Book: “The Girl Who Soared Over Fairyland and Cut the Moon in Two” by Catherynne M. Valente
Publishing Info: Feiwel & Friends, October 2013
Where Did I Get this Book: audiobook from the library!
Book Description from Goodreads:September misses Fairyland and her friends Ell, the Wyverary, and the boy Saturday. She longs to leave the routines of home, and embark on a new adventure. Little does she know that this time, she will be spirited away to the moon, reunited with her friends, and find herself faced with saving Fairyland from a moon-Yeti with great and mysterious powers.
Review: Can my whole review just be this gif?:
No? Ok, fine, but I have to say, with this, the third installment in Valente’s “Fairyland” series, my love of these books has only continued to grow and my coherence for a reviewing them continues to deteriorate. But onwards we go in my now usual fashion for this series: blatant and unapologetic quoting!
September is growing up. We spend the longest portion yet in this series with September home in the “real world” waiting, wondering, and, now as an older girl, preparing for her trip to Fairyland. And with this growing up comes feelings, so many feelings! Fear, sadness, worry, and, suddenly, the thought that one must hide all of these feelings away. September has been practicing her “stern” face.
“It is such hard work to keep your heart hidden! And worse, by the time you find it easy, it will be harder still to show it. It is a terrible magic in this world to ask for exactly the thing you want. Not least because to know exactly the thing you want and look it in the eye is a long, long labor.”
But finally her traveling companion and escort to Fairyland arrives in the form of a very grumpy Blue Wind and she’s away! In the previous story, with September’s adventures in Fairyland Below, we spent a lot of time with the shadow versions of her companions, the wyverary A-Through-L, and the madrid Saturday, who were not quite the same as the true versions of themselves. So, as a reader, I could sympathize with September’s reflections on missing friends and loved ones and the complex feelings that arise from being reunited with those we care about after years of grieving their absence (though I am a spoiled reader who only had to wait until the next book to find my beloved characters again).
“September laughed a little. She tried to make it sound light and happy, as though it were all over now and how funny it was, when you think about it, that simply not having another person by you could hurt so. But it did not come out quite right; there was a heaviness in her laughing like ice at the bottom of a glass. She still missed Saturday, yet he was standing right beside her! Missing him had become a part of her, like a hard, dark bone, and she needed so much more than a few words to let it go. In all this while, she had spent more time missing Saturday than seeing him.”
The breadcrumbs that had been laid out in past books regarding the slow build relationship between September and Saturday come to a head in this story. Fully ensconced in “teenagedom,” September and Saturday struggle with the everyday challenges of first love while also dealing with the very-not-everyday-challenges of dating a madrid whose experiences with time as a river that can be traveled up and down with ease puts uncomfortable truths in the forefront. September had a glance of what could be her and Saturday’s daughter in the very first book, and a few run-ins with an adult Saturday in this story just further highlights her discomfort with fate, love, and choosing.
“But the trouble is, I do want to be surprised. I want to choose. I broke the heart of my fate so that I could choose. I never chose; I only saw a little girl who looked like me standing on a gear at the end of the world and laughing, and that’s not choosing, not really. Wouldn’t you rather I chose you? Wouldn’t you rather I picked our future out of all the others anyone could have?”
And per what is typical of these books, September’s adventures through bizarre and magical lands, meeting nonsensical and wonderful creatures, is all peppered with philosophical ponderings that speak to deeper truths. A few of my favorites include:
“Marriage is a wrestling match where you hold on tight while your mate changes into a hundred different things. The trick is that you’re changing into a hundred other things, but you can’t let go. You can only try to match up and never turn into a wolf while he’s a rabbit, or a mouse while he’s still busy being an owl, a brawny black bull while he’s a little blue crab scuttling for shelter. It’s harder than it sounds.”
“It’s Latin, which is an excellent language for mischief-making, which is why governments are so fond of it.”
and, of course,
“All Librarians are Secret Masters of Severe Magic. Goes with the territory.
I don’t think I have mentioned it in past reviews, but these books come with beautiful illustrations by Ana Juan. I listened to this book on audiobook (read by the author herself, and she was very good), so I missed the illustrations here. I nabbed a copy of the printed version to peruse them and they are beautiful, as they were in the previous books. Yet another plus to the series as a whole!
Rating 10: The perfect balance of beautiful and poignant.
Book: “Secret Six (Vol.6): The Darkest House” by Gail Simone and Jim Calafiore (Ill.).
Publishing Info: DC Comics, January 2012
Where Did I Get This: The library!
Book Description from Goodreads:As a member of the Secret Six is determined to bring back a loved one from the Gates of Hell using a ‘Get Out of Hell Free’ card stolen back in the first arc of the series. Meanwhile Bane must face his inner demons and make some crucial decisions regarding his future with the Secret Six!
Review: And here we are. We have reached the end of The Secret Six arc, pre- New 52. I wasn’t ready to say goodbye, really. I put it off as long as I could. But the time has come to say goodbye to my favorite mercenary super villains (who are not really all that villainous). Which sucks all the more because it was a very indefinite goodbye, with little closure for really any of the characters I have come to love. In their final arc we go back to the beginning, bringing back the much fought over ‘Get Out of Hell Free’ card that was so coveted in Volume 1. I’m sure you can probably guess who wants to use this card. After all, Scandal Savage hasn’t really gotten over Knockout, even though she’s dating the very lovely Liana. But when she decides to use it, she finds that someone has backstabbed her and taken the card for themselves. Our next arc involves a Hail Mary attempt for the Six, with Bane deciding that it is time to try and take out his long held enemies once and for all.
I don’t know how I feel about the end of this. It was annoying that there was one last bit of backstabbing. I thought we were past this, guys. So much about this storyline left me feeling a bit cold. For one thing, Scandal, darling, you have a lovely, LOVELY companion in Liana. So why are you deciding NOW that you need to go get Knockout back from hell? I had thought that she had moved on and was very happy with her and Liana, as I feel that Liana is far more interesting than Knockout is. It didn’t help that Liana was put in a very precarious situation and Scandal was too busy trying to get her old lover back to really assist her until it was almost too late. THIS DID NOT SIT WELL WITH ME. It just felt weird to bring Knockout back right at the end of things. And maybe they didn’t know it was the end. But it feels needless.
I also am frustrated that Bane just decides that they are going to take out Batman’s allies, which in turn leads to their downfall as a team. This also felt like a weird plot choice to me! Especially since I thought that he was doing pretty well with this group of people, and was possibly done with this Batman obsession. But what do I know? I guess they just needed to end it somehow and so WHY NOT END IT WITH THE GODDAMN JUSTICE LEAGUE TAKING THESE POOR LOSERS OUT? I was pleased that Huntress was there to critique and criticize the whole concept of heroes and what makes a hero. Because let’s be honest, the thing that I like about Secret Six is that they are kind of ambiguous, and could be good if they really wanted to be. And not only could they be good, they are so inept at being totally bad (outside of MAYBE Bane) that there was no way they stood any kind of chance.
