Book: “The Sandman (Vol. 8): Worlds’ End” by Neil Gaiman, Mike Allred (Ill.), Gary Amaro (Ill.), Mark Buckingham (Ill.), David Giordano (Ill.), Tony Harris (Ill.), Steve Leialoha (Ill.), Vince Locke (Ill.), Shea Anton Pensa (Ill.), Alec Stevens (Ill.), Bryan Talbot (Ill.), John Watkiss (Ill.), & Michael Zulli (Ill.)
Publishing Info: Vertigo, 1993
Where Did I Get This Book: I own it.
Book Description: Caught in the vortex of a reality storm, wayfarers from throughout time, myth and the imagination converge on a mysterious inn at WORLD’S END. In the tradition of Chaucer’s The Canterbury Tales, as the travelers all wait out the tempest that rages around them, they share stories of the places they’ve been, the things they’ve seen… and those that they’ve dreamed.
Review: We’ve entered the last fourth of my “The Sandman” re-read, and after the strong note that we ended on at the end of “Brief Lives” I was, admittedly, disappointed to see the number of illustrators coming into “The Sandman (Vol.8): Worlds’ End”. That many illustrators can only mean one thing: we’re getting a number of stand alone short stories. This has been something we’ve seen Gaiman tinker with as the series has gone on, but given that I haven’t remembered many of them as I’ve gone through this re-read, it kind of goes to show that for me these moments of pushing boundaries of storytelling aren’t as effective as the main plot of Morpheus and his siblings. I figured that the same would be said for “Worlds’ End”, and for the most part I was right. Except for one significant moment near the end. But I’m getting ahead of myself.
“Worlds’ End” is an homage to “The Canterbury Tales”, as a number of travelers have found themselves at a mysterious tavern that seems to meet at the nexus of dimensions. There are humans, creatures, entities, and spirits, and all have wound up at the Worlds’ End Tavern due to a strange ‘reality storm’ that has thrown all of them out of their home planes. We arrive with Brant Tucker and his travel companion Charlene, after he crashes her car in the middle of a snowstorm that happens to be occurring in June. Clearly something is up, and as he and Charlene take shelter, the other travelers engage each other with stories to pass the time. As someone who hasn’t read “The Canterbury Tales”, I wasn’t lost, per se, but I was wondering if I was missing something because of my ignorance. The stories range from fantasy to surrealist to creepy. Two really stood out for me in the stand alone stories list. The first is “Hob’s Leviathan”. For one, it brings back fan favorite and Morpheus friend Hob Gadling, but it doesn’t center him at the heart. Instead it focuses on “Jim”, a girl who has disguised herself as a boy to travel on sailing ships. As Jim and Hob travel, their ship encounters a humungous sea serpent. Jim wants to tell the world; Hob knows that the world won’t listen. I liked this one for two main reasons. The first is the reintroduction of Hob. I love Hob! He’s a fun character and it was fun seeing him through the eyes of someone else. The other is Jim, as any tale that has a woman trying to extend past societies expectations is a-okay in my book.
The other story I really liked was “The Golden Boy”. At one point during DC Comics’s Bronze Age there was a character named Prez Rickard, who was a teenage president of the United States. In “The Golden Boy”, Gaiman expands and adds complexity to this concept, following Prez as he maneuvers as President through multiple crises of 20th Century America, which is very clearly a country that has burned brightly but on the verge of starting to burn out. While Prez is never swayed by corrupting influences (specifically an otherworldly entity called Boss Smiley, who looks like the Smiley Face Icon from the 1970s), the ills of the world beat him down and he fades slowly out. It’s a strange and bittersweet but also hopeful story, and one that was VERY weird to read in the America that we’re living in right now.
The other original stories in this collection didn’t really connect with me. But there is one final story that is by far my favorite in its power, its emotion, and what it shows is on the way. The last tale is that of the travelers at Worlds’ End who are still waiting out the storm, and wondering what has caused this strange event, as it certainly must be something significant and ghastly to do such damage to reality. And then, across the sky, they see a funeral procession. They don’t know what they are seeing. We as readers don’t really know what we are seeing. But we do see various Endless in the procession, with Delirium and Death trailing behind at the end. Brant describes the entire thing in a sorrowful and yet dreamy way, and once we get to the end and see Death and the look on her face…. Guys, I wept. I think that in part it’s because I know what’s coming. But it’s also such a beautiful moment filled with poignancy and loss. This story was my favorite, and if shifted my perception.
The artwork in this collection is, as you may imagine, incredibly varied (LOOK AT ALL THE NAMES AT THE TOP OF THIS POST). Gaiman says in an afterword in my edition that he wanted to showcase all these different artists talents, and he does. But my favorite was definitely Gary Amaro, who created the funeral procession with such celestial grace and dejection that it just cuts me to the bone.
“The Sandman (Vol.8): Worlds’ End” is the last of the standalone story collections in the series. I’m glad to move on to the rest of the main storyline and characters, but I will say that the end of this one is probably the most powerful moment in the series for me. I’m glad to have been reminded of it.
Rating 7: Another collection of unrelated stories shows off Gaiman’s creativity and the illustrators’s talents. But after a strong previous story arc I was a little underwhelmed, outside of a powerful moment of foreshadowing…
“The Sandman (Vol.8): Worlds’ End” is included on the Goodreads lists “Best of Vertigo Comics”, and “Books for the INFJ”.