypnosis. In this hallucination/flashback/whateverthefuck, Danielle sees herself running with Dee, and getting into a scuffle with her. Just as Danielle is about to strangle Dee, Dr. Moore snaps his fingers. She tells him that wasn’t really helpful, and says she wants to quit the band. He encourages her to stay in it as it seems to be the only thing she has going for her right now (I guess she’s a high school graduate?). She says she’ll take that advice for now, and the session ends. She’s supposed to meet Caroline in the parking lot so they can go shopping, but whoops, it’s Dee instead. Dee says she wants her out of the band, and that she’s running out of time to leave. They argue and eventually they end up wrestling around on the ground, with Danielle getting very violent with Dee. Caroline breaks it up, and Dee storms off. Danielle tells Caroline that she felt out of control, and Caroline says that everything was probably not as out of control as she thought it was and offers to take her home. But Danielle sees that Caroline looks a little worried.
The next day Danielle and Cliff and playing together, and after Cliff gets hurt Danielle starts to lick the blood off his arm. That night as she tries to relax she starts to write a new song that is also about moonlight (BIG OL SHOCK), but then sees someone in her backyard! It’s just Billy, and she lets him inside so they can talk. He tells her that the gig the next night is sold out, but the bad news is that Dee quit the band. Danielle thinks that it’s her fault, but he tries to assure her it isn’t, but won’t give her an answer when she asks how he could think that. After he leaves she calls Kit to voice her concerns/suspicions about Billy, and he tells her that Billy is probably just stressed. He invites her over and she agrees to stop by. When she gets there he suggests they go for a walk, and they start to walk down Fear Street (CONTINUITY ERROR! It was stated that Kit lived in a carriage house on a North Hills estate! North Hills isn’t in the same area as Fear Street, it’s the rich part of town!). She suddenly has an urge to run randomly. As she runs way ahead of Kit, she smells a rabbit, and decides to chase after it, thinking about how she can taste the blood already.
SMASH CUT TO rehearsal the next day. Billy thinks they sound like shit, and the new backup singer/bass player Shawna is probably questioning why she agreed to join this band. Danielle assures her that he isn’t usually like this, he’s probably just nervous about playing at Red Heat (yes, THE Red Heat! Been so long since we had reference to it!). Kit asks Danielle if he upset her since she ran away the night before, but she says no. They all decided to play her new song in her ‘Moonlight’ catalog. Well that’s what I’m calling it because so many songs about Moonlight that aren’t part of a multi song story arc is just ridiculous. After they’re done Danielle asks Billy what his problem is but he doesn’t answer. That night before the show the band is getting ready and Shawna says she needs to go get her bass, which is in a big trunk in the dressing room. Danielle offers to go get it, and when she opens the big trunk, guess what happens! Dee’s body spills out onto the floor! And she’s been shredded up! Danielle wonders if she did this, along with Joey, and makes a break for it. She runs into Billy who grabs her, and tells her that she can’t leave! She breaks away frmo him and keeps running, past Caroline and Mary Beth (remember her? She’s the drummer), and into the night. She worries that Billy may try to come find her at her house, but before she can think too much she hears Caroline calling after her. She stops, and Caroline catches up. Danielle begs for Caroline’s help, saying that Billy is going to kill her, and that they have to get to her house to warn Margaret and Cliff. Caroline says she should calm down, but then the moon comes out, and guess what! CAROLINE TURNS INTO A SWEARWOLF WEREWOLF!!! For a moment Danielle tries to reason with her, but there’s no reasoning with a werewolf, Danielle, and wolf!Caroline grabs her. A car suddenly drives past and Danielle yells for help as she breaks away from wolf!Caroline. The car stops, and Danielle realizes it’s a van! It’s Billy and Mary Beth who have come to save the day! And by that I mean they too suddenly turn into werewolves. They back her into a corner, but once the clouds cover the moon they all say that she doesn’t have to worry. Then another car pulls up and it’s Kit, saying to run with him, that they’re in a werewolf band. Billy says that Kit is one of them but Kit says that Danielle can trust him, and Danielle doesn’t know what to believe. But she decides to believe Kit, and they start to run away as the moon comes back. But wolf!Billy catches up with Kit and tackles him, and Kit tells her to run and save herself. Danielle throws mud in the eyes of wolf!Mary Beth and wolf!Caroline, distracting them in time for her to run to the van and get inside. It takes a bit but it starts, and Danielle drives away to safety planning to come back for Kit.
Danielle rushes home and finds Aunt Margaret. She says that they have to call the police because werewolves are chasing her and Kit is in danger, but Aunt Margaret balks, and says that they can’t call the police because it would ruin the plans that they all have for her. Danielle thinks that she’s having one of her hallucinations, but nope. Margaret confesses that she isn’t, in fact, Danielle’s aunt. Danielle’s actual aunt died the same way her parents did, disemboweled by werewolves! Margaret has been part of a conspiracy to make Danielle a werewolf bride to her master! It must be Billy! Cliff comes in and acts as a momentary distraction, just in time for Billy to show up and for Danielle to break away, making a run for it once again. She gets back to the van, Billy on her heels, but is able to get in. He tells her that she can’t win, but she’s willing to test that theory, and decides to go to Dr. Moore’s house. As she drives she realizes that the moonlight never bothered her until she joined the band. Clouds cover the moon again and Danielle thinks that may buy her time.
She gets to Dr. Moore’s house and pounds on his door. He lets her in and she tells him everything. He tells her to sit and gets her a glass of orange juice to calm her nerves, though I feel like a nice shot of whiskey may do her better. He tells her that he believes her and that perhaps they can work together to find a way to trap the werewolves. Then someone else enters the house and calls out ‘Dad? Where is she?’, and Danielle recognizes that voice. It’s Kit! And Dr. Moore says ‘yes, your bride is waiting for you!’
I’ve heard of a Werewolf Bar Mitzvah, but a wedding?! (source)
Kit tells her that not only is he a werewolf, he’s the pack leader! All the others are controlled by him, and Dr. Moore has been hypnotizing Danielle to act more like a wolf so that the transition will be easier for her I guess? Kit once saw Danielle a few years prior and decided that she was destined to be his bride and she was absoLUTELY not of age when THAT happened, so they decided to wait. He isolated her (killed her parents and her real aunt) and sent Margaret to keep tabs on her. He killed Joey because Joey knew that she was betrothed to him but flirted/harassed her anyway, and killed Dee because she was trying to warn Danielle. And now he has to take care of Billy since Billy tried to save her tonight. Kit also tells her that once they’re married she will be one hundred percent devoted to him and won’t want to escape. She tries to escape, but Kit grabs her and tells his Dad they’re perform the ceremony now in the backyard in the moonlight. Question: why didn’t Kit turn into a werewolf before? This isn’t explained.
In the yard are the wedding guests, including all the members of the band (who look guilty and chastened), and Margaret. Kit says that before his father marries them, he wants her to sing “Bad Moonlight” to him. Danielle, thinking this could buy her some time, subjects us to the awful lyrics again. She tries to stall, but Dr. Moore tells her to hurry up and do it so they can do the ceremony. She goes from guest to guest, hoping to get some help, and even though Billy can’t help her as he’s under Kit’s thrall, he does tell her that she can save herself by using the ‘bad moonlight’ and I AM SO SICK OF THAT PHRASE. She rejoins Kit and the ceremony starts. But once the moon comes out, Danielle turns into a werewolf (why is this happening now?), and ATTACKS KIT. She lunges and bites him in the throat and won’t let go. As the moon fades away again, she turns back into a human, and Kit is dead. Then Dr. Moore starts shaking and his limbs start flying off (?!), and the same thing happens to Margaret and Kit!! I DON’T UNDERSTAND THIS MYTHOLOGY BUT WHATEVER. Somehow Billy, Mary Beth, and Caroline are spared from this fate and now they’re no longer werewolves because Danielle killed the head werewolf (because I guess it’s the same rules as vampires) in spite of the fact she was never actually a werewolf but somehow turned into a werewolf right when she needed to.
I like to imagine that while all this is going down Shawna is doing a solo set at Red Heat and is just KILLING IT.
Danielle realizes that she has to raise Cliff on her own now but ‘can face anything’ since she killed a werewolf all by herself (honey, you haven’t tangled with the U.S. Legal System, have you?). Billy puts his arms around her shoulders) (? Are they a thing now? Four years is a big age gap when you’re eighteen and twenty two), and says they don’t have to fear the moonlight anymore. Danielle says that she’s looking forward to some ‘bright sunlight’. The End.
Sure, whatever, it’s a better ending than “Game of Thrones” could come up with. (source)
Body Count: 5! And what crazy deaths we got out of it as well!
Romance Rating: 2. Given that Kit was ready to make a barely legal and uncooperative bride out of Danielle, I gotta say that the yuck levels were off the charts. She may have better luck with Billy, but…. still.
Bonkers Rating: 8! The werewolf violence, the weird hypnotherapy stuff and EXPLODING BAD GUYS was totally nuts.
Fear Street Relevance: 4. Dr. Moore lived on Fear Street, and the final confrontation was on/around there.
Silliest End of Chapter Cliffhanger:
“Danielle heard the crush of metal as the van crashed through the low metal guardrail. She screamed again as the van sailed off the edge of the cliff.”
