Kate’s Review: “Girl Last Seen”

27070146Book: “Girl Last Seen” by Heather Anastasiu and Anne Greenwood Brown

Publication Info: Aw Teen, March 2016

Where Did I Get This Book: The Library!

Book Description: Kadence Mulligan’s star was rising. She and her best friend, Lauren DeSanto, watched their songs go viral on YouTube, then she launched a solo career when a nasty throat infection paralyzed Lauren’s vocal chords. Everyone knows Lauren and Kadence had a major falling-out over Kady’s boyfriend. But Lauren knows how deceptive Kadence could be sometimes. And nobody believes Lauren when she claims she had nothing to do with the disappearance. Or the blood evidence As the town and local media condemns Lauren, she realizes the only way to clear her name is to discover the truth herself. Lauren slowly unravels the twisted life of Kadence Mulligan and sees that there was more to her than she ever knew. But will she realize she’s unknowingly playing a part in an elaborate game to cover up a crime before it’s too late?

Review:  Sometimes I take a chance on a book that I have never heard of. Working at a library means that I see a lot of books pass by me, so I get tempted to be spontaneous fairly often. “Girl Last Seen” is one of those books that I decided to take a chance on. I had a long plane trip ahead of me, and something fluffy and easy sounded really good to me. However, I didn’t want it to be THAT fluffy and easy. And unfortunately, “Girl Last Seen” fell very much into that camp. It was kind of like the idea was ‘what if we took “Gone Girl” and made it for teens?’ I have news for you. Teenagers could just read “Gone Girl”. And I didn’t like “Gone Girl” either. So you know that this isn’t looking good for this book.

First of all, none of the characters were very interesting. You have Lauren, a musician and lyricist who is part of a musical duo with her best friend Kadence. But of course the moment that Lauren lost her voice semi permanently due to a nasty infection she contracted, Kadence dropped her and went solo. Lauren is your typical victimized best friend, who did crappy things to become popular, like dropping her old best friend Nathan. Then there’s Nathan, who became a pariah after he lost Lauren, so much so that he left school for awhile. He’s back now, though, and conveniently hot. And he’s going by the name Jude. He’s also kind of stalkery and hell bent on revenge against Kadence and Lauren, but not really Lauren because he’s still madly in love with her. This is normally a trope that I’m on board with, but in this case he wasn’t sympathetic enough for me to pledge my alliance to him. Then there is Kadence’s boyfriend Mason, the guy who put another wedge between Kadence and Lauren by kissing Lauren in the heat of the moment. Which is just another reason that people in their community think that Lauren has something to do with Kadence’s disappearance. All tropes that we’ve seen before. I’m fine with tropes, but only if they are made into their own well rounded characters and plot points, and none of them are.

There was also a strange choice in writing with this book, in that it tried to take an epistolary approach for the chapters that concerned Kadence. But instead of using written things like texts, or emails, or instant messages (is that still a thing?), the authors try to write out what is happening on web videos or news reports. When trying to write out something that is so visual, it comes off as very stilted and strange. I didn’t understand why that choice was made, when it could have been something like a blog post or a bunch of tweets. Instead we got a lot of things like ‘she looks away from the camera and looks upset’, which is the EPITOME of telling and not showing!!! That is a huge pet peeve of mine. If this were an actual web series, sure, a girl looking away from a camera and looking upset may show instead of tell, but in this case it just was awkward and irritating.

And there wasn’t really any big mystery to this whole thing. I pretty much knew what was happening from the beginning, and while the authors tried to throw some red herrings in there, it didn’t really fool me. That said, there was one final big twist that I didn’t see coming, which I do have to give them props for. It was much better than what the initial explanation was, and I did take that at face value at first. So kudos in that regard, as not only was it surprising, but it did end up being the most satisfactory of endings that I could get from this book. But one small twist that shocked me didn’t make up for lots of other things that didn’t quite add up in my eyes.

Seriously, teens could just read “Gone Girl” and get basically the same gist. It’s a shame because the summary was intriguing and I like being spontaneous, but when my spontaneity isn’t rewarded I feel more of a need to stick to planning out what I’m going to read.

Rating 3: This one just didn’t do it for me. The characters were flat, the mystery has been done, and most of the twists were predictable.

