Serena’s Review: “Siege of Rage and Ruin”

Book: “Siege of Rage and Ruin” by Django Wexler

Publishing Info: Tor Teen, January 2021

Where Did I Get this Book: Edelweiss+

Book Description: Isoka has done the impossible–she’s captured the ghost ship Soliton.

With her crew of mages, including the love of her life Princess Meroe, Isoka returns to the empire that sent her on her deadly mission. She’s ready to hand over the ghost ship as ransom for her sister Tori’s life, but arrives to find her home city under siege. And Tori at the helm of a rebellion.

Neither Isoka’s mastery of combat magic, nor Tori’s proficiency with mind control, could have prepared them for the feelings their reunion surfaces. But they’re soon drawn back into the rebels’ fight to free the city that almost killed them.

Previously Reviewed: “Ship of Smoke and Steel” and “City of Stone and Silence”

Review: After blowing through the first two books in this trilogy last January, I had to hunker down for the long wait until January 2021 to finally get the to the release of the final book. As much as I like being current with many of the books coming out in real-time, I have to say, there’s something to be said for just waiting for a series/trilogy to be finished so you can enjoy it in one, big, binge read. Ah well. And, while this wasn’t my favorite book in the trilogy, I was overall quite pleased with this book and for the way the series wrapped up as a whole.

On her way back to her home city, Isoka imagines that nothing ahead can pose a bigger challenge than what she’s accomplished already. She simply needs to rescue Tori and head back to the mysterious land from which Soliton came. But Tori is no longer the innocent girl Isoka remembers. Instead, she’s a rebel leader caught up in a revolution that seems to be on the brink of failure. What’s more, she has a powerful magical ability to influence the minds and actions of others, a power she had kept hidden from Isoka for all of these years. Together, the sisters must work to re-learn the sibling they thought they knew while also saving a city that seems doomed to fall.

While I did enjoy this book and still love the heck out of Isoka as a main character, I did struggle with this one more than the first two. I think there are a few reasons for this. First, like the second book in this trilogy, Isoka now shares the narrative with Tori which essentially splits her portion in half.

Tori isn’t a bad character in her own right, but she simply can’t compete with the explosive force that is Isoka. Tori’s own story is much less sympathetic and her overall arch feels less complete. The last book saw her do some pretty terrible things and that’s never really addressed going forward. On one hand, I like the fact that the book doesn’t shy away from the terrible things that are done in revolutions, even by those fighting for the “good” side. But Tori also never seems to resolve her feelings of being “monstrous” in any real way. Isoka kind of just brushes the whole thing aside when she learns about it, and Tori just seems to get over it suddenly at the end for no apparent reason.

Isoka’s own story feels like it takes a back seat to Tori’s as this book is largely about the revolution Tori started and thus naturally falls more in her wheelhouse. I still loved Isoka’s chapters, if mostly because her voice and character feel so alive and compelling. But, like Tori, it didn’t feel like she had much of a character arc in this story. She’d already come into her own as a leader and recognized the fact that she didn’t enjoy brutal killing. So there’s nowhere really for her to go in this story.

The second challenge, beyond the lack of character arcs for our two leads, was my own personal preference for the unique, fantastical elements presented in the first two books. There was so much creativity to the fantasy aspect of the story in the first and second book, between the ship Soliton and the Harbor with its spooky leader, Prime. Here, the story of a fairly straightforward rebellion and a pretty predictable resolution just wasn’t cutting it. I really missed the fantasy aspects of the series and was disappointed that not much new was introduced. I never was very invested in Tori’s rebellion and to have this entire last book focused on that was a pretty big let-down. But this was definitely more a matter of personal preference than anything else.

The writing itself was still incredibly strong and Wexler shines with his action scenes. Isoka’s fights were as thrilling as ever and her companions were fun supporting characters. I think it’s telling of Wexler’s skill that Jack, who could easily have become gimmicky and annoying, served well in her role as comedic relief throughout. I was also pleased to see Tori’s romance plotline take a decided backseat role, as that was another aspect of the second book that I was not at all invested in.

Overall, this was definitely the weakest of the three books, but it did tie up the story well and ended in a satisfactory manner. Readers’ enjoyment of it will likely be directly tied to their interest in Tori and the storyline that was introduced with her in the second book. But I’d say that fans of the first two, regardless of preference, should definitely check this last book out.

Rating 7: Lacking the fantasy elements that I’ve come to love, but still a satisfying end to the trilogy.

Reader’s Advisory:

“Siege of Rage and Ruin” isn’t on many Goodreads lists yet, but it is on Can’t Wait Sci-Fi/Fantasy of 2021.

Find “Siege of Rage and Ruin” at your library using WorldCat!

Monthly Marillier: “Daughter of the Forest”

“Monthly Marillier” is a review series that is, essentially, an excuse for me to go back and re-read one of my favorite author’s back catalog. Ever since I first discovered her work over fifteen years ago, Juliet Marillier has been one of my favorite authors. Her stories are the perfect mixture of so many things I love: strong heroines, beautiful romances, fairytale-like magic, and whimsical writing. Even better, Marillier is a prolific author and has regularly put out new books almost once a year since I began following her. I own almost all of them, and most of those I’ve read several times. Tor began re-releasing her original Sevenwaters trilogy, so that’s all the excuse I needed to begin a new series in which I indulge myself in a massive re-read of her books.

