Serena’s Review: “A Treacherous Curse”

26244626Book: “A Treacherous Curse” by Deanna Raybourn

Publishing Info: Berkley, January 2018

Where Did I Get this Book: NetGalley

Book Description: London, 1888. As colorful and unfettered as the butterflies she collects, Victorian adventuress Veronica Speedwell can’t resist the allure of an exotic mystery—particularly one involving her enigmatic colleague, Stoker.

His former expedition partner has vanished from an archaeological dig with a priceless diadem unearthed from the newly discovered tomb of an Egyptian princess. This disappearance is just the latest in a string of unfortunate events that have plagued the controversial expedition, and rumors abound that the curse of the vengeful princess has been unleashed as the shadowy figure of Anubis himself stalks the streets of London.

But the perils of an ancient curse are not the only challenges Veronica must face as sordid details and malevolent enemies emerge from Stoker’s past.Caught in a tangle of conspiracies and threats—and thrust into the public eye by an enterprising new foe—Veronica must separate facts from fantasy to unravel a web of duplicity that threatens to cost Stoker everything. . . .

Review: I am now completely caught up on the Veronica Speedwell novels! Yay!! There are now no more Vernoica Speedwell novels to read until MARCH 2019! Boo!! But, as always, it is best to focus on the present instead of dreading the long, cold dreary months until next spring when the next book is finally released. And, surprising no one, this book was delight, and I blazed through it much more quickly than I would have liked!

Veronica and Stoker are minding their own business, busily cataloging the items that have been gathering dust in their patron’s expansive properties for generations. All seems well until a sensationalist story of a cursed expedition to Egypt begins making a splash across the local newspapers. But what should have remained a simple curiosity, becomes much more dire when the pair realize that the linchpin for the mystery is a man who was formerly Stoker’s partner. What’s worse, this partner was the one to run off with Stoker’s ex-wife. So when this man disappears, Stoker finds himself squarely in the cross-hairs of an investigation that is only too likely to recast him, once again, as a villain of society. Veronica, of course, has something to say about this, and so with her leading the charge, the pair set out to unravel the mystery and secure Stoker’s reputation and future.

I’ve made comparisons to the Amelia Peabody series from the start, but the subject matter of this one really hits that nail squarely on the head. I’ve always been interested in Egyptology (I blame my unrepentant love of 90s “The Mummy!”), so I was excited to see it as a focal point of this book. There are the requisite references to ancient gods, a few curses running around, and ancient jewelry that’s gone missing. And what would a good Egyptian mystery be without a mummy? So of course there is one of those as well. I enjoyed the sprawling cast of characters that made up the suspect pool of the story, all having an extensive history together working on digs in that area of the world. The tangled relationships and roles left me constantly guessing as to the motives of each player and how they could be involved with the disappearance of Stoker’s former friend.  It was even more fun reading these bits than usual, as references to famous hotels and locations in Eygpt were familiar from my reading of the Amelia Peabody books.

While I did like these elements of the mystery and my general appreciation for the topic remained, I was a bit put off by the constant comparisons to the other series that was going on in my mind. The line was just a bit too close between the two. Not Stoker and Veronica themselves, since as characters they have enough established to differentiate themselves from Amelia and Emerson. But the way the mystery unfolded and the roles the characters involved played did start to feel a bit predictable having come off reading so many historical mysteries featuring similar topics.

Veronica and Stoker were excellent as always. Veronica, especially, seems to really come into her own in this book. Stoker, understandably, struggles with the entire situation and is thrown into numerous scenes that shake him quite badly, most notably a confrontation with his ex-wife. I particularly liked Veronica’s tongue-lashing of Stoker when he too often fell into bouts of self-pity. Stoker’s arc and past have been slowly unrolling for the past several books, but I do hope that this confrontation with his past as forced upon him by this story will put an end to some of the more mopey and melodramatic moments he could be prone to. Veronica always plays nicely off this aspect of him, but at a certain point, there needs to be a bit more growth on Stoker’s side. So while I liked the situations that arose here, I’m hopeful that this will be the end of this particular plot point.

A complaint I’ve had in the past has had to do with the endings often feeling rushed and too convenient. This book mostly avoids that same pitfall. Mostly. Instead, there are various reveals scattered throughout the story. This allows what is really a very complicated mystery with a ton of moving pieces to come together in a more natural and less info-dumpy manner. However, again, the ending did fall prone to the convenience factor with the villains neatly doing away with themselves. It seems to be a common trait.

The romance between Veronica and Stoker was understandably muted in this story, given the nature of the mystery and the involvement of Stoker’s ex, whom he still struggles to move on from. Similarly to his tendency towards the morose, I’m hopeful that this book marks a turning point in their relationship as well. No need to rush to the alter or anything, but a bit more progress in this area would be nice.

I very much enjoyed “A Treacherous Curse.” It remained true to all the aspects that I’ve enjoyed previously, most notably the strength of its two leads and the inclusion of a legitimately puzzling mystery. The topic of the mystery was a bit dampened  by comparisons to the Amelia Peabody books, because let’s be honest, there’s no beating those stories as far as historical mysteries in Egypt go. But this goes down as another solid entry in this series, and if you haven’t already, definitely check it out. Or save it up a bit until March is closer so you’re not waiting forever like me.

Rating 8: While Egypt remains Amelia Peabody’s stronghold, Veronica and Stoker are setting up camp as a strong second.

Reader’s Advisory:

“A Treacherous Curse” is included on these Goodreads lists: “Regency and Victorian Mysteries” and “Historical Mysteries and Thrillers Featuring Women.”

Find “A Treacherous Curse” at your library using WorldCat.

 

Serena’s Review & Giveaway: “Spinning Silk”

39810065Book: “Spinning Silk” by T. Cook

Publishing Info: Amazon Publishing, May 2018

Where Did I Get this Book: provided for review

Book Description: A weaver’s genius ignites the jealousy of her peers, the possessiveness of her mill’s proprietress and the hopes of an unborn nation.

Furi knows she was born to create, but the fabric of her life otherwise weaves mysteries. These things are more than they appear:

Shin, the gardener, with his unlikely power over life and death;
A mysterious illness with a selective death route;
Kitsuke artist Madame Sato, who would fashion Furi into a reincarnation of her own dead daughter;
The princess of a puppet emperor, who has strange loyalties to a humble gardener; and
The vaporous rumor of a war with no apparent aggressor.

“Spinning Silk” is inspired by Japanese folklore including the love story of Orihime and Hikoboshi as well as a radical reimagining of the terrible tsuchigumo (spider spirits) and jorogumo demons.

Review: I was sent an excerpt of this book several months ago, and while reviewing it the strength of the author’s writing and the intriguing plot nabbed my attention. After receiving my copy, I blew through this story quickly. While it’s not without faults, “Spinning Silk” was a unique story, almost a fairytale-retelling but inspired by Japanese folklore instead of the Western-based fairytales that are all too common.

Furi is an orphan who has been raised as a slave. However, she has an incredible talent for weaving, a talent so great that it draws the eyes of some very important people. Her path soon crosses with several other unique characters, most importantly, perhaps, a gardener who has power of his own. Her journey is one filled with death and darkness, a mysterious illness that strikes in an unknowable way. But Furi persists through it all, discovering her own strengths within.

We all know how I feel about fairytale-retellings. That said, is is more and more difficulty to find truly intriguing stories. The basic fairytales have been told over and over in almost every way. So I’m always incredibly excited when I see a story like this that is not only drawing from folktales that I am not familiar with, but that is set in a place and culture that is A.) not my own and B.) one that is rarely called upon as a setting and foundation for a story such as this. All cultures have stories at their heart, and yet we’re only familiar with a very few.

I know very little about Japanese culture and folklore. I was not familiar at all with the story that serves as the basis for this book. But what made it so excellent was that this didn’t matter! While I can’t speak to the authenticity of these things (again, given my lack of prior knowledge of the subject), I will say that coming from a fairly ignorant standpoint, I felt that the world that Cook drew and the tale itself felt truly authentic. She avoided several of the pitfalls common to stories set in places/cultures that are not one’s own. Notably, her use of Japanese language. The book does has a helpful list of terms in the back for those of us who are not familiar, but the story itself is blessedly free of any in-text explanation for terms and words. Because, of course, why Furi explain words that are common to her?

I also liked the way the story wove together the fantastical elements and the historical parts. While I do wish there there had been a bit more lead up to the fantasy aspects (they come into play much more strongly towards the end), the historical portions of the story were spot on. I felt immediately immersed in this setting and became quickly invested in Furi’s story. The writing is excellent (again, this was one of the things that immediately drew me to the book), and while the story does unfold slowly, I felt that it was worth the payoff in the end.

However, this book definitely falls into the “dark” category, as far as fantasy fiction goes. The tone is often somber and bad things happen to good people. I like dark fantasies as a whole, so I was mostly fine with this. I did struggle a bit with the end, but I understood the point the author was making and, while a valid one, it simply isn’t my preferred reading experience. But that should in no way take away from the reading experience of others. This is just a very subjective preference of mine.

I also very much like Furi herself. The story is told from her perspective, but even being in her mind, all is not revealed. Not only do readers need to piece together the motivations and histories of other characters, but Furi herself doesn’t come out and tell you everything about herself. This also contributed to the slow-moving factor of the book, but I didn’t mind it. Instead, I felt like I was slowly learning who Furi truly was and this increased knowledge built alongside the stakes of the story as a whole.

Overall, I very much enjoyed this book. And I don’t think enough people have read it! To help with that, I’m offering a giveaway of my copy of “Spinning Silk.” The giveaway is open to US entrants only and runs  until August 16.

Click here to enter!

