Tag: Romance

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Firebird” by Juliette Cross

Publishing Info: Bramble, April 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A conqueror captivated…
A witch prophesied to save them all…
A world where dragons rule Rome.

From the moment Roman general and nephew to the emperor Julianus Dakkia laid eyes on Malina, he was enthralled by the Dacian dancer. Years later, the fierce beauty stands before him on a scarred battlefield, her life in danger. He instinctively shifts into his fierce dragon form to save her, an action that may mean his head on the imperial gate. But he and his dragon know one thing: she belongs to them.

Malina can’t believe that the centurion who had once bestowed a secret talisman on her is the Roman general of legendary brutality. His warrior prowess cannot be denied, yet they don’t reveal the secret he hides. All Malina knows is his protection and gentle touch. And she cannot deny how her soul has always seemed to answer his.

As they navigate a world where flying deathriders conquer and burn, their love will ignite a firestorm that can only end in heartbreak or death. Or both.

Review: This is a difficult book to review. On one hand, it’s simply following a tried-and-true romantasy equation, almost point by point at times. On the other hand, within the greater context of the story, I think many of these tropes rubbed the wrong way for me. However, given how standard much of the language and tropes used in this book are to the genre, I fully expect my opinion of this one to be an outlier. Ah well. By this point, I’m well used to being on the wrong side of these dragon romance books. (But wait! I did like “Dragon Unleashed” by Grace Draven, so it’s not all bad all the time automatically or anything!)

As always, I do want to start with a few positives. For the most part, I did enjoy the setting of this book, being based on ancient Rome. I feel like this is a bit of a trend recently, and as I enjoy Roman history, it’s been fun seeing it pop up within the fantasy genre (largely because the history is so long and full of different highs and lows and focal points that you can end up with quite a lot of variety even with this focus).

That said, I don’t think this particular iteration did much with this concept. For example, this book was hyped as a combination of ancient Rome meets George R.R. Martin. Do you know what those two things have in common? A strong focus on political machinations! Do you know what this book had practically zero of? That’s right, political machinations. Anything you do see is so superficial as to be practically worthless. Instead, the comparison to Martin would more accurately come down to the book’s focus on the horrendous treatment of women in this civilization. Obviously, there is historical accuracy behind much of this. But that alone doesn’t justify a heavy focus on the subject unless it’s going to be addressed thoroughly. And, like Martin, there were times where this book seemed to be reveling in the horror of it all, rather than including them for any truly important reason. Pay attention to the trigger warnings on this one, for sure.

My real problem came down to the romance, however. In so many ways, this romance exemplified the many ways that romantasy tropes can go wrong if sprinkled into any old plot line without much care. For some background, an important feature of this book is the fact that the MMC (morally grey with tons of secrets, obvs) participated in the razing of the MFC’s people. Which, again, this sort of thing is a staple of the genre, and the obligatory reveals of his ulterior motivations can be expected. But, necessarily, that explanation has to be incredibly good to counterbalance the actual gruesome harm he participated in, something that cannot be simply erased. Some authors are capable of turning this corner with their MMC. Others…are not.

Beyond this, the entire set up of the book and the romance is based around the fact that the MMC captures the FMC and keeps her as a “body slave.” So, that’s a pretty heavy topic to manage in a romance, that sort of dynamic, where the power imbalance is so extreme. Again, this can be navigated, but it takes a careful hand on the wheel to do so. Unfortunately, we didn’t see that here. Instead, the romance starts up quickly and hits hard, without ever really dealing with the facts of this power imbalance. And for me, this left an inescapable sheen of ickiness over the entire affair.

Further, the inclusion of dragons into this story lead to a strong focus on mating bonds. Beyond the laziness factor of this trope (which allows authors to just handwave away any actual character growth or natural progression of romantic interest/feelings and instead justify instalove/lust), the language that accompanied this choice rubbed up incredibly awkwardly (to put it mildly) against the slave/master nature of the relationship. “You’re mine.” “Say you’re mine.” etc. etc., are all very common phrases in romance/romantasy, especially when you’re dealing with any sort of mating bond situation. However, when paired with the set up of this story and the dynamics between Juliannus and Malina, this all began to feel rather gross. And, again, this isn’t to say that mating bond books can’t be done well! I think “Bride” by Ali Hazelwood is an excellent example of how to navigate this trope, avoiding the instalove pitfall as well as the questions regarding consent. This book, however, did not do any of that.