…. But it was just a hallucination. They were never in any danger.
That’s So Dated! Moments: Almost right out the gate Danielle asks Margaret if she’d make her a chicken dish that she describes as ‘oriental’. Holy shit for the casual racism tossed in here, but we’ve seen it before in these books, sadly.
Best Quote:
“‘Bad moonlight, falling over me, bad moonlight shining down on me, bad moonlight makes me feel so strange and new….'”
Once again, Stine shows us his musicality based talents that we have not seen since the halcyon days of Stevie Nicks….
Conclusion: “Bad Moonlight” was a kind of fun and totally bananas romp that leaned all the way in with supernatural elements. It’s always nice seeing werewolf tales, as they seem to have fallen out of style. Up next is “The Dead Lifeguard”!
Where Did I Get This Book: I received an eARC from Edelweiss+
Book Description:Whenever another kid goes missing in October, the Pender kids know what is really behind it: a horrific monster out in the marshes they have named the Mumbler.
That’s what Clara’s new crew tells her when she moves to town: Bree and Sage, who take her under their wing; spirited Trace, who has taken the lead on this year’s Halloween prank war; and magnetic Kincaid, whose devil-may-care attitude and air of mystery are impossible for Clara to resist.
Clara doesn’t actually believe in the Mumbler. But as Halloween gets closer and tensions build in the town, it’s hard to shake the feeling that there really is something dark and dangerous in Pender, lurking in the shadows, waiting to bring the stories to life.
Review: Thank you to Edelweiss+ for sending me an eARC of this novel!
I’ve been racking my brain, but given that I lived in a fairly large metro area when I was a kid (and still do for that matter) I can’t think of any ‘urban legends’ that were prevalent in my hometown during my childhood. The closest I can come is when two mean girls in first grade tried to convince me that at midnight if you looked up at the sky you’d see a star that would automatically kill you and everyone you loved, and yes, I totally fell for it. But in terms of rumors turned folklore, I can’t recall any. But I’ve always been fascinated with localized urban legends, even back then, so finding books that have those themes are always going to grab my interest. That’s why I was so eager to read “The Missing Season” by Gillian French, a YA mystery thriller that includes tales of a mysterious figure called “The Mumbler” that supposedly snatches teens up during Halloween season. I went in expecting a mystery thriller with ambiguous horror elements. But instead, I got… a mishmash of themes that didn’t work for me.
Me as I was reading this book and I still wasn’t clear in regards to its intent… (source)
“The Missing Season” takes place in the smallish town of Pender, and our protagonist Clara has just moved there due to her father’s somewhat nomadic career in construction. As our main character, I will say right off the bat that I liked Clara and I liked following her story and point of view. She lacks the luxury of being able to make connections because of the chance she might be moving again, so when she does make these connections there is a palpable fear of losing them, even if it isn’t outright said. The biggest conflict of this kind is the friendship between her and a girl named Bree. Bree, along with another girl named Sage, takes an immediate shine to Clara, and their friendship is a mix of the rush of having a girl pal, and the angst of competing with that girl pal in ways that were unanticipated. I know this familiar feeling all too well from my adolescent years, and I thought that French did a great job of showing it instead of telling it. The conflict in this case is the competing affections for local mysterious outsider Kincaid, who is the deepest in The Mumbler mythology of all the friends that Clara makes. The underlying tension and hurt between the two friends was the strongest aspect of this book, and the ways that Clara did, or in some cases didn’t, deal with that conflict felt very realistic.
But here is the problem with “The Missing Season”: it is very much marketed as a mystery thriller, and the description makes it sound like a new missing kid case is the center of the novel. But it’s very much not. The center of the novel is Clara’s relationships with the kids in town, and how she navigates her friendship with Bree and her need to fit in as those things come in conflict with the relationship she wants with Kincaid. Sure, another kid goes missing, and sure, there’s a question of what happened to her, but it wasn’t focused on nearly as much as I thought it was going to be. Instead, most of the conflict was Clara worrying about what Kincaid’s deal was, and what was going to happen to her new friendship with Bree if Clara and Kincaid did pursue their mutual feelings for each other. It wasn’t until the last fifth of the book that a full conflict with another child kidnapping raised the tension and thriller stakes, and even by then it was wrapped up VERY quickly, so quickly it almost felt like the author realized that oh yes, this was supposed to be a mystery thriller, better toss in a climax and wrap it up as quickly as possible. Even the ultimate solution felt tossed in there, with a couple of hints and clues scattered early on in the book, but not in a way that felt cohesive to a mystery. I kept waiting for the mystery and tension to build, but it plateaued very early at a level that wasn’t terribly high. I would be more inclined to call this book a contemporary realistic YA fiction book with some mysterious elements, but not enough for it to be considered an actual ‘thriller’. And because of that, I was totally let down by “The Missing Season”. If I had gone in with the expectations of this being about a teenage girl’s bildungsroman I think I would have enjoyed it much more than I actually did, but as it was I couldn’t enjoy the story. I felt too duped.
I hesitate to write off “The Missing Season” for everyone, because my expectations were in a completely different place than they should have been. If you go in without the supposition that it’s a thriller, it may be more appealing. But, given that it’s trying to portray itself that way, I don’t feel comfortable recommending it as it’s presented.
Rating 5: While I liked the protagonist, the description of this being a ‘thriller’ did not fit the content of the story, and because of that I was pretty disappointed with “The Missing Season”.
Book Description:Catching a killer is dangerous—especially if he lives next door
Hen and her husband Lloyd have settled into a quiet life in a new house outside of Boston, Massachusetts. Hen (short for Henrietta) is an illustrator and works out of a studio nearby, and has found the right meds to control her bipolar disorder. Finally, she’s found some stability and peace.
But when they meet the neighbors next door, that calm begins to erode as she spots a familiar object displayed on the husband’s office shelf. The sports trophy looks exactly like one that went missing from the home of a young man who was killed two years ago. Hen knows because she’s long had a fascination with this unsolved murder—an obsession she doesn’t talk about anymore, but can’t fully shake either.
Could her neighbor, Matthew, be a killer? Or is this the beginning of another psychotic episode like the one she suffered back in college, when she became so consumed with proving a fellow student guilty that she ended up hurting a classmate?
The more Hen observes Matthew, the more she suspects he’s planning something truly terrifying. Yet no one will believe her. Then one night, when she comes face to face with Matthew in a dark parking lot, she realizes that he knows she’s been watching him, that she’s really on to him. And that this is the beginning of a horrifying nightmare she may not live to escape. . .
Review: GodDAMN do I look forward to any and every Peter Swanson book. Unfortunately, I missed the library hold boat on this one, as by the time I realized it was happening both systems I use had long hold lists on them. So what’s a girl to do but go and buy it. I’m usually loathe to buy books given that I work at a library and use its services exhaustively, but with authors I love I’m willing to make exceptions, and so I went out and purchased “Before She Knew Him”.
Also, this review is going to have some spoilers in it, as I feel like it’s the only way that I can truly discuss what I liked about it. SO, that means
If you want to read this book completely ignorant, stop here. (source)
Like other good Peter Swanson books, “Before She Knew Him” sucked me in with it’s fascinating characters, and legitimately surprising twists and turns. Our main two perspectives are that of Hen, an artist who has struggled with bipolar disorder in the past, and Matthew, Hen’s neighbor whom she is convinced is a murderer. And guess what: he totally is. This is made quite clear very early on. Hen’s suspicions are right, and therefore we aren’t going to see the tired ‘is she right or is she just having an episode’ trope that feels so common in stories like this. Matthew is indeed a killer, but he is incredibly compelling in his motivations. He targets men that he sees as predatory, his ethos being that if they hurt women, be it through mental abuse, cheating, sexual assault, what have you, they don’t deserve to live. It stems back to childhood trauma, which still haunts him due to his brother Richard, who seems to be escalating in his own violent tendencies, which disturbs Matthew because he doesn’t want to face his brother. In the same vein, Matthew isn’t exactly a Madonna/Whore savior complex killer either. I don’t even really know how to describe him, and his complex nature is one of the things I greatly liked about this book. Swanson doesn’t make him totally evil, but he certainly isn’t totally good either. Swanson also does a great job with Hen and her characterization. I’m always a little afraid of how thriller writers address mental illness, as more of then than I’d like it’s used as a way to make a character seem unreliable or unstable in a stigmatizing kind of way. With Hen I felt like while her struggles with mental illness do play a large role in the story, she never seemed to be stigmatized by them in the reader’s eyes. If anything when people would throw them back at her, particularly her husband Lloyd, you didn’t question her, you sympathized with her. Perhaps this had to do with the fact that we KNEW Matthew was a killer almost from the jump, but even so I thought it was a welcome change from books where she might have been portrayed as ‘crazy’ to keep the ‘is he or isn’t he?’ going. And when these two are on page together, it’s incredibly satisfying, if only because it’s less cat and mouse and more two people on equal footing trying to figure the other one out.
