Tag: 10 Rating

Kate’s Review: “I Was A Teenage Slasher”

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Book: “I Was A Teenage Slasher” by Stephen Graham Jones

Publishing Info: Simon & Schuster/Saga Press, July 2024

Where Did I Get This Book: I received a hardcover copy from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From New York Times bestselling horror writer Stephen Graham Jones comes a classic slasher story with a twist—perfect for fans of Riley Sager and Grady Hendrix.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, the unfairness of being on the outside, through the slasher horror he lives but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

Review: Thank you to Simon and Shuster for giving me a hardcover copy at ALAAC24 and thank you to Stephen Graham Jones for signing it!

I mentioned this in our ALA Annual Conference highlights post, but I’ll bring it up again: one of my favorite moments from the conference this year was getting to see Stephen Graham Jones and getting a copy of his newest novel “I Was A Teenage Slasher”. I hadn’t even realized he was going to be at the conference until a day or two before it started, and then getting a copy of this book was an even BIGGER surprise because it wasn’t listed in the schedule. Since it was one of my most anticipated reads of the year, I was absolutely ecstatic, and it was my first ALA read. I gotta say, Jones never disappoints, and this book is, for me, one of his best.

There are so many things I loved about this book I don’t really know where to begin. But I guess the first thing I will talk about is the way it’s another examination of aspects of the slasher genre from Jones, who really REALLY loves his slashers, and knows his slashers front to back. While this is evident in his “Indian Lake Trilogy” with final girl Jade Daniels, it’s approached in a different way in “I Was A Teenage Slasher”, and feels like an inverse. Instead of following a burgeoning Final Girl, we follow a burgeoning slasher killer, and THAT is such an interesting path to take and hasn’t been taken all that many times compared to other storylines in slasher tales. As I was reading I kept thinking about one of my favorite horror movies “Behind The Mask: The Rise of Leslie Vernon”, because in that movie we get a similar angle in that we are getting to know and coming to enjoy a wannabe slasher killer, and in a lot of ways REALLY enjoying him in spite of the fact he’s obviously going to be monstrous by the end. With Tolly Driver we get a lot of that, as Tolly is an awkward misfit in his small town and has had a lot of tragedy happen to him in his life, who is also just kind of a good kid before he is taken over by a drive to be a teenage slasher after a supernatural incident at a teen party. We are solidly in his head, and we get to see all sides of him as he slowly starts his transformation, and as he and his best friend Amber (a fellow outcast in Lamesa, Texas as she is the only Native kid in their school) try to figure out just what is happening to him. I loved this coming of age thread within a slasher story in which the coming of age is that of the killer himself. I also REALLY loved his relationship with Amber, who is so fiercely loyal and whom he really adores, their friendship feeling so real and connected and deep. So much of their connection felt so incredibly genuine that I was just dreading the ultimate heel turn from Tolly, and how much I knew it was going to hurt because of my investment in their friendship. Jones makes them so easy to love, that I ended up gutted in the way only Jones knows how to achieve.

But along with the stellar characters, we also get another fun meta horror romp, with so much self awareness and humor to go with the solidly gory moments that you absolutely need for the slasher sub-genre. Jones cheekily finds ways to show off Tolly’s newfound slasher powers while also poking a little fun at some of the most tried and true tropes in the genre, as once Tolly is on this path, there are certain things that now absolutely happen for him. For example, whenever he picks up a sharp implement like a knife, it makes an over the top SCHING! noise, no matter how gently he does so or how not intimidating the knife is. His speed can vary but his ability to catch up is more about whether he’s being seen or not as opposed to his actual physical abilities (think about the way slashers seem to be able to keep up even when just walking). And so forth. It’s such a fun way to point out the silly things in the sub-genre that are tried and true and don’t REALLY make sense, but no one cares because that’s just how it goes! I loved this and found myself cackling during these moments.

And finally, I love the way that Jones brings the time and place to life in this book. The story as Tolly tells it is in small town West Texas in Lamesa in 1989, and boy did Jones capture all of that to a T. I love 80s nostalgia shit as someone born in the middle of that decade and who has vague pop culture memories of the latter part (and how it bled into the 90s, let’s be real), and the nostalgia is big in this one. As are the realities of growing up in small town Americana for those who are different or don’t fit the mold of what American youth were supposed to be like, as Tolly and Amber both fall into this group and really only have each other through their difficult teenage years even BEFORE Tolly starts to turn into a new Jason Voorhees. And as a bonus to that, Jones even made a Spotify Playlist that is FILLED WITH GLAM METAL, which is a top 3 music genre for me. And not since “Peacemaker” has a glam metal soundtrack felt so, so heartbreaking in certain ways.

Me dancing to “House of Pain” by Faster Pussycat in my spare time. Not pictured, the weeping that almost always comes with it. (source)

“I Was A Teenage Slasher” is probably my favorite Stephen Graham Jones novel yet. We are so blessed to have him in the horror literature community, and his stories continuously blow me away. Horror fans, especially slasher fans, do yourself a favor and go get this book post haste.

Rating 10: So incredibly self aware, meta, and also emotionally charged at times, “I Was A Teenage Slasher” is filled with lots of horror goodness as well as some good old fashioned teenage pathos.

Reader’s Advisory:

“I Was A Teenage Slasher” is included on the Goodreads lists “Slasher Fiction”, and “Indigenous Fiction 2024”.

Serena’s Review: “Foul Days”

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Book: “Foul Days” by Genoveva Dimova

Publishing Info: Tor, June 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: As a witch in the walled city of Chernograd, Kosara has plenty of practice taming rusalkas, fighting kikimoras, and brewing lycanthrope repellent. There’s only one monster Kosara can’t defeat: her ex the Zmey, known as the Tsar of Monsters. She’s defied him one too many times, and now he’s hunting her. Betrayed to him by someone close to her, Kosara’s only hope is to trade her shadow―the source of her powers―for illegal passage across the Wall to Belograd, where monsters can’t follow.

Life in Belograd should be sweet, but Kosara soon develops a fast-acting version of the deadly wasting sickness that stalks shadowless witches―and only reclaiming her magic can cure her. To trace her shadow, she’ll have to team up with the suspiciously honorable detective investigating the death of the smuggler who brought her across the Wall.