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Book: “Daughter of the Forest” by Juliet Marillier

Publishing Info: Tor Books, April 2020 (originally published in 1999)

Where Did I Get this Book: NetGalley

Book Description: Lovely Sorcha is the seventh child and only daughter of Lord Colum of Sevenwaters. Bereft of a mother, she is comforted by her six brothers who love and protect her. Sorcha is the light in their lives, they are determined that she know only contentment.

But Sorcha’s joy is shattered when her father is bewitched by his new wife, an evil enchantress who binds her brothers with a terrible spell, a spell which only Sorcha can lift–by staying silent. If she speaks before she completes the quest set to her by the Fair Folk and their queen, the Lady of the Forest, she will lose her brothers forever.

When Sorcha is kidnapped by the enemies of Sevenwaters and taken to a foreign land, she is torn between the desire to save her beloved brothers, and a love that comes only once. Sorcha despairs at ever being able to complete her task, but the magic of the Fair Folk knows no boundaries, and love is the strongest magic of them all… 

Note: I originally posted this review about nine months ago. But I wanted to start this re-read with Marillier’s first book so that the series would be complete, so I’m re-posting it here today.

Review: I was thrilled to see this book pop up on NetGalley. It’s been one of my favorite reads (and the book that introduced me to one of my favorite authors) for many, many years. I couldn’t think of a series that is more due for a re-release than the original Sevenwaters trilogy. Plus, this was the perfect excuse to re-read this book and finally feature a full review for the story on this blog!

Sorcha’s life is full of family and love. With six older brothers who adore her and seek to protect her from everything, her life seems to be on a straight, bright path. Until her family falls under the shadow of her father’s new wife, a powerful sorceress who puts her brothers under a terrible spell, dooming them to the short life of swans. Now Sorcha must become the protector, undertaking a near-impossible task, forced to weave shirts out a painful plant and not allowed to make any noise until task is finished and spell lifted. Life is not made easier when she finds herself caught up by the enemy English and now living in a foreign land among those who distrust and fear her. But Sorcha persists in the face of it all, even has her task seems more and more doomed.

I love fairytale retellings, and this book really introduced me to them and set the bar for what they can be. The “Seven Swans” fairytale is a lesser known tale, and while there have been several other ones that I’ve found since reading this, none have even come close to fully realizing the full potential of the story. Marillier doesn’t simply stick to the basic outline; she creates an entire world, magic system, and fully-fleshed cast of characters, many of whom don’t feature in anything other than name in the original tale and some not at all. But beneath this all, the heart of the story is consistent (though some details differ). All the major plot points are hit, but the book is over 500 pages long, so you know it is rich in detail and not in a rush to get through its story.

Too often fairytale retellings fail to really establish themselves as anything unique from the original stories. Main characters are often lacking in any real personality (fairytales themselves often give them basically none, so there’s not much to go off for the author adapting it). And often the story doesn’t expand much further out than the original tale. Not so, here. Sorcha is the cornerstone around which this entire story hinges. And, given the she spends two thirds of the book not able to speak out loud, it’s important that her character feel real and compelling. We spend the entire book in her head and experience some fairly traumatic things alongside her. But, importantly, you’ll notice that I said “two thirds.” That’s because, smartly, Marillier adds a bunch of extra story to the beginning of this book. This not only gives Sorcha ample opportunity to be set up as a compelling character, but it adds stakes to her quest. We’ve met her brothers. We know their individual strengths and weaknesses, and, importantly, their close attachment to their sister. This makes their loss feel real and helps the reader feel fully committed to the terrible task set out before our leading lady.

The book also deals with some pretty serious and tough topics. There’s a very graphic, traumatic scene that occurs fairly early in the story. The author doesn’t hold back on the details of this attack, but what justifies this, I think, is the great work she does to explore how this affects Sorcha going forward. It’s not swept away or easily solved. Instead, we see how this experience shapes all of Sorcha’s choices and reactions going forward. And, ultimately, we see how she slowly goes through the experience of healing from it. This book is probably the best example I can point to for how a tough topic like this can and should be handled. Not only does our heroine go through the entire process, the book lays down some needed examples of how those around her help and wait as she deals with this.

Marillier’s writing is also exceptional. Atmospheric, lyrical, and emotional, she makes you feel the same strong connection to the forests and lakes of Sorcha’s wild home. Small moments land with unexpected emotion, and the action is tense and high stakes while not straying far from the intimate perspective we have through Sorcha’s eyes with everything that is going on around her. Throughout all of Marillier’s books, her writing is always consistent, but it’s a joy to go back to this first book that I read of hers and see why it stood out so much in the first place.

Marillier started a new trilogy this last fall, and I’m eagerly awaiting getting my hands on the second boo, due out this September. If you’re waiting as well, take this chance to explore her backlog with this beautiful renewed edition. I love the cover art for this and the other two books in the trilogy. If you haven’t read any of Marillier’s work before, boy, are you in for a treat! Get started with this one, and away you go!

Rating 10: Everything that a fairytale retelling should be and then some!

Reader’s Advisory: 

“Daughter of the Forest” is on these Goodreads lists: “The Best Fairytales and Retellings” and “Best Romance in Traditional Fantasy.”

Find “Daughter of the Forest” at your library!

Next up is “Son of Shadows” on the first Friday of next month!

Serena’s Review: “Knight of the Silver Circle”

Book: “Knight of the Silver Circle” by Duncan M. Hamilton

Publishing Info: Tor Books, November 2019

Where Did I Get this Book: NetGalley

Book Description: Three dragons wreak havoc throughout Mirabay–eating livestock, killing humans, and burning entire villages to ash. It was nearly impossible to kill one, using a legendary sword and the magic of the mysterious Cup; to tackle three, Guillot dal Villerauvais will need help.