All of this said, there were things in this that I liked. More sweet moments between Jeanette and Deadshot (and her being very dominant when kissing him just made me grin from ear to ear) and a sweet scene between an isolated Ragdoll and Scandal were great, and when they were in Hell I was especially satisfied by what Catman got to see, given that his father was such a horrible person and has, indeed, ended up in this awful, torturous place. My favorite arc, however, was a date that Bane went on with Liana’s friend and fellow dancer Spencer. He took her to a carnival, guys. A CARNIVAL.
This was everything I ever wanted.
So, while I was ultimately disappointed with the end of the series, I still loved “Secret Six” as a whole. I loved all of these characters. I loved Simone’s writing. I wish that there was more. I may have to see how the New 52 Secret Six are. But I feel like the originals will always hold the key to my heart.
Rating 7: A somewhat weak end, but Bane going on a date is so good. I’ll miss the Six.
Book Description from Goodreads:Keri has been struggling to run her family bakery since her mother passed away. Now the father she barely knew—the Lord of Nimmira—has died, and ancient magic has decreed that she will take his place as the new Lady. The position has never been so dangerous: the mists that hide Nimmira from its vicious, land-hungry neighbors have failed, and Keri’s people are visible to strangers for the first time since the mists were put in place generations ago.
At the same time, three half-brothers with their own eyes on the crown make life within the House just as dangerous as the world outside. But Keri has three people to guide her: her mysterious Timekeeper, clever Bookkeeper, and steadfast Doorkeeper. Together they must find a way to repair the boundary before her neighbors realize just how vulnerable Nimmira is.
Review: I have read a few other titles by Rachel Neumeier, and I’m beginning to come to a bit of a conclusion about her work. She has great ideas and the book summary is always amazing, but the actual execution somehow makes even the most thrilling concept seem tedious.
Everything about this book description is right up my alley. Features a strong leading lady, set in a unique fantasy setting, aided by her friends with a dash of romance, and out to save a kingdom. And it all started out well. Keri, an outcast in her own town given the questionable nature of her birth, is attempting to run her recently deceased mother’s bakery on her own when her life is turned upside down. She is suddenly the new heir to the small, but economically wealthy, country of Nimmira and the invisibility spells that have protected it for so long from its vicious and greedy neighbors are failing. With the help of her childhood friends, Tassel and Cort, she must set out to right what is wrong before her country falls.
Unfortunately, for what sounds like an action-packed start, the story quickly falls into several pitfalls right off the bat. Firstly, Tassel and Cort, for as little page time as they get in the beginning of the story, are each intriguing characters. Keri’s character is itself rather bland, but when played against the more flamboyant Tassel or the stern, responsible Cort, her character is seen in the best light. Unfortunately, both characters, especially Cort, are absent for large chunks of the story, leaving us with Keri at her most pale.
Further, with magical protections failing, a new kingdom to run, and the arrival of questionable neighbors with perhaps evil intentions, you would think there would be a lot of room for the story to move. Instead, we spend pages and pages with characters just talking and planning on what to talk about next, and who should talk to who, and on and on. And look, I’m all for detailed storytelling and character building, but when huge portions of the book are simply characters rehashing the exact same subject over and over again I lose my patience. There was one line about a neighboring country perhaps not realizing that Nimmira was vulnerable that was repeated at least 5-6 times throughout the book. It would have been laughable, if it wasn’t frustrating.
What makes many of these factors all the more irritating is the strong premises, like I mentioned. The author has created a unique magic system, but then fails to explain how it works. With almost any fantasy novel, there is a level of basic acceptance that readers are expected to go in with, but unfortunately this story pushed past this point. Keri, Tassel, and Cort all come into their new roles and discover their own specific brand of magic. However, the limits, boundaries, or rules of each of their abilities is never explored. There were several points where one or another character would conveniently discover just the right ability at just the right time to get them out of whatever scenario they were stuck in. This is not a magic system, this is a plot magic.
And sadly, the romance was not what I had hoped for either. It’s odd that I’m usually complaining about instalove relationships in young adult books, and while this was definitely not that, it was equally unsatisfying. Cort is absent for large portions of the book, which means that any progression of feelings (Keri starts off respecting Cort but very definitely not interested) isn’t based on any interactions between the characters, but more a “realization” towards the end of the story that she had always felt that way. Similar to the sudden magical abilities that were never hinted at before, this was sudden love feelings that we are shown no examples of, just merely told are suddenly there, on both characters’ part. It was very disappointing.
All in all, while there were strengths to this story (a creative world, an interesting idea for a magical system, and the beginnings of good characters), none of these strengths were ever fully realized, and it was ultimately a frustrating and disappointing read.
Rating 5: For having such a strong premises, the story and characters never felt fully fleshed out or sure of themselves.
Book: “My Best Friend’s Exorcism” by Grady Hendrix
Publishing Info: Quirk Books, May 2016
Where Did I Get This Book: I own it.
Book Description from Goodreads:Abby and Gretchen have been best friends since fifth grade, when they bonded over a shared love of E.T., roller-skating parties, and scratch-and-sniff stickers. But when they arrive at high school, things change. Gretchen begins to act…different. And as the strange coincidences and bizarre behavior start to pile up, Abby realizes there’s only one possible explanation: Gretchen, her favorite person in the world, has a demon living inside her. And Abby is not about to let anyone or anything come between her and her best friend. With help from some unlikely allies, Abby embarks on a quest to save Gretchen. But is their friendship powerful enough to beat the devil?
Review: As a child who was born in 1984, I have vague memories of the 1980s and the cultural amazements that this decade had to offer. Much of my pop culture influences from my early years were solidly 1980s fodder, as my favorite childhood movies were “Ghostbusters” and “Bill and Ted”, I have memories of my nanny subsisting on a soundtrack of Madonna and Prince, and definitely remember a lot of shades of neon in the wardrobes of those around me. I also remember washing my Mom’s car in our driveway using a rag with Reagan’s face on it, because ‘we like wiping mud onto Reagan’s face’, as my Dad put it one day. So I have enough awareness of the decade to have at least a little bit of nostalgia for it. This means, of course, that when I heard about “My Best Friend’s Exorcism” I practically jumped out of my skin in pure, unadulterated excitement. A horror novel that drips of 1980s nostalgia?
