Kate’s Review: “The Witch Hunt”

Book: “The Witch Hunt” (Jonny Roberts #3) by Alexander Lound

Publishing Info: Self Published, February 2021

Where Did I Get This Book: I received an eARC from the author.

Book Description: Two months on from the tragedy of the burned house, and Jonny has spent most of the long summer days in bed, hiding from the miserable rain. Ghost-hunting is in his past. After all, it has proved to be little more than a curse.

However, when his dad reaches out to him after an eighteen-month absence, Jonny can’t hide his fury. He also can’t say no when his father asks him to stay at his new home in the quaint, little village of Peene. Maybe it will heal the hurt between them. At the very least, it will take his mind off Grantford, and his haunting nightmares.

But, when he realizes ‒ feels ‒ that all isn’t quite right with his dad’s new partner, Bella, he has no choice but to turn back to his ability. To uncover a grisly murder of years past. Even if it means risking another date with death…

Review: Thank you to Alexander Lound for approaching our blog and sending me an eARC of this book!

It’s always a nice day when I get a notification from an author I’ve highlighted in the past that they have a new book coming out. Earlier this year it was “Atonement”, which saw the end of the Cerenia Chronicles, and now we finally get a new story from Alexander Lound’s Jonny Roberts Series, “The Witch Hunt”. I was already thoroughly invested in the stories about teenage medium Jonny, and when you throw the mere idea of witches into that, well, you officially have me snared.

I will never not be super interested in all things witch. (source)

When we left Jonny at the end of “The Burned House”, things had taken a turn for the worse for our teenage medium. His best friend Stephen was dead, his girlfriend Cassy had broken up with him because of the dangers of his ghost talking abilities, and Jonny was all around feeling lost. “The Witch Hunt” doesn’t walk any of that back, and in fact puts him in an even more precarious place in that his father, who abandoned him and his mother a year and a half prior, now wants Jonny to come visit him and his new lady friend, Bella. What is supposed to be an awkward reunion turns into another supernatural adventure, as it becomes clear that there is something wrong with Bella and the local historic site that was the location of witch hunts and burnings centuries ago may have a key. I liked getting Jonny out of his usual routine for this book, as it gave him more space to explore and a different approach, given that now the case is actually personal to him. Another change is that Lound doesn’t walk back the separation from Cassy, at least not yet. I was wondering if we were going to have a tug of war of feelings, and then just a reconciliation to get things back to ‘normal’, but it’s not as simple as all that, as it is made clear that Cassy’s hesitancy and fear is perfectly understandable. This also gives Jonny a little leeway to just be on his own for this story (well, outside of his mentor/friend Aaron, who does come in, which is fine by me because I really like Aaron!), and not have to continue an complex teen relationship on top of everything else.

I also didn’t expect, but really enjoyed, the approach that was taken towards Jonny’s father’s new partner, Bella. I think that it would have been super easy for her to be the unlikable home wrecker trope. I mean, I probably would have accepted that without any questions. But instead she is a very likable person who you care about, especially when it’s clear that something is very wrong with her that is putting her, and her loved ones, in danger. While I DO think that there could have been a little more ‘responsibility’ taken on her part when it comes to getting involved with a married man, just insomuch that it’s definitely mostly on Jonny’s Dad, Bella did have a part to play in a lot of pain caused to Jonny and his mother. But that said, I liked that she wasn’t what I expected her to be, and that she was, in fact, overall a decent person.

As for the mystery itself about what is ailing Bella and where the Witch Hunt site comes into it, it was pretty solid. I don’t want to give too much away, but Lound takes the opportunity to explore misogyny, violence towards women, and makes connections between the medieval witch hunts and modern day victims of what people think women should be, and what women owe men. And while it may be true that witches as characters weren’t really a part of this as much as I had hoped, the themes of witches and witchcraft and what they have represented throughout history is definitely a HUGE piece of the story. And I really liked that.

