A Revisit To Fear Street: “All Night Party”

842654Book: “All Night Party” (Fear Street #43) by R.L. Stine

Publishing Info: Simon Pulse, 1997

Where Did I Get This Book: An eBook from the library!

Book Description: It’s Cindy’s birthday, and her friends are throwing her a surprise party on Fire Island. It’s a private party — no parents, no cops…in fact, no one around for miles. 

Except there’s a madman loose on the island. A murderer who quietly crashes the party. And he wants to dance with the birthday girl…

Had I Read This Before: No.

The Plot: New girl Gretchen is driving her minivan with her newly acquired friends Patrick, Gil, Hannah, and Jackson. Gretchen moved to Shadyside about few months back, but this group of friends really welcomed her into the fold. Now they’re driving to their friend Cindy’s house, who is having a birthday that week. Since her parents have left town on a business trip, this group of friends has decided to kidnap her for the night and take her to Fear Island for an all night party. Gretchen is a little distracted because she’s been getting weird hang up calls, and she wonders if it’s been Jackson, the one person in the group she doesn’t know too well, and who therein gives her ‘the creeps’. They arrive at Cindy’s house, find the spare key, and let themselves in (with Gretchen catching Jackson staring at her). They barge into Cindy’s room, and she protests as they tie a blindfold around her eyes, but she should thank her lucky stars that they didn’t gag her with a giant jawbreaker lest that become a problem later. But there is a problem, because Patrick pulls out a gun and presses it into Cindy’s side. When Gretchen and Hannah start yelling at him, he tells them that it isn’t loaded or anything, he thought it would make the kidnapping look ‘more realistic’. After he puts the gun away, they tell Cindy they’re taking her to an all night birthday party, and she seems to forget about the gun that was until a few seconds ago jammed in her side. We’re in for a doozy here, folks.

Once they’re in the minivan Cindy asks if she can take the blindfold off but the others say no. She whines a bit, and Hannah seems annoyed. Gretchen hasn’t quite mapped out the complicated landscape that is Hannah and Cindy’s friendship, as they seem to be more like bitter enemies than friends, but hey, sometimes that’s how high school is. What makes matters more complex is that Gil is Hannah’s boyfriend, but up until recently he’d been going out with Cindy until Cindy dumped his ass. Hannah, there are so many issues with this. Gretchen asks Patrick why he brought the gun, and he is hesitant to tell them lest is ruin their fun night’, but after prodding he tells them his motivation. His father is a police officer living in Waynesbridge, and while he was visiting Patrick that day he told him that a convicted killer escaped from prison and had been spotted in the Fear Street Woods. His Dad gave him the gun for protection in case they run into the killer on Fear Island. Gretchen is more concerned about the fact he ruined the surprise than the potential killer on the loose. Cindy asks what this guy did, and Patrick tells them that he murdered three teenage girls. They all argue about whether they should change their plans, but Cindy says that the guy probably wants to get out of dodge so why would he go to Fear Island. Most of the others agree, though Hannah and Gretchen are reticent, for pretty okay reasons, but they arrive at the dock and all jump in a boat to row out to the island. Cindy complains about being cold since she left her coat in the car, and Gil gives her his and says that he could ‘warm her up’ in other ways, and poor Hannah is angry about this, of course. Patrick then jokes that he sees a shark because I guess he thinks they’re on Lake Zambezi or some shit. Cindy asks if Gretchen’s boyfriend Marco is coming, and Gretchen gets tense. Marco is your typical bad boy with long hair and a motorcycle, but Gretchen has realized that bad boys generally don’t give a shit about the ladies who want to save them and thinks she may need to break up with him. Suffice to say, she didn’t invite him to the party.

They land on the island and Gretchen runs ahead to light the candles on the cake. Jackson offers to walk with her and she is SO CREEPED OUT by the offer (after all it’s not like there’s the potential for a crazy person who kills women to be on the island or anything) she says no. She walks into the cabin, but the lights won’t turn on. She starts into the cabin to try and find a candle, but then someone grabs her in the darkness! She screams, convinced the killer has her, but no, it’s something that in some ways is worse: it’s Marco. She yells at him for scaring her since there’s a killer on the loose, but given that Patrick’s Dad told him to keep it quiet Marco couldn’t have known that. And I guess it was Gretchen’s Mom who narced on her and told him where she was, and he thought it would be fun to surprise her so he hid his boat and waited at the cabin. The others arrive and Cindy is so excited to see Marco. Gretchen sets up candles all around the room and they get the cake all lit, ready to celebrate her birthday. Cindy says that she’ll remember it as long as she lives, and it’s heavily implied that that may not be as long as she thinks….

Gretchen still is creeped out by Jackson who isn’t saying much but is watching the others. She thinks he’s studying them, and he says he’s going to build a fire for the hotdogs. Gretchen and Hannah go into the kitchen to prepare the dinner, and Hannah asks her why Marco is there. Gretchen tells her about her narc Mom, and they agree that hopefully Gretchen can just avoid him. They bring the food out and start roasting. Cindy and Gil continue to flirt, and when Hannah tries to exert her authority as girlfriend Cindy reminds her that she and Gil dated for SIX months while Hannah has only been with him for one. Hannah rushes to the kitchen, and Gretchen follows her. She asks Hannah if she’s upset that Gil is flirting with Cindy (as she would have every RIGHT to!), but Hannah says that Cindy is an even bigger dick than that. Apparently Hannah tried to win a scholarship that would have made it possible for her to go to college, but when Cindy heard that Hannah wanted it SHE applied, and SHE won. The kicker is that Cindy’s family already has more than enough money to send her to college, and Cindy didn’t need the scholarship. Hannah says that sometimes she wishes that Cindy was dead, and when Gretchen says that she doesn’t mean that, Hannah replies with ‘don’t I?’

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Like most overshadowed besties, Hannah is feeling the swells of rebellion within her. (source)

They go back into the main room just in time for Cindy to open her gifts and be a totally ungrateful bitch about all of them, making snarky commentary about all of them. The earrings from Gretchen are ‘great’, but the perfume from Hannah ‘makes her break out’. The rock concert tickets from Gil and Jackson are met with neutrality (ROCK CONCERT TICKETS ARE NOT CHEAP, GIRL), and she doesn’t care that Patrick didn’t wrap his gift so he will give it to her later. Marco’s box of slasher movies (LOL) is met with derision. They put on the music and Gretchen tries to get out of dancing with Marco but he won’t take no for an answer. As they dance she watches Gil and Hannah dance, and sees Cindy glaring at them. She dumped Gil because he and his friends stole a car and Cindy’s parents were livid, so Cindy broke it off. Now it seems she’s having second thoughts. Gretchen notices Jackson looking at her, and she gets freaked out again. She says that she’s going to gather fire wood, and Hannah and Gil say that they will join her on their way to look at the stars at the dock (though Gil and Cindy continue to openly flirt). After they part ways, Gretchen gathers some wood and starts to return, but under the kitchen window she hears arguing. It’s definitely Cindy, and Gretchen is convinced that the male voice is Jackson. She then hears a slap, and wonders if she should go intervene, but remembers that Patrick and Marco are inside and they can do so. She decides to take more time alone in the woods, and is scared by Marco again. She is pissed, because he now knows about the prisoner, but he tells her to lighten up. She then dumps his ass, and he takes out his switchblade and starts stabbing a tree with it. He then walks back towards the cabin, and she for whatever reason tries to talk to him, but he isn’t interested.

They get back to the cabin and find it basically empty. Marco suggests that everyone else went for a walk and sits and sulks by the fire place. Gretchen goes to set up the dessert, but when she enters the kitchen she finds CINDY DEAD ON THE FLOOR, STABBED TO DEATH AND SPRAWLED IN FLOUR. She pukes, and then runs into the main room, where Marco holds her as she screams. Patrick comes upstairs asking what happened, and then Gretchen notices the blood on his shirt! She asks him how he got it, and he says he cut his palm trying to open an upstairs window, and shows her his bandaged hand. Marco goes to investigate, and Patrick stays with Gretchen in the main room. He says that it must be the escaped prisoner. Gil and Hannah come back, and Gretchen tells them what happened. Gretchen says that they have to call the police, but Patrick says that they can’t. When Gretchen asks why he hugs her and says that there are no phones on Fear Island. Gretchen says they can row back to shore, but a rain storm has started and Patrick says that the killer is outside and it’s not safe. He reminds them that they have the gun, as he did bring bullets. Then Jackson comes back with more firewood, and when they tell him what happened he doesn’t react in the histrionic way everyone else has, so Gretchen is IMMEDIATELY suspicious. Patrick says that they have to wait until tomorrow, and when they don’t come back their parents will wonder where they are and send the police after them. This is stupid as hell, but the others agree. They search the house to make sure the killer isn’t inside, and decide to wait it out.

But Gretchen thinks that she sees something outside, and HAS to investigate. She goes outside, and then Jackson is next to her, scolding her for going out on her own when there is a potential killer in the woods. They go back inside, and Gretchen thinks about the fight he had with Cindy that she overheard. After the others come back into the room, Marco says that he has questions for Patrick, because he didn’t see any blood on the window sill. Patrick says he cleaned it all up. Gretchen starts to fall into a paranoid spiral, thinking of all the motives those around her could have had for killing Cindy. After all, Hannah lost the scholarship and Gil was still interested in Cindy, and then there’s Jackson, who is just CREEPY. She decides to focus on him, and brings up the argument she heard. Jackson that he didn’t argue with Cindy, and Gretchen is adamant that she heard him. He says it wasn’t him, and is she calling him a liar? Patrick says that he was outside so it couldn’t have been him, and everyone else has alibis. Hannah keeps crying and Gil tells her to shut up because she and Cindy were fighting so how is she so sad? Hannah says that Cindy never cared about him and was only flirting with him to get back at Hannah, and GIL says that he doesn’t even like her and he liked Cindy, he was going to dump her, and he hopes the killer gets her next.

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Me as I read this book. (source)

They all eventually agree that sticking together is the best plan. Jackson wants to check the body one more time, and they all trudge into the kitchen. Gretchen then notices a baseball can in Cindy’s hand, and Cindy wasn’t wearing a cap before. It may belong to the killer! Patrick owns up to it belonging to him, and they all think that he must be the killer. He says he has no idea how Cindy got his hat, as he put it on the hook in the front room. Gretchen notices that Cindy is also wearing a jacket that isn’t hers, so maybe she grabbed it and the hat to step outside in the rain. But Marco says that there’s no reason for her to have it after unless she was trying to give a clue to who the killer is, so it has to be Patrick because of that AND the blood on his shirt. He reminds them that he has a gun, so why would he stab her with a bread knife? They ask him how he knew what she was stabbed with, and he says he saw the knife missing! They back off, saying that they’re sorry and all on edge. But then they notice a boot print in the flour on the floor. Whose boot has flour on it? Gretchen goes to check his boots. And indeed, there is flour on the sole. And guess whose does? PATRICK’S! He still claims that he didn’t do it, but the others tie him to a chair a la “The Thing”. The decide to go through his stuff, and as Gretchen is going through his backpack she finds a note! It’s from Cindy, and it says that she can’t keep their secret anymore and is going to tell her parents. Was Patrick seeing Cindy secretly? They then find a bloody break knife in his sleeping bag!!! They confront him with the evidence, but he says that there wasn’t anything going on between him and Cindy so the note has to be fake. And on top of that, WHY would he leave all this damning evidence around? He begs Gretchen to untie him because if he was the killer he wouldn’t be so careless. The others aren’t convinced, but he’s making sense to Gretchen. She lets him look at the note, and he points out that the i in her name in the note isn’t dotted with hearts, which was Cindy’s trademark (GAG ME). The compare the note to some history notes in Cindy’s bag, and while the writing looks very close, it isn’t the same. The y’s are wrong too. So someone must be framing him. They show that to Patrick, and they untie him. Also, Hannah has disappeared. Gil freaks out, worried that the killer is going to get her, and they find a note from her that says she’s too scared to stay and is bolting.

