Tag: 10 Rating

Serena’s Review: “Wild Reverence”

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Book: “Wild Reverence” by Rebecca Ross

Publishing Info: Saturday Books, September 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Born ​in the firelit domain of the under realm, Matilda is the youngest goddess of her clan, blessed with humble messenger magic. But in a land where gods often kill each other to steal power and alliances break as quickly as they are forged, Matilda must come of age sooner than most. She may be known to carry words and letters through the realms, but she holds a secret she must hide from even her dearest of allies to ensure her survival. And to complicate matters . . . there is a mortal boy who dreams of her, despite the fact they have never met in the waking world.

Ten years ago, Vincent of Beckett wrote to Matilda on the darkest night of his life―begging the goddess he befriended in dreams to help him. When his request went unanswered, Vincent moved on, becoming the hardened, irreverent lord of the river who has long forgotten Matilda. That is, until she comes tumbling into his bedroom window with a letter for him.

As Fate would have it, Matilda and Vincent were destined to find each other beyond dreams. There may be a chance for Matilda to rewrite the blood-soaked ways of the gods, but at immense sacrifice. She will have to face something she fears even more than losing her magic: to be vulnerable, and to allow herself to finally be loved.

Review: When I started reading this one and immediately fell in love with it (as I always do with Ross’s books it seems), I realized something: In many ways, Ross has taken up the reigns from Juliet Marillier in regards to these sorts of whimsical, lyrical, heartbreakingly romantic fantasy tales. Of course, Marillier is still writing, but her books are terribly difficult to get nowadays (her most recent one only released in Australia), so this makes Ross’s much more accessible titles all the more appealing. This little aside probably doesn’t mean much if you’re not familiar with Juliet Marillier’s works. But if that’s the case, and you enjoy Rebecca Ross and are looking for more, definitely give Marillier’s extensive back catalog a look!

It’s always a bit worrying when an author returns to a world/story that feels complete (I feel like Ava Reid’s “A Theory of Dreaming” is a good example of how it can go wrong). So when I heard that this was a prequel to “Divine Rivals,” I had concerns. But Ross proves here that there is a correct formula for making this work! For one thing, this book would be perfectly approachable to readers who have no knowledge of “Divine Rivals” and the world that was set up in that duology. Indeed, this book takes place so far in the past from those events that almost nothing is recognizable between one and the other. There are only the barest references to characters and places that show up in those books, and even these are of the sort that feel earned to this book alone, and not simply as empty “easter eggs” for fans of the other series.

The other factor that makes this successful as a prequel is the fact that the focus is on characters, places, and conflicts wholly unreferenced in the other duology. From my memory, there are only two gods mentioned in this book that showed up in the other books. And, indeed, the two gods at the heart of the conflict in “Divine Rivals” were some of the more obscure parts of that series, for better or worse. So getting a clearer look into what these pantheons looked like centuries in the past felt like being introduced to a fully unique world and lore.

And boy does Ross make up for that obscurity here! Not only does she create one pantheon, but two! Each with their own cultures, stories, and hierarchies. And then on top of those, she builds up the complicated dynamics that exist between them. Matilda’s story is told slowly and carefully, with the first third of the book devoted to her childhood and early adolescence. But what could have felt as slow pacing as we await the main action of the plot, instead felt like crucial world building and the introduction of a whole host of side characters, all of whom I wished to spend more time with, ultimately.

Matilda was fantastic, to put it simply. She’s a child between worlds and we see both the strengths and insecurities this brings to her. Because of how disconnected the two pantheons are, much of her existence has been shrouded in secrets and unknowns. There were a number of interesting twist and turns throughout the story that explored the tricky ways that her unique place between these worlds allowed her to manipulate events in surprising ways, even to her! I also enjoyed her internal journey, one that begins in fear, moves into a place where she has been taught how gods “should” behave, and then slowly comes into her own power, embracing that which her peers have deemed weaknesses.

Vincent is also a great romantic lead. He gets less page time than Matilda, but what we do see from him is so, so good. I was never quite as enraptured with the love story from “Divine Rivals” as other readers were, instead preferring the quieter, more adult romance found in other titles by Ross. So I was thrilled to see a return to that sort of love story play out here. Matilda and Vincent’s relationship hit on all of the right notes, mutual wariness that lead to deep feelings based on more than simple passion.

The conflict was also incredibly well done, with antagonists ranging from the mortal to the immortal. Once the plot starts up, it never really stops, with Matilda literally running from one action scene to another. And yet, at the same time, the story always felt keenly focused, precisely tuned to Matilda and Vincent and there journeys through these troubled times.

So, yes, I loved this book. In many ways, it was a return to the sort of love stories that I look for from Rebecca Ross. But it was also an incredibly well-drawn, detailed fantasy world with a twisting and intricate plot that will keep you on your toes throughout. If you’re a fan of Ross, than this is a must read! And I also strongly recommend it to romantasy fans and readers looking for a fairytale-like fantasy standalone!

Rating 10: Where romantasy meets epic fantasy, Ross is the reigning queen of the genre!

Reader’s Advisory:

“Wild Reverence” can be found on these Goodreads lists: Best Books of 2025 and “Matilda”.

Kate’s Review: “The Long Walk”

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Book: “The Long Walk” by Stephen King (writing as Richard Bachman)

Publishing Info: Signet Books, July 1979

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Against the wishes of his mother, sixteen-year-old Ray Garraty is about to compete in the annual grueling match of stamina and wits known as The Long Walk. One hundred boys must keep a steady pace of four miles per hour without ever stopping… with the winner being awarded “The Prize”—anything he wants for the rest of his life. But, as part of this national tournament that sweeps through a dystopian America year after year, there are some harsh rules that Garraty and ninety-nine others must adhere to in order to beat out the rest. There is no finish line—the winner is the last man standing. Contestants cannot receive any outside aid whatsoever. Slow down under the speed limit and you’re given a warning. Three warnings and you’re out of the game—permanently…

Review: I first read “The Long Walk”, one of Stephen King’s ‘Bachman Books’, in 2015, just a couple of months before we started the blog. So about ten years ago! It had be recommended to me by one of my very closest coworkers at the library I was working at at the time, and I was absolutely enthralled with it. It instantly skyrocketed up to my top 3 Stephen King books (with “The Stand” and “Carrie” along with it). When I saw that they were going to make a movie based on this book I was excited, but nervous. Then I saw the trailer, and was like “I NEEEEEED TO SEEEEEE IT!!!” Serena and I are actually planning on going at some point, and I have plans to see it with other people too. And the time is almost upon us, as the movie comes out this Friday. So I thought that it would be the perfect time for a reread and to finally review it on this blog, since it JUST missed out. And wow. It hit even harder this time around.