The mage Solène fears having to kill again; she leaves Gill to gain greater control over her magic.

The Prince Bishop still wants Gill dead, but more than that, he wants the Cup, and he’ll do whatever he has to to get it, even sending his own daughter–a talented thief and assassin–into the dragons’ path.

As secrets mount on secrets and betrayals on betrayals, both Guillot and Solène face critical decisions that will settle not only their own fate but that of all Mirabaya.

Previously Reviewed: “Dragonslayer”

Review: While I didn’t absolutely love the first book in this series, I could still appreciate what it was trying to do and the type of approachable, sword and magic fantasy story it was telling. The characters, while fairly predictable, were also well-drawn and familiar enough that I was definitely not set against continuing with the series. On a whim, I requested this one a while back. It took a while to get to it, but here we are! Overall, while it’s still not my favorite fantasy series ever, I did like this one better than “Dragonslayer.”

After returning with a dragon’s head, Gill has re-established himself as a dragonslayer of note. Parting ways with Solene, the two are set to go about their lives again, not expecting to see one another again. But it soon becomes apparent that dragons aren’t done with them let. Three new ones begin pestering the countryside, drawing Gill out once again and now against worse odds than ever. For her part, Solene fears what is coming and is still working on gaining full control of her powers. But there may not be time as the Prince Bishop continues to make his own moves.

So, overall, this was very similar to the first book. It’s your tried and true classic fantasy story where the heroes are heroic, the mages struggle with their magic, and the bad guy does ad things. But in a lot of ways I think it also improved on the first book. For one thing, part of what I liked about the first book was the inclusion of POV chapters from the dragon’s perspective. Here we get more of that, which I still think is pretty unique, but we also dive more into dragon culture. We learn the variety of dragons out there, how some are just rampaging beasts essentially, but how others are quite intellectual and have a sort of society amongst themselves. I definitely continued to be interested in this angle of the story.

As far as Gill goes, I still think that he’s a bit of a cookie-cutter hero in that he’s almost exactly what you’d expect. In my review of the first book, I struggled with the lack of exploration into his emotional arc dealing with the loss of his family. But I was glad to see here that his struggles with alcoholism weren’t simply swept under the rug after the first book. Yes, he had success again as a dragonslayer and is largely coming into his own again as an esteemed fighter. But we still see him struggle with his past and the part of him that has dwelled in booze for so long.

I also liked that we got more from the villain of the story, the Prince Bishop. In the first book, he, too, was fairly one dimensional. Here, we see more from him and learn more about his own motives and how far he is willing to go against our heroes. It gave him enough depth to make him more of an interesting character to follow in his own right.

The writing is also still solid and Hamilton is clearly an adept storyteller. However, the series continues to feel a bit one note. And, like I said in my first review, it still seems as if it’s not bringing much new to the genre as a whole. There’s definitely an appeal and an audience for this type of book, but I also like fantasy stories that surprise me in some way or another. A good example would be Michael J. Sullivan’s “Age of Myth” series. That, too, is a fairly typical fantasy adventure story with elves, dwarves, humans, and dragons. But the story also takes several surprising turns, focusing in on characters you originally cast as side-characters and doing away with some whom you thought would be around for the long haul and occupying important roles in the story. But, all of that said, fans of classic fantasy will still likely enjoy this second entry from Hamilton.

Rating 7: Improves on the first novel, but still a bit bland to really hit home for me.

Reader’s Advisory:

“Knight of the Silver Circle” isn’t on any other Goodreads lists other than November 2019 Book Releases.

Find “Knight of the Silver Circle” at your library using WorldCat!

Serena’s Review: “Victory of Eagles”

Book: “Victory of Eagles” by Naomi Novik

Publishing Info: Del Rey, August 2008

Where Did I Get this Book: audiobook from the library!

Book Description: It is a grim time for the dragon Temeraire. On the heels of his mission to Africa, seeking the cure for a deadly contagion, he has been removed from military service – and his captain, Will Laurence, has been condemned to death for treason. For Britain, conditions are grimmer still: Napoleon’s resurgent forces have breached the Channel and successfully invaded English soil. Napoleon’s prime objective: the occupation of London.

Separated by their own government and threatened at every turn by Napoleon’s forces, Laurence and Temeraire must struggle to find each other amid the turmoil of war and to aid the resistance against the invasion before Napoleon’s foothold on England’s shores can become a stranglehold.

If only they can be reunited, master and dragon might rally Britain’s scattered forces and take the fight to the enemy as never before – for king and country, and for their own liberty. But can the French aggressors be well and truly routed, or will a treacherous alliance deliver Britain into the hands of her would-be conquerors?

Previously Reviewed: “His Majesty’s Dragon” and “Throne of Jade” and “Black Powder War” and “Empire of Ivory”

Review: It’s so nice to have a long-running series that one can return to every once in a while. It’s fun to discover new books, of course, but with the fantastic new stories also comes the chance of having to slog through something that isn’t a good fit. Not only do I love Novik’s “Temeraire” series, but I also particularly enjoy the audiobook version of the series and the narrator who reads it. So, when waiting on a few of my holds at the library to come through, I thought it was about time to re-visit this series.