As they’re getting ready to go find Hannah, Gretchen wonders if maybe Hannah is the killer and left because she felt guilty. Then she sees Jackson staring at her. She starts to freak out, and he says that she ‘must suspect…’, but before he can finish she runs out hte door and into the night. She realizes that he’s following her, and she trips and falls down a hill (goddamn it this is so stupid). Jackson is soon on top of her, but it’s because he also fell and not because he’s attacking her. He asks why she ran and she tells him she was scared of him because he’s always staring at her, and he admits that he does that because he’s had a crush on her ever since she moved there. He was about to tell her in the cabin when she bolted. He’d planned on telling her that night because he heard her talking to Hannah and Cindy about how she wanted to dump Marco. So when Marco ended up there he got upset, and then, you know, CINDY DIED. Gretchen lets him know that she did dump Marco, but they should probably focus on not dying before they do anything about that. They start back for the cabin, and then hear Hannah screaming. Gretchen grabs a rock to use as a weapon, but when they run back inside the cabin they find the others pulling another “The Thing” kinda deal and are trying to tie Hannah up! Gil says that while they were at the dock she left him to go get a sweater, and that could have been plenty of time to kill Cindy and plant all that evidence to frame Patrick! But Hannah says that when she got back to the dock with her sweater, GIL was gone, so HE could have done it! And the accusation wheel in the sky keeps on turning. Gretchen goes to her purse to get some chapstick, but then finds a note. She reads it, and then turns to Patrick, asking him why he killed Cindy. He says that they settled this, but she holds up the note. It’s one he left her saying he’d bring stuff for the party, and it’s the same handwriting as the note they found earlier. He framed himself. And he says that maybe he did, and pulls the gun on them!

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You should have locked him in a shed like poor Wilford Brimley. (source)

So apparently Cindy found out something about his past, and she also pretended to like him but went out with Gil instead. She’d also continuously tease him and remind him about whatever he’d done. He’d planned to kill her once they made plans for the party. He almost changed his mind and tried to kiss her in the kitchen, but she laughed at him and told him that she’d never kiss him. When he tried to stop her from leaving, she slapped him. So it was PATRICK that Gretchen heard. He then stabbed her. And now he’s going to have to kill ALL OF THEM!! But before he can shoot, two deus ex machinas police officers enter the cabin! Patrick turns the gun on them but Gretchen knocks him down. The police wrestle the gun out of his hands. When asked if they are there because of the killer in the woods, the police say that they haven’t heard of such a thing. Yes, Patrick made it up. The cops are actually there because Patrick stole his Dad’s gun and he reported it. And apparently the big secret was that Patrick set a fire in Waynesbridge and he thought that Cindy knew about it. But Hannah says that Cindy didn’t know jack about Patrick, she teased him because she liked him. So the book ends with the remaining friends all together, contemplating the existentialism of life. “Party’s Over”, says Gretchen. The End.

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This was abysmal. (source)

Guys… Okay, this is just… The sheer laziness and rubber stamp plotting of this book was just flabbergasting to me. And then, THEN, to not have any kind of twist or supernatural element, to just have it be Patrick…. I can’t. I did not like this. So let’s just get this break down over with.

Body Count: 1.

Romance Rating: 3, only because Jackson and Gretchen seem to be on track for an okay relationship assuming the shared trauma of the party doesn’t ruin it.

Bonkers Rating: 2. Nothing bonkers here, just the stupidity of everyone involved. There wasn’t a supernatural element OR a huge twist!

Fear Street Relevance: 7 given that the action takes place on Fear Island and there was talk of the not real killer hiding in Fear Woods.

Silliest End of Chapter Cliffhanger:

“Cindy ripped off the red bow and lifted the lid of the box. She peeked inside- and her mouth dropped open in disgust.

‘Ohhhh. Gross!’ she moaned.”

…. And it was just a bunch of slasher movies, and listen Cindy, if YOU don’t want them, I will take them!

That’s So Dated! Moments: Sadly, this was one of those “Fear Street” books that was so bland and sparse that there really were no details outside the plot at hand. Maybe the fact that the slasher movies were video tapes?

Best Quote: This is going to sound super harsh, but nothing about this book was good, so it goes without saying that there weren’t any ‘best’ quotes.

Conclusion: “All Night Party” was haphazard and lazy, definitely up there with the worst of the worst “Fear Street” novels. Skip it. Up next, in honor of the season, is the Fear Street Super Chiller “Silent Night”!

Kate’s Review: “Jar of Hearts”

36315374Book: “Jar of Hearts” by Jennifer Hillier

Publishing Info: Minotaur Books, June 2018

Where Did I Get This Book: The library!

Book Description: This is the story of three best friends: one who was murdered, one who went to prison, and one who’s been searching for the truth all these years . . .

When she was sixteen years old, Angela Wong—one of the most popular girls in school—disappeared without a trace. Nobody ever suspected that her best friend, Georgina Shaw, now an executive and rising star at her Seattle pharmaceutical company, was involved in any way. Certainly not Kaiser Brody, who was close with both girls back in high school.

But fourteen years later, Angela Wong’s remains are discovered in the woods near Geo’s childhood home. And Kaiser—now a detective with Seattle PD—finally learns the truth: Angela was a victim of Calvin James. The same Calvin James who murdered at least three other women.

To the authorities, Calvin is a serial killer. But to Geo, he’s something else entirely. Back in high school, Calvin was Geo’s first love. Turbulent and often volatile, their relationship bordered on obsession from the moment they met right up until the night Angela was killed.

For fourteen years, Geo knew what happened to Angela and told no one. For fourteen years, she carried the secret of Angela’s death until Geo was arrested and sent to prison.

While everyone thinks they finally know the truth, there are dark secrets buried deep. And what happened that fateful night is more complex and more chilling than anyone really knows. Now the obsessive past catches up with the deadly present when new bodies begin to turn up, killed in the exact same manner as Angela Wong.

How far will someone go to bury her secrets and hide her grief? How long can you get away with a lie? How long can you live with it?

Review: Sometimes I get carried away in my request lists for library books. On my personal Instagram I have repeatedly posted pictures of book piles that are overflowing and busting at the seams, fifteen books high and not showing the books on my kindle OR the pile of ARCs in my home office library. And when this happens, I occasionally have to make sacrifices and send books back into the library pool. I did this with “Jar of Hearts” by Jennifer Hillier, thinking that it was probably going to be a book I liked, but one that could wait, like so many middle of the road thrillers ultimately can. But when I did eventually pick it up again (after sleeping on it AGAIN; I didn’t pick it up until a week before it was due), I was angry with myself for letting it go that first time. Especially since Caroline Kepnes, ONE OF MY FAVORITE AUTHORS, wrote the blurb on the cover, and I didn’t even notice! “Jar of Hearts” is one of the best thrillers I’ve read this year, and one of the reasons for that is that it is so dark in some ways it treads towards horror.

The story is laid out through a few different perspectives. The first is from Geo’s perspective, the woman who went to prison for helping her boyfriend Calvin James cover up the murder of Angela Wong, her best friend. We get to see Geo’s present day timeline, from her arrest to her trial to her stint in prison to her time out of prison, as well as moments from her high school days, when Angela was still alive and Geo was just getting involved with Calvin. Seeing how Geo changes over time because of the various experiences she’s had really gives the reader a feel for the character, and it allows her to become multidimensional in an organic way. To go from awkward and shy high schooler to world weary felon is heartbreaking to see, and you really see how much of a monster Calvin James is while also seeing why Geo would have fallen under his spell. Hillier does a very good job of showing the reader why Geo is the way that she is, and simultaneously doesn’t excuse her mistakes, but helps you understand them, and her. I really liked Geo, and while she had EVERY opportunity to fall into the tried and true ‘hot mess’ stereotype for this kind of thriller, I feel like she never did.

Geo and Angela’s high school friend Kaiser is our second perspective, and his is set firmly in the present. Kaiser was the sweet best friend who held a torch for Geo, who then ended up being the detective who solved the murder and then arrested Geo. While is isn’t as compelling as Geo is, I did like seeing this man with his own haunted past have to come to terms with his feelings for his old friend as he investigates a new spate of crimes that she may have a tie in, be it directly or not. While he DID fall into familiar traps of the genre (the cynical detective who is responsible on the clock but makes reckless decisions in his personal life), I really did like Kaiser and liked following him. He was also our main connection to the mystery at hand, while Geo was the connection to what happened to Angela.

And let’s talk about that mystery. Because “Jar of Hearts” is dark as hell. Kaiser is trying to figure out if Calvin James is back to killing women after years of being off the grid, as bodies start showing up that are similar to Angela’s murder scene. But along with the dead women, there are also dead children. This doesn’t match James’s original M.O., and as Kaiser digs deeper and does more investigating, things do start to fall into place because of the various perspectives we are getting. And not only is it suspenseful, there were moments in this book that I was completely unsettled. Hillier did a great job of slowly giving the reader the clues just when she deemed it necessary, and while I had an inkling as to where some things were going, I never got there too soon before Hillier wanted me to. The content was bleak and very upsetting at times, and while I greatly enjoyed this book, it is not for the faint of heart. It feels like it treads more towards “The Silence of the Lambs” than “The Girl on the Train”. Which is a SUPER positive in my book.

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If only the villain was as polite as Hannibal, though. (source)

But before I wrap things up completely, I do need to give a serious, SERIOUS content warning. This book has multiple depictions of rape in it, and while it doesn’t feel titillating or exploitative in how it’s done or portrayed, it absolutely could be triggering for those who are going into it. So just be aware that it is there.

“Jar of Hearts” is a fantastic thriller and an incredibly impressive debut novel. I truly cannot wait to see what Jennifer Hillier comes out with next. Do not let this one go, thriller fans! Don’t make the same mistake I did!

Rating 9: Suspenseful and disturbing, “Jar of Hearts” was a fantastic thriller that hit every bingo box for my dark thriller needs!

Reader’s Advisory:

“Jar of Hearts” is included on the Goodreads lists “Non-Caucasian Protagonists in Science Fiction, Fantasy, Horror, and Paranormal Romance” (I imagine this fits in horror?), and “Best Suspense Novels”.

Find “Jar of Hearts” at your library using WorldCat!

A Revisit to Fear Street: “Killer’s Kiss”

89793Book: “Killer’s Kiss ” (Fear Street #42) by R.L. Stine

Publishing Info: Simon Pulse, 1997

Where Did I Get This Book: The library!