Rating 7: An exciting new fantasy fairytale set in a culture that is often not seen in these types of stories. A bit on the darker side, but worth the slower reading experience in the end.

Reader’s Advisory:

“Spinning Silk” isn’t on many Goodreads lists, but it should be on “Re-tellings of Little Known Fairy Tales.”

Find “Spinning Silk” on Amazon!

Serena’s Review: “These Rebel Waves”

294220911Book: “These Rebel Waves” by Sara Raasch

Publishing Info: Balzer + Bray, August 2018

Where Did I Get this Book: Edelweiss!

Book Description: Adeluna is a soldier. Five years ago, she helped the magic-rich island of Grace Loray overthrow its oppressor, Argrid, a country ruled by religion. But adjusting to postwar life has not been easy. When an Argridian delegate vanishes during peace talks with Grace Loray’s new Council, Argrid demands brutal justice—but Lu suspects something more dangerous is at work.

Devereux is a pirate. As one of the outlaws called stream raiders who run rampant on Grace Loray, he pirates the island’s magic plants and sells them on the black market. But after Argrid accuses raiders of the diplomat’s abduction, Vex becomes a target. An expert navigator, he agrees to help Lu find the Argridian—but the truth they uncover could be deadlier than any war.

Benat is a heretic. The crown prince of Argrid, he harbors a secret obsession with Grace Loray’s forbidden magic. When Ben’s father, the king, gives him the shocking task of reversing Argrid’s fear of magic, Ben has to decide if one prince can change a devout country—or if he’s building his own pyre.

As conspiracies arise, Lu, Vex, and Ben will have to decide who they really are . . . and what they are willing to become for peace.

Review: After devouring “Song of the Current” and “Whisper on the Tide,” I felt a deep hankering for more fantasy/pirate good times. And, luckily for me, the topic seems to be a popular one right now in the YA fantasy world, as not only this book, but another “Seafire” (to be reviewed soon) were up and available on Edelweiss. I didn’t hesitate to request it. However, while the story was enjoyable enough, I think the unabashed joy and adventure that came from the “Song of the Current” series kind of left me feeling a bit cold about this more serious, political story.

The story is told from three perspectives: Adeluna, a young woman who grew up as the solider daughter of two revolutionary parents, fighting for the freedom of her island nation. She now finds herself transitioning into a role of politics, but is finding her fighting instincts harder to dismiss than she had thought. Deverux is the pirate of this story and is seemingly only for himself and his crew, collecting and selling the island’s magical plants. But all too soon, he finds himself caught up in intrigues that are way above his pay level. Benat is on the other side of things, quite literally growing up in another country and the one that fought on the other side of Adeluna’s revolution. The son of the king, Benat struggles to reconcile his own interest in magic with the teachings of his faith that draw any connection to magic as heresy.

Even in that brief description, you can see that this book is biting off a pretty big plot to chew upon. Not only do each of these three characters have very different histories, but they each represent a complicated group of individuals who are all operating against each other (openly and not so openly) in a nation-level tug of war over the future of the island and its valuable plant magic. I did like the complicated weave that the author put together here. None can say that she dumbed this story down for younger readers. However, I don’t necessarily think that she fully committed to the complexities of her world either, or, at the very least, explained them fully enough. I never really understood the religion that drove Benat’s nation, and as a major player in the series, this was a constant annoyance.

Further, the story was much more political than I had expected. This is one of those hard criticisms to diagnose. Is it really a fault with the story that readers went in expecting something else? Or is this simply a failure of marketing? Either way, I started this book hoping for more rollicking adventures on the high sea. What I got instead was a lot more political shenanigans. And I’m not against political stories as a whole, but I also don’t feel that this book pulled that aspect of the story off very well.

For example, we are told that Adeluna’s parents were both brilliant revolutionaries, able to successfully lead a group of guerilla soldiers against a much stronger nation and ultimately win freedom for their island. They came up with and planned intricate strikes. But in the very first few chapters, we see a political council meeting where both of Adeluna’s parents are apparently perplexed by the political maneuverings of a few of the other council members. But Adeluna, of course, sees right through this. And yes, I know this is a YA novel and that Adeluna needs to be the one to drive her portions of the story. But weird moments like this just make me roll my eyes. There are ways to make your teenage protagonist drive your story and come up with unique insights without directly undercutting the adults that you just spent some much time building up. I would recommend “The Tethered Mage” and “The Defiant Heir” as excellent examples of how to have powerful parental figures while not damaging the competence and leading force of your younger main character. This is only one example, but it was present throughout the book and I started having a hard time taking it seriously.

As for the main three characters, I did like them for the most part. The romance was completely predictable, however, and again, I didn’t feel like this book was really introducing anything new with either of these characters. I did appreciate the fact that it presented a gay main character and gave him a decent story. There have been some complaints that his wasn’t the main romance of the story, but I feel like, again, this was a disconnect between the way this book was marketed and what it turned out to be ultimately. I think a lot of readers were expecting “gay pirates” and that’s not this. I didn’t know much about this aspect of the story, so I didn’t have those expectations going in. So, from my perspective, it was still a good example of including diversity in your main cast. But, in the end, I still didn’t feel overly invested in any one of the three of these characters. They all felt familiar, but in a “been there, read that” type of way.

Ultimately, I didn’t love “These Rebel Waves.” There’s nothing objectively “bad” about the book, but it also wasn’t introducing anything truly new. Even the magic system, which on face value should have been points in the “new” column, turned out fairly bland. We never got any real look into how this work or any details: plants were just magic. Ok. I also feel like this book struggles against reader expectations. The story was much slower-moving and politically focused than I had expected. But even had I know this going in, I don’t think this is the strongest example of that type of story either. In the end, there have just been better books telling very similar stories.

Rating 6: Nothing terrible or anything, but pretty forgettable in my opinion.

Reader’s Advisory:

“These Rebel Waves” is newer, so it isn’t on many relevant Goodreads lists, but it is on “2018 Queer SFF Releases.”

Find “These Rebel Waves” at your library using WorldCat.

 

The Great Animorphs Re-Read #35: “The Proposal”

363393Animorphs #35: “The Proposal”

Publishing Info: Scholastic Paperbacks, November 1999

Where Did I Get this Book: own it!

Book Description: The Yeerks are stepping up their invasion tactics. And Marco has problems of his own. His dad is starting to date. But Marco knows his mother might still be alive.

Narrator: Marco

Plot: I mean, look at that cover? You know it’s going to be bad when that’s the cover. I didn’t have a whole lot of memories from this book, other than the fact that Marco’s dad wants to get married to a woman who owns the featured “evil poodle.” I had successfully blocked out the rest of the story. Or, more likely, merged it with Rachel’s crocodile-allergy story from which this book LIFTED ITS ENTIRE PLOT LINE! But I will vent about that in my small review section at the end. In the mean time…

Marco and Dean are right: those small dogs are evil!

Marco and his dad’s night of video game playing is interrupted by a phone call from Marco’s math teacher, a woman whom is dad is now dating. To drown out the mushy gushing the two are exchanging via the phone, Marco begins channel surfing. He gets caught up on a self-help talk show where an uber chill man named Tennant is famous for giving his calm, collected advice to callers to the show. Marco recognizes the self-help guru as fairly famous and sits back to watch, only to be bolted out of his seat when he hears Tennant suggest to one caller that the best place to help her loneliness is the perfectly lovely organization called “The Sharing.”

Marco immediately calls Jake and arranges to meet with the group at Cassie’s barn. He begins to morph his usual osprey, but halfway through, things go terribly wrong: he ends up as a half osprey/half lobster monstrosity. Marco manages to morph out, but is too shaken to morph again and instead rides his bike to the barn. There, the others rib him for taking so long, but he quickly distracts them with news of Tennant. Surveillance is called for.

Over the next three days, the team takes turns watching Tennant and establish that he has a very fixed routine involving jogging, working from home while cuddling his pet birds, and airing his show in the evenings. Another pair had already caught him sneaking in through a known Yeerk pool entrance, so his status as a Controller is confirmed. While Marco and Cassie are on watch, Cassie asks how Marco is doing, having caught on to his being shaken recently. He ends up venting about his dad’s dating life and the struggles of knowing that his mom could still be alive.

The next day, they decide to take their scouting to a new level and infiltrate his house. Tennant’s pet birds roam free throughout the house, so Marco and Rachel sneak in to acquire and morph two of them. The others wait to provide back-up should anything go around. Parakeet!Marco and Rachel head into Tennant’s office. There, they see him writing an email to a CEO of the television company that runs his current show. It appears that he is going to be offered an award in the next week followed by a promotion to prime time where he will have an even larger audience to promote The Sharing to.

He gets a phone call from Visser Three, and while he talks to him, discussing plans, Marco feels himself beginning to lose control of his morph. He begins squawking and poops on Tennant’s desk. After Tennant gets off the phone, he explodes into a manic rage, screaming about how he hates all of these animals and he’ll be happy when he’s free to kill them all. He grabs parakeet!Marco and begins crushing him in his hands. He’s only stopped by his host body that begins to fight back. He lets Marco go, but then decides to play the little game his host plays with his pets: getting the birds to say their own names. Of course, Marco doesn’t know the name of the parakeet he morphed.

Tennant quickly realizes that he is an Andalite in morph and hits him with a book, breaking his small bird body. The other Animorphs barge in in battle morphs and Tennant calls for Hork Bajir back-ups who seemingly appear out from….somewhere? Marco manages to de-morph, but when he tries to morph his gorilla battle morph, he again splices two morphs together, this time a fish and the gorilla. Barely making it back to human, he manages to shut the office door in Tennant’s face while he and the other Animorphs make a break for it out of the window.

