Tag: Romance

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Book: “A Legionnaire’s Guide to Love and Peace” by Emily Skrutskie

Publishing Info: Del Rey, June 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: On the eve of the battle that will decide the realm of Telrus’s fate, Katrien takes a hard look at her prospects. A mere legionnaire, she and her spear will be at the fore in the morning, facing off against the Demon Lord and his wretched army, and it’s all but certain she’ll perish in the fight. But if the end of the world is mere hours away, there’s no reason not to hook up with her handsome, dedicated battle partner Emory—despite any anti-fraternization policies their centurion may have in place.

Only, the world doesn’t end the next day. Instead, an insufferable prince raised in hiding comes out of nowhere with a plucky band of heroes, defeats the Demon Lord, and seals the rift to the hellish plane. The realm is saved. The war is over. And Kat suddenly has a lot more future than she knows what to do with. It’s a future that could include Emory . . . if only he weren’t so set on staying enlisted with the very army Kat was unwillingly drafted into.

And while the Demon Lord has been destroyed, peace is still a long march away. When Kat inadvertently draws the eye of the prince, she, Emory, and the rest of their motley unit are pulled to the fore of the formation—and the heart of the danger—as the army embarks on one last campaign. The mission: laying a road as a foundation for the prince’s future rule. The real mission: scouring the last of the Demon Lord’s servants from the material plane.

As Kat and Emory work to secure a lasting peace, they’ll have to decide what they want their futures to look like—and if there’s room for love at the end of the road.

Review: This was a breath of fresh air in the romantic fantasy/romantasy genre! I do think it skews more closely to romantic fantasy than romantasy, with a heavy focus on world-building and most of the conflict of the story coming down to plot points rather than the smaller amount devoted to internal, romantic conflict.

Some of this also has to do with the fact that we have a partners/friends-to-lovers love story, rather then yet another enemies/rivals-to-lovers. And boy, did I love that! The author makes the bold choice to start the story off right after Kat and Emory have gotten together for the first time. Of course, they both thought they would be dying the next day, so the rest of the story revolves around them now working out the consequences of changing their long-standing dynamic. Everything about their relationship was so lovely and wholesome. Their insecurities and fears were realistic and handled in a mature fashion (for once!), but I particularly appreciated the focus on how important their friendship remained to them. We see their growing passion, of course, but much of the emotional workings of the story relies on the deep friendship and respect that has driven their partnership for several years.

I also enjoyed the larger plot and fantasy elements. For one thing, in fantasy stories like this, we often follow characters who are either already leaders or rare in some way or are building towards a leadership role based on their emerging “special abilities.” Here, while Kat does have some magical growth, the story is much more narrowly focused on the lives of the foot soldiers. Kat is thrust into a leadership role against her will and spends the majority of the book trying to sidestep her way back to being a regular soldier. It was definitely refreshing to approach a story like this through this lens, with the bravery, teamwork, and skill of the regular people who make up these armies being the true heroes.

There were also some good themes explored regarding the balance between following one’s own dreams and what we owe to one another. Much of Kat’s internal struggle comes down to this fact. She is in a privileged position with her access to magic, so what does that mean for her choices going forward? Is she obligated to give up the life she wants in pursuit of using this rare ability for the greater good? For his part, Emory must also confront the realities of life after wartime. It’s not a huge focus of the story, but I think the book did a great job of exploring an aspect of military life that is often left unexplored.

Overall, this was a great read! There was an interesting world peopled with a great cast of characters, and the central love story felt fresh and new. What’s more, this was a stand-alone book, so it’s perfect for readers looking for perhaps their next beach read to bring along on vacation!

Rating 8: If you’re getting a bit worn out on enemies-to-lovers, this is the perfect book for you!

Reader’s Advisory:

“A Legionnaire’s Guide to Love and Peace” can be found on this Goodreads list: June 2025 Most Anticipated Romance Releases.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “A Simple Twist of Fate” by April Asher

Publishing Info: St. Martin’s Griffin, May 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: At the bright-eyed age of eighteen, witch Harlow “Harry” Pierce attended her first Fates Haven Finding Ceremony certain the Blue Willow Wisp would lead her to her Fated match, her cougar shifter boyfriend, Jaxon Atwood. But Fate had other plans, guiding her best friend to him instead. With a broken heart, all her belongings, and a vow to never return, Harry did the only thing a broken-hearted witch could do. Run.