And yes, I’m back on my bullshit of shipping couples that probably shouldn’t be shipped. Because man, even though it was (rightfully) never really addressed as a possibility, I SHIP IT. (source)
The plot, too was incredibly satisfying, with other mysteries sprinkled in along the way. These I won’t address, because that would be a true crime to spoil things. All that being said, I kind of guessed one of the reveals a bit early on. But I say kind of because it was a fleeting thought I had that soon flitted away, and by the time that reveal happened I was legitimately caught by surprise, even though I HAD thought of it. Swanson slowly lays out the various clues as to what things are going to happen, but you keep reading not necessarily because you want to know about these things, but because you want to know just what is going to happen to both Hen AND Matthew, especially since Hen knows the truth about him. It was a real journey finding out how things all shook out, and I greatly enjoying accompanying these two on said journey.
“Before She Knew Him” was a fun and satisfying read. If you haven’t gotten on the Peter Swanson train yet, do yourself a favor and check him out. This would be a good place to start.
Rating 8: With intriguing characters and some pretty well laid out surprises, “Before She Knew Him” is another fun and twisty thriller from Peter Swanson.
Book: “Bombshells United (Vol.3): Taps” by Marguerite Bennett, Sandy Jarrell (Ill.), David Hahn (Ill.), and Aneke (Ill.)
Publishing Info: DC Comics, March 2019
Where Did I Get This Book: The library!
Book Description:The Batgirls are back…but some will be called to leave Gotham City behind. Alysia and Felicity head for Hawaii to investigate the mysterious radio signals causing trouble across the world, but they find a new voice for the revolution!
However, their findings leave the Bombshells divided! The Batgirls are determined to track down the source of their friends’ misfortunes, and their investigation leads to an eerie spit of land, where a lone radio tower projects a deadly signal that curses all who hear it.
Spinning off of the hit DC Collectibles statue line, Marguerite Bennett (Earth 2: World’s End) concludes this alternate reality where super-powered women are on the front lines fighting for justice!
Review: We’ve come to the point that I have been dreading basically since I first picked up the “Bombshells” books: the end. At first I dreaded the end because I loved the stories so very much. I remember the absolute joy I felt when reading the very first collection, “Enlisted”. I was blown away by the creativity, the feminism, the diversity, and the optimistic spunkiness, all being showcased in an alternate WWII universe. But once we got into “Bombshells: United”, and the series was abruptly cancelled by DC, my dread became less about missing the stories, and more about how much they had to wrap up in a short amount of time. And, unfortunately, my fears were not unfounded. “Bombshells United: Taps” was an unfocused and rushed mess of an ending.
But first, as always, let’s look at the positive. And there is a good amount of positive before I get to the negative, specifically the entire first half of this collection. The second to last arc of the series not only brings back The Bat Girls, but it also ropes in The Suicide Squad, Black Canary, and introduces Bumblebee! When a mysterious signal is going out over a pirate radio station, it turns listeners into violent, hypnotized automatons. The Batgirls, specifically Alyssa and Felicity, just want to know who has incapacitated their friends. The Suicide Squad has orders to take out Black Canary, as it’s her radio station AND her lover Oliver Queen has gone missing. Two scrappy side teams with very different ethos converging in Hawai’i was a very fun and suspenseful storyline, and anything that is going to showcase Dinah Lance is going to get positive snaps from me. Both the Batgirls and The Suicide Squad have different approaches on how to handle this situation, but as they all start to lose friends to the mysterious radio waves they have to find a way to work together to try and take it down. This side story was a fun one, and the solution harkened back to an older storyline, which I quite enjoyed seeing wrapped up in such a way. It felt like an appropriate send off for The Suicide Squad and The Bat Girls before this series has it’s final farewell, and a nice arc for Dinah Lance that fits her at times morally ambiguous personality.
But the last half, which is the final wrap up of the entire series, was confounding. I want to make clear that I do NOT completely fault Bennett and the other creative minds behind “Bombshells: United” for how this all went down. After all, to be cancelled so suddenly with so many open storylines and brand new ideas had to be not only devastating, but daunting. How could they properly wrap up so many things with such limited time left? It’s a monumental task no matter how you slice it. But instead of perhaps focusing on the core group of women and characters who started out the story, and giving them proper, well thought out send offs, instead it was decided that EVERYONE needs to be addressed, and that we need to wrap up the ENTIRE WAR in spite of the fact we left off in 1944, and we’ve barely addressed much outside of the Western Front! So the final wrap up jumps from Wonder Woman and her gang in one place, to Harley and Ivy in another, to Supergirl and her gang in another, AND YET STILL FEELS A NEED TO INTRODUCE NEW CHARACTERS AND THREATS, in the forms of Parademons, The Black Lanterns, and Lena Luther who happens to be an ALIEN (oh and so is LEX). Oh, and guess who else decides to show up? THE JOKER. As if it wasn’t already a bit nuts that Joker’s Daughter, whom we haven’t seen since the original Bombshells series, pops back in in hopes of snatching up Zatanna AGAIN. No, we also have to throw in THE JOKER, just so Harley can have her ‘I REJECT YOU, YOU BAD BOYFRIEND!’ moment that didn’t feel at all necessary, especially since her relationship with him was barely touched upon AND didn’t seem to have any kind of baggage remaining until this very moment. Why are you wasting time with this when there are so many Bombshells that need addressing? Oh, and The Flash even shows up for a couple of frames, and gets her own wrap up at the end for some reason in spite of the fact she for real pops in, and pops out, and everyone is like ‘who was that?’ So we are STILL introducing new Bombshells when I feel like the focus really ought to be on trying to do justice to the ones you already had, especially when you only have a couple issues to wrap up an entire war and a plethora of storylines. And so unfortunately, when you have a lot of characters and a lot of storylines that need to be wrapped up, none of them feel like they get their due, and a number of them get killed off in unceremonious berserker ways like Family FREAKIN’ Tyrell in “Game of Thrones”. But even there at least they got a send off; for some of our Bombshells that we’ve been following since the first arcs, it happens off page and barely gets a note of acknowledgement.
This is one page. The next page does the same thing. Constant action. (source: DC Comics)
And then we get an “American Graffiti’ style wrap up with a ‘here is how they all ended up’ montage. It’s fine, but it’s a bit twee, and it is another reminder that there was so much going on, and so many characters who were barely given anything to do in the last story. It’s Selina who wraps everything up for us as she’s prepping Bruce Wayne to become a ‘space age’ superhero, while reminding him that, essentially, he ain’t shit compared to the ladies she’s seen in her day (oh and since his parents aren’t dead he was raised with hope and love, because remember, there is nothing more powerful in this universe than the power of LOVE).
Look, ultimately I am going to have fond, fond memories of “Bombshells” as a whole, because while the ending was rough, I can’t place all blame on the creators. And the entire first series was so inspirational and important. Hell, the “United” series has some solid moments as well, some of which are in this issue. I think that the unbridled ambition came back to bite it in the ass, as nothing is guaranteed in this very unfair world where you can keep rebooting tired male superheroes/villains over and over, and women characters need to be ten times more interesting to be even given a shot to keep going. It’s unfair. It’s frustrating. But it doesn’t change that the ending to this series was lackluster, and that isn’t just on the injustice of it being cancelled too soon. Goodbye, Bombshells. You will definitely be missed.
Rating 5: A muddled and frenzied end to a series that I will legitimately miss, “Bombshells United: Taps” was a bit of a mess. I can’t fault it completely, but I was very disappointed that this is how we left my beloved Bombshells.
Book Description:Some kids in the sixties used to party in the tunnels under Shadyside High, until something left a bunch of people dead. But that’s just a story, right? Besides, exploring the tunnels is more fun than being stuck in Saturday detention. Too bad there’s no turning back–because in the tunnels there’s no one around to hear your screams.
Had I Read This Before: No.
The Plot: First I REALLY need to talk about that cover. What IS that cover? It looks like it’s trying to be the sleeve for the 1980s remake of “The Blob”, which served as serious nightmare fuel whenever we’d go to the local convenience store to rent a movie and it was RIGHT. THERE. Also, much like last time, the font has totally changed and it’s a weird time to change font when we’re at the end of the original series. But anyway. Our protagonist is Elaine. She’s usually a GREAT student, but after having forgotten to turn in a third assignment in a row for trigonometry she’s found herself at Saturday detention. And it occurs to me that I don’t think we’ve had any substantial “Fear Street” storylines that involve detention? At least not the I can remember. Anyway, it made me nostalgic for my detention days. Elaine arrives and speaks with the new principal, Mr. Savage, who says that he hopes such a good student like her won’t be making a habit of this. He also mysteriously says that he’s learned hard lessons in his life, and tells her where to go. She arrives to the classroom and finds a motley crew of detention kids. You have goody goody Elaine, graffiti aficionado Max, nerd Jerry, tough girl Darlene, and bad boy Bo, who may or may not have stolen a car. I think we’ve found our Bender, ladies and gentlemen, which means I will no doubt have a serious affection for him by the time this book is done.