Back in the barn, the others are furious with Marco for not revealing his morphing problem. Ax suggests that he may be struggling due to some type of stress factor in his life. Jake immediately benches Marco until he gets things under control. Marco heads home, frustrated. But he doesn’t find any relief there, since his dad’s girlfriend is visiting, and what’s worse, she has her evil toy poodle with her. The dog starts barking and biting at Marco, and he ends up acquiring it to get it to settle down, before hiding out in his room.

Marco’s ban doesn’t last long, however, since their new mission is coming up and the team needs him. They decide that the best course of action is to expose Tennant as the wacko he is. Even by Yeerk standards, it is clear that the Yeerk in Tennant is barely clinging to sanity, and if he was to explode like he did at his home, but in a public place, his future as a TV personality would be ruined. To do this, they decide to crash the awards ceremony later that week.

The team sneaks into the banquet halls as cockroaches and make their way to the kitchen. Their plan is to crawl onto Tennant’s salad plate with spider!Marco directing them to the right plate. Once in the kitchen, Marco demorphs in a bathroom and tries to morph the spider. Instead, he ends up as a mixture of spider and poodle. A bunch of kitchen workers spot him and chase him. The others ask what is going on, but Marco puts them off, saying everything is fine. Using thought-speak, he is finally able to scare off the kitchen workers. He then demorphs, grabs a kitchen uniform, and tries to pass himself off as a busboy. He gets the rest of the Animorphs onto one of the plate and tells the cook to set it aside specifically for Tennant. He then gets caught up in other kitchen chores by a tyrannical chef. Once he gets a chance to breath, he sees that all of the plates have been mixed up again and are heading out. Instead of being placed in front of Tennant, the plate ends up in front of of Zac Hanson (cuz of course a teen pop group is also at this B-level TV event). Much screaming ensues, but Tennant is unmoved. The Animorphs manage to scurry away.

They come up with Plan B. Ax morphs his human morph and the others morph flea. Jake instructs Ax and Marco to deliver the fleas to Tennant, but Marco gets trapped outside, leaving Ax to do this. Predictably, whenever Ax is near food, things to not go well. Marco gets inside just in time to see Ax licking the plates clean from Tennant’s table. However, he does manage to transfer the fleas to Tennant. Marco convinces the outraged people that he and Ax are just really big fans and they escape to the back of the room to watch Tennant’s speech. The Animorph!fleas make their way beneath Tennant’s wig (which they discovered when parakeet!Rachel accidentally nabbed it while trying to dive bomb Tennant the other day) and begin biting. Tennant twitches and squirms but manages to get through his speech without blowing up. Defeated, the team returns home.

The next day, Marco’s week gets even worse when his dad tells him that he is thinking of marrying the teacher girlfriend. He wants to make sure it’s ok with Marco. Marco simply bolts. Later, Cassie shows up at his house asking if he wants to talk. She says that there’s really no one outside of the group who can listen, but she’s willing to do it. And she knows that he had another failed morph while in the kitchen; she could tell from the sound of his voice. Marco vents that his stress isn’t special, they all have burdens they’re carrying, some of them (like Tobias) have much worse going on than him. Cassie shares a story about her anger when she sees hurt animals that have been harmed by cruel people. She says that her dad said to focus on what is: the hurt animal and how to help it. So in this case, is his dad happy now?

Running out of time, the team comes up with another plan. Poodle!Marco begins stalking Tennant. Whenever he is out in public, and unable to respond, the terror that is the poodle shows up and begins biting him, but Tennat’s animal-loving persona can’t respond. All week this goes on, with Marco succeeding in controlling his morphs the entire time.

Finally, the night of the first prime time airing of the show arrives. The team stake out the studio in various morphs, ready for Marco to make the grand scene once the program begins airing. But as he begins to morph poodle, his ailment strikes again and he ends up as a mix of a poodle and a polar bear. He loses control of the morph and goes after Tennant, only barely able stop from killing him. Cassie wants him to talk about his feelings to help him stable himself. Jake tells her that he loves her and cares for her, but shut it. The two bicker a bit, but Jake shuts her down saying now is not the time for her approach, and Marco just needs to suck it up and deal with his crap. Jake finally breaks through by bringing up Marco’s own philosophy (that he, in turn got from his mom), that you can either laugh or cry at the struggles of the world. Marco gets it together and finishes his morph to poodle. Seeing that “the Andalite” is now fully helpless as a small dog, Tennant grabs poodle!Marco and begins strangling him. Just then the cameras go on. Everyone is horrified and Tennant immediately releases Marco and tries to say it was a mistake. The Animorphs all bail

The clip goes viral and soon enough Tennant’s future as a TV star is over. The book ends at the very slap-dash wedding between his Dad and the teacher who get married two weeks later. Marco is still struggling with it all, but has come to accept it. But never that dog.

One evening the phone rings. The answering machine picks it up, and it’s Marco’s mother, asking for him. Dun dun dun.

The Comic Relief: The unfortunate bit of this whole thing is that after the very real, very serious events of the book before it, this one just seems…beneath him. Like, I get that this book is trying to fill a niche of dealing with a real-life issues that reader kids may be dealing with, a widowed parent re-marrying. But in the world of these books, Marco’s character specifically has had to deal with so many traumatizing things with his parents, that the fact that he would break down to the point of failing his morphing over this particular issue is just hard to believe. Let’s go through it. In the first few books, he’s dealing with the death of a parent. On top of that, he’s had to parent himself as his dad has completely lost it and hasn’t been parenting him at all. This has been going on for who knows how long. Then he finds out his mother is alive, but the leader of the Yeerk invasion. Then he thinks she dies, several books later. Then he rediscovers her, but has to plan her death himself. And now, again, he’s unsure whether she’s alive. So yes, I understand the quandary he is in with his father re-marrying, and I would have been completely on board for that being a through-line in the story that he is dealing with. But to make it the crux of the story by having it impact his morphing…nah, not buying it. That’s not the Marco we’ve come to know through all of these books. Cold, calculating, brutal Marco isn’t going to break down over just this. Even Marco thinks it’s out of character:

I was going insane. Hard to believe that after all the craziness I’d been through since this war started, a simple, everyday, domestic problem would be the thing to push me over the edge.

And then, on top of that, Marco’s usual bits, even in books that aren’t his, weren’t up to snuff. The author of this book pretty much recycled Marco jokes from the past (the back-and-forth between Marco and Ax about Ax’s use of “your minutes” could almost have been directly lifted from another book. Not only wasn’t it funny, but it’s boring to read the same joke over and over, especially without any new twist), and also re-used Marco’s philosophy from book 5. Didn’t expand on it. Didn’t bring anything new to the table, pretty much AGAIN lifted it directly from there and plopped it down here to serve the exact same purpose. It was incredibly frustrating, especially since Marco books are some of my favorites.

Our Fearless Leader: Jake tries to bench Marco when he realizes that he’s struggling with his morphing. But, unlike Rachel and her crocodile experience, Marco’s breakdowns are further apart. He goes several days and many morphs without any issue, so it’s easy to understand why Jake would let him back on missions. Not only is Marco’s gorilla morph one of their best battle morphs, but we know that Jake recognizes Marco’s smarts as the best planner of the group. So benching him is a big loss. In the end, when Marco’s struggling once again, Jake comes down on him hard. He tells Marco to get it together, no excuses. Fix it. That’s an order. Cassie tries to argue that Marco just needs to talk about it. But Jake shuts her down firmly. They’re in the middle of a mission and Marco just needs to deal with his crap. Period. Jake also must have talked with Marco about Marco’s life approach, since he knows Marco’s whole bit about looking at life with a sense of humor. We, as readers, know this because Marco shared it with us in an internal narrative back in book 5. But we never hear him tell it to Jake. Instead, it’s a nice reference to how close these two are and that they must have talked about stuff like this at some point.

Xena, Warrior Princess: Rachel tries to give Marco a lecture about hiding his morphing issues from the group. He rightly calls her out on the hypocrisy of this given her crocodile-lying incident. She agrees that someone else should take over lecturing Marco from this point. She’s also paired up with Marco on the parakeet mission, of course furthering my secondary Marco/Rachel focus. She also dive bombs Tennant while morphed as a parakeet, proving that the morph itself has very little affect on Rachel’s general plan of action. She will attack with whatever she has available.

A Hawk’s Life: Poor Tobias gets very, very little to do in this book. I mean, even adding up his lines of dialogue, it’s pretty sad. If anything, he mostly serves as a point to fuel Marco’s self-disgust. In the very beginning, after Marco’s first failed morph, he comes down hard on Tobias and ends up feeling guilty about it. And later, when he’s talking to Cassie, he says all of the other Animorphs have stressers and aren’t freaking out. He particularly emphasizes Tobias’s situation. Other than that, Tobias mostly just serves as the eyes in the air and joins in on the group activities, like being a flea biting Tennant’s head.

Peace, Love, and Animals: Cassie has quite a lot in this book, mostly utilizing her super power as the group counselor. She is quick to understand why Marco is stressed and suggest that he needs someone to talk to. Right away, on the first scouting trip, she manages to get Marco to open up and vent his frustrations. She’s also the only one to pick up on the fact that he had another morph melt-down while in the kitchen at the banquet. And she then takes it upon herself to come to his house and offer supporting, knowing that he doesn’t have anyone else to talk to about all of this. She shares some nice philosophies and ways of thinking about the situation with his dad that do seem to help, though Jake’s method, in the end, is the one to break through.

E.T./Ax Phone Home: You’d think they’d learn about Ax and food! I mean, yes, I get the fact that Ax has the only human form that doesn’t put them all at risk, but man, he’s got to win the award for having the least control over any given morph. Any other animal, any other morph, sure they all might struggle here and there, but they usually get the hang of it, especially with morphs they’ve used more often. But man, Ax has zero self-control in that morph. Is it worth the risk having him go in? I mean, I’m finding it hard to believe that had Marco even been there when Ax was clearing tables that it would have made any difference.