Things are not going well for Temeraire and Laurence. After sharing the cure to the deadly dragon disease with their enemies in France, Temeraire has been banished to the north where he is to remain the rest of his days, and Laurence has been sentenced to death as a traitor. But when Napoleon lands on English shores, Britain quickly realizes that it can’t lose one of its best dragons and dragon captains. But Temeraire is no longer interested in blinding following orders. After seeing the advancements back in his native land, he’s sure that England can do better with its treatment of its own dragons, and Temeraire is prepared to go to great lengths to see that it is so.

This book was a bit different than others in the series in that, for a large part of it, we’re following the separate stories of Temeraire and Laurence. But as the series has progressed, Temeraire has become more and more of a character in his own right, with thoughts and opinions of his own that sometimes differ from Laurence’s own. So it also makes sense that at some point we would begin to follow him as his own character with his own arc. And I really liked what we got from him here! Aside from his obvious anxiety over Laurence’s situation, we see Temeraire begin to actively pursue a new role for dragons in England’s society and military, something he’s been discussing for the last several books since their trip to China.

In an interesting twist, while Temeraire is in the north, we see that it isn’t only the humans of England who are set in their ways. He has to convince the dragons, too, that change is in their own best interest. As the story continues, we see Temeraire’s vision turn more and more into a reality, but with that comes challenges of its own. I liked how this wasn’t simply done easily, and Temeraire himself, while knowing the direction he wants things to move, hasn’t thought out the details of what dragons serving in the military under their own command would really look like.

Laurence’s own story is also interesting. We see the fall-out of his and Temeraire’s decision, not only in his initial imprisonment, but in the different ways those around him view what he did. For many, it is seen as out-right treason with very little sympathy for the reasoning behind it. Others might understand, but they still can’t behave the same way around Laurence. It’s all painful to hear about, especially because of how honorable we know Laurence to be. But it’s also very realistic of what a situation like that would look like.

I also really liked how this alternative history is really leaning into the “alternative” aspect of it all. Napoleon actually lands on English soil in this version of history and makes significant inroads in an occupation. Much of the story is highlighting how desperate the English situation really is, and Laurence and Temeraire are clearly fighting on the underdog’s side of this war all of a sudden.

In the end, this was another solid entry in the “Temeraire” series. I really enjoyed the continued exploration of what reform for the dragons would look like in this situation. And how far Novik is willing to play with history in her alternative world is always surprising and a joy. For those who have been reading this series, this is more of the same: good stuff all around!

Rating 8: Veers into some surprising new territory but never loses sight of what we’re there for: Temeraire and Laurence and their lovely friendship!

Reader’s Advisory:

“Victory of Eagles” is on these Goodreads lists: Best Alternate History Novels and Stories and Best Book With or About Dragons.

Find “Victory of Eagles” at your library using WorldCat!

Serena’s Review: “Broken Wish”

Book: “Broken Wish” by Julie C. Dao

Publishing Info: Disney Hyperion, October 2020

Where Did I Get this Book: Edelweiss+

Book Description: 1865
Hanau, Germany

Sixteen-year-old Elva has a secret. She has visions and strange powers that she will do anything to hide. She knows the warnings about what happens to witches in their small village of Hanau. She’s heard the terrible things people say about the Witch of the North Woods, and the malicious hunts that follow. But when Elva accidentally witnesses a devastating vision of the future, she decides she has to do everything she can to prevent it. Tapping into her powers for the first time, Elva discovers a magical mirror and its owner—none other than the Witch of the North Woods herself. As Elva learns more about her burgeoning magic, and the lines between hero and villain start to blur, she must find a way to right past wrongs before it’s too late.

Review: I’ve only read one other book by Dao, but it was one I definitely liked. She had a steady, beautiful way of writing that really captured the feeling or essence of a place and time. This is just the story of writing technique that is required for writing good fairytales, in my opinion. So, like always, I was excited to see a new fairytale book make its way onto the publication lists and even more intrigued when I saw that Dao was the author.

The 1800s in Germany is a time and place where women have very few options. But for Elva, it’s not only the typical things that are off-limits, but a part of her very identity: her magical abilities. Growing up, her family has instilled in her the importance of always, always keeping her abilities a secret. The dangers of being thought of as a witch are very real. But when Elva discovers a real witch and sees a glimpse into a terrible future, she realizes that she can’t hide from who she is and what she can do forever.

I feel like the book description is a bit off, as Elva herself doesn’t show up for about a third of the story. Instead, we follow the developing friendship of Elva’s mother with a local witch. The fall-out of this relationship is what puts Elva’s feet on the path of this story. Part of my struggle with this book was how much I really loved this first third, unfortunately. I really liked the beautiful friendship that was built up between Elva’s mother and the witch and then the inevitable moment where things go wrong. It had all the right markers of a fairytale while also focusing on the type of relationship (friendships between adult women) that is rarely seen in just these sorts of stories.

I did like Elva’s story well enough when she did show up. But the story took a more dramatic turn in YA stereotypes at this point, too. There were elements that seemed all too familiar, and I wasn’t super into the romance that we got either. I did like the magic and Elva’s struggles between obeying her parents and recognizing the obligations that come with the power she has. Not only the typical obligations that you usually hear about, but ones that have to do with righting past wrongs, which I thought was an interesting new take on the general concept.

The concept of this series is also interesting. Here, we have Elva’s story and the development of the curse that follows her family (for every two good things that happen, a very bad one follows). The next three (I think three?) books will jump generations and tell new stories focusing on different characters. They will also be written by different authors. This could either be really cool, or it could lead to the series feeling very disjoined and mismatched. Dao’s style of writing worked perfectly for the type of dark fairytale she’s trying to tell here. Will the next books also read like fairytales? Or will they have different tones? And will the other authors being able to capture these tones correctly?