Book Description: Rivals throughout their whole lives for the best grades, friends, and boys, Delia and Karina both set their sights on the attractive Vincent, and Karina decides that if she cannot have him, no one will.

Had I Read This Before: No.

The Plot: We start out with Delia Easton and Vincent Milano making out on his couch. Delia pauses to apply some dark purple lipstick, described in full detail as well as her botting method which doesn’t make sense because it seems she just kisses a tissue instead of putting it between her lips? She also gives him a big ol’ smackola on his cheek, leaving a purple mark. She says that they have to plan for his birthday, but it’s getting late and she should go before his parents get home. He tells her it’s not THAT late, but does check on the clock because this scumbag is waiting on his OTHER girlfriend Karina Frye, who is supposed to come at 9. He’s miffed that the two girls he’s using are going to probably expect to spend his birthday with him or something (the NERVE), and acknowledges that while Delia isn’t a hottie like Karina, she’s still noticeable. Delia asks if he’ll ever forgive her for being ‘dumb enough’ to think that he was going with Karina (since she and Karina are rivals in every way), and he is SO GRACIOUS and forgives her. Vincent then realizes with horror that the clock has stopped, and that it’s really close to nine! He tells Delia that she has to leave because his parents will be home soon. He shoos her out and she kisses him goodbye, leaving. She gets out of sight JUST as Karina drives up. When Karina comes in he gives her the “Vincent Milano Trade-Mark Smile” (which is mentioned numerous times in this book, whatever that means), but she sees the lipstick stains on his cheek. Since that purple is a style Delia has the market cornered on, Karina accuses him of cheating on her with Delia, and Vincent deflects saying that SHE kissed HIM and he wasn’t even into it. Karina says she’s sick of Delia trying to get everything that belongs to her, and she goes to her car and drives off like a lunatic.

At school that next day Delia and her friends Britty and Gabe are discussing The Conklin Award, a scholarship that Delia is hoping to win (and that shares a name with the family in “One Evil Summer”, and I’m trying to discern if that’s a coincidence or if the terribly negligent journalist mother got an award named after her). The winner has to have high grades, and has to be an accomplished performer and artist. Delia is also thinking about Vincent, wondering why he was so eager to shoo her away. Delia also thinks about how Gabe has a crush on her, but she’s not interested even though he’s very nice. She applies more purple lipstick (which is called “Midnight Wine”), and does that weird botting method but this time with Britty’s notebook paper (INCONSIDERATE MUCH?). Delia says she’s nervous about the Conklin because if she won it would be the first step in achieving all of her dreams. And the problem is that KARINA is also trying out for it, and Karina is just as accomplished and talented as she is. Britty is sick of them fighting over everything, as she is Delia’s best friend but she liks Karina too, and Delia says it’s because Karina is TRYING to seduce Vincent away from her! Just then Karina rushes into the gym, and lunges at Delia, trying to strangle her! They struggle, and Karina manages to RIP DELIA’S EARRING OUT OF HER EAR before they’re separated. Karina says that Delia can’t steal Vincent and that she can’t win everything, and that Vincent is HERS. She is pulled away from Delia and taken to the office, and Delia says that Karina must be crazy because she actually believes that she’s going with Vincent and that’s the only explanation. She is shaken up, but reapplies her lipstick perfectly.

That evening Vincent is at Delia’s house as she’s asking him if he thinks her drawings are good enough for the Conklin Award. Vincent isn’t terribly invested in anything outside of the basketball game, and yet Delia still muses that she can’t draw him well because NO artist could capture how gorgeous he is, which is nauseating. She tells him about Karina and that she thinks that Karina is legit delusional about him and her supposedly non existent relationship, and Vincent gets mad that they’re talking about Karina so much. Then her younger sister Sarah walks in and teases the two of them. Delia thinks about how dumpy Sarah is, and then essentially tells her that no boys want to fuck her, which sends Sarah into a rage spiral and kicks a bunch of Delia’s artwork before stealing one portrait and rushing for her room. Delia yells at her not to spy on them anymore, and Sarah promises she’ll do something even worse.

At school the next day Delia is still miffed that her sister took the best picture from the bunch, but she’s also determined to still win. As she’s searching her locker for a notebook, another Conklin nominee(?) named Stewart comes up to her and asks her if she’d like to hang out that weekend, since the talent competition is on Monday and he could use some time to think about something else. She is tempted to say yes, but then sees Vincent in the hallway and declines the invitation. I HAVE QUESTIONS. How is Vincent maintaining this charade of dating two different girls if he isn’t telling them to keep their dating on the down low AND they all go to school together?! Anyway, Stewart takes in in stride and goes on his way. But as Delia walks down the hallway she hears someone say her name. She stops by the storage room she hears voices, and sees Stewart and Karina having a heated discussion! She goes into the science lab wondering what she saw, and when Britty shows up she tells her everything. Britty isn’t really convinced that she saw anything of note, but she does to the door to look out into the hallway Stewart leaves the room, but Karina isn’t anywhere to be seen until a little while later when she leaves too. Delia suggests that Britty talk to her since they’re still friends, and Britty eventually agrees, and rushes to catch up with her. Britty asks of Karina wants to go to the mall to talk about everything going on, and Karina says no, she’s just fine, and Britty reminds her that she tried to strangle someone so maybe she isn’t. Karina balks and shouts that Delia won’t win the Conklin and she won’t be able to take Vincent away from her! Delia is still of the belief that Karina is delusional.

That night Delia has a bad dream about Karina smearing purple lipstick all over her. Maybe it’s time to lay off the lipstick. That Monday it’s the talent portion of the Conklin Award, and Delia is nervous because she was put as seventh to perform and now all she can do is worry about it. Stewart has some amazing magic show with his dog and Karina has a lovely voice, but DELIA is not only singing, she’s playing the guitar, AND it’s a song she wrote herself. She’s bummed that Vincent can’t be there, as he gave the excuse that he had to take his mom to an appointment, but at least Britty is there, as is Gabe! Karina’s song is amazing, of course, and as Delia scans the crowd she sees Sarah there for some reason. Britty says that she’s probably there to cheer Delia on, but given that Sarah is giving her an unsettling smile I wouldn’t put money on THAT pony. Eventually Delia goes backstage to get her guitar, Gabe wishing her luck, and she goes on the stage… But finds that someone has cut all of her guitar strings, a dead rat is stuffed in the hole, and someone wrote “HA HA” on the guitar’s body.

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Okay, so it doesn’t have the same panache of Woody Guthrie, but MAYBE she could try and spin it as a political statement? (source)

Delia accuses Karina of doing this, but Karina, who is oddly calm about the whole thing, says that she doesn’t need abusive stalker methods tricks to beat her. Then she and SARAH leave the auditorium together. Gabe and Britty assure her that she will he allowed to redo the talent portion, and that they are her bodyguards from now on.

When Delia gets home that night she finds a note from Vincent on her front door that suggests they go to Red Heat to celebrate her what he assumes was awesome performance. She remembers that Britty borrowed the skirt she wants to wear, so she goes to Britty’s house to find her and Gabe making chocolate chip cookies for Delia to cheer her up. That’s some good friendship there! They tell her to just stay away from Karina from now on, since she’s gone off her rocker. Unfortunately while driving home, Delia spots Karina and VINCENT kissing on the street corner. Delia is so distraught she crashes her car. Karina runs to her aid while Vincent runs to call for help (or more likely runs to avoid any kind of consequences), and Delia says she’s fine. She tells Karina she saw them kissing, and Karina says that she knows he’s been seeing the two of them behind their backs. She also says that she’s sorry she lost her shit about the whole thing, but she swears that she didn’t do the rat thing, really! Delia believes her, and they both agree that they no longer have to fight over that creep, just the Conklin. But as Karina heads off, Delia tells herself that SHE isn’t going to give Vincent up that easily.

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Alright, dumb dumb, you earn whatever bullshit he throws your way then! (source)

Later that evening Vincent and Delia are talking on the phone and he tells Delia that he can’t go dancing that night after all. But he ALSO tells her that he saw her and Karina talking and wouldn’t you know it, Karina just ran up and KISSED HIM AND HE WASN’T INTERESTED AT ALL. And the worst part is that Delia believes him. But he tells her that they’ll go dancing this weekend, and when he hangs up he turns to DELIA’S SISTER SARAH AND THEY START KISSING. This guy is a straight up creep.

That next week Delia is waiting for the judges of the art competition of the Conklin to finish up with Karina so she can show them her drawings. She applies more Midnight Wine to her lips, and then runs into Stewart. He tells her not to worry, the judges seemed fair, and that he’s sure she’ll do great. He asks her out to Pete’s Pizza afterwards to celebrate being done with the judging parts of the Conklin, but she declines because VINCENT. As Karina leaves the art room she smiles at Delia, who fakes a smile back and also notices how great her oil paintings are. Delia walks to the classroom and opens her portfolio…. and someone has smeared purple lipstick over all of her art work!! As well as the note ‘HA HA, COULDN’T YOU JUST DIE??” Delia runs out of the room in a panic, and then sees Karina and Vincent cuddling up with Karina bragging about how she’s going to win, so they’re BOTH idiots!!!!

Delia tells Britty that she thinks she has to drop out of the competition. Britty thinks that they need to rat out Karina, but Delia points out that Karina’s already attacked her once and that she doesn’t want to face her wrath a second time. Britty jokes that they could kill Karina, but it doesn’t quite land that way she wants it to and Delia for a moment thinks she’s serious. Britty says that Delia never used to take her morbid sense of humor that seriously before, and Delia says that without the Conklin her dreams of getting out of Shadyside will be finished. She says that she has to go talk to Vincent so he can explain himself, and Britty VERY ASTUTELY points out that he’s a complete jerk and that there are LOTS of guys (like Gabe and Stewart) who would be better boyfriends, but Delia chalks it up to Britty just not understanding love. Unfortunately, when she gets to Vincent’s house she finds him making out with Sarah. When she confronts them she notices that Sarah has used her Midnight Wine lipstick and stolen her clothes, but Delia pulls a fatality by telling her that even in her clothes and lipstick she’s ‘nothing special’. YA BURNT. Sarah runs out of the house, and Vincent ACTUALLY TELLS HER THAT HE WAS GIVING SARAH KISSING POINTERS!!!! He then tells Delia that he was snuggling up with Karina because she’s delusional, and he’ll talk to her. AND DELIA FORGIVES HIM.

Fast forward to Vincent’s birthday party, which he is throwing at an abandoned mansion on Fear Street. Everyone is having a good time but Gabe is wondering where Delia is. Karina shows up a little after Gabe, and she and Vincent start dancing. Britty pulls him aside, sick of his bullshit, and asks him if he’s seen Delia. He says no but brushes is off, and Britty says that something must be wrong because there’s no way she’d be this late to his party.  Vincent is more relieved because now he can just be with Karina and not worry about the two girls fighting. But another couple of hours pass and Delia still isn’t there… Until she shows up, bloody and bruised and looking a mess. She tells the whole party that Karina invited her over before the party under pretense of talking, but then knocked her out and tied her to a bed! Karina insists upon her innocence, but everyone remembers that she was late to the party. Delia says that her blood is all over the bedroom floor at Karina’s house, and Karina says no they can’t go to her house to check. When Vincent tells her that they need to get her help, she screams and runs into the night. Vincent says he’ll take Delia home, but she says she needs to rest a bit, and that she’s in shock over what Karina did.