Oh GAAHHHD he’s such a PRICK but I JUST LOVE HIM SO MUCH. (source)
Elaine asks if this is detention and Bo tells her that it’s dissection class (so… biology), and when Darlene throws a piece of paper at him in a flirtation ritual he takes out a lighter and sets it ablaze. Jerry is afraid he’ll set off the sprinkler system, and listen, narc, Bo doesn’t give a shit about your RULES. Jerry is there because he refused to dissect a frog in biology class and gee, that seems a bit harsh, being punished for having a conviction about animal mutilation… Bo keeps lighting things on fire and Mr. Savage comes in and tells him to put it out, which Bo does. Elaine is shocked and disgusted but probably also intrigued. Mr. Savage lets us know Darlene is here for cutting class and Max is here for graffiti-ing a school bus. He tells them that if they stay in their seats and focus on their punishment and police themselves they can leave at 3 and that will be that. As he’s leaving, Bo throws a switch blade. But it of course isn’t aimed at him, but at a cork board, and Mr. Savage doesn’t notice. Bo asks Elaine what she’s in for and she tells him it’s for not turning in homework, and Bo is amused. Darlene, unable to stand that he’s paying attention to Elaine (because girls are ALWAYS fighting over boys, right?), plants herself in front of him and says she’s bored. Bo suggests that they all go look for snacks in the cafeteria, and Jerry says he’s not getting in trouble by leaving. Bo specifically asks Elaine if she’s coming, and wanting to prove she’s not a goody goody she says she is. So they head out and down the hallway, and of COURSE Jerry runs to catch up with them. Elaine notices how not nervous Bo is, and given that she’s so responsible she envies his irresponsibility and finds it sexy.
They go to the kitchen and raid the fridge, but after pigging out a bit Elaine notices that Bo has gone missing, and so has one of the big knives. They go looking for Bo, and find him splayed out with a cut throat. It is, of course, a dumb practical joke, and this kid, I swear… They don’t stay mad at him long, however, because they hear Mr. Savage walking down the hallway. They lose track of his movement, but know he could cut them off back to the classroom, and Elaine suggests that they cut through the auditorium. So they get to the auditorium, and dick around on stage a bit. Max destroys some sets, Bo plays with a prop fiddle (as the drama club is doing “Fiddler”!), and Elaine goes exploring backstage. There she finds a strange black curtain hanging in a far off corner. When she pulls it, it reveals a corridor. Which she, of course, has to explore! So she starts down the hallway in the dark but chickens out. Unfortunately, as she’s heading back the floor gives way and she falls through it, plummeting down! She lands hard, and has no idea how far down she is. It’s dark and she feels broken glass and paint cans, and when she tries to stand her ankle hurts like the dickens. Also, a rat drops on her. She screams and it runs away, and she fumbles in the dark, able to find a ladder but unable to put enough weight on her ankle to actually climb it. Luckily her scream is heard by the others. Bo lights his lighter and looks down, telling her she fell through a trap door. She says she can’t climb because of her ankle, and Bo says he’ll come down to get her. Perplexingly they all climb down with him, though Bo is now suddenly quite protective of Elaine. He lights up his lighter again, and they see they’re in a space with LET’S PARTY written on the wall, and multiple hallways to pick from. Bo and Max tell them that it must be the Labyrinth, a tunnel system built to be a bomb shelter like tunnel system during the Cold War. It spreads across all of Shadyside. For years it was used as a party spot for teens, but the tunnels were all closed up after a number of teens died. So NATURALLY Bo and Max want to explore. Darlene and Jerry aren’t convinced and want to go, and Bo tells Elaine she’s the tie breaker. And now that she wants to impress Bo, she says they should explore.
Bo scrounges up some sticks and some rags from the trash and makes some torches they can use, and they venture into the tunnel on the right. They find a school newspaper from 1972 reviewing ‘the new Doors album’ (bitch, Morrison was long dead by that time, that album wasn’t going to be too great), and head deeper into the tunnels even though now Elaine is losing her nerve. The reach a dead end when they find a big pool of dirty water and trash, and decide to turn back. But it becomes quite clear that they are lost. Bo suggests that they go back across the water, as the tunnels are all over town and there HAS to be an exit somewhere. They manage to find a narrow ledge around the water, but while trying to cross it Elaine slips and falls into the dirty pool. Oh GOD, think of the germs. Bo pulls her out because he’s her protector now, obviously, and lets her wear his army jacket so she doesn’t get a chill. IS SHE GOING TO GIVE HIM HER DIAMOND EARRING BY THE END OF ALL THIS?
They keep going forward, and find a weird bricked up section that looks different from the other walls they’ve seen. The bricks are red instead of cinderblocks. Bo begins poking the mortar with a stick and it falls away, and the one of the bricks pops out about an inch, without any of them touching it. Bo hesitantly tries to push it back in, and then suddenly the wall EXPLODES! Elaine is thrown back into a wall, and as she sits up she notices that only one torch is still lit at this point. Everyone gathers their wits, and Bo relights his torch. Red dust hangs in the air, and they decide to keep going, but before they can, the separate red dust clouds suddenly gather together and surround Max. He says that something is wrong, and then the red mist envelops him and lifts him up! Bo tries to pull him back down, but the mist throws him away and starts BREAKING MAX’S BONES! It pulls Max up more and pretty much just snaps all of his bones IN GREAT DETAIL ON THE PAGE, killing him and flying down one of the tunnels with his corpse.
Bo screams and chases the mist down the hallway, and Elaine and the others look on in horror. Jerry says they have to get out of there, and Elaine says that they can’t leave without Bo. Jerry tries to take the torch from her but she says no, and Darlene says that she and Jerry are leaving and they are taking the torch with them whether Elaine likes it or not. After some sniping, Elaine eventually sees reason and agrees to go with them. But, of course, those two book it and Elaine has a bad ankle! She follows the flicker of the torch, and eventually catches up with them, but only because they’ve stopped. Jerry says he thought the water was this way, but it’s nowhere to be seen. Darlene starts to panic, and Elaine grabs the torch back and says that they have to keep moving to get away from the mist. She’s still thinking about Bo, but agrees that they should keep going on their own.
Unfortunately, they almost immediately stumble over a corpse and drop the torch, leaving them in the dark. Darlene thinks it was Bo, which means the mist may be in the dark with them. Elaine says that Bo had the lighter, so if they can find it on his body they can relight the torch. Darlene and Jerry are both too big of wusses to touch the body, so Elaine says she will. But she doesn’t find the lighter, and realizes that these clothes are ragged and old. That wasn’t Bo’s body. Soon they see another light coming, and wonder if the mist can glow. But nope, it’s Bo! He’s alive! Darlene hugs him and he tells them that he tried to get Max’s body back, but wasn’t successful. And whatever that mist was, it’s probably coming for them next. Elaine notes that he doesn’t seem like the cocky prick he was earlier, but a scared boy who saw his best friend killed. Very Bender in his ‘FUCK YOU’ monologue if I do say so myself. Bo makes new torches but says his lighter is out so this is it. As they walk Elaine wonders what this mist could possibly be (GOOD QUESTION). Jerry thinks that if they can figure out where they are under the city they could figure out where the school is, but Bo rightfully points out that that might be hard. They stumble into a room full of garbage and LET’S PARTY written all over the walls, and find ANOTHER tunnel, but oh dear! THE RED MIST IS BACK! Thus a crazy chase begins wtih them running through God knows how many tunnels, and Elaine falls because HER ANKLE and Bo isn’t leaving her behind (even when Darlene insists that he do he does NOT!), and somehow they stumble into the first LET’S PARTY room which is below the stage at the school!! Darlene launches herself up the ladder first, and I can’t blame her, and Bo wants Elaine to go next but she tells him to go because of her ankle, so he does. And as Elaine starts to climb up too the ladder starts to give way!!! But Elaine is convinced they’re all going to make it, but guess what, Jerry does NOT make it. Because the Red Mist surrounds him and starts to squeeze him. Elaine grabs his hand, determined to hold on, and he keeps crying out ‘help me!’ (oh God, this is actually brutal), but the Mist keeps pulling on him and starts to envelop Elaine’s hand. Bo screams at her to let go… And Elaine knows she has to. So she does. The mist grabs Jerry, crumples him up into a BALL, and then flies down into the darkness. I’m honestly upset by all of this. Elaine feels horrible that she let go. But no time to feel bad, because the ladder breaks, sending her and Bo falling into the darkness. They land on the ground below, and Elaine asks Bo to hold her. Which he does. That diamond earring is going to be yours, Judd Nelson! Darlene is dangling from the top rung, unable to hold on much longer. Bo and Elaine tell her to just let go, that Bo will catch her, and she does. She suggests that they could keep calling for help, that Mr. Savage could be around, but Bo is convinced that he’s long gone now. And school won’t open again until Monday, and they probably don’t have time to wait. They have to find another exit. Elaine points out that the only tunnel they haven’t for sure tried is the tunnel the Red Mist came from.