“The Witch Hunt” is another fun ghost story from Alexander Lound! I’m so happy this series has continued and cannot wait to see where it goes next!

Rating 8: Another tense and suspenseful YA paranormal thriller from Alexander Lound, and a new focus for teenage medium Jonny Roberts.

Reader’s Advisory:

“The Burned House” isn’t on any Goodreads lists, but I think that it would fit in on “YA Novels and Psychic Abilities”, and “Young Adult Ghost Stories”.

“The Burned House” isn’t available on WorldCat as of now, but it will be available for purchase this week. For more information, go to Alexander Lound’s WEBSITE.

Previously Reviewed:

Kate’s Review: “Burn Our Bodies Down”

Book: “Burn Our Bodies Down” by Rory Power

Publishing Info: Delacorte Press, July 2020

Where Did I Get This Book: I own it.

Book Description: From the author of the New York Times bestseller Wilder Girls comes a new twisty thriller about a girl whose past has always been a mystery—until she decides to return to her mother’s hometown . . . where history has a tendency to repeat itself.

Ever since Margot was born, it’s been just her and her mother. No answers to Margot’s questions about what came before. No history to hold on to. No relative to speak of. Just the two of them, stuck in their run-down apartment, struggling to get along.

But that’s not enough for Margot. She wants family. She wants a past. And she just found the key she needs to get it: A photograph, pointing her to a town called Phalene. Pointing her home. Only, when Margot gets there, it’s not what she bargained for.

Margot’s mother left for a reason. But was it to hide her past? Or was it to protect Margot from what’s still there? The only thing Margot knows for sure is there’s poison in their family tree, and their roots are dug so deeply into Phalene that now that she’s there, she might never escape.

Review: After I read “Wilder Girls” I was left a little cold. Which was odd, because Rory Power’s debut novel had all the elements of something I thought I’d love: a boarding school, a post-apocalyptic event, sapphic characters, a mystery, the list goes on. I was thinking that maybe it was just me, and given that I liked her writing style a lot (the atmosphere! The world building!), I wanted to give her another go. Enter “Burn Our Bodies Down”, a YA horror story with a gorgeous cover, a strange small town setting, and family secrets. Again, things that I love in a story, whatever the genre. I gave it a go, hoping that it would click. But, once again, I was left a bit cold.

I wil start with what I did like, however. Power really has a skill at creating atmosphere and setting, and once again I was sucked into the world building of Phalene, the small town our protagonist Margot runs to in hopes of connecting with her estranged grandmother. Phalene feels like the kind of rural town that I remember passing through in my childhood, with familiar characters and places, as well as familiar hardships and hurdles. I could practically see the cornfields, and the town area, as well as the vast farmscapes and openness. Phalene itself felt like its own character that Margot was getting to know. I also will be the first to say that, without giving too much away, the big mystery that Margot’s grandmother is trying to hide, and that has affected Margot’s mother so profoundly that it has damaged her relationship with her daughter, is pretty unique and an interesting concept. I had a feeling that I knew what it was (once it became clear that this was, indeed, a horror story with fantastical elements, but I will talk about that in a bit), but it was still an angle that felt fresh and not like many others that I’ve seen before. Power had some of that going for her story in “Wilder Girls” as well, there is no denying that she has some really cool ideas!

But there were too many things that didn’t work for me. My biggest gripe was that it took a long time for the actual horror elements to arrive within the plot. I honestly went into this with very little knowledge as to what the general tropes and themes were, and while I was reading I was wondering if Power had decided to forgo her past horror genre foray and go into more of a family secrets thriller. And I guess that this could kind of be considered that as well, but by the time the actual can’t be argued as anything else horror elements popped up it was about half way through the book. That seems a little long to me. I understand that we had to have some set up of Margot’s family dysfunction before we could really explore the other issues, given that the dysfunction and the issues tie in together very tightly. But the dragging of feet didn’t really build up suspense, it just felt like it took too long. Along with that, I didn’t feel like we got to really know Margot as the story progressed, at least not past a kind of superficial level. There was so much potential for us to peel back layers of her, and hints to who she was outside of a teen who has a fraught relationship with her mom, but none of that really gets explored. Which, in turn, made it harder for me to care about her and what the deal was with her and her weird family.