The next day Britty picks up a newly lipsticked Delia so they can go help clean up the house on Fear Street. Delia seems to be doing much better, and Britty is relieved. They get to the house along with Gabe, expecting to find Vincent already cleaning, but he’s nowhere to be found. But then they do find him, facedown on the floor, DEAD!

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Boy, bye!! (source)

Gabe pulls back the body’s shoulder for a moment, and sees he’s been stabbed. They call the police, who arrive shortly thereafter. They start questioning the three teens, but then they all go inside. The police turn Vincent over, and he has indeed been stabbed… But on one of his cheeks are two purple lip prints!!!! Delia insists that she didn’t do it, the last time she saw Vincent was after he drove her home and he was alive when he left. She tells Gabe and Britty that it has to be Karina, but they tell her she’ll sound guilty if she just starts accusing the girl. Eventually she goes to the police station with the cops, and they look at the photos of the lip prints and a photo of Delia’s lips and they someone determine that it’s a perfect match? Delia freaks out for a moment and takes a look, but then realizes that they shouldn’t be a perfect match because if SHE had kissed his cheek they’d be reversed (I guess?)! Which means that someone must have lifted her lip prints from something and then pressed them to his face in an attempt to frame her, and THAT IS WHY YOU DON’T BOT YOUR LIPS IN A STRANGE WAY, DELIA! She tells them about Karina, and they say they will go question her but she has to stay away while they do.

But Delia doesn’t stay away, and decides to go spy on Karina’s house while they search it. And what do you know, when they go into Karina’s dresser drawer they find a pieces of paper with Delia’s lip prints all over it. Delia bursts in, screaming at Karina for murdering Vincent, and the girls fight. Karina scratches Delia’s face, and the police separate them, saying they are taking Karina to the station.

Fast forward a few months to prom night! Gabe and Delia are attending together. But before they do, Delia wanted to visit Karina at the Shadyside Psychiatric Hospital. As they’re led into a waiting room, they snuggle up together, and Delia muses about how she won the Conklin Award. But she also admits that this isn’t how she wanted to win, but then, Karina just didn’t appreciate everything she had. Delia says that she would have won both Vincent and the award…. if Delia had let her. SURPRISE, JERKS!! DELIA WAS BEHIND IT ALL! She sabotaged her performance and art pieces hoping she could get sympathy from the judges. And then when she caught Vincent and Sarah making out, she knew that he had to die, and she could blame it all on Karina and that way she’d get her revenge on BOTH of them! She faked the kidnapping by bruising and bloodying herself, killed Vincent at the house AFTER everyone had left, and planted the lip prints in Karina’s room. She starts to kiss Gabe all over his face, asking him if he’s going to tell on her…. And then a doctor walks in and says that he conveniently heard the whole thing and has called the police so justice has been haphazardly restored. THE END.

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That’s lame even by “Fear Street” standards. (source)

Body Count: 1. And frankly, he deserved it, so I’m not really torn up about it.

Romance Rating: 1. Vincent is a gross cheater and Karina and Delia were far too obsessed with his selfish stupid ass.

Bonkers Rating: 6. Because the ending is COMPLETELY out of the blue, so out of the blue it doesn’t make sense, so this is NOT a positive thing.

Fear Street Relevance: 4. Only because the party that ends with Vincent dead is in an abandoned Fear Street mansion but it felt like a ‘oh shit, where does Fear Street come in?’ kinda moment.

Silliest End of Chapter Cliffhanger:

“Delia saw the tree loom in the windshield,

Then she felt the hard jolt.

Heard the crunch of glass and metal.

And everything went black.”

… And it went black because the AIR BAG deployed and blocked her vision!

That’s So Dated! Moments: Karina is described as looking like Michele Pfieffer, and while she is still smoking hot and excellent, she doesn’t exactly evoke a teenage girl vibe anymore. And honestly, Karina fucking wishes.

Best Quote:

” ‘Oh come on.’ Britty patted Delia’s arm, smearing flour on her blouse. ‘Chocolate chips help everything.'”

FINALLY, something in this book makes some sense!

Conclusion: “Killer’s Kiss” was boring and tedious, and even though the end was a crazy solution it was stupidly random. Up next is “All Night Party”! 

 

Bookclub Review: “Abraham Lincoln: Vampire Hunter”

7108001We are part of a group of librarian friends who have had an ongoing bookclub running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is ‘genre mash-ups’, where we pick two random genres and try to find a book that fits both. 

For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Abraham Lincoln: Vampire Hunter” by Seth Grahame-Smith

Publishing Info: Grand Central Publishing, March 2010

Where Did We Get This Book: Kate owns it,

Genre Mash-up: True Crime and Speculative Fiction (a doozy to be sure)

Book Description: Indiana, 1818. Moonlight falls through the dense woods that surround a one-room cabin, where a nine-year-old Abraham Lincoln kneels at his suffering mother’s bedside. She’s been stricken with something the old-timers call “Milk Sickness.”

“My baby boy…” she whispers before dying.

Only later will the grieving Abe learn that his mother’s fatal affliction was actually the work of a vampire.

When the truth becomes known to young Lincoln, he writes in his journal, “henceforth my life shall be one of rigorous study and devotion. I shall become a master of mind and body. And this mastery shall have but one purpose…” Gifted with his legendary height, strength, and skill with an ax, Abe sets out on a path of vengeance that will lead him all the way to the White House.

While Abraham Lincoln is widely lauded for saving a Union and freeing millions of slaves, his valiant fight against the forces of the undead has remained in the shadows for hundreds of years. That is, until Seth Grahame-Smith stumbled upon The Secret Journal of Abraham Lincoln, and became the first living person to lay eyes on it in more than 140 years.

Using the journal as his guide and writing in the grand biographical style of Doris Kearns Goodwin and David McCullough, Seth has reconstructed the true life story of our greatest president for the first time-all while revealing the hidden history behind the Civil War and uncovering the role vampires played in the birth, growth, and near-death of our nation.

Kate’s Thoughts

I first read this book when it came out in 2010, having been taken in by the concept of taking one of the country’s past and most beloved Presidents and making him a vampire hunter. I mean, it sounds ridiculous, and yet I was so enamored with the idea that I got my hands on this book and then spent almost all of my free time devouring it. I was very much into vampire mythology in my younger years, and I had grown weary of vampires as love interests and yearned for them to be scary again. And while “Abraham Lincoln: Vampire Hunter” didn’t make them scary, per se, at least they were antagonistic to a degree. So I read it, loved it, and it had been sitting on my shelf ever since.

Re-reading it for book club was something that excited and scared me. I had such happy memories of this book, and I was afraid that revisiting it eight years later was going to be disillusioning. I’m pleased to say that my fond memories weren’t totally tainted by the re-read, but going back and looking at it critically was something that, while necessary, was a bit bittersweet. But I’ll start with the things that did still work for me. As a person who really likes American History, especially during the Victorian Era (as yes, much of Lincoln’s life was during the Victorian Era), I love how Seth Grahame-Smith uses diary entries, letters, historical documents, and footnotes to tell this alternate history where Lincoln fought and killed vampires. I greatly enjoy the various connections that he makes between world events that have enough ambiguity that they could have a vampiric element, one of my favorite examples being the Colony of Roanoke. I always had a fun time seeing various other historic figures, from Edgar Allan Poe to Marie Laveau, play into the story. Easter Eggs like this are my bread and butter.

But the biggest problem that I had with it this time around that I wasn’t really thinking about the first time I read it was that one of the biggest plot devices in this book is the Civil War. Namely, the practice of chattel slavery. In this book, one of the big plot points is that vampires were working directly with the Southern elites in order to keep slavery around, as it directly benefited both of them (the humans in terms of money, the vampires in terms of food). When I first read this book I thought that it was a clever way to show an evil and yet symbiotic relationship, but looking at it again now it just makes me uncomfortable. Slavery in this country was an evil practice, and the repercussions of it are still seen and felt today because of generational trauma, lingering systemic racism, and marginalization towards African Americans in this country. To flippantly say ‘and also, VAMPIRES!’ just feel uncomfortable, and a little too cheeky at the expense of very real pain and injustice.

That said, “Abraham Lincoln: Vampire Hunter” is overall a bit of crazy stupid fun, and it’s written in a way that history buffs and vampire fans alike will probably find it enjoyable. It didn’t fully stand the test of time, but there were still plenty of moments that made me grin.

Serena’s Thoughts

I had not read this book before, but I’m pretty sure I saw the movie at some point (though my super vague memories of it or what I even thought of it at the time might say more than anything). I think at the time I was still in a huff about “Pride and Prejudice and Zombies” and mentally sorted this book into the same category and wrote it off. That said, I was pleased when it was picked for bookclub as I generally try to avoid tendencies like the one I used for this book: judging it without reading it. I was even more pleased to find that I enjoyed it! (Though, it must be acknolwedged that this was always going to be an easier sell then trying to convince me that Elizabeth Bennett killing zombies is something I should take seriously).

What I enjoyed most about the book what its historical aspects and the stylization of the way the story is told through letter and other historical documents. These were all used to great affect and very much sold the concept of telling a story that could be wedged in alongside the version of true history that we are more or less familiar with. One’s own knowledge of the actual history of the time period also goes along way as, like Kate mentioned, there were nice references to other happenings of the time that would reward diligent readers. Not an extreme history buff myself, I can’t even be sure I knew exactly where some of these lines between fiction and true history were being drawn.

The story itself was also the kind of semi-campy fun that simply makes for an enjoyable read, and I think if approached in this way, it is best appreciated. As Kate also referred to, a closer examination of the work can lead to potential discomfort with superimposing layers of vampire nonsense over a truly challenging time in American history. I, for one, was generally ok with this aspect of the story as I think the point of the book was to do just that: make up a nonsensical version of a traumatic period of history and essentially make a satire out of it by highlighting just how truly horrible it was! The addition of vampires merely underscores the fact that, while they are fantasy creations, the true human players in this existed. Plus, the Civil War has, deservedly, garnered a huge wealth of books that cover its history in a more serious, thoughtful tone. And I don’t expect every book set in this time period to do the same thing, which I think does a disservice to the creativity of tactics that can used in criticizing events such as these.

Overall, I enjoyed this read. It wasn’t the type of book that I likely would have picked up on my own, and while fun enough, it also didn’t neatly fit into my wheelhouse and I came away with it pleased, but not feeling as if I had been really missing anything by not reading it before now.

Kate’s Rating 8: While it didn’t hold up as well from when I first read it, “Abraham Lincoln: Vampire Hunter” is still a bit of silly fun that entertained me as person who likes horror and history.

Serena’s Rating 7: I liked it; I didn’t love it.

Book Club Questions

  1. What did you expect from a book that brings a vampire and supernatural spin to an actual person and an actual time in history? Did you feel that the author integrated the two ideas well?
  2. Were there any characters or moments from history you especially liked seeing in this book? Were there any that you could have done without, or felt didn’t work as well?
  3. What were your thoughts on the character of Henry? Did you feel that you got a good impression of him as a character?
  4. What did you think of the theme of vampires and slavery in this book? Did you think that it was a good metaphor, or do you think that it was inappropriate to use it as a plot point?
  5. What did you think of the ending? Did you fee like the revelation at the end fit with the rest of the story and the themes given Lincoln’s relationship and opinions towards vampires?

