Serena’s Review: “Deeds of the Disturber”

32139Book: “Deeds of the Disturber” by Elizabeth Peters

Publishing Info: Atheneum Press, 1988

Where Did I Get this Book: the library!

Book Description: Can fear kill? There are those who believe so but Amelia Peabody is skeptical. A respected Egyptologist and amateur sleuth, Amelia has foiled felonious schemes from Victoria’s England to the Middle East. And she doubts that it was a Nineteenth-Dynasty mummy’s curse that caused the death of a night watchman in the British Museum. The corpse was found sprawled in the mummy’s shadow, a look of terror frozen on the guard’s face. What or who killed the unfortunate man is a mystery that seems too intriguingly delicious for Amelia to pass up, especially now that she, her dashing archaeologist husband, Emerson, and their precocious son, Ramses, are back on Britain’s shores. But a contemporary curse can be as lethal as one centuries old and the foggy London thoroughfares can be as treacherous as the narrow, twisting alleyways of Cairo after dark when a perpetrator of evil deeds sets his murderous sights on his relentless pursuer… Amelia Peabody!

Review: In this, the fifth book in the series, we step away from our tried and true formula and experience a few completely new settings and approaches, to varying levels of success. Obviously, there’s no way for any book in this series to get a failing grade when you have Amelia Peabody as your narrator, but there were also a few storylines that weren’t favorites of mine.

First off, it’s clear that this is going to be a completely different type of mystery when the book opens with Amelia, Emerson, and Ramses returning to London after their most recent adventure. I was both excited to have a change-up in setting, but also a bit worried about how well some aspects of the series would hold up under the stifling conventionalities of British society. I guess I shouldn’t have worried too much as Amelia has never been one to let trifling little things like “propriety” or “niceties” hold her back from doing what she wants!

So, of course, we start off with a murder, a mystery, and a general unwillingness by Emerson and eagerness by Amelia to become involved. I feel like there is a bit of a pattern to one of the challenges of this series. Of course, to be a mystery, you must have a good number of suspects, which means introducing a whole new cast of character into each book. And, for some reason, this is now the second book in the series where I just couldn’t keep some of the suspects straight. It was just a lot of British noblemen with different relationships to each other, to the museum, and to the Amelia/Emerson family. I actually had to flip back and forth a few times to try and remind myself. There’s a failing somewhere in here, but I’m not sure if it’s just on me or whether more could have been done to really fix each character in the minds of readers and serve as reminders when they show up the next time. All in all, however, I did really enjoy the primary mystery in this novel, and by the end (once I had the cast mostly figured out) the story came together in a very unexpected, but fun/wacky way that is typical to the series as a whole. I also very much enjoyed Amelia’s exploits in dress-up in this book and her ventures out and about in London sans Emerson.

However, there were a few plot lines that I wasn’t a huge fan of. First off, Ramses needed something to do for large portions of this book, and sadly, that something came in the form of two cousins. While there were humorous bits with these two (particularly the girl and her obsession with sweets and theatrics), I wasn’t enthralled overall. I’ve bought in on the one child character, but these two were clearly just foils for Ramses, and I wasn’t very interested in the resolution of his conflict with them (or surprised by the real story behind their antics).

The second plot line…I have really mixed feelings about. I do appreciate the fact that Peters decided to throw a bit of a wrench into Emerson’s and Amelia’s relationship, as it can come of as too perfect at times, especially in this, the fifth book. However, it was hard to read about it when the reader knows that there has to be misunderstandings and some explanation behind everything and things could just be resolved in characters would just sit down and talk about it. So, while I guess it is realistic that they might behave the way they did, it was frustrating to read about, particularly with regards to Emerson. There were a few points where I feel like he was even a bit out of character with how mum he was on his involvement in the situation. He’s been presented as a very frank character, and I wasn’t completely sold on the way he chose to handle things. Or, maybe, I just bought in too fully to Amelia’s perspective on the whole thing!

Those two qualms aside, I did very much enjoy this next book in the series. Turns out that you can still have a fun Egypt-related mystery taking place in the heart of London! I wouldn’t want this to be too much of a trend, however, since I do miss the culture class and history that comes with the usual setting. But as the next book is titled “The Last Camel Died at Noon,” I feel fairly confident that we’ll be back on track soon!