Thirteen years later, she returns to her magical hometown—with her half-human, half-shifter goddaughter in tow—hoping that not only would the town work its magic on the troubled teenager, but that the local Alpha of the Rocky Mountain Pack could help Grace identify—and control—her fiery abilities.

Jaxon Atwood was a shifter of few words and even less patience… until his mother retired as Alpha of the Rocky Mountain Pack and left the running of things to him. It’s a headache he didn’t need, and one that brought the witch who’d ripped his heart from his chest knocking on his door.

Ever since the disappearance of the town’s Fate Witch over a decade ago, Fates Haven’s magic has been slowly going haywire. There hasn’t been a Fated Match made in thirteen years, putting the town in serious jeopardy of losing its title of Most Fated Mates Per Population. But now, something is stirring in Fates Haven, Colorado, and it smells like the past, tastes like change, and looks like A SIMPLE TWIST OF FATE.

Review: To start on a random note, I think this is one of the few cases where the cover actually spoils bits of the story. Now, I get why they included the dragon! Dragons are super popular right now, and I’m sure people will pick this book up based on this fact alone, so I can’t really blame the designers for making a savvy business decision. But on the other hand, this book is heavy on the cozy side of things, and one of the few actual plot points in the story has to do with a mystery about one of the characters. A mystery that is spoiled by this cover! Ah well. Like I said, this book lives and dies by its vibes, so the actual “twist” here is probably not that important anyways.

While this book didn’t perfectly click for me, I did enjoy the central romance. Over the last few years, as I’ve read more romance novels, I’ve discovered that I have a secret love of second chance romances, especially ones about highschool sweethearts re-connecting as adults (recs welcomed and appreciated!). So, in many ways, this was great match for me, especially with the supernatural twist of fate and the way that it lead our couple astray all of those years ago. I also enjoyed the angst that came from the fallout of this situation. Jaxon, perhaps, was owed a bit more of an apology from Harry. But at the same time, she was teenager at the time, and in a world where the concept of “fated” relationships exists, one can easily understand her reaction to the situation she found herself in.

I do wish Jaxon’s chapters had a bit more depth or a more established arc for him, as well, as his chapters became a bit repetitive with his thoughts fixated on his remaining attraction to Harry. Again, this is fairly standard in many romance novels, but I think it’s definitely an area of improvement for most books in the genre. Sure, it’s great that the romantic interest is so strongly focused on the heroine, but he needs to have an actual personality himself!

My biggest struggle with the book came down to the tone. As I said above, this is heavy on the cozy side of things, and part of the way it explores this light-hearted tone is through an abundance of, well, silliness. There was a point about a third of the way into the book where three adult women were spending their time…navigating a series of Legos on the floor to prepare for a competition at a festival. In this scene and throughout, especially when the women characters were together, it often felt like we were all back in not even high school, but middle school. We’re told these women have careers, but they behaved and talked like super young teenagers. You know how in “Friends” there is a running joke about the fact that they’re all hanging out a coffee shop all the time instead of working? Well, the same problem was here! I’m fine with a more light-hearted tone, but this one skewed too far, losing sight of the more serious aspects of the story and reducing the relationships between many characters to cliches.

In many ways, this was a fun romantic comedy with fun magic at its heart. Unfortunately, the tone was too silly and ridiculous for me, at parts. But fans of more light-hearted stories are sure to enjoy this one!

Rating 7: An enjoyable second chance romance, but the women characters behaved more like middle schoolers than adults, which took me out of the story a bit.

Reader’s Advisory:

“A Simple Twist of Fate” can be found on these Goodreads lists: High School Sweethearts and Fated.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Firebird” by Juliette Cross

Publishing Info: Bramble, April 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A conqueror captivated…
A witch prophesied to save them all…
A world where dragons rule Rome.