True, sometimes the 80s factor was laid on pretty thick, but the good news is that our protagonists, Abby and Gretchen, stand well enough on their own that they aren’t 80s stereotypes walking around on the pages. Hendrix did a really good job of creating a believable and complex girl friendship, so well that I was kind of surprised by it. Not to say that a guy can’t write this kind of thing, but it felt pretty true to life, ups and downs and all, without feeling like it was pandering to the audience. Abby is a girl from a lower income family (during a time when greed was so good) who is desperate to live the upper class life that Gretchen has, even if it’s vicariously and even if Gretchen’s parents are pretty wretched people most of the time. Gretchen’s family life is very representative of this egomaniacal Reagan’s America, and the setting of Charleston, South Carolina adds the racist and sexist and repressive attitudes of Dixie into this already gross recipe. The tension of the hierarchical culture is always present, as Abby is at a prestigious private school on scholarship, surrounded by rich kids (and administrators) who act like friends, but always see Abby as The Other because of her family income. The privilege reeks off of the kids in this school, and Hendrix brings it up through various situations and scenes that not only show the monetary privilege, but racial privilege as well. This is not an idyllic Charleston by any stretch of the imagination, as racism, misogyny, and Satanic Panic are always beneath the surface.
To me I was incredibly fascinated with Gretchen’s possession, and the ways that it manifested. For one, Gretchen’s place in society is one that a stereotypical exorcism story may not place her in. Instead of the daughter of a single parent whoring around actress a la “The Exorcist”, Gretchen’s parents are no doubt the kind of people that William Peter Blatty thought to be the ideal parents. They are conservative, they are religious, and they are strict to be sure that Gretchen has no improper influences in their home. One scene that stuck out in my mind was when Abby and Gretchen were caught listening to Madonna, and when Gretchen’s mother catches them she beats her daughter pretty violently with a hairbrush. A very, very interesting choice of family for a demon to target, in my opinion. It was as if Hendrix took that old chestnut exorcism story theme of ‘if you accept God and Jesus into your life, bad things won’t happen to you’, and spits in it’s face. Bold move, Hendrix, and I feel like it paid off. It was also a cool choice to make Abby, the girl whose family isn’t religious and doesn’t necessarily believe in this stuff, the person to cling hard to the possession theory. Satanic Panic was prevalent in the late 80s and early 90s, where lots of otherwise rational people believed that Satanists were conspiring against the country, so Abby was a good representation of that. I also liked that I was left questioning just what was going on in this story. Hendrix threw enough red herrings and misdirections in there that I was questioning what was the product of a demonic possession, and what was the product of trauma, or really just the fallout of mean girls doing mean things to each other.
And since it wouldn’t be a horror story without some horrific moments, I am happy to report that there are a fair number of decent scares in “My Best Friend’s Exorcism”. Hendrix is pretty solid and taking a concept that could be seen as light hearted and tongue in cheek, and then make it into something very unsettling and disturbing. While I’m not really one to be scared by possession stories in general, there were some moments in here that had me on the edge of my seat, just as there were moments that really grossed me out. One moment in particular. I won’t give it away, but let’s just say that a certain fad diet urban legend was used to the most disgusting degree as a means of demonic torment towards a frenemy of Gretchen’s and Abby’s….
There were some things about this book that made me a bit uncomfortable. I understand that Hendrix was setting a place and time and doing so with certain attitudes. But some of the casually thrown about racist and sexist and homophobic things thrown around, while no doubt prevalent to 1988 in Charleston, made my modern sensibilities very uncomfortable. I get what he was trying to do, but I also think that it sometimes fell flat and came off as tone deaf. I cringed a bit more than I wanted to at times.
Overall, however, I tore through “My Best Friend’s Exorcism” and greatly enjoyed the ride. It isn’t for the squeamish at times, but those with an affection for the 1980s and strong girl friendships may want to give it a try. Just…. you know, prepare yourself.
Rating 8: A fun and scary book that puts a very complex and real girl friendship at the center. Sometimes it felt a bit fumbling when it came to social issues, but overall it was a good read.
“Beach read” is a very fast and loose term for books people read over the beautiful summer months when we really should be outside “doing things” but are instead reading…maybe outside. Some people see these months as an opportunity to slog through long classics (we’re looking at you “Moby Dick”) before the busy-ness of of the fall starts up, but for the sake of this list, we’re limiting our choices to stand alone, mostly feel good books (though there’s some obvious leeway here for Kate’s horror tastes!) that could be easily brought along on vacations. So, still a very loose definition, but hey, we had to start somewhere! We will select one title for each of the genres we most read.
Fantasy Title: “Enchantment” by Orson Scott Card
This is one of my all-time favorite fairy tale re-tellings. Based loosely on the story of “Sleepy Beauty,” Card re-frames his story as seen through the eyes of Ivan and sets his story in eastern Europe. What makes this story truly unique, however, is the decision to tell this story as more of a time travel adventure than a classic fantasy story, set in a fantasy land. Ivan and Katerina are fun characters (if very frustrating in their own ways of handling what has to be a bizarre situation), and the Russian setting and history is particularly interesting. A must-read for fairy tale lovers.
Science Fiction Title: “Ready Player One” by Ernest Cline
In many ways, I think this book seemed to come out of nowhere and take the reading public by surprise. Especially today, when society is going through a “nerdom renaissance” of sorts, Cline’s love letter to 80s nostalgia and video gaming culture was an instant hit. And while pre-existing knowledge of pop culture references will make this book especially fun, it is by no means necessary. Fans of “Ender’s Game” (hey there, Orson Scott Card, long time no see!) are sure to love this sci-fi action adventure! Also, a movie is in the works, so take this opportunity to get ahead of the game.
Mystery Title: “Crocodile on the Sandbank” by Elizabeth Peters
I only recently discovered this mystery series, but it was love-at-first-read-page! There are some books that rely on many different factors (characters/plot/descriptive language/etc), but this series only needs one thing to sell itself: its narrator, Amelia Peabody. I don’t think I could name another protagonist’s voice who I enjoy more. She manages to be both a reliable and unreliable narrator at the same time, while also observing the world and those in it with the most distinct, and hilarious, voice I’ve ever encountered. Her interactions with the Egyptologist, Emerson, are particularly fun. Show up for the historical mystery, stay for Amelia Peabody herself.
Historical Title: “Death Comes to Pemberley” by P.D. James
“Pride and Prejudice” is one of my all time favorite books, and the idea of a sequel is almost blasphemous. Many have tried, many have failed. However, P.D. James seems to manage it! She doesn’t attempt to recreate Austen’s own unique style, but stays true to her characters (not modernizing them, which is often the main point of failure in these type of sequels). And instead of focusing on a continued romance (often another failing), she frames the story around a mystery featuring the love-to-hate Mr. Wickham, a mystery that Darcy and Elizabeth set out to solve! There are also several little references to other Austen characters which are fun to spot.