Reader’s Advisory:

“Girl Last Seen” is included on these Goodreads lists: “YA Music Books”, and “2016 YA Contemporary”.

Find “Girl Last Seen” at your library using WorldCat!

Kate’s Reviews: “Ink and Bone”

27276336Book: “Ink and Bone” by Lisa Unger

Publishing Info: Touchstone, June 2016

Where Did I Get This Book: The library!

Book Description: Twenty-year-old Finley Montgomery is rarely alone. Visited by people whom others can’t see and haunted by prophetic dreams, she has never been able to control or understand the things that happen to her. When Finley’s abilities start to become too strong for her to handle – and even the roar of her motorcycle or another dazzling tattoo can’t drown out the voices – she turns to the only person she knows who can help her: her grandmother Eloise Montgomery, a renowned psychic living in The Hollows, New York.

Merri Gleason is a woman at the end of her tether after a ten-month-long search for her missing daughter, Abbey. With almost every hope exhausted, she resorts to hiring Jones Cooper, a detective who sometimes works with psychic Eloise Montgomery. Merri’s not a believer, but she’s just desperate enough to go down that road, praying that she’s not too late. Time, she knows, is running out.

As a harsh white winter moves into The Hollows, Finley and Eloise are drawn into the investigation, which proves to have much more at stake than even the fate of a missing girl. As Finley digs deeper into the town and its endless layers, she is forced to examine the past, even as she tries to look into the future. Only one thing is clear: The Hollows gets what it wants, no matter what.

Review: I had originally put “Ink and Bone” as one of my highlighted books for the month of June, but then it got bumped off in favor of “The Girls” by Emma Cline. But in an ironic twist of fate, I got to “Ink and Bone” before I got to “The Girls”. I do like a good mystery, and I do like themes of psychic consultants and procedural dramas that center around missing or kidnapped people. Perhaps that makes me morbid, but meh, I’ll own it. So I was pretty excited to actually get my hands on “Ink and Bone” when it came in at my library. But I think that what was ultimately the downfall of this situation was that as far as grit-lit thrillers go, I’ve read quite a few really good ones as of late. And “Ink and Bone” just didn’t quite live up to those.

I will start with the good, though. The opening prologue, in which Abbey is kidnapped, was very well written and did suck me in. Unger did a very good job with how she set up the scene, how she laid clues to later plot twists inside of it, and how she put the reader in Abbey’s shoes, so profoundly that I was on edge throughout the whole segment. It definitely started the story off with a serious bang, and I was very interested in finding out what happened. It started at such a high and tension filled level that I was thinking that it could only go up from there. Unfortunately, at least for me, the rest of the book never quite reached the same levels of intensity and suspense that the first few pages did. And for a thriller novel, that is quite the no-no.

I really did like Finley, our main character and tormented psychic. I liked that she wasn’t perfect, and wasn’t exactly the trope that many of these psychics in stories like this fall into: the serene, calm, almost ethereal enigma. Finley doesn’t have the temperament for that. She is young, and a bit insecure with herself, and hasn’t quite come to terms with her gifts. Her grandmother, Eloise, is trying to guide her in hopes that she will be able to hone her craft, but Finley, at first, isn’t quite sure that she has what it takes. After all, Eloise is basically the go-to psychic for cops and investigations that are at the end of their ropes. It was fun seeing a young psychic trying to get her sea legs, as so many in pop culture (like Alison DuBois in “Medium” or Billie Dean in “American Horror Story”) are already in tune with what they can and cannot do. I also liked her relationship with her tattoo artist on-again off-again lover, Ranier. Their relationship isn’t exactly the healthiest, but I could understand why she was drawn to him, and how he is both good and not so go for her. Her need to get tattoos all over her body as a coping mechanism to her visions was a very fascinating character trait, and gave her a bit more of an edge without seeming cloying.