For all the good things (the strength of Dao’s writing and the first third), I did struggle with this book once we got to Elva and the more typical YA fare. But I am curious to see where new authors will take the story in the future and how much they will verge away from or remain true to the story that was started here. Fans of fairytales or Dao’s previous books will likely enjoy this!

Rating 7: An interesting start to an interesting new series, though a bit too reliant on some YA tropes near the end.

Reader’s Advisory:

“Broken Wish” isn’t on many Goodreads lists, but it is on Oct 2020 – Middle Grade/YA – New Releases.

Find “Broken Wish” at your library using WorldCat!

Kate’s Review: “These Violent Delights”

Book: “These Violent Delights” by Chloe Gong

Publishing Info: Margaret K. McElderry Books, November 2020

Where Did I Get This Book: I received an ARC from a librarian friend.

Book Description: Perfect for fans of The Last Magician and Descendant of the Crane, this heart-stopping debut is an imaginative Romeo and Juliet retelling set in 1920s Shanghai, with rival gangs and a monster in the depths of the Huangpu River.

The year is 1926, and Shanghai hums to the tune of debauchery. A blood feud between two gangs runs the streets red, leaving the city helpless in the grip of chaos. At the heart of it all is eighteen-year-old Juliette Cai, a former flapper who has returned to assume her role as the proud heir of the Scarlet Gang—a network of criminals far above the law. Their only rivals in power are the White Flowers, who have fought the Scarlets for generations. And behind every move is their heir, Roma Montagov, Juliette’s first love…and first betrayal.

But when gangsters on both sides show signs of instability culminating in clawing their own throats out, the people start to whisper. Of a contagion, a madness. Of a monster in the shadows. As the deaths stack up, Juliette and Roma must set their guns—and grudges—aside and work together, for if they can’t stop this mayhem, then there will be no city left for either to rule.

Review: Confession time! I don’t really care for Shakespeare’s classic tragedy “Romeo and Juliet”. Even as a teen when I was even more emotional than I am now (shocker!), it never really connected with me. Well, that’s not totally true. I do enjoy Baz Lurhmann’s take on the story, but that’s because it’s SO DAMN OVER THE TOP.

That and John Leguizamo as Tybalt. I mean my GOD. (source)

But I am someone who is open minded to tinkering with the classics, so when I heard about “These Violent Delights” by Chloe Gong it caught my eye. If you take the “Romeo and Juliet” story, set it in 1920s Shanghai, involve two gangs, and have a Juliet who is nobody’s fool, you will almost certainly get my attention. And if you toss a monster into it as well? YA GOT ME.

“These Violent Delights” follows Juliette Cai and Roma Montogrov, two young adults who are heirs to their family gangs, but have a tumultuous and star crossed past. While it’s third person, we do get to alternate between their third person perspectives, seeing their sides of their ultimate falling out, and how hurt, and angry, they both are about it. I was more invested in Juliet’s perspectives, mostly because I felt that Gong really fleshed out her characterization in fascinating ways, not just making her be a love lorn and somewhat passive character. This Juliette is a calculating higher up of a violent gang, and uses her knowledge of Shanghai and her culture along with her Western education to make chess moves in the ongoing conflicts. Through her we also got to see the colonial and imperialist issues that were facing Shanghai at the time, with Western interests establishing themselves via merchants after a number of treaties after warfare. Gong addresses a number of the issues of Western influence and manipulation within this narrative, and having Juliette there to parse it out for the reader was a great device (I was so ignorant about a lot of this that I found that to be the most intriguing aspect of this story). It was also pretty cool to see not just Juliette but her cousins Rosalind and Kathleen using their wits and their own strengths as women to try to keep the Scarlet Gang in control, especially after things in the main storyline go to hell (more on that in a bit).

Roma, however, is part of a Russian family that relocated to Shanghai and that has tried to claim its own stake in the power pie. His conflicts were more family based, and seeing him (and his heavies Marshall and Benedikt, who were GREAT and WONDERFUL and I would totally read a book just about them) try to reconcile his love for Juliette and his loyalty to his family (some of which is forced upon him) wasn’t as interesting as Juliette’s journey. But all of that said, because of these conflicts that both have, some known, some unspoken, their romance is far easier to invest in than their inspirations in the original play. The two characters (as well as the side characters) harken back enough to be adaptations, but stand on their own and breathe new life into the story.

As for the main conflict, that being a monster that is infecting people in Shanghai with an illness that makes them commit suicide, it was a bit out of left field but I liked it enough. I enjoyed watching Roma and Juliette try to solve the mystery, and how the story still followed beats of the original play in subtle ways. This is where more Imperialist issues come into play, and while a less skilled author may have stumbled into some heavy handed moments, for the most part Gong pulls it off that keeps the story flowing and making good points. It did go on a little long for my taste, but a lot had to be covered for world building, as this is the first in a series. Which I will definitely be following, as the cliffhanger was searing with DELICIOUS, DELICIOUS PAIN.

Let’s call this a visual hint on where we leave off. But it has some tweaking I loved. (source)

“These Violent Delights” is a creative and fun historical fiction fantasy romance thriller (whew!) , and has me fully invested in a “Romeo and Juliet” story. Can’t wait to see where we go next.

Rating 7: A creative and unique retelling of a classic tragedy, “These Violent Delights” goes on a LITTLE long, but breathes some new life into “Romeo and Juliet”.

