Young Adult – Page 61 – The Library Ladies

Serena’s Review: “Vassa in the Night”

Review: “Vassa in the Night” by Sarah Porter

Publishing Info: Tor, September 2016

Where Did I Get this Book: the library!

Book Description: In the enchanted kingdom of Brooklyn, the fashionable people put on cute shoes, go to parties in warehouses, drink on rooftops at sunset, and tell themselves they’ve arrived. A whole lot of Brooklyn is like that now—but not Vassa’s working-class neighborhood.

In Vassa’s neighborhood, where she lives with her stepmother and bickering stepsisters, one might stumble onto magic, but stumbling away again could become an issue. Babs Yagg, the owner of the local convenience store, has a policy of beheading shoplifters—and sometimes innocent shoppers as well. So when Vassa’s stepsister sends her out for light bulbs in the middle of night, she knows it could easily become a suicide mission.

But Vassa has a bit of luck hidden in her pocket, a gift from her dead mother. Erg is a tough-talking wooden doll with sticky fingers, a bottomless stomach, and a ferocious cunning. With Erg’s help, Vassa just might be able to break the witch’s curse and free her Brooklyn neighborhood. But Babs won’t be playing fair…

Review: Another book that I had on my highlights post for Septmeber that finally showed up a week or so ago! I wasn’t familiar with the original Russian fairytale that inspired this book, so I came into it with very little idea of what it was going to be. Magic in Brooklyn and a Baba Yagga villain. Sounded awesome.

And large parts of it were! The general worldbuilding was very interesting. Your mileage with this will largely depend on how willing you are as a reader to “just go with it” as far as explanations and magic systems. There’s really no explanation for why and how magic exists in this area of the world. Further, the type of magic that is presented is much closer to the nonsense magic seen in “Alice in Wonderland” than to a more outlined and rule-bound magic like “Harry Potter.” That being the case, there is a lot of things popping up here and there with no rhyme or reason and then disappearing just as quickly. Some of these things I particularly enjoyed, like a group of swans that Vassa befriends, and a pair of sinister hands that operate as Babs’ henchmen, essentially.

Other parts felt a bit contrived, however, and as if Porter was simply trying too hard. Particularly some of her efforts to involve nonsense word-play (similar to the Fairyland books I had just read). And maybe having just come off those which were almost the perfect example of nailing this writing style, I was a bit biased against Porter’s attempts here. But I also feel that it was simply not executed well. While nonsense writing can be very insightful, this was clunky and actually confusing. At several points I had to re-read section to try and understand them and then, more often than not, came away with the conclusion that this was just another unexplained element. And while some of these unexplained magical oddities were enjoyable, it didn’t translate here. Dialogue and descriptions needs to be clear, regardless of how little you as an author are providing insights into other magical elements.

Vassa was a very strong protagonist. Her voice was unique and interesting, and I especially enjoyed her relationship with her sisters, especially her elder sister. As I’ve said, I always like sister stories! And, of course, Vassa’s primary partner in crime: Erg, the animated doll. I was both creeped out by and intrigued by Erg. I don’t think I was supposed to be as creeped out as I was, but there were certain elements of her and Vassa’s relationship that was confusing to me. Erg is definitely an intelligent individual with her own opinions, motives, and outlooks on life. So it was very strange switching from her and Vassa debating what do do about some problem or another to Vassa petting and nuzzling her the way you would a kitten. It was strange. But, as I’ve said, so was the whole book.

Ultimately, this book was stronger as a concept than it was as an actual story. There were almost too many weird things thrown in at every moment which prevented me from ever becoming fully invested in the story. I was too busy being confused by some of the writing choices and bouncing from one thing to another to really be able to draw a connecting line throughout the book or form real attachments to characters. There were random chapters inserted here or there attempting to provide some background information that only opened up more doors and left more dangling plot lines (Vassa’s father’s storyline was one of these). While this book is probably the closest thing I’ve seen to an actual dark fairytale set in an urban setting (vs. most urban fantasy which often is the usual, generic, vampires and witches and such in an in every other way normal city), it was too weighed down by its own concept to every really take off.

Rating 6: A unique concept and interesting worldbuilding places too much burden on a confusing plot.

Reader’s Advisory:

“Vassa in the Night” is a new book and isn’t included on many Goodreads lists. However, it should be on “Dark Fairy Tales.”

Find “Vassa in the Night” at your library using Worldcat!

Joint Review: “One Was Lost”

Though we do tend to read different genres, there is sometimes overlap in the books that we pick up and devour. When this happens, we decide to do a joint review, giving our thoughts through our own personal lenses of what we look for in reading material. When we were putting together our October Highlights post, we discovered that we each had picked this book. Obviously, a joint review was in order!

Book: “One Was Lost” by Natalie D. Richards

Publishing Info: Sourcebooks Fire, October 2016

Where Did We Get this Book: the library!

Book Description: Damaged. Deceptive. Dangerous. Darling. Are they labels or a warning? The answer could cost Sera everything.

Murder, justice, and revenge were so not a part of the plan when Sera set out on her senior camping trip. After all, hiking through the woods is supposed to be safe and uneventful.

Then one morning the group wakes up groggy, confused, and with words scrawled on their wrists: Damaged. Deceptive. Dangerous. Darling. Their supplies? Destroyed. Half their group? Gone. Their chaperone? Unconscious. Worst of all, they find four dolls acting out a murder—dolls dressed just like them.

Suddenly it’s clear; they’re being hunted. And with the only positive word on her wrist, Sera falls under suspicion…

Serena’s Thoughts

Whelp, I knew going in that this book was either going to be a great hit or potentially a big miss for me. A little background: I grew up in a very, very rural part of northern Idaho. I’m talking “only had an outhouse/had to sno-mobile 5 miles in during the winter/wood stove for heat and cooking/solar power/etc” type of remote. That being the case, I spent large portions of my childhood running around in the woods with my sister. So, for one, the woods aren’t a natural “fear factor” for me. And for two, I grew up learning a lot about how to survive in these types of situations. All of that said, because of this, I always find myself gravitating to books like these that focus on the experiences of others in the woods, just because I love the setting. But that also means that I approach these types of stories from a hyper critical standpoint, which isn’t the book’s fault. So I have to spend a lot of time balancing my personal reaction to a book like this against that of the average reader. But, since we’re joint reviewing this, Kate will be here to give her perspective as the non “woodland wild child” reader!