Best (?) Body Horror Moment: It’s a hard toss between all of the gross morph combinations that Marco experiences and the fleas biting Tennant’s head. I mean, I think I’ve got to go with the second. Sure, they’ve “accidentally” bitten other people as fleas, but the whole goal of this mission was to crawl under some skeevy Controller’s wig and bite away. Even Cassie calls it out:

<This is the grossest thing we have ever done,> Cassie complained.

Couples Watch!: In the very beginning, Rachel is angry at Marco for calling the meeting in the barn because he interrupted her and Tobias watching “Felicity.” Awwww, cute dates! Jake does tell Cassie he loves her….just before he tells her to shut up. So….romantic? They also have a nice little spat after this about how to handle Marco’s ongoing morphing issues. This is one of those small moments that kind of highlights why this relationship was always doomed. They really don’t have that much in common in the way they look at the world and how they make decisions. It’s clear why Jake is attracted to and relies on Cassie, she provides much-needed emotional support and insight into others. And Cassie…thinks Jake’s good looking? But when you get down to it, they have very different philosophies, so while I can see why they end up together throughout the series, you can also see the tension between them, more so than Tobias and Rachel who have some more obvious similarities and mutual supports.

If Only Visser Three had  Mustache to Twirl: Visser Three is taking an extended absence! This is how many books in a row now that he hasn’t made an in-person appearance? The phone call doesn’t even include any dialogue from him, though we hear a bit of Tennant’s side of things and apparently part of the discussion is Visser Three ranting about how he looks forward to the day when the Yeerks can wipe out any unnecessary life forms on Earth. Obviously not the cats, though. Visser Three loves cats.

As for Tennant himself, we see yet another crazed Yeerk. It’s kind of hard to believe that this many crazed Yeerks ended up in positions of power. I mean, you have Tobias’s experiences several books ago and now this. You’d think with all the Yeerks available, they’d be able to assign more stable Yeerks to these crucial roles. Maybe it’s supposed to be yet another reflection on Visser Three’s own questionable psyche. That maybe, somehow, he gravitates towards Yeerks who are a bit unbalanced, just like himself. Chapman’s Yeerk, for example, seems perfectly steady and unlikely to have been caught up in the nonsense the Animorphs were pulling here. Especially because with all of the poodle-attacking lead-up, trying to catch him on TV was a pretty predictable move by the “Andalite bandits.”

Adult Ugly Crying at a Middle Grade Book: Really, nothing. Marco books usually have some good stuff with reflections on his situation with his mother, but there really isn’t much here. From the very sophisticated, cold Marco that we saw only a few books ago, in a lot of ways this doesn’t even feel like the same character. It’s hard to believe that this situation is what would cause the breakdown in stress, and I could just never really buy it. From the big tragedies presented in the past of a son setting up his mother to die, it’s hard to feel much about the struggles of his Dad marrying a lady with a poodle.

What  a Terrible Plan, Guys!: Again, Ax with the food. And along those lines, the whole business at the banquet. With everything that went wrong in the kitchen, it’s hard to understand what exactly their plan had been to ensure that Tennant ended up with the correct plate. It doesn’t seem surprising that this would fail. And then when they morph fleas…there’s literally a line that says “somehow we managed to morph fleas.” Really? “Somehow we managed…” It’s the most cop-out explanation of all cop-out explanations. They would have all had to go through human morphs and Ax had to go through Andalite to get to his human. And there is ZERO explanation for how they manage this in a crowded room. It’s incredibly stupid.

Favorite Quote:

<I am confused,> Ax said. <Are you saying that your father is considering taking this woman as a new mate?>

“You could put it that way,” Cassie said.

“But I’d rather you didn’t,” I added. “He’s just -”

<Ah. Perhaps your father is Young and Restless. Those who are Young and Restless frequently change mates.>

And I couldn’t have put my feelings for this book any better myself:

<Someday when this is all over people will ask us about the war against the Yeerks,> Tobias said. <Let’s leave this part out>

Scorecard: Yeerks 8, Animorphs 14

No score! Sure, the Animorphs technically succeed. But I’m mad at having to read a repeated book essentially, so this is what happens, I take it out on my score sheet.

Rating: I really disliked this book. Not because it’s the dumbest one out there (pretty hard to top the horse!Controllers/Andalite toilet book or the split Rachels), but because I’ve already read this freaking book!!! Whomever was the ghost writer for this thing has to be, up to this point, the laziest of the bunch (just looked it up, this guy also wrote the polar bear!Marco book which I also didn’t love, so maybe I shouldn’t be surprised). Others have come up with some pretty wacky and questionable bits, but at least those were original. This book is essentially the exact same book as Rachel’s crocodile story. Not only do you have the same morphing problem (though at least Rachel’s allergy made more sense, as Marco’s issue, here, just comes out of nowhere conveniently for plot purposes and then disappears again, also, conveniently for plot purposes), but the Yeerk plot was the same: some famous guy getting on TV and telling people to join The Sharing and the Animorphs breaking it up by crazy shenanigans on a TV studio! I mean, c’mon, at least mix and match your plot points!! Re-use one or the other, but both together just highlights the lack of creative thought in this book. On top of the two major plot points being directly lifted, you have the re-use of jokes (the “minutes” thing) and repetition of Marco’s major philosophy, with nothing added. By the end of the book, I was just mad. The stupidity of other books is frustrating enough, but again, at least those were original. A bit thumbs down for this one. All the more upsetting coming off the rare good Cassie book, only to have the usually good Marco book turn out to be a hot mess. The only good thing about this book, really, is the last paragraph or two that sets up “Visser.”

Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!

Serena’s Review: “The Ones Who Got Away”

34569847Book: “The Ones Who Got Away” by Roni Loren

Publishing Info: Sourcebooks Casablanca, 2018

Where Did I Get this Book: e-ARC from the publisher

Book Description: It’s been twelve years since tragedy struck the senior class of Long Acre High School. Only a few students survived that fateful night—a group the media dubbed The Ones Who Got Away.

Liv Arias thought she’d never return to Long Acre—until a documentary brings her and the other survivors back home. Suddenly her old flame, Finn Dorsey, is closer than ever, and their attraction is still white-hot. When a searing kiss reignites their passion, Liv realizes this rough-around-the-edges cop might be exactly what she needs…

Review: Yes, you’re reading that right: this is a romance book review here on The Library Ladies. I think it’s probably the first strictly romance book we’ve featured! Neither Kate and I are avid romance readers, but I will admit that I’ve picked up one or two over the years. When I do read them, typically, I gravitate more towards the historical romances ala Julia Quinn and such. I think I’ve maybe read one or two Nora Roberts here and there, and that’s probably about it for contemporary romance. But when I was sent this e-ARC, I thought why the heck not?

After surviving a school shooting, Liv and her classmates have went on to live very different lives than the ones they had planned for themselves. Plagued with lingering PTSD and in a job that consumes her life and time, Liv barely recognizes the budding photographer that was her younger self. What’s more, when re-united at a documentary covering the aftermath of the shooting, she barely recognizes Finn, her secret high school fling whom she lost contact with after the tragedy. Together again, Liv and Finn find that some things haven’t changed, like their attraction for one another. But will they be able to find a balance between their old selves and their new, much more broken, current lives?

All romance novels have a “hook,” especially ones that are set up as a series where multiple women may be connected some how and each will go on to lead their own story and happily ever after. With this series, that hook is the shared trauma from a school shooting at the characters’ high school prom. I think a lot of romances live and die around the strength of any given series’ hook. Most historical romance novels use family ties, but I’ve read other contemporary romances where the ties are shared businesses and such. This one is perhaps particularly effective as it is a shared tragedy that would affect all of the main characters differently, leaving a plethora of avenues for the author to explore.

With Liv, it is her ongoing PTSD and her feelings of betrayal and abandonment by Finn, who left her in the closet they had been making out in when the shooting started. He went on to save another girl, Rebecca (whom I’m sure will get her own book) and be heralded a town hero. Finn, too, has his own fallout from this choice, going on to pursue a life as an FBI agent working to prevent killers from hurting more innocents. Both characters had a legitimate arc to build upon as the story progressed, and I appreciated the exploration of shared tragedy and the various coping (or lack of coping) methods that can be utilized by survivors of such events. Further, neither character is completely defined by this event, even though it changed the directions of their lives. The story highlights paths of healing and reclaiming ownership over the direction of life.

Of course, it’s a romance novel, so much of the story was based around the re-kindling romance between Finn and Liv. They had fairly solid chemistry, though I didn’t prefer their particular stereotype: reunited ex-lovers. I always enjoy romances where new characters are coming together for the first time versus stories like these where half of their conversations are relating back to moments during their highschool days. Sure, those were cute scenes, but it’s more interesting to me to see what’s going on now.

There’s also probably a reason I prefer historical romances if I’m going to read one. I don’t think of myself as prudish by any means, but there are some limits on just what I want to read about, particularly when we get into the man’s mind in some of these books. There’s nothing offensive or anything like that, but, more like, I have a hard time taking the man seriously when some of his train of thought is so juvenile sounding. I think the restraints on language and word choice help the historical fiction heroes sound a bit less like pubescent teenagers in a locker room. This isn’t to say that I disliked Finn, particularly. It’s just a general dislike that I often run into with contemporary romance.

As far as characters go, I did like both Finn and Liv. I liked that Finn, too, was still clearly dealing with things. It wasn’t just him protecting and comforting Liv, which I would have found tiresome very quickly. But he, too, needs the support of Liv to deal with the ongoing emotional fallout of his job as an FBI agent and the grueling requirements of his role there.