Reader’s Advisory:

“These Violent Delights” is included on the Goodreads list “YA Fiction Set in the 1920s”, and would fit in on “Romeo and Juliet Retellings”.

Find “These Violent Delights” at your library using WorldCat, or a local independent bookstore using IndieBound!

Serena’s Review: “Fable”

Book: “Fable” by Adrienne Young

Publishing Info: Wednesday Books, September 2020

Where Did I Get this Book: NetGalley

Book Description: For seventeen-year-old Fable, the daughter of the most powerful trader in the Narrows, the sea is the only home she has ever known. It’s been four years since the night she watched her mother drown during an unforgiving storm. The next day her father abandoned her on a legendary island filled with thieves and little food. To survive she must keep to herself, learn to trust no one, and rely on the unique skills her mother taught her. The only thing that keeps her going is the goal of getting off the island, finding her father, and demanding her rightful place beside him and his crew. To do so Fable enlists the help of a young trader named West to get her off the island and across the Narrows to her father.

But her father’s rivalries and the dangers of his trading enterprise have only multiplied since she last saw him, and Fable soon finds that West isn’t who he seems. Together, they will have to survive more than the treacherous storms that haunt the Narrows if they’re going to stay alive.

Review: Pirate stories definitely had their day in the sun in the YA publishing world. It hits its peak probably about 2 years ago I’d say and has noticeably tapered off since then. During its peak, I think I only read one duology in this subgenre that I really liked (“Song of the Current”). Many of the others couldn’t quite strike on the right tone, in my opinion, too often falling into angsty, drama traps that didn’t befit the dangerous but cavalier nature of what I was looking for in a pirate story. But I’ve liked Adrienne Young’s work in the past, so I was happy to pick up her most recent book and see if she could crack the code!

The last four years of Fable’s life have been a mad scramble for survival. Abandoned on a island made up of thieves and murderers, every day is a danger. But Fable is driven: she will earn her way onto a ship and track down her powerful sea trader father and reclaim what is hers. But getting off the island is only the least of her struggles, she soon realizes. Alongside West, a secretive ship’s captain with mysteries of his own, and his ragtag crew who don’t trust Fable farther than they can throw her, Fable makes her way back out onto the ocean where storms are only the tip of the iceberg as far as dangers go.

This is what I like in a pirate story! The action is non-stop, the stakes are high, and death could be right around the corner for practically anyone, and that’s just life. Fable’s story starts out with the loss of her mother, but from there on out, Young doesn’t let up on the gas. These pirates have teeth and they’re not afraid to use them. The world-building sets up a nautical trade war where different factions vie for power using whatever methods they have at their disposal.

To live in this world, Fable is equally ruthless and accepting of living life on the edge of a knife. While her arch includes self-discovery, she also begins her journey from a solid foundation of trusting her own judgement, determinedly facing down challenges before her, and pursuing goals single-mindedly. Rather predictably, perhaps, many of her lessons come from learning the value of others, be they crew members, friends, or lovers. But even in the midst of these learning moments, I liked how practical and sure-footed Fable felt. She meets hardship and disappointment head-on and is a character that is easy to root for.

I also really liked the world Young created here. The various trading organizations, the tensions between captains, ships, and their crews, and the small dash of magic here and there that roots the entire thing in a fantasy setting. There’s just enough magic to make it feel “other,” but it’s also very recognizable as a “Pirates of the Caribbean” type place and culture. Could perhaps have dealt with a bit more humor and gallows humor to really fit that pirate stereotype, but it walks pretty close to the line.

The side characters were all interesting enough but weren’t breaking any boundaries, really. Most of them fell into fairly predictable roles, and their initial feelings and their changes of heart towards Fable all follow a paint-by-numbers format. The romance is also nothing special. I didn’t dislike West by any means or the romance as a whole, but there simply wasn’t much new there. West’s original motives and interest in Fable are left fairly unexplained. He seems to just kind of fall for her offscreen. And her own feelings develop in the usual way. The minute West shows up, you pretty much know exactly what you’re going to get here. I am curious to see what the second book will do with this, though. There’s less of a format for continued love stories than there is for their initial set-up.

Overall, I really liked this book. It didn’t blow me out of the water, but it also presented a solid pirate story of the sort I couldn’t seem to find even at the peak of the subgenre’s popularity. The story does end on a bit of a cliffhanger, so be aware of that going in. I think the next book is slated to come out this very spring, though, so the wait is short for those who want to dive into this now and not worry about being strung along for years and years. If you like pirate stories or are a fan of Young’s past work, this book is definitely worth checking out.

Rating 8: A solid main character and interesting new world make up for the fairly predictable romance.

Reader’s Advisory:

“Fable” is on these Goodreads lists: Nautical Tales and Most Exciting Upcoming YA Books.

Find “Fable” at your library using WorldCat!

Kate’s Review: “The Sandman (Vol.5): A Game of You”

Book: “The Sandman (Vol.5): A Game of You” by Neil Gaiman, Shawn McManus (Ill.), Colleen Doran (Ill.), Bryan Talbot (Ill.), George Pratt (Ill.), Stan Woch (Ill.), & Dick Giordano (Ill.)

Publishing Info: Vertigo, 1992

Where Did I Get This Book: I own it.

Book Description: Volume Five of New York Times best selling author Neil Gaiman’s acclaimed creation THE SANDMAN collects one of the series’ most beloved storylines.Take an apartment house, add in a drag queen, a lesbian couple, some talking animals, a talking severed head, a confused heroine and the deadly Cuckoo. Stir vigorously with a hurricane and Morpheus himself and you get this fifth installment of the SANDMAN series. This story stars Barbie, who first makes an appearance in THE DOLL’S HOUSE and now finds herself a princess in a vivid dreamworld.