Reader’s Advisory:

“Abraham Lincoln: Vampire Hunter” is included on the Goodreads lists “The Monster Mash”, and “Vampire Mashups”.

Find “Abraham Lincoln: Vampire Hunter” at your library using WorldCat!

Next Book Club Book: “The Shadow Cipher” by Laura Ruby.

Kate’s Review and Giveaway: “Someone Like Me”

Woman wearing a red hoodie by a riverBook: “Someone Like Me” by M.R. Carey

Publishing Info: Orbit, November 2018

Where Did I Get This Book: I was sent a copy by the publisher and received an eARC by NetGalley.

Book Description: SHE LOOKS LIKE ME. SHE SOUNDS LIKE ME. NOW SHE’S TRYING TO TAKE MY PLACE.

Liz Kendall wouldn’t hurt a fly. She’s a gentle woman devoted to bringing up her kids in the right way, no matter how hard times get.

But there’s another side to Liz—one which is dark and malicious. A version of her who will do anything to get her way, no matter how extreme or violent.

And when this other side of her takes control, the consequences are devastating.

The only way Liz can save herself and her family is if she can find out where this new alter-ego has come from, and how she can stop it.

Review: Thank you to Orbit for sending me a copy of this book, and to NetGalley for sending me an eARC!

M.R. Carey has taken some of the most beloved, and therefore most overdone, tropes in the horror genre and breathed new life into them. In “The Girl With All The Gifts” and “The Boy on the Bridge” he took the idea of a zombie apocalypse and gave it a unique and fresh perspective (zombies because of fungus? Totally awesome!). In “Fellside” he took a gothic haunted house story and set it in a women’s prison, therein bringing isolation to a whole new level. So of course when I found out that he’d written a new book called “Someone Like Me”, and that it sounded like a new take on a possession tale, I was in. If I’m going to like a possession story you basically have to do something new with it, and I knew that M.R. Carey was up to the task. And not only did Carey bring a new and fresh perspective to a well worn trope, he also brought in very real life horrors into the thematics, like trauma and domestic abuse. And because of this, “Someone Like Me” is his best work yet.

The summary focuses on Liz Kendall, so I will start with her and who she is as a character. Liz is meek and demure, a woman who suffered at the hands of her now ex-husband Marc. Liz had been a vibrant young punk singer, but when she got together with Marc his years of abuse and cruelty wore her down. So while one might think that she just snapped one night, and fought back after he was attacking her, Liz is horrified to realize that she had absolutely no control over herself in that moment. It was as if someone else was controlling her actions. So what could have been a story about a run of the mill demonic possession is more of a psychological terror: is Liz possessed, or is she traumatized to the point where she’s disassociating? Both options are completely plausible, and while it becomes clear that there is an outside force that is working within her, Carey STILL brings in enough unreliability and unanswered questions that I was kept completely gripped and enthralled. Seeing Liz battle with an angrier, more violent, and yet just as tragic, version of herself was unnerving and unsettling, and I loved seeing this Thing slowly overtake her life and personality.

But Liz is only half the story. Well, a fourth of the story, really. Because there is another primary character in this book whom I wasn’t expecting, but loved just as much, and that is Fran. Fran is a teenage girl who goes to school with Liz’s son Zac, and she has experienced her own traumatic incident. After this incident, she began hallucinating things around her, seeing things that others couldn’t see, seeing details shift just a little bit. She has also gained an ‘imaginary friend’ named Jinx, who has taken the form of a fox character from a children’s show. Fran sees Jinx as a protector and a burden, as while Fran wants to get better and get closer to others, Jinx is wary of anyone who comes near them. I really enjoyed seeing Fran get closer to Zac, and how her own unique psychological (or not) situation compared to Liz’s. It was also really interesting to see Carey slowly start to connect them, and to build a whole new mythology that I didn’t see coming at all. I’m not going to go into the specifics of it, because I think that it’s best to go in without knowing, but I will say that it went in directions that I couldn’t have anticipated and did so successfully.

I also really liked how Carey framed this story through the idea of trauma and tragedy. All of our main players who have perspective chapters (and there are four in total) are well rounded and well written, and all function through various horrific things that happened to them and made them who they are. I really appreciate Carey pointing out that sometimes things and people we perceive as monsters or monstrous are that way because of the horrible things that have happened to them. But he also makes sure to point out that just because horrible things did happen to them, and that it IS awful that these things did happen, that it doesn’t give anyone license to do horrible things to other people.

“Someone Like Me” was a tense and emotional read, and if you are a fan of M.R. Carey you should absolutely go grab this. If you haven’t read anything by Carey yet, this is the perfect place to start.

And I have good news! I’m giving away a hardcover copy of this book! The giveaway ends November 20th, and is open to U.S. residents only.

Click Here To Enter The Giveaway!

Rating 8: A smart and tense psychological thriller, “Someone Like Me” not only brings the creeps, but also brings emotions with themes such as trauma and abuse.

Reader’s Advisory:

“Someone Like Me” isn’t on many relevant Goodreads lists right now, but I think that it would fit in on “Fictional Multiple Personalities”.

Find “Someone Like Me” at your library using WorldCat!

A Revisit to Fear Street: “Runaway”

176251Book: “Runaway” (Fear Street #41) by R.L. Stine

Publishing Info: Simon Pulse, 1997

Where Did I Get This Book: An eBook from the library!

Book Description: Hoping to start her life over at Shadyside, where nobody knows about her secret dark powers, runaway Felicia becomes terrified that she will lose control of herself again when someone discovers the truth about her.

Had I Read This Before: No.

The Plot: Meet Felicia Fletcher. She’s a hitchhiker just getting towards Shadyside, hoping to start a new life and leave her past in Ridgely behind. And since this time around Stine doesn’t feel like drawing out what that past may be, we get a flashback to see that Felicia has telekinetic powers, and was being used as a test subject at a college by a guy named Dr. Shanks. She thinks about the time he was giving her a test to see what her powers could do, but instead of being vaguely scummy but mostly harmless a la Dr. Venkman in “Ghostbusters”, Dr. Shanks is yelling at her to show off her powers, so much so that she gets upset and shoots a pencil at his eye. She misses, and he is so stoked that she was able to do that he doesn’t even care that she almost gouged his eye out. Felicia, however, is not stoked, and she thinks that her power is evil (and thinks fleetingly about how her father was ‘proof’ of that). Back in the present, she is so lost in thought she is almost run over by a car! The driver pulls over, and from his description all I’m getting is serial killer. He says that she clearly needs a ride and to get in. For whatever reason, Felicia does. He tells her his name is Lloyd, but his friends call him “Homicide”. Seems legit. He tells her it’s because he’s a killer, and when she looks appropriately terrified he says he was just joking. Felicia isn’t into his humor, and asks that he let her out. He then gets SUPER mad at her for being probably far more reasonable than she should have been. He pulls out a switch blade and speeds the car up, so she can’t jump out to safety, and tells her that he’ll let her out if she gives him her wallet. When she tells him he has no money, he continues to threaten her, and Felicia feels ‘the power’ building up in her. This power makes Lloyd’s car crash into a tree! Felicia is okay, but Lloyd is in a daze (but not dead. Pity), and she’s relieved because she already killed someone at that lab. I imagine we’ll learn more later. Felicia gets herself out of the car as he’s coming to, and she flags down another car. Lloyd keeps saying he’s going to kill her, and the other car driver lets her in and they drive away. The driver is a boy named Nick who proceeds to scold Felicia for hitchhiking because look what almost happened to her, and NO SHIT, NICK. He suggests that they go to the cops but Felicia is adamant that they not, but lo and behold, suddenly a cop car is zooming up behind them! Felicia freaks because she’s CERTAIN they’ve come for her to take her away for the deaths she’s responsible for (OH REALLY NOW), but they just keep going. She insists that Nick pull over, and says that she’s fine getting out at the Donut Hole. He’s skeptical, but she kisses him for his troubles, and leaves him behind.

After changing in the bathroom, Felicia orders some food and eaves drops on two college boys, one of whom is bitching about the house and cat sitting gig the other is doing for his professor, Dr. Jones. Seeing an opportunity, Felicia approaches them saying that her father is friends with Dr. Jones, so SHE can do the house and cat sitting job. The college guys, not at all interested in confirming that she is a family friend, take her up on the offer (though she also demands half of the hundred bucks, and good for her I say). The house is, of course, on Fear Street. She gets there and finds that cat, whose name is Miss Quiz, and thinks that she has it made.

The next day, in a move that I find COMPLETELY inexplicable, Felicia goes to Shadyside High and ENROLLS IN CLASSES. My first question is WHY WOULD YOU EVEN DO THIS? If the police are looking for a teenage runaway, don’t you think they’d be asking other teenagers, who would be localized at a school? And my second question is why on EARTH the school enrolled her without a parent present or any kind of record of her existence (and no, her transcripts being ‘in the mail’ SURE doesn’t count)? I call malarkey, but on we go. At the end of her first day of school, Felicia tapes a photo of her Dad up in her locker (this seems odd, as my locker was covered head to toe in pictures of James Marsters, but whatever), and then runs into Nick. He’s happy to see that she’s staying in Shadyside, and they walk out of the school together. She tells him she’s off to Fear Street, and he says that Fear Street is bad new, but Felicia has seen things and isn’t too concerned about a haunted street. He invites her to go to the Burger Basket with him, as he’s a line cook there, and she agrees. They arrive at the restaurant and meet Barry, the manager. Felicia asks him if there are any job openings, as she knows she can’t squat in Dr. Jones’s house forever. Barry pretty much hires her on the spot, and Nick is happy to hear that she’ll be working with him now. But do you know who isn’t happy? Some girl named Zan, who also works there (and apparently “Zen” is short for “Alexandria”, because of course it is). When Nick and Barry go off on their way on shift, Zan pulls out a knife and presses it against Felicia’s chest!!! She tells her that she’s going with Nick and Felicia better not forget that! Felicia’s power is about to go off, but then Nick comes in and Zan tries to play it off like a joke. The power still goes off, making a fry vat overflow and the lights flicker. Zan apologizes, assuring her she was just joking. Felicia leaves, more concerned about her power than the crazed girl with a knife.

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(source)

At school the next week Felicia is settling in. She’s friendly with Nick and Zan and enjoying her job at Burger Basket. As they all eat lunch together she’s feeling pretty good. But then when she goes to her locker at the end of the day she finds and envelope taped inside. Within the envelope is a note that says I KNOW ALL ABOUT YOU!, along with a photocopy of her driver’s license with her real name and her Ridgely address! Also, her face has been burned away on it. Her fear makes her power start to go off, and she is able to keep it in check. She rushes out of the school and retreats to the Donut Hole. She calls Nick while at work, though worries that Zan may be jealous of she found out she was calling him. But Nick is a good friend and takes his break so he can meet her and they can talk. She balks at telling him everything, and says that he and Zan are the first friends she’s had in a long time, and that she’s afraid she’s going to have to run away again. He says that he and Zan don’t want her to leave (I believe half of that sentiment), but she thinks to herself he’d feel differently if he knew what she did. She tells him she feels better now, and he goes back to work. She vows that she won’t let anything happen to him and Zan, unlike Andy and Kristy….