Actual footage of me reeling on the couch while reading as the kittens come to see what’s happening…. (source)

I’ve always said that when King was writing as Bachman he felt no need to be hopeful or optimistic. Most of King’s books have some kind of hints at hope even in all the darkness (there ARE exceptions; “Pet Sematary”, “Cujo”, “Carrie” all come to mind), but when he wrote as Bachman he was just fine being a huge bummer. “The Long Walk” basically keeps up with that pattern, as a group of teenage boys participate in an unending walk in hopes of being the last man standing to receive a prize to make their lives better. After all, in “The Long Walk” America has been taken over by cruel authoritarian fascists who value control and violence to maintain it (ughhhhh), and the televised Long Walk competition is entertainment built from children being killed if they stop walking at the speeds they are supposed to be at. Our protagonist is Ray Garraty, who joined like all others thinking that walking at 5 miles per hour is easy and that the money will be his, but as the walk keeps going he and his companions start to break down as they are all picked off one by one (and let me tell you, when I was originally reading this I tried to walk as long as I could at 5mph while on a treadmill at the gym. It was NOT EASY). Garraty and other contestants, like the steadfast and snarky McVries, the antagonistic and crude Barkovitch, and the mysterious Stebbins, enter in and out of each other’s orbits as their companions are killed, they become physically exhausted, and their mental faculties start to break down. It’s tense, it’s awful, and it is relentless. I know that King has said he originally wrote this book when he was in college, when boys he knew were being drafted and sent to Vietnam, and the hopelessness and bleakness definitely harkens to the idea of young men and boys being sent into a meat grinder for a country’s own devices. But as someone who now has a kid of her own this book hit THAT MUCH HARDER, with these children sobbing, screaming, or in some cases dying slowly and painfully before actually being shot for losing (one character contracts pneumonia while walking, and my God it was harrowing as he slips further and further into illness with no ways to rest and heal). There was one moment with a character screaming about his feet for prolonged moments where I couldn’t go any further for a bit. I just had to put it down. It’s an effective and dark dystopian nightmare.

BUT. There are also moments of intimacy and camaraderie between some of the characters, specifically Garraty and McVries, that show that even in the darkest and most terrible times and experiences, if you can find someone, or a community, to hold onto, there will always be bits of hope. The relationship between Garraty and McVries was so, so lovely, as while it has its ups and downs as the contest goes on and their stress, exhaustion, and fear kick in, you can tell that they both have a connection that keeps each other going. There has long been queer subtext speculated about these characters, which is definitely a fair way to interpret it, but what I loved about their friendship is that it’s another example of one of my favorite relationship portrayals: when two people connect to each other and get each other on a level that transcends platonic and romantic and is a whole other thing that isn’t quite definable. It makes them that much more touching and intimate, and that much more tragic as the story goes on. This book isn’t optimistic or hopeful as a whole, but these bits as these boys keep each other going DO have small bright spots in a sea of despair. And it’s a reminder of how important that can be.

“The Long Walk” is still one of my favorite Stephen King novels. It’ll wreck you if you let it. But it’s so, so good.

Rating 10: This is still one of my favorite Stephen King books. Devastating, tense, and bleak, but so incredibly emotional with glimmers of intimacy and camaraderie.

Reader’s Advisory:

“The Long Walk” is included on the Goodreads lists “Dystopia!”, and “Games of Death”.

Serena’s Review: “The Second Death of Locke”

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Book: “The Second Death of Locke” by V. L. Bovalino

Publishing Info: Orbit, September 2025

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Grey Flynn has dedicated her life to her mage, Kier.

She will be his blade on the battlefield, his healer and protector. The deep well of raw power inside her is Kier’s to use. Grey would do anything for Kier – be anything for him – if he would only ask.

When a quest to protect the child of an enemy kingdom pulls them into the dangerous heart of their nation’s war, Grey and Kier will need to decide what they are willing to sacrifice to protect their secret.

For Grey is no ordinary magical well, but heir to the lost island of Locke – the root of all power. If she dies, all magic dies with her.

Review: I’ve always had an inkling that I’m probably not the typical romantasy reader. Not only do I not often enjoy the most popular titles in the genre, but, especially as I’ve gotten older, my preference for romantic tropes has shifted greatly. Mostly, I have a limited tolerance for the exhaustingly popular “enemies-to-lovers” trope. It can work (see “The Jasad Heir”), but it takes incredible restraint and dedicated character-building to properly pull it off, in my opinion. Something that you rarely see. Usually, the characters are called “enemies” because they have a minor disagreement or have been put on opposing sides of an incredibly simplistic conflict only to immediately fall head over heels for the first person they’ve talked to from the opposition. Instead, I’m coming to understand that I strongly prefer “second chance” or “friends to lovers” love stories. Alas, we see so few of these in the fantasy/romantasy genres. But, all of this long preamble aside, I present you with pretty much the perfect version of the “friends to lovers” trope all wrapped up in an excellent fantasy novel to boot!

Before I start raving about the romance, let’s talk a bit about other aspects of the book. While this is a character-driven story, the world-building and magic system we get were incredibly interesting. I’ve read other fantasy books that include a magic system somewhat similar to this, where it essentially takes two people to channel and direct magic. But this one was fairly unique in the dynamics this created between Well and Mage. What’s more interesting, the rather straight-forward dynamics that are set up in the beginning are challenged throughout the book. By the end, we see much of this flipped, particularly with Grey and her abilities as a Well.