From the moment Roman general and nephew to the emperor Julianus Dakkia laid eyes on Malina, he was enthralled by the Dacian dancer. Years later, the fierce beauty stands before him on a scarred battlefield, her life in danger. He instinctively shifts into his fierce dragon form to save her, an action that may mean his head on the imperial gate. But he and his dragon know one thing: she belongs to them.

Malina can’t believe that the centurion who had once bestowed a secret talisman on her is the Roman general of legendary brutality. His warrior prowess cannot be denied, yet they don’t reveal the secret he hides. All Malina knows is his protection and gentle touch. And she cannot deny how her soul has always seemed to answer his.

As they navigate a world where flying deathriders conquer and burn, their love will ignite a firestorm that can only end in heartbreak or death. Or both.

Review: This is a difficult book to review. On one hand, it’s simply following a tried-and-true romantasy equation, almost point by point at times. On the other hand, within the greater context of the story, I think many of these tropes rubbed the wrong way for me. However, given how standard much of the language and tropes used in this book are to the genre, I fully expect my opinion of this one to be an outlier. Ah well. By this point, I’m well used to being on the wrong side of these dragon romance books. (But wait! I did like “Dragon Unleashed” by Grace Draven, so it’s not all bad all the time automatically or anything!)

As always, I do want to start with a few positives. For the most part, I did enjoy the setting of this book, being based on ancient Rome. I feel like this is a bit of a trend recently, and as I enjoy Roman history, it’s been fun seeing it pop up within the fantasy genre (largely because the history is so long and full of different highs and lows and focal points that you can end up with quite a lot of variety even with this focus).

That said, I don’t think this particular iteration did much with this concept. For example, this book was hyped as a combination of ancient Rome meets George R.R. Martin. Do you know what those two things have in common? A strong focus on political machinations! Do you know what this book had practically zero of? That’s right, political machinations. Anything you do see is so superficial as to be practically worthless. Instead, the comparison to Martin would more accurately come down to the book’s focus on the horrendous treatment of women in this civilization. Obviously, there is historical accuracy behind much of this. But that alone doesn’t justify a heavy focus on the subject unless it’s going to be addressed thoroughly. And, like Martin, there were times where this book seemed to be reveling in the horror of it all, rather than including them for any truly important reason. Pay attention to the trigger warnings on this one, for sure.

My real problem came down to the romance, however. In so many ways, this romance exemplified the many ways that romantasy tropes can go wrong if sprinkled into any old plot line without much care. For some background, an important feature of this book is the fact that the MMC (morally grey with tons of secrets, obvs) participated in the razing of the MFC’s people. Which, again, this sort of thing is a staple of the genre, and the obligatory reveals of his ulterior motivations can be expected. But, necessarily, that explanation has to be incredibly good to counterbalance the actual gruesome harm he participated in, something that cannot be simply erased. Some authors are capable of turning this corner with their MMC. Others…are not.

Beyond this, the entire set up of the book and the romance is based around the fact that the MMC captures the FMC and keeps her as a “body slave.” So, that’s a pretty heavy topic to manage in a romance, that sort of dynamic, where the power imbalance is so extreme. Again, this can be navigated, but it takes a careful hand on the wheel to do so. Unfortunately, we didn’t see that here. Instead, the romance starts up quickly and hits hard, without ever really dealing with the facts of this power imbalance. And for me, this left an inescapable sheen of ickiness over the entire affair.

Further, the inclusion of dragons into this story lead to a strong focus on mating bonds. Beyond the laziness factor of this trope (which allows authors to just handwave away any actual character growth or natural progression of romantic interest/feelings and instead justify instalove/lust), the language that accompanied this choice rubbed up incredibly awkwardly (to put it mildly) against the slave/master nature of the relationship. “You’re mine.” “Say you’re mine.” etc. etc., are all very common phrases in romance/romantasy, especially when you’re dealing with any sort of mating bond situation. However, when paired with the set up of this story and the dynamics between Juliannus and Malina, this all began to feel rather gross. And, again, this isn’t to say that mating bond books can’t be done well! I think “Bride” by Ali Hazelwood is an excellent example of how to navigate this trope, avoiding the instalove pitfall as well as the questions regarding consent. This book, however, did not do any of that.