Most of the other characters, however, were fairly predictable. Eloise definitely fell into the role of serene and wise psychic grandmother, and while she was perfectly nice it didn’t exactly do anything new for the old chestnut of a trope. I felt the same way about Merri and Wolf, the parents of Abbey, the kidnapped girl. Wolf is, of course, a shitty human being who has been sleeping with other women throughout his entire marriage. Of course he is. And Merri is the woman who stands by her man in spite of it all. I think that perhaps she was meant to be a bit more well rounded because she fully knows what he’s doing and has a certain amount of disdain for him and his actions, but it just felt odd to me. I know that they were both dealing with shared grief, but I just couldn’t quite get on board with them as a couple. Maybe I wasn’t meant to. The kidnappers were also the usual suspects: a crazed man who is also a pedophile (at least implied), and his naive wife who is trying to replace their dead daughter with other girls, who happen to be psychic as well (or at least highly sensitive). It felt a little “Doctor Sleep” to me in that regard, as while they weren’t eating the psychic girls’ life forces they were forcing them to speak to the ghost of their dead daughter in hopes of keeping a part of her with them, and therein sucking the life out of them that way. I couldn’t tell if we were meant to feel sympathy for the mother or not. Their mentally disabled son, Bobo, is another story. He bonds with the present ‘Penny’ (the name that all the kidnapped girls take on, after the dead daughter) and doesn’t want to hurt her, as he didn’t want to hurt the others, but is domineered by his mother and his need to please her.

Again, pretty standard tropes for a thriller.

I even guessed the twist pretty early on, which never gives a book any points. Doesn’t take away points, mind you, but in this case, other problems couldn’t quite save this book for me. It isn’t a bad book by any means, it just wasn’t really what I was looking for.

Rating 5: I really wanted to like this book more than I did, but it didn’t draw me in as much as I had hoped it would. I liked Finley enough, but other characters are pretty familiar tropes and the story hasn’t added much to the genre.

Reader’s Advisory: 

“Ink and Bone” is included on these Goodreads lists: “Most Anticipated Mysteries of 2016”, and “2016: What the Over-35s Are Reading”.

Find “Ink and Bone” at your local library using WorldCat!

 

Kate’s Review: “Welcome to Night Vale”

25270656Book: “Welcome to Night Vale” by Joseph Fink and Jeffrey Cranor

Publishing Info: HarperAudio, October 2015

Where Did I Get This Book: Audiobook from the library!

Description: Night Vale is a small desert town where all the conspiracy theories you’ve ever heard are actually true. It is here that the lives of two women, with two mysteries, will converge. Nineteen-year-old Night Vale pawn shop owner Jackie Fierro is given a paper marked ‘KING CITY’ by a mysterious man in a tan jacket. She can’t seem to get the paper to leave her hand, and no one who meets this man can remember anything about him. Jackie is determined to uncover the mystery of King City before she herself unravels. Diane Crayton’s son, Josh, is moody and also a shape shifter. And lately Diane’s started to see her son’s father everywhere she goes, looking the same as the day he left years earlier. Josh, looking different every time Diane sees him, shows a stronger and stronger interest in his estranged father, leading to a disaster Diane can see coming, even as she is helpless to prevent it. Diane’s search to reconnect with her son and Jackie’s search for her former routine life collide as they find themselves coming back to two words: ‘KING CITY’. It is King City that holds the key to both of their mysteries, and their futures …if they can ever find it.

Review: In the summer of 2013 I discovered a quirky and strange little podcast called “Welcome to Night Vale”. This is going to sound incredibly hipster of me, but I got into it right before it exploded in popularity on the Internet and across geek fandoms everywhere. I followed it for awhile, as it really is my kind of story. It’s kind of like “Lake Wobegon” meets “Twin Peaks” meets “X-Files” meets “Parks and Rec”. The premise is that it’s a radio show of community updates run by a man named Cecil Palmer, and the community has black helicopters, monsters for librarians, floating cats, and hooded figures congregating in the local dog park, which may or may not transport you to another dimension. So it’s weird. Like, VERY weird. But it also has a lot of heart. I kind of lost interest after the StrexCorp storyline wrapped up, but I do still have a fondness for the universe and decided to give the book a try. I initially got it in print from the library…. But after perusing it, I was like ‘oh… Maybe not’.

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My thoughts: “Oh God, was it always like this? Was it always this aggressively quirky? Did I LIKE this?!” (source)

After having a crisis of faith in a podcast I had fond memories of, I returned the book and vowed never to speak of it again. But then I saw, months later, that the audiobook was available to download, and that Cecil Baldwin, the voice actor for Cecil Palmer and main voice of the show, was reading the book. So I decided to give it a try that way. And THAT, my friends, made ALL the difference.