Rating 7: Still highly enjoyable, though featuring two plot points that weren’t my favorite.

Reader’s Advisory:

“Deeds of the Disturber” is included on these Goodreads lists: “Regency and Victorian Mysteries”, and “Mysterious London.”

Find “Deeds of the Disturber” at your library using WorldCat.

Previously Reviewed: “The Crocodile on the Sandbank” and “The Curse of the Pharaohs” and “The Mummy Case” and “Lion in the Valley”

Serena’s Review: “Lion in the Valley”

40495Book: “Lion in the Valley

Publishing Info: Atheneum, 1986

Where Did I Get this Book: the library!

Book Description: The 1895-96 season promises to be an exceptional one for Amelia Peabody, her dashing Egyptologist husband Emerson, and their wild and precocious eight-year-old son Ramses. The much-coveted burial chamber of the Black Pyramid in Dahshoor is theirs for the digging. But there is a great evil in the wind that roils the hot sands sweeping through the bustling streets and marketplace of Cairo. The brazen moonlight abduction of Ramses–and an expedition subsequently cursed by misfortune and death–have alerted Amelia to the likly presence of her arch nemesis the Master Criminal, notorious looter of the living and the dead. But it is far more than ill-gotten riches that motivates the evil genius this time around. For now the most valuable and elusive prized of all is nearly in his grasp: the meddling lady archaeologist who has sworn to deliver him to justice . . . Amelia Peabody!

Review: I’ve come to another conclusion for why I love this series so much (yes, these reviews are steadily devolving into “Amelia Peabody lovefests,” but who cares, I do what I want!) And that reason is that, much to my younger sister’s chagrin, as a kid I absolutely loved the 1999 “The Mummy” and insisted we watch it at least monthly for years. And much of my love revolved around the character Evelyn. I mean, I went on to become a librarian and dressed up as her for Halloween only two years ago, so…yeah, it’s kind of a thing. Anyways, as I read these books, I can’t help put picture Amelia as a kindred spirit for Evelyn and interchange their looks in my imaginary version of the character.

tumblr_noiswtlhvy1soa791o6_250
Change out the name for “Emerson” and this is Amelia to a T! (source)

Another archeological season is upon the Peabody/Emerson family, and this year they have snagged the good stuff, receiving a permit to work on the much-desired and mysterious Black Pyramid site that they had been denied the year before. But, of course, much to Emerson’s continual despair, a dig is not a dig with Amelia without much mystery, drama, and a good murder or two.

But Emerson’s own passions are immediately involved with the attempted abduction of their young son, Ramses. However, much as this enrages him, he remains skeptical of Amelia’s “Master Criminal” theories regarding an unknown man who has set himself up as her personal nemesis. And in this case, I hear ya, Emerson! I, too, was a bit skeptical about the leaps of logic that are required to create Amelia’s “Master Criminal” plot, but, of course, Amelia is always right and I should trust! From a plausibility viewpoint as a reader, however, there might have been a few hoops too many that I was asked to jump through in order to buy-in to this concept.

In many ways, this story contained a lot more action than we’ve seen in previous books. Right away with the attempted kidnapping, things are now happening directly to the members of the main family itself, not hapless bystanders that we pick up for one novel’s worth of attention. The increased stakes here immediately make the story that much more thrilling. And, like I said in my previous review, Ramses has grown on me quite a bit, and his response to this particular incident was quite good.

As these stories are all told from Amelia’s perspective, we always view the story through her eyes and perspective. However, the mysteries themselves are often a few steps away from her own actions (though she, of course, always involves herself immediately). With this case, the mystery itself is largely focused on her; SHE is the action of the story. I enjoyed this quite a bit.

Without spoilers, I did enjoy the ending quite a lot, however I had a few qualms with bits of it. The “Master Criminal” himself was sufficiently creepy and I appreciated Amelia’s handling of herself during this section of the book. I wasn’t quite sold on the ultimate resolution of things. Amelia clearly doesn’t sit aside while things happen to and around her, but I feel that the story, and character, could have been better served if a few tropes had been avoided near the end. This is sufficiently vague as to be an annoying commentary, I know, but alas, it’s hard to discuss ending without getting into spoilers!