But first, I don’t want to give the impression that this book was a complete failure for me. I feel like the main cast of characters were very likable. They were a diverse group (if perhaps a bit too stereotypical), and I liked the attention that was spent addressing the difference challenges that each of these teens had faced in the typical highschool experience. Sera herself was a very good narrator. While the writing and voice were rather simplistic, she was likable and for the most part I was fully on board with her as a protagonist. There was an interesting backstory with her mother and with the impact that this relationship has had on Sera’s own life and sense of self. I wish there had been even more on this, as the ending felt a bit rushed with her ability to resolve what has to be a huge, ongoing personal conflict. There was also a romance that, while I still don’t feel that it was necessary and had an overly dramatic backstory that proved to be a let down when it was revealed, wasn’t as terrible as I first suspected. Just wish there was less of it.

But, as I mentioned in the beginning of this post, I had some very specific issues with this book, and what frustrates me the most is that much of it comes down to poor research on the author’s part. Look, I know this book is about teens out in the wilderness and that, due to this, they aren’t going to know all the ins and outs of wilderness survival. However, they make SO MANY WILDLY BAD DECISIONS!

About a third of the way in, after they wake up with the words written on their wrist, there are a few chapters that are made up of just one bad decision after another. There’s the very basics that most people know: never wander off. If you’re completely lost, stay put. Here, not only are they not lost, but they have a perfectly good trail with only a three days’ walk out, which in the grand scheme, really isn’t much. So it’s a million times more stupid to instead go wandering out into the wilderness with the hope that you might not get turned around and you might find the road and maybe rescuers will find you even though you are now putting miles between yourself and where they would know to look.

Then there are more specific things that are just common sense. Obviously, water is your most important priority (after not wandering off! And not fixating on food, which they do. Obsessively. For the record, you can live three weeks without food and do not, in fact, start feeling massive effects after ONE DAY). And maybe, maybe, river water is a safer bet than water that is being left for you by a madman who has ALREADY POISONED YOUR WATER ONCE! Any bacteria in a river (if there even is any, fast moving water is usually a safe bet as long as it’s not draining directly out of a cow field) is going to be curable once you’re found. And if you’re not found…you have bigger problems.

And then, just because you shouldn’t camp near a river that may flood, this does NOT somehow make it too dangerous to follow (civilization is found near water). Like, what do they think is going to happen? The river is somehow going to instantaneously flood enough to take them out in seconds if they’re walking along it? Walk a ways above the water line, for crying out loud.

The story was much stronger when it simply focused on the thriller aspects and left aside any survival choices. After this initial string of events ends, the mystery/thriller aspects picked up again and I was able to shut my brain off for a good portion. And if it had maintained this until the end, I might have given the book a pass. Unfortunately, near the end, it lost me again with what was the last straw for me as far as poor research goes. Sera has a cut hand. They find peroxide to put on it. And then there are several paragraphs about how horribly painful it is applying the peroxide….

Peroxide is painless. The author clearing didn’t do one iota of research and simply failed to spend the time differentiating between rubbing alcohol and peroxide. Which, look, I get that it’s a small thing. But after all the rest, it was the final straw to my patience with this book. If you, an author, are going to write a survival story about teens in the woods, it is not too much to ask that you do basic research. And I, the reader, expect more. There was some more nonsense about finding a 4 wheeler but not leaving immediately because “Omg, cliffs!”…as if headlights aren’t a thing. And the fact that they find a RV along with the 4 wheeler, but somehow there are no roads (how did it get there??) necessitating said wandering in the woods. And…I was done with the book at this point.

Kate’s Thoughts

And then there’s me, City Girl Kate! I was raised in the city, by two parents who grew up on farms and decided that nature just wasn’t their bag once they could escape it. So nature isn’t MY bag either! And therefore, I went into “One Was Lost” with less knowledge about what the dos and don’ts are when it comes to wilderness trekking and survival. While some of the obvious mistakes jumped out at me, most of the others Serena mentioned went right over my head. I’d probably die in the woods, because I’m pretty clueless.

giphy4 — Oh, you can drink fast running water? Huh! (source)

So I guess I was kind of able to go in with less critical eyes in my head, at least when it came to the survival skills trope. HOWEVER, when it came to horror tropes and thriller plot points, I too had a harder time swallowing “One Was Lost”. I was hoping for some kind of “Blair Witch Project” story (For crying out loud, the cover alone is a nod to it), but sadly it didn’t quite live up to the expectations that I placed upon it. Perhaps unfairly, but placed upon nonetheless.

I did like the characters that we followed, I want to make that perfectly clear. Sera was a relatable and interesting protagonist, whose baggage is kind of unique when looking at YA protagonists. I liked her backstory and I thought that it was believable enough to explain some of her reasoning and decisions she made down the line, as well as parallel some of the revelations as they were exposed. I agree with Serena that the romance she had with Lucas was a bit unnecessary, though I did like Lucas and the foil he provided when verbally sparring with Sera. Emily and Jude were also interesting enough, though we didn’t get to see as much of either of them so they fell a bit more into their stereotypes (Emily as the quiet victimized girl, Jude as the spoiled and privileged adoptee. Side note, I think Jude could have been VERY interesting being a transracial adoptee of two gay men, but that wasn’t focused on at all). I think that their introductions were a little rushed, as we pretty much hit the ground running. As the plot kept going and as they all found themselves in worse and worse situations, I got a pretty good idea as to what was going on, at least in terms of who was probably harassing them and stalking them. Maybe not in the bigger picture as to motive, granted, but I called who the culprit was long before the big reveal. I know that I’m a horror girl and a thriller girl, and I know what to look for. But there were things that tipped me off and they are things that have been seen in many, many other stories of both genres.

I also found myself rolling my eyes when the urban legend/ghost story that was told had to do with “Cherokee Spirits” living in the woods. Jeeze. Why is it that sometimes these stories feel a need to trot out Indigenous stories while totally butchering them? It was uncomfortable for me, especially given the recent dust up with “The Continent”. Luckily this was kept to a minimum, but really, it shouldn’t have been in there in the first place.

So for me, “One Was Lost” was also a disappointment, though I did like Sera and the personal journey that she went through. I just wish that this book had done more, because the potential really was there, and I wish that some choices that were made had been taken out before publishing.

Serena’s Rating 5: A strong premises and lead character, all foiled by very poor research that kept kicking me out of the story.

Kate’s Rating 5: I liked the characters and I liked the backstory, but the plot was a bit too predictable for me, and some of the storytelling devices were a bit aggravating.

Reader’s Advisory:

“One Was Lost” is a new book so it isn’t on many Goodreads lists yet, but it should be on “Wilderness Horror Stories.”