So yeah, I really disliked this book. I think it’s a perfect example of the “plug and play” style of writing that is all too prevalent in the rising star that is the romantasy genre. Everyone wants to cash in and the results are books that feel as if the author/publisher simply drew popular tropes out of a hat and mashed them together, with no concern for how well they would work together. Mating bonds and the possessive language that often accompany it? Sometimes good! Pair that with a slave/master dynamic and fastburn intimacy? Absolutely not.

I don’t recommend this book. I think there are much better examples of all the tropes included to be found elsewhere, and I think the author’s inability to properly explore the power imbalance of her central romance ruins any attempt to enjoy it.

Rating 4: Tropes gone bad and a rather gross slave/master romance at its heart really ruined this one for me.

Reader’s Advisory:

“Firebird” can be found on these Goodreads lists: Greco – Roman Fantasy and April 2025 Most Anticipated Romance Releases.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “This Monster of Mine” by Shalini Abeysekara

Publishing Info: Union Square & Co., April 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Eighteen-year-old Sarai doesn’t know why someone tried to kill her four years ago, but she does know that her case was closed without justice. Hellbent on vengeance, she returns to the scene of the crime as a Petitor, a prosecutor who can magically detect lies, and is assigned to work with Tetrarch Kadra. Ice-cold and perennially sadistic, Kadra is the most vicious of the four judges who rule the land – and the prime suspect in a string of deaths identical to Sarai’s attempted murder.

Certain of his guilt, Sarai begins a double life: solving cases with Kadra by day and plotting his ruin by night. But Kadra is charming and there’s something alluring about the wrath he wields against the city’s corruption. So when the evidence she finds embroils her in a deadly political battle, Sarai must also fight against her attraction to Kadra – because despite his growing hold on her heart, his voice matches the only memory she has of her assailant…

Review: This is going to be a very strange review to write, mostly because it was a very strange book to read. I’m honestly having a hard time thinking of a book that was more of a roller coaster ride than this one. One minute I’m loving it, whipping through action scenes, swooning over the love interest. The next, I’m irate, considering DNFing, franticly scanning other reviews to see if I’m way off base or totally missing something.

Beyond the whiplash that this experience created, I was also off balance due to the fact that my usual points of interest/concern were reversed. I’m a character reader first and foremost, and more often than not, if I get through a book I’m otherwise struggling with, it comes down to the strength of the characters or the narrative voice. Here, however, the characters (more, the main character) was the problem, but the writing itself was so good that it carried me through the real deep troughs I experienced otherwise. The author simply has an excellent style and voice! The world-building was perfectly crafted, the dialogue all felt believable, hitting all of the right notes in its humorous, serious, or romantic moments. And the exploration of its themes regarding law and justice were *chefs kiss.*

And, again, when I wasn’t getting bogged down in the main character, I really enjoyed the romance! The story is a true slow burn, and while the romance is important to the story, it doesn’t overshadow the other serious aspects of the story, such as the aforementioned themes regarding justice or the mystery behind what happened to Sarai. And, for his part, Kadra was an excellent romantic interest in his own right! Strong, but compassionate. Filled with purpose, but also focused on Sarai as she works through her trauma. And, honestly, a hell of a lot more patient with her more ridiculous moments that I ever would have been.

And then, there’s Sarai. Now, if she had simply been an unlikable heroine through and through, we probably wouldn’t be here, good writing bedamned. No, instead, she has a lot of strengths as a narrator! I enjoyed most of her inner voice, and her motivations and magical abilities were all very interesting. The problem, however, came down to her approach to discovering the truth behind the attempt on her life. To get into my feelings with this, I’m going to have to go into some spoilers of actions in the first half of the book. For those who want spoiler free, I’ll just say she makes wild leaps of logic throughout that make zero sense. The rest of this review, however, will be a bit more in-depth with my problems here.

SPOILERS BELOW!

So, a little backstory: years ago, someone attempted to kill Sarai. The nature of the crime left her body and mind broken, with all but the barest fragments of memory of the event wiped from her mind. All she does remember is a specific voice, one that instructs another person to patch her up and get her out of the city, granted in a rough and tough tone of voice. In the years since, there has been a suicide spree, with many individuals with magical abilities like Sarai seeming to kill themselves in odd ways. Years later, she returns to try to discover what happened and who tried to kill her. Almost immediately, she recognizes the voice from her memories as Kadra.

Now, as readers, we know that Kadra can’t have been the attempted murderer, simply because we know we’re reading a romantic fantasy novel and he’s the romantic interest. Sarai couldn’t (and shouldn’t!) think this way, too. However, from the memories she does have, even she admits early in the book that whomever the voice belonged to was responsible for patching her up and could have very well been there for other reasons than being the person behind the attempt on her life. I read a paragraph from her saying just this and I thought, “Great, phew! We got the obvious bit out of the way right from the start and reinforced the idea that the true mystery here is why Kadra was there, why he helped her, and why he banished her out of the city.”

