Book: “You May Now Kill The Bride” (Return to Fear Street #1) by R.L. Stine
Publishing Info: HarperTeen, July 2018
Where Did I Get This Book: The library!
Book Description: Two sisters, divided by time. Each with a terrible resentment she can barely contain.
Two Fear family weddings, decades apart… Each bride will find that the ancient curse that haunts the Fears LIVES ON. It feeds off the evil that courses through their blood. It takes its toll in unexpected ways, and allows dark history to repeat itself.
In this all-new Fear Street story, family ties bind sisters together—till DEATH do they part.
Review: In time for Halloween, this week I am doing something a little different. Instead of reviewing a classic “Fear Street” book, I’m taking on the first book in R.L. Stine’s newest “Fear Street” series, “Return to Fear Street”! Just to make a note right off the bat: I am not going to treat “You May Now Kill The Bride”, or any other future “Return to Fear Street” books, like I’m treating my retro “Fear Street” re-read. Stine is approaching these books differently than he did back in the day, and therefore I am going to approach them like I would any other non-“Fear Street” novel.
“Fear Street” is back, guys, and for the most part it is not the “Fear Street” you remember from your youth. This is something of a second comeback for “Fear Street”, as before HarperTeen picked it up St. Martin’s Press did with books like “Party Games” and “The Lost Girl”. I’m not completely certain why a second reboot with a new publisher happened, but “You May Now Kill The Bride” is the inaugural novel. Now that publishers and authors know that teens are able/willing to read books that are more than one hundred and twenty pages long, and that have complex characters, “Fear Street” has to up it’s game. And “You May Now Kill The Bride” accepts that challenge, repackaging “Fear Street” for a modern teen audience.
There are two narratives in this book: the first is the story of Ruth-Ann and Rebecca Fear, two sisters in the 1920s who are part of the illustrious and wealthy Fear Family. Ruth-Ann is jealous of her beautiful and popular older sister, who is about to get married to the man that Ruth-Ann loves. As you can imagine, the wedding has disastrous results, all because of a family curse that the Fears have upon them. The second narrative is about Harmony and Marissa Fear, two sisters in modern times who are having similar problems. Marissa is about to get married to her high school sweetheart Doug, and while Harmony isn’t in love with Doug, she and Marissa have been at odds ever since Harmony messed up Marissa’s relationship with a different guy named Aiden. In a really horrific way, I should mention. The similarities don’t end there, however: not only is Harmony a witch, like Ruth-Ann was (seems that all Fears have the ability to be), but Marissa’s wedding is going to be at the same lodge that Rebecca’s wedding was. While this does sound like a pretty standard “Fear Street” tale (and in a lot of ways, it is, but more on that later), Stine has reworked the old set ups and tropes, and has improved upon the long trotted out formulas of the past.
The pacing is far more drawn out in “You May Now Kill The Bride”. Stine isn’t in any hurry to get to the action points, and he lets the characters slowly explore the scenes they are in just as he lets the exposition flow at it’s leisure. “You May Now Kill The Bride” isn’t rushing to get to action moments or cliffhangers, so when these moments do arrive they have more oomph. There is also more complexity to the plot, and the threads that exist between the 1920s story and the modern story take a lot more time to come together, with the hints and puzzle pieces being dropped throughout both timelines. Stine trusts his audience a bit more to be able to parse out the nuance and the implications, and because he trusts his readers, the book rarely feels like it’s being spoon fed. He also has a pretty good grasp on the fact that people like me, former “Fear Street” junkies turned horror aficionados, are probably going to pick this up, so little nods, winks, and references are dropped throughout the book. The one that actually made me shriek out was a character who was staying at the lodge, and what room was he in? Room 237.
That isn’t to say that it doesn’t fall into familiar “Fear Street” traps. While I think that the characters are definitely more rounded in this book than previous characters have been, and while I did enjoy how Harmony was complex and sometimes morally ambiguous, there are still obvious and beaten down tropes in others. There’s the loutish uncle character we’ve seen before, the familiar sparring sister relationship, the clueless parents. And there are a number of huge plot holes, and confusing moments that I still haven’t quite wrapped my head around. There are even still some kind of dumb cliffhangers at the end of various chapters (though he has definitely toned it down from the past). But these weaknesses are kind of just what you have to expect to come with the territory when it comes to “Fear Street”, and in some, odd ways it vaguely adds to the charm of this reboot, if only because it feels familiar and comforting that some things never change.
I didn’t really go in expecting much from “You May Now Kill The Bride”, and I ended up enjoying it. If this is what “Fear Street” is going to be for this new generation of teenagers, I am very excited for the kind of horror fans it is going to nurture.
And with that, Horrorpalooza has come to an end! From me to you, I am hoping that you all have a FABULOUS Halloween tomorrow!
Rating 7: Solid for a new “Fear Street” novel, “You May Now Kill The Bride” is a new return to an old favorite series that exceeded many of my expectations. It’s fun, it’s creative, and it’s giving a new feel to an old favorite.
Find “You May Now Kill The Bride” at your library using WorldCat!