Find “One Was Lost” at your library using WorldCat!

Serena’s Review: “The Girl Who Raced Fairyland All the Way Home”

Book: “The Girl Who Raced Fairyland All the Way Home” by Catherynne M. Valente

Publishing Info: Feiwell and Friends, March 2016

Where Did I Get this Book: the library!

Book Description: Quite by accident, September has been crowned as Queen of Fairyland – but she inherits a Kingdom in chaos. The magic of a Dodo’s egg has brought every King, Queen, or Marquess of Fairyland back to life, each with a fair and good claim on the throne, each with their own schemes and plots and horrible, hilarious, hungry histories. In order to make sense of it all, and to save their friend from a job she doesn’t want, A-Through-L and Saturday devise a Royal Race, a Monarckical Marathon, in which every outlandish would-be ruler of Fairyland will chase the Stoat of Arms across the whole of the nation – and the first to seize the poor beast will seize the crown. Caught up in the madness are the changelings Hawthorn and Tamburlaine, the combat wombat Blunderbuss, the gramophone Scratch, the Green Wind, and September’s parents, who have crossed the universe to find their daughter…

Review: I delayed it for a few months, but here we are at last, woefully at the last book in the “Fairyland” series. But there are two things bolstering my spirits after finishing this series. 1.) It ended on such a great note! Always a concern that somehow something so good will be bungled and tarnished forever by a whiff on the ending. And 2.) now that it has been finished, and finished so well, I can happily go out and purchase the entire series and re-read them to my heart’s content!

Per my usual review method for this series, I’m going to include some of my favorite quotes from the book. If I’ve said it once, I’ve said it a million times: the writing in this series is so beautiful and has to be its biggest selling point.

“One of the awful secrets of seventeen is that it still has seven hiding inside it. Sometimes seven comes tumbling out, even when seventeen wants to be Grown-Up and proud. This is also one of the awful secrets of seventy.”

We’ve watched September grow up throughout these books. If the theme of the entire series could be summed up, it would be: growing up is a terrible, onerous process and then once you get there, you realize it was all kind of a hoax to begin with. Throughout all of the books, I very much enjoyed Valente’s razor sharp views on childhood. It’s all too easy to let childhood morph into a time and place of wildflowers and carefree days, and as adults forget the truly awful parts about it. The helplessness, the lack of freedom, the unassuredness, the constant changes both in yourself and in how the world see/treats you.

“We have all of us got it jumbled up. You never feel so grown up as when you are eleven, and never so young and unsure as when you are forty. That is why time is a rotten jokester and no one ought to let him in to dinner.”

New to this book, we meet Septemeber’s parents and her Aunt more fully! The interlude chapters document their journey. It was particularly enjoyable reading about their experiences, both in Fairyland and as the ones who were left behind by a wandering September. We always hear about the kids who get swept off to magical lands, but nothing about the poor parents who are left missing their children. Further, the reminder that these same parents and adults were once children and had adventures of their own.

“The Land of Parents is strange and full of peril.”

While Hawthorne and Tamburlaine do play a role in this story, it was again September’s story and her friends that we follow throughout the book. However, Blunderbuss, the combat wombat, plays a much larger role than I had expected and it was awesome. She is by far the best new addition to group from the last few books. Her acerbic wit and blunt way of speaking often provided the most hilarious bits of the story. And her contribution to the ending was as surprising as it was welcome.

“You gotta be nice to strangers even when they are the worst, because they don’t know you well enough to understand how shut your big face can mean I’ve missed you more than the whole world can know.”

And, finally, I cannot end this review without talking a bit about my darling pairing of September and Saturday. I have to say, this was my biggest concern about the story and one of the reasons I held off reading this book for so long. How could this be resolved in a way that wasn’t going to be heart breaking somehow? And, while the ending wasn’t anything like I could have expected, it was so, so satisfactory. So, go forth dear readers without fear on this account!

“The tales lovers tell each other about how they met are hushed and secret things. They change year by year, for we all meet many times as we grow up and become different and new and exciting people–and this never stops, even for a minute, even when we are ninety.”

I really can’t rave enough about this book. While “The Boy Who Lost Fairyland” was very good, it did feel like a step away from the Fairyland books that I had come to love. So I was a bit concerned when starting this one that maybe the magic had worn off just a little. But this book comes roaring back, and I would say it most closely rivals my love of the first book in the series. When/if I have children, this series will definitely be making an appearance on the must-read-aloud list. If you like fantasy, especially of the sweet and nonsensical kind, ala “Alice in Wonderland,” don’t miss out on this series!

And with that…

“Endings are rubbish. No such thing. Never has been, never will be. There is only the place where you choose to stop talking. Everything else goes on forever.”

Rating 9: An amazing story on its own, but also an unexpected and poignant ending to the series as a whole.

Reader’s Advisory:

“The Girl Who Raced Fairyland All the Way Home” is included on this Goodreads list: “own the Rabbit Hole in Children’s Fantasy” and Best Chapter Books for Young Girls

Find “The Girl Who Raced Fairyland All the Way Home” at your library using Worldcat!

Previous Reviews: “The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making” and “The Girl Who Fell Beneath Fairyland and Led the Revels There,” and “The Girl Who Soared Over Fairyland and Cut the Moon in Two” and “The Boy Who Lost Fairyland”

Kate’s Review: “The Women in the Walls”

Book: “The Women in the Walls” by Amy Lukavics

Publishing Info: Harlequin Teen, September 2016

Where Did I Get This Book: The library!

Book Description: Lucy Acosta’s mother died when she was three. Growing up in a Victorian mansion in the middle of the woods with her cold, distant father, she explored the dark hallways of the estate with her cousin, Margaret. They’re inseparable—a family.

When her aunt Penelope, the only mother she’s ever known, tragically disappears while walking in the woods surrounding their estate, Lucy finds herself devastated and alone. Margaret has been spending a lot of time in the attic. She claims she can hear her dead mother’s voice whispering from the walls. Emotionally shut out by her father, Lucy watches helplessly as her cousin’s sanity slowly unravels. But when she begins hearing voices herself, Lucy finds herself confronting an ancient and deadly legacy that has marked the women in her family for generations.

