Book: “The Sandman (Vol.10): The Wake” by Neil Gaiman, Michael Zulli (Ill.), Jon J. Muth (Ill.), & Charles Vess (Ill).
Publishing Info: Vertigo, 1996
Where Did I Get This Book: I own it.
Book Description: When a Dream ends, there is only one thing left to do…
In which the repercussions of the Death of Lord Morpheus are felt, and, in an epilogue, William Shakespeare learns the price of getting what you want.
This is the tenth and final volume of Neil Gaiman’s Sandman, described by author Mikal Gilmore in his introduction as “nothing less than a popular culture masterpiece, and a work that is braver, smarter and more meaningful than just about anything “high culture” has produced during the same period.”
Review: When I’m coming to the end of a series that I’ve spent a lot of time with, I almost always feel melancholy. It’s like saying goodbye for a comfortable friend. The interesting thing about “The Sandman (Vol.10): The Wake” is that we have already reached the crux of the ending of the story, and said goodbye to that friend. After all, at the end of “The Kindly Ones” Morpheus, aka Dream, died. For many stories, that would be the end. But Neil Gaiman knows that true closure means that there is a need for a wake. And that is what this final volume gives us: a moment of goodbye, some ruminations on the memories and the people that Dream has left behind, and the promise of moving on. It’s a volume that serves as an epilogue. And it’s beautiful.
As mentioned above, the real climax of the story was in the last volume, and now we get to see the fallout in the form of an actual wake for Dream, attended by not only his siblings, his friends, and other dieties, but also by mortals he encountered throughout the series (though they attend through their dreams, of course). I loved the quiet and gentle tone that this story took as we see those who loved Morpheus mourn and come to terms with his death, the most effective being that of Matthew, his messenger Raven, who is now lost without his master and friend. I haven’t really talked about Matthew in this re-read. He’s always around, ready to provide some insight or a sarcastic remark, but I found his journey to process Dream’s death to be the most bittersweet moment in this volume (well, it may be a tie, but more on that later). But his ambivalence ties into the other aspect of this whole plot point, and that is that, since Dream is Endless, and Endless are ideas and concepts, Dream isn’t really gone. Morpheus is. But now Daniel, Lyta’s son, has transformed into a new version of Dream, as the Endless are, well, Endless. As the other siblings say goodbye to Morpheus, they have to contend with meeting their new sibling, and Daniel!Dream (this is how I’m going to refer to him going forward) has to contend with starting over as someone new, even though he has elements of Morpheus still. It all connects back to the conversation that Morpheus and Delirium had with Destruction in “Brief Lives”, and it all ties up so wonderfully because of it. Daniel!Dream continues on, and nothing ever really ends.
There are two more stories in this volume which both serve as epilogues. The one that the book truly ends on has to do with Shakespeare, as earlier in the series we see the creative relationship and connection he has to Morpheus. But the other one, and the one that I think really works better, involves Hob, Morpheus’s immortal friend whom he meets up with at a pub ever century. Hob’s final bow is him with his current girlfriend, going to a Renaissance Festival, looking at how the life that he literally led at one time has now become re-enacted in modern times. It’s so poignant, knowing what he’s been through, what he’s seen, and seeing him meet up with Death and getting confirmation about Morpheus just feels like the right way for this series to end. I loved this story, as it has all the best things about Hob; his grumpiness, his sarcasm, and his deep love and respect for his friend.
I am so happy that we have “The Wake” to process the end of a truly magnificent series. “The Sandman” is so influential, so engaging and ambitious, and it changed comics as we know them. It doesn’t feel a need to go out in a huge and dramatic fashion, and instead opts for something more bittersweet, and it just fits perfectly. I’ll miss Morpheus. and Delirium, and Death. But luckily, I can always go back and start over again.
Rating 9: A lovely, sad, and hopeful ending to a truly remarkable and transformative series.