Book: “The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick” by Mallory O’Meara
Publishing Info: Hanover Square Press, March 2019
Where Did I Get This Book: The library!
Book Description: The Lady from the Black Lagoon uncovers the life and work of Milicent Patrick—one of Disney’s first female animators and the only woman in history to create one of Hollywood’s classic movie monsters.
As a teenager, Mallory O’Meara was thrilled to discover that one of her favorite movies, The Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick. But for someone who should have been hailed as a pioneer in the genre there was little information available. For, as O’Meara soon discovered, Patrick’s contribution had been claimed by a jealous male colleague, her career had been cut short and she soon after had disappeared from film history. No one even knew if she was still alive.
As a young woman working in the horror film industry, O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went.
A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since.
Review: As someone who loves horror movies, I’m actually not very well versed in a lot of the Universal ‘Monster’ Flicks. Though we watched all of Karloff’s “Frankenstein” and parts of Lugosi’s “Dracula” in a college class, I am dreadfully uneducated when it comes to the lion’s share of the film canon. That said, I have seen “Creature from The Black Lagoon”, and it’s one that has a special place in my heart if only because The Creature, or Gill-man, or what have you, is such a tragic figure in this “Beauty and the Beast”-esque tale. As opposed to his Universal Monster counterparts, Gill-man looks more sad and lonely than frightening and foreboding. As the weird girl in middle and high school who had her fair share of crushes on more popular guys, I feel that longing and loneliness the Gill-man kind of has.
What I hadn’t realized was that The Creature was designed by a woman named Milicent Patrick, so when “The Lady from the Black Lagoon” by Mallory O’Meara came upon my radar I was immediately interested in learning about her story. What I wasn’t ready for was how personal this part biography, part investigation story would be, for O’Meara AND for women in Hollywood AND horror.
O’Meara is the perfect person to tell Milicent’s story, in that not only has she been invested in Patrick’s life’s work since she was a teenager, but she herself has certain parallels to Patrick. Like Patrick, O’Meara is a young woman working in Hollywood, specifically as a producer of horror films. And like Patrick, O’Meara has faced rampant sexism and misogyny in her day to day life at her job, from people assuming she isn’t a producer based on her age and gender. So this story isn’t just an interesting biography of a woman whose contributions to horror have been lost, but also an investigation into her life led by another woman who still sees the same problems within the industry. While Patrick’s life is undoubtedly fun to read about (for example, she was one of the ink and color animators for the “Night on Bald Mountain” segment in Disney’s “Fantasia”, which has ALWAYS been my favorite sequence in one of my favorite Disney movies!), it’s also a familiar and frustrating look into how women were treated in show business during this time period… and how they still are treated today. Patrick was ultimately black balled from design after Bud Westmore, a famous designer who was jealous of her success, insisted that she not be given credit for the monster that SHE CREATED. Even recently people still argue that she wasn’t the actual creative mind behind it, in spite of the evidence that she was. O’Meara successfully takes it upon herself to get her legacy out there, and the reader not only gets to read about the life of a pretty neat woman, but the time, effort, and experiences of what it took to uncover the story. From Hearst Castle to Hollywood to Las Vegas, Patrick’s life is laid out because of O’Meara’s hard work and diligence.
But the part of this story that I found I was the most invested in, and the most galling, was the sexism and misogyny aspects of this story, both experienced by Patrick AND O’Meara. It’s not a big secret that Hollywood can be incredibly toxic for the women who work there, but that doesn’t make both Patrick’s AND O’Meara’s experiences any less upsetting. Though O’Meara hasn’t lost her job due to jealous male colleagues, she has her own personal stories to tell of others mistreating her, the most glaring being a story about an actor working on one of her movies making sexual innuendos about her in a ‘does the carpet match the drapes’ kind of way (and I did a little digging and have a theory as to just who this actor was, as she left his name out out of fear of retaliation. Sadly, it doesn’t surprise me if I’m right). Given that women are STILL shut out of so many opportunities when it comes to film and television behind the scenes, especially genre films like horror and fantasy, hearing that those who ARE there get treated like this is very upsetting, especially as a lady horror fan. While O’Meara’s experiences certainly aren’t unique, that is the exact reason that these experiences need to be shared.
“The Lady from The Black Lagoon” was a very interesting and rewarding read for this horror fan. I definitely think that horror fans everywhere really ought to give it a go, if only so Milicent Patrick can continue to finally get her due long after it was stolen from her.
Rating 8: A thorough, eye opening, and emotional book that tells the story of a forgotten creative mind, and how the problems she faced in her industry are far from fixed.
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