Review: Halloween seems like it was so long ago, and yet I’m still digging into the books that I put on my list for Horrorpalooza that didn’t quite make the cut, timing wise. True, it was a long list so that’s to be expected. The next one that didn’t quite get the timing right is “The Women in the Walls” by Amy Lukavics. Lukavics wrote one of my favorite horror stories last year, “Daughters Unto Devils”. It was one of the scariest books I read last year, and it was a reminder that YA horror can have serious chops if you get the right writer. Seriously, horror fans need to check it out and how. So I was very excited when I found out that she had another one coming out, and digging into it was something I was very much looking forward to.

I think that there were a couple of mitigating factors that made this book not as engrossing as “Daughters Unto Devils” was, specifically that I was reading it during Election Week. And hey, let’s be honest, given how I felt about how that all went down, it would have taken a SERIOUSLY engrossing and charismatic read for me not to be totally distracted and brought down while reading it. But at the same time, “The Women in the Walls” just didn’t quite hook me the way that “Daughters Unto Devils” did. True, I can’t be sure if the extenuating circumstances had any blame, but as I read this book I wasn’t as scared or enthralled as I’d hoped to be. To begin, I didn’t feel as much of a connection to Lucy, or protagonist, as I wanted to. I understood her plight and sympathized for her, of course, but I didn’t feel like there was much heart to her through actions as much as her narration told me why there was heart to her. That is one of the perils of first person narration. I didn’t want Lucy to tell me that she was close with her aunt Penelope, or that she was best friends with her cousin Margaret, or that she resented her Dad because he was keeping secrets from her. I wanted to see it through action. I also just wasn’t as empathetic to her as I was probably supposed to be, and some of her character traits seemed a bit trite and just there to foster sympathy as opposed to give her actual depth.

But, the good news is that this book does have a lot of really scary and creepy moments and themes in it. Lukavics still doesn’t hold back when it comes to putting some upsetting imagery in her stories. Be it a desolate cemetery in the middle of the woods, a faded blood stain on an attic floor, or a bag full of human teeth, there were many moments where shivers were sent up my spine. She took a few old hat tropes and made them fresh and interesting, which is definitely a plus for me. She also does a very good job of building dread and letting unsettling moments slowly evolve into something that is so far beyond what you’d expected. There are definitely some parts of this book that made me squirm, and I don’t squirm that easily. So as a pro-tip, I would just suggest that if you have a thing about insects, well….. tread carefully.

giphy3 — I have a thing about insects…(source)

I love that Lukavics has the guts to put some Stephen King levels of fear and shocks into her books for teens, because I think that some teens (especially seasoned horror fans) want to have scarier and grittier stories. I would have loved to have these books when I was a teen, as seeing teen girls in horror literature wasn’t something that I was used to back then because if I wanted horror, I had to go to the adult section. To be fair, YA literature wasn’t as prominent when I was that age, but even these days a lot of the teen horror is pretty tame and wouldn’t have satiated me even then. By having books like Lukavics’ available it says that this is a genre that can be for you too, ladies. Okay, soapbox moment here. Horror as a genre is still kind of a Boys Club in a lot of ways, so getting women writers in there to write books that teen girls are going to read really brings me great joy. Even if some of the stuff in this book also had me totally yucked out. I know it’s strange, but to me that’s a good thing.

So I guess that while I wasn’t as invested in this story as I had hoped I would be, I still did enjoy quite a bit about “The Women in the Walls” and what it gives to the genre as a whole. I’m definitely still considering myself a fan of Lukavics’, and I will be seeking out whatever books she puts out there. This is the kind of YA horror I want to see.

Rating 6: Though I wasn’t too fond of the main character and though it sometimes was too on the nose, I enjoyed the scary and horror moments of “The Women in the Walls” quite a bit.

Reader’s Advisory:

“The Women in the Walls” isn’t really on any Goodreads lists yet, but it would fit in on the following lists: “Haunted Houses”, and “Gothic YA”.

Find “The Women in the Walls” at your library using WorldCat!

Serena’s Review: “The Queen of Attolia”

Book: “The Queen of Attolia” by Megan Whalen Turner

Publishing Info: Greenwillow Books, April 2000

Where Did I Get this Book: the library!

Book Description: Revenge
When Eugenides, the Thief of Eddis, stole Hamiathes’s Gift, the Queen of Attolia lost more than a mythical relic. She lost face. Everyone knew that Eugenides had outwitted and escaped her. To restore her reputation and reassert her power, the Queen of Attolia will go to any length and accept any help that is offered…she will risk her country to execute the perfect revenge.

…but
Eugenides can steal anything. And he taunts the Queen of Attolia, moving through her strongholds seemingly at will. So Attolia waits, secure in the knowledge that the Thief will slip, that he will haunt her palace one too many times.

…at what price?
When Eugenides finds his small mountain country at war with Attolia, he must steal a man, he must steal a queen, he must steal peace. But his greatest triumph, and his greatest loss, comes in capturing something that the Queen of Attolia thought she had sacrificed long ago…

Review: Well, as predicted, I’m well on my to zipping through this entire series well before the publication of the newest book (expected sometime next spring). But I just can’t help myself!

Coming off the strength of the last book, I was very excited picking up this book to discover what new adventures Gen would get himself into next! So I was a bit dismayed when I soon realized that the format of this book has changed from the first. “The Thief” was told from Gen’s first person perspective. This book is not only told from a third person perspective, it also has widened the cast to include chapters from other characters. But I should have had faith! This book was even better than the last, and this change in format is largely responsible for the improvements.

The first person perspective often seems like the more intimate style of storytelling. You’re living fully in a character’s head, so of course readers feel more closely connected to a character written this way. However, as I’ve discussed before, there are also limitations to this type of storytelling. Here we see the strengths of the third person approach. In many ways, it better suits the type of story that Whalen Turn is trying to tell. After pulling the rug out from under readers the way she did at the end of the first book, the author couldn’t use the same trick twice. We all know how clever Gen is and won’t be fooled again! Or will we…

A third person perspective and the increased use of other characters allowed the plot to become that much more intricate, especially given the shift in tone that this story takes. The first was largely an adventure/heist story. This is political intrigue, and very smart political intrigue at that. Often in YA, political intrigue seems to be dumbed down to such an extent that you can barely call it “intrigue.” Not so here. And the added character perspectives, most notably, those of the Queen of Attolia, add so much to this broadened take on the relationships between our main characters and the countries they rule.

I can’t say enough how impressed I am with the tale that was built for the Queen of Attolia (the character, not to be confused with the title of the book itself!). After the first book, I had her comfortably slotted into the “evil queen” character type and nothing more. Low and behold, Whalen Turner had miles more of character development in store for her.