Without much knowledge of the genre or a good baseline for contemporary romance, I thought that this book was perfectly good for what it was trying to do. It’s “hook” was decent, and the supporting characters who are being set up for their own stories also seemed interesting. Finn and Liv were also solid. I didn’t love this book, by any means, but that could largely be due to the fact that this just isn’t my preferred genre. If you, though, like romance fiction, particularly of the contemporary type, I recommend checking out “The Ones Who Got Away.”

Rating 6: Perfectly solid for what it was, just never going to be a favorite of mine due to simple genre preferences.

Reader’s Advisory:

“The Ones Who Got Away” is included on these Goodreads lists: “Best friends/childhood best friend falling in love” and “Best Second Chance Romance.”

Find “The Ones Who Got Away” at your library using WorldCat.

Serena’s Review: “Seeing a Large Cat”

66526Book: “Seeing a Large Cat” by Elizabeth Peters

Publishing Info: Grand Central Publishing, 1997

Where Did I Get this Book: audiobook from the library!

Book Description: No villain is safe in 1903 Egypt as feisty archaeologist Amelia Peabody embarks on her ninth adventure.

According to an ancient Egyptian papyrus, dreaming of a large cat means good luck. And that’s just what Amelia Peabody could use, as her growing family matures in the new century. What’s more, Amelia’s dashing husband Emerson has received a mysterious warning not to enter the Valley of the Kings. To Emerson’s annoyance, Amelia’s meddling distracts her attention as she exposes a fraudulent spiritualist, saves a marriage, and plays matchmaker. But diabolical forces are at work when an unknown tomb reveals a shocking murder — and the Peabody family dodges bullets from an assassin determined to put an end to their discoveries.

Previously Reviewed: “The Crocodile on the Sandbank” and “The Curse of the Pharaohs” and “The Mummy Case” and “Lion in the Valley” and “Deeds of the Disturber” and “The Last Camel Died at Noon” and “The Snake, the Crocodile, and the Dog.” and “The Hippopotamus Pool”

Review: I know, right?! Finally, we’re back with another Amelia Peabody book! I mean, yes, the Veronica Speedwell books have been a nice stand-in, but I can’t write a single review of those without referencing the OG female sleuth, Amelia. Plus, as much as I like the slow-burn romance in that book, I was also hankering for a nice, established relationship where I could just lounge in all of the lovely romance.

This book takes another pretty big leap in time between it and its predecessor. For the most part, the books before went year to year. But when we start this one, we see Amelia and Emerson waiting for the return of their son Ramses, who, now a young man, has spent the summer with the tribes and is only just not rejoining his family. I believe he is around 16 in this book? With Neferet being around 19? I was doing a lot of mental math throughout the book, and at a certain point, it was just distracting, so we’ll go with that.

Anyways! Reunited, the Emersons find themselves once gain caught up in a mystery. With dire warnings coming their way (which Amelia ignores, of course!) and old friends reemerging with romantic entanglements of their own, Amelia never wavers in her confidence that she is prepared to handle it all. This book also marks a change in that we get several chapters that are written in third person, detailing the goings-on of the younger generation. Here, we finally see behind the curtain and realize that while yes, Amelia does have a good understanding of much that is happening, her rapscallion child and wards also get up to a good amount of mischief that does fly beneath her ever-watchful radar.

It took a bit for me to get used to having to share my narrative time with these third-person chapters. Part of the reason I love these books so much is the brilliance of Amelia’s narrating voice, so it felt like a loss to give that up, even briefly. It was also unclear who actually wrote these other chapters. The rest of the books have clearly stated that Amelia is writing them for posterity. Who, then, is writing these? Especially since it is written in third person? It seems as if it has to be either Ramses or Neferet. But as the story progressed, I did begin to appreciate more and more this inner look into the “childrens'” eyes. One has to assume that as the series progresses, their own story lines will also begin to take more precedence (especially the thwarted love that Ramses feels for Neferet), and this device is a clever way of balancing both.

The mystery itself was also quite complicated and good. I also love the fact that Amelia’s penchant for match-making often seems to play a role in these stories. And here, that thread takes on a very different role with the return of two characters whom she had previously matched and who are now struggling quite a bit. From my view of things, I think the man in question never redeems himself and I was pleased to see Amelia think equally poorly of him for his failings. But, because these are happy books, things are resolved eventually.

Amelia and Emerson were as great as ever. Their banter and bond remain one of the biggest draws for the series. I also liked the action of this story, particularly the final scene. Of course the family ends up in quite a scrap, but the way things resolved was surprising and took on an unexpected, but appreciated, serious tone. I’m curious to see what the fall-out of this experience will be for the entire family.

All told, this was another solid entry into the series. I feel that it is ushering in a new age for the series with the introduction of the Manuscript H sections that feature the younger generation. But I was pleased to see that these sections never over-shadowed the real draw: Amelia herself!

Rating 8: An excellent return to a favorite series! This book brought forward new views on this familiar and beloved family.

Reader’s Advisory:

“Seeing a Large Cat” is included on these Goodreads lists: “Brainy/Genius Romantic Heroes” and “Sleuths in Silks.”

Find “Seeing a Large Cat” at your library using WorldCat.

 

Serena’s Review: “Keeping the Castle”

12871232Book: “Keeping the Castle” by Patrice Kindl

Publishing Info: Viking Childrens Books, 2012

Where Did I Get this Book: the library!

Book Description: Seventeen-year-old Althea is the sole support of her entire family, and she must marry well. But there are few wealthy suitors–or suitors of any kind–in their small Yorkshire town of Lesser Hoo. Then, the young and attractive (and very rich) Lord Boring arrives, and Althea sets her plans in motion. There’s only one problem; his friend and business manager Mr. Fredericks keeps getting in the way. And, as it turns out, Fredericks has his own set of plans . . .

Review: This book has been hanging around on my Goodreads TBR pile for quite a while. Like, years. Between all the new releases and series that I’ve been reading so far, it’s never made its way to the top. Until last month when I was heading out on vacation and realized I had nothing on my Kindle that was particularly calling to me. Not to mention, I’ve been reading a heavy dose of fantasy/sci fi books recently, it was about time I got back to good, old historical fiction. So without further ado, I checked it out and raced through it.

The castle that Althea, her mother, her brother and her two snobby (but rich!) step-sisters live in is falling apart around them. Literally. Pieces of the ceiling pose a danger at any moment and the family must carefully arrange chairs when they have guests over to limit the risk of said chairs caving in from sheer age and decrepitude. Althea knows her duty: to save the castle by marrying well. Luckily, while fortune is not on her side, she does have a good amount of looks. Armed with this and a healthy dose of determination, Althea sets her eyes on their new neighbor, Lord Boring. But can she even get at him when the ever present, ever annoying Mr. Fredericks is always by his side?

From that description alone, you can probably guess the majority of the story. That, or having read/been exposed to any Jane Austen in your lifetime. I’m not leading with this as a criticism of the book (though it did have its downsides, which I’ll get into later), but as a general description of what this book sets itself up to be from the very beginning. There are no illusions of creating a completely distinct work. Instead, the story walks a line between parodying other classic works while also trying to work in a few surprises of its own. Some pieces of this were more successful than others.

Many of the characters had similarities to other stereotypical characters one usually finds in historical romance. Althea was an entertaining blend of Emma from “Emma” and Elizabeth from “Pride and Prejudice.” At her core, she’s a good-willed, smart woman. But she also has a healthy dose of foolishness that leads to all of the some-what expected shenanigans one could hope for from a light-hearted story like this. The two step-sisters were, of course, terrible, each exhibiting comical combinations of idiocy, selfishness, and petty cruelty.

The characters I was a bit more surprised with were Althea’s mother and the two gentlemen who are introduced. The mother was neither foolish nor absent! That alone is kind of shocker for stories like this. Instead, Althea’s mother is a very compassionate character and had her own mini arc throughout the book. As for the men, it’s not a spoiler to reveal that OF COURSE Althea has it all wrong about both of them. But their backgrounds and motivations where different than one might expect. This played to varying success. I liked the evaluation of Lord Boring and the choices he makes, revealing that in some ways, men and women in this time are not all that different.

But, while I liked Mr. Fredericks for the most part, I still struggled a bit with his “change” and the romance between him and Althea. Her frustrations with him are, largely, completely valid. And while he does make up for some his errors, I wasn’t quite convinced that I saw a discernible change in their relationship as the book progressed. Althea just kind of suddenly realizes that she has feelings. But it several of the better traits about Mr. Fredericks haven’t even been revealed! It isn’t a huge complaint, as I still enjoyed their scenes and dialogue together. But I also never really felt the chemistry between them either, which is a problem for a book like this where the romance is key.

As for the plot, like I said earlier, there are a lot of references to plot points from Jane Austen novels and the like in this book. While I enjoyed these for the most part, there were also moments when the book simply felt predictable because of how closely it was following the storyboard of those types of books. There were very few real surprises in here.

But, again, this is a book that one reads for the light, fluffy romance and for the writing style itself. There, the author very much succeeded. She did manage to neatly grasp the way of talking and writing that is common to stories set in this time period, and there were several turns of phrase that had me laughing out loud and highlighting bits.

All in all, it was a very pleasing book. It didn’t push any boundaries or surprise me, but it was just what it claimed to be: a light historical romance with some witty banter.

Rating 7: A fun, easy read, but don’t expect to be surprised or challenged in any way.

Reader’s Advisory:

“Keeping the Castle” is on these Goodreads lists: “Teen novels related to Jane Austen” and “Clean Regency (or around then) Romance Novels.”