All told, I very much enjoyed this fourth book in the series. While I particularly enjoyed the direct focus of the mystery being on Amelia and her family, there were a few questionable points in the logic leaps required for Amelia/Emerson to put together the clues, and the ending maybe could have used a few more tweaks. But, if you’re reading this series and enjoying it, pick up this one immediately!

Rating 8: Yada yada, of course I loved it, yada yada!

Reader’s Advisory:

“Lion in the Valley” is included on these Goodreads lists: “I shot the Pharaoh – Novels on Egyptian Myths and Mysteries”, and “The Funniest Books Ever Written (Any Genre).”

Find “Lion in the Valley” at your library using WorldCat.

Previously Reviewed: “The Crocodile on the Sandbank” and “The Curse of the Pharaohs” and “The Mummy Case”

Serena’s Review: “The Mummy Case”

66534Book: “The Mummy Case” by Elizabeth Peters

Publishing Info: Congdon & Weed, 1985

Where Did I Get this Book: the library!

Book Description: Disgusted when he is denied access to the pyramids of Dahshoor and assigned to a “rubble heap,” Emerson finds his curiosity piqued when an antiquities dealer is murdered and a mummy case disappears.

Review: First off…what is this book description? No mention of Amelia at all? I got it off Goodreads and I have to imagine that it was re-written for a later re-print of the series, but whomever is responsible for it should be ashamed for so badly misrepresenting this book and the series as a whole!

So, with no build up whatsoever, I loved this book even more than the last one! Many of my favorite elements were still present, and the added characters were stronger than in the last, as well as the mystery and action being upped.

Amelia and Emerson are off on another dig, though much to their disappointment, they will be at a much less illustrious location than their fellow egyptologists who have managed to snag the much-desired pyramids of Dahshoor site. But perhaps this is for the best, since Amelia and Emerson must not only balance their dig, as well as the inevitable mysteries and deaths that Emerson claims that Amelia attracts to herself, but also their precocious son, Ramses, who is accompanying them for the first time on this trip.

Amelia remains, as ever, the darling of my reader heart and one of my favorite narrators to date. Her wit, practicality, and scathing observations of those around her are as strong as ever. And the relationship (battle?) between her and her husband is as fun as ever. So, full marks in those as carry over elements.

I have to admit that I was a bit concerned when I picked up this novel and realized that Ramses had grown to an age where he was going to be featured more strongly in the series. In the last book, he made a brief appearance in the beginning but was absent for much of the rest of the story. I was a bit worried that the humor that lies in his character (his sharp tongue, unbreakable “reasoning” for his misbehavior, etc) wouldn’t hold up under increased page time. Much to my surprise, I really enjoyed Ramses as a character! Peters struck the perfect balance between featuring him as a new element, both in the series as well as his effect on the dynamic between Amelia and Emerson, and retaining familiar aspects of the story. He doesn’t overwhelm other characters, but instead draws out some my favorite aspects from before.

I also really enjoyed the side characters in this book. Unlike the last book which heavily featured original characters (to varying levels of success), many of the characters in this book are famous archeologists of the time. It was fun reading about familiar names, especially through the lens of Amelia’s and Emerson’s views of them. I’m sure there is a lot of creative leave that was taken, but it’s fun to imagine the real life individuals with some of the bizarre traits and habits that Peters ascribes for them here.

All in all, this was a great third book in a series. While I still very much enjoyed the second book, it was exciting to pick up this one and see that it had corrected many of my few quibbles from the last and was heading in a strong direction: no longer am I concerned about Ramses’ portion of the plot! Bring on the child antics! If you enjoy historical mysteries, and especially comedic writing, I recommend this entire series. It’s not strictly necessary that you read the first two, but why not when they’re this good?

Rating 9: An excellent continuation and proof that I should be less snobby about kid characters!

Reader’s Advisory:

“The Mummy Case” is included on these Goodreads lists: “I shot the Pharaoh – Novels on Egyptian Myths and Mysteries”, and “The Funniest Books Ever Written (Any Genre).”

Find “The Mummy Case” at your library using WorldCat.

Previously Reviewed: “The Crocodile on the Sandbank” and “The Curse of the Pharaohs”

Bookclub Review: “Revolution”

18527498

We are part of a group of librarian friends who have had an ongoing bookclub running for the last year and a half. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “Across the Decades,” we each drew a decade and had to select a book that was either published or set in that decade.