And, of course, I can’t end this review without specifically talking about Gen. While we get less of him, I feel that by the end of this book, I understood this complex, flawed, but brilliant character that much more. The author makes a very brave choice with regards to Gen early in this book, and I was thrilled that she didn’t take any easy outs with how she dealt with the fallout of this choice. Honestly, like I said earlier, I thought that after being fooled once I would be enough on the look out to spot plot developments in this book. But not so. I was shocked when it happened, and even more shocked with the brilliant way that Whalen Turner faced her building narrative straight on, all while cleverly pulling the wool over readers’ eyes.

I can’t rave enough about this series. There is a lot more political maneuvering in this book than in the first (and than is often found in YA fantasy). But these days, with “Game of Thrones” at the the height of its power, I feel that this series is primed for a resurgence.

Rating 10: Brilliant plotting, complex characters, gutsy risk taking that pays off!

Reader’s Advisory:

“The Queen of Attolia” is included on these Goodreads lists: “Political themed YA fiction” and “Most Intelligent Plots.”

Find “The Queen of Attolia” at your library using WorldCat.

Previously Reviewed: “The Thief”

Kate’s Review: “How To Hang a Witch”

Book: “How To Hang a Witch” by Adriana Mather

Publishing Info: Knopf Books for Young Readers, July 2016

Where Did I Get This Book: The library!

Book Description: It’s the Salem Witch Trials meets Mean Girls in a debut novel from one of the descendants of Cotton Mather, where the trials of high school start to feel like a modern day witch hunt for a teen with all the wrong connections to Salem’s past.

Salem, Massachusetts is the site of the infamous witch trials and the new home of Samantha Mather. Recently transplanted from New York City, Sam and her stepmother are not exactly welcomed with open arms. Sam is the descendant of Cotton Mather, one of the men responsible for those trials and almost immediately, she becomes the enemy of a group of girls who call themselves The Descendants. And guess who their ancestors were?

If dealing with that weren’t enough, Sam also comes face to face with a real live (well technically dead) ghost. A handsome, angry ghost who wants Sam to stop touching his stuff. But soon Sam discovers she is at the center of a centuries old curse affecting anyone with ties to the trials. Sam must come to terms with the ghost and find a way to work with The Descendants to stop a deadly cycle that has been going on since the first accused witch was hanged. If any town should have learned its lesson, it’s Salem. But history may be about to repeat itself.

Review: I need you, readers, to go back and read that description. I will wait…

Okay, did you read it again? Does it not sound absolutely BANANAS?!?! If you said anything other than ‘yeah totally’, I want to know what your life is, because to me this is totally bonkers. Which is why I put it on my list, of course. Because you have a YA novel about teenage witches in Salem, Massachusetts, and the teenage girl descendent of Cotton Mather, written by an ACTUAL descendant of Cotton Mather, that has magic, bitchy teen girls, a Puritan era curse, and a ghost who is a partner in detection.

Look, I’m going to be honest. There are many thing that I would criticize: The writing is clunky, Sam is very much a stereotypical ‘I’m so edgy and no one understands me!’ protagonist, the dialog borders on unbelievable, the metaphor of witch hunts as modern day bullying is kind of ham fisted, and there were so many cliches that I lost track of them. But guess what? I DID NOT CARE!!! All these things aside, it pretty much met all the needs that I needed it to meet! “How To Hang A Witch” by Adriana Mather is a sanitized version of “The Craft” and “American Horror Story: Coven” and yes, it’s over the top and silly, but I’m not mad because I thoroughly enjoyed the time I spent with it.

Why, you ask? Well, lots of reasons. I like witch stories. I liked that Mather has clearly done a lot of actual research about the Salem Witch Trials and the history of the town, and her family. I like that she does manage to incorporate a lot of that history into the narrative, even if it’s forced in at times. And I was kind of left guessing about who the perpetrator of the curse was, as Mather does put in some good red herrings that did distract me here and there. What could have easily just been a gimmicky book written by a descendant of someone who was there turned out better than it could have. I also did ultimately like our main character, Sam Mather, even if she is close to falling into many a trope in YA literature. As a descendant of Cotton Mather, of COURSE she’s a target for bullying by The Descendants, who are descendants of accused witches. So I was able to forgive Sam’s dark sulking, because unlike other sulking protagonists in YA stories that shall go unnamed, her father is in a coma, her mother is dead, all of her friends have had terrible things happen to them, and now she’s being tormented by most everyone around her. EVEN THE TEACHERS, I kid you not. Because of all this I get her defensiveness and I’m more willing to forgive it, even if it all seemed a bit heaped on. True, when in the first paragraph she warned the reader that she’s super sarcastic I was skeptical, and her constant spats with most everyone in town were also worrisome and repetitive. But as the book went on that forced edginess eventually tapered off, and Sam became more natural in her interactions with those around her, so it didn’t feel as ridiculous. It would have been easy to make it her against the world and that’s it, but she grew and developed, and therein found more common ground with others, which made her more sympathetic and easy to swallow.

But we do need to talk about the love triangle. Because boy, is it a doozy in this one. First you have Jaxon, the nice boy next door type who believes in Sam and is kind and nice to her, if not a little flat and boring. He’s fine. He’s a pretty clear ‘best friend I don’t have feelings for or do I?’ contender. But then…. Then there’s Elijah. Elijah, the thoughtful, brooding, sarcastic, GHOST. A GHOST, GUYS.

giphy1 — What even is this and why do I kind of love it? (source)

So yeah, that happened. Man, I really do hate love triangles, especially when there is seriously no reason for them. But I did like Elijah, because there was enough sarcastic and snarky personality to him that he wasn’t just an ‘awwwww, woe is meeeeee’ stereotype of the supernatural love interest. He and Sam always felt like they were on equal footing in their investigation of the mystery of the curse, and while he may not have totally adhered to a lot of Puritanical values for sake of storytelling, it was a pretty okay representation of parties equally giving and taking. His motivation was his own as well, with his backstory tied up in the curse and the tragedies of the Salem Witch Trials, so it didn’t feel like he was just thrown in for the love angle alone. He was at least justified in being there. Him being a ghost was a bit silly, sure, but it did add a tragic spin to his romance with Sam. I think that the friendship and intimacy between the two also emphasized that Sam has a harder time fitting in with her living peers (which is dangerous because she teeters towards ‘I’m not like the other girls’-dom). But Jaxon just felt unnecessary to me, and shoe horned in because there needed to be some extra drama in the romance department for whatever reason. True, he starts by serving as the one person who trusts and supports Sam, but then that is rendered unnecessary as time goes on. I’m wondering if he was just there to potentially set up more drama down the line, because looking at Goodreads it looks like this is considered the first in a series. Given how it ended, in kind of an ‘end of “District 9″‘ sort of way…. well, I’d probably read the next one if it does come to fruition.