Horror Title: “Heart Shaped Box” by Joe Hill
Serena called it, my choice for horror isn’t exactly a happy book. But it is a very engrossing book. Jude Coyne is an aging rock star who likes to buy weird and creepy things off of eBay. His most recent purchase is a men’s suit that is supposedly haunted. When he gets the suit (delivered in a heart shaped box no less), he thinks that it’s just for grins. But then he starts seeing the ghost of an old man with scribbled out eyes around his house. He and his girlfriend Georgia go on a road trip to try and stop the haunting, the ghost following them the whole way. This is a fast and fun read that will keep you up at night, so perhaps save it for when you’re on a very sunny beach.
Thriller Title: “Creepers” by David Morrell
David Morrell may be best known for writing “First Blood,” which introduced the world to John Rambo. But he is also very well known for writing taught and creepy thriller novels outside of “First Blood.” “Creepers” is my favorite of his, and it concerns a group of urban explorers who are planning on breaking into the abandoned Paragon Hotel in Ashbury Park. One of those explorers is New York Times reporter Frank Ballenger, who hopes o profile them for an article. When they get inside they find a beautiful building that is frozen in time…. But there are other people lurking in the halls of the hotel. Hotels are no doubt the perfect setting for an unsettling story when you are on vacation in the summer months, and “Creepers” is sure to thrill you until the last twist.
Graphic Novel Title: “Roller Girl” by Victoria Jamieson
“Roller Girl” may be easily dismissed as a kid’s graphic novel, but it has a lot going for it. First of all, it’s a very relatable story about a twelve year old girl named Astrid who decides that this summer she wants to sign up for roller derby camp, and thinks that her best friend Nicole is going to sign up for it too. But when Nicole decides to go to dance camp (with Astrid’s sworn enemy Rachel!!!!) instead, Astrid has to take on this summer alone. I think we’ve all been there. “Roller Girl” is a very fun and touching book about summer camp, new friends, and growing up in some hard ways. Fans of “Whip It” will no doubt find something to love in this one!
What are you planning on taking to the beach with you this summer? Let us know in the comments!
Book: “The Girl Who Fell Beneath Fairyland and Led the Revels There” by Catherynne M. Valente
Publishing Info: Feiwel & Friends, October 2012
Where Did I Get this Book: the library!
Book Description from Goodreads:September has longed to return to Fairyland after her first adventure there. And when she finally does, she learns that its inhabitants have been losing their shadows—and their magic—to the world of Fairyland Below. This underworld has a new ruler: Halloween, the Hollow Queen, who is September’s shadow. And Halloween does not want to give Fairyland’s shadows back.
Review: It’s another home run, folks! And, since I am not one for changing routine, I’m going to conduct this review in the same manner as I did the last: Insert beautiful quotes and weep at the author’s literary majesty. Here we go!
“A book is a door, you know. Always and forever. A book is a door into another place and another heart and another world.”
September is waiting anxiously to return to Fairyland and continue her adventures. But this time around, her return is marked not with the exultation of a savior, but the practical results of her previous actions. Her shadow, lost in exchange for aide the last go around, is loose and making trouble in Fairyland-Below and it is up to Septmeber, as the owner of said shadow and therefore responsible, to set things straight (or as straight as they can get in such a nonsense world).
“You know, in Fairyland-Above they said that the underworld was full of devils and dragons. But it isn’t so at all! Folk are just folk, wherever you go, and it’s only a nasty sort of person who thinks a body’s a devil just because they come from another country and have different notions. It’s wild and quick and bold down here, but I like wild things and quick things and bold things, too.”
September is also growing up, much to her own dismay. She is no longer a Heartless Child and her new, untried heart proves to be quite a struggle in this book. She must bargain away a first kiss as well as time itself, an even more precious and unknowable currency.
“For though, as we have said, all children are heartless, this is not precisely true of teenagers. Teenage hearts are raw and new, fast and fierce, and they do not know their own strength. Neither do they know reason or restraint, and if you want to know the truth, a goodly number of grown-up hearts never learn it.”
This new heart proves troublesome with her friends as well, new and old. The realization that friends are different, individual people with their own thoughts, feelings, and priorities challenges September’s perception of herself and the world. But A-Through-L and the Madrid, Saturday, are as wonderful as ever. Her relationship with Saturday grows deeper and even more confusing for poor child-on-the-verge-of-adulthood hearts.
“And then she felt her Ell’s great strong presence beside her, and Saturday slipped his hand in hers. Oh. Oh. They would not abandon her. Of course, they would not. How silly she had been. They were her friends—they had always been. Friends can go odd on you and do things you don’t like, but that doesn’t make them strangers.”
Valente continues her unique writing style of beautiful lyricism, grammatical twists, and deep truths masked in narrative gymnastics. I continue to enjoy her insertions of the narrator’s own voice on the story.
“Oh, September! It is so soon for you to lose your friends to good work and strange loves and high ambitions. The sadness of that is too grown-up for you. Like whiskey and voting, it is a dangerous and heady business, as heavy as years. If I could keep your little tribe together forever, I would. I do so want to be generous. But some stories sprout bright vines that tendril off beyond our sight, carrying the folk we love best with them, and if I knew how to accept that with grace, I would share the secret.”
As I’ve mentioned, the real joy of these books lies in the combination of nonsensical world building and creativity alongside very deep, and often sad, thoughts on life and living. This book, specifically, deals a lot with September’s father, his absence while fighting in a war in Europe, and the effects that war itself has on a person.
“Her father’s shadow looked sadly down at her. “You can never forget what you do in a war, September my love. No one can. You won’t forget your war either.”
September learns several lessons regarding grief, friendship, love, betrayal and forgiveness all while cavorting in an underworld ruled by her own capricious shadow. The shadow-selves in this story are a fascinating look at the unknown self, the better and worse aspects of each being that lie out of our own sight and awareness.
“For there are two kinds of forgiveness in the world: the one you practice because everything really is all right, and what went before is mended. The other kind of forgiveness you practice because someone needs desperately to be forgiven, or because you need just as badly to forgive them, for a heart can grab hold of old wounds and go sour as milk over them.”
All around, another amazing story featuring September and Fairyland. I loved this book almost as much as the first, the only detraction being my own rush to want to return to the beloved Fairyland characters from the first story, which is a hard thing to hold against a series that is themed around creative new ideas and worlds. Again, I will be rushing on to the third book and am pretty sure that this series will end up being purchased and added to my own personal library.
“A library is never complete. That’s the joy of it. We are always seeking one more book to add to our collection.”
Book: “Secret Six (Vol.5): The Reptile Brain” by Gail Simone, Paul Cornell, Jim Calafiore (Ill.), and Pete Woods (Ill.)
Publishing Info: DC Comics, May 2011
Where Did I Get This Book: The Library!