I gave Rory Power another shot, but I think that this may be the end of the road for me and her books. “Burn Our Bodies Down” shines bright in the ideas department, but the execution was lacking.

Rating 5: Lots of solid ideas, but none of them fully execute in time for the big reveal for me to have investment in them.

Reader’s Advisory:

“Burn Our Bodies Down” is included on the Goodreads lists “Corn Books”, and “2020 Horror to Scream For”.

Find “Burn Our Bodies Down” at your library using WorldCat, or a local independent bookstore using IndieBound!

Kate’s Review: “The Last Final Girl”

Book: “The Last Final Girl” by Stephen Graham Jones

Publishing Info: Lazy Fascist Press, September 2012

Where Did I Get This Book: I own it.

Book Description: Life in a slasher film is easy. You just have to know when to die.

Aerial View: A suburban town in Texas. Everyone’s got an automatic garage door opener. All the kids jump off a perilous cliff into a shallow river as a rite of passage. The sheriff is a local celebrity. You know this town. You’re from this town.

Zoom In: Homecoming princess, Lindsay. She’s just barely escaped death at the hands of a brutal, sadistic murderer in a Michael Jackson mask. Up on the cliff, she was rescued by a horse and bravely defeated the killer, alone, bra-less. Her story is already a legend. She’s this town’s heroic final girl, their virgin angel.

Monster Vision: Halloween masks floating down that same river the kids jump into. But just as one slaughter is not enough for Billie Jean, our masked killer, one victory is not enough for Lindsay. Her high school is full of final girls, and she’s not the only one who knows the rules of the game.

When Lindsay chooses a host of virgins, misfits, and former final girls to replace the slaughtered members of her original homecoming court, it’s not just a fight for survival-it’s a fight to become The Last Final Girl.

Review: I’m sure it’s come up before, but I love slasher movies. There isn’t necessarily much depth to them, and there are certainly problematic elements to many of them, but I thoroughly enjoy sitting down and taking in the likes of “Friday the 13th”, “Sleepaway Camp”, “Halloween”, and “Nightmare on Elm Street”. And many, many others. High School Kate loved them because of The Final Girl trope, in which the nice, shy, virginal girl was ultimately the one to come out of it at the end, traumatized but alive and ready to fight another day, as there was a lot to relate to with that portrayal at the time. I still like The Final Girl idea, even if it, too, is a bit problematic, and the gang that includes Laurie Strode, Tree Gelbman, and Sidney Prescott (and MANY others) is a girls club that I love. Which brings me to Stephen Graham Jones and his book “The Last Final Girl”. Which is a love letter to the genre that I love that twists it all up into something wicked and fun.

You know I love a good subversion of a genre. (source)

“The Last Final Girl” is a meta, experimental narrative with shifting points of view, stage direction, a script like structure, and bucket after bucket of blood as a number of ‘final girls’ find themselves in a Thunderdome-like fight to the finish, all while a slasher killer in a Michael Jackson mask is picking them and others off. While I did find the narrative structure a bit jarring at first, once I eased into it and got used to it it was easier to follow. This is probably the biggest hurdle for this story, as everything else worked pretty damn well for me. “The Last Final Girl” is filled with oodles of slasher movie references, from characters sharing names with movie heroines and villains (characters with names like Ripley, or Baker, or my favorite Crystal Blake, as if you remove the B, what do you get?), to references to plot points, tropes, actors, actresses, what have you. It’s a major opus of taking so many things and blending them together into a story that’s part deconstruction, part satire, part gore-fest. I loved finding the little Easter Eggs sprinkled throughout, as I love a good game of ‘spot the reference’.