Even worse than working with the cops is that all the clues point in a single direction: one of the Zmey’s monsters has found a crack in the Wall, and Kosara’s magic is now in the Zmey’s hands.

The clock is ticking, the hunt is on, and Kosara’s priorities should be clear―but is she the hunter or the hunted? And in a city where everyone is out for themselves, who can Kosara trust to assist her in outwitting the man―the Monster―she’s never been able to escape alone?

Review: This one caught my eyes easily with its arresting cover. It’s not quite like anything I’d seen before, which immediately drew me in. Then, when reading the book description, I had two thoughts: 1.) this story sounds all over the place and 2.) it could be really awesome if it all comes together right! And, to spoil my entire review now, it was definitely the latter!

Let’s start with the world-building and fantasy elements. Right from the start, the atmosphere of this world was pervasive as well as intriguing. We feel the fear and dread of Kosara’s city, a place plagued by monsters for a brief window of time every year. It is cold, grey, but her home, and one that she loves and will do anything to protect. As the book description mentions, she then travels to the city beyond the wall, a place vibrant and full of life, having safely locked away its troubles (and seemingly all thoughts of trouble) behind a tidy wall. The contrast is stark and we feel Kosara’s bewilderment at the difference. I enjoyed the complicated nature of her feelings about these people and this place, comparing and contrasting it with her own home, with its very different culture and priorities. At the same time, the hardships of her home are not romanticized.

I also really enjoyed the various monsters we encounter throughout this book. At first, it felt like we weren’t really getting much page time or action with these monsters, instead hearing more about Kosara’s experiences in the past dealing with these beings. But as the pacing ramps up, about a third of the way into the story, we start to get some truly action-packed scenes, full of horror and excitement. Truly, it’s been a while since I’ve read a fantasy story that so effectively pulled me into these sort of scenes; I often found myself on the edge of my seat, wondering how Kosara and Asen were going to escape.

As for Kosara herself, man, she has to be one of my new favorite leading ladies of the year! On her own right, she’s a strong, independent character who is used to going it alone. Her past is rife with trials and mistakes, all of which have lead her to distrust those around her, sometimes to the detriment of her own situation and any burgeoning relationships she’s trying to form. In this way, her relationship with Asen is particularly interesting. Even as she slowly begins to trust and like him more, the habits of a hard life are difficult to fully shed, and we see her continuously struggle against her own worst tendencies and to have to later deal with the repercussions of these choices. I also really enjoyed the slow-burn romance between them. It’s very, very much a backburner part of the story, however, so readers shouldn’t go into it expecting much on this front. For me, however, this is almost the exact level of romance I look for in my preferred fantasy reads: it’s there, it has sweet moments, it has a lot of potential, but it’s not the main point of the story.

What’s more, much of the character arch of this story is tied up in Kosara’s relationship with the antagonist of the story, her ex, the monster, the Zmey. This was simply fantastic. For one thing, it’s a nice rebuttal (perhaps too strong of word, maybe “counterbalance” would be better) to the many fantasy romances out there where the male love interest can often come across (or actually be!) quite abusive (usually emotionally or verbally). Here, we see the after effects on a woman who escaped an abusive relationship. What’s more, we see the ongoing challenges of being exposed to this sort of person, the way their power over their victim can remain, despite escape, despite “knowing better.” Kosara can recognize the dangers and abusive tactics of the Zmey, but she can also understand why women keep coming to him, and why she, herself, still feels drawn to him, despite all of this. It was all supremely well done, and not a subject I see covered this well very often. This is the dark side of the “but I can change him” story that we often see go the other way.

As you can tell, I loved this book! I started out this review thinking to give it a “9” on my rating scale, but now after writing about it, I realize I haven’t come up with a single criticism, and indeed, spent a good chunk of time talking about how rarely good it is at covering some its themes. If that’s not a “10” rated book, I don’t know what it! I highly recommend this to all fantasy readers, especially those who enjoy Naomi Novik, Margaret Rogerson, or Emily Lloyd-Jones!

Rating 10: Fantastic in every sense of the word, with a world brimming with magic and peopled with characters you can’t but fall in love with!

Reader’s Advisory:

“Foul Days” can be found on these Goodreads lists: The Most Beautiful Covers of 2024 and Eastern European Fantasy.

Kate’s Review: “Against the Darkness”

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Book: “Against the Darkness” by Kendare Blake

Publishing Info: Disney Hyperion, April 2024

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: This epic finale to the The Next Generation trilogy by New York Times bestselling author Kendare Blake ( Three Dark Crowns ) features the next generation of Scoobies and Slayers who must defeat a powerful new evil.

For generations, the Slayer was supposed to be the chosen, the one girl in all the world with the power to stand against the vampires, demons, and forces of darkness. When Willow used the scythe to call up all the potential slayers at once, it changed everything. For years, the slayers have been working and fighting together as a team. Then the Darkness came, killing many slayers and trapping the rest in an alternate dimension. And Frankie Rosenberg, the world’s first Slayer-Witch, found herself fighting evil alone. Sort of.

Sure, she has her new Scooby Gang, plus the help of her mom, Willow; Watcher, Spike; and even the brooding-but-hot Hunter of Thrace. But even though they have a master plan (obviously), the gang is more fragmented than ever.

So maybe it really is up to Frankie—and Frankie alone—to stand against the darkness. With Jake’s wild werewolf brother back in town, Dark Willow threatening to return, and the Darkness preparing for the final stage of their attack, now is not a great time to wallow in teen angst. After all, she’s the Slayer. It’s time to slay.

Review: Well, I knew that this moment was eventually going to come, and I honestly held off a bit because I was reticent to approach it. But Kendare Blake’s “Buffy the Vampire Slayer” reboot series is coming to an end, and it closes out with “Against the Darkness”, in which Frankie Rosenberg, Slayer-Witch of Sunnydale, and her new set of Scoobies have to fight against the Big Bad for one final showdown, with supportive former Scoobies Willow, Oz, and Spike in tow as Buffy remains trapped in a hell dimension. I have absolutely adored this interpretation of the “Buffy” characters since the first book, and I was VERY nervous approaching the end. Partially because I am always nervous about the end of a series I am enjoying, but also because so many of these characters are near and dear to my heart, and I wanted them to be okay. I should have trusted Blake, because “Against the Darkness”, for lack of a better word, slays.