My Summary: The Secret Six have split up, with Bane and Jeanette on their own and Scandal, Catman, Deadshot, Ragdoll, and Black Alice remaining. But they soon find themselves on the opposing sides in a mission. Bane’s team is supposed to annex a lost world called Skartaris for the government, while Scandal’s team is hired by Mockingbird to kill them before they can. It’s Six vs Six, and not everyone may make it out alive.
Review: I hate it when teammates fight. This is one of the reasons that I was lukewarm on “Captain America: Civil War”, and had a hard time watching parts of “Batman Vs Superman”. I just want my favorite characters who are friends to remain friends and not hate each other. So when we got to this story arc of The Secret Six, I knew that I was going to a rough spot for me as a reader. Bane and Jeanette have their own team now, which would be fine if Scandal’s Six weren’t trying to kill them as ordered by Mockingbird. I knew that this was going to happen sooner or later, but that didn’t make it any less upsetting.
The pros of this story are that it gave Black Alice a lot more to do this time around outside of angsting. I also liked seeing King Shark make his Secret Six full debut, as he is so damn funny and obnoxious. It was also really neat that Simone decided to address some deeper themes in this arc, specifically that of annexation and colonialism. Black Alice has a lovely monologue about how using the people of Skartaris for their own agendas is wrong, and how they should be left to live their own lives and not ‘civilized’. It treaded towards a bit clunky in it’s execution, but it never quite got there because Black Alice is an earnest teenage girl and it works for her. Had it come from anyone else it might not have worked as well. There was also the watershed moment between Bane and Scandal, who have been at odds and butting heads for quite awhile now. They needed that moment, and I love their very loving, father-daughter relationship.
Speaking of father-daughter relationships, Vandal Savage comes back in this collection, and that was far less interesting to me. I didn’t really need a re-hash of Scandal going against her father’s wishes because she’s a lesbian. Make no mistake, I like that Simone was addressing the complications of this relationship because of who Scandal is (and why her father can’t or won’t accept it), and I really love that Scandal is uncompromising in her sexuality. Given the recent pattern in TV where lesbians have been dropping like flies, I like that in 2011 Scandal was here, being herself, standing up for herself, and not backing down or being thrown aside (though I should note that Scandal’s life isn’t totally immune to the bury your gays trope, as her lover Knockout died heroically and tragically). It just solidified what a creep Vandal is when it comes to his child, even though he does seem to deeply care for her. Complicated? Sure. Interesting? Not as much as it was the first time we addressed this wedge between them. The only benefit is that it gave Scandal more to do, and I am always for that.
We also got a great moment where Deadshot called Jeanette “Sweetie-Pie Cookie Puss”. Those two are just the best.
“The Reptile Brain” was a step down from “Cat’s in the Cradle”, but it was still a good volume. And soon I will be at the end of my “Secret Six” run, as the next volume, “The Darkest House”, is the end of the line.
Rating 7: A dip from “Cat’s in the Cradle”, but some touching moments between Scandal and Bane, plus more Scandal character exploration, kept the heart firmly beating in this series.
Where Did I Get this Book: audiobook from the library!
Book Description from Goodreads:Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journey–with the help of the green-eyed Children of Crake–through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride.
Review: Margaret Atwood is a master of dystopian fiction. And that is why I read her books rarely. Want to sink deeply into existential malaise? Wallow in the realization that many of these “dystonian” constructs seem frighteningly close to the truth? Oh boy, get ready! And while this is a glum start to a review, the fact that she is able to tap so directly into these dark themes is simply an example of her expertise in action.
“Oryx and Crake” drops readers off right in the middle of the action…er…inaction. A man who calls himself “Snowman” is seemingly the last human alive on a very clearly climate-impacted earth. Surrounded by bizarre hybrids species such as Rachunks (raccoon/skunks) and Wolvogs (wolf/dogs), he spends his days sleeping in a tree, scrounging for food, and acting as a sort of prophet to the “Children of Crake” a humanoid species that he shares his beach with.
A beginning like this is definitely challenging. Atwood starts her story in the middle and leaves readers to trust that the answer to an overwhelming number of initial questions will come. The story does become clear slowly throughout the book using extended flashback as Snowman thinks of his life before when he was known as Jimmy and had a brilliant friend named Crake and a mysterious lover named Oryx. Through these flashbacks and what seems like the slow decay of Snowman’s sanity given his isolation, important facts and connections can be gleaned and fit together forming a complex puzzle that is incredible once you reach the end. However, while I loved this tactic, some readers may be frustrated with the amount of trust and patience that is required early on in the story.
The main focus of the story is the life of Jimmy/Snowman. Knowing the end result, it is fascinating reading about his life unfolding and spotting the signs that things would not end well. And right here is what I’m talking about! The mad science of this society that comes across as horrific to an omniscient reader who knows the outcome can also be easily seen as a natural progression of a society gone wild with its own power of creation. What’s more, in the moment, lacking this foreknowledge, these advancements would seem as nothing more than the logical next step in society. And it’s terrifying, the ease with which one can imagine these things as all too plausible in the near future! Atwood pulls no punches in her critiques of society, science, and the pitfalls of humanity’s relationship with nature, science, and, perhaps most importantly, with itself.
As a character, Jimmy is the everyman of the story. As the son of two scientists, Jimmy’s life is one of privilege given the state of society. He grows up in a “compound,” one of the elaborate campuses that private companies create to house their most prized goods: the brilliant scientists they hire. Outside these communities lie the “Pleblands” where the average members of society make their living. I wish we had heard more about this outside world. As I said, Jimmy starts life in a very privileged position and this start is enough to successfully carry him through a life inside the more cozy world of these compounds, even though he doesn’t possess the brilliance of his parents or genius best friend, Crake. That being the case, we see very little of this outside world. It seems to still run like current society, with a hierarchy of wealth within its boundaries as well, though more plagued by crime, disease, and, obviously, poverty, than the compounds.
The second member of the three main characters is Oryx, the love interest for Jimmy and Crake, though this is a very small part of the story, as far as I could tell. The book description plays it up in a way that I don’t think rings true at all. Of the three characters, her life story is the most tragic and she is the most ambiguous. It is clear that Jimmy never fully understands her, so we as readers glimpsing her only through Jimmy’s own perceptions never see a clear picture either. While I enjoyed hearing her story and seeing different aspects of society through her life, as a character she was probably the weakest. Her storyline did not seem as integral to the plot overall.
And Crake. Jimmy has a better understanding of him, but an understanding that is constantly distorted through rose colored glasses of childhood friendship. Again, knowing the outcome and in combination with Snowman’s more cynical thought process in the present, the story of Crake is one of simmering horror.