They find the water pool again and continue past it, and find the chamber behind the red bricks. What they find isn’t another tunnel, but a giant pile of dirt and rubble that looks like a cave in. But at the top of the pile there is a hole that could be an exit. Bo starts to climb, but it isn’t easy going because the dirt pile is loose. But he gets up and crawls up through the hole. Elaine and Darlene call up to him, and he assures them he’s okay but that the tunnel is ‘wild’. WHATEVER THAT MEANS, BO. Darlene tells Elaine to go first, and Elaine does. She makes her way up, and into the hole, and it’s a small tunnel that she barely fits in, and oh GOD I’m going to have a panic attack. Elaine feels the same and has a panic attack, convinced she’s going to get stuck, but manages to get through. She finds that the dirt tunnel ends in another chamber, where Bo is waiting for her at the bottom of another dirt pile, and it smells aged and isolated. She slides down to join him, and Darlene comes down behind, and informs them that the tunnel partially collapsed behind her. Bo says that this isn’t where they want to be, and points out six skeletons! Bo says that the cave in must have trapped them, and points out that there are no rats. Darlene says that the Red Mist must have killed them and someone must have put the bricks up to keep the Red Mist in. But Elaine points out that the small garbage in this room was neatly stacked and it was less haphazard. These people weren’t killed by the Red Mist, they must have been trapped inside and starved to death or died of thirst. They look on the wall and see six names written in red paint, which must be the skeletons. But there is also one name carved into the wall with rock: “Scott Savage Knows”. Mr. Savage must have something to do with all of this! Before the can ruminate too long, however, the Red Mist comes out through the dirt tunnel!! Bo makes it focus on him so Elaine and Darlene can make their way back through the dirt tunnel! So noble! But soon the Red Mist has instead poured over the skeletons… BRINGING THEM TO LIFE. That’s fucking badass. Darlene starts to panic and Elaine yells at her to run through them and back up to the tunnel. Elaine beats the skeletons off of her as she runs, and manages to get up to the top of the dirt pile. But she looks down and sees that Darlene has frozen in her tracks. Bo tries to distract the skeletons, and Elaine books it, crawling through the dirt tunnel and coming out the other side. She hears Darlene’s horrible screams, and then silence.
Elaine calls for Bo, and hears footsteps and sees a light coming through the entrance to the chamber that had been bricked up. It’s Mr. Savage! He says that she has to get out of here and asks where the others are, and Elaine tells him that they’re dead. Mr. Savage is upset by this news, and Bo bursts through the dirt tunnel as it collapses behind him. They all tumble into the dirt, but Elaine thinks that the Red Mist is trapped now. Bo says that Mr. Savage is at fault, and they tell him everything they found. Mr. Savage confesses what it is he knows. He went to Shadyside High back in the day and he and his friends went into the tunnels. There was a cave in, and Bo says that’s pretty OBVIOUS and that he wants to get out of here now. Mr. Savage says he’s been carrying this secret for years and NOW he’s going to tell it. I think that’s misguided at best, but whatever. Mr. Savage was on the other side of the collapse, and he called for them but they never answered. Assuming they were dead and wanting to cover his tracks, he bricked up the tunnel. Unfortunately, his friends WEREN’T dead, and they were able to dig their way out… until they ran into his brick wall. Elaine and Bo blame Mr. Savage for everything that happened… but one COULD argue that if they hadn’t ditched out on their detention none of this would have happend either… BUT WHATEVER, potato, po-tah-to. They ask him about the Red Mist and he says he has no clue what they’re talking about and thinks they’re lying about what happened to their classmates. But before they can debate, the Red Mist BURSTS out of the ceiling. And NOW Mr. Savage believes them, and he knows what it is. It’s the VENGEFUL SPIRITS OF HIS DEAD FRIENDS!! The Red Mist didn’t kill those students, it IS those students! Knowing his time has come, Mr. Savage tells Elaine to take six consecutive left turns and that’s the way out. Then the Red Mist envelops him, crunches his bones, and squishes him into a tiny ball. Then the Red Mist and the Savage Ball disappear. Bo and Elaine make six consecutive lefts and make their way out of the tunnels. He asks what they’re going to tell people, and she says she doesn’t know. And they climb up the ladder. The End.
Body Count: 4! A little higher than we’ve seen lately, but at this point I think Stine was like “It’s the last one in the series! LET’S DANCE!”
Romance Rating: 2. Elaine and Bo clearly have a thing for each other, but they don’t really act upon it at all.
Bonkers Rating: 9! From endless underground tunnels to a ravenous red mist to moving skeletons, this one was up there for craziness! Again, Stine didn’t give a fuck.
Fear Street Relevance: 2. It took place in Shadyside, but I really don’t think that Fear Street came up.
Silliest End of Chapter Cliffhanger:
“Elaine stared at his shirt. His neck. His face.
Soaked with blood.
‘Nooo!’ She let out a moan. Bo’s throat. His throat had been cut.”
… Except no, he just played a trick on them.
That’s So Dated! Moments: Darlene refers to Elaine as ‘Miss Yuppie’ at one point, and who even says ‘yuppie’ anymore?
Best Quote:
” ‘What’s the lighter fluid for?’ Jerry demanded. ‘Are you some kind of pyromaniac?’
‘What I do with my spare time is none of your business,’ Bo replied.”
HA, I knew I liked this kid.
Conclusion: “Trapped” was a super bizarre and oddly violent final book for the “Fear Street” original series!! I enjoyed it for the most part because it was so bananas! I can’t believe that we got through it all! And we aren’t done yet. I am going to slowly bring it on home with a few more books: one ‘Super Chiller’ that a friend of mine remembers vividly, one ‘Super Chiller’ that I remember vividly, and then one last trilogy. So up next is “Bad Moonlight”.
Publishing Info: Fine Tuned Editing, December 2018
Where Did I Get This Book: The author provided me with a PDF copy.
Book Description:In a city divided between the workers who keep the economy going and the families who bolster the population, eighteen-year-old graduate Phoebe Ray is assigned to a solitary life as a newspaper delivery girl, forbidden from marrying, seeing her family more than twice a year, or ever having children.
But when childhood flame Noah and charming neighbor Sky enter the picture, Phoebe must decide whether a chance at love is worth risking imprisonment, banishment from society, and ultimately, death. And when a city-wide strike breaks out leaving everyone vulnerable, Phoebe has an even greater decision to make.
Should she turn her back on the fight to save her friends and family, or is it finally time to make a stand?
Review: First I want to extend a special thank you to Angela Howes for reaching out and sending me a copy of this book!
For better or for worse, my extensive list of not-so-guilty-reading-pleasures includes dystopic YA fiction. While I admittedly haven’t read the entire gamut, I’m always looking out for new titles. So when Angela Howes approached us and asked if we would be interesting in reading and featuring her book “Assignment” on the blog, I jumped at the chance.
The premise of “Assignment” is a fairly familiar one. A teenage girl named Phoebe lives in a society where people can be assigned to two facets of the community: you can be a One, who works and creates and keeps society and the economy going, or a Two, who doesn’t work but marries and reproduces to bolster the population. But what I liked about “Assignment” was that while the set up is familiar, I enjoyed the path that was taken for most of the narrative. Phoebe, who didn’t expect/ want to end up as a One, has to learn to adjust to a life she never saw coming. While you get the sense that things aren’t right in Cerenia, with the hints of corruption and strict, oppressive rules, most of this book is watching Phoebe start to find self-actualization, and how that eventually puts her in a place where she starts asking questions. I liked seeing her work her way up in her career, seeing her learn to take care of herself, and liked seeing her have to interact with people she wouldn’t necessarily interact with. Watching her character change and grow was a real fun treat, and I really liked how her path took her and where she ended up. Seeing the world she was in grow around her as the story went on was also enjoyable. The focus right now in the books is building the world, and I felt like we got a really good sense of why Cerenia has become the society that it is, and in turn how conflicts are handled within the society because of its core ethos. This is seen in a couple of ways. The first is the ‘strike’ that the Ones partake in, and how Phoebe and her fellow Ones become targets of violence, intimidation, and raids. This was a creative plot device, and it not only made the suspense fly high, it also laid out the stakes. But the second is far more personal to Phoebe, as her brother Milo became a One before she did, and now she’s having a hard time getting a hold of him. The question of where her brother is, and what it means that he’s seemingly disappeared, is every present and effective.
That said, there is one big trap that “Assignment” falls into, and this is perhaps based more in personal preference than anything else. We have The Love Triangle, a trope that I cannot stand. Our two players are pretty typical in their roles. There’s Noah, the boy that Phoebe has known since childhood and whom she has loved for a long time. They assumed they would both be Twos and get married and have a family. But since Ones and Twos cannot fraternize, their love in a star crossed one. The other is Sky, a One that Phoebe meets at the assignment ceremony and ends up being her neighbor. Noah is sweet and loyal, whereas Sky is cocky with a heart of gold. I’m just going to put out there I am Team Sky, because Noah not only has a lady friend named Darya he’s been matched up with who is super sweet and understanding, but he is a complete coward who wants to have his cake and eat it too. In this case, that means shacking up with Darya and fulfilling his responsibility with her, but sneaking around with Phoebe when she drops off his newspaper every day. PHOEBE, YOU CAN DO BETTER. I liked Sky because while he did checkbox a number of familiar bad boy tropes, I DID appreciate that he respected Phoebe’s wants and needs, so when she just wanted to be friends, he was satisfied with that. It’s a healthier love triangle moment to be sure. But it’s still going strong by the end of the book. On top of that, we get a very HUGE cliffhanger right at the end. I can handle a cliffhanger ending if it ends with ambiguity, but when it’s a smash cut in the middle of a scene or conversation, that’s a choice I don’t particularly care for.
Those qualms aside, I enjoyed “Assignment”! I will definitely be looking out for the next book in the series, because Phoebe has me fully invested at this point. Fans of dystopia romance should give it a whirl!
Rating 7: While love triangles aren’t my cup of tea and cliffhangers rankle me, “Assignment” was an addictive dystopia with some sound and well done world building, and likable characters!