Unfortunately, no. In the very next chapter, Sarai is full-on convinced that Kadra must have been the one to try to kill her (somehow immediately forgetting/disregarding the fact that he then, inexplicably, saved her?? Why he wouldn’t have just finished her off for good is simply…never mentioned or thought of). What’s worse, Sarai begins to suspect that Kadra must also be behind the deaths of the others like her, those who have been supposedly committing suicide.

Early in their time working together, Kadra and Sarai go to the morgue to look over the body of the most recent “suicide victim.” While there, Sarai witnesses Kadra fighting with the coroner over the manner of death, insisting that it couldn’t be a suicide (something that Sarai agrees with, after viewing the body). The coroner, on the other hand, is sure it’s a suicide and has ruled it as such. What’s more, she’s sick of Kadra coming by FIVE OR SIX TIMES before this over the last few months to argue this very point! Sarai, internally, goes on to think this: “Aha! Kadra must be behind this! He’s perfectly positioned himself to cover up his crimes by being the investigator behind them!!”

Girl, what?? No one thought this guy was murdered EXCEPT Kadra! If it wasn’t for him, this guy would have been buried and listed as a suicide months ago! And yet somehow, Sarai, dumb dumb that she is, has decided that it’s totally reasonable and smart that a murderer would stage an elaborate scene to make a crime look like a suicide, and then, after completely getting away with it, spend the next few months arguing with a coroner, insisting that it was, in fact, a murder! It honestly boggled my mind.

Next, a few days later, Kadra decides that he and Sarai should go inform the family that this guy didn’t commit suicide but was killed and that they’re looking into it. Sarai, SUPREME DUMB DUMB that she is, thinks to herself this: “Great! Maybe while I’m there I can uncover proof that Kadra was behind it!!”

Girl, WHAT?!?! You think that Kadra murdered this guy, set up an elaborate staged suicide, called that very same staging into question, and is now going to take a woman with incredible magical abilities back to the home of the victim where he just so happened to leave around evidence that explicitly condemns him?? What is he getting out of this?? How is this helping him and not, as any normal person would think, clearly revealing him to be the only person most likely to have NOT killed these people. And again, throughout this, Sarai never deals with the fact that her theory of Kadra as the man behind her own murder attempt is completely blown out of the water by the simple fact that he WAS THE ONE TO SAVE HER!

The face-palming throughout all of this was frankly appalling. I won’t go into more details, but these flaws in thinking and ridiculous theorizing continued on well over the halfway mark in the book. Later, there are even more “revelations” that Sarai takes as confirmation of Kadra’s guilt, all of which are equally as stupid as the two examples I listed above. Even writing about it now, I’m getting mad about it all again.

What’s worse, as I said, so much about this book was clicking so well for me! The writing was so strong, the story-telling was good, Kadra was excellent! All the right pieces were there. But somehow, it feels like the author went astray with Sarai herself, as if she knew she wanted to create this suspicion between Sarai and Kadra, but couldn’t quite manage to make it actually work. So, instead, Sarai is just an idiot who thinks completely illogical things, just to maintain the mystery element behind Kadra and his involvement.

All of this said, I’ll definitely check out another book by this author. I think she’s got great potential, and with a few tweaks, I could have loved this book! Unfortunately, I couldn’t get past Sarai herself; I can’t remember the last time I read a book where a main character was this flawed in their reasoning for so long. However, other readers may be less bothered with it, particularly if characters are less important for you. The vibes of the story and the romance itself were very good!

Rating 7: I’d give this a 6 just for Sarai herself. But the actual writing and world-building deserves enough praise to bump it up to a 7.

Reader’s Advisory:

“This Monster of Mine” can be found on this Goodreads list: 2025 Debut Novels.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Exquisite Ruin” by AdriAnne May

Publishing Info: Gallery Books, March 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description:

Review: Sadaré wakes in a labyrinth, remembering nothing except that she is a powerful sorceress. Her only companion is a hostile immortal named Daesra—beautiful, dangerous, and demonic—who bound his divine soul for power and revenge.

Despite their animosity, the two have no choice but to work together to reach the center and defeat the monster who prevents their escape. But the longer they wander, the more deadly and alive the maze becomes—and the more Sadaré finds herself drawn to Daesra in ways she can’t explain.