Review: Since “The Sandman” series has now slipped mostly into full fantasy, we got a small break from it during Horrorpalooza. But now we’re back in, and I have revisited “A Game of You”, a collection that has been both lauded as a fan favorite, and also been criticized in more recent years. I honestly had NO memory of this collection on this re-read, which didn’t really bode well for how well I connected to it the first time around. But I was happy to go back in, as it’s always kind of fun to see Gaiman tinker with other characters and build upon past stories and plot points that didn’t seem relevant in the moment. And oof. Going back was uncomfortable.

I will start with what I did like about “A Game of You”. In this story, instead of having a focus on Morpheus or any of the Endless, we focus on the character of Barbie, one of the side characters in “The Doll’s House”. She and Ken were other residents in the house that Rose Walker lived in, and functioned as a cheeky nod to Barbie dolls. By the end of that arc things weren’t going so well for them. Now Barbie is living in New York City in an apartment complex with a number of quirky neighbors, including a lesbian couple and a trans woman named Wanda (the description says ‘drag queen’, but that’s not accurate. Wanda is trans and we are going to talk about her a LOT in a bit). Barbie finds herself going into a dreamscape in which she is a princess of a kingdom that is being threatened by a malevolent entity known as The Cuckoo, and while she is unconscious, her neighbors want to help bring her back. Gaiman builds a whole new fantasy world, and even within the limited scope of this arc I felt like I got a sense of what kind of place this was. I liked seeing Barbie get a bit of her own agency in this tale, though I do admit that the severe lack of Morpheus outside of a couple moments was a little disappointing. I liked that Gaiman wanted to give other characters within his massive world some spotlight. But I thought that Morpheus really should have bad a bigger part to play. This could have been its own story very easily if you took Morpheus out.

The bigger issue is one of those moments where “The Sandman” hasn’t aged as well as time has gone on, and that is with the character of Wanda. It is clear that Gaiman wrote Wanda with the very best of intentions. For the early 90s, even having a trans character who has her own side plot, a multi faceted personality, and a sympathetic and very relatable characterization was HUGE for trans representation. Like, I can’t imagine that any other author, comics or not, with a big name project would have given Wanda the kind of story that Gaiman gives her. In 1993, Wanda is an important character. But in 2020, Wanda’s characterization is incredibly dated, with tropes, stereotypes, and harmful thematics galore. There was a lot of misgendering, there were many moments of ‘are you a boy or a girl’, and there was a fixation on her genitalia that really didn’t sit well with me. What was hardest to stomach was a moment regarding magic that undercut her identity (essentially there was moon magic that Wanda couldn’t participate in because, at the end of the day, she isn’t seen as a TRUE woman). Throw in some ‘bury your LGBTQIA’ things, and it just felt harmful and tone deaf for 2020. Again, I don’t believe that Gaiman’s intentions were anything other than good, given that just recently he signed his name to an open letter by authors in support of trans and non binary people. But as time has gone on, the portrayal is problematic at best, bordering on offensive.

I think that when I eventually re-read “The Sandman” in the future (as I’m sure I will), I probably will skip “A Game of You”. As of now, it doesn’t seem like later plot points will build upon it (that said I could be wrong; I just don’t remember), and the stereotypes were just too much.

Rating 5: With a complete side track of the story and some well intentioned representation feeling cringe in the decades after it was first written, “A Game of You” didn’t live up to the past collections.

Reader’s Advisory:

“The Sandman (Vol.5): A Game of You” is included on the Goodreads lists “Mythic Fiction Comics”, and “Best Books Concerning Dreams”.

Find “The Sandman (Vol.5): A Game of You” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Previously Reviewed:

Serena’s Review: “My Calamity Jane”

Book: “My Calamity Jane” by Cynthia Hand, Brodi Ashton, and Jodi Meadows

Publishing Info: HarperTeen, June 2020

Where Did I Get this Book: the library!

Book Description:

Welcome ​to 1876 and a rootin’-tootin’ America bursting with gunslingers, outlaws, and garou.

JANE (a genuine hero-eene)

Calamity’s her name, and garou hunting’s her game—when she’s not starring in Wild Bill’s Traveling Show, that is. She reckons that if a girl wants to be a legend, she should just go ahead and be one.

FRANK (*wolf whistle*)
Frank “the Pistol Prince” Butler is the Wild West’s #1 bachelor. He’s also the best sharpshooter on both sides of the Mississippi, but he’s about to meet his match. . . .

ANNIE (get your gun!)
Annie Oakley (yep, that Annie) is lookin’ for a job, not a romance, but she can’t deny there’s something about Frank she likes. Really likes. Still, she’s pretty sure that anything he can do, she can do better.

A HAIRY SITUATION
After a garou hunt goes south and Jane finds a suspicious-like bite on her arm, she turns tail for Deadwood, where there’s been talk of a garou cure. But things ain’t always what they seem—meaning the gang better hightail it after her before they’re a day late and a Jane short.

Previously Reviewed: “My Lady Jane” and “My Plain Jane”

Review: I’ve really been enjoying these strange little tales. The authors take familiar characters or historical figures named “Jane” and then just go to town with wild imaginings of alternatives to their stories. We’ve had shape-shifters, ghosts, supernatural detectives, you name it! So, really, other than knowing that this story is tackling the Wild West and some of the familiar figures we associate with it, I had really no idea what I was getting into. It was a rip-roaring good time, of course, but I did find that I was less enthralled with this story than the two others.