Reader’s Advisory:
“Assignment” isn’t included on any Goodreads lists, but if you like books like “Divergent”, “Matched”, or “The Testing” you will probably find this one fun as well!
“Assignment” isn’t in very many libraries as of now, but you can find it in WorldCat, and on Amazon.
Book Description:Carrie knew she should not use the terrifying power she possessed… But one night at her senior prom, Carrie was scorned and humiliated just one time too many, and in a fit of uncontrollable fury she turned her clandestine game into a weapon of horror and destruction…
Review: It was the Fall of 1997. I was in eighth grade, and I had just finished “The Stand” by Stephen King. My Dad had handed me his copy after we’d watched the re-broadcast of the miniseries, assuring me I would like it. He was right, and I still consider it one of the best moments I’ve ever had with my father, because he opened me up to the world of Stephen King. And while he didn’t have anymore King to share (he’s not a horror guy at all; “The Stand” is his kind of dystopian dark fantasy thriller), I knew that I needed to get my hands on more. And my next choice was “Carrie”. For a vaguely isolated and bullied eighth grade girl, “Carrie” was exactly the kind of book I needed in that moment. While “The Stand” was the book that introduced me to King, “Carrie” changed my life. And on a whim, I decided to revisit it, twenty one years after having first read it. I had my fears that it wouldn’t be as profound to adult Kate as it was to thirteen year old Kate who needed a catharsis from her awful classmates. But I was wrong.
“Carrie” is still a relatable and unnerving horror story from the master of horror himself, and even 45(!) years after it was published it still tackles issues of bullying, zealotry, social isolation, and teenage angst in believable ways. Carrie White is an unconventional protagonist in that she is a constant victim, and is perpetually beaten down and weakened by her peers, her community, and her own mother. Carrie isn’t particularly two dimensional as a character; true, she finds her telekinetic powers and does find some bouts of self confidence that manifest every so often, but she never achieves what she wants to achieve, which is acceptance. Or at the very least, being left the hell alone. And yet even though she is for the most part mousy and passive except for a few moments, and then Prom night, you still feel for her and ache for her. King does a really good job of creating a lonely teenage girl who we pity and care for, and yet ultimately fear (note: We do have to give some credit to King’s wife Tabitha, an author in her own right and complete bad ass. She helped him with the infamous period scene, and helped him with the viciousness of teenage girls). But it isn’t just Carrie White who King so amply brings off the page. Many of his supporting characters are developed and well thought out, and sometimes it’s the real life horrors in this book that will upset you the most. While the bullying is awful, I’m more put off by Carrie’s zealous Mother, so devout and obsessed with her religion that she perverts it into the physical and emotional abuse of her only child. King makes it very clear that Carrie isn’t the real monster in this novel, or rather, if she is she’s a monster who didn’t stand a chance to become anything else.
But I also need to give kudos for how well King captures teenage life for not just Carrie but for the other teen characters. I knew girls like Chris, the cruel and insecure spoiled princess who is used to getting her way, even when she’s at her most rotten. I knew boys like Tommy Ross, a popular but ultimately sweet guy who was just doing his best (side note: I am still in full belief that if Prom Night hadn’t ended the way it did, Tommy and Carrie would have ended up together. HE WAS FALLING IN LOVE WITH HER, GUYS!). And Sue Snell, the girl whose guilt led to her good deed of getting Carrie a date to the prom, is almost more interesting than even Carrie herself. Sue’s comfort in her conformity is tested at the beginning, and her slow realization that there is life after high school, and that she wants more than people would expect from a pretty, popular girl in a small town. On this re-read from an adult’s eye, I found Sue’s arc to be incredibly compelling and bittersweet.
The narrative of “Carrie” is also a slow burn of suspense, told in a combination of third person and epistolary sequences. The perspective may be from that of Carrie or the various people in her life, or it may be through police interview transcripts, book excerpts, or scientific papers. The jumps sometimes feel a little jarring at first, but once you get in the rhythm of them they flow together in a cohesive way. I feel like we haven’t seen as much epistolary experimentation from King as of late, and this throwback to that style from him was fun to see, especially since it’s used so much in thrillers these days. It also casts a wide net on perspectives, and it gives a very well rounded picture of not only Carrie’s life, but the lives of those around her and how the Prom Night and aftermath affect those who come out of it alive. One of the most fun things that I completely forgot about it in this style was the ‘scientific paper’ excerpts, where a scientist is talking about telekinesis and how it applied in this case. But, in another masterful touch by King, even in these epistolary excerpts many of the adults just don’t get what life is like for the teens involved, and the contrast between the speculations and the realities make the story all the more sad.
I may be looking at this through a biased lens, as “Carrie” was a book that got me through a lot during my darker years of adolescence. But I find it to be so effective and well done that I’ve been known to recommend “Carrie” to teenage girls who are looking for a bit of a challenge beyond the YA shelf, and who don’t mind a good scare or two. King’s first is still one of his very best.
Rating 10: This remains one of my favorite books of all time. “Carrie” is not only a suspenseful and truly scary book, it also captures the horrors of being a teenage outcast that still feel timeless and relevant.
Publishing Info: Lake Union Publishing, November 2018
Where Did I Get This Book: The library!
Book Description:The ghosts of the past come calling in a spellbinding heart-stopper from the “Queen of the Northern Gothic.”
After the end of her marriage, Kate Granger has retreated to her parents’ home on Lake Superior to pull herself together—only to discover the body of a murdered woman washed into the shallows. Tucked in the folds of the woman’s curiously vintage gown is an infant, as cold and at peace as its mother. No one can identify the woman. Except for Kate. She’s seen her before. In her dreams…
One hundred years ago, a love story ended in tragedy, its mysteries left unsolved. It’s time for the lake to give up its secrets. As each mystery unravels, it pulls Kate deeper into the eddy of a haunting folktale that has been handed down in whispers over generations. Now, it’s Kate’s turn to listen.
As the drowned woman reaches out from the grave, Kate reaches back. They must come together, if only in dreams, to right the sinister wrongs of the past.
Review: As someone who grew up in Minnesota, I have fond childhood memories of spending summer trips by Lake Superior. Even in my adult life I try to get up to Duluth and the north shore at least once a year, as the beauty of the lake shore and the north woods is hard to resist. Because of my affection for this part of the state, I am almost always going to give Wendy Webb a shot when it comes to her books. And given that she’s a local author, the wait list at the library is usually pretty long, so unless you’re on top of the publication dates it may be a wait. When “Daughters of the Lake” came out I wasn’t on top of it, but after a few months wait it came in for me, and I was eager to start it.
Webb’s books have always managed to capture the feel and essence of Lake Superior towns and what it’s like to live there. She describes the lake itself just how it is in real life, with the beauty, power, and danger that comes with it. Her descriptions of the lake shore and the towns on it really transported me to a part of this state that I love, and that alone made it so that I was going to finish this book no matter what. The characters were plenty likable as well. Kate, our main character, is a relatable protagonist, and you believe her pain as a woman whose marriage has fallen apart due to her husband’s infidelity and lies, and her need to have a change of scenery. More interesting, still, was her cousin Simon, a sympathetic and supportive bed and breakfast owner who has turned the family estate into a cozy resort. I liked their relationship, though sometimes Simon treaded little close to the ‘supportive gay bestie’ trope, especially since it seemed his sole purpose was to play as her sidekick. I was definitely invested in both of them, though, and the mystery at hand. I also liked the moments in the past, told both through Kate’s strange psychic visions and also perspective chapters. In those sections the focus on on Addy, a young woman whose birth culminated with her literally floating on the waters of the Lake with no harm done. The supernatural aspect of her story is slowly peeled away, and I enjoyed seeing those layers peeled back.
But unfortunately, a promising plot with fairly solid characters gets muddled in the last half of the book. The first issue I had I can’t really go into much detail about, as I don’t want to spoil anything. But some of the supernatural aspects of this book seemed to work without a magical system that was sorely needed to make believable. By the time the book had wrapped up I still wasn’t totally sure that there had been a full explanation of how this twist of fate worked. Secondly, there were small hints of other ghostly elements in this book that implied they were building up to something big, but by the time it was revisited it was rushed and crammed in near the last minute. There were also a number of plot twists that were either a little too obvious, or out of left field without any sort of build up. And one of these twists was the kind that I absolutely cannot abide: the plot twist that happens in the last few pages, which completely changes the outcome of the entire story.
I’m occasionally willing to give this kind of thing a pass, mostly if it’s inconsequential in it’s outcome, or if it’s SO well done and so well placed that it takes my breath away. But in this case it just felt like a cheap last moment ‘gotcha’, and I rolled my eyes as it unfolded because it felt totally unnecessary. My fear about this kind of turn of events in thrillers is that authors will start to think that a well plotted story is all about the twists, and will therefore try to add twists for the sake of twists. I don’t recall Webb doing this in her past works (well, not in ALL of them anyway), so I don’t think I need to worry about her future books. But it always makes me wary.
Ultimately, while I liked the setting and the building blocks of the plot and characters to “Daughters of the Lake”, there were a few too many stumbles for me to be able to give it a really high rating. It’s an eerie gothic read to be sure, but I had wanted more from it.