As sorceress and demon develop a tenuous truce, the labyrinth gives Sadaré glimpses of their shared history of passion and pain that make her question everything she knows. Unlocking the secrets of her past may be the only way to survive and heal their entwined fates—but as she learns more about the betrayals that brought them to the labyrinth, Sadaré begins to fear that the monster at the center could be Daesra … or even herself.

Review: Regardless of my “hit and miss” track record with the romantasy genre, I was immediately intrigued by this one given its ties to the Minotaur myth. What a unique story! The only other version I know of that tackles this myth was the excellent short story by Naomi Novik in her latest short story collection. Now, that entire collection was probably my favorite short story book ever, so the bar was fairly high. But still, given how rarely this tale has been adapted, I felt confident that there was still a lot of room for exploration, especially with a romance angle added on.

That said, I didn’t pay tons of attention to the summary, and when I opened it up and started reading and realized that it was an amnesia story…I was less than thrilled. Totally subjective take, but amnesia is one of my least favorite tropes. For one thing, I think it’s very rare that an author can properly pull it off, and we saw plenty of examples of this stumbling block here: Sure, Sadare claims to remember nothing, but again and again, she makes assertations about her own history/motivations/preferences that she couldn’t possibly know. It’s hard to truly write a blank slate character, as would be true of an actual amnesiac, and Sadare is definitely not it. Beyond that, I have little tolerance for much of the flip-flopping we got from her, one minute drawn to the MMC and the next fearing and hating him once again, often with little given on the page to motivate a change from one emotion to the other.

The writing was also fairly stilted and it took me a long time to get invested. I think this comes down to an over-reliance on a telling vs. showing style. Sentence after sentence begins with Sadare saying “I…” did something/said something/thought something. As this was an early version, more polishing could be done here before the finished copy comes out, but often those changes are things like missed words or spelling rather than sweeping style changes.

So far this has been rather negative, but I do want to touch on what I did like. Whenever the story was given some breathing room from the romantic tension, I liked the exploration of the original myth and their wanderings through the maze. It could feel a bit repetitive at times with dead end met after dead end. But, on the other hand, this is a story about two individuals trapped in a maze. It should feel hopeless at times!

There were the pieces of a lot of good things here. I think both Sadare and the MCC had good foundations and the world-building was also very interesting. I think this author simply still needs some room to grow as far as the actual quality of the writing itself. With a more solid grip on the basics, this could have been a great read! As it stands, I think it will definitely appeal to the romantasy readers who enjoy monster fics. But if you’re generally a fantasy reader first and foremost, this might not be for you.

Rating 7: A unique romantasy with some creative world-building, but it was held back by an overly “telling” style of writing.

Reader’s Advisory:

“Exquisite Ruin” can be found on this Goodreads list: Greco – Roman Fantasy.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Slaying the Vampire Conqueror” by Carissa Broadbent

Publishing Info: Bramble, March 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Sylina has sacrificed everything for her goddess–her soul, her freedom, her eyes. Life in service to the Arachessen, a cult of the Goddess of Fate, has turned Sylina from orphaned street-rat to disciplined killer, determined to overthrow Glaea’s tyrannical king. But when a brutal vampire conqueror arrives on their shores, Sylina faces an even deadlier adversary. She’s tasked with a crucial mission: infiltrate his army, earn his trust… and kill him.

Atrius is a terrifying warrior carving an unstoppable path through Glaea. Yet when Sylina becomes his seer, she glimpses a dark and shocking past–and a side of him that reminds her far too much of parts of herself she’d rather forget. Sylina’s orders are clear. The conqueror cannot live. But as the blood spilled by Glaea’s tyrant king runs thicker, her connection with Atrius only grows stronger. A connection forbidden by her vows. A connection that could cost her everything.

Review: Bramble’s aggressive timeline to re-printing seemingly all of Carissa Broadbent’s back catalog is really biting into my plan to try and space these reads out! So, here we are, back with the latest, one that’s been out as an indie release for a while now and that I had been saving for a rainy day!

While I’ve definitely had favorites, I’ve always highly rated and greatly enjoyed Broadbent’s books, so I was excited to check this one out. I was particularly excited by the nature of this book, its being a stand-alone rather than part of a duology/trilogy, as many of her other titles are. And this one worked great in this format! The romance is a true slow burn, but one that resolves by the end of the book. The characters are strong enough to be introduced quickly and still pack a punch. And the world-building benefits from the various other books that are set in this same world, but still approachable to new readers, with few references to previous storylines.