I also really enjoyed piecing together the history of this world. The author just throws the reader into the middle of the action and the political strife. Only slowly does information come out about what exactly happened in the past and how things ended up where they did. Not only do these revelations explore the political past between nations, but we slowly learn more about Grey’s own previous life.

The plot was also fairly action-packed, especially, again, considering how much of this is a character-focused story. I closed the book feeling like I had really spent a lot of time with Grey, understood her fully and had read an excellent book about her coming into her own. But when I stopped to actually go over it all, I discovered numerous actions scenes peppered throughout, many throwing massive swerve balls into the plot and changing the entire direction of the story. The action ranges from one-on-one conflict all the way up to massive scenes of warfare.

But man, the characters and the love story, this is where it truly shines! This book should be held up as an example to all authors looking to write stories with mutual pining at the heart. And it’s not like you have to wait long to get to the good stuff (and by “good stuff” I don’t mean the spicy scenes; I mean, good ole longing and affection). Almost from the very start, it’s completely obvious that Kier and Grey are head-over-heels for one another and each are too oblivious to say anything about it. But instead of being annoying, this just leads to the reader getting to linger in all of the sweetness that is constantly touched on between them. Every little scene, we see constant affection from Kier towards Grey. And Grey, silly that she is, writes it all off. Now, this could have been tiresome, but instead I felt like I was in on the joke most of the time and was able to shake my head at her all while enjoying what we got in the meantime. Further, the author knew when to give up the ghost and allow the romance to actually move forward.

But what made this romance so successful was the fact that the progression didn’t end the moment confessions happened between them. Instead, through their romance, the story spends a lot of time exploring themes of sacrifice and what that means for those we love. This was particularly interesting as self-sacrifice in the name of love is something we see all the time in romance plot lines, but it’s rarely discussed in any meaningful way. Here, the story takes the time to dive into the nuances of sacrifice, specifically the way it can add an unhealthy dynamic to relationship development.

So, probably not a surprise by this point, but I absolutely loved this book. Grey was a fantastic, complex main character. Kier was pretty much the perfect romantic hero for a friends-to-lovers romance. And the fantasy aspects surprised and impressed at every turn. If you enjoy romantasy but are looking for something unique from the million-and-one generic enemies-to-lovers books coming out right now, definitely give this one a go! I’d also say that this is a great pick for general fantasy fans who enjoy romantic subplots, as I think there’s a strong enough fantasy adventure at its heart beyond the love story.

Rating 10: A perfect rebuttal to the idea that “enemies to lovers” is the peak romance trope. This, this is what I’ve been looking for in romantasy fiction!

Reader’s Advisory:

“The Second Death of Locke” can be found on this Goodreads list: Year of the Lady Knight 2025

Kate’s Review: “Not Quite Dead Yet”

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Book: “Not Quite Dead Yet” by Holly Jackson

Publishing Info: Bantam, July 2025

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In seven days Jet Mason will be dead.

Jet is the daughter of one of the wealthiest families in Woodstock, Vermont. Twenty-seven years old, she’s still waiting for her life to begin. I’ll do it later, she always says. She has time.

Until Halloween night, when Jet is violently attacked by an unseen intruder.

She suffers a catastrophic head injury. The doctor is certain that within a week, the injury will trigger a deadly aneurysm.

Jet has never thought of herself as having enemies. But now she looks at everyone in a new light: her family, her former best friend turned sister-in-law, her ex-boyfriend.

She has at most seven days, and as her condition deteriorates she has only her childhood friend Billy for help. But nevertheless, she’s absolutely determined to finally finish something:

Jet is going to solve her own murder.

Review: Thank you to NetGalley for sending me an eARC of this novel!

I’ve been on the Holly Jackson hype train for a few years now, having read most of her books and enjoying all of them to varying degrees. But imagine how surprised and excited I was when I found out that she had written a new thriller for an adult audience instead of the expected YA crowd. “Not Quite Dead” yet is her adult debut, and boy does it have a banger of a premise: a woman named Jet is brutally attacked, leaving her with a brain aneurysm that is going to eventually kill her in a few days time, and she decides to use her final days to figure out who killed her. If that doesn’t grab ya, I don’t know what will. And WOW. I absolutely loved this book.

No doubt in my mind this is going to be on my Top 10 list of this year. (source)

As a mystery and thriller, I was pretty much hooked on this book from the moment I picked it up until the moment I finished. Jackson has crafted well done mysteries in the past, but this one, for me, is her at her best. I think that perhaps because it’s for adults this time around she has a little more freedom to explore the darker tendencies, and in “Not Quite Dead Yet” explore she does. I thought that the mystery about who attacked/will ultimately kill Jet was well done, with a town full of secrets, a family full of problems, and a very plucky but addled amateur detective at the forefront. The idea of having to solve one’s own murder is horrifying, and we have lots of clues, lots of suspects, and some well done misdirections and some well done reveals as well. While I could call a few things here and there, I was mostly kept in the dark, and Jackson really keeps things tight lipped and well hidden until she’s ready to start explaining. Jet and her friend Billy follow leads, find suspects, and look for clues, all while her health continues to deteriorate, and the very enjoyable mystery mixed with a building dread of her about to die at any moment made for a LOT of suspense as I read.

But the heart and soul of this story is Jet and the ever present reality of her imminent mortality as she races the clock to solve her eventual murder. Jackson has always had a knack for writing witty dialogue and interesting and well rounded protagonists, but she really takes the cake with Jet, who is snarky and steely and a pain in the ass while also being incredibly vulnerable and easy to care about. The messy family dynamics, her chronic illness and the way it affects her relationships with those around her, the way she has to peel back really dark and upsetting truths about people and things she thought she knew, it’s an amazing emotional journey, and the fact that she is going to die soon and knows it makes it all the more emotional. Her relationship with childhood best friend Billy was also one of the strongest pillars of this story, as her rough around the edges personality combined with his gentle soul as they desperately search for answers makes for a wonderful duo. Sometimes with foregone conclusions when it comes to characters stories I don’t find myself getting too attached, but Jet? Good lord did I absolutely adore Jet, and that made all the emotional beats resonate all the more.