So to recap: this book is cheesy, silly, and painted with a broad brush, but I found myself deeply entertained while reading it. Is it going to be something I’d point to if you are genuinely interested in reading about the Salem Witch Trials? Hell no. Is it something I’d point you to if you wanted a spot of fun and a quick read about teen witches? Hell yes. “How To Hang A Witch” was a doozy, and I just decided to buckle up and enjoy the ride, which worked in my favor. No regrets!

Rating 7: At times cheesy and predictable, but also very fun and a nice fluffy read, “How To Hang A Witch” was an entertaining book with characters I cared about and a sappy romance I enjoyed. It’s bananas and I loved that about it.

Reader’s Advisory:

“How To Hang A Witch” can be found on the following Goodreads lists: “YA & Middle Grade: The Salem Witch Trials”, and “Horror Extravaganza: 31 Days of Halloween”.

Find “How To Hang a Witch” at your library using WorldCat!

Serena’s Review: “A Shadow Bright and Burning”

Book: “A Shadow Bright and Burning” by Jessica Cluess

Publishing Info: Random House BFYR, September 2016

Where Did I Get this Book: the library!

Book Description: I am Henrietta Howel. The first female sorcerer. The prophesied one. Or am I?

Henrietta Howel can burst into flames. When she is brought to London to train with Her Majesty’s sorcerers, she meets her fellow sorcerer trainees, young men eager to test her powers and her heart. One will challenge her. One will fight for her. One will betray her. As Henrietta discovers the secrets hiding behind the glamour of sorcerer life, she begins to doubt that she’s the true prophesied one. With battle looming, how much will she risk to save the city–and the one she loves?

Review: I featured this book back on one of my highlights posts, and low and behold it finally showed up on my library hold shelf! While I sped through the story and it did avoid most YA tropes that are immediate turn offs for me, I ultimately found myself slightly underwhelmed.

As the book description proves, this story is pretty typical young adult fantasy fare, right down to the special power being fire-related (why is it always fire??). I have to say, if I were an author, I’d be staying as far away as I could from anything that might leave my main character open to “girl on fire” comparisons to Katnis…but that’s just me. Further, the introduction of a million and one love interests, a secret life that she must hide, and a prophesy, completes the trope infestation. But, like I said, Cluess did do just enough to avoid falling completely into any one of these pitfalls.

Henrietta, first off, was a good narrator. She isn’t going to win any awards as the most exciting protagonists out there, but her voice was still interesting and she rarely had any “too dumb to live” moments that one sees too often. The setting, an alternate Victorian London that is under siege by a host of powerful magical entities, was creative, but also opened up the door for one of my biggest sticking points with the book.

There’s an inherent struggle when writing any book that has ties to actual history. The protagonist, especially a young woman character, needs to be true to her time, but the author still needs to create room for her to move. Too often, we have young women with ideas that are far too progressive, or who seems to too easily shuck off the constraints of her time period. So, here, I appreciated what Cluess tried to do. There are several moments where it is clear that Henrietta struggles with the mindset about women’s capabilities that is woven deep into this time period’s culture. However, ultimately, her path is just as easy, leaving the story feeling very awkward. And, while I appreciate the attempts to keep these biases realistic, there were almost too many of them, or they were awkwardly placed, undoing and often muddying the character’s own story arc.

For example, at one point, after Henrietta has already proven to herself and many around her that she is a powerful force to be dealt with, another character expresses a very misogynistic opinion to her, and she simply rolls over and agrees. Obviously, one show of force by a powerful young woman isn’t going to change the minds of everyone, but I would have liked to see the character’s own perspective on these things adjust accordingly as the book progressed and she gained more confidence in herself. A story of a young woman growing to appreciate her own strength and question what she has been told is the obvious route for a story like this, and ultimately, that’s where the narrative is going. But, as I said, these moments were still woven throughout the book in a very odd way that left me feeling off balance with regards to Henrietta’s actual character arc. It felt like the character’s growth was being sacrificed to continue the charade of her own insecurity (another one of my least favorite tropes: the character who must remain insecure just to garner compliments from those around them).

And, of course, there were the whiffs of a love triangle. The story avoids my biggest qualm with this trope, when it takes over the story in place of actual action, but it’s still there, and I don’t feel that it adds anything to the narrative itself. If it had been left out completely, I honestly feel like there would have been absolutely zero change to the story itself, and that’s never a good thing. And, due to this and my general wariness from being once burned, twice shy, it was hard to become fully invested in the many, many young men characters that surround Henrietta, as I have no idea which one will be the next love-triangle fodder in following sequels.

Ultimately, while the story was enjoyable and I was able to speed through it without any major hiccups, this book isn’t doing anything new for the genre. Almost every piece of it felt familiar and reminiscent of one or another young adult fantasy series. If you enjoy this type of story, then go ahead and read it. But if you’re looking for a new take on young adult fantasy, or are too burned out on some of these tropes (love triangles, special girl with special powers, limited world building), then you might want to give this one a pass.

Rating 6: While inoffensive, it was also slightly uncreative and had a few too many familiar pieces trying to pose as unique.

Reader’s Advisory:

“A Shadow Bright and Burning” is included on these Goodreads lists: “Victorian YA Novels” and “ParaHistorical Fiction.”

Find “A Shadow Bright and Burning” at your library using WorldCat.

Serena’s Review: “The Thief”

Book: “The Thief” by Megan Whalen Turner

Publishing Info: Greenwillow Book, October 1996

Where Did I Get this Book: the library!

Book Description: The king’s scholar, the magus, believes he knows the site of an ancient treasure. To attain it for his king, he needs a skillful thief, and he selects Gen from the king’s prison. The magus is interested only in the thief’s abilities.

What Gen is interested in is anyone’s guess. Their journey toward the treasure is both dangerous and difficult, lightened only imperceptibly by the tales they tell of the old gods and goddesses.

Review: As you can see in the publishing information section, this is a book that’s been around in the young adult fantasy lexicon for quite a while. It routinely comes up in lists of fan favorites and has the bonafides to back it up being listed as a Newbery Honor Book. It is also a long running series, not necessarily in total number of books, but in their slow, steady release. After a long break after this, the first, Turner has released a new novel in the series every 4-5 years it seems, and the next is scheduled to be published next spring. So, with this in mind, I decided that now was a good time to dive into this series!