And now it’s a flashback!! Back in Ridgely, Felicia and her friend/fellow subject Debbie are walking along the beach. Felicia is complaining about the tests that Dr. Shanks made them do, while Debbie is complaining about how she didn’t have any powers (and Felicia doesn’t really know why Debbie signed up if she wasn’t telekinetic in the first place). Felicia says that it’s not all that great, and they stumble upon an old ugly beach house Felicia says that it’s so ugly, and Debbie says that she should tear it down with her powers. Felicia hesitates, but then Debbie goads her on, saying she bets that Felicia’s power couldn’t do it. So Felicia, properly goaded, uses all of her concentration, and the house comes apart and falls down. Unfortunately, once the house is down they see two cars parked behind the rubble, cars that belong to their friends Andy and Kristy! They run into the house’s skeleton/rubble, Felicia praying that their friends weren’t inside, but alas and alack, they were! They are DEAD, and Kristy’s arm has been cut off by a beam, and Andy’s face has been torn off by bricks!

Back in the present, Felicia is angsting about her involvement in this awful thing, and gets back to Dr. Jones’s house. But wait, the door is unlocked! Since she’s sure that she locked it, she wanders inside, carefully. I, myself, would cut my losses, as this isn’t even her house and she could just run off, but oh well. Once she determines that she’s alone, she exhales…. but then… THEN… she sees someone has written in red paint RUNAWAY! GET OUT NOW! I KNOW EVERYTHING! Felicia is convinced this mystery person must know about Andy and Kristy! Not ready to give up, she just cleans it up.

The next night, Felicia and Nick are eating dinner on their break, sitting behind the restaurant. Felicia is so on edge, and Nick asks her what’s wrong. She decides to tell him part of it, and tells him that she used to live in Ridgely with her Aunt Margaret. Her parents are dead, and while there she was part of an experiment. She doesn’t tell him the natures of the experiments, but does tell him that she got sick of it, and that’s why she ran away. Nick then kisses her, and she is surprised, and relieved that Zan didn’t see. At closing, Zan picks up Nick, and Felicia and he share a look. After she gets her things, she leaves, but overhears Zan and Nick arguing about her. She starts to panic, her power starting to rise up, but she calms down and gets it under control. She wonders if it’s Zan who has been leaving her notes, but how could it be? She couldn’t know about Andy and Kristy; only the police know about that.

The next day at school Felicia confronts Nick at his locker about the argument. He says that Zan has a jealous streak, and that he doesn’t blame her because she’s had a very hard time as of late. When Felicia asks if he can tell her what that means, he says no, and she’d have to ask Zan herself. But he does ask her to be nice to Zan. And Felicia agrees. Are we still just ignoring the fact she threatened you with a knife, Felicia?!

That Friday, Zan invites Felicia to a sleep over at her house. Felicia doesn’t really want to go, but remembers she said she’d be nice to Zan, and that doesn’t mean a slumber party, Felicia, that means letting her borrow a pencil every once in awhile or some shit! But Felicia misses Debbie, so thinks this could be good. She goes to Zan’s that night, noticing a sharp iron fence with very sharp points on it. Think this will come back later to haunt her? Zan leads her inside and they watch “The Birds” and eat popcorn and have a fun time. When Zan goes to make nachos, Felicia starts snooping. She pulls down a Shadyside year book, and starts paging through just for fun. She finds a cute picture of Nick, but when she turns the page she sees a picture of Zan, with the other half of the picture being crossed out with brown marker. The caption that is legible says THE COUPLE MOST. Felicia can’t tell who the other person is, and when she rubs at the ink she realizes that it isn’t ink…. IT’S DRIED BLOOD. She shoves the yearbook away when she hears Zan coming back up the steps, and tries to play it cool. She asks Zan how long she and Nick have been going out, and Zan says since they were freshmen. but Felicia knows that can’t be true, and wonders what she’s hiding.

At school that next week Felicia goes to the library to find the year book. She finds the picture, and with Zan is a handsome guy. The caption says ALEXANDRIA MCCONNELL AND DOUG GAYNOR, THE COUPLE MOST LIKELY TO LAST FOREVER. Felicia’s heard the name Doug Gaynor before, but where. She slams the yearbook shut, and then runs to a memorial bench. A MEMORIAL BENCH OF DOUG! HE’S DEAD!

On the way to work that night Felicia and Nick are talking in his car. Felicia is jumpy, and Nick asks why. She decides to hold her cars to her vest and only tells him about the fact she’s squatting in a professor’s house. Nick thinks that’s totally okay, a victimless crime, if you will. But Felicia also tells him that she thinks someone from Ridgely followed her, or someone in Shadyside found out about her. He parks the car at work, and she tells him about the notes. He tells her that she’s not going to let anything happen to her, and they kiss again. But then he pulls away, and tells her that he loves Zan. When she asks him if he really does, he kind of balks, but tells her that he can’t break up with her because she needs him and couldn’t take it. She asks him if this has to do with Doug, and he says it does, and that Zan ‘accidentally’ killed Doug.

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An accident. Of course it was. (source)

Long story short, Zan and Doug had been going out since 7th grade, then junior year he took another girl on a date, Zan found out and they fought on Zan’s balcony at her house. He shoved her, she shoved him, he fell off the balcony and was impaled in FOUR. PLACES on the iron fence!! IT TOOK HIM A LONG TIME TO DIE, GUYS. YIKES! So that’s why Nick can’t break up with her. Oh, because she’s violent and her actions killed a guy? No, because she’s SO SAD ABOUT IT. Zan is more afraid about what Zan could do to her if she found out about their kisses, and then says that Zan must have written the notes to try and scare her away. Nick doesn’t believe it, and while they argue suddenly Zan shows up, as Barry called her in early. Nick and Felicia make up a cover story about Nick asking Felicia for advice about where he can take Zan on a date. She seems to buy it, and they all go inside.

While on shift Zan asks Felicia if she can go change a light bulb. She agrees, and sets up a metal stepladder underneath it, noticing that someone spilled water on the floor like a n00b. As she bumps the light, a spark shoots out from it. Felicia notices that the wire is frayed… and that she’s standing in a puddle on a metal step ladder! She runs for the circuit breaker, hoping to shut off the power, but then BARRY comes in and reaches for the light, electrocuting himself!! The jolt is so powerful is fries the wiring in the entire building, setting the place on fire!!! She yells for everyone to get out, as a chain reaction courses through the wiring, making things explode and the oil spreading and HOLY SHIT THIS IS KIND OF AWESOME. Nick helps her move Barry for a bit, but then says that he’s going to try and get people out at the front. She pulls Barry out the back, but realizes that Nick and other people are still inside! So what does this awesome bitch do?! SHE RUNS BACK AROUND THE FRONT AND RUNS INSIDE, DETERMINED TO USE HER POWERS TO PUSH THE FIRE BACK!!! And damn if she doesn’t succeed, getting the fire back as most of the people get out! Soon it’s just her and Nick, and she’s running out of strength, but she manages to use the last of it to make a chair crash through a window, and they both get to the window…. but then Felicia collapses….

But she wakes up outside!! Nick got her through the window. He tells her that Barry is okay and everyone got out. He asks her how she did it, and she asks him not to ask her that. Then the goddamn press show up and they want to see the hero girl, but she freaks out, afraid the police will see her. Nick gives her his car keys and she somehow sprints away in spite of the logical smoke inhalation that must be inside her lungs. She hears a guy telling the news about how she pushed the fire away with her mind, but before she can be too concerned about that, ZAN attacks her, asking her why she couldn’t have just changed the light bulb?!?! Zan tries to strangle her, since her electrocution plan LITERALLY backfired, but Nick pulls her off, telling her that Felicia means nothing to him! Felicia, convinced that no one cares about her and that Zan won’t stop trying to kill her (especially since Nick is just enabling her apparently), leaves his keys in his car, and decides to pack up and leave town. BUT WAIT! Her dad’s photo is in her locker at school! She can’t just leave it behind. So she decides to go get it the next morning.

Flashback time! Back in Ridgely, Felicia has a bad dream about Andy and Kristy. She wakes up to a tapping on her window. Debbie is outside, and she climbs in with bad news. The police picked her up, asking her about the beach house and the experiments they’re part of! And apparently Dr. Shakes narced on her, saying her power is indeed strong enough to knock a house down! Debbie tells her she has to leave town, that she can take her car and go. Debbie helps her pack, and drives her to the city limits. Felicia doesn’t leave a note for her aunt. They part ways, and Debbie tells her that she police think she’s dangerous, and that she should use her fear to keep herself safe. As Felicia starts to drive away with Debbie, the usual panic makes her power start to go out of control. Felicia smells gas, and panics even more, but is able to get out of the car just in time. The car then explodes, sending Felicia through the air. Convinced that her powers are truly out of control, she ran into the night.

And now she’s about to run again. The next day she wakes up and sees that no one has come for her yet. She gets to school, determined to get the photo and then be off, but Nick takes her aside. She tells him to buzz off, but he tells her that he didn’t mean what he said the night before, that she actually means EVERYTHING to him. But he still hasn’t dumped Zan, and Felicia is pissed about this for about three seconds, because then Zan comes running down the hallway AT THE SCHOOL with a knife in her hands! When Nick tries to intervene she slices his hands, and then tackles Felicia to the floor! They struggle, and Zan admits that she did send the notes to Felicia, and that now she’s going to kill her. But Felicia is able to use her powers to fight her off! Once Zan is subdued, Felicia realizes that she CAN control her powers (so what, the fact you saved all those people at the Burger Basket wasn’t enough for you to realize that?!). With the police on the way, she opens her locker, gets her Dad’s photo, and heads back to Fear Street.

When she gets to the house, she packs up her shit and says goodbye to Miss. Quiz. She locks up and is about to leave, when someone puts their hand on her arm. She thinks it’s Zan, but no, it’s Debbie! She’s happy to see Debbie at first, but then it’s VERY clear that Debbie is NOT happy to see her. Apparently Debbie saw the news where that blabbermouth guy was talking about her moment of heroics at the Burger Basket. And Debbie ALSO wants to kill Felicia!!

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This seems superfluous. (source)

So Debbie has powers too, and she is mad that Felicia never noticed it? I guess? She tried to kill her in the car explosion but Felicia’s powers probably saved her from that. And after the Beach House Felicia would be too much of a liability, because it was DEBBIE that made the house collapse because she was in love with Andy but was mad that he wanted to be with Kristy instead! She let Felicia think that it was HER powers that tore down the house, but it was actually Debbie’s powers because she is FAR more powerful than Felicia ever was! Then Felicia slaps her for being such a bitch. They fight with their telekinesis, and honestly, it’s kind of badass. Like, they’re throwing branches and light posts and stuff at each other. Eventually, Nick drives up and jumps out to help Felicia, and Debbie flings a mailbox at him. But before it can connect, Felicia uses her power to target Debbie’s power (somehow?), and it knocks Debbie completely out.