“Oryx and Crake” is the first in a trilogy, however, it reads well as a stand alone novel. I will most likely continue the series (again, once I’ve given myself a rest from the dread that Atwood so effortlessly dredges up), but I am satisfied with the story as it stands now, as well. Her writing is strong, the characters intricate, and, as always, this book definitely reads as a cautionary tale for humanity.
Publishing Info: Tom Doherty Associates, April 2016; Original Dutch edition published in April, 2013.
Where Did I Get This Book: I own it.
Book Description from Goodreads:Whoever is born here, is doomed to stay ’til death. Whoever settles, never leaves.
Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a 17th century woman whose eyes and mouth are sewn shut. Muzzled, she walks the streets and enters your homes at will. She stands next to your bed for nights on end. Everybody knows that her eyes may never be opened.
The elders of Black Spring have virtually quarantined the town by using high-tech surveillance to prevent their curse from spreading. Frustrated with being kept in lockdown, the town’s teenagers decide to break their strict regulations and go viral with the haunting, but in so doing send the town spiraling into the dark, medieval practices of the past.
Review: It takes a heck of a lot to scare me, guys. I’ve been watching suspense films like “Rear Window” and “Vertigo” since I was a kid, I started watching slasher films when I was in middle school, and my first venture into horror movies in the theater was when a chaperone took me and a friend to “The Blair Witch Project”the summer before freshman year of high school. Suffice to say, I’m a veteran at the horror rodeo, and it now means that the subject of horror I’m consuming needs to really pull out all the stops in very specific ways before I am affected by it. It’s good in that I’m not kept up late at night jumping at every sound, but bad in that I like being scared for funsies every once in awhile.
But “HEX”? “HEX” kept me up at night.
I think that it was a combination of multiple things that made “HEX” such a scary read for me. The first is that Katherine van Wyler (aka the Black Rock Witch) just sounds like a really scary entity. She walks in silence, towers over people, just stands in place for hours on end, and has her eyes and mouth sewn shut. I mean jeeze, this is the stuff that my nightmares are made of. While the people in Black Spring are used to her, and while they pretty much know how to handle her, that isn’t to say that they aren’t living every day in fear of her and what she could do, and has done in the past. You do get Katherine’s backstory, but Heuvelt saves that for a little later. The book itself just opens with our protagonist family, Steve, Jocelyn, Tyler, and Matt Grant, going about their business as Katherine stands and blindly stares in their living room. I closed the book after the first chapter and just sat there for a moment, wondering what exactly it was I was getting myself into. There are scenes with her that took my breath away because I was so tense, and scenes where I was nearly shaking. She is absolutely terrifying. But Katherine is tragic as well. She has cursed this town for what it did to her back when Black Spring was still run by Dutch settlers, and as you find out more about what that is, the more sympathy you feel for this creature that everyone lives in fear of. Not to say that the reader isn’t still in fear of her as the book progresses. I mean, the description alone is just scary as hell, and there were moments of characters tromping through the woods at night that took me back to that summer before freshman year when I was practically pissing myself watching “The Blair Witch Project”. That is to say I had to nope the hell out and stop reading.
But something that sets this book aside from other genre horror is that it is not The Black Rock Witch who should be most feared. The town of Black Spring has evolved in such a way because of this curse that they have turned into something far more unsettling. While I didn’t have as big of a problem with the HEX Group (the surveillance group that keeps tabs on Katherine’s whereabouts through surveillance and the vigilance of the townspeople reporting in on their phones), I most certainly had a problem with the Town Council. Led by a zealous old man named Cotton Mathers, the elders of the Town Council are determined to make sure that everyone in Black Spring keeps this life and Katherine a secret from the outside world, and anyone who goes against those rules are subject to unspeakable punishments. Black Spring is still stuck in an age that is very reminiscent of the Puritans, and their religious fervor and practices of atonement and groupthink were by far the most upsetting moments in this book. The way that the town gets whipped up into a frenzy out of fear of Katherine just reeked of the scariest parts of history, and while I sometimes had to put the book down because of the witch-related suspense, I was far more upset by the absolutist violence and terror that the humans in this book doled out, to their own citizenry and to Katherine alike.
The characters were also very well written. The members of the Grant Family were the main protagonists, with Steve and Tyler at the forefront. Steve and Jocelyn were unlucky enough to move to Black Spring from the outside and realize that they couldn’t leave for longer than a couple weeks, but Steve has since adapted to the ways of the town and believes in keeping the status quo as a way to protect his family. Steve loves his family to a fault, but most of his love is for his oldest, Tyler. Steve really just wants everyone to be safe, and is acquiescent to the life that they have found themselves in, even if that means that they are ultimately prisoners.
Tyler, on the other hand, has grown up in Black Spring, but has also had the Internet his whole life and has seen the outside world, and wants to live in it. Their conflicting views provide the main conflict at the heart of this book: the old ways being pushed against by the younger generation. Tyler is the one who wants to expose the Black Rock Witch Haunting to the world via his website and blog, thinking that if outsiders knew it may break the curse, while the elders of the town think that it would just spread it. I understood both sides of the argument, and what I liked best about it was that neither side was completely right, or wrong. Tyler has a hard lesson to learn in who to trust for such good intentioned (though ultimately selfish) sentiments, as one could argue it’s one of his friends, Jaydon, who sets of the events of this book. Jaydon has his own personal vendetta against Katherine, and that in combination with a childhood of abuse and rage set off a lot of very upsetting events and violence directed at Katherine that made me, as a woman, a bit sick to my stomach to read. Again, it’s the people of Black Spring that are the biggest villains of all in this book.
I also greatly enjoyed the character of Robert Grim, the head of the HEX Group and main tracker of Katherine’s movements. He’s brash and he’s sarcastic, but he’s also one of the few voices of reason in Black Spring. He’s a realist living in a town filled with superstition and fear, and he is noble to a fault when it comes to trying to protect the community he doesn’t really fit into, not at the heart of his being. It would have been so simple to make him just another antagonist, but Grim is quite possibly the most righteous of characters in Black Spring.
“HEX” was a fabulous, very scary read. Fans of horror really need to pick this one up, because it has everything you could ever want. But maybe don’t read it at night. And if you live by a wooded area like me, definitely try not to think about that either…
Rating 9: This book scared the dickens out of me. Definitely recommended but maybe not for those easily scared.
Last week, the two of us had gotten together at Serena’s house to continue our long and drawn out re-watch of a show that both of us enjoyed in childhood. That show is “Lois and Clark: The New Adventures of Superman,” and it was a formative part in both our childhoods when it came to portrayals of Superman in popular culture. With the new trends of the DC Universe leaning more towards gritty and ‘real’ interpretations of their characters, it’s been very fun going back and watching a more light-hearted version of Clark Kent/Superman, and his best gal-pal Lois Lane. Even though there are a lot of things about this show that are painfully 1990s (see below for one of many fashion statements), the storylines, characters, and themes really hold up for 21st century sensibilities.