“Not Quite Dead Yet” is a fantastic mystery with a deep emotional well it pulls from. I absolutely loved it. I hope that Holly Jackson writes more adult thrillers because this one was tops.

Rating 10: A suspenseful mystery with some perfect twists, and enjoyable main character, and a deeply emotional core, “Not Quite Dead Yet” is a fantastic adult debut for Holly Jackson.

Reader’s Advisory:

“Not Quite Dead Yet” is included on the Goodreads list “Mystery & Thriller 2025”.

Serena’s Review: “The Jasad Crown”

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Book: “The Jasad Crown” by Sara Hashem

Publishing Info: Orbit, July 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org |Amazon | IndieBound

Book Description: Held deep in a mountain refuge, Sylvia has been captured by the Urabi, who believe she can return their homeland to its former power. But after years of denying her legacy and a forbidden alliance with Jasad’s greatest enemy, Sylvia must win the group’s trust while struggling to keep control of both her magic and her mind.

In the rival kingdom, Arin is caught between his father’s desire to put down the brewing rebellion and the sacred edicts he’s sworn to uphold. Arin must find Sylvia before his father’s army, but his search will call into question the very core of Arin’s beliefs about his family and the destruction of Jasad.

War is inevitable and Sylvia cannot abandon her people again. The Urabi plan to raise the Jasadi fortress, and it will either kill Sylvia or destroy the humanity she’s fought so hard to protect. For the first time in her life Sylvia doesn’t just want to survive. She wants to win.
The fugitive queen is ready to come home.

Previously Reviewed: “The Jasad Heir”

Review: I’ve been waiting for so long for this sequel that I had begun to question whether the first book was really as enjoyable as it was. (This is an established coping technique for readers, when we have long waits between books, to prevent the onset of madness due to anticipation!) But the minute I turned the first page on this one, I remembered just how satisfying that first book was. And now, with the duology complete, I can say that the entire experience was all-around excellent!

There’s a lot of great things to talk about with this one, but given the current proliferation of the “enemies to lovers” trope in romantasy, I think this is an area where this book really shines. So much so that I’d almost say this should be required reading for how to correctly write this sort of romantic storyline. There are many ways in which the love story is successful, both in the first book and carried over to this one. The first book is appropriately a slow-burn, with both characters slowly, naturally progressing through their negative associations with the other. As is typical with this sort of plot, that book ends with a bombshell, revealing all of the secrets and lies between them.

The important part is now how this romance is handled in this book. The author does so many things right! For one thing, it’s not as if both characters suddenly, inexplicably, lose all of the friendship, trust, and even love that had built up between them. Yes, obstacles have been introduced, but both are mature characters who, to some extent or another, trust their own original judgement and, frankly, have more important things to worry about than too much ridiculous angst. Sure, these reveals have an impact, but there’s no overly YA “but she betraaaayyyeeed meeee” nonsense where it doesn’t make sense.

Further, and this goes back to work done in the first book, the author created two characters who are fully realized beings on their own, who have built-in personality traits, strengths, and weaknesses, that would independently drive their choices and actions through an enemies-to-lovers romance. For example, Arin has been well-established as a character who is highly strategic and highly invested in understanding everything that goes on around him. Thus, by the time the truth about Sylvia is revealed, his journey towards re-thinking his understanding of his own nation and the history of this world at large is based on his own intrinsic character traits, not just “but I luuuuv her!!” Too often, the entire journey from “enemy” to “lovers” requires one character to simply change who they are or change teams based on almost nothing but their love for the other character. Here, Arin’s journey has practically nothing to do with his feelings for Sylvia, and this makes it all the more realistic and interesting to read! It’s this point, giving characters their own inner motivations for change outside of the love story, that I think is so often missing in these sorts of romances.

Further, Sylvia doesn’t magically transform into the perfect leader of this rebellion. Indeed, she’s pretty terrible at it all the way through the entire book! What’s more, however, the book does an excellent job of portraying the foibles of the rebellion itself! All too often, again, stories like this have a frustrating tendency of dumbing down their political conflicts to the point that you can pretty much guarantee that whatever rebellion group you find will be coded as purely good and righteous at every turn. Here, this group is made up of humans, with their own grievances, misunderstandings, and tendencies towards self-centered motivations. Sylvia’s journey is one of balancing imperfections, both her own as well as the group of displaced Jasadis that she’s trying to lead.

Lastly, as far as the romance goes, I appreciated that the author didn’t string us a long with the love story! Even given their circumstances, Hashem found creative ways to throw Arin and Sylvia back in each others orbits at regular intervals, beginning fairly early in the book. I always find it incredibly annoying and contrived when authors feel the need to keep their characters apart to drive up “tension,” especially in books that are the last in a series’ run, as this is our last time getting to spend time with these characters. And for pages and pages to be wasted on unearned pining is the peak of annoyance for me.

I also enjoyed the introduction of a few chapters from various side characters’ perspectives. There weren’t tons of these, but through them, we got a better insight into various interested parties, all with their own priorities and motivations. These perspectives helped to further flesh out the world and raise the stakes for the ultimate conflict, one that affected more than just Jasad itself but magic as a whole!

I also really enjoyed the expansion of this world’s magic system and history. The book definitely took some twists and turns that I didn’t see coming, and the answers to many lingering questions were incredibly satisfying. I think the book also wrapped up in an excellent manner. It’s bittersweet, of course, but it also technically checks off the HEA requirements, so never fear!

This book is peak romantasy, as far as I’m concerned. It’s also criminally under-appreciated in a packed genre where, too often, lesser titles rise to the top based on nothing more than #vibes. This is a fantastically written, fully realized and developed, romantasy title that should be used as the gold standard for properly pacing an “enemies to lovers” romance. This is a great read for romantasy and fantasy romance readers alike and I can’t recommend the duology enough!

Rating 10: Great world-building, excellent prose, spot-on dialogue, and a love story that hits all the right notes, this book has it all!

Reader’s Advisory:

“The Jasad Crown” is on these Goodreads lists: Arabian, Egyptian, and Indian Fantasy 2 and 2025 Adult Fantasy/Sci-fi/Speculative Releases by BIPOC Authors.