So yeah, I really disliked this book. I think it’s a perfect example of the “plug and play” style of writing that is all too prevalent in the rising star that is the romantasy genre. Everyone wants to cash in and the results are books that feel as if the author/publisher simply drew popular tropes out of a hat and mashed them together, with no concern for how well they would work together. Mating bonds and the possessive language that often accompany it? Sometimes good! Pair that with a slave/master dynamic and fastburn intimacy? Absolutely not.

I don’t recommend this book. I think there are much better examples of all the tropes included to be found elsewhere, and I think the author’s inability to properly explore the power imbalance of her central romance ruins any attempt to enjoy it.

Rating 4: Tropes gone bad and a rather gross slave/master romance at its heart really ruined this one for me.

Reader’s Advisory:

“Firebird” can be found on these Goodreads lists: Greco – Roman Fantasy and April 2025 Most Anticipated Romance Releases.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “This Monster of Mine” by Shalini Abeysekara

Publishing Info: Union Square & Co., April 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Eighteen-year-old Sarai doesn’t know why someone tried to kill her four years ago, but she does know that her case was closed without justice. Hellbent on vengeance, she returns to the scene of the crime as a Petitor, a prosecutor who can magically detect lies, and is assigned to work with Tetrarch Kadra. Ice-cold and perennially sadistic, Kadra is the most vicious of the four judges who rule the land – and the prime suspect in a string of deaths identical to Sarai’s attempted murder.

Certain of his guilt, Sarai begins a double life: solving cases with Kadra by day and plotting his ruin by night. But Kadra is charming and there’s something alluring about the wrath he wields against the city’s corruption. So when the evidence she finds embroils her in a deadly political battle, Sarai must also fight against her attraction to Kadra – because despite his growing hold on her heart, his voice matches the only memory she has of her assailant…

Review: This is going to be a very strange review to write, mostly because it was a very strange book to read. I’m honestly having a hard time thinking of a book that was more of a roller coaster ride than this one. One minute I’m loving it, whipping through action scenes, swooning over the love interest. The next, I’m irate, considering DNFing, franticly scanning other reviews to see if I’m way off base or totally missing something.

Beyond the whiplash that this experience created, I was also off balance due to the fact that my usual points of interest/concern were reversed. I’m a character reader first and foremost, and more often than not, if I get through a book I’m otherwise struggling with, it comes down to the strength of the characters or the narrative voice. Here, however, the characters (more, the main character) was the problem, but the writing itself was so good that it carried me through the real deep troughs I experienced otherwise. The author simply has an excellent style and voice! The world-building was perfectly crafted, the dialogue all felt believable, hitting all of the right notes in its humorous, serious, or romantic moments. And the exploration of its themes regarding law and justice were *chefs kiss.*

And, again, when I wasn’t getting bogged down in the main character, I really enjoyed the romance! The story is a true slow burn, and while the romance is important to the story, it doesn’t overshadow the other serious aspects of the story, such as the aforementioned themes regarding justice or the mystery behind what happened to Sarai. And, for his part, Kadra was an excellent romantic interest in his own right! Strong, but compassionate. Filled with purpose, but also focused on Sarai as she works through her trauma. And, honestly, a hell of a lot more patient with her more ridiculous moments that I ever would have been.

And then, there’s Sarai. Now, if she had simply been an unlikable heroine through and through, we probably wouldn’t be here, good writing bedamned. No, instead, she has a lot of strengths as a narrator! I enjoyed most of her inner voice, and her motivations and magical abilities were all very interesting. The problem, however, came down to her approach to discovering the truth behind the attempt on her life. To get into my feelings with this, I’m going to have to go into some spoilers of actions in the first half of the book. For those who want spoiler free, I’ll just say she makes wild leaps of logic throughout that make zero sense. The rest of this review, however, will be a bit more in-depth with my problems here.

SPOILERS BELOW!