So yeah, “Welcome to Night Vale” is weird, and is aggressively quirky, and yeah, it probably has a smug sense of satisfaction about itself and how clever it is. But Cecil Baldwin as Cecil Palmer just makes it so damn charming and makes the town so damn lovable that he really, REALLY saves the story. And he does the same for the book when he reads it. I think that as a book this kind of set up just doesn’t really totally work, so it makes sense to give it the pacing that an audiobook can provide because this is it’s home format. You need to listen to “Welcome to Night Vale”, just like you listen to the podcast. I can’t explain why. But you just do.

“Welcome to Night Vale” also happens to have a lot of heart buried in it’s creepy and strange and uncanny-esque premise, and the book has the same thing going for it. Though it isn’t in community radio format (sadly, though Cecil and his boyfriend Carlos DO make appearances), it does have strange anecdotes and oddities in a narrative sense. In the book we follow two women, Jackie and Diane. Jackie is perpetually nineteen, but she is also trying to find herself just like many nineteen year olds are. Her struggles are both strange, as she has a piece of paper permanently attached to her hand, but she wants to know who she is, as she cannot seem to remember. And then there’s Diane, whose son in a shapeshifter, sure. But their relationship is so damn spot on in it’s portrayal of a single mother dealing with a teenage son who is growing up and apart from her. It is the very parts of these characters that make them human that make the aggressive quirkiness easy to swallow. Even if “Welcome to Night Vale” is goofy and very, very strange, if you look past that, the characters are people with very real, touching problems. And I also really liked the relationship between Jackie and Diane, who are united in their need to know what King City is, but are still very different and aren’t always going to get along because of that.

But buyer beware. I think that unless you have a working knowledge of this podcast and the world that it has set up, this book will be very confusing and probably maddening to you. It’s working on the premise that you know what the scoop is with Night Vale, and it doesn’t hold the reader’s hand in the strangeness. It just leaps into the narrative full throttle. The podcast was always weird, but kind of gradually worked it’s way to where the story is now, and the book just goes into it. Which kind of makes me have to ask this question, if you jumped in and were surprised or indignant that it didn’t make sense to you:

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(source)

That would be like me jumping in the middle of a “Halo” novelization series and wondering why it was that I don’t understand what was happening. Those books aren’t written for me because I am not a “Halo” fan, and sadly, this book isn’t written for you because you are not a “Night Vale” fan. This book can’t stand alone, guys. It just can’t. You need to know this mythology. Which isn’t exactly a great thing for this book, in all honesty. The point, I would imagine, was to try and branch out to other people outside of the built in listener base. And this book probably won’t do that.

I thought it was fun enough. I’m not necessarily clamoring back to the podcast in a game of catch up, but I do still love Cecil Palmer the character and Cecil Baldwin the voice. “Welcome To Night Vale”, if listened to, should be a fun little bonus for the podcast. But a stand alone book it is not.

Rating 7: This will probably be fun for fans of the podcast, but I don’t think that there is any way that a layman could enjoy this book. If you haven’t listened to the show, this is NOT for you. Either jump into the podcast, or leave it be. Also, it only worked for me when I listened to it.

Reader’s Advisory:

“Welcome to Night Vale” isn’t featured on any Goodreads lists as of now. I’m not surprised. So instead, here is a link to a blog that has some read-alikes, and hell, here is the damn podcast. You really should start here.

Find “Welcome to Night Vale” at your library using WorldCat!

 

Serena’s Review: “Pirate King”

9970915 Book: “Pirate King” by Laurie R. King

Publishing Info: Bantam, September 2011

Where Did I Get this Book: the library!

Book Description from Goodreads: In England’s budding silent-film industry, megalomaniac Randolph Fflytte is king. At the request of Scotland Yard, Mary Russell is dispatched to investigate rumors of criminal activities. At Lisbon rehearsals for “Pirate King”, based on Gilbert and Sullivan’s “The Pirates of Penzance”, thirteen blond-haired, blue-eyed actresses meet the real buccaneers Fflytte has recruited to provide authenticity. But when the crew embarks for Morocco and the actual filming, troubles escalate.