As we are closing in on the end of this trilogy, Frankie, Hailey, Jake, Sigmund, and the original Scoobies left behind in Sunnydale are trying to stop rogue slayer Aspen and her group of traitors known as The Darkness, and free Buffy and the other slayers from the hell dimension Aspen trapped them within. Frankie continues to be an utterly charming main character who has the weight of the world on her shoulders, who feels like a fantastic predecessor to Buffy Summers because she has similar challenges, but is her own person without feeling like a clone. Her biggest obstacles this time around are 1) she knows time is running out for Buffy and the slayers all trapped in a hell dimension, especially with Aspen making moves against her, 2) her mother Willow is going to more and more dangerous lengths to try and harness her magic to help Buffy, and 3) her good friend and fellow Scooby Hailey has imbedded herself as a spy by trying to get into Aspen’s good graces… and Aspen is having more of an effect on her than the Scoobies would like. It all feels like an old school “Buffy” end of season arc, and Blake captures the wit, the suspense, the pathos, and the heart that the show had throughout its run. Frankie is so easy to love and so easy to root for, and she is a such a well rounded character that she blends in with familiar faces from the source material swimmingly. I love her relationship with Willow, I LOVE her slayer/watcher relationship with Spike, but I also love her relationships with her friends because it feels so nostalgic.

But once again it’s my OG original favorites who captured my entire heart in this book. Blake really gives me everything I need from the “Buffy” characters from the show. I loved seeing Willow struggle with trying to use her magic to help her daughter as well as Buffy and the other imprisoned slayers, and how it treads her towards her Dark Willow tendencies. I loved how Oz has so effortlessly fit into this story even though he left the show in season four, as Blake makes him a perfect addition to the team not only for his cousin Jake, but also for Willow, his ex and now close friend. I loved seeing Giles show up (yes it’s a spoiler but it’s GILES, I HAD TO!) and take his place as a wise but still a bit snarky Watcher to help pull the group back together when it’s most needed. And, of course, Spike. My beloved Spike has stayed true to his kind of reckless and impulsive sarcastic self, emotions constantly on his sleeve, but his paternal relationship to Frankie is so touching, and brings out so much more in him that shows his caring and loving side that always comes out when most needed. And I don’t want to spoil much here, but Spuffy shippers? THE PAY OFF IS PHENOMENAL. I tried to not be a Spuffy shipper for awhile even though I was hardcore into them in high school, but Kendare Blake has brought me fully back into it because my GOD. THESE TWO.

I just love them so much. (source)

And once again, so many wonderful Easter eggs and references to the source material. Is it fan service? Probably yes. But Blake does do this in a way that flows well within this story so that even if you don’t know that it’s a knowing nod to something from the show it just feels organic and doesn’t stick out awkwardly or like a sore thumb.

What a fantastic end to a very enjoyable series. “Against the Darkness” sticks the landing, does justice for all the Scoobies, old and new, and gave this “Buffy” fan an ending that I will happily revisit over and over again. That’ll put the marzipan back in your pie plates, bingo, indeed. If you know, you know.

Rating 10: A fantastic and super satisfying ending to a “Buffy” follow up I have adored from the start.

Reader’s Advisory:

“Against the Darkness” is included on the Goodreads lists “Buffy the Vampire Slayer”, and “YA hunting ghosts/monsters/zombies”.

Previously Reviewed:

Kate’s Review: “First Light”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “First Light” by Liz Kerin

Publishing Info: Tor Nightfire, April 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: “I came all this way to watch you burn.”

It’s been nine months since the catastrophe in Tucson sent Mia fleeing from her home. But she’s not running away from the darkness―she’s running toward it, obsessively pursuing the man who gave her mother a thirst for blood and destroyed their lives.

But when Mia finds the monsters she’s been hunting and infiltrates a secret network of fugitives, she discovers she might have been their prey all along. To escape their clutches, she’ll have to reckon with her mother’s harrowing past and confront a painful truth: that they might be more alike than she ever imagined.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

After “Night’s Edge” blew me away last year, I had high high hopes for Liz Kerin’s follow up, though I was also apprehensive for a few reasons. The first is always that fear that a follow up to a well loved read will somehow be a let down or underwhelming. The second and more relevant reason here is that “Night’s Edge” left off on such a bummer of a note that I was steeling myself for a story that had the very real potential to destroy me. And you know what? It did.

Actual image of me sobbing over my kindle in the dark at 3am during an insomnia charged reading session (source).

Before I go into the things that kicked my emotions square in the ass, I want to talk about “First Light” in how it has expanded and further explored the vampire themes and the horror/thriller themes as a whole. So first a refresher where we are as we start this book (and this review will have spoilers for “Night’s Edge”, though I’m going to do my best to avoid spoilers for this one): our protagonist Mia is a young woman living in a world where vampires, or Saras, are confirmed as real and seen as threats to the world. Her mother Izzy had been turned into a Sara by her toxic boyfriend Devon when Mia was a child, and since then Mia had been helping hide her mother’s condition, protecting her, devoting her life to her, and bloodletting to her when needed. When Mia met and fell for a free spirited musician named Jade and was going to leave, Izzy lashed out and was going to kill Jade, so Mia killed her. Now we are catching up with Mia, who is now obsessed with finding Devon and getting her revenge on him for ruining her mother’s life and therein her own. She has been tracking him and the fringe group he runs, known as ADAPT, that has been recruiting Saras online to join them and to make more Saras so that Saras can outnumber humans, and become apex predators.

While there is some bit of Mia that knows this is on a whole wrong, she is more driven by her personal hatred of Devon, and the cat and mouse game that ensues, both at a distance and close up, it riveting, tense, and very well done. I liked learning more about how society has been trying to contain and control Saras, as we go from underground terrorist groups to charity run Sara houses that try to keep them safe and cared for (but also away from others), as well as how Mia finds herself drawn to a Sara named Cora, who may know something about Devon’s and ADAPTs whereabouts. The action rarely stops as we jump from past to present, and I found it incredibly engaging as a horror thriller and very unique and enjoyable as a vampire story and all the bloody bells and whistles that go with it. I especially was horrified by some of Devon’s manipulations and greater plans if only because he is still SO charismatic, which is terrifying in and of itself.