I also thought that Jones created some fun protagonists in our troop of Final Girls. Izzy, the weirdo misfit and main girl we follow, was particularly fun, as, like many of the characters, she’s aware that she’s in a slasher film scenario, and is doing her best to adjust to it and perhaps get through it until the end. And on top of all of that, Jones tweaks and toys with preconceived notions of slasher films, virginal final girls, and masked killers (though given the details that have come out more and more about Michael Jackson in the past year or so, what may have been a sly twist at the time now feels all the more ominous and icky). It never feels like these twists or subversions are trying to outdo the original source material; on the contrary, you definitely feel the affection that Jones has for the genre as a whole, even as he’s playing with it a bit. It feels more like “Behind The Mask: The Rise of Leslie Vernon” in that way as opposed to “Cabin in the Woods” when looking at deconstructing horror tropes. I felt that “Vernon” was parodying the genre with affection, with “Cabin” came off as feeling smugly superior to it (this is just my opinion, however).

I will say that if you aren’t well versed in the slasher genre, and if experimental writing styles confound you, “The Last Final Girl” is probably not going to be the book for you. I think that if I wasn’t so into the genre as a whole I would have been completely turned off by the narrative style, as the reason I kept going at first was because of the theme at hand. If it wasn’t a story by an author I really enjoy, and a genre homage that I hold close to my heart, I don’t know if I’d have been able to get past the experimental style choices. As mentioned above, I got into it as it went on. But it took a little adjustment.

Overall, I enjoyed “The Last Final Girl”. It made me want to have a full slasher movie marathon by the time I was done with it.

Rating 8: A brutal, fun, and funny love letter to slasher movies, though it may not translate as well if you’re unfamiliar with the topic.

Reader’s Advisory:

“The Last Final Girl” is included on the Goodreads lists “Slasher Fiction (No Novelizations”, and “Books About Small Towns”.

Find “The Last Final Girl” at your library using WorldCat, or a local independent bookstore using IndieBound!

Kate’s Review: “Harrow Lake”

Book: “Harrow Lake” by Kat Ellis

Publishing Info: Dial Books, August 2020

Where Did I Get This Book: Ebook from the library!

Book Description: Things I know about Harrow Lake: 1.It’s where my father shot his most disturbing slasher film. 2.There’s something not right about this town.

Lola Nox is the daughter of a celebrated horror filmmaker–she thinks nothing can scare her.

But when her father is brutally attacked in their New York apartment, she’s quickly packed off to live with a grandmother she’s never met in Harrow Lake, the eerie town where her father’s most iconic horror movie was shot. The locals are weirdly obsessed with the film that put their town on the map–and there are strange disappearances, which the police seem determined to explain away.

And there’s someone–or something–stalking her every move.

The more Lola discovers about the town, the more terrifying it becomes. Because Lola’s got secrets of her own. And if she can’t find a way out of Harrow Lake, they might just be the death of her.

Review: Even though I generally have my finger on the pulse of upcoming horror fiction, it does happen that I miss titles here and there. Because of that, I like to see various lists of horror and thriller titles that are in the pipeline. “Harrow Lake” by Kat Ellis ended up being one of those titles, as I hadn’t heard of it before I saw it on a YA horror list. I was rather bummed that I missed it, as the elements of a slasher movie, a secretive small town, and an urban legend check a lot of boxes for my horror fiction jollies. Luckily the wait wasn’t too long for the eBook hold list, and I got “Harrow Lake” in a timely manner.

As mentioned, “Harrow Lake” has a lot of potential when it comes to hitting many a thing that I like in horror fiction. Our protagonist, Lola, is the daughter of a notorious slasher film director, so we get a fun and extensive look into a fictional filmography of splatter gore flicks that sound like a hoot. We also have the small town of Harrow Lake that has some strange inhabitants, a reputation because of the movie Lola’s Dad filmed there (where he met her mother, who disappeared from her life when she was little). The eeriness of the town was palpable and built slowly, which was a nice way to build unease as well. The biggest factor in the strangeness is the urban legend of Mister Jitters, a being that sounds like he has chattering teeth and who keeps haunting Lola at every turn as she finds herself stranded in Harrow Lake with her maternal grandmother after her father is attacked and hospitalized. I loved the lore of Mister Jitters, the kind of small town monster story that I never got to experience as a child given my upbringing in a bustling urban area, and I thought that Ellis really captured it well. Her writing style was also interesting, giving me a good feel for the town itself and the reasons why it was the way it was.