Review: I have been reading Laurie King’s “Mary Russell and Sherlock Holmes” series on and off for the past…decade?? A long time is all I know. It’s one of my favorite mystery series, and the fact that I can simply jump into the story at whatever point I left off previously (perhaps years previously) with such ease is a huge mark in its favor. All that said, when I was feeling the need for a little mystery action in my reading cycle, I knew just where to look. And King’s “Pirate King” did not disappoint!

Following the usual track for these stories, the book begins with Mary Russell being sent off on some investigation or another. This right here is one of the reasons I enjoy this series so much. The focus is well and truly on Mary Russell’s character, with Holmes firmly in the supporting role. The fact that I love the Sherlock Holmes mythos so much makes me all the more appreciative of this decision. Like the originals, told from Watson’s perspective, Holmes is a character best appreciated from a slight distance and in sprinklings of narrative brilliance. And Mary Russell, herself, is a strong lead for the series. Adventurous, witty, clever, and full of energy, it has never been a challenge picturing her as the equal and companion of our famous detective throughout the series. She drives the story, and while I always look forward to Holmes’ next appearance, I am never antsy waiting for it. Russell is a great lead on her own.

As noted in the jacket description, this mystery revolves around a silent film production featuring pirates. The film company “Fflytte films” is known for the “realism” in its production quality. So, naturally, this means that the eccentric director must hire “real” pirate actors, rent a pirate ship, load 13 flighty British actresses on board and head off for Morocco, with poor Russell trailing along attempting to solve a mystery of criminality in the production history all while arranging the administrative details of such a venture. No small task!

Mary Russell and Sherlock Holmes, as I mentioned earlier, have always been great characters in this series. That being the case, the strength of individual novels in the series often depends on the supporting characters that are introduced. “Pirate King” has a great cast! The aforementioned eccentric director, his long-suffering cousin who is in charge of arranging the “realistic” pieces (“A pirate parrot!” “A real castle!”), the Moroccan man-of-mystery hired to play the pirate king, and, of course, the 13 actresses and their doting chaperone mothers. It is easy to see why Russell might have been hesitant to sign up for this one!

A few criticism of the book. The pacing was rather uneven. The story gets off to a slow start, at times feeling dragged down by the minutiae of the film industry and the challenges of the bloated cast of characters. While enjoyable, it’s hard to keep track of 13 teenage actress characters right off the bat! But, by a third of the way in, the story really takes off and is highly enjoyable. However, the ending is then wrapped up all too quickly. These abrupt shifts in pace were rather distracting and interrupted the flow of the story, ultimately.

My second criticism will really depend on how much of a mystery element one wants in a mystery series. This book is definitely light on the mystery itself. The investigation that Mary Russell sets out on initially is even acknowledged by herself as likely much ado about nothing. And the additional mystery that is tacked on towards the end has much less to do with an actual mystery than in character analysis. I, personally, was ok with this as I found the adventure and light-hearted tone to be a nice reprieve from the more grim and serious books that came directly previous to this in the series. But if you’re looking for a capital “M” mystery, this might not be your best choice.

All in all, “Pirate King” is another solid entry in this series. While I recommend checking out the other books in the series, especially if you like historical mysteries, it is by no means necessary to have read them all, or any, to enjoy this book.

Rating 7: Another fun adventure with Mary Russell! The pacing in the first and third act were my only holdups, and whether the mystery is compelling enough is going to be highly dependent on reader expectations.

Reader’s Advisory:

“Pirate King” is included on these Goodreads lists: “The Best British Crime/Mystery Fiction” and “Women who Solve Crimes.” 

Find “Pirate King” at your library using Worldcat!

 

Kate’s Review: “Don’t Breathe a Word”

9581507Book: “Don’t Breathe A Word” by Jennifer McMahon, Lily Rains (Narrator)

Publishing Info: HarperAudio, May 2011

Where Did I Get This Book: Audiobook from the library!

Book Description from Goodreads: Two young lovers find themselves ensnared in a seemingly supernatural web that ties them to a young girl’s disappearance fifteen years earlier in this dark and twisty tale from the New York Times bestselling author of Island of Lost Girls and Promise Not to Tell. Jennifer McMahon returns with a vengeance with Don’t Breathe a Word—an absolutely chilling and ingenious combination of psychological thriller, literary suspense, and paranormal page-turner that will enthrall a wildly diverse audience including, among others, avid fans of Keith Donohue (The Stolen Child), Laura Lippman (I’d Know You Anywhere), and Tana French.(In the Woods).