But at its heart, beneath all the vampire goodness and gore and vengeance parable is a story about healing and a story about a woman having to find herself after losing her complicated mother, who had been the only person she had really truly lived for, and now has to live without. Mia is focusing so much of her energy and time on tracking down Devon and getting revenge for Izzy and for herself, that she isn’t trying to heal from the terrible loss not only of Izzy at the end of “Night’s Edge”, but also the loss of a functional childhood long before she has gotten to this part and new traumas as this narrative goes on. She obsesses with finding Devon and his ADAPT group of potential terrorist Saras, doing research, delving into volunteer work at a Sara house to try and get information from those who may know something, and falling into a bottle as well as a desire for revenge, that she isn’t finding closure or peace. But Kerin, instead of making this a tragic tale of all consuming revenge, does that on that as a warning, and has Mia start to navigate her traumas even as she gets close to her goal. Even if that means reconciling devastating truths about her mother. Even if that means having to accept new truths about herself. Even if that means seeking closure with Jade, her love interest and spark for a yearning for a better life in “Night’s Edge”, and learning to trust people again, specifically Cora, a Sara that has potential connections to ADAPT and whom Mia first seeks out for information purposes, but then starts to fall for. There are so many gut wrenching moments as Mia goes on this journey, and it all culminates with a lot of action that feels incredibly fulfilling while still tearing my heart out for various reasons. It’s just so good.

“First Light” is a fantastic conclusion to the story of Mia and her vampire mother Izzy. I absolutely loved this book and will dive headfirst into anything that Liz Kerin writes next, whether it’s expanding upon her Sara world building, or bringing us something totally new. Simply exquisite.

Rating 10: A tense, unforgiving, and deeply emotional sequel that tackles vengeance, identity, and forgiveness and expands upon an already unique and effective vampire mythos.

Reader’s Advisory:

“First Light” isn’t included on any Goodreads lists as of now, but it would fit in on “Best Adult Vampire Books”.

Previously Reviewed:

Serena’s Review: “The Familiar”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Familiar” by Leigh Bardugo

Publishing Info: Flatiron Books, April 2024

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to better the family’s social position.

What begins as simple amusement for the bored nobility takes a perilous turn when Luzia garners the notice of Antonio Pérez, the disgraced secretary to Spain’s king. Still reeling from the defeat of his armada, the king is desperate for any advantage in the war against England’s heretic queen—and Pérez will stop at nothing to regain the king’s favor.

Determined to seize this one chance to better her fortunes, Luzia plunges into a world of seers and alchemists, holy men and hucksters, where the line between magic, science, and fraud is never certain. But as her notoriety grows, so does the danger that her Jewish blood will doom her to the Inquisition’s wrath. She will have to use every bit of her wit and will to survive—even if that means enlisting the help of Guillén Santangel, an embittered immortal familiar whose own secrets could prove deadly for them both.

Review: I’ve had a mixed past reading Leigh Bardugo’s books. I started out really enjoying the first book in her original Grisha trilogy, “Shadow and Bone.” But then I disliked the way the love triangle was handled so much that I was pretty much hate-reading the series by the time I got to the final book. Sure, I liked the ending, but I was pretty put off by the entire experience. Then, however, I picked up the “Six of Crows” duology and absolutely loved it! On top of that, while I haven’t read “Ninth House,” Kate gave it a 10 in her review a few years ago. Sooo, when I saw this book coming out, I thought now was the time to revisit her work. It helps that this book is disconnected from the Grishaverse entirely and was set in a place and time period that I’ve rarely seen tackled in fantasy fiction. And now that I’m finished…well, consider me converted! If this is what Bardugo is producing currently, I’m all in!

There is so much to love about this book that I barely know where to start! But let’s start with something I’m always on the look out for when reading books like this: how well does it blend genres? Here, Bardugo is not only writing a fantasy story, but she’s attempting to blend it into a real time and place in our own world. With that comes a lot of challenges, but when done right, like here, it can be the best of both world. And while Luzia’s magic and the magical competition she finds herself entrenched within drive much of the plot of the story, I think it’s truly the historical setting that breathes life into this book.

This story is rich with all of the intricate details that one looks for from a historical fiction book: the lush descriptions of fashion and architecture, the political maneuvering driving a country’s leaders, the cultural norms and restrictions placed on its people. And central to it all, Luzia’s precarious place in a culture that demonizes “unholy” magic as well as her own Jewish heritage. All of this and more is woven in so neatly alongside fantastical events that it truly begins to feel believable that this was simply a lost element of the historical record. In this way, it very much reminded me of reads like “The Golem and the Jinni” where the historical setting and commentary felt as if they played a more primary role to its fantasy elements.

I also really enjoyed the characters, but especially Luzia herself. She’s a fully formed, complicated character with all of the joys and struggles that come alongside that. Early in the story, numerous characters warn her about the dangers of her own ambitions, and I was truly impressed by the delicate manner in which this was handled. Restricted to a life as a scullery maid, Luzia’s dreams of basic comforts, safety, and the recognition and appreciation of her power are all understandable, especially to the modern reader. She’s never demonized for wanting more. That said, the book never loses sight of the time period and place during which it is taken place. There are no easy solutions to the realities of the world around her; no magical wand-waving that can re-form the world into one where Luzia’s dreams of her future can be easily made true. This is not a story of revolution or grand sweeting changes to a real-world historical time line. Instead, it is a careful exploration of the very real lives that people, especially women, lead. That said, it’s not all doom and gloom.

Woven throughout the story was one of my favorite slow-burn romances that I’ve read in quite some time. Like Luzia, Santangel is a complicated, imperfect being. His story is slowly revealed over the course of the book, and we learn of the backstory that lead him to be who he is now and understand the choices he makes. For much of the book, I was truly concerned about how this love story was going to be resolved, given the restrictions on his character. But, like everything else, this all fell neatly in line by the end of the book, leaving us with a bittersweet, but satisfying ending. And for those concerned, I’d say it veers closer to the “sweet” than the “bitter.” Take from that what you will.