Rating 6: While the plot was fun and the setting kept me interested, “Daughters of the Lake” had a few too many hokey twists and felt disjointed in the story telling.
Reader’s Advisory:
“Daughters of the Lake” isn’t featured on any Goodreads lists, but I think that it would fit in on “Lake Superior Mysteries”.
Book: “Best Friend 2” (Fear Street #50) by R.L. Stine
Publishing Info: Simon Pulse, 1997
Where Did I Get This Book: ILL from the library!
Book Description:Becka is relieved. She’s finally ready to forget all the horrible things her “best friend” Honey did to her real friends. She can even forget the way she was blamed for it all. So why does she keep seeing Honey everywhere she goes? At first she thinks it’s her imagination. But then the threats begin. Honey is back. And this time she won’t stop–until Becka is dead.
Dear Reader: A few years ago, I wrote a book called The Best Friend. And hundreds of you wrote to tell me how unhappy you were with the ending. You thought Honey Perkins should pay for her crimes.
But I needed your help. I wasn’t sure exactly what should happen to Honey. So we held a contest to let you decide. I got thousands of great ideas. It was hard to choose, but I finally picked my favorite. A girl named Sara Bikman from Grafton, Wisconsin, sent in the winning entry. Thanks, Sara!
So here is the book you’ve all been waiting for. Honey is back–and she’s after Becka Norwood. But this time, Honey will get what she deserves. Won’t she?
Had I Read This Before: No
The Plot: Okay gang, I have been both anticipating and dreading getting to “Best Friend 2”. As I mentioned in “Best Friend 1”, the reception to that ending was so bad that R.L. Stine pitched a bit of a fit and pretty much said ‘okay, children, if you think that you can do better, I challenge YOU to write a sequel!’ So a contest for “Best Friend 2” was held, and the winner’s story was turned into an honest to God “Fear Street” book. I imagine that Stine took the plot and made it his own, but who knows, maybe this is the complete product of an unsatisfied fan. Whatever it may be, on we go.
Becka is trying to move on from the traumatic events of “The Best Friend”. She has moved to Waynesbridge, the lame unofficial sister city of Shadyside which seems to cultivate a lot of the “Fear Street” Bad Boys. This is her first day at her new school and she’s nervous and thinking about all the terrible things that happened with Honey Perkins, the girl who stalked her and tried to kill her friends Trish and Lilah, and killed her boyfriend Bill. Becka has to meet with Mrs. Englund the guidance counselor to check in, and we get the run down of everything that happened in Book 1 (Lilah’s bike accident, Trish’s fall down the steps, Bill’s stabbing). After Becka leaves the office she thinks that she sees Bill, and she calls out to him, but it’s not Bill. His name is Steve, and he helps her find her way to her first class. In this class she meets a girl named Glynis, and they seem to hit it off and Becka thinks that Glynis not only has cool nails (chocolate brown! How unique!), but that she could be a real best friend, unlike Honey. Unfortunately, she doesn’t realize that she’s written Bill’s name over and over again in her book.
After class Glynis meets up with Becka at her locker and introduces her to a boy named Frankie. Becka is instantly smitten because not only does he have rebellious long hair, he plays guitar! He tells Becka that her nails are so short she could be a good guitar player, an then he invites her to go with him and Glynis to get some pizza. Becka is convinced that this polite gesture of inclusivity translates to him having the hots for her. They walk to Pizzaz Pizza (you are NO Pete’s Pizza!), and all sit down together. Becka is feeling relaxed and okay, but then who should walk in, but Eric, her ex boyfriend (the guy she was with before Bill). Was Eric mentioned in “The Best Friend”? I honestly don’t remember. She runs to him and says hello, but he seems not so happy to see her. He reminds her that she dumped him, but she swears that she has changed, and asks if he wants to go join her, Glynis, and Frankie? When he balks she says that they can go driving around instead, and says goodbye to her new friends who were kind enough to invite her out after school, and instead goes with a guy who doesn’t seem to want to even be near her. They walk to his car, and Becka suddenly kisses Eric, even though she’s thinking about Frankie. Eric says that she’s change, and they kiss again and make an arrangement to see each other again. When Becka gets home she thinks about how excited she is for this new life, and then decides that she’s going to get herself some of that chocolate nail polish that Glynis has. In fact, if she changed her hair a bit, she would look a lot like Glynis….
Oh, okay. I know what we’re doing here and I don’t know what to think. (source)
The next day Becka buys the nail polish and after she applies it she fantasizes about Frankie calling her and confessing his feelings for her. At first she think that the conversation actually happened, but when she realizes that no, it didn’t, she starts to worry that she’s acting crazy, just like Honey was. We get another recap of the bad things that Honey did, and Becka tries to get ahold of herself… But the realizes that she used the nail polish to write Bill’s name all over her face.
Some time passes and Becka checks in with Mrs. Englund. She says that she’s feeling really good, and Mrs. Englund compliments her on her new hairstyle. After school Becka goes to Glynis’s house and they hang out while Becka tries on some of her clothes. Glynis suggests that they should go shopping together, and tells her that she usually drives to Shadyside’s Mall on Division Street. Glynis’s mom comments on how alike the two of them look, and Glynis laughs, which makes Becka feel insulted, because after all they’re BEST FRIENDS RIGHT?! When Glynis goes to help her mother with a task, Becka does the very friendly and rational thing of taking Glynis’s clothes and putting them in her own bag because best friends always borrow each other’s clothes.
The next day Becka accompanies Glynis and Frankie to the Division Street Mall, and when Frankie comments that she’s wearing Glynis’s outfit Glynis starts to look a bit concerned. Becka says she wants to wear them on her date with Eric, and asks if there is a problem. Glynis, probably terrified that this girl will boil a rabbit if she protests, says no, and just to give them back after her date. They get to the Mall and Becka is suddenly nervous about being back in Shadyside. What if people from her past see her? And just as she’s worrying about that she runs into Eric in one of the stores! He tells her that he works there. They have some okay small talk, and when Glynis and Frankie join them it seems to be going okay. Glynis and Frankie tell Becka they’ll meet her at the food court, and when they leave Eric is suddenly on edge. He asks Becka why they called her ‘Becka’. Because, as if you haven’t guessed it yet, BECKA IS ACTUALLY HONEY!
Side note and pause: I don’t know who this Sara Bikman, the winner of the writing contest is, but if this is a plot point she came up with on her own, I have to give her some serious snaps. Even though I saw it coming from a mile away, I’m not certain I could say the same had I read it in 1997 when I was still within the target demographic.
Honey says that she IS Becka now, and starts to freak out and throw a fit. To make matters worse, she sees the ACTUAL Becka, and in a last ditch effort to try and keep her new name and new life, grabs a string of glass beads from a display in the shop and, for no clear reason, proceeds to STRANGLE ERIC TO DEATH WITH THEM. She tells Becka that SHE’S the one who did it, first she killed Bill and now she’s added Honey’s new life to the ol’ notches on the kill belt, and then makes a break for it with people chasing her.
We now move on to Part 2, and the perspective has shifted to the Real Becka, home in Shadyside and totally shaken up by this turn of events. She, Lilah, and Trish are attending Eric’s funeral, and talking about how Honey pulled off the great con of pretending to be Becka (she forged some transcripts and a letter from Becka’s parents). Evidently Honey escaped from her hospital that past summer and her father had no idea where she was, and she’s gone missing again. Becka thinks that she sees Honey, but it’s just someone else with the same hair color. As Trish and Lilah walk Becka home from the funeral they tell her that they’re worried about her. She’s been seeing Honey everywhere ever since Bill was stabbed, and to that I say uh YEAH, IT WAS A TRAUMATIC EVENT IN HER LIFE. And then, shock and awe, BILL shows up! Apparently he didn’t die from his stab wound, though he now only has one lung. Becka feels so guilty about what happened to him that she can’t even look at him anymore (but weird side note again: Trish ‘pecked’ Bill on the cheek when he came up to them. It seems like something a couple may do, but it doesn’t appear that they ARE a couple? Are they just really friendly and affectionate?). Bill wants to talk with Becka but she says she can’t, and he says that he knows she’s seeing some chump named Larry now (my words, not his), but he just wants to talk some things out. Becka refuses, and Bill leaves dejected. Trish and Lilah ask her why she doesn’t want to be with him anymore, and Becka says that her memories are just too awful, and frankly, I get it. Trish tries to lay on the guilt by saying that Bill was by her side while she was in the hospital with her broken neck, and Becka apologizes that she wasn’t there for her as much as Bill was. They all hug. Becka gets home and her mom asks her if she’s feeling stressed, as her doctor, one Doctor Perlman, says that she should avoid that, but Becka claims that she’s fine. Her phone rings, but when she picks up, there’s no one on the line, and Becka wonders if it’s Honey. Why isn’t she in any kind of protective custody right now? CAN THE POLICE AT LEAST SEND A SQUAD CAR TO HER HOUSE?! I don’t think this is unreasonable given that Honey just killed someone and has an obsession with Becka.
At work the next afternoon Becka is visited by her new boyfriend Larry, whom she describes as looking like Bugs Bunny. Not exactly high praise in the looks department, but you know, Bugs glamours up REAL nice.