For this blog, we will post a joint review of each book we read for bookclub. We’ll also post the next book coming up in bookclub. So feel free to read along with us or use our book selections and questions in your own bookclub! 

Book: “Revolution” by Deborah Wiles

Publishing Info: Scholastic Press, May 2014

Where Did We Get This Book: The library!

Book Description: It’s 1964, and Sunny’s town is being invaded.  Or at least that’s what the adults of Greenwood, Mississippi, are saying. All Sunny knows is that people from up north are coming to help people register to vote.  They’re calling it Freedom Summer.
 
Meanwhile, Sunny can’t help but feel like her house is being invaded, too.  She has a new stepmother, a new brother, and a new sister crowding her life, giving her little room to breathe.  And things get even trickier when Sunny and her brother are caught sneaking into the local swimming pool — where they bump into a mystery boy whose life is going to become tangled up in theirs.
 
As she did in her groundbreaking documentary novel COUNTDOWN, award-winning author Deborah Wiles uses stories and images to tell the riveting story of a certain time and place — and of kids who, in a world where everyone is choosing sides, must figure out how to stand up for themselves and fight for what’s right.

Kate’s Thoughts

So “Revolution” is part of a series called the “Sixties Trilogy”. A chunk of our bookclub read the first in the series, “Countdown”, in our Children’s Literature class in grad school, and I was wondering if “Revolution” was going to need “Countdown” to serve as a context and foundation. But I was pleasantly surprised to see that a reader could easily skip over “Countdown” and read “Revolution” first if they so chose. While I did enjoy “Countdown” (which is about a girl living on an army base during the Cuban Missile Crisis), I actually enjoyed “Revolution” a bit more. “Revolution” takes on one of the most important and tumultuous times from the 1960s, Freedom Summer in Mississippi. Like “Countdown” this book is both a novel and a documentation of the time period through photos, quotes, and documents. There are many photos of African Americans in Mississippi and the SNCC volunteers, along with biopic sections and influential quotes and song lyrics from civil rights leaders and activists. Being able to juxtapose the actual people in the movement along with the characters in the story and their progressions was incredibly powerful, and I think that this book would be very good to use in tandem with history classes when studying this time period and the Civil Rights Act of 1964.

The characters are fictional, but portray two different experiences of teenagers at this time. The first, and most prominent, perspective is that of Sunny. She’s about to turn thirteen, adjusting to a new stepmom and two new step siblings, and is becoming more aware of her surroundings, specifically the tensions in her community. She yearns for adventure and to learn, and is drawn to the Freedom Righters and activists that are ‘invading’ her hometown of Greenwood, Mississippi. I felt that Sunny was a well written and believable tween girl, who thinks that she knows everything and that she knows what the world is like. She is close to her step brother Gillette, but resents her stepmother Annabelle, still holding out hope that her mother will eventually come back for her, even though she left her and her father Jamie when she was just a baby. This book is from Sunny’s perspective, so we explored the opinions of those around her through her eyes. We see her Meemaw who just can’t understand why the ‘negroes’ are being so ‘uppity’ when they were so ‘happy’ up until now. We see her great Uncle Vivian, who is a jolly older man who loves his grand niece, but harbors serious racist views. And we see Annabelle, who is seen as meek and weak by Sunny (or at least unapproachable), but is in actuality an activist with deep convictions and devotion to the Student Nonviolent Coordinating Committee (SNCC) and the Civil Rights Movement. Our other perspective is that of Raymond, a fourteen year old African American boy who is inspired by the galvanization of his community and the Freedom Righters who have come to his part of town. He goes from covert acts of defiance (like sneaking into the segregated swimming pool after hours) to blatant acts of rebellion, standing up for his rights in light of the Civil Rights Act, and facing violence from angry whites in the community.

I liked both of these perspectives, but I think that it’s a damn shame that the dominant perspective was that of the white girl. While Raymond did gets sections of his POV, this book was very much about Sunny and her discovering the evils of racism in 1964 Mississippi. It’s a story that’s been told before, over and over again, and I had gone in hoping that this was going to be more about the African American perspective. I was glad to see that the documentary sections of this book did have a lot of that POV, but even then there were three well drawn out bio sections of various important figures in the Civil Rights Movement, and two of them were of white people. Like, really?

tumblr_ocwfkzscit1r1gxjto1_500
(source)

Overall, though, I did really like “Revolution”. I think that it’s a valuable resource and I feel that it was well written. I am also really really REALLY intrigued by what the final book in the trilogy will be about. I’m thinking it’s gonna be ‘Nam. Which is going to hurt like a bitch.