So, a little backstory: years ago, someone attempted to kill Sarai. The nature of the crime left her body and mind broken, with all but the barest fragments of memory of the event wiped from her mind. All she does remember is a specific voice, one that instructs another person to patch her up and get her out of the city, granted in a rough and tough tone of voice. In the years since, there has been a suicide spree, with many individuals with magical abilities like Sarai seeming to kill themselves in odd ways. Years later, she returns to try to discover what happened and who tried to kill her. Almost immediately, she recognizes the voice from her memories as Kadra.

Now, as readers, we know that Kadra can’t have been the attempted murderer, simply because we know we’re reading a romantic fantasy novel and he’s the romantic interest. Sarai couldn’t (and shouldn’t!) think this way, too. However, from the memories she does have, even she admits early in the book that whomever the voice belonged to was responsible for patching her up and could have very well been there for other reasons than being the person behind the attempt on her life. I read a paragraph from her saying just this and I thought, “Great, phew! We got the obvious bit out of the way right from the start and reinforced the idea that the true mystery here is why Kadra was there, why he helped her, and why he banished her out of the city.”

Unfortunately, no. In the very next chapter, Sarai is full-on convinced that Kadra must have been the one to try to kill her (somehow immediately forgetting/disregarding the fact that he then, inexplicably, saved her?? Why he wouldn’t have just finished her off for good is simply…never mentioned or thought of). What’s worse, Sarai begins to suspect that Kadra must also be behind the deaths of the others like her, those who have been supposedly committing suicide.

Early in their time working together, Kadra and Sarai go to the morgue to look over the body of the most recent “suicide victim.” While there, Sarai witnesses Kadra fighting with the coroner over the manner of death, insisting that it couldn’t be a suicide (something that Sarai agrees with, after viewing the body). The coroner, on the other hand, is sure it’s a suicide and has ruled it as such. What’s more, she’s sick of Kadra coming by FIVE OR SIX TIMES before this over the last few months to argue this very point! Sarai, internally, goes on to think this: “Aha! Kadra must be behind this! He’s perfectly positioned himself to cover up his crimes by being the investigator behind them!!”

Girl, what?? No one thought this guy was murdered EXCEPT Kadra! If it wasn’t for him, this guy would have been buried and listed as a suicide months ago! And yet somehow, Sarai, dumb dumb that she is, has decided that it’s totally reasonable and smart that a murderer would stage an elaborate scene to make a crime look like a suicide, and then, after completely getting away with it, spend the next few months arguing with a coroner, insisting that it was, in fact, a murder! It honestly boggled my mind.

Next, a few days later, Kadra decides that he and Sarai should go inform the family that this guy didn’t commit suicide but was killed and that they’re looking into it. Sarai, SUPREME DUMB DUMB that she is, thinks to herself this: “Great! Maybe while I’m there I can uncover proof that Kadra was behind it!!”

Girl, WHAT?!?! You think that Kadra murdered this guy, set up an elaborate staged suicide, called that very same staging into question, and is now going to take a woman with incredible magical abilities back to the home of the victim where he just so happened to leave around evidence that explicitly condemns him?? What is he getting out of this?? How is this helping him and not, as any normal person would think, clearly revealing him to be the only person most likely to have NOT killed these people. And again, throughout this, Sarai never deals with the fact that her theory of Kadra as the man behind her own murder attempt is completely blown out of the water by the simple fact that he WAS THE ONE TO SAVE HER!

The face-palming throughout all of this was frankly appalling. I won’t go into more details, but these flaws in thinking and ridiculous theorizing continued on well over the halfway mark in the book. Later, there are even more “revelations” that Sarai takes as confirmation of Kadra’s guilt, all of which are equally as stupid as the two examples I listed above. Even writing about it now, I’m getting mad about it all again.

What’s worse, as I said, so much about this book was clicking so well for me! The writing was so strong, the story-telling was good, Kadra was excellent! All the right pieces were there. But somehow, it feels like the author went astray with Sarai herself, as if she knew she wanted to create this suspicion between Sarai and Kadra, but couldn’t quite manage to make it actually work. So, instead, Sarai is just an idiot who thinks completely illogical things, just to maintain the mystery element behind Kadra and his involvement.