Find “Keeping the Castle” at your library using WorldCat!

 

The Great Animorphs Re-Read #34: “The Prophecy”

366782Animorphs #34: “The Prophecy”

Publishing Info: Scholastic Paperbacks, October 1999

Where Did I Get this Book: own it!

Book Description: Cassie’s losing her mind. But she’s gaining the mind of another. Aldrea — daughter of Seerow, Andalite Prince. Aldrea’s persona, her memory, and a valuable bit of information now belong to Cassie.

Narrator: Cassie

Plot: Another book where I only had vague memories! Most notable, perhaps, was my lack of memories at being frustrated by a Cassie book, which had been the standard for the last few. And there’s a reason! I think this, so far, is the best Cassie book in the series! I always want to give book #4 credit for introducing Ax, but, really, it’s not that great what with the magical whale nonsense and some of Cassie’s “ponderings” on the morality of morphing dolphins. Is the fact that this is only half a “Cassie book” since she shares the narrative with Aldrea part of the reason I enjoyed it?

But I also think it’s legitimately one of the better ones for Cassie herself. Let’s dive in!

We start with the required mini-adventure that seems to lead off all the books now. This time it’s cat!Rachel and rat!Cassie invading a teacher’s house to retrieve a piece of paper with an “I love Jake” doodle that Cassie accidentally turned in with her homework. Teasing happens, but they manage to retrieve it.

Back at the barn, Cassie is surprised to find Jara Hamee waiting for her. He’s come to fetch the Animorphs to the Hork Bajir valley where something shocking as occurred: an Arn, the alien species that created the Hork Bajir long ago, has arrived and has a request.

The Animorphs all fly to the valley. Once there, Toby, the Hork Bajir seer, explains that the Arn arrived out of nowhere in a stolen Yeerk ship and wants the Hork Bajirs’ help, but she wanted the Animorphs’ insight before making any decisions. The Arn claims to be the last of his species. But he doesn’t want to go quietly into the night and has come up with a way to try to reclaim his, and the Hork Bajirs’, home world. Before Aldrea and Dak died, they had managed to capture a Yeerk ship that was loaded with weapons. With these, the Arn proposes to gather some Hork Bajir DNA and create another guerilla warfare combatant group on the home world that can fight the Yeerks who remain there. The Hork Bajir are all willing to contribute DNA. But the hold up becomes clear: the Arn doesn’t know where the cache of weapons was hidden, only Aldrea herself knew this. But, luckily (?) for everyone, before she died, Aldrea had her personality/memories transferred into this jar thing that can be used to bring her back, sharing the mind and body of a host. Once she locates the weapons, she can be returned to the jar. The danger is that Aldrea herself will need to choose to leave her host body, making it quite a risk.

Rachel, of course, volunteers, as does Toby. After some debate, they all agree it’s for the best, and the ritual begins. But it is Cassie who is chosen. Caught completely by surprise, Cassie still knows that the only choice she really has is to accept. From this point onward, the story breaks into alternating chapters between Cassie and Aldrea.

Sharing minds and bodies, Cassie and Aldrea struggle to find a balance. Aldrea is shocked, confused, and scared by this sudden turn of events. From her perspective, she was just alive, with Dak and their child Seerow on the Hork Bajir homeworld. She’s now awoken to find herself in the mind of an alien girl, years later, and that both her son and husband are long dead. Her, too. There is also a lot of tension and mistrust between Ax and Aldrea. But eventually, they explain what they need from her. Aldrea is able to keep some of her thoughts private and realizes that she doesn’t know where the cache is, it was hidden after she had transferred her memories. But still wanting to travel back to her home, she agrees to the mission anyways.

The Arn, Toby, and the Animorphs all take off in the Yeerk ship on their way to the Hork Bajir world. The Chee remain behind to pose as the Animorphs while they’re away. Days later, when they arrive, they get in a brief battle with an Andalite ship that is patrolling near the Hork Bajir home world (the Andalite only sees the Yeerk ship). They manage to escape by using Aldrea’s skills as a pilot and markswoman. This gains her further trust with the group. She also begins to appreciate Jake’s leadership skills as he makes calls.

On the home world, Aldrea is shocked and saddened to see the destruction the Yeerks have brought to her planet. Many of the trees have been razed and the land is barren in many places. The Arn leads the group down into one of the deep trenches where his civilization used to exist. As they discuss next steps, the mental barrier between Aldrea and Cassie slips for a second and Cassie realizes that Aldrea lied, and doesn’t know where the cache is. The other are furious and say that Aldrea has lost their trust.

There is nothing to be done, however, but to move forward with Aldrea’s best guess as to where she might have hidden it. They all morph Hork-Bajir and swing through the massive forest. Aldrea leads them to the valley that used to be her home with Dak and Seerow. But the Yeerks have destroyed it, razing the trees and damming up a portion of the valley to now serve as a Yeerk pool. Aldrea is crushed, the reality of her situation finally hitting home. However, she is able to spot one tree that is part of the dam that has a marking that she and Dak had put on it. That’s where the cache would be. The problem is that the entrance to the hollowed out tree is on the other side, submerged in the Yeerk pool itself.

Jake and the others come up with a crazy plan. Aldrea calls it crazy and is horrified when they decide to move forward. Cassie tells her that they been pulling off crazy missions for quite a while now, and that she trusts Jake’s leadership skills. The team sets up to put the plan in action. Of course, it all relies on Cassie and her unique morphing skills.

All of the Animorphs morph bugs and climb into osprey!Cassie’s mouth. She then flies as high as she can above the Yeerk pool and then begins to let herself fall. As she falls, she slowly begins demorphing, saving her wings for last. At one point, she manages to completely demorph her lower half and begin the whale morph, all while still retaining her wings. As they fall, Aldrea is in awe of what Cassie is managing, never having heard of anyone being able to control their morphing like this. But as Cassie draws things out (to avoid being spotted as a human girl somehow on the Hork Bajir planet), Aldrea begins to panic and tries to take control of Cassie’s body. Cassie manages to not only continue her complicated morph but shut down Aldrea’s attempts as well. Finally, fully whale, Cassie lands in the Yeerk pool. In her huge mouth, the other Animorphs begin their next morphs. She surfaces and Ax, Andalite!Tobias, and Hork Bajir!Marco leap out onto the dam and start fighting off the Yeerks. Shark!Jake and shark!Rachel take care of the Taxxons powering towards them in the water. Lastly, Aldrea/Cassie demorph from whale and morph back to Hork Bajir. In this form, they are able to open the secret door into the tree and they all escape into it. There they find the Yeerk shop and the cache of weapons.

There is only one way out, however. They all load into the ship and blast their way out, creating a massive sink hole into which thousands of Yeerks are sucked down to their deaths. Cassie mourns this and Aldrea, again, wonders at these humans. When they get back to the Arn’s home, Aldrea knows that it is time. After seeing her home destroyed and realizing there is nothing for her in this life (and that she cannot wrestle control away from Cassie), she agrees to return to the jar. She also insists that Toby, her remaining kin, not stay on the Hork Bajir home world. She wants one family member, at least, to not get caught up in a guerrilla war. With the Animorphs’ help, she puts on a scene saying she is trying to take over Cassie. Ax grabs Toby and tells Aldrea that they are keeping her as a hostage if Aldrea doesn’t leave. Aldrea leaves Cassie and slowly fades away. The other return, knowing that Toby will realize it was a trick, but that by then it would be too late.

Peace, Love, and Animals: This is actually a really good book for Cassie. The personal arcs/plot points fall directly into her wheelhouse. And the action itself is of the kind that could be accomplished only by her.

In the beginning, she is sure that Aldrea’s spirit won’t choose her. Aldrea was known as an independent, fierce woman. Naturally, they all assume she’ll gravitate towards Rachel or Toby. After being chosen, Cassie then spends most of the rest of the book wondering why she was chosen. As Aldrea begins to push the boundaries on controlling Cassie’s body, Cassie begins to suspect that Aldrea must have sensed some sort of weakness in her, one that she could exploit to remain in the living world. But it is only in the end when Cassie asks Aldrea that she finds out the truth: Aldrea can’t know for sure, as she wasn’t consciously choosing, but she suspects that she knew she would be tempted to stay and that she needed to be with someone who could remind her of her own “humanity” essentially and strong enough to show her that. I think this fits very well with Cassie as a character.

Also, Aldrea really struggles throughout this book, as would be expected for someone who just woke up years later and finds out they have lost everything. Cassie’s simple sorrows for her and empathy are comforting to Aldrea. Lord knows Rachel wouldn’t have pulled that off. And Toby would also have had some self-interest involved in a way that Cassie’s simple focus on supporting Aldrea’s emotions didn’t.

The morphing scene at the end was also awesome. We’ve seen Cassie pull off some amazing stunts before (all seemingly involving morphing whale while falling from the sky), but what she manages here takes it to a new level. I don’t believe we’ve ever seen her (or obviously, anyone) pull off morphing two different animals at once, getting her legs fully human and started up on whale while her arms are still osprey and waiting to go through the human stage. It’s pretty incredible and Aldrea’s own shock and awe is a nice cipher for readers to understand how truly extraordinary what Cassie is pulling off is. Throughout the book, Cassie also notes to herself that even while she has a particular talent, the Animorphs in general are all probably morphing experts, as compared to the Andalites who rarely actually use the ability, including Aldrea.

Aldrea: It’s great having another book with Aldrea in it. Through her memories, we get more insight into what her and Dak’s life was like with their baby before the end of everything. Obviously, we know it ended tragically, but there are some sweet moments between the two that we get to see through her memories and dreams.