Serena’s Thoughts

As one of the aforementioned classmates in the Children’s Literature class that read the first book in this series, “Countdown,” I had a good understanding of what I was getting into with this book. While I liked “Countdown” well enough, what sold me on the book was the slick way the author incorporated real news articles, ads, and images from the time, creating a fictional story and a documentary style narrative side-by-side. While I wasn’t blown away by the story in that book, I was truly impressed by this take on historical novels, especially for middle grade readers.

I think here, in “Revolution,” she really comes into her own with this style. Even more so than “Countdown,” I feel like the historical documents and articles really added to the story. I was fascinated by what she chose to include, how the placement of certain items aligned with the facts of the fictional narrative, and just by the stylistic choices that were made in how, and what, was presented.

I also was more invested in the fictional story as well. I thought Sunny was a brilliant character and witnessing the events of Freedom Summer through her eyes was a very interesting choice. I especially appreciated seeing the many adults’ reactions to events as seen through Sunny’s perspective, both her stepmother who she initially dismisses but learns to appreciate, as well as her Uncle Vivian who’s love of her is unquestionable but has opinions and views that are less than praise-worthy.

I also very much enjoyed Raymond’s sections and the voice and perspective that he offered. While Sunny did get the majority of the narrative, Raymond’s portions were equally important when fleshing out the full story.

While I agree with Kate that it would have been preferable to have more from Raymond’s character, I’m going to play a bit of a devil’s advocate role here. I don’t remember if this came up with regards to this particular series and “Countdown,” but in the same Children’s Literature class, we discussed writers of different racial/cultural backgrounds writing across racial/cultural lines. There can not, and I believe, should not, be any right or wrong answer to this question, nor a hard and fast rule with regards to this. But I would surmise that the reason Sunny’s perspective was given more weight might have to do with, perhaps, a sense of imposition that could have arisen from Deborah Wiles, a white woman, writing this story primarily from the perspective of a young African American boy. I have no idea whether or not this was the case. Just goes to show how challenging it can be to be an author and write about tough subjects like these! All the more power to her, though, for tackling the subject, and discussions like this are always important.

Overall, I, too, found myself enjoying this book even more than I did the first in the series. The documentary style elements were even stronger I felt, and I was more connected to the characters in the fictional story.

Serena’s Rating 8: A really great combination of fiction and documentary. I would strongly recommend this to any middle grader with an interest in history (or to a classroom teacher who’s looking to pair some fiction with a lesson plan on this time period).

Kate’s Rating 8: Though I feel like there weren’t enough voices or perspectives from the African American POV, I did like the story and found the historical content incredibly fascinating and valuable.

Bookclub Questions:

1.) There are a lot of images/documents/quotes included in this story. Did any stand out to you? Why?

2.) Did you connect with the characters of Sunny and Raymond? With one more than the other?

3.) This book would pair well with a class that is learning about this era in time. Are there any particular issues/scenes/thoughts that are expressed that would perhaps be more challenging and need discussion when reading with children? How would you approach these discussions? Are there things that weren’t addressed?

4) What did you think of Sunny’s relationship with her stepmother Annabelle? Did Annabelle’s characterization surprise you in any way? What about her relationship with her father Jamie?

5) Did you learn anything new about Freedom Summer in this book that you hadn’t known before? Do you think that “Revolution” did a good job of bringing up new issues that some of us may not be as familiar with?

Reader’s Advisory:

“Revolution” is included on these Goodreads Lists: “Middle Grade Fiction Set in the 1960s”, and “Black Lives Matter: Kids”.

Find “Revolution” at your library using WorldCat.

The Next Book Selection: “West with the Night” by Beryl Markham

 

 

Serena’s Review: “The Curse of the Pharaohs”

32143Book: “The Curse of the Pharaohs” by Elizabeth Peters

Publishing Info: Dodd, Mead and Company, 1991

Where Did I Get this Book: the library!