So we thought that it would be fun if we took a fond look back on this show and the ways that it brought Lois Lane, Clark Kent, and all the important characters of Metropolis to life!
History of the Show
“Lois and Clark: The New Adventures of Superman” premiered on Sunday nights on ABC in September of 1993. Teri Hatcher was cast to play Lois Lane with Dean Cain as Clark Kent/Superman.
Before “Lois and Clark,” Hatcher was probably best known for recurring roles on “The Love Boat” and “MacGyver,” though one of her first jobs was as a cheerleader for the 49ers. These days people will probably know her best from the show “Desperate Housewives,” but to us she will always be known as the best damn Lois Lane there’s been. For the part of Clark Kent, the NFL was consulted once again, as they cast Dean Cain, a former player for the Buffalo Bills who remained benched for the entirety of his career due to an injury. He did commercials and guest roles before winning the role of Clark Kent.
The series creator, Deborah Joy Levine, was the show-runner for the first season. Unfortunately, the show’s time slot left it in direct competition with “Murder, She Wrote,” so top performance was not in the cards straight out of the gate. (Angela Lansbury was, and still is, a formidable foe.) But a solid second was the goal, and Levine and her writers knew they had to approach their characters in a way that would be family friendly, but entertaining for adults as well. In a departure from most previous Superman storylines and depictions, “Lois and Clark” refocused its story on the relationship between Lois Lane and Clark Kent rather than the exploits of Superman, with Supes’ dazzling feats of heroics often playing an exciting, but decidedly second, fiddle.
Between season 1 and 2 a number of changes were made. The show completely dropped the character of Cat Grant, the saucy and bawdy gossip columnist at the Daily Planet (played perfectly by cult TV show staple Tracy Scoggins), and replaced their Original Jimmy Olson, Michael Landes, with Justin Whalin to make Jimmy 2.0.
FUN FACT: In the commentary of the pilot episode on the DVD release, it was revealed that this recasting was due to a concern that Landes, also dark haired and eyed, too closely resembled Cain’s Clark Kent.
This also marked the departure of Lex Luthor as the main over-arching antagonist (as John Shea apparently had a falling out with production), whose presence as a corporate villain set the focus for Season 1. Sadly, Deborah Joy Levine also departed the show after Season 1, along with the original writing staff. The network wanted a bit more focus on action and romance, and there is a noticeable tonal shift to a more over-the-top feel starting in Season 2. Instead of focusing on more realistic villains and undercover crime reporting, villains started becoming far more magical, supernatural, and fantastical. At times, this shift also resulted in an increased, and one has to imagine, unintentional, comedic factor with regards to the show’s villains. One remembers (fondly, I might add), re-imaginings of classic Superman villains, such as the Toyman, into gushing fountains of cheesy 90s goodness (this version creates toy rats that spray a goo into people’s faces, reducing them to a greedy, child-like state. This affect even works on Superman. He steals Lois’s candy, and it’s great.)
Season 3 was the most successful of the seasons ratings-wise, though much of the show became about a wedding between Lois and Clark that just couldn’t quite get off the ground. But by Season 4 ratings started to drop, the show got tossed around different time slots, and even though the titular characters did finally get married “Lois and Clark” was eventually not renewed for a fifth season (though apparently they had been told that they probably would be).
FUN FACT: The wedding episode was timed to air with the release of the comic book “Superman: The Wedding Album” which featured the same marriage for the first time in 60 years; the first “for realsies” marriage that is, as there were several dream sequence type “fake outs” over the many decades previous.
The show ended with Lois and Clark, after being told that they wouldn’t be able to have any biological children together, finding an abandoned baby on their doorstep wrapped in a blanket featuring the Superman symbol. So ultimately, what was meant to be a cliffhanger, oddly helped wrap the show up in a suitably ‘happily ever after’ kind of way. The final episode aired on June 14th, 1997.
Lois/Clark/Superman Character Analysis
The show took a couple of interesting characterization stances when it came to telling the stories of Lois Lane and Clark Kent/Superman. The first was that it was made clear early on that Clark Kent does not have the usual life balance that Superman had in other comic and movie portrayals. In the show Clark lives in an apartment, acts like Clark when no one is looking, and doesn’t become Superman as we know him until the pilot episode. He is even unaware of his Kryptonian background until several episodes into the first season. In this way, it is firmly established that Clark Kent IS his identity; Superman is his alter ego.
FUN FACT: To further emphasize this shift in dominant personalities, Clark Kent and Superman’s hair styles are swapped with Superman sporting the slicked back and stylized hair, while Clark Kent features the more natural and laid back floppy style.
Clark’s humanity is further highlighted with the many romantic blunders that he commits throughout the show’s running. We spend much of our re-watches throwing our hands up in frustration and saying “No, Clark! Not again! Lois…you can do better.” “No, she can’t, it’s Clark.” “You’re right, and I’m sorry for saying it, but really…?” Cain plays the role with a sincere but goofy take, always pulling back at the right moment to prevent the character from taking himself too seriously.
Cain’s strengths definitely lie in his portrayal of Clark Kent. Due to the show’s focus on Clark as the character and Superman as the role, when Superman is on screen he is often saddled with the cheesier aspects of the show, a fact that isn’t helped by what are now very dated special effects. The character is further weakened by his isolation from the rest of the cast, often working against the aforementioned over-the-top villains for the most part with only dashes of interactions with a Lois who (especially in the first two seasons when she doesn’t know his true identity) is often at her most lovesick and ridiculous. While Cain is still effective in this role, the added layer of playing the character of Clark who is then playing the character of Superman adds a certain strain to his acting that can seem a bit forced at times.
In the end, it is Hatcher who carries the show with the stronger performance. While Lois plays the usual ‘damsel in distress’ role, she is also written as a very competent and well respected reporter. From the beginning through to the show’s end, Lois is clearly the superior reporter and takes the lead in their professional life. And, let’s be real, their personal life too, once she gets the whole super identity thing figured out. Hatcher wraps up a character who could verge into the realm of overbearing and ridiculous within layers of sweetness, insecurity, and vulnerability that makes Lois completely relatable and endearing.
And ultimately, it is the undeniable chemistry between Cain and Hatcher that carries the show. The progression of their relationship, from strained co-workers, to friends, to dating, to married life, is always peppered with the perfect amount of humor, respect, friendship, and finally love, and is joy to watch.
Other regular characters included Jimmy Olson, Perry White, and, in another notable difference from many Superman stories, the routine appearance of Jonathan (thankfully living!) and Martha Kent.