She is also, understandably, dealing with a lot of anger, confusion and denial throughout this book. She’s never even heard of humans and now suddenly she’s on their planet inside the body of one. She’s rightly skeptical of the Arn’s motivations for his whole plot, and sees the Animorphs as children and finds it difficult to trust and follow their lead. Further, she and Ax have an ongoing conflict, each looking on the other with a sense of distaste.

The space fight scene is a good moment to highlight her skills as a combatant, and while they are all in Hork Bajir morph on the planet, we see just how comfortable she is in that form, having truly adopted it as her own.

We also see her struggle with the idea of returning to her unconscious state. She never outright plots to take over Cassie, but when, in a moment of panic, she tries to take over while they’re falling through the air, the realization that she actually can’t is a helpful push for her to realize just how wrong what she had been considering was.

It’s also a nice touch, in the end, for her to feel so strongly about Toby returning to Earth, not wanting the same life for Toby as the one Aldrea lead.

Our Fearless Leader: Jake really highlights his strength by repeatedly standing up to Aldrea. It’s mentioned several times that she’s essentially a war hero straight out of history. So it’s natural that there might be tension regarding who makes the calls. Jake never wavers, however, and as the story progresses, Aldrea begins to see why he has been so successful for as long as he has and why the other Animorphs trust his judgement with some of their more crazy plans.

Xena, Warrior Princess: Rachel, of course, volunteers immediately and is very confused when she isn’t chosen. She outright asks Aldrea about it early in the book, but Aldrea doesn’t really know at that point. Along with Jake, Rachel is also the most on the alert for signs that Aldrea may be trying to take over Cassie or not give her up. There were a few instances when Aldrea talked from Cassie’s mouth and Rachel was immediately angry and upset, insisting that she let Cassie back.

A Hawk’s Life: Tobias doesn’t have much in this book, other than it being recognized that he is the closest to the Hork Bajir and the one who had heard Aldrea’s story from Jara Hamee originally. When they’re all on the Hork Bajir planet, he stays in hawk morph and struggles to navigate around the massive trees.

The Comic Relief: Marco also doesn’t have much. He has a few good one-liners here and there. His usually commentary on how insane all of their plans are. And there is a moment when Jake is in the middle of a big “leader” speech where he interrupts him to make a joke. Cassie notes this as a good service that Marco provides his best friend when he thinks Jake is getting too serious or caught up in things.

E.T./Ax Phone Home: Ax struggles the most with the appearance of Aldrea. His normal Andalite arrogance is amped up when presented with the daughter of the Andalite who essentially created the Yeerk threat. Not only does he have the usual Andalite disdain for Seerow, and through him, his daughter, but his own prejudices regarding Andalite superiority are on display. He cannot understand why an Andalite would choose to live as a  Hork Bajir. Aldrea does a good job calling him out on both of these fronts, noting that Elfangor did the same by giving the Animorphs their powers and naming his prejudice for what it is with regards to her decision to become a Hork Bajir. By the end of the book, both have come to an understanding and appreciation for the other, but it’s rough there at the start.

Best (?) Body Horror Moment: Cassie has one of her biggest moments of panic and horror when Aldrea takes over the morphing process when they morph wolf back on Earth as a practice run. For the first time, the morphing process is described as being painful, likely largely due to the psychological strain of having one’s body go through that but not to be in control of it. Probably especially for Cassie, as she is used to having more control over the process in general than any of the rest of them, so to have it completely out of her hands…

Couples Watch!: Obviously there’s the bit in the beginning when they’re fetching the love note. Maybe aware that Tobias/Rachel jumped the “using the ‘L'” word hurdle in the last book, it is noted here that Cassie and Jake have kissed other times (though usually just after battles) and, while they haven’t told each other, they both know they love each other.

Unfortunately, what should have been big miles stones for these two (but AGAIN, all of that supposed kissing happened off screen, so I’m still calling these two the wet blanket couple of the bunch) are over-shadowed by the much-more compelling and adult-feeling relationship between Aldrea and Dak. Not only do they have a whole book of backstory for the two of them together, but Aldrea’s emotions and memories of Dak just feel deeper and more meaningful.

If Only Visser Three had  Mustache to Twirl: Another book without Visser Three! Really, this is one of the few books that had no main villain. Like we saw in the last book, sometimes other Controllers step in for the villain role, but here we don’t have much other than the generic Hork Bajir and Taxxon Controllers they all fight in the end. And even there, Cassie/Aldrea are never really in that battle. But the Arn is viewed with quite a lot of suspicion from everyone. He says he is the only one left, and they all question his motivations for wanting to start up another guerilla war with the Hork Bajir serving as warriors. What’s in it for him? It’s not like the Arn have a great history about caring for anyone other than themselves, especially not the Hork Bajir. He also has an unfortunate habit of referring to the planet as only his own. Though, to be fair, they were there before the Hork Bajir. So while it’s the Hork Bajirs’ home, too, they can’t really deny the Arn some ownership of it. But, in the end, there doesn’t appear to be anything to all of this suspicion, and while the Arn is still arrogant and a bit off-putting, his claims seemed to be true.

An example of his sliminess, when they are discussing who needs to make the trip to the Hork Bajir planet:

“But she is just a vessel,” Quafijinivon [the Arn] said with a sort of greasy smile. “Why would you humans need to come?”

<Because you think she’s nothing but a vessel, that’s why,>  Tobias said.

Adult Ugly Crying at a Middle Grade Book: The scene where Aldrea first sees what used to be her, Dak, and Seerow’s home, now converted to a Yeerk pool of all things. It’s pretty crushing. Especially because up to this point, some small part of Aldrea has been in denial about her situation. Seeing it really makes it hit home what she’s lost and how far removed she is from everything she knew. It’s really tragic when you think about it. To her, she had just minutes ago been alive and well, transferring her memories. And now it’s all gone. Her husband is dead. Her son went on to be taken by the Yeerks and die in captivity. Her home is a freaking YEERK POOL. The tree in which she and Dak essentially carved “A hearts D” is part of the dam itself!! It’s rough. And then, in the end, she has to choose to return to oblivion, not knowing if she’ll ever wake again.

What  a Terrible Plan, Guys!: The plan with Cassie’s morphing feats was really awesome. The plan to trick Toby was…really not. It all happens in about two pages and it just doesn’t make sense. I feel like Toby knows that Ax threatening her is an empty threat, so it’s hard to believe she’d fall for it. Beyond that, I have to think she’d be more open to an honest conversation with Aldrea and none of it might have been necessary. Beyond that, once she does learn the truth, I’d think the fallout would be massive. That’s a HUGE betrayal by the Animorphs. And it’s only made worse by the general way that Hork Bajir have been mistreated in the past, manipulated by “smarter” species “for their own good.” I have to believe that Toby would see it as such and have a hard time forgiving them all for taking away her agency.

Favorite Quote:

Aldrea notes with some confusion the Animorphs’, and Cassie in particular, sadness over the death of all the helpless Yeerks in their pool. It’s over this concept that Ax and Aldrea begin to understand each other:

<Let  us agree,  then,  that all  civilized  species must share a  hatred of war,> Aximili said.

Funny AND super dated moment. Marco expresses an opinion that does not hold up well!

<He [the Arn] had to come. Star Wars: The Phantom Menace isn’t coming out on DVD there for, like, two years. He buys up a bunch of copies here, takes ’em home, makes a fortune.>

<Good grief, Marco, you live science fiction, why do you want to watch science fiction?>

<Don’t be dissing TPM,> Marco said. <Cool is cool.>

Scorecard: Yeerks 8, Animorphs 14

This is a big win for the Animorphs. Like huge. Having another battlefront break out on the Hork Bajir home world will be a huge help in dividing the Yeerk’s attention and assets. Plus, as sad as they all are about it, they took out a good number of Yeerks in the process.

Rating: I actually really enjoyed this book! All of Cassie’s strengths were utilized in excellent ways, and of course, it was great having the character of Aldrea back, if only briefly. I’m not sure why I forgot this one as much as I did, given how much I liked it this go around. But I was definitely pleasantly surprised.

Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!

Serena’s Review: “Beast: A Tale of Love and Revenge”

31019831 Book: “Beast: A Tale of Love and Revenge” by Lisa Jensen

Publishing Details: Candlewick Press, July 2018

Where Did I Get this Book: ARC from the publisher

Book Description: They say Château Beaumont is cursed. But servant-girl Lucie can’t believe such foolishness about handsome Jean-Loup Christian Henri LeNoir, Chevalier de Beaumont, master of the estate. But when the chevalier’s cruelty is revealed, Lucie vows to see him suffer. A wisewoman grants her wish, with a spell that transforms Jean-Loup into monstrous-looking Beast, reflecting the monster he is inside. But Beast is nothing like the chevalier. Jean-Loup would never patiently tend his roses; Jean-Loup would never attempt poetry; Jean-Loup would never express remorse for the wrong done to Lucie. Gradually, Lucie realizes that Beast is an entirely different creature from the handsome chevalier, with a heart more human than Jean-Loup’s ever was. Lucie dares to hope that noble Beast has permanently replaced the cruel Jean-Loup — until an innocent beauty arrives at Beast’s château with the power to break the spell.

Review: Oof, another challenging “Beauty and the Beast” retelling. I think I could probably write an entire PhD on the pitfalls of re-telling this fairytale. When I first saw the book description, I was excited to read a version that was seemingly focused on an entirely new character, not “Beauty” herself. And while that aspect was still interesting, the book itself was very difficult to read and I will have a hard time recommending it to others, unfortunately.

Lucie is a servant in the house of the rich lord, Jean-Loup. After a horrific event, she is the one to wish the worst on her master, resulting in him turning into a beast, and her into a sentient household item. As time passes, she begins to suspect that this new, beastly version of her master might not be the same, and when a stranger arrives on the scene, the world begins to change once again.