In this version of the story, our famous trio work for a Wild West show that is only half show business. The other side of their profession includes hunting garou, or werewolves. All that sharp-shooting has to be good for something, after all! But on a hunt for the Alpha, things go wrong for our titular character and she ends up with a suspicious bite and on the run herself. Her friends, Annie and Frank, won’t let her go so fast, and soon enough the three find themselves on their own wild adventure!

So, while this book did have some of the classic elements I’ve come to expect from this series and these authors (good characters, romance, wack-a-doodle comedy), I did struggle with it a bit more. To start with the good things, the characters, like always, were all super strong. I liked that we got POV chapters for all three of the main characters, Jane, Annie, and Frank. They each had some interesting arcs and perspectives on the goings-on around them. I think I probably liked Annie the best, though Frank was a close second. Strangely, for all that she is the title character, of the three, Jane seemed to fade the most into the background of the story. I think this was somewhat similar to my feelings about the Jane character in the second book, where she, too, was secondary to the other main character.

The comedy was just ok in this one. For some reason, it all seemed to be trying a bit too hard and came across as more forced and unnatural than it did in the first two books. It might just be a combination of genres. “My Lady Jane” is trying to adapt a tragic bit of history and “My Plain Jane” is re-telling a gothic romance. Each of those stories are working from a more serious foundation and layering comedy and nonsense on top of it. Westerns, however, especially Wild West stories, already have an inherent performative sense to them. So between the over-the-top nature of the original tall tales, the comedy just heaped on more of the same, leaving the entire thing feeling a bit over-worked.

There were also some strange moments of social commentary that seemed to be sporadically dropped in. I have no problem with fantasy books tackling social issues. In fact, I think sometimes the nature of fantasy allows authors to get at thoughts and ideas in a way that really elaborates on the bigger issues without getting too caught up in a modern, political statement. But they sat oddly in this book. A bit too preachy. A bit too on the nose. A bit too out of place.

Part of my struggle may just be that I don’t typically care for westerns. Sure, I know the tall tales and characters that are used in this book, but the genre as a whole doesn’t hold a lot of appeal to me. Overall, it just felt like a bit of a let down when compared to the two books that came before, which I really enjoyed. If you’re a fan of the series so far, and especially if you enjoy westerns, this is probably worth checking out. But for me it was the weakest of the three.

Rating 6: The shine has worn off just a little on this particular formula.

Reader’s Advisory:

“My Calamity Jane” is on these Goodreads lists: 2020 YA Historical Fiction and Jane Titles.

Find “My Calamity Jane” at your library using WorldCat!

Serena’s Review: “The Navigator”

Book: “The Navigator” by Erin Michelle Sky and Steven Brown

Publishing Info:  Trash Dogs Media, LLC, October 2019

Where Did I Get this Book: NetGalley

Book Description: Wendy’s troubles are far from over. Hook wants her in irons, the crew wants to throw her overboard, and Pan’s magical compass is the only thing standing in their way. But Pan himself is nowhere to be found.

When a new everlost captain appears on the horizon, it will take everything Wendy has to survive.

Previously Reviewed: “The Wendy”

Review: This is definitely an “under the radar” little fantasy series. I pretty much only strayed upon it after scrolling way, way into the backfiles on NetGalley. But man, I’m glad I did! I, obviously, love re-tellings, and “Peter Pan” is definitely one of the more rare ones, mostly because of how hard it is to get right, I think. But the first book definitely proved that the authors had a new take on the story, so I was really excited to pick up this sequel and see where things went from there!

Wendy has finally made it: she’s the navigator of a ship. Of course, no one but herself is very pleased about this fact and without the magical compass that only she can read, she’s fairly certain they would all toss her overboard at their first chance. But still. Challenges are still ahead, however. Not only must she continue to try to prove herself to this new crew, but loss and uncertainty await on the horizon as a war brews around her.

So, overall, most everything that I enjoyed from the first book continued on here. I love the twists and turns that the authors are bringing to a well-known story. There were several that took me quite by surprise. I was also pleased to see variations on other familiar characters make an appearance, like Tigerlija. It’s always fun to see new takes on characters like this, especially ones that had fairly minor roles in the original story (not to mention…um…questionable ones at that).

I also still really enjoy Wendy herself. Her story tackles a lot of emotional legwork with her struggles to gain the respect of her male crew. But she also doesn’t fall into all of the trope-y “strong woman” moments that can be seen everywhere. Instead, we see her have to become more vulnerable when confronted with unexpected losses that strike her where it hurts. She’s dealing with a war, after all, so I’m glad the authors didn’t shy away from the dangers and realities that that would present.

Hook and Pan, of course, are also still great characters. Hook’s POV chapters were especially interesting. It’s definitely a challenge to write chapters from the perspective of the villain of the story, but if done right, it can add many additional layers to the story and the interactions between characters. It’s hard not to like Hook, frankly.

Overall, I really liked this book. If you’ve read the first one, this is pretty much more of the same. Which, in this case, is not a criticism but a bonus! And if you haven’t read this series yet, but like “Peter Pan,” then I definitely recommend checking out these books. They deserve more attention than they’re getting!

Rating 8: Still a rollicking good time to be had here!

Reader’s Advisory:

“The Navigator” isn’t on many Goodreads lists, but it is on this strange, little list Clean Peter Pan Retellings.

Find “The Navigator” at your library using WorldCat!