The fantasy elements were also fantastic. It starts off slowly, but the story eventually builds to full-scale, action-packed magical scenes. Honestly, I was kind of surprised by just how far into the fantasy aspect the book leaned at certain points. There were some truly suspenseful scenes, and I enjoyed the way Luzia’s magic was used. There were enough restrictions on what she could do that there was sufficient tension and conflict building throughout the story, but there was also a sense of whimsy, that anything could be possible if it could be dreamed.

Truly, I can’t say enough good things about this book. The writing was incredibly sharp, the character work was deep and complicated, and there was an excellent balance between the increasing danger and stakes of Luzia’s situation and the sweet, slow-burn romance building between her and Santangel. Fans of Bardugo’s work are sure to love this one, and I would also highly recommend it to any fantasy readers, especially those who enjoy historical fiction, as well.

Rating 10: A masterpiece of historical fantasy fiction, with “The Familiar” Bardugo has proven once again why she’s one of the most exciting authors writing in the genre today.

Reader’s Advisory:

“The Familiar” can be found on these Goodreads lists: Jewish Fantasy Genre and Historical Fiction With a Dash of Magic.

Kate’s Review: “Holly”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Holly” by Stephen King

Publishing Info: Scribner, September 2023

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Stephen King’s Holly marks the triumphant return of beloved King character Holly Gibney. Readers have witnessed Holly’s gradual transformation from a shy (but also brave and ethical) recluse in Mr. Mercedes to Bill Hodges’s partner in Finders Keepers to a full-fledged, smart, and occasionally tough private detective in The Outsider. In King’s new novel, Holly is on her own, and up against a pair of unimaginably depraved and brilliantly disguised adversaries.

When Penny Dahl calls the Finders Keepers detective agency hoping for help locating her missing daughter, Holly is reluctant to accept the case. Her partner, Pete, has Covid. Her (very complicated) mother has just died. And Holly is meant to be on leave. But something in Penny Dahl’s desperate voice makes it impossible for Holly to turn her down.

Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability: married octogenarians, devoted to each other, and semi-retired lifelong academics. But they are harboring an unholy secret in the basement of their well-kept, book-lined home, one that may be related to Bonnie’s disappearance. And it will prove nearly impossible to discover what they are up to: they are savvy, they are patient, and they are ruthless.

Holly must summon all her formidable talents to outthink and outmaneuver the shockingly twisted professors in this chilling new masterwork from Stephen King.

Review: It’s finally time for another Stephen King book!! He is and has been my favorite author, ever since I was in middle school, and I am so happy that not only has he continued to write and thrive, but that he’s expanded his stories and genres beyond horror. “Holly” is his newest, and I held off on it for a bit because I wanted to savor it. And once I dropped in, eager to read a new book about Holly Gibney, I had pretty high hopes. And not only were they met, they were exceeded.

I know that Holly Gibney is a bit of a polarizing figure amongst Stephen King fans. King has always had a tendency to have a favorite characters or settings that he likes to bring from story to story, whether it’s Randall Flagg or Castle Rock or Shawshank Prison or Danny Torrence, and Holly is that character right now. And I happen to love it, because I really, really love her as a fellow anxiety prone neurodivergent woman. I love seeing how much she has grown as a character since her debut in “Mr. Mercedes”, and how she has come into her own while still having the challenges that come with being who she is (this book takes place during the Delta wave of the COVID pandemic and man oh man was I like ‘yep, that’s exactly how I was during this time’ whenever she was stressing about groups, masks, and hygiene as she investigates). King places her front and center in this nearly five hundred page book, and she shines like a star as far as I’m concerned. She brings me so much joy through her complexity and quirkiness and tenacity. But King also fleshes out his supporting characters really well, whether it’s returning favorites like Jerome and Barbara Robinson, or new characters like the deeply, deeply sinister Roddy and Emily Harris, whose depravity and cruelty is hidden by a veneer of intelligence and seeming fragility due to their ages. I felt like I knew everything about them by the end of the book, and it chilled me to the very bone.

Which segues perfectly into the horror/thriller elements of this book. King slowly unfolds the grotesque and absolutely horrifying secrets that Roddy and Emily Harris are holding through flashbacks in time to their various victims, and while he doesn’t hold his cards to the vest too long in terms of what they are doing (I won’t spoil it), he still builds upon it in a way that makes for a slow and grueling revelation that really, really disturbed me. Holly Gibney has faced some really nefarious antagonists in her time as a character, but these two really took the cake. And that’s a steep order given that past villains Holly has dealt with include Brady Hartsfield and The Outsider. It is a really good device being able to see Holly slowly but surely piece together the disappearance of Bonnie Dahl and the tangled web and nasty turns that come with it, as a potential body count seemingly grows and she circles the most unexpected of criminals. Sure, I knew what was going on, but seeing Holly (and to extent Barbara and Jerome) play their parts in figuring it out was so enjoyable.

I also thought that King used the time and place of the Delta Wave of 2021 to a chilling and effective degree, as Holly’s mother has just died of COVID after refusing the vaccine which has sent Holly into mourning, and post January 6th anxieties are also still at play. I know some people got up in arms about how overtly political “Holly” seems to be, but I thought that King gave a really good explanation in his author’s notes as to why he felt like he wanted to go in this direction. It also helped contextualize how DIFFICULT everything was at this time, and how it could absolutely hinder this kind of investigation (and how dangerous people will hide their dangerous nature until they feel emboldened). It worked really well for me.

I loved “Holly”. It manages to balance absolutely horrifying beats with genuinely hopeful and endearing ones. It’s top tier King as far as I’m concerned.

Rating 10: I adored this book. It sent chills down my spine, really got under my skin, and also filled me with a certain joy.

Reader’s Advisory:

“Holly” is included on the Goodreads lists “Books That Gave Me Nightmares”, and “Horror 2023”.

Kate’s Review: “The Reformatory”

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Book: “The Reformatory” by Tananarive Due

Publishing Info: Gallery/Saga Press, October 2023

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A gripping, page-turning novel set in Jim Crow Florida that follows Robert Stephens Jr. as he’s sent to a segregated reform school that is a chamber of terrors where he sees the horrors of racism and injustice, for the living, and the dead.

Gracetown, Florida
June 1950

Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory.

Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it’s too late.