Book Description: Victorian Amelia Peabody continues to journal her Egypt adventures, toddler Ramses left in England. Husband Radcliffe Emerson’s old friend Lady Baskerville fears a curse killed her husband Sir Henry, and soon engages the attentions of American Cyrus. The will funds continued excavation. But a lady dressed in white floats, flutters, spreads fear, and more death.

Review: Now that I’ve discovered these books, I can’t stop myself! On to the next Amelia Peabody adventure, where we learn that nothing, not home, not baby, not grumpy husbands, is too much for Amelia!

This book picks up a few years after the first. Amelia and Emerson are home in England with their toddler son, Ramses (cuz, of course, that’s his name!). Right off the bat, I loved what Peters does with this new family dynamic. It is clear that Amelia loves her son dearly, but her practical, acerbic wit holds for no man or baby! I love the no-nonsense approach to parenthood that she brings to her interactions with Ramses, especially when paired with Emerson’s own approach. It’s kind of a traditional gender-swap, with Emerson cooing over the infant, while Amelia lovingly scoffs at his failures to recognize Ramses’ toddler faults. It’s all very adorable.

But, of course, disturbance must intrude on this domestic affair, and it comes with the death of Sir Henry while on a dig in Egypt. Amelia and Emerson are appealed to take over the dig and to stamp out the rumors of curses that now threatened to overrun the exhibition. Honestly, a lot of the elements in the mystery itself were similar to those found in the first book in this series: the setting, the growing body count, and the ever-present superstitious fears of the locals. Amelia and Emerson’s reactions to these elements are also similar, though in this book, they do develop a very fun competitive approach to the whole ordeal, which is as amusing as it sounds.

The cast of characters is also very expansive, which serves both as a benefit and a detriment to the story at various times. We have cartoon-ish characters (like an elderly lady who dresses up as ancient Egyptians and is convinced that Emerson is her reincarnated pharaoh lover), as well as side character with no less than three love interests! Some of these characters were fun, while others…I just couldn’t keep track of! The love interests, specifically, seemed to merge in my head and I often found myself flipping back pages trying to remember which gentleman was which. There was one, however, who is American and his overblown “American-isms” were pretty humorous, I must say. I did find myself missing Evelyn and Walter, but if this novel serves as a reference going forward, I think I must come to accept the fact that other than Amelia, Emerson, and now, likely Ramses, the supporting cast is likely to be a rotating door. Ah well.

Ultimately, I breezed through this book as quickly as the first! I was curious to see how Peters had Amelia approach the vast difference in her life, now being a wife and a mother (so many stories can struggle with these types of transitions), but overall, I was impressed and look forward to many, many more adventures with Amelia Peabody!

Rating 8: Strong follow up novel. Rated a bit less due to repeated elements in the mystery and weaker supporting characters, but still a very fun read.

Reader’s Advisory:

“The Curse of the Pharaohs” is included in these Goodreads lists: “Archaeology Romance, Mystery, Suspense” and “Sleuths in Silks.”

Find “The Curse of the Pharaohs” at your library using WorldCat!

Previously Reviewed: “The Crocodile on the Sandbank”

Kate’s Review: “Burn Baby Burn”

25982606Book: “Burn Baby Burn” by Meg Medina

Publishing Info: Candlewick Press, March 2016

Where Did I Get This Book: The library!

Book Description: Nora Lopez is seventeen during the infamous year 1977 in New York.

After a freezing winter, a boiling hot summer explodes with arson, a blackout, and a serial killer named Son of Sam, who is shooting young people on the streets seemingly at random.

Not only is the city a disaster, but Nora has troubles of her own: her brother, Hector, is growing more uncontrollable by the day, her mother is helpless to stop him, and her father is so busy with his new family that he only calls on holidays.

And it doesn’t stop there. The super’s after her mother to pay their overdue rent, and her teachers are pushing her to apply for college, but all Nora wants is to turn eighteen and be on her own. There is a cute guy who started working with her at the deli, but is dating even worth the risk when the killer especially likes picking off couples who stay out too late?

Award-winning author Meg Medina transports readers to a time when New York seemed about to explode, with temperatures and tempers running high, to discover how one young woman faces her fears as everything self-destructs around her.