The villains on “Lois and Clark: The New Adventures of Superman” ranged from fairly realistic corporate and crime moguls, to strange and out there time travelers, ghosts, or in the case of Spencer Spencer, a head on a deformed torso that he hides in a box.
The show’s most recognizable villain, however, is Lex Luthor, played by John Shea.
This interpretation of Luthor follows the John Byrne version of the character, who isn’t so much a mad scientist as he is a corporate villain with lots of money at his disposal. This version is the one that many people think of for Luthor these days, and Shea fits the part to a t. Shea’s Luthor is charismatic and charming, a villain that is pretty fun to hate. Or not hate, in Kate’s case. Shea has good chemistry with Cain in their antagonistic moments, but his chemistry with Hatcher crackles. The viewer can hate him for not only wanting to take down Superman, but also because he effortlessly and, one could argue, realistically romances Lois away from Clark. While it would have been an obvious choice to make him a bad boyfriend, Hatcher’s strong, confident Lane would never have tolerated that. So this Luthor is formidable in all ways, and the ultimate villain for the show.
And then the character was killed off at the end of Season 1.
This gave other villains time to shine. While a few of the comic book villains did show up (perhaps most notably Mr. Mxyzptlk, played by Howie Mandell), quite a large number were original.
FUN FACT: Aside from Lex Luthor, General Zod is likely one of the best known Superman villains. However, the show could not get rights to the character. Instead, they created a nearly identical character named Lord Nor who, alongside a group of Kryptonians, attempts to take over Earth in season 4.
Many times these villains would be B-lister guest stars, or people who made their name in other sci-fi/fantasy television shows or movies. You had Bruce Campbell playing Bill Church Jr., the leader of the nefarious organization Intergang. You had “Star Trek: Next Gen” alums Denise Crosby and Jonathan Frakes playing Lex Luthor’s ex-wife and a wealthy megalomaniac, respectively. Even people who had shows on ABC at the time would make tongue in cheek guest appearances, as was the case with Drew Carey from “The Drew Carey Show” when he played a realtor who accidentally summoned the ghost of a murder victim. Kathy Kinney, who played Drew’s nemesis Mimi on “The Drew Carey Show,” was the ghost, naturally. The villain-of-the-week became the name of the game format of the show, and the more scenery they could chew, the better.
Luthor did return a handful of times for a couple of small arcs (reanimation for the win!) But even he wasn’t unaffected by the new “the bigger the better” bottom line for how villains were portrayed. He went from a suave and chill super-villain with a bank account to a crazed science experiment gone mad with dreams of revenge and reconnecting with his lost love, Lois Lane.
Shea played both versions well, but it’s safe to say that he was more fun when he was tangling with Superman with an ice cold demeanor, unphased by most things that the Man of Steel could throw at him.
The upside to this carousel approach to villains is that the show really is, at its heart, about Lois Lane and Clark Kent figuring out their relationship, and Clark figuring out how to function both as himself and as Superman. So ultimately, it’s just as well that the villains, Luthor aside, never stuck around too long. The prolonged angst of dark and demented nemeses wouldn’t fit the tone of the show at all. The villains serve their purpose, but at the end of the episodes they are, usually, vanquished, and the status quo is returned for Lois and Clark.
You probably won’t be surprised to hear that my favorite episodes come from the first season, as that was the season that was more grounded in subtleties. I love “Pilot,” as I feel that it perfectly establishes every single one of the characters as the show is writing them. Clark Kent comes to the Daily Planet looking for a job and looking for a normal life, but by the end of the episode he’s taken on the Superman role in hopes of helping others. Lois has the perfect introduction in this, just coming off an undercover case that she has totally nailed. She is ambitious and snide, but clearly has a very good heart along with a good head on her shoulders. Her disdain for boy-scout Clark Kent as her new partner (a partner she does not want nor think she needs) is hilarious. Plus Dean Cain just embodies the persona of Clark Kent with his ‘aw shucks’ demeanor. And an MVP award has to go to Lane Smith, who is the best damn Perry White ever with his blustery attitude and ‘God I hate/love my staff so much’ demeanor. He takes a chance on Clark, but doesn’t let him off easy either. That’s the Perry I know and love.
I also have to give a shout out to the episode “Fly Hard,” the nineteenth episode of Season 1. In this one Clark, Perry, Lois, Jimmy, and Lex Luthor are being held hostage at the Planet by a group that is trying to find a large amount of money hidden in the building. This one I really like because it has a good amount of suspense, a very funny scene involving Cat being completely oblivious about her co-workers being held hostage, and one of the best pick up lines that Lex Luthor has given in the history of Lex Luthor pick up lines (“[Money] can’t buy brown eyes.” I’m sorry, I’m kind of a Lois/Lex shipper on this show because of how good Shea is when he’s on screen with Teri Hatcher). “Fly Hard” sticks out in my mind very prominently.
I definitely agree with Kate’s picks and would have listed them as well! For my picks, I’m going to highlight an episode from Season 2 and Season 3.
For Season 2, one of my favorite episodes has always been number 7 “That Old Gang of Mine.” It also perfectly illustrates the more nonsensical villains that were introduced in this season by featuring a mad scientist who, after discovering that he knows how to raise people from the dead, decides that the best way to impress people with this power is to bring back famous criminals such as John Dillinger and Al Capone. What is this plan?!? Anyways, Lois and Clark investigate, but while undercover, Clark gets shot. Of course, Clark, not being Superman, must “die.” This episode was a real turning point for Lois’s character with the realization of how deeply she depends on Clark’s friendship. Clark, too, also realizes how important his life in Metropolis is (Clark’s history before the timeline of the show involved him globe-trotting and never laying down roots due to his lack of a secret identity and inability to not help when he sees something going wrong). Their reunion is also very cute!
The second episode that I always love rewatching is in season 3 episode 13 “Tempus, Anyone?” Aside from Lex Luthor, Tempus is the second most-used villain in the show, appearing in 3 out of the 4 seasons. A time traveler from the future, Tempus for some reason doesn’t like good things and wants to prevent the utopian future that was created due to the actions of Lois/Clark/Superman, so whenever he shows up, time tomfoolery is sure to happen! His appearance in season 3 is his second attempt at disruption when he whisks Lois away to a parallel universe where things are very different. In that universe, Lois died years before meeting Clark. More so than almost any other episode, this is a “Lois episode,” not only featuring her as the well and true heroine of the story, but also highlighting how crucial her presence is to those around her, most importantly, to Clark.
So, there you go! A very long winded “brief” history of our love for the 90s classic “Lois and Clark: The New Adventures of Superman.” Are there any older tv shows that you consider lost gems? Let us know in the comments below!
(Many sources of information in this post come from the Wikipedia page on “Lois and Clark: The New Adventures of Superman” and the references that can be found at the bottom of it.)