At first I wasn’t quite sure what to make of this story. Told from the perspective of Gen, a common thief who is rotting in prison until he is enlisted to aid in a royal treasure hunt, the story seemed like a fairly straight forward adventure. The story telling came across rather stilted at first, with Gen often coming across as a lazy, unlikable protagonist. The writing and plot also seemed a bit too simplified for my expectations for a Newbery book. And yet…

Turner masterfully handles her protagonist. As I’ve said before, it’s a challenging task to write an unreliable narrator, even more so in these circumstances as the narrator is unreliable for reasons that might make him even harder to write than normal. I know that wasn’t a very helpful sentence, but I don’t want to give away things.

Further, the slow build in plot development also had huge pay offs in the end. The story itself is very short, so that may have been part of my initial skepticism with its slow burn approach to plot. But, ultimately, the adventure, fantasy, and world building were ultimately fleshed out in truly great ways. There were a lot of twists and turns throughout the story that I didn’t expect, including a dive into the mystical that came a bit out of left field for me.

While this story only briefly touches on the politics and relationships found between the countries in this fantasy world, I can see the groundwork that is being lain here. The story itself, however, does read as a stand-alone, so it’s a curious place to be, knowing there are several novels to follow.

But, as I mentioned, I feel that this book garnered its award purely on the strength of Gen as a narrator. His voice is unique (so unique that I wasn’t quite sure what I was dealing with initially and was prone to disliking him, as I mentioned), but, depending on how the next few books go, I think he has the potential to be one of my favorite leading characters.

This is a short, quick read that is well worth its time! Make sure to give it the chance it deserves if you find yourself, like me, struggling with the beginning. The payoff is well worth it! Now, we’ll see how successful I am at spacing out the rest of the books before next spring’s new release. Or…I’ll just read them all right away and waste away in anticipation like the rest of the poor fanbase who have been waiting so much longer than I will have!

Rating 8: A truly unique narrator who is worth the effort it takes to understand him!

Reader’s Advisory:

“The Thief” is included on these Goodreads lists: “Best Thief Books” (it’s first on this list, which says something, I think!) and “Genius Protagonist.”

Find “Dreamer’s Pool” at your library using WorldCat.

Kate’s Review: “And the Trees Crept In”

Book: “And the Trees Crept In” by Dawn Kurtagich

Publishing Info: Little, Brown Books for Young Readers, September 2016

Where Did I Get This Book: The library!

Book Description: A stunning, terrifying novel about a house the color of blood and the two sisters who are trapped there, by The Dead Houseauthor Dawn Kurtagich

When Silla and Nori arrive at their aunt’s home, it’s immediately clear that the “blood manor” is cursed. The creaking of the house and the stillness of the woods surrounding them would be enough of a sign, but there are secrets too–the questions that Silla can’t ignore: Who is the beautiful boy that’s appeared from the woods? Who is the man that her little sister sees, but no one else? And why does it seem that, ever since they arrived, the trees have been creeping closer?

Filled with just as many twists and turns as The Dead House, and with achingly beautiful, chilling language that delivers haunting scenes, AND THE TREES CREPT IN is the perfect follow-up novel for master horror writer Dawn Kurtagich.

Review: What makes a good gothic horror story? There are many things that need to come together to really make a horror story a gothic one. You usually need a protagonist who is female, though really this isn’t a hard and fast rule anymore. It was just a very common protagonist type back in the Victorian era when these stories were super popular and remain classics. You also need a house or place of action that is isolated and generally creepy in ambiance, like a manor house or a hospital. And there usually has to be a question of what or who is actually causing the conflict of the story: is it something otherworldly, or is it just our poor isolated protagonist losing a grip on reality. “And the Trees Crept In” by Dawn Kurtagich is a pretty good representation of the gothic horror genre, and since it’s written for teens who may be more interested in something that’s more in your face than filled with nuance, I think that it’s a breath of fresh air, YA literary world wise. You have Silla and Nori, two sisters who have fled their abusive home life to live with their Aunt Cath, whose large blood red manor house is in the middle of a forest. From the get go things are strange for the sisters. There’s no technology in the house to be seen, Aunt Cath is both very happy to have them but filled with anxiety, and house seems to be in all kinds of disrepair. Soon Aunt Cath has locked herself in the attic and the trees in the woods seem to get closer and closer to the house. “I am ON BOARD!” I crowed to myself as I started this book, and given that there was talk of a Slenderman-like creepy thing in the woods (super tall, no eyes, huuuuge grin), I was even more elated to devour this book.

But then…. It became really weird, really fast.

While the Gothic genre is certainly supposed to be about isolation and questions of sanity, “And the Trees Crept In” kind of took it a little too far and into a realm that was beyond cohesive and more muddled. The story is told mostly from Silla’s point of view, though sometimes Nori’s random scribbles and notes do get some play as well. But mostly it’s a first person narrative from Silla, and diary entries from Silla, which lends perfectly to an unreliable narrator device. However, as Silla’s diary entries go on, they become more and more unclear as to what exactly is going on, just as her narration starts to fall to pieces as well. Normally this is fine in this genre, but I feel that Kurtagich almost took it too far, as by the time we got to the end of the book I was just lost and more frustrated than not. Writing a well done and believable descent into madness is hard to do, to be sure, and while a valiant effort was made here, it didn’t totally work. That being said, everything does eventually get explained in a narrative moment given by Silla’s love interest Gowan. While I appreciated that explanation was given, and while it did TOTALLY make sense, I think that it shouldn’t take a literal monologue of rundown and explanation to achieve that. And on TOP of that, there is a HUGE random twist at the end that just came completely out of left field! That was strange and I didn’t know how to feel about it. There wasn’t really any reason for it to go on top of the other twist that was revealed.

And let’s talk about Gowan and Silla a little bit. Silla’s characterization of a girl who is possibly losing her mind made it very hard for me to be like ‘oh yes, Silla and Gowan FOREVER’. While Gowan does serve a purpose in terms of wrapping things up for us readers in a tight little bow, I don’t quite buy into the romance that these two are supposed to have. I mean, after all is said and done I GET it, but I still don’t quite buy it. There wasn’t enough there before the end to make me really feel all that invested in it. I was far more interested in Silla’s relationship with her little sister Nori. The dynamic was not only interesting because of the age difference (Silla was ten when Nori was born and has always felt like a second mother to her), but because of the fact that Nori is mute. They can communicate with each other, and they have a strong love and bond through their clandestine communication, which gave a more desperate dynamic to both of them. In one sense it makes Silla more desperate to protect her since she seems to have that added layer of vulnerability, but it also makes a tension bubble up because Silla has a harder and harder time having her only company (outside of Gowan’s intermittent visits) be someone who has no voice and is different from her. And Nori’s fascination with the strange being in the woods adds even more tension still. I am admittedly pretty ignorant when it comes to what it is like to be a mute person, but I feel that Nori was portrayed in a sensitive manner.