Kate’s Review: “Lore Olympus: Volume 8”

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Book: “Lore Olympus: Volume 8” by Rachel Smythe

Publishing Info: Inklore, May 2025

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: “You have no authority here.”

Revelations rock Olympus as Persephone’s trial ends, threatening to throw the gods into a new war.

Though Persephone and Hades become closer than ever after she opens up to him about all she has endured, their peace is shattered when another truth is revealed: Apollo is Zeus’s son. The announcement shocks the pantheon, and the king of the gods realizes that the would-be usurper wants Persephone’s power to take the throne.

Zeus banishes Persephone to the Mortal Realm and, out of fear, cuts it off entirely from the rest of the gods. This decree succeeds in undercutting Apollo’s plan, but also inadvertently begins a decade-long divine cold war when Hades strikes back by shuttering the Underworld. With the gods scattered and weakened, Kronos uses the ensuing bedlam to finally escape his imprisonment and begin staging his own coup.

Persephone has only one choice when she discovers all the realms on the verge of collapse: Descend into the Underworld to try to defeat the power-hungry Titan, claim her rightful place as queen, and reunite with her one true love.

This edition of Smythe’s original Eisner Award–winning webcomic Lore Olympus features a brand-new, exclusive short story from creator Rachel Smythe and brings the Greek pantheon into the modern age in a sharply perceptive and romantic graphic novel.

Review: After dropping the ball on reviewing the previous volume of “Lore Olympus” in a timely matter, I promised myself that I wouldn’t let that happen again. I mean come on, it’s one of my favorite series, how can I let it fall by the wayside?! So here we are with “Lore Olympus: Volume 8”, in a more timely manner and at not a moment too soon! Because things are really heating up with the gods and goddesses of Olympus, barreling towards a wrap up of a THRILLING story arc that has SO MUCH going on.

And what an action packed conclusion to this story arc it is. To really get into the nitty gritty, we have to get into some spoilers for this volume, so proceed with caution if you don’t want to know anything. This volume really shows the dysfunction of the hierarchy of the Olympians, with Zeus being fully in charge, and making panicked decisions that are more about protecting his own power versus what is good for everyone, culminating with him banishing Persephone to the Mortal Realm and cutting it off completely. Not because he thinks this is a fair punishment, but because he realizes that Apollo, newly revealed as his son, is plotting to overthrow him, and needs Persephone’s mysterious powers to do so. Which, of course, results in disaster. Not just for Hades and Persephone, who are now ripped apart and both devastated and traumatized by this, but for the entirety of Olympus, as Hades, in retaliation and rage, closes access to The Underworld, which separates the Gods and Goddesses even further, and opens all of them up to new vulnerabilities. Meanwhile, Persephone is doing her damnedest to appease Zeus, though she is pretty certain she will never be able to meet his demands by design, which sends her on her own mission to take matters into her own hands (more on that in a bit). All of the pieces that have been put into place are starting to come together, and it’s a fantastic set up with a really satisfying pay off. We have a bit of a time jump so that we can fully see how bad things are, and Smythe slowly reveals what all has happened in subtle and ingenious ways without the pacing falling out of sync (for example, we see that Daphne is no longer a tree), while also having brief flashbacks to the fallout from Persephone’s banishment. It’s a well done device, and it makes for a more engrossing way to tell the story.

But what I loved the most in this volume is that I feel like we finally got some payoff for the way the story has been slowly revealing Persephone’s strengths and powers, even though she herself hasn’t quite figured out her own abilities. I will say that one of my (mild!) criticisms of this series in the earlier books is that Persephone, while being AWESOME in her own right for lots of reasons, was a little bit infantilized or treated in a way like a manic pixie dream girl, at least to start. Yes, we get insights into some darkness, and as her story progresses we find out that she is a fertility goddess and has a bit of wrath inside of her, but it always felt a LITTLE bit like she needed protecting and guidance from Hades. But that has fully fallen away, as their romance, while still pivotal to both of their motivations, is put on the back burner here, as they are mostly separated in this book and Persephone has to figure shit out on her own. And it is here that we finally get to see her come into her own, stand on her own, and fully round out as a character, who has for literal millennia been a bit of a wallflower in her own story throughout many adaptations. This feels like Persephone finally gets to come into her own. And I love to see it.

You’ve come a long way, baby. (source)

And even with all the very intense moments in this volume as a huge arc wraps up with high, high stakes, we still get some genuinely hilarious scenes and interactions, whether it’s wink wink nudge nudge references to the original myths dynamics, or just clever banter and laugh out loud physical comedy moments. Smythe has such a gift for hitting a wide range of emotional beats in her stories, and honestly I still think that her humor is one of her strongest elements in this series.

What a great wrap up of a first major arc to “Lore Olympus”! The foundation for where Persephone, Hades, and all of the Olympians are going next has been laid, and I am so excited to see what happens next. I guess we’ll find out in the Fall! Can’t wait!

Rating 10: A fantastic conclusion to a riveting story arc, “Lore Olympus: Volume 8” dazzles with deep emotion, engrossing romance, and a lot of humor.

Reader’s Advisory:

“Lore Olympus: Volume 8” is included on the Goodreads list “2025 Mythology Releases”.

Previously Reviewed:

Serena’s Review: “The Raven Scholar”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Raven Scholar” by Antonia Hodgson

Publishing Info: Orbit, April 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Let us fly now to the empire of Orrun, where after twenty-four years of peace, Bersun the Brusque must end his reign. In the dizzying heat of mid-summer, seven contenders compete to replace him. They are exceptional warriors, thinkers, strategists—the best of the best.

Then one of them is murdered.

It falls to Neema Kraa, the emperor’s brilliant, idiosyncratic High Scholar, to find the killer before the trials end. To do so, she must untangle a web of deadly secrets that stretches back generations, all while competing against six warriors with their own dark histories and fierce ambitions. Neema believes she is alone. But we are here to help; all she has to do is let us in.

If she succeeds, she will win the throne. If she fails, death awaits her. But we won’t let that happen.

We are the Raven, and we are magnificent.