Review: So, okay, I may be kind of cheating with this one, as I know that I am usually here to review horror, thrillers, and graphic novels. “Burn Baby Burn” is KIND OF a thriller, but at it’s heart it’s a historical fiction that focuses on family strife and societal tensions. Whatever, I don’t care, because this book did set me on edge and that’s what thrillers do. So it counts. Plus, Meg Medina is a fabulous YA author, whose wonderful “Yaqui Delgado Wants To Kick Your Ass” won the Pura Belpré Award in 2014, and I have been keeping my eye on her. While that book had it’s moments of suspense, “Burn Baby Burn” is constantly walking on a line of intensity that is about to explode. And given the year and the setting (1977 in Queens, New York), it’s no wonder.

The scariest part of this story, where most of the suspense comes from, is not the Son of Sam cloud that is constantly hanging over these characters (more on that in a bit). Instead, it is the fact that Nora is sharing an apartment with her brother Hector, who is turning more and more into a violent psychopath as every day goes by. When he isn’t lashing out at his mother or kicking the neighborhood mutt in the ribs (poor Tripod!!! Once you kick an animal you are DEAD TO ME), Hector is stealing pills to sell with the neighborhood drug dealer, and threatening his sister’s life. I was kind of worried that Hector was going to just be a crazed, violent antagonist without purpose, but Medina makes it pretty clear from the get go that Hector has had serious issues ever since he was a child, and that a racist and disenfranchised community he has to live in hasn’t made things better. She doesn’t not excuse his behavior, but she does make the reader see more layers to him, which makes Nora’s home life all the more tragic.

Nora is a protagonist who is both super easy to root for, but also realistic enough that she makes big, teenage mistakes that make you want to shake her. She thinks that since she’s almost eighteen that she can handle everything that is thrown her way, but it’s very clear that this is not the case. Of course, her parents haven’t made things any easier for her. Her father can’t be bothered with his first family, and her mother flips between making excuses for Hector’s sociopathy, ignoring outright, and blaming Nora. While Nora finds solace an safety with her best friend Kathleen and her family, there is always a socioeconomic and racial divide between them, unspoken as it may be, and Medina does a good job of addressing that without casting any kind of judgment towards either girl. Nora is also in a league of her own in her goals. She isn’t interested in college or academia, but does have a passion in woodworking, and is more interested in going to a trade school to master that craft. In a world where so many of the YA girl protagonists we see are writers, artists, or poets at heart, it was delightfully surprising to see one who is interested in a nontraditional vocation (one that is disappearing from our schools). And I say that as one of those artsy writer girls. Nora was a breath of fresh air on all levels.

Time and place is phenomenal in this book. 1977 Queens was filled with lots of tension, from racial tensions in the community to Son of Sam stalking couples in cars. Having this backdrop for Nora’s coming of age story was incredibly original and also very appropriate. The specter of violence and bloodshed that haunted the entire city is a fabulous juxtaposition to the specter of violence that is haunting Nora’s own home. She is more afraid of a serial killer that she is her abusive brother, or tells herself she is. And with the nods to pop culture of the time really tied this story together. Nora is into disco, she and her boyfriend Pedro go see “Star Wars: A New Hope” in the theater, and Hector wants to go to CBGBs to see The Ramones. Medina really captured 1977 without hitting us over the head with it. Though this is probably due in part to the fact that some of the themes from then (systematic racism, frustrated youth, misogyny) are just as relevant today as they were back in 1977. And as everything started to come to a boil, even though I knew what was coming, when it happened it was still incredibly nerve wracking.

“Burn Baby Burn” is probably one of the best YA novels I’ve read this year, and Meg Medina once again has written a story about a situation many of us may not think about in our day to day lives. I was tied up in knots as I read it, and think that it deserves some serious recognition and a wider audience. The nostalgia and ferocity come off of it in waves, and Nora Lopez has a great tale to tell. Seek it out!

Rating 9: Both an intense story about familial strife, and a coming of age tale during a tumultuous and frightening time. Nora Lopez is the YA protagonist we need to see more of.

Reader’s Advisory:

“Burn Baby Burn” can be found on these Goodreads Lists: “YA Set in the 1970s”, and “#ReadPOC: List of Books by Authors of Color”.

Find “Burn Baby Burn” at your library using WorldCat!