A few days later Nick is driving Felicia back to Ridgely. She’s made up with Aunt Margaret, and that she’s going back to testing but she won’t let the doctors bully her anymore. Debbie and Zan have been institutionalized, and Debbie is in a weird catatonic state. Felicia reminds Nick that he should visit her every weekend, and that if he doesn’t she will break out again and come find him. But he tells her that she’ll ‘never, ever have to run away again’. The End.

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And with that we’ve made a triumphant return to Fear Street Recaps! (source)

Body Count: 3. And pretty gnarly deaths too.

Romance Rating: 6. I think that it’s kinda bullshit that Nick was stringing Zan along (homicidal or not), but admittedly he and Felicia have pretty good chemistry.

Bonkers Rating: 7. If only because of the psychic fight and the fact that Shadyside school has NO rules and regulations re: enrollment and knife play.

Fear Street Relevance: 5. Felicia’s squatting in a house of Fear Street and the final confrontation happens there, but nothing about Fear Street itself drove the plot.

Silliest End of Chapter Cliffhanger:

“Felicia took a deep breath. Now or never. She turned around and leaned into their booth.”

…. And I’m not really invested into whether or not she cons two dumb college boys into letting her squat in a college professor’s house, so why is this a cliffhanger.

That’s So Dated! Moments: Not much that’s too fun, but I did like the reference to the ‘tape’ version of “The Birds”.

Best Quote:

“She lashed out at Debbie – and Felicia heard a loud smack. Debbie fell back, holding her cheek.

‘What was that?’ Debbie demanded.

‘The slap in the face you deserve!’ Felicia cried.”

AWESOOOOOOOME.

Conclusion: “Runaway” was bland, but it did have some pretty awesome action moments and a pretty likable protagonist. Next up is “Killer’s Kiss”! 

Kate’s Review: “The Dark Descent of Elizabeth Frankenstein”

38255342Book: “The Dark Descent of Elizabeth Frankenstein” by Kiersten White

Publishing Info: Delacorte Press, September 2018

Where Did I Get This Book: I received an eARC from NetGalley

Book Description: Elizabeth Lavenza hasn’t had a proper meal in weeks. Her thin arms are covered with bruises from her “caregiver,” and she is on the verge of being thrown into the streets . . . until she is brought to the home of Victor Frankenstein, an unsmiling, solitary boy who has everything–except a friend.

Victor is her escape from misery. Elizabeth does everything she can to make herself indispensable–and it works. She is taken in by the Frankenstein family and rewarded with a warm bed, delicious food, and dresses of the finest silk. Soon she and Victor are inseparable.

But her new life comes at a price. As the years pass, Elizabeth’s survival depends on managing Victor’s dangerous temper and entertaining his every whim, no matter how depraved. Behind her blue eyes and sweet smile lies the calculating heart of a girl determined to stay alive no matter the cost . . . as the world she knows is consumed by darkness. 

Review: A special thanks to NetGalley for providing me with an eARC of this novel!

What the hell. Let’s do ONE MORE DAY OF HORRORPALOOZA and call it even. Think of it as a late Halloween surprise. Or a birthday present for “Frankenstein”, which turned 200 this year. I was an ambitious reader as a kid, as I got it in my head in fourth grade that I could totally take on “Frankenstein”. While I know that there are absolutely kids out there who could, I was not one of those kids, and after reading a few pages I set it down and that was that… until college, when I took a class on Monsters, Robots, and Cyborgs in literature. It was then that I finally read “Frankenstein” in it’s original, Mary Shelley goodness. I really enjoyed it, but I will absolutely admit that I found it very ironic that Mary Shelley, the daughter of feminist Mary Wollstonecraft and independent woman in her own right, really only had Elizabeth for female representation in the OG science fiction horror story. So when I heard that Kiersten White had written “The Dark Descent of Elizabeth Frankenstein”, a retelling of “Frankenstein” from Elizabeth’s perspective, I was stoked. Especially since White has already tackled a gender bent notorious ‘horror’ (sorta) story with her “Conqueror’s Saga”, which follows a female version of Vlad the Impaler (and which Serena adores). And if you like what she did with Lada, you will love to see this version of Elizabeth Lavenza Frankenstein.

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It may not be this iconic, but it comes close. (source)

“The Dark Descent of Elizabeth Frankenstein” has carved out space for women from a source material that had very little room for them to begin with. In “Frankenstein” Elizabeth is Victor Frankenstein’s devoted, and doomed, love interest/wife. The Monster strangles her on her wedding night, giving Victor man pain and guilt and more reason to hate his creation. In this book, Elizabeth has fought against being a victim her entire life, even though living during this time period made victimhood an all too familiar existence. In this tale, Elizabeth was taken in by the Frankenstein family to give their odd and antisocial son Victor some companionship, and Elizabeth knew that she would be safer with them than as an orphan or a ward in other circumstances. Her connection to Victor is purely a matter of survival, and she learns how to calculate and manipulate to keep him safe so that she too can be kept safe. It means that this Elizabeth makes some pretty tough, and sometimes nasty, decisions. But given that Elizabeth has no means to survive in this society as an woman, especially as an orphan in spite of her wealthy lineage, the reader can still understand why she makes these decisions. But Elizabeth isn’t the only woman in this book who has a story to tell. Justine is the governess for the Frankensteins, being a live in tutor for Victor’s younger brothers Ernest and William. She is a stand in mother to the boys, and Elizabeth’s closest friend, and like Elizabeth has come up from an abusive home to have a coveted position in a well to do family. But also like Elizabeth, Justine is almost always steps away from disgrace given her lower class upbringing and the inherent distrust in women, especially lower class ones, and unlike Elizabeth she doesn’t have the calculated shrewdness to stay ahead. These two are not only wonderful foils for each other, but also constant reminders that if women step out of line or are accused of such, the consequences can be grave.

The adaptation itself is also incredibly strong. This story runs parallel to the original “Frankenstein” tale, with various moments of flashbacks to Elizabeth and Victor’s childhoods with their dynamic of her trying to hide his odd obsession with death and anatomy lest it get him into trouble. She keeps him safe to keep herself safe, no matter what he does, no matter how horrible. You see the obsession that they have with each other, and you see how it grew, and the two narratives weave together seamlessly. Seeing Victor’s unethical journey through Elizabeth’s eyes, and having her own journey centered as the anchor of this tale, was very satisfying for me. We get to see huge events in the original story in a new way, and we also get to see what the fallout might have been like outside of Victor’s own culpability (William’s death, for example, sets off a huge domino effect that feels so unfair and tragic).  Like I said, I really like “Frankenstein”, but I LOVE that White wants to give Elizabeth a voice.The original point of “Frankenstein” is to make the reader question what makes a monster and what makes a man, and White portrays Victor in the way that people have pretty much come to view him in modern times. But that said, there were a few choices and plot points where it felt a little too mustache twirly. Just a few! Because of this, Victor felt more two dimensional than he needed to be, and I think that you can still get your point across while maintaining complexity. By the end he just felt like a bit of a cartoon. But that said, this IS Elizabeth’s story, and given that she was wonderful I could easily forgive that. And while I don’t want to spoil anything, I also really like what she did with The Monster, one of the true tragic figures in horror literature. At the end of the day, he too was a victim, and like Elizabeth a new voice is given to him, one that has some empowerment behind it.

“The Dark Descent of Elizabeth Frankenstein” is a lovely and fantastic take on the “Frankenstein” story. I think that Mary Shelley would be happy to see what Kiersten White has done with her story, and what she has done with Elizabeth.

Rating 9: A gripping and suspenseful retelling of an old classic through a feminist lens, “The Dark Descent of Elizabeth Frankenstein” is a must for “Frankenstein” fans.

Reader’s Advisory:

“The Dark Descent of Elizabeth Frankenstein” is included on the Goodreads lists “YA Gothic Retellings”, and “Homages to Mary Shelley and Frankenstein”.

Find “The Dark Descent of Elizabeth Frankenstein” at your library using WorldCat!

Serena’s Review: “The Witch of Willow Hall”

37007910Book: “The Witch of Willow Hall” by Hester Fox

Publishing Info: Graydon House, October 2018

Where Did I Get this Book: NetGalley

Book Description: New Oldbury, 1821

In the wake of a scandal, the Montrose family and their three daughters—Catherine, Lydia, and Emeline—flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline.

All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end…

Review: I picked up this book from NetGalley based on a promotional line comparing it to a spooky Jane Austen novel set in the U.S. Well, as we know, about 95% of the time, any comparison to Jane Austen will both A.) lead to me reading the book and B.) leave me massively disappointed. While I’ve definitely read books that fared worse (for one, for all I can tell the only reason this comparison was made was because of the time period and the “manners romance” aspect of it…which, just stop it. It’s a historical romance. There are plenty of those, and they don’t all need to be compared to Austen), this book was a disappointment to me. Maybe not a massive disappointment, but a disappointment all the same.

Lydia, the middle daughter, has always known there is something strange about herself, ever since she mildly blacked out as a child when fighting with a local bully and re-awakened to find him beaten on the street. But at this point, any concerns about scandal she may bring to the family pale in comparison to the mess that her sister, Catherine, has gotten them into. Fleeing to the country, the family now find themselves closed up in a mysterious house with many strange rumors surrounding it. But on the positive side, they have quite a charming neighbor, a gentleman named John.

There were a few strong points of this book that I want to start by highlighting. For one, I’m always going to love a good historical setting. While there were a few anachronisms here and there, nothing was too extreme to really throw me out of the book in any meaningful way. Instead, I still enjoyed the general rhythm of language, emphasis on social callings, and historical setting that were employed. As long as an author doesn’t greatly mess these basic features up, they’re always going to come away with at least a partial win under their belt as far as I’m concerned.

Secondly, as readers of this blog know, Kate is the horror fan. While I’ll read the heck out of dark fantasy novel any day of the week, I tend to steer clear of straight-up horror. And this is probably one of the closest reads to that genre that I’ve wandered into for a while. Don’t get me wrong, horror fans will likely be underwhelmed by this book, since, let’s be real, this is definitely a historical romance at its heart. But I will say that there were elements of the story that legitimately creeped me out. It didn’t help that I was reading this book the one night my husband was out of town. But I think either way, there would have been some shivers.

The other positive note is that, alongside with these legitimately creepy scenes, the book didn’t shy away from going to some pretty grim places with the story. It starts out with a pretty rough scene dealing with animal cruelty and then continues in a story that insists that even main characters aren’t safe from harsh consequences. There was one scene in particular that was lead up to and the entire time I was partially rolling my eyes, expecting the author to pull back at the last minute. Instead, she went full throttle into it and I was honestly surprised and (in a very grim sort of way) pleased that she committed to this particularly story thread.

But, even with these positives in its favor, I still greatly struggled with the story. For one thing, there were a few twists that I found entirely predictable and the story took way too long to finally come out with the “mysterious” truth. And then when this secret does land, it didn’t really seem to have much of an impact. Not only did I already suspects this particular twist, but the revelation doesn’t greatly change the situation. The family is still disgraced; the mystery behind why doesn’t have much impact on the reality of that situation.