At the end of the day, I did enjoy this confusing gothic tale of terror. I think that it definitely could have been a bit less convoluted while still maintaining it’s gothic aura. I would tell readers that it does all make sense. You just have to be willing to wait for it.

Rating 7: A pretty confusing and odd tale with a plot that needed explanation, but once it was clear what was going on I was pretty okay with it. There were some unsettling and creepy moments and the Slenderman-esque imagery was spooky.

Reader’s Advisory:

“And the Trees Crept In” is included on the following Goodreads lists: “Diverse Horror”, and “New Speculative Fiction Stars”.

Find “And the Trees Crept In” at your library using WorldCat!

Kate’s Review: “Labyrinth Lost”

Book: “Labyrinth Lost” by Zoraida Córdova

Publishing Info: Sourcebooks Fire, September 2016

Where Did I Get This Book: The library!

Book Description: Nothing says Happy Birthday like summoning the spirits of your dead relatives.

I fall to my knees. Shattered glass, melted candles and the outline of scorched feathers are all that surround me. Every single person who was in my house – my entire family — is gone.

Alex is a bruja, the most powerful witch in a generation…and she hates magic. At her Deathday celebration, Alex performs a spell to rid herself of her power. But it backfires. Her whole family vanishes into thin air, leaving her alone with Nova, a brujo boy she can’t trust. A boy whose intentions are as dark as the strange markings on his skin.

The only way to get her family back is to travel with Nova to Los Lagos, a land in-between, as dark as Limbo and as strange as Wonderland…

“Beautiful Creatures” meets “Daughter of Smoke and Bone” with an infusion of Latin American tradition in this highly original fantasy adventure.

Review: So I am kind of switching it up for my second Horrorpalooza review! While I know that Serena is usually the user to do fantasy novels, when I got “Labyrinth Lost” by Zoraida Córdova, I thought that it was going to be more horror based. I mean, the main character is a bruja, which is a kind of witch for this story and it’s purposes, and I did say that witches are going to count in this Horrorpalooza. So while this is less horror and more a remix of “Alice in Wonderland”, I am going to count it as a win because this is the kind of Witch-esque Mythology that I really enjoy: powerful, matriarchal bonds that sustain a family with just as much love as magic. Also, scary demons. Plus, it’s always a plus to see YA books with a POC protagonist, as books for kids and teens (and really all people) should be telling the stories of many different experiences.

So we will start with the good. “Labyrinth’s Lost” takes a concept we’ve seen before (teenage witches) and makes it it’s own unique tale. Alex is a bruja, the most powerful bruja of her generation, and the magical systems that Córdova created for this story are always interesting and taking from Latin American traditions. There are some pretty good source notes at the end of this book where Córdova explains what parts come from tradition, and what parts were invented for the story, and I think that it is valuable to learn about this background. Too often to do you see people using Latin American imagery of spirits and the dead, especially around Halloween, and this book shows the importance of some of this imagery and why it isn’t just spooky makeup. I also loved the magical world of Los Lagos, as it does harken to Wonderland but still maintains its own character and ambiance. The magical system of cantos as opposed to spells also gives a new spin on traditionally Western ideas of witchcraft, and I liked that every chapter started out with a passage from the family Book of Cantos. These Bruja communities are portrayed as incredibly tight knit, and the camaraderie and love was very apparent. I also like that the distinction is made that all brujas are witches, but not all witches are brujas. They are not necessarily interchangeable and one cannot make assumptions about brujas just because they are a kind of witch.

Alex is a fairly realistic protagonist, and while she does teeter towards the trope of ‘chosen one who rejects her power’, I think that there is enough reason given that she may not want to have this power in the first place so as not to be twee or stereotypical. To be an Ecantrix means to have a dangerous power that is hard to control, and given that Alex partially blames herself for the loss of her father, her petulance is excusable. I also greatly appreciated that not only is our main character a Latina girl, she is also bisexual, and her love interest is her best friend Rishi. Rishi gets to come along on this adventure with Alex and the mysterious brujo Nova, and I was pleasantly surprised to see how natural Alex and Rishi got on. Her bisexuality was always treated as just a fact of her being, not as a novelty that needed to be pointed out and doted on.

But with these positives do come a few negatives. One of those is really just out of my own personal preferences: I have a really hard time with fantasy fiction. Sometimes it really grabs me, and other times it’s harder to keep me interested. While I liked a lot about “Labyrinth Lost”, I did find the stuff inside Los Lagos to be far less interesting to me than her life in the real world. I think that had the magic stayed in an urban or real world setting it would have held my interest. but once new lands come into play, I’m really not all that invested unless that world is called Middle Earth or Fantastica. So when we got to Los Lagos, I found it easier to put down. I did like the villain, The Devourer, as she was menacing and seductive all at once, a being that has started to take over Los Lagos and in doing so has made it start to crumble under her oppressive force. She was good, but I wanted more of her.

And then….. the dreaded love triangle.

“Labyrinth Lost” is book one in a series (what is it with YA Fantasy books seemingly always packaged as a series?), and even though Alex is very much devoted to Rishi, by the end of this book you just get the feeling that Nova is going to be a threat to this relationship in the near future. After all, even though he does things in this book that should be pretty hard to forgive, he’s being set up as the tragic antihero that is hopelessly devoted to Alex. I really don’t like love triangles, and I had hoped that we were getting away from that, but apparently not. Plus, this book ends on a blatant cliffhanger, making it totally unable to stand alone, and I hate it when books end like that. It just galls me.

All of those complaints aside, I really do think that “Labyrinth Lost” is a really fun read about magic and brujas. I will probably keep going in the series, though I don’t know how long the wait is going to be. I’m not really in any hurry, which is both good, and bad.

Rating 7: A very unique twist on witches and Wonderland with diverse characters, though some of the plot progression left me colder than I would have wanted.

Reader’s Advisory:

“Labyrinth Lost” is included on these Goodreads lists: “Great YA Novels About Latinas!”, and “LGBT Sci-Fi/Fantasy YA”.

Find “Labyrinth Lost” at your library using WorldCat!

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