So this is obviously not a positive review, but there are a few things I’d like to highlight as positives for this book. One, I still very much appreciate the originality behind the concept of this story. We’ve all read a million and one versions told from various “Beauty’s” perspectives. Some are better than others, but the basic construct is the same. They all arrive on the scene, confused and scared. And slowly come to change their minds and fall in love with the Beast. Here, Lucie knows Jean-Loup before his change and her experiences with him as a Beast are from the perspective of a servant, not the traditional heroine’s role. What’s more, Lucie isn’t even the “Beauty” in this story, and that character does make an appearance and play a part in the story unfolding. It’s a very creative take on things, and I truly wish that other choice had been made that would have allowed this new version to stand well on its own.

Further, I did like the writing for the most part. The “voice” fits well with the re-telling of a fairytale. It verges on rather simplistic and “younger” sounding, but I think that, done right, this tone actually works really well for fairytales which can be unique for having a different cadence, such as this. However, the writing also directly lines up with some of my major criticisms of the book.

It is very simplistic and straight forward. As I began reading, I started thinking “Huh, ok. So this is maybe more of a middle grade version of ‘Beauty and the Beast.’ Great!” Mentally, I started aligning it with the words of Shannon Hale, who’s written a bunch of fairytales, many of which have a younger-sounding voice and simple story-telling technique. But alas, this comparison died a sudden, very harsh death only a few chapters into the story.

(This might be a spoiler, but it’s pretty crucial to understanding the negative reaction I’ve had to this book, so if you want to go in blind, skip the rest!)

The prologue to the story sets it up that Lucie is the one who directed the fairy to go “all in,” as it were, on the curse on Jean-Loup. So we know that something awful has to happen to inspire this level of hatred. And something awful does indeed happen, in the form of a graphic sexual assault scene.

This was shocking to see on several accounts, but not least of all is the direct contradiction that the graphic nature of this scene lays across the middle-grade nature of the writing itself. I was mentally comparing this book to Shannon Hale, of all people, based on the writing style itself. The most sweetest fairytale writer you can find! And that’s a problem. Likely, the type of reader who is going to appreciate the tone of this writing style is going to verge younger. Even for me, a fan of middle grade and YA fiction, I was distracted by the simplistic nature of this writing. So those who may truly enjoy it are going to be young. And then you get a scene that could have been straight out of “Game of Thrones.” It’s going to be tough to read for even the most hardened among us who are semi-used to running across scenes like this in adult fantasy, let alone younger readers. But, on this side of things, readers who are prepared for this type of dark scene, are likely going to be completely turned off by the young-sounding writing. So there’s a contradiction there where the writing and content are, conversely, going to turn off both options for a reader-base.

Beyond this, I have problems with the actual story line, having included a scene like this as the basis for Lucie’s hatred of Jean-Loup. For all intents and purposes, Lucie ends up as the romantic interest for the Beast, instead of Belle. The book tries to roll out the tried and true rug of “magically separated/changed selves” that would absolve the Beast of past actions, as he is now no longer truly that person. I will always struggle with this type of wand-waving. Regardless of the fact that the “reasons” that Lucie points to as evidence that these two beings are inherently different are horribly minor (like food preferences and fears of spiders), there’s always going to be an insurmountable hill, in my mind, between forgiving an attacker (a hard ask on its own) and falling in love with him. I just can’t get behind that story, and I don’t think this book did nearly enough, even, to highlight any exception that could be made.

While the latter argument could be a matter of personal preference (though I still don’t think there is a huge swath of readers out there who are just searching for that great tale highlighting a victim falling in love with her attacker), my first point about the very real conflict between writing style and content is enough for me to give this a low rating. I honestly just have a hard time really focusing in on who exactly the audience is supposed to be for this book. At the very least, I wasn’t part of it.

Rating 4: Not for me. I don’t think this is a message we want to send out, regarding victims and their attackers, and the writing style was in direct conflict with the content.

Reader’s Advisory:

Again, honestly, if you want a good “Beauty and the Beast” retelling, go read “Beauty,” (the classic, in my opinion), “Heart’s Blood,” (by may favorite author, Juliet Marillier), or “Hunted” (for a more recently published option).

Find “Beast: A Tale of Love and Revenge” at your library using WorldCat!

 

Serena’s Review: “Crooked Kingdom”

22299763Book: “Crooked Kingdom” by Leigh Bardugo

Publishing Info: Orion Children’s Books, September 2016

Where Did I Get this Book: own it!

Book Description: Kaz Brekker and his crew have just pulled off a heist so daring even they didn’t think they’d survive. But instead of divvying up a fat reward, they’re right back to fighting for their lives. Double-crossed and badly weakened, the crew is low on resources, allies, and hope. As powerful forces from around the world descend on Ketterdam to root out the secrets of the dangerous drug known as jurda parem, old rivals and new enemies emerge to challenge Kaz’s cunning and test the team’s fragile loyalties. A war will be waged on the city’s dark and twisting streets―a battle for revenge and redemption that will decide the fate of the Grisha world.

Previously reviewed: “Six of Crows”“Six of Crows”

Review: As was established in our bookclub review of this book, I was definitely the side of our blogging duo who loved the first book. I was all the more surprised given the massive burn I’m still nursing from the author’s original Grisha trilogy that I’ve come to see as an example of how even great writing and great characters can fall prey to some unfortunate YA fantasy tropes. But “Six of Crows” seemed blessedly free of the concerns that plagued those original books, and I was so excited after reading it that I immediately ordered this, the second half of the duology. And, I’m pleased to report, that she stuck the landing on this one!

Kaz and crew are in a tight spot. While they pulled off their last crazy stunt, the reward they were promised not only wasn’t forthcoming, but the powerful merchant with whom they had bargained instead kidnapped Inej and tanked the reputation of the entire crew with the other powerful gangs that make up Ketterdam. Now, stuck between a rock and a hard place, the group must not only recover their lost member and loot, but somehow resolve a political situation has the potential the change the world for the worse.

What sold me on the fist book was the strength of this cast of characters. There are a lot of them, and it speaks to Bardugo’s abilities as an author that she was able to balance so many competing personalities and story arcs. Many of those continue into this book, though there are slight shifts in focus. While much of the first book was taken up by slowly revealing Nina and Mattias’s shared past and resolving their ongoing prejudices, here, their romance and role in each other’s lives has settled down more. The fallout of Nina’s use of the highly addictive, powerful stimulant that she used in the last book to save the team at the very end, was an important and captivating arc for her.

Jesper and Wylan, instead, received more word count and chapters than they had had in the first book. Jesper’s own past was delved into, as well as his continued confrontation with his own gambling addition and the ongoing damage that his past poor choices are wreaking on his own life and the lives of those he loves. Wylan, too, further explores his own highly toxic familial relationships and the true horror that lies at the heart of many of his father’s lies. Their relationship, together, is also given more focus, especially as Jesper begins to realize that his crush on Kaz is a dead end and that Wylan may have always been the better match for him.

Of course, for me, Inej and Kaz were my main points of interest. I enjoyed both of these two the most in the first book, and I continued to enjoy their chapters here. I do feel like they each had a bit less, ultimately, due to the increased focus on Jesper and Wylan, however, I still loved what we were given. Inej, specifically, had come to some pretty frank realizations about what she saw for herself in the future by the end of the last book. And here, it was learning how to follow through with two competing desires. She’s also confronted by a mysterious assassin who may actually be even more skilled than the Wraith herself. Kaz, too, still struggles to overcome the lasting effects of his past. His arc didn’t have as many clear points, as it was more a simple continuation of his rise as a force to be reckoned with in Ketterdam. However, his relationship with Inej and the vulnerability that is required to maintain (begin!) it, is a continual point of challenge for him.

As for the plot itself, I very much enjoyed the complicated heist that was put into effect. There were several points that were laid down here and there that later came to play in new and surprising ways. There was just enough made clear to see the building blocks of the plan, but enough was hidden from various characters to have a good number of surprises in store (this is probably another reason why we had fewer Kaz chapters than I’d like, since, by necessity of the plot remaining a mystery, the man who knows it all can’t have a lot of focus). I liked the multiple showdowns that came into play and the ways in which various crew members’ strengths were called upon at different times to solve different problems.

The story was a bit more sprawling than the close-focused mission of the first book and I both appreciated the added complication but also felt a bit more adrift in the middle when the pieces were still being put together. The goal itself was almost too ambiguous to give the action a clear focus. This resulted in some of what should have been compelling action scenes feeling a bit disjointed from the book, as it wasn’t clear until the end how they all added together to get the result.

I also really enjoyed the ending. The story definitely didn’t shy away from some grim choices, and while I know this will disappoint some readers, I felt that these decisions were necessary to reflect the true dangers of the situation at hand. Further, while broad paths were laid before each character, their stories were by no means neatly wrapped up. Instead, we saw glimpses into what could be the future, but they were left so wide-open that there’s room to imagine various outcomes for them all.

Overall, I very much enjoyed this duology. It’s hard to think of many fantasy/heist books (of course, there’s the insurmountable Megan Whalen Turner), so in many ways these stories felt like a breath of fresh air in YA fantasy fiction (is it even YA? This was a question we discussed at bookclub, and I’m not sure of the answer for books like this). If you enjoyed “Six of Crows,” or Megan Whalen Turner’s “Queen’s Thief” series, or other books by Leigh Bardugo, definitely check this one out!

Rating 9: A thoroughly satisfying conclusion to this duology.

Reader’s Advisory:

“Crooked Kingdom” is included on these Goodreads lists: “YA fantasy/sf novels with major LGBTQ Characters” and “Thieves.”

Find “Crooked Kingdom” at your library using WorldCat!