The Reformatory is a haunting work of historical fiction written as only American Book Award–winning author Tananarive Due could, by piecing together the life of the relative her family never spoke of and bringing his tragedy and those of so many others at the infamous Dozier School for Boys to the light in this riveting novel.

Review: After reading a few short stories by horror icon Tananarive Due in 2023, I told myself that I needed to finally pick up one of her novels. I don’t know why I haven’t, as she has always been on my radar. But for whatever reason it just never happened. When her newest novel “The Reformatory” came out, I bought myself a copy on my solo trip to Duluth. It took me a bit to get to it, as I had a stack of books to attend to and whenever I have a book that I have purchased I usually end up letting it sit a bit because of no deadline to read it. But then I did sit down and start reading. And my God. I was completely blown away by what I was reading. I was such a fool for waiting so long to pick it up. I was such a fool for waiting to pick up a book by Due. Because “The Reformatory” is magnificent.

The horror themes in this story are already top tier for me. I love ghosts in general, but I LOVED how Due brought in the folklore of Haints from the low country and the deep South of the United States (it’s been awhile since I’ve been to Savannah, Georgia, but one of the things that really stands out for me is how you see so many specific blue doors in a shade called Haint Blue, as it was thought to ward off Haints). Due really knows how to create terrifying moments in her pacing and descriptions, and with the tormented ghosts of dead children, who died at the hands of a racist and violent institution, being present and haunting said institution, it makes for a perfect metaphor as well as a great ghostly tale. It’s scary and nerve wracking and the high tension moments with the Haints were top tier horror. There were also the less focused on but certainly implied supernatural gifts of Robbie’s sister Gloria. While Robbie can see ghosts and communicate with them at least to a small degree, Gloria has her own talent of being able to get a sense of someone’s future if she is able to touch them or be near them. I am a complete sucker for both of these tropes, and I loved that Robbie and Gloria have different skills that they don’t necessarily want, but have to contend with.

But, unsurprisingly, it’s the realistic horrors of the Jim Crow South that really pack a wallop in “The Reformatory”, as both Robbie and Gloria are having to maneuver their way as Black people (children at that) through a deeply racist and violent society that has targets on their backs, not only because of their skin color, but because of their family name (as their father is on the run for a crime he didn’t commit that he was accused of because of his outspokenness). For Robbie, he is in what is essentially a prison as a child, for the audacious crime of kicking a white teenager who was harassing Gloria. Dozier School for Boys is run by a violent and sadistic warden, with dead children haunting the place that only Robbie can see. The brutal realities of the violent punishments are displayed in full, as Due basically tells the reader that they mustn’t look away from these real horrors that were committed about Black children, whether it’s torture, sexual assault, or murder. Dozier is a relentless prison that Robbie is barely surviving within, and seeing him and other detainees try to survive is enraging and devastating.

On the flip side is Gloria, who is determined to get Robbie out, and is trying to work through the justice system by reaching out to the NAACP, as well as well meaning (but at their heart ignorant) white people who may have the power to help, but have their own reservations. I thought that the dichotomy that Due showed between Robbie living in an overtly racist dangerous situation, and Gloria whose relentless pursuit for justice is putting her in just as much danger, while also displaying the everyday racism and dangers to Black people during this time and in this place. I also really appreciated how she not only took inspiration from her own family history, and also had in story versions of actual historical people, whether it was a reference to Thurgood Marshall or an actual interaction with Harry T. Moore. It’s so well done and so incredibly harrowing, and it’s an important reminder that even if Haints and psychic abilities aren’t real, the violent oppression against Black people at this time (and present times) was, and cannot and should not be washed away or forgotten.

“The Reformatory” is my first 10 Rating of 2024, and it has set an incredibly high bar for any and all books for the rest of the year. It’s phenomenal in every way. I never should have waited so long to read Tananarive Due. Expect more works by her this year, because I’m going to make up for lost time.

Rating 10: An astounding and horrifying horror novel whose darkest moments are less supernatural and more based in fact, “The Reformatory” is a knockout. Absolutely incredible.

Reader’s Advisory:

“The Reformatory” is included on the Goodreads list “Popsugar 2024 #40 – A Horror Book Written by a BIPOC Author”, and “ATY 2024: Chilling Atmosphere”.

Serena’s Review: “Emily Wilde’s Map of the Otherlands”

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Book: “Emily Wilde’s Map of the Otherlands” by Heather Fawcett

Publishing Info: Del Rey, January 2024

Where Did I Get this Book: ARC from the publishers!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: When mysterious faeries from other realms appear at her university, curmudgeonly professor Emily Wilde must uncover their secrets before it’s too late in this heartwarming, enchanting second installment of the Emily Wilde series.
 
Emily Wilde is a genius scholar of faerie folklore—she just wrote the world’s first comprehensive of encylopaedia of faeries. She’s learned many of the secrets of the Hidden Folk on her adventures . . . and also from her fellow scholar and former rival, Wendell Bambleby.
 
Because Bambleby is more than infuriatingly charming. He’s an exiled faerie king on the run from his murderous mother, and in search of a door back to his realm. So despite Emily’s feelings for Bambleby, she’s not ready to accept his proposal of Loving one of the Fair Folk comes with secrets and danger.
 
And she also has a new project to focus a map of the realms of faerie. While she is preparing her research, Bambleby lands her in trouble yet again, when assassins sent by Bambleby’s mother invade Cambridge. Now Bambleby and Emily are on another adventure, this time to the picturesque Austrian Alps, where Emily believes they may find the door to Bambley’s realm, and the key to freeing him from his family’s dark plans.
 
But with new relationships for the prickly Emily to navigate and dangerous Folk lurking in every forest and hollow, Emily must unravel the mysterious workings of faerie doors, and of her own heart.

Review: Here we are in a new year starting off with one of my most anticipated reads of 2024 right off the bat! And with a highly anticipated book always comes a bunch of nerves. What if the first book was a one-off?? What if the story takes a turn in a direction that I won’t like? What if I was slightly delirious when I read the first book and it was all in my head?? (Well, less so on that last one, as the first book was well received by pretty much everyone!). But, gentle reader, I am here to assuage your fears: not only did I enjoy this book as much as the first one, I think I liked it even more!