Review: No delay: I absolutely loved this book! It was one of those special reads where I went in with zero expectations and was blown away! I wasn’t familiar with the author (this is her first fantasy novel) and all I really knew about this one was that it featured yet another deadly, magical competition. Which, at this point, is more of a red flag than an interest point, given how flooded the genre has been with these sorts of books for the last several years. But man, this one proved why, in the right hands, even a tired trope can really come to life!

Part of this is the simple fact that, while the competition is the structure around much of the plot is built, it’s not really the main focus of the story. Instead, the central premise of the book is much more heavily focused on what starts as a murder mystery but quickly spirals out into a much larger conspiracy. And this larger mystery encompasses decades of history, some plot points from over 20 years ago, some events from a decade before, and others from more recent years. Much of this is slowly revealed throughout the course of Neema’a investigation, but the author also neatly uses a few chapters of a prologue that follows another character from years before. This was such a brave choice, as this character becomes central to the story, but is also never seen on page again. It’s a show of confidence that the author felt that the narrative voice and Neema herself were strong enough to reclaim the story back from a very different starting focus. With all of this, as the story unfolds, the reader is lulled into a sense of putting things together only to be smacked over the head with several huge late game reveals, some of which truly took my by surprise!

As for the competition, it did stand out from others, both in its simplicity and in its unique points. Some of it is just straight forward fighting, no real gimmicks. And as far as the magical competition portions went, the book was much more focused on the qualities of the groups who put these portions of the event together, what they wanted to see from a winner and a leader. In this way, these trials felt much less like the typical dangerous escapades we’re used to seeing. Instead, several of them are fairly generic, but made interesting by what they say about the individuals who participate in them based on the choices they make. This was also helped by the steady hand the author utilized throughout in creating this cast of competitors. Very early, I felt I had not only a strong understanding of who each of these characters were, but they all felt fully fleshed out and individual from one another, bringing their own baggage and their own motivations to this competition.

And, at the heart of it all, we have Neema and the Raven. Neema was simply excellent, everything I want from a protagonist. Smart, but awkward. Thrust into a situation she was completely unprepared for, we see all the stumbles of a flawed individual, but we also see the way her particular strengths lead her through. And most importantly, the ways in which she navigates these trials and the investigation all felt natural and believable to her history and abilities. Sometimes it’s really easy to see the author’s hand on the wheel with the creation of situations that seem to conveniently just work out for a main character who, by any rights, should fail miserable. Neema doesn’t glide through. People don’t trust her, don’t like her, and if she hadn’t attracted the interest of the Raven, it’s clear she would have done terribly. I also enjoyed the quirks of her characterization, the ways in which her strengths (her incredible scholarly knowledge) has and continues to create barriers to her ability to form connections to others. At times it was hard to see her treated so harshly by those around her, but the bright spots of the Raven’s narration and the very subplot-y love interest balanced these tough moments out.

And, of course, there is the Raven themself. What a unique narrative quality! There’s a way that this could have gone very wrong, that a quirky style like this could have been overplayed and over done. Instead, this has to be one of the most fresh feeling narrative styles that I’ve seen in a while! For those who are concerned, the majority of the story is told in your typical third person past tense approach. But sprinkled throughout, we are reminded that we are being told this story through the eyes of a very specific being with their own goals and perspective. Not to mention, the Raven was hilarious!

This book was pretty much my perfect read! Incredible fantasy world-building, an excellent main character, mystery, action, romance, it has it all! For a book that is 700 pages long, by the final portion, all I could think about was the fact that I wanted it to be even longer and how am I possibly going to wait for the sequel! This one doesn’t end on a cliffhanger, per se, but by the end of the book, this world looks very different than it did when it began and Neema’s journey is a wild ride, sprawling out before her. If you enjoy epic fantasy, this is a must read, as far as I’m concerned!

Rating 10: In a word: magnificent. Hodgson blasts onto the epic fantasy stage with a book that will quickly become a must-read for fans of the genre.

Reader’s Advisory:

“The Raven Scholar” can be found on this Goodreads list: 2025 Adult Fantasy & Science Fiction

Serena’s Review: “A Drop of Corruption”

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Book: “A Drop of Corruption” by Robert Jackson Bennett

Publishing Info: Del Rey, April 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In the canton of Yarrowdale, at the very edge of the Empire’s reach, an impossible crime has occurred. A Treasury officer has disappeared into thin air—abducted from his quarters while the door and windows remained locked from the inside, in a building whose entrances and exits are all under constant guard.

To solve the case, the Empire calls on its most brilliant and mercurial investigator, the great Ana Dolabra. At her side, as always, is her bemused assistant Dinios Kol.

Before long, Ana’s discovered that they’re not investigating a disappearance, but a murder—and that the killing was just the first chess move by an adversary who seems to be able to pass through warded doors like a ghost, and who can predict every one of Ana’s moves as though they can see the future.

Worse still, the killer seems to be targeting the high-security compound known as the Shroud. Here, the Empire’s greatest minds dissect fallen Titans to harness the volatile magic found in their blood. Should it fall, the destruction would be terrible indeed—and the Empire itself will grind to a halt, robbed of the magic that allows its wheels of power to turn.

Din has seen Ana solve impossible cases before. But this time, with the stakes higher than ever and Ana seemingly a step behind their adversary at every turn, he fears that his superior has finally met an enemy she can’t defeat.

Review: I’ve never gone wrong picking up another book by this author! But I was particularly excited to grab this sequel, as the first one was the perfect mixture of two things I love especially: incredibly creative fantasy worlds and a Holmes/Watson duo solving complex mysteries. And this was one of those rare sequels where I went in pretty much wanting exactly the same as the first one! And boy, did I get it, and more!

So, I’ll jump straight to the end of the review now and say this was pretty much my idea of a perfect read. Not only did it bring back everything I loved from the first book, but it expanded on the the world-building and fantasy aspects of the story and gave greater depth to our main characters. The mystery itself was also complex and interesting, with numerous twists and turns. There were the right number of red herrings that readers could form their own guesses and theories, but then, when the final reveal came, there were inevitably pieces that were still true revelations.