I guess what I’m trying to say is one could do worse. (source)
Larry keeps pestering her but she tells him that he has to order something or get out. He obeys and leaves. When her shift is done she goes to her car, and hears footsteps. She worries that it’s Honey again, but no, it’s just Bill. He begs her to speak to him, and she once again says no, and he says that he tried calling her yesterday bot lost her nerve. She feels stupid for blaming Honey, but she’s not out of the woods yet because he won’t take her ‘no’ for an answer and tells her that he still cares about her. He grabs her, and she tells him to let go. And who should come to the rescue? Larry! Larry asks if there are any problems here, and Bill insists no before skulking away. Becka tells Larry she’s okay, but then when she looks at her car things go from bad to worse. Someone has slashed up the seats and left a gutted dead rat on the passenger side. Becka just starts screaming ‘HONEY!’ over and over, even as Larry drives her home. Paging Dr. Perlberg…
After taking some of her sedatives Becka has calmed down, and she tries to watch the news, but they keep talking about Eric’s death and how Honey is still at large. She turns it off and wonders if Honey is hiding out next door. She considers going outside to do some investigating, when her phone rings. She answers it, and it’s Trish, telling her that she just saw Bill and he was SUPER messed up. That isn’t Becka’s fault, I’d argue, but Trish seems to think it is. She tells Becka that Bill pulled off his shirt and showed off his scar, and told Trish that Becka’s cruelty hurt more than the knife, and to that I say HA!! Manipulation, much? Becka rightfully says that isn’t fair, and asks Trisha whose side she is on anyway, not as rightfully. Trish says that Becka is being unfair, and Becka hangs up on her, thinking that she’s a traitor. The phone rings again, and Becka answers, immediately apologizing to Trish, but, big shock, it isn’t Trish. It’s a raspy voice saying “YOU KILLED BILL”.
Becka proceeds to go outside to sneak around Mr. Perkins’s house to see if she can see Honey. She looks in the window but just sees Mr. Perkins, asleep in front of the TV. She is startled by someone coming up behind her, but it’s just Lilah. Becka screams, but then wonders if she was too loud, expecting to see Mr. Perkins now staring out at them but he’s not. Becka asks Lilah what she’s doing there, and Lilah says she came to show her something, but before she can clarify Mr. Perkins HAS shown up at the window and starts yelling at them, saying that somehow all of this is Becka’s fault and asks where Honey is. Becka says she doesn’t know, and Mr. Perkins says he’ll call the cops on her if he catchers her prowling around his property. He closes the window and Becka and Lilah scamper away. They go up to Becka’s room, and Lilah says that she has to show her something. She pulls a newspaper clipping from her pocket, and shows it to her. It’s about a family annihilator named Kevin Paulson who murdered his wife Deidre and his son Harold, while Harold’s twin Hannah hid in the closet. Kevin then shot himself to death. Lilah reminds Becka that Harold and Hannah were in their grade, and that after the murder suicide Hannah went to live with an Uncle. Becka remembers how weird the twins were, and how badly Hannah wanted to be their friend. So much so that she followed them around and was a general nuisance. One day Becka was so sick of Hannah she tricked her. She asked Hannah if she wanted to join the Cool Club, and Hannah said yes. Becka told her the way to join was to get down on all fours and bark like a dog during a school assembly. So Hannah did so, crawling up on stage and barking like a dog. The school laughed and laughed. And then when she went to Becka’s house in triumph, Becka informed her that THERE WAS NO COOL CLUB. Hannah as crushed, and Becka never saw her again. Becka realizes that Hannah IS Honey. And THAT is why Honey hates her so much.
That…. seems like a PISS POOR excuse for any of this. (source)
The phone rings and it’s the same voice. This time it tells Becka that it’s her best friend and that they’re coming to see her with something sharp. Fine. Whatever. BUT MAY I JUST SAY that there was absolutely NO reason to give this kind of backstory to Honey WHATSOEVER. Bitch, you are not Carrie White! This isn’t a legitimate moment that would lead to some kind of mental break! And also, which is it? Is Honey psychotic, or hell bent on psychopathic revenge?! It can’t realistically be both!
Becka meets with Dr. Perlberg asking for more sedatives. He lackadaisically gives them to her, and also encourages her to call the police. Becka says she will, and leaves her appointment with her prescription. She is then attacked by Honey in the parking lot! Honey keeps screaming that she’s Becka and slams Becka’s head on the ground over and over until Becka passes out. She comes to, and realizes that Honey must have thought she was dead.
She is later telling Trish about all of this. She went to the ER and called the police, but all the cops will do is up the regular patrol on her block (SERIOUSLY?). That Sunday Becka goes to a movie with Larry, but is on edge the whole time. After mistaking someone bumping into her as an attack, Larry offers to take her out for coffee and Becka says that it may help her calm down (coffee is, as we know, totally known for being a calming beverage). She says that Honey keeps calling her every night with her disguised voice. They get to the diner, and Becka once again freaks out when she thinks she sees Honey, but it’s just a waitress. Becka has a full on melt down and Larry takes her home. He asks her if she wants him to come in, but she declines. Unfortunately when she gets to her room, someone has smeared red stuff all over her things and has written on the wall THIS IS U.
The next evening Becka is hanging out with Trish and Lilah. The police are worthless, I guess, and for some reason Becka is still staying at her house. Lilah offers up her home, but Becka declines. The friends leave, and Becka tries to concentrate on homework while she waits for her Dad to come home. But of course, the phone rings, and when Becka answers it it’s the caller saying that they are coming tonight, so Becka should wait for her best friend. Becka is terrified and decides to make a break for it, but there’s someone on the other side of the door. But it’s just Bill. She says that Honey is coming to kill her, and he says that they can go hide in his uncle’s cabin in Fear Woods. The phone rings again, and this time it’s Lilah, Becka says she can’t talk, she’s going to Bill’s uncle’s cabin, and hangs up, and the two make a break for it.
They get to the cabin, Becka feeling a new affection for Bill as he is now her knight in shining armor, and he says he’ll go get firewood. While he’s gone, the phone rings, and Becka answers. It’s Lilah again, and she says that Becka didn’t give her a chance to tell her the good news! Honey’s been caught! She was captured two days ago, and it’s just coming out now because she hadn’t given the cops her name. They must have caught her right after she attacked Becka. But Becka realizes something very bad: if Honey was caught two days ago, who called her that night, and who wrecked her room? Then, Bill walks into the cabin with a strange look on his face, and he tells Becka to hang up the phone. Becka, realizing the danger, tries to dial 911, but Bill lunges at her. He rips the phone out of the wall. She asks him why he’s doing this, and he says that she should know why. She says he’s been calling her and he snuck into her room, and he says it wasn’t him… And then TRISH walks into the cabin. She’s been doing this because they’re supposed to be best friends, and Becka never came to visit her at the hospital when she broke her neck because Becka is SELF CENTERED AND SELFISH. Trish says that Becka dumped her and Bill, and real best friends don’t do that to each other. She then reveals a knife she’s been hiding behind her back, and Bill looks totally caught off guard because THAT wasn’t part of the plan! But Trish raises the knife and lunges for Becka. But stupid, creepy Bill throws himself between them, and Trish stabs him in the chest!! That’s two for two, Bill!!! Trish says that Becka stabbed him again (?????), and she lunges for Becka. They struggle, but Becka manages to get the upper hand. Becka manages to cut Trish’s throat (but it’s made VERY clear that it hasn’t been done fatally), and as police sirens start to wail Trish retreats to a corner and cowers while Becka cradles Bill and says that she promises to be a good friend to him as he takes her hand. The End.
Body Count: 1, but maybe 2? I’m not sure about Bill’s survival this time around.
Romance Rating: 4? Becka seems to have a legitimate affection for Larry, but everyone else who has any kind of romantic feeling expresses their affection in unhealthy ways.
Bonkers Rating: 5, just because the first big twist was pretty good, even if I figured it out pretty fast. And then there was the big bonkers reveal about Honey’s origins, but that was so out there I was more frustrated than anything else.
Fear Street Relevance: 7. Becka still lives on Fear Street, and the final fight takes place in Fear Woods.
Silliest End of Chapter Cliffhanger:
“‘Oh!’ I cried out as a sharp blade poked into my back.
‘No!’ Then the pain shot through by body, and I began to scream.”
… And it was some woman’s umbrella bumping into her.
That’s So Dated! Moments: The big one was that we once again used an actress as a visual description for a character, and this time around it was Claire Danes, fresh off her turn in “Romeo+Juliet”! A reference was also made to a volcano movie, and that could have either been “Dante’s Peak” OR “Volcano”!! And speaking of dated….
Best Quote:
“So I work as a waitress three evenings a week and every other Saturday at a place on Canyon Drive called The Hackers Cafe. It’s actually just a coffeehouse. But Mr. Arnold, the owner, put computers at the counter so that customers could surf the internet and send emails while they drink their coffee and eat their muffins and pastries.”
This description of an Internet Cafe is so perfectly of this time that I was chuckling like an idiot as I read it.
Conclusion: “Best Friend 2” wasn’t the shit show that I was anticipating, and even though the ending felt like things we’d seen before, at least it felt more satisfying than the end of the first book. Up next is “Trapped”, which also happens to be the final book in the original “Fear Street” Series! We will have a couple books left with a final special trilogy arc, but we’re nearing the end of our time with this classic series.