Serena’s Review: “And I Darken”

27190613Book: “As I Darken” by Kiersten White

Publishing Info: Delacorte Press, June 2016

Where Did I Get this Book: the library!

Book Description: No one expects a princess to be brutal. And Lada Dragwlya likes it that way. Ever since she and her gentle younger brother, Radu, were wrenched from their homeland of Wallachia and abandoned by their father to be raised in the Ottoman courts, Lada has known that being ruthless is the key to survival. She and Radu are doomed to act as pawns in a vicious game, an unseen sword hovering over their every move. For the lineage that makes them special also makes them targets.

Lada despises the Ottomans and bides her time, planning her vengeance for the day when she can return to Wallachia and claim her birthright. Radu longs only for a place where he feels safe. And when they meet Mehmed, the defiant and lonely son of the sultan, Radu feels that he’s made a true friend—and Lada wonders if she’s finally found someone worthy of her passion.

But Mehmed is heir to the very empire that Lada has sworn to fight against—and that Radu now considers home. Together, Lada, Radu, and Mehmed form a toxic triangle that strains the bonds of love and loyalty to the breaking point.

Review: I stumbled across this book when researching new titles for our “Highlights” post for June. I think I almost did a double take with this one: a re-imaging….of Vlad the Impaler…as a brutal, hard-edged young woman. Ooookkk, then. Color me fascinated! Well, I picked it up this week, not knowing what to expect, and was blown away!

First off, I feel that this book description is misleading, this is as much Radu’s story as it is Lada’s. The chapters alternate perspectives between the two, and each brings such a different and fascinating angle/interpretation to the events they are both experiencing.

I’ll start with Lada. Now THIS is what I’m talking about when it comes to writing a compelling anti-hero! When they bill Lada as “brutal” in the first line of the book description, I was picturing the typical “faux fierceness” that is fairly common in YA protagonists (or maybe I’m still smarting after the disappointment that was “The Young Elites). But Lada is not this; she’s mean-spirited, viscous, self-centered, and completely sympathetic. A half-wild girl who yearns for the approval of a father who can’t get past the fact that she’s not the son he wanted, Lada’s arc is as heartbreaking as it is inspiring. Not only are the facts of her life tragic, the powerlessness and helplessness that comes with being a woman who has been thrown into the grips of a foreign power as a royal hostage with only the limited options of a forced marriage before her, but her inner struggle is so honest, frank, and, again, heartbreaking. Her love for her brother Radu, that she can only show by ignoring him to protect him, her growing feelings for Mehmed, her friend but also the man who would prevent her from re-claiming her homeland. This is good stuff, guys!

And Radu, I had zero idea what to expect with his story! And wow, did I love his story, too! His voice is almost the complete opposite of Lada’s. He, too, struggles to find his place in the world, both admiring and loving his strong sister, but also fearing and, at times, hating her for being what he cannot. It was so hard flitting from one character to the other and seeing how each sibling made choices that seemed right to them, but would be misunderstood and hurtful to the other. Radu also brings voice to a completely separate set of struggles and conflicts, both in his conversion to Islam as well as his burgeoning feelings for Mehmed.

I loved the details of this world, the intricacies of the Ottoman Empire and its relationship to the other world powers at the time. The setting was also refreshing for not being the typical medieval European setting that is more commonly chosen. The court of the sultan, the politics, the religion, all were explored with rich detail and woven neatly into the story. This is a massive book, and yet it never dragged.There is court intrigue, assassination attempts, sieges, first loves, marriage, the list goes on! And yet, I would say this book is largely a reflective story, leaning most heavily on the characterization of its two protagonists and their complicated relationship with each other and their mutual friend, Mehmed.

For a book that I just stumbled upon, and for one with such a bizarre concept at its core, “As I Darken” was a complete surprise. It was serious, reflective, tragic story, and one that ends with a great set-up for the continued saga. I strongly recommend this book if you enjoy historical fiction and are comfortable with some tampering (small things…like making Vlad a woman!)

Rating 9: I really loved this book. Lada and Radu were such compelling characters and the setting was refreshingly new and vibrant.

Reader’s Advisory:

“As I Darken” isn’t on many Goodreads lists, but it should be on “Quality Dark Fiction” and “Best Historical Fiction.”

Find “As I Darken” at your library using WorldCat!