I also didn’t particularly enjoy Catherine as a character. As the focal point of said “twisty” family rumor, there was a lot of room to do something interesting with her arc. Instead, she is written as pretty much an awful person with no redeeming qualities. There are a few moments where I thought we would see some growth or some expanded depth of character revealed, but then in only a few short pages, she goes right back to just being plain terrible with very little else in the way of character development to support her. And with this being a fact of her character, many of Lydia’s own struggles are automatically undercut. I couldn’t sympathize with her indecision or naivete when everything that the reader has seen (and we’re only exposed to Catherine for a period of a few short months, when presumably Lydia has a lifetime of experience) would point to a relationship that has been not worth fighting for for quite a while. There were a few moments towards the last third, in particular, where Lydia’s choices are so incredibly stupid that I had to actually put the book down and take a deep breath before continuing.

This same problem, Lydia’s bizarre choices and fixations, lead to my not particularly enjoying the romance at the center of this story. And this is where the Austen comparisons are coming into play, as there is a lot of miscommunication and confusion at the heart of this romance to draw out the moment of happiness until the end. But the thing is, Austen created legitimate stumbling blocks and points of misdirection in her romances. We get why Elizabeth misunderstood Darcy. We understand why Emma didn’t recognize her feelings for Knightly. But here, we have a hero who is actually spelling it out for our heroine and she, instead, is choosing to believe the terrible sister who has mislead her and betrayed her at every turn. Or she simply gives in to crippling indecision and insecurity for no real reason whatsoever.

I have very little patience for these types of heroines or these types of plot points that aren’t based in anything other than an author’s need to follow a typical romance plot storyboard where the main characters can’t get together until the final scene. If you don’t have a legitimate, plot- or story-based reason for keeping your romance in suspense, you might just need to re-think the entire thing. Either flesh out your plot/characters, or just accept that your romance needs to follow a non-traditional path. This type of forced suspense not only kills any real suspense there might be, but also damages the characters at its heart.

In the end, I was ultimately let down by this book. I’m glad I got in at least one sort-of spooky book before Halloween, but it’s too bad that other than the creepiness and general historical setting, this book didn’t have a lot going for it. If you really love historical romances with a dash of creepiness, than you might enjoy this. But if you’re wanting any depth of character from your heroine, hero, and villain, you probably need to look elsewhere.

Rating 5: Some legitimate spooky scenes were let down by a plot and set of characters that were simply too weak to carry the story.

Reader’s Advisory:

“The Witch of Willow Hall” is included on these Goodreads lists: “Historical Ghost Fiction” and “Autumn Seasonal Reads.”

Find “The Witch of Willow Hall” at your library using WorldCat!

 

 

Kate’s Review: “You May Now Kill The Bride”

35603814Book: “You May Now Kill The Bride” (Return to Fear Street #1) by R.L. Stine

Publishing Info: HarperTeen, July 2018

Where Did I Get This Book: The library!

Book Description: Two sisters, divided by time. Each with a terrible resentment she can barely contain.

Two Fear family weddings, decades apart… Each bride will find that the ancient curse that haunts the Fears LIVES ON. It feeds off the evil that courses through their blood. It takes its toll in unexpected ways, and allows dark history to repeat itself.

In this all-new Fear Street story, family ties bind sisters together—till DEATH do they part.

Review: In time for Halloween, this week I am doing something a little different. Instead of reviewing a classic “Fear Street” book, I’m taking on the first book in R.L. Stine’s newest “Fear Street” series, “Return to Fear Street”! Just to make a note right off the bat: I am not going to treat “You May Now Kill The Bride”, or any other future “Return to Fear Street” books, like I’m treating my retro “Fear Street” re-read. Stine is approaching these books differently than he did back in the day, and therefore I am going to approach them like I would any other non-“Fear Street” novel.

“Fear Street” is back, guys, and for the most part it is not the “Fear Street” you remember from your youth. This is something of a second comeback for “Fear Street”, as before HarperTeen picked it up St. Martin’s Press did with books like “Party Games” and “The Lost Girl”. I’m not completely certain why a second reboot with a new publisher happened, but “You May Now Kill The Bride” is the inaugural novel. Now that publishers and authors know that teens are able/willing to read books that are more than one hundred and twenty pages long, and that have complex characters, “Fear Street” has to up it’s game. And “You May Now Kill The Bride” accepts that challenge, repackaging “Fear Street” for a modern teen audience.

There are two narratives in this book: the first is the story of Ruth-Ann and Rebecca Fear, two sisters in the 1920s who are part of the illustrious and wealthy Fear Family. Ruth-Ann is jealous of her beautiful and popular older sister, who is about to get married to the man that Ruth-Ann loves. As you can imagine, the wedding has disastrous results, all because of a family curse that the Fears have upon them. The second narrative is about Harmony and Marissa Fear, two sisters in modern times who are having similar problems. Marissa is about to get married to her high school sweetheart Doug, and while Harmony isn’t in love with Doug, she and Marissa have been at odds ever since Harmony messed up Marissa’s relationship with a different guy named Aiden. In a really horrific way, I should mention. The similarities don’t end there, however: not only is Harmony a witch, like Ruth-Ann was (seems that all Fears have the ability to be), but Marissa’s wedding is going to be at the same lodge that Rebecca’s wedding was. While this does sound like a pretty standard “Fear Street” tale (and in a lot of ways, it is, but more on that later), Stine has reworked the old set ups and tropes, and has improved upon the long trotted out formulas of the past.

The pacing is far more drawn out in “You May Now Kill The Bride”. Stine isn’t in any hurry to get to the action points, and he lets the characters slowly explore the scenes they are in just as he lets the exposition flow at it’s leisure. “You May Now Kill The Bride” isn’t rushing to get to action moments or cliffhangers, so when these moments do arrive they have more oomph. There is also more complexity to the plot, and the threads that exist between the 1920s story and the modern story take a lot more time to come together, with the hints and puzzle pieces being dropped throughout both timelines. Stine trusts his audience a bit more to be able to parse out the nuance and the implications, and because he trusts his readers, the book rarely feels like it’s being spoon fed. He also has a pretty good grasp on the fact that people like me, former “Fear Street” junkies turned horror aficionados, are probably going to pick this up, so little nods, winks, and references are dropped throughout the book. The one that actually made me shriek out was a character who was staying at the lodge, and what room was he in? Room 237.

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I love feeling in on the joke, sir. (source)

That isn’t to say that it doesn’t fall into familiar “Fear Street” traps. While I think that the characters are definitely more rounded in this book than previous characters have been, and while I did enjoy how Harmony was complex and sometimes morally ambiguous, there are still obvious and beaten down tropes in others. There’s the loutish uncle character we’ve seen before, the familiar sparring sister relationship, the clueless parents. And there are a number of huge plot holes, and confusing moments that I still haven’t quite wrapped my head around. There are even still some kind of dumb cliffhangers at the end of various chapters (though he has definitely toned it down from the past). But these weaknesses are kind of just what you have to expect to come with the territory when it comes to “Fear Street”, and in some, odd ways it vaguely adds to the charm of this reboot, if only because it feels familiar and comforting that some things never change.

I didn’t really go in expecting much from “You May Now Kill The Bride”, and I ended up enjoying it. If this is what “Fear Street” is going to be for this new generation of teenagers, I am very excited for the kind of horror fans it is going to nurture.

And with that, Horrorpalooza has come to an end! From me to you, I am hoping that you all have a FABULOUS Halloween tomorrow!

Rating 7: Solid for a new “Fear Street” novel, “You May Now Kill The Bride” is a new return to an old favorite series that exceeded many of my expectations. It’s fun, it’s creative, and it’s giving a new feel to an old favorite.

Reader’s Advisory:

“You May Now Kill The Bride” isn’t on any Goodreads lists, but it should quite obviously be on “Best Fear Street Books”, and, for funsies, “Books With a Wedding Theme”.

Find “You May Now Kill The Bride” at your library using WorldCat!

Kate’s Review: “Behind You: One-Shot Horror Stories”

34550918Book: “Behind You: One-Shot Horror Stories” by Brian Coldrick

Publishing Info: IDW Publishing, October 2017

Where Did I Get This Book: The library!

Book Description: A twisted figure crawling out of a tunnel. A giggling crowd of masked watchers. A reassembling corpse. What could be behind you, just waiting for you to turn around? Behind You is an illustration series, a comic with no panels, where each piece is essentially a separate story. Each tale is one image and one piece of text; an unsuspecting victim with someone, or something, behind them. Entries range from the amusingly weird to the genuinely unsettling. Inspired by spooky films, books, myths, and internet tall tales, Behind You is full of scary set-ups but leaves lots of blanks for the reader to fill in with their own narrative. Includes an Introduction by New York Times Best-Seller Joe Hill.

Review: Halloween is next week, readers, and that means that this year’s Horrorpalooza will be coming to an end after the next “Fear Street” post. While you’ll still be getting an influx of horror stories in the coming weeks, given that I have plenty of reading I haven’t even addressed yet, I wanted to save one of the most unique and fun horror reads for the week before the highest of high holidays in my mind. And “Behind You: One-Shot Horror Stories” is absolutely unique, and one of the most creative horror reads I’ve read in a long while. Brian Coldrick’s stories got their start on Tumblr, and though I left that platform long ago I will say that you can find some really awesome blogs and websites on there that showcase some really great art and creativity, and “Behind You” is a great example of that.

Coldrick’s stories are minimalist in some ways, and yet very detailed in others. They are one frame and one image (they move on Tumblr, and alas they do not on the pages of this book), and that image tells a story that can range from simply unnerving to full blown nightmare fuel. The image also gives the reader a lot of leeway to create their own context and background. Is this person waiting in an alley meeting a friend? A lover? Family? Who used to live in this house and why is it that there are all these twisted silhouettes on the walls? I like the freedom that this gave me, and it also made it so I would linger on the page a bit longer than I might have were I just reading a single panel that had all the answers. It reminds me of a visual version of the classic Hemingway minimal story “For sale: baby shoes, never worn”, as in such little space you get such vibrant and clear cut stories.

The design of the panels in this book also really elevated the stories, and I liked the wide range of stories that these single panels told. There are numerous protagonists and antagonists, and they all seem pretty original and unique in their designs. The style reminds me of a mix between Edward Gorey and a New Yorker cartoon, and that lends both a creep factor and kind of a cute quirkiness as well. Given that this book is a collection of various narratives, all separate from each other (except for a running panel of a figure being followed by a ghost that pops up occasionally throughout), there isn’t much to say in terms of content. So instead, I will include a few of the panels so they can speak for themselves.

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(source)
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This is my personal favorite (source)

I do think that there is something lost when the images don’t move, like a number of them do on the Tumblr blog. There are a few that could work either way, but some really are more effective with slight and uncanny movements. That said, I do think that there is something to be said for just being able to sit down and page through a bound copy of these panels and stories. I think there’s something a little more tactile in that, especially if you are wanting to sit down on a creepy autumn night and give yourself a case of the willies.

“Behind You” was an enjoyable read for an autumn night, and I think that the best way to experience it would be with a cup of cocoa, bundled up in a blanket, and trying not to notice the shadows outside or on the walls of your home.

Rating 8: A quick and creepy read with stories told in a unique way, “Behind You” is a great book to pick up this Halloween!

Reader’s Advisory:

“Behind You” isn’t featured on any Goodreads lists (perhaps due to it’s uniqueness?), but I think that it would fit in on “Best Horror Comics/Graphic Novels”, and “Most Terrifying Short Stories”.

Find “Behind You” at your library using WorldCat!