Broadbent is one of those authors whose books seem to straddle the line between romantasy and romantic fantasy. They’re definitely romances, with a decent number of spice scenes and HEAs. But she also puts tons of effort into her world-building and magic system, and I think this gives the books good cross-over appeal to fantasy readers in general who enjoy a central love story. All of this to say, this was one of her best love stories yet!

I think the slow-burn nature of their relationship played out in the best way possible, with both characters coming in with their own goals and many pre-existing opinions about one another. But through the events of the story, their relationship begins forming first and foremost around mutual respect for one another’s abilities. Indeed, before the book spends much time at all with thoughts of romantic interest, we see several scenes instead of Sylina and Atrius admiring one another’s battle prowess. All of this ground work makes their eventual romance all the sweeter, as it feels as if it progresses at a natural and believable pace.

I also really loved Sylina as a character! The magic behind her blindness and the way that she interacts with the world was so interesting, from the details of her maneuvers while fighting to simple things like the ways that she and those like her connect with one another. As readers, its easy to have early suspicions about Sylina’s religion and the order that she works for. But the book does a great job exploring her slow path to questioning the way she has been brought up to understand the world, her views on authority and individual judgement, as well as autonomy. Throughout most all of her books, Broadbent has taken a keen look at religious extremism, often drawing neat but profound parallels to our current world, and this one is yet another example of this.

The book also doesn’t shy away from the violence and horror of the conflict brewing on the page. There’s a scene in the last third of the book that took me by surprise with just how grim it became. But, as this is a romance as well, things do get wrapped up with a nice HEA for our main characters. If you’re a fan of Broadbent’s work, then this is a must read! And if you’re looking for an easy entry point to her books, this is also a good place to start as it doesn’t commit you to more than one book!

Rating 9: Enticing and exciting! When you’re not busy swooning, you’ll be on the edge of your seat!

Reader’s Advisory:

“Slaying the Vampire Conqueror” can be found on this Goodreads list: Titles That “Slay”.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Note: Some long-time readers may remember that I reviewed this book 2-3 years ago. Well, T. Kingfisher has seen a surge in popularity since and, as such, many of her back catalog titles are being re-published by Tor/Bramble with new covers and marketing. (I definitely now have to versions of this book, I loved it that much!) As Kingfisher is one of my favorite authors writing today, I wanted to re-surface this review with the updated cover for those who may not be in the know!

Book: “Swordheart” by T. Kingfisher

Publishing Info: Bramble, Feb. 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Halla is a housekeeper who has suddenly inherited her great-uncle’s estate… and, unfortunately, his relatives. Sarkis is an immortal swordsman trapped in a prison of enchanted steel. When Halla draws the sword that imprisons him, Sarkis finds himself attempting to defend his new wielder against everything from bandits and roving inquisitors to her own in-laws… and the sword itself may prove to be the greatest threat of all.

Review: Once I discover a favorite author, it can only be expected that you’ll probably see a lot of reviews for them going forward. So as not to just run through them one after another, I’ve been trying to hold off on picking up a new Kingfisher novel until I feel like I’ve been in a bit of a slump. And, for whatever reason, many of my October books were a bit underwhelming. While this was a bummer, it gave me the only excuse I needed, so I immediately jumped back into the world of the Clockwork Boys with this standalone book.

You would think being left a grand estate and all the wealth and prestige that comes with that would be a blessing. But for Halla, the housekeeper turned unexpected heiress, it has lead to nothing but trouble. Hounded by the relatives of the deceased, Halla has all but given up hope of collecting on her inheritance. That is until, when trapped in a cluttered room in a mansion that should by rights belong to her, Halla draws a dusty old sword and finds…a swordsman as well? One who is enchanted to the sword and sworn to protect its wielder for the remainder of their life. But while Halla seems like an easy enough individual to protect, Sarkis, the swordsman, is in for a surprise.

I think it would be a bigger shock than anything if I read a book by this author that I didn’t enjoy. There are enough strengths in her general storytelling ability, her solid characters, and her witty dialogue that it’s hard to imagine a book that felt like a flop. There have been stories I’ve enjoyed more than others, however. So where does this one fit on that scale?

While much of the appeal of this book lay in the strength of the qualities I listed above, there were a few aspects of this story that I found particularly charming. For one thing, Halla is an “older” heroine, coming in with an age somewhere in her 30s. Kingfisher has used several older heroines like this to helm her books, and it’s something I always appreciate. Life and adventure doesn’t only come for twenty-somethings! And, indeed, we get more variety and life experience with an older lead who brings more baggage (both good and bad) to the story. Halla is an unlikely leading lady in that she starts the book out as a bewildered heiress who seems as if she may have been happier remaining a housekeeper for the rest of her life. What’s more, as the story progresses, her romance with Sarkis comes from the perspective of a woman who has already been married once and knows what’s what.