Review: I have had very mixed results with Jennifer McMahon. Before I started “Don’t Breathe a Word” I had read three other books of hers. I liked “The Night Sister” and “Promise Not To Tell”, but I wasn’t impressed by “The Winter People”. I was looking for a new audiobook, and decided to try this one. I had pretty high hopes for it as I started it, walking around my neighborhood at dusk. I was taken in by the story of Phoebe, a woman with a dark past, and her lover Sam, a man whose sister Lisa disappeared fifteen years prior when she was twelve and he was ten. Lisa had been obsessed with the idea of fairies, and thought that she had been chosen to be the next Fairy Queen to Taylo, King of the Fairies, and she disappeared without a trace. But then Sam and Phoebe get a phone call from a woman claiming that she is Lisa, and has returned from the Fairy Realm. So now Phoebe and Sam are trying to find out if this is Lisa, and if so, where she had been all this time, because fairies can’t be real, right?

Well don’t ask MacMahon, because she kept changing her mind about that little fact. And this probably isn’t actually what happened, but as I was listening to this book the evidence kept jumping between being something supernatural going on, or something very real and very insidious. While I think that it’s fine if a writer does these things occasionally to raise questions,  making the reader keep jumping back and forth between these questions gets tiresome. Eventually I didn’t even care anymore if it was actual fairies or some creep who preyed on a young girl, and that’s generally not a feeling you want your reader to have. I also had a hard time with the characters in this one, as none of them were particularly likable. Phoebe made terrible and stupid decisions, Sam was two dimensional AND something of a jerk to Phoebe a good chunk of the time, and Sam’s cousin Evie, a mysterious presence in the story, wasn’t threatening enough OR sympathetic enough, both things that her character needed to be depending on what the reader was supposed to believe at the time. The one character who seemed the most authentic was Lisa, whose perspective we got as well in the weeks leading up to her disappearance. I liked those parts more than the modern ones, as that was the only part that didn’t shift back and forth about whether or not this was a story about fairies or a story about evil people. For Lisa’s parts, it was about the dysfunction of her family and the tragedy that befell her because of it. I was mostly on board for her parts, and could forgive the rest of it…. But then…..

SPOILERS. SCROLL DOWN IF YOU DON’T WANT TO KNOW

Okay I am going to just talk about the ending, because that is where I just completely wanted to toss my phone out the window. So the book spent a lot of time making you wonder if fairies took Lisa, or horrible people. It turns out that she was kidnapped by her aunt Hazel, Evie’s mom, who was raped by her grandfather, and gave birth to a secret son who was part Fairy (as Hazel’s grandfather was rumored to be a Changeling fairy). So Lisa was held in captivity by her aunt, not taken to the fairies to be a bride to Taylo, but to be breeding stock with her cousin. SUPER YUCK, but okay. I was satisfied with that solution… BUT THEN, Phoebe and Sam have a baby, and MacMahon decides that “Oh wait, Taylo is actually real and he set up Phoebe and Sam through his influence and magic and he wants their baby and steals her away, replacing her with a changeling”. I was livid. You had an ending. You can’t just change your mind in an attempt to pull the rug out from under the reader!!!

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There is no other way to describe how I felt.

END SPOILERS

But I do want to say that Lily Rains, the narrator for this book, did a pretty good job. She changed her voices for every character and had a lot of life and passion in her voice.

The end pretty much ruined the rest of the book for me, and I really hate it when that happens. “Don’t Breathe a Word” had potential, and I do like MacMahon enough to give her another chance. But definitely skip this one in favor of “The Night Sister” or “Promise Not To Tell”.

Rating 4: A strong start, a shaky middle, but then an end that unraveled everything before it.

Reader’s Advisory:

“Don’t Breathe a Word” is included on these Goodreads lists: “Changelings”, and “WTF Endings”.

Find “Don’t Breathe a Word” at your library using Worldcat!