Now, given how much I liked the first one, that’s a pretty big claim to make. But I think it’s pretty easy to back up by simply going through what I liked in the first book and how well this book built upon and expanded on those original concepts. First of all with the world-building and fairy elements. While the first book follows Emily’s experiences out in the field, this book not only does the same (this time seeing her and Wendell off to the Austrian Alps) but we also get a brief look into her life as a professor on campus. The story only briefly stays in this location, but through these insights into her life as professor, we meet other important side characters, such as another professor who is a more senior member of the faculty, and a student assistant who bewilders Emily constantly. I really enjoyed these academic elements of the story. Yes, of course, the fairy stuff is the most exciting, but you can’t have academic fantasy without the “academic” stuff as well, and I was pleased to see this book lean into this aspect of the story.

Speaking of side characters, Emily and Wendell are not the only two off on the expedition to the Alps. The aforementioned professor and student tag along as well. Through this book and the first, it becomes clear that while Emily is a great character on her own, she’s at her best when bouncing off of other characters. Wendell is the main focal point, but I think that these other two characters also allowed Emily’s character to grow and expand as well. We see her struggle to connect to a colleague who approaches their shared work in a very different manner, forcing her to reflect on her own choices, recognizing which are strengths worth fighting for and which could do with a second glance. I also enjoyed watching her interaction with the young woman, Ariadne, her student. These interactions are as hilarious as you’d expect, especially in the light of the fact that it’s obvious that Emily herself probably presented many similar challenges to her own mentor.

I also really enjoyed the fairy elements. I remember mentioning in my review of the first book that I enjoyed how vicious the members of Fae were, something that you don’t always see. Here, we get even more of the same, from some truly frightening new creatures to a much larger exploration of some of the realms of Fae itself. There were moments where this book very much walked right up to the line of horror, which is such an odd thing to say about a book that also falls solidly within the “cozy fantasy” subgenre. Yes, bloodthirsty foxes with baby faces are “cozy!” You heard it here first.

The larger exploration of Fae also touches on another area of improvement in this book (again, this is all “improving” from a very high starting point to begin with.) Due to the nature of the first story, Emily ends up as a fairly passive character in the final section of that book. It works for that story and I didn’t have an problems with it there. But I was incredibly happy to see this book swap Emily and Wendell’s roles in this story, with Emily spending the majority of the book fighting to break a curse brought down upon Wendell. And in pursuit of this, she must enter Fae without him, putting to test all of her skills as a scholar and adventurer. There is so much great stuff in this final third of the book, but obviously I can’t get into much of it without falling into spoiler-y territory. It’s all action-packed, tense, and highlights just how awesome of a character Emily is! She’s smart, brave, and, of course, unintentionally hilarious!

And, lastly, the romance! Obviously, I loved everything we got from Emily and Wendell in the first book, but we get even more here. I was mildly curious how the book would manage the change in their relationship, but they and their interactions with each other are, at the same time, exactly as before and, of course, much further along in their relationship with one another. Each is still bewildered by the other, and their bumbling around within their own emotions is just as cute as you could imagine. There were several moments that were incredibly sweet, and I enjoyed Emily’s internal exploration of what it means to love and trust another in this way. This is just the sort of romance that I love to see in my fantasy stories.

I was so happy with this book! It really met every expectation I had built up in my head and exceeded my wildest dreams in many ways. High praise, but in this case, well earned.

Rating 10: Take the high that was reading the first book and somehow expand it a million times over! Absolutely brilliant in every way!

Reader’s Advisory:

“Emily Wilde’s Map of the Otherlands” can be found on these Goodreads lists: Fantasy Romance Releases January 2024 and Historical Romantic Fantasy

Serena’s Review: “Starling House”

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Book: “Starling House” by Alix E. Harrow

Publishing Info: Tor, October 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Eden, Kentucky, is just another dying, bad-luck town, known only for the legend of E. Starling, the reclusive nineteenth-century author and illustrator who wrote The Underland–and disappeared. Before she vanished, Starling House appeared. But everyone agrees that it’s best to let the uncanny house―and its last lonely heir, Arthur Starling―go to rot.

Opal knows better than to mess with haunted houses or brooding men, but an unexpected job offer might be a chance to get her brother out of Eden. Too quickly, though, Starling House starts to feel dangerously like something she’s never had: a home.

As sinister forces converge on Starling House, Opal and Arthur are going to have to make a dire to dig up the buried secrets of the past and confront their own fears, or let Eden be taken over by literal nightmares.

If Opal wants a home, she’ll have to fight for it.

Review: This was a book I was always going to read. The cover is right up my alley, of course. But the description of the story with its references to gothic houses and brooding men was also ticking all of the right boxes. On top of all of that, this is the same author who wrote “The Ten Thousand Doors of January,” a book I absolutely adored. Now, all of that said, I was a bit concerned going in due to the fact that this is a contemporary fantasy novel set in our modern world. For whatever reason, I’m very picky about this subgenre of fantasy. But it’s also just a tall task to write a compelling story that introduces magical elements into a world that in every other way is the same as our own. One or the other often is lacking in believability, either the magic or the description of our current society, leading to a disjointed weave where neither element really works with the other. But, frankly, this book served as a relief and reassurance: there ARE contemporary fantasy novels out there that work for me!

There was so much to love about this book, but I think I have to start with the voice of the main character. Yes, the book is broken up between two POVs, but it is not an even split, with Opal narrating the majority of the book. I won’t go off again on my main rants about the success of failure of multi-POV books, but I will note that Harrow takes advantage of an approach that I think vastly helps in this endeavor, and one that is often overlooked by authors. Opal, the primary narrator, tells her story in first person, while Arthur’s chapters are told from third person. Such a simple solution, but one that makes them easily distinguishable from one another without falling into the common trap of writing two voices that sound nearly identical. Third person storytelling is also the dominant form of storytelling across genres for a reason in that it allows a greater lens of commentary and description of events and scenes. So using this method, we are centered in Opal’s very distinctive voice, but through Arthur’s chapters, we are given a wider view of the greater circumstances.