I also appreciated that this was one of the longer books I’ve read by this author. She tends to write books that come in between the 200-250 page count, just enough to be considered full novels instead of novellas, but noticeably shorter than the average fantasy novel out there. On one hands, this is a quality I love as there are so many massive fantasy tomes out there that not only don’t need to be the length they are (and are often worse for it) but the sheer amount of time it takes to read one lengthy novel necessarily limits how many one can get through. That said, I loved being able to settle in to this story a bit more than I have with past, shorter books by this author. I became highly invested in Halla’s journey towards self-worth and Sarkis’s work to restore the humanity he gave up when he became attached to the sword. We learn a lot about their personal histories, so it’s truly gratifying to see them come up against similar challenges here and make different choices.

That said, there came a point around the three quarters mark where I began to feel like the book was quite literally tracing the same road back and forth. This is played for good humorous affect, but the final go around did begin to feel a bit tedious as I began to wish that our characters could finally have something go right for them.

Overall, however, I really enjoyed this book. It was enjoyable and solid in all of the ways I’ve come to expect by this author, and I appreciated the increased page length to really soak in this particular world and these characters and their romance. Fans of this author or for those looking for a cozy fantasy novel, this is definitely a book for you!

Rating 8: Everything you could want from cozy fantasy fiction!

Reader’s Advisory:

“Swordheart” can be found on these Goodreads lists: CozySFF and Above 30 Romance Heroines.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Wooing the Witch Queen” by Stephanie Burgis

Publishing Info: Bramble, February 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Queen Saskia is the wicked sorceress everyone fears. After successfully wrestling the throne from her evil uncle, she only wants one thing: to keep her people safe from the empire next door. For that, she needs to spend more time in her laboratory experimenting with her spells. She definitely doesn’t have time to bring order to her chaotic library of magic.

When a mysterious dark wizard arrives at her castle, Saskia hires him as her new librarian on the spot. “Fabian” is sweet and a little nerdy, and his requests seem a little strange – what in the name of Divine Elva is a fountain pen? – but he’s getting the job done. And if he writes her flirtatious poetry and his innocent touch makes her skin singe, well…

Little does Saskia know that the “wizard” she’s falling for is actually an Imperial archduke in disguise, with no magical training whatsoever. On the run, with perilous secrets on his trail and a fast growing yearning for the wicked sorceress, he’s in danger from her enemies and her newfound allies, too. When his identity is finally revealed, will their love save or doom each other?

Review: When I requested this one, I expected a fairly straight forward fantasy romance story. If I was lucky, I was hoping the humor would click and this would nail down the “fantasy romcom” vibes that it was giving off. Not only did those things turn out well, but the book actually explored some really interesting ideas regarding gender roles and romance.

As that’s the most interesting commentary I have to offer on this book, let’s jump straight into it. It wasn’t until about a third or maybe even halfway in that I really began to hone in on the approach the author was taking in her depiction of these characters and the roles they played with regards to one another. It was incredibly subtle, but as I read, more and more I became aware of the fact that Saskia, in particular, was being presented through the lens that we are more accustomed to seeing the romantic hero through.

When thinking of Fabian, she (rightly) sees her self as the more powerful of the pair, thus often focusing on the protective feelings she has towards him. And, similar to the romance heroes we all know and love, she would often internally and out loud make threats to any who would attempt to harm him. Even down to smaller concerns with regards to his feelings and the way others treat him, she very much takes on the role of guardian. Further, when thinking of Fabian, while appreciating all aspects of him, she regards his physical form with the same sort of interest and regard that we expect to see from the male POV more often than not. For his part, Fabian plays a much “softer” role, often focused on caregiver roles, like ensuring that Saskia eats when she gets caught up in her magical work.

Interesting, this role reversal carried over into the spicy scenes as well, with Saskia taking on the more more “dominant” (though I’m not sure that’s quite the right word) role. I won’t go into details of how this all presents, but it’s the kind of thing that you’ll definitely notice if you’ve been catching these gender role swaps throughout the book earlier.

This was such an interesting take on a romantic pairing and really made me think about the sort of actions, behaviors, and even thoughts that I typically think of as “male” in romance novels. Nothing Saskia or Fabian say or do has anything to do with their sex, but it’s also clear that, as a reader, I’m used to seeing certain behaviors from only really the men and others from only really the women. Again, the biggest props of all goes to the subtly with which the author explores these themes. It’s entirely possible to read this book as a fun, romantasy romp and thinking nothing of any of these topics because the story is fun and the characters still read as completely natural and fully fleshed out.