I also really enjoyed the deeper themes of monarchy and empire that were explored in this book. The first one brushed up on some of these themes as well, but this one really dove into the ideas of kings and their seemingly deep-seated appeal as a form of governance. (On this point, the author included a really excellent author’s note at the end that is definitely worth giving a read!). Throughout the story, there is commentary and exploration of these structures of society, who falls through the cracks and who benefits, and why people cling to form of government that doesn’t serve them. Beyond this, there were some really great discussions of the inglorious but necessary role of justice enforcers and the pursuit of truth, even when it takes you to some dark places. (Of course, this being a fantasy novel, those dark places were more then simply metaphorically “dark.”) Is it ever right to do the wrong thing for the right reason? Who decides and how should justice be served? These are big topics, but the book does a great job of tackling them, without ever feeling heavy-handed or preachy.

Beyond this, I was simply happy to spend more time with Din and Ana. From Din, we saw the challenges that he’s faced, working for such an eccentric woman as Ana for now several years. In some ways, he’s adjusted well. In others, it’s clear he’s still floundering to find his role in this world. For Ana’s part, she’s still brilliant, but also strange in a way that is often perturbing. As the story continued, we began to see more and more glimpses behind the curtain, and there were some great reveals regarding her own history towards the end of the book.

The world Bennet has created here continues to be simply wild. So much creativity, but also so much horror, awaits around every corner. Similarly to the first book, this isn’t the read for you if you struggle with body horror. The dangers of this world present in incredibly unique and disturbing ways, and Bennet doesn’t shy away from fully describing it as such. The stakes of this book are also closely tied to the biodiversity of this world, and it was great exploring how humanity has found a way to live and thrive in a world as perilous as this one.

Overall, this was an excellent sequel, everything I could have wanted from a follow-up book! It took the phenomenal groundwork that was laid in the first book and ran wild with it. Can’t wait to see what comes next!

Rating 10: Deliciously dark, exploring the disturbing nature not only of this wild fantasy world but also of the depths of humanity itself.

Reader’s Advisory:

“A Drop of Corruption” is on this Goodreads list: Best Books Ever.

Kate’s Review: “Lore Olympus: Volume Seven”

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Book: “Lore Olympus: Volume Seven” by Rachel Smythe

Publishing Info: Inklore, October 2024

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The rifts between realms grow ever wider as the temporary shelter Persephone had found in the Underworld is destroyed. Apollo has captured Demeter, turning the fugitive goddess over to Zeus in an attempt to win the king’s favor. Persephone and her mother must now stand trial for concealing Persephone’s unsanctioned act of wrath—though the goddess of spring feels secure with Hades on her side.

But safety is not guaranteed in the world of the gods.

As the trial brings to light truths and betrayals that threaten to upset everything—even Hades and Persephone’s relationship—the other gods face perils of their own.

Eros uncovers Ampelus’s secret during a fight in the Mortal Realm. Thanatos and Daphne’s budding relationship is threatened by a vengeful Apollo. Minthe is trapped in her cursed form until Persephone gains full control over her powers. And Hera is haunted by the specter of Kronos, whose influence in Olympus seems to be growing. . 

This edition of Smythe’s original Eisner Award–winning webcomic Lore Olympus features a brand-new, exclusive short story from creator Rachel Smythe and brings the Greek pantheon into the modern age in a sharply perceptive and romantic graphic novel.

Review: Guys, the end of 2024 was just a lot. A LOT. Not only was my anxiety exploding, I was also having issues balancing out my reviews and reading paths, to the point where when “Lore Olympus: Volume Seven” by Rachel Smythe came out in October, I just whiffed on fitting it in on my review schedule. This shows how totally scatterbrained I was given how much I LOVE this series. But it’s finally time, and I finally picked it up, and I shouldn’t have waited. Because coming back to Hades, Persephone, Hera, Hecate, and all the Greek deities and their shenanigans was so, SO healing.

My anxiety while I was reading this book (source)

So many wonderful beats in this volume, from the cute to the cathartic to the absolutely devastating. We are seeing Persephone and Hades get closer as she continues to stay with him in the Underworld while Zeus wants to bring her and Demeter to trial for hiding Persephone’s wrath that led to the deaths of many mortals sand permission. So we do have some lovely moments of closeness between Hades and Persephone that still feels appropriate and respectful from both of them, while still building up the romance. But my favorite part of this volume for these two is that Persephone has started the therapy process, and is starting to unpack her anxieties, her tumultuous relationship with her mother, and her sexual assault by Apollo. These scenes were so well handled as Persephone goes through so many emotions and breakthroughs, and I really, really appreciated how Smythe shows how raw and messy but powerful and empowering therapy can be for a person like Persephone. Seeing this kind of portrayal of mental health care in a book is always gratifying, and it fits in with the other themes that Smythe has been touching on from the jump.

We are also getting some more depth and richness for some of our other characters, whether it’s Eros and his changing relationship with Ampelus (who is Psyche in disguise, as suggested by Aphrodite), or Hera starting to have horrifying visions of Kronos (and setting up another potential arc in this story, as we know that Kronos’s strength is growing in spite of his imprisonment). I also really, REALLY loved getting more backstory on the relationship between Hades and Hera, as while I of course ship Hades and Persephone, the connection between these two is tragic even if it’s come to a certain comfortable understanding (and yes, Zeus was involved). We also get more interesting inversions of the original myths that these characters come from, with an especially harrowing and alarming take on the Daphne and Apollo myth that left me completely floored. Smythe is so good at pulling the themes from the source material and adapting it to fit this story, and I am continuously impressed by it.

I’m still absolutely loving “Lore Olympus”. We have ended on another cliffhanger, of course, but luckily it’s only a couple months before the next one comes out!

Rating 10: STOP DEVASTATING ME, RACHEL SMYTHE! This volume has so many heart wrenching beats, but hope is always present as well. Just fantastic.

Reader’s Advisory:

“Lore Olympus: Volume 7” is included on the Goodreads list “Great Graphic Novels Released in 2024”.