All of this said, I’ll definitely check out another book by this author. I think she’s got great potential, and with a few tweaks, I could have loved this book! Unfortunately, I couldn’t get past Sarai herself; I can’t remember the last time I read a book where a main character was this flawed in their reasoning for so long. However, other readers may be less bothered with it, particularly if characters are less important for you. The vibes of the story and the romance itself were very good!

Rating 7: I’d give this a 6 just for Sarai herself. But the actual writing and world-building deserves enough praise to bump it up to a 7.

Reader’s Advisory:

“This Monster of Mine” can be found on this Goodreads list: 2025 Debut Novels.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Exquisite Ruin” by AdriAnne May

Publishing Info: Gallery Books, March 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description:

Review: Sadaré wakes in a labyrinth, remembering nothing except that she is a powerful sorceress. Her only companion is a hostile immortal named Daesra—beautiful, dangerous, and demonic—who bound his divine soul for power and revenge.

Despite their animosity, the two have no choice but to work together to reach the center and defeat the monster who prevents their escape. But the longer they wander, the more deadly and alive the maze becomes—and the more Sadaré finds herself drawn to Daesra in ways she can’t explain.

As sorceress and demon develop a tenuous truce, the labyrinth gives Sadaré glimpses of their shared history of passion and pain that make her question everything she knows. Unlocking the secrets of her past may be the only way to survive and heal their entwined fates—but as she learns more about the betrayals that brought them to the labyrinth, Sadaré begins to fear that the monster at the center could be Daesra … or even herself.

Review: Regardless of my “hit and miss” track record with the romantasy genre, I was immediately intrigued by this one given its ties to the Minotaur myth. What a unique story! The only other version I know of that tackles this myth was the excellent short story by Naomi Novik in her latest short story collection. Now, that entire collection was probably my favorite short story book ever, so the bar was fairly high. But still, given how rarely this tale has been adapted, I felt confident that there was still a lot of room for exploration, especially with a romance angle added on.

That said, I didn’t pay tons of attention to the summary, and when I opened it up and started reading and realized that it was an amnesia story…I was less than thrilled. Totally subjective take, but amnesia is one of my least favorite tropes. For one thing, I think it’s very rare that an author can properly pull it off, and we saw plenty of examples of this stumbling block here: Sure, Sadare claims to remember nothing, but again and again, she makes assertations about her own history/motivations/preferences that she couldn’t possibly know. It’s hard to truly write a blank slate character, as would be true of an actual amnesiac, and Sadare is definitely not it. Beyond that, I have little tolerance for much of the flip-flopping we got from her, one minute drawn to the MMC and the next fearing and hating him once again, often with little given on the page to motivate a change from one emotion to the other.

The writing was also fairly stilted and it took me a long time to get invested. I think this comes down to an over-reliance on a telling vs. showing style. Sentence after sentence begins with Sadare saying “I…” did something/said something/thought something. As this was an early version, more polishing could be done here before the finished copy comes out, but often those changes are things like missed words or spelling rather than sweeping style changes.

So far this has been rather negative, but I do want to touch on what I did like. Whenever the story was given some breathing room from the romantic tension, I liked the exploration of the original myth and their wanderings through the maze. It could feel a bit repetitive at times with dead end met after dead end. But, on the other hand, this is a story about two individuals trapped in a maze. It should feel hopeless at times!

There were the pieces of a lot of good things here. I think both Sadare and the MCC had good foundations and the world-building was also very interesting. I think this author simply still needs some room to grow as far as the actual quality of the writing itself. With a more solid grip on the basics, this could have been a great read! As it stands, I think it will definitely appeal to the romantasy readers who enjoy monster fics. But if you’re generally a fantasy reader first and foremost, this might not be for you.

Rating 7: A unique romantasy with some creative world-building, but it was held back by an overly “telling” style of writing.

Reader’s Advisory:

“Exquisite Ruin” can be found on this Goodreads list: Greco – Roman Fantasy.