As for the rest of the story, the other big pro that stood out was the humor. I really enjoyed the balance of the comedy with the love story and action portions. It was sprinkled into the story at just the right moments, and I feel like the tone of the comedy worked perfectly with the sort of twisted fairytale we were getting.

Some of the larger plot points were perhaps a bit predictable and derivative, but as the story doesn’t set out to be an overly complex fantasy world, I was happy with what we got. I was also interested in the two other “evil” queens we met. There were moments in this book where I found both to read a bit like caricatures (easy enough to happen with side characters who get very little ultimate page time), but there were also hints to more complexity to be found there once we get to their individual stories. We even get a mini look at what’s to come in the next book at the very end of this one, and I’m definitely looking forward to checking that one out!

Overall, if you’re looking for a fun romantasy read that hits your “Wicked”-deprived heart, this is definitely one to check out!

Rating 8: If you’re having withdrawals from “Wicked,” have I got the book for you! Swoon-worthy and laugh-out-loud funny, this book is a perfect fit for romantasy readers looking for a great twisted fairytale!

Reader’s Advisory:

“Wooing the Witch Queen” can be found on these Goodreads lists: [ATY 2025] Witches, Goddesses, or Nuns and Epic High Fantasy/Romance/Mythology in 2025.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “A Circle of Uncommon Witches” by Paige Crutcher

Publishing Info: St. Martin’s Griffin, February 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Doreen MacKinnon is doomed to die of a broken heart – if she can’t break the centuries old curse placed on her family.

Three hundred years ago, Ambrose MacDonald, a powerful male witch, fell in love with a MacKinnon. And when the MacKinnon witches forbade him from seeing his love, by secretly hiding her away, he retaliated by cursing the family and its future generations to never find love. But it wasn’t without a cost. Now, Ambrose is imprisoned by those same witches, trapped in a tempest and doomed to outlive everyone he has ever loved.

But Doreen isn’t like the other MacKinnon witches. As the 13th generation of the MacKinnon line, Doreen is one of the most powerful witches in centuries… and one of the loneliest. So when she discovers where Ambrose has been trapped, she releases him to help her break the curse, once and for all. Ambrose agrees to help, but with his own motive: vengeance. He plans to use her as bait to enact his revenge on her family.

Together, they enter a series of trials, which take them to a castle in Scotland, off a cliff, and into a world beyond their wildest dreams. As they work together, sparks start to fly, but soon Doreen must choose how far she is willing to go to break the curse, and what she’s willing to sacrifice.

Review: Ever since falling in love with “Practical Magic” (both the book and the movie) as a teenager, I’ve always been chasing that high with regards to romantic witch stories. Alas, I’ve never quite found the same, well, magic, for lack of a better word! But, ever hopeful, I requested this one right away when I saw it slated for publication this spring!

To start with what I did like, if you step back from the book and look at the overall plot and the grander design of the world and romance, there was a lot to like. The curse itself was interesting, especially its exploration of the morality of the choice the MacKinnons face: do they ensnare a man to love them through magic or do they choose to die young? Both of these have obvious downsides, and the added factor of manipulated feelings and the guilt that this would cause with regards to the former choice were compelling.

That said, the way this curse, these characters, and this world were first introduced was incredibly disjointed and sloppy. Instead of building up a story and a character who, over the course of the plot, would feed us the necessary information with regards to the curse, we are simply spoon-fed an explanation of the history and curse in several exposition-heaving dialogue scenes early in the book. The best word to describe it is clunky. Beyond that, because some of these greater facts are being presented so early, before I had any time to center myself in this world or care about these characters, I couldn’t truly appreciate the stakes of the curse, which should be dramatic.

Beyond that, I think the romance played out rather poorly. It walks right up to the line of instalove and then seems to tap a toe over it. Nothing is egregious, but it also wasn’t built up in a natural manner. Again, I struggled to become invested in these characters, both alone or together. At the same time, given how quickly they seemed to fall for one another, the actual progression of the romance felt very drawn out. I prefer slow-burns, but if you’re going to write characters who instantly fall for one another, I’d rather they act on that sooner rather than later. Instead, we got a rather frustrating game of hot and cold as the story continued.

There was a lot of potential to be found here, and I’d definitely check out another book by this author. I think there was a lot of potential in this world and concept, but some weakness with regards to pacing and characterization. However, if you’re looking for a fun, fast, witchy romance, this may be one to check out!