Previously Reviewed:

Book Club Review: “Rita Hayworth and Shawshank Redemption”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Re-visiting some of our past themes, we’re once again reading books that have had film/TV adaptations and then comparing the two mediums. For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Rita Hayworth and the Shawshank Redemption” by Stephen King

Publishing Info: Thorndike Press, 1982

Where Did I Get this Book: the library!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Suspenseful, mysterious, and heart-wrenching, Stephen King’s extraordinary novella, populated by a cast of unforgettable characters, tells a powerful tale of crushing despair and liberating hope through the eyes of Ellis “Red” Redding. Red’s a guy who can get you whatever you want here in Maine’s corrupt and hard-edged Shawshank State Penitentiary (for a price, of course), but the one thing he doesn’t count on is an unexpected friendship forged with fellow inmate Andy Dufresne—an inscrutable one-time banker perhaps falsely convicted of brutal, calculated murder who will go on to transform everyone’s lives within these prison walls.

What We Watched: “The Shawshank Redemption” movie

Kate’s Thoughts

When we opted to revisit our “Adaptations” theme for our Book Club, I knew that it was finally time to subject my lady pals to some Stephen King. I didn’t want to throw them into the deep end of King’s horror landscape, as I am one of the few people who really loves straight up horror in the group, but I did want to showcase his writing style. So “Rita Hayworth and Shawkshank Redemption” made the most sense to me. One, the movie is a classic, one that I’ve seen many times as it’s one of my husband’s favorites (I really love it as well). And two, it’s a great taste of King is a small package that can be easily taken on even by those who don’t particularly like horror. It was my second time reading it, and I loved it just as much this time around. I think I loved it even more than my first read.

Oh how I love this story. It’s so simple, so straightforward and matter of fact. King has such a way with creating characters who just speak to the reader, and I really adore Red’s voice and the way that the story really brings to life Shawshank, the prisoners, the horrific circumstances and systems at play, and the importance of hope in the face of hopelessness and finding your community you can find solace within. What I really love about this book is that King creates an objectively thrilling story with high stakes and lots of potential for drama and tragedy, but it flows so well and is so compelling as we learn about Andy and Red and their friendship in a quiet and calm kind of way. Yes, there are moments of terribleness, where people are lost, where people die, where lives are basically over and suffering within the walls of this terrible prison and the sociopaths who run it. But there are also moments of humor, of light, of camaraderie and joy. King finds the complexities in Red and Andy (while Andy still remains a bit of a mystery, which just adds to the compelling aspects of this novella), and really makes it so as a reader you connect with them both and hope that they make it to Zihuatanejo and away from Shawshank Prison. I think that on my first read I considered myself more a fan of the movie while still loving both. But this time around the theme of hope, and the grittiness and ambiguity of hope, really resonated with me. I now think I like book and film the same.

“Rita Hayworth and Shawshank Redemption” is a fantastic story. A masterpiece from Stephen King.

Serena’s Thoughts

I’m probably the stereotypical reader of this book, in that I had watched the movie years ago but never got around to reading the actual novella until now. That said, I’ve really enjoyed all the Stephen King books I’ve read (I leave his true horror books to Kate and just skim along through the more thriller/fantasy stuff) so I had high hopes going in. And I wasn’t wrong! I absolutely loved this book!

For being such a short book, it’s impressive just how much is fit into this small number of pages. Not only do we have the actual prison break itself, but the story also thoroughly explores the horrors of the prison system, its inner workings and societies, and how, even over decades and decades, much of this remains unchanged. On top of that, the story follows two incredible characters. First, the narrator, Red. And then, through his eyes, we meet Andy. It obviously all comes down to Red’s voice, as had that not connected with readers, the entire book wouldn’t have worked. Through him, we get a window into the lives of these inmates. He’s both empathetic of the horrors, but also incredibly straight-forward and frank about the realities of simply going on in the face of it all. We also come to understand the biggest challenge of prison life: maintaining any sense of hope in a hopeless place.

What stood out for me between the book and the movie (though there were many things, and I can’t get to them all here) was the depiction of Andy. I think the character worked incredibly well in the movie, but after reading the book, I can also see how Andy was given the “Hollywood treatment.” The book version is actually even more compelling, giving us a glimpse of an incredibly smart, complex, and unique man. While the Andy of the movie had some of your typical “movie magic” hero moments, the Andy of the book shone more in his steadfast unknowability. Even Red, his best friend, admits to feeling as if he only ever scratched the surface of what’s going on in Andy’s head. And by the end of the book, the reader feels the same way.

This was an excellent book! If you’ve watched and enjoyed the movie, I definitely recommend giving this one a go! It’s a short read that you can finish up in one sit-down and is well worth the time its given.

Kate’s Rating 9 : Even better the second time around. This book is filled with heart, tragedy, and hope, and it really shines, showing off King’s skills as a writer across multiple genres.

Serena’s Rating 9: A whopper of a punch packed in such a small book, exploring the horrors of prison life and the perseverance of the human spirit.

Book Club Questions:

  1. What were your thoughts about the book being about Andy, but being from Red’s perspective? How do you think it would have been different had it been from Andy’s?
  2. We find out from the first pages that a lot of these characters (outside of Andy) are very much guilty of the crimes they committed. Did that affect the narrative and how you felt about them as characters?
  3. What did you think King was saying about atonement and imprisonment within the walls of Shawshank? About isolation and community? Grudging acceptance of abuse and resistance?
  4. Zihuatanejo is the end goal for Andy after he leaves Shawshankl and becomes a place that Andy and Red hope to meet up in someday. What do you think Zihuatanejo symbolizes for these two men?
  5. The movie and the book have some clear differences. What were some that really stood out to you? Did you find any preferable over the other?
  6. In the book our narrator Red is a white man of Irish descent, but in the film he is played by Morgan Freeman, a Black man. How do you think changing his race changes the context of the character of Red?
  7. In the movie it’s clear that Red made it to Zihuatanejo and was reunited with Andy, but in the book King opts to leave it open ended whether he makes it to the beach to see his friend. Why do you think King wanted to make it more ambiguous?

Reader’s Advisory

“Rita Hayworth and Shashank Redemption” can be found on these Goodreads lists: World’s Greatest Novellas and I Only Watched the Movie!

Next Book Club Pick: “Delicious in Dungeon” Vols. 1 & 2