But let’s get back to Opal. First person is a hard writing style to tackle, and one that I feel few authors truly master, often feeling that many books would be elevated form the mundane to the more exceptional had a simple change of tense been employed. But Harrow proves here how successful first person storytelling can be when done right. Opal’s voice is fierce, unique, and so clearly her own from the very start that the reader will immediately feel as if they know the exact type of person narrating the story before many details are even revealed. What’s more, Opal’s narration is clearly that of a somewhat unreliable narrator, which I think is the only honest way to truly do first person narration. When a character can only evaluate people and events from the perspective of their own world-view, their understanding colored by their own insecurities and past experiences, OF COURSE their narration is unreliable! Such is Opal’s story, an honest, and at time heart breaking, look at the harsh realities of poverty and small town life, but one that is also told from the perspective a young woman who has fought every day to make a life for herself and her brother. Opal isn’t a perfect person, but her story is one of self-acceptance, and learning the true nature of trust and family. It’s bracing at times, but ultimately beautiful.

Arthur’s story also covers some deep themes, such as duty, responsibility, choice, and, similar to Opal, family and grief. Of course, tied between them is a lovely slow-burn romance of the exact variety that I prefer. Firstly, their relationship is secondary to the overall story. And secondly, it develops in a natural manner full of small, every day moments and delayed realizations. Beyond these two, the house itself played a very unexpected role. I definitely went into the book expecting a certain type of haunted house story, and while some of this held true, I was also surprised and very pleased with the nuance brought to the house itself. In many ways, it served as an important third character all on its own.

I also loved the setting and overall story. The pacing was steady and gripping from the very start, never once lulling or letting the reader free from its captivating grip. Pieces to the larger mystery are slowly unspooled, all while greater and greater tension brews in the looming conflict between the house, its caretakers, and those who exist beyond it. Every time I felt like I had a good grasp on exactly where this story was going, it would abruptly swerve into an entirely different lane. The end, especially, took a turn I wasn’t expecting at all, but ended up really enjoying.

Honestly, I can’t say enough good things about this book. It’s stayed with me every since I finished it, and it’s definitely been one of those “ruiner” reads where I’ve struggled picking up my next few books because my mind keeps drifting back to this one. This is the sort of book that I think will appeal to a wide range of readers. It is fantasy, of course, but it also has elements of horror and historical fiction. Beyond this, it delves deeply into themes of power, privilege, and rage, topics that I think will interest many readers. And, of course, any fans of Harrow’s work previously should definitely check this one out.

Rating 10: Haunting in the true sense of the word, this book will stick with you long after you’ve finished the last page.

Reader’s Advisory:

“Starling House” can be found on these Goodreads lists: Hansel and Gretel Stories

Serena’s Review: “Thornhedge”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Thornhedge” by T. Kingfisher

Publishing Info: Tor, August 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: There’s a princess trapped in a tower. This isn’t her story.

Meet Toadling. On the day of her birth, she was stolen from her family by the fairies, but she grew up safe and loved in the warm waters of faerieland. Once an adult though, the fae ask a favor of return to the human world and offer a blessing of protection to a newborn child. Simple, right?

But nothing with fairies is ever simple.

Centuries later, a knight approaches a towering wall of brambles, where the thorns are as thick as your arm and as sharp as swords. He’s heard there’s a curse here that needs breaking, but it’s a curse Toadling will do anything to uphold…

Review: This is a story of great sadness and loss. Tragedy. Disappointment. No, no, not this book which, like all of Kingfisher’s novels that I’ve read so far, perfectly balances sweetness and sadness. No, this is the story of how out of all the authors attending ALA this past June, the one I was most excited to meet was T. Kingfisher. I even brought along my hardback copy of “Nettle and Bone” to get it signed. And then, the day that she was scheduled for a signing, I found out that she had to cancel. Tearing of garments, I tell you! But at least I did manage to get a hardcover copy of “A House with Good Bones.” Anyways, enough about all of that and on to the review!

So, shocking no one, I loved this book! The last two that I’ve read by Kingfisher definitely fell closer to the horror genre than to fantasy (hence why both previous reviews were buddy reads with Kate!). But my love affair with this author started with “Nettle and Bone” which has a definite fairytale vibe to it. So I was super excited when I saw that she was returning to fairytale fantasies with this one. What’s more, it’s a twisted fairytale where the focus is not on the princess sleeping in the tower, but on the “evil fairy” who cast her into that cursed sleep.

I always love it when authors take a well-known story and twist it like this, and Kingfisher is a master at her craft. Not only does she tackle “Sleeping Beauty,” but the story also contains references to changeling folklore and “The Frog Prince.” These stories are all woven together so expertly that, while familiar, the entire story feels fresh and new. What’s more, per the author’s usual, while the story is sweet and heartfelt, there are also moments of true terror and suspense. Honestly, more so than I was expecting! Once you start getting into some of the history that Toadling has lived through and realize the true stakes of the situation…oof!

I also really liked the exploration of love, especially familial love. Toadling’s life obviously took a major turn when she was stolen away as a baby by the Fae. But instead of living a cursed life, she finds a new family in water beings that others would look at and call monsters. I loved the sweet, honest depiction of how these ties form and how they defy any attempts at definitions or limitations. Beyond that, we also get an interesting look into the limits and depths of parental love with regard to the cursed princess. I don’t want to go into many spoilers, but for such a short book, I think Kingfisher really honed in on the darker side of parenting, and the way certain strengths in a parent can, at times, become weaknesses.

Toadling herself is also an incredibly sympathetic and likable character. So much of her life is chosen for her, and yet, at every turn, she’s constantly trying to do her best, even when she is asked to do things that are quite difficult and unfair burdens to be placed on her shoulders. Much of this story is her slowly taking back control of her own choices and what life she wants to lead. There is also an incredibly sweet romance sprinkled throughout.

I loved everything about this book. For such a short story, it really did manage to pull on nearly every emotion. I was laughing, I was crying, I was genuinely horrified by some of the imagery. Fans of Kingfisher will adore this, and if you’re not a fan of her already, boy, do I have a gift for you!

Rating 10: Kingfisher tackles the sometimes trite “beauty is on the inside” concept and puts together a work of art that proves that who we are is what we choose to fight for.

Reader’s Advisory:

“Thornhedge” can be found on this Goodreads list: Can’t Wait Sci-Fi/Fantasy of 2023.