Rating 7: An intriguing concept with the magical curse, however the pacing and introduction of the world-building was clunky at times.

Reader’s Advisory:

“A Circle of Uncommon Witches” can be found on these Goodreads lists: Blessing and Cursing and Witchy Women.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “A Crown So Silver” by Lyra Selene

Publishing Info: Orbit, January 2025

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: After her sacrifice on the Ember Moon, Fia is flush with powerful magic and eager to rush into battle against her murderous sister, Eala. However, Fia’s new husband Irian suggests they bide their time and retreat to the Silver Isle, a snowy island at the edge of the fae world.

Ruled by the cunning smith-king, the Silver Isle proves far from a safe haven. Fia and Irian become embroiled in the Tournament of Kings competing for a magical forging of immense power. Their relationship will be put to the test as they navigate their conflicting motivations, shifting allegiances, and ancient magic.

With the end of the tournament looming and Eala’s threat growing, Fia must decide just how much she’s willing to sacrifice to defeat her sister.

Previously Reviewed: “A Feather So Black”

Review: This was a highly anticipated sequel for me going into 2025! I absolutely loved the first book, “A Feather So Black,” as it took me completely by surprise with its perfectly tuned fairytale vibes and ability to present both a competent heroine as well as a non-cringeworthy love triangle that resolved in a believable manner. There was also the set up for an excellent villain with the twist that came towards the end. And, well…alas.

I’m really going to try to restrain myself from devolving into an incoherent rant with this one. But man, it’s going to be hard! I would have disliked this book on its own, but as a sequel to one that I enjoyed so much?! It’s hard to swallow. To start from the more broad view, I think this is a perfect example of a series that was unnecessarily extended into a trilogy. I’m not sure if it was the publisher or this was always the author’s plan, but something went very wrong with the pacing and story-structure of this series when we got to this book.

Simply put: nothing much happens! We barely see some of the major characters from the first book (including the original love interest who by his own rights seemed to have an interesting arc set up to follow) or even much of the villain. What plot we do have devolves into what feels like an extended side quest with stakes largely disconnected from the greater conflict as a whole. And that’s not even touching the fact that the first third of this book seems to be one long string of spicy scenes, which could be fine on their own if it wasn’t for the incredibly disjointed feeling this brings to the pacing of this novel, to start so heavily in this and only this area.

This point gets to one of my major gripes, which is with the way the romance was handled. Which is to say, it wasn’t handled well at all. I will acknowledge that perhaps it is more challenging to write a romantic pairing after they have committed themselves to one another, but it is by no means impossible! Especially if you’ve already established your characters as individuals with thoughts, fears, and goals outside of the romance, as well as a greater overall threat that they must face together. Relationships don’t simply become smooth sailing the moment they get together, but at the same time, more and more romantasy authors seem to contort their characters into the most contrived positions possible all in pursuit of “tension” while at the the same time forfeiting all believability or consistency within the character themselves.

We have both main character behaving absolutely terribly to one another (often completely out of character on their own) and then, worst of all, we have the introduction of ANOTHER LOVE TRIANGLE! Look, book one got extra props for handling a love triangle in a good way. But now this one gets extra negatives for the sheer gall and lack of creativity on display in going back to the same well twice (not even the same love triangle, mind you! A completely new character is introduced!!) I almost put the book down for good once I saw this happening.

Fia also read as almost completely unrecognizable from the character we met in the first book. There, she had worked hard to gain the abilities she had, and she was aware of her limitations. Here, in one of the very first action scenes we get, we see her behaving like the most foolish of fools, complete with “snarky” comments of bravado followed by immediate regret as she realizes the idiocy of her decisions. In many ways, she suddenly read like the worst of teenage YA protagonists, rather than the adult woman she came across as in the first book.

I’m honestly not sure what happened here. My best guess still goes all the way back to what I said in the beginning, that there simply wasn’t enough story to justify this book. And, lacking any true plot, the author instead stuffed it full of angst between characters (much of which could have been resolved with frank discussions and empathy for one another) and added another ridiculous love triangle into the mix to boot.

If you enjoyed the first book, buckle in for this one! I guess if you really enjoy love triangles and romantic angst in the form of miscommunication, than you may enjoy this more than me. All I can say is that now I’m going into the third book pretty much peeping between my fingers. Will we get the hat trick of a THIRD love triangle??

Rating 5: Maybe it would have been a “6” on its own, but as it’s a massive letdown from the first book…well, here we are.

Reader’s Advisory:

“A Crown so Silver” isn’t on any Goodreads lists yet, but it should be on Upcoming Sequels.