Serena’s Review: “The Other Side of Midnight”

The Other Side of Midnight Book: “The Other Side of Midnight” by Simone St. James

Publishing Info: NAL Trade, April 2015

Where Did I Get this Book: Audio book from the library

Book Description from Goodreads: London, 1925. Glamorous medium Gloria Sutter made her fortune helping the bereaved contact loved ones killed during the Great War. Now she’s been murdered at one of her own séances, after leaving a message requesting the help of her former friend and sole rival, Ellie Winter.

Ellie doesn’t contact the dead—at least, not anymore. She specializes in miraculously finding lost items. Still, she can’t refuse the final request of the only other true psychic she has known. Now Ellie must delve into Gloria’s secrets and plunge back into the world of hucksters, lowlifes, and fakes. Worse, she cannot shake the attentions of handsome James Hawley, a damaged war veteran who has dedicated himself to debunking psychics.

As Ellie and James uncover the sinister mysteries of Gloria’s life and death, Ellie is tormented by nightmarish visions that herald the grisly murders of those in Gloria’s circle. And as Ellie’s uneasy partnership with James turns dangerously intimate, an insidious evil force begins to undermine their quest for clues, a force determined to bury the truth, and whoever seeks to expose it…

Review: This book had many things going for it that fit into my preferences. Mystery: check. Historical time period: check. Dash of romance: check. All in all, right up my alley. And, for what it was, it met these expectations. It didn’t blow me away, but I enjoyed it.

Right off the bat, this book has been marketed as a gothic, ghost story. I’m not sure that’s right. This is a mystery. Yeah, there are some ghosts in it, but if you’re expecting horror, you’re going to be disappointed (also, it’s Kate’s job to read those so I don’t have deal with the nightmares!) But as a mystery novel, it does succeed. Ellie is a unique narrator and detective. She doesn’t start out with the goal of becoming an investigator and falls into the role purely from chance. But it becomes clear that she has a natural inclination, and her decisions are smart and she deals with the challenges thrown her way in a believable manner.

Often, mystery novel investigators fall into the category of “the next Sherlock Holmes.” They make wild leaps of logic, and their deductions are impossible for the reader to follow. We’re meant to just go with it and realize that we couldn’t possibly follow the thought process with our normal brains, which is what makes the author’s main character such a special investigative snowflake.Sometimes this can work. I love me a Sherlock Holmes esque character, believe me.

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Preach, Rob Lowe!

But, at other times, it comes off as lazy writing and a way for the author to avoid laying down the clues necessary for the reader to follow the mystery appropriately. This book, however, succeeds very well in this regard and provides just enough to keep the reader guessing without feeling completely lost.

I really enjoyed the psychic angle for the story. While this could fall under the category of “easy outs” like I was just ranting about a second ago, I gave this book an pass for it because of the attention given to this portion of the story. It is as much about how these different women have chosen to handle being given this gift as it is about the murder mystery. Ellie, her mother, and Gloria all handle this power in very different ways. [Insert Spiderman quote: “With great power comes great responsibility.”] The isolation of this gift is fully explored, especially in the context of the time period when operating as a businesswoman alone without a husband would have been isolating on its own, psychic abilities aside. There is a fascinating bit where Gloria discusses her role as a woman in society and what it means that out of everyone, three women were given this amazing ability.

With all of these details, however, the story did feel a bit bogged down in the middle. There are frequent jumps back in time to explore Ellie’s relationship with her mother and Gloria. And while these scenes are necessary to flesh out the story, there comes a point where I just wished we could move on with the real mystery. A killer was lurking in the city! Get a move on!

I also liked the romance included in the story. It felt a bit rushed towards the end, but I was impressed by how fully the author was able to explore James’ PTSD and experiences from the war without the the ease of an omniscient third person narrator. There were moments when James edged into “protecting the little woman” territory, but I appreciated how quickly and effectively Ellie stomped down on this while remaining true to the perspective and realities of a woman living in the 1920s.

As far as the audiobook goes, I enjoyed the narrator quite a lot. They got a British narrator for the story and the inclusion of a variety of London accents helped flesh out the many characters. Full marks for the audiobook version!

Rating 7: Good mystery novel. Not doing anything super new, but the psychic angle and time period made it a very fun read.

Reader’s Advisory:

“The Other Side of Midnight” is included in these Goodreads lists: “Fiction set in the 1920s” and “Historical Mysteries and Thrillers Featuring Women.”

Find “The Other Side of Midnight” at your library using WorldCat!