But as the book kept going, it became pretty clear that “Harrow Lake” wasn’t living up to the potential that was oozing from its description. Lola is an unreliable narrator in a lot of ways, but I didn’t really find myself connecting with her even as the story went on. It does start to make sense as to why she is the way that she is, but even that reveal and explanation didn’t quite make up for a cliched personality and uninteresting characterization. The ways that her background was slowly pulled out felt a little garbled in some ways, with the sudden appearance of an imaginary friend feeling abrupt while other ways that addressed her mental state not feeling well explored. I could see a few of the twists coming from a mile away, and there were a few plot points that built up mysteries that didn’t really pay off for me. And I don’t want to spoil anything for those who do want to go on and read it, but let’s just say that Mister Jitters didn’t live up to all that I had hoped for him. Ultimately the pay off wasn’t that scary, and I had gone in with high hopes of urban legend scares.

At the end of the day, I felt like there were a lot of missed opportunities in this book, and that was really too bad. It may be that this book will connect with other people who give it a try, but for me it was a bit of a miss. I could see myself trying again with Ellis as her writing style was intriguing, but this one didn’t work.

Rating 5: There was a lot of interesting potential here, but “Harrow Lake” never quite clicked with me.

Reader’s Advisory:

“Harrow Lake” isn’t on many specific Goodreads lists, but it would fit in on “Small Towns with Secrets“.

Find “Harrow Lake” at your library using WorldCat, or a local independent bookstore using IndieBound!

Kate’s Review: “Secret Santa”

Book: “Secret Santa” by Andrew Shaffer

Publishing Info: Quirk Books, November 2020

Where Did I Get This Book: I received an eARC from the publisher via NetGalley.

Book Description: The Office meets Stephen King, dressed up in holiday tinsel, in this fun, festive, and frightening horror-comedy set during the horror publishing boom of the ’80s, by New York Times best-selling satirist Andrew Shaffer.

Out of work for months, Lussi Meyer is desperate to work anywhere in publishing. Prestigious Blackwood-Patterson isn’t the perfect fit, but a bizarre set of circumstances leads to her hire and a firm mandate: Lussi must find the next horror superstar to compete with Stephen King, Anne Rice, and Peter Straub. It’s the ’80s, after all, and horror is the hottest genre.

But as soon as she arrives, Lussi finds herself the target of her co-workers’ mean-spirited pranks. The hazing reaches its peak during the company’s annual Secret Santa gift exchange, when Lussi receives a demonic-looking object that she recognizes but doesn’t understand. Suddenly, her coworkers begin falling victim to a series of horrific accidents akin to a George Romero movie, and Lussi suspects that her gift is involved. With the help of her former author, the flamboyant Fabien Nightingale, Lussi must track down her anonymous Secret Santa and figure out the true meaning of the cursed object in her possession before it destroys the company—and her soul.

Review: Thank you to Quirk Books and NetGalley for providing me with an eARC of this novel!

Happy Holidays, everyone! I know that it’s kind of a weird holiday season for SO MANY reasons, but I hope that everyone is making do with the circumstances and being safe as well as finding joy and togetherness. Even if that means doing it via FaceTime. In our house we’re wrapping up Hanukkah and getting ready to have a solitary Christmas, which means I’m digging into books when I’m not eating all the latkes. If you’re like me and like it when the horror genre and Yuletide combine, enjoying movies like “Gremlins”, or “Black Christmas” (more the old one. The new one was cathartic, but also SUPER hamfisted), then “Secret Santa” by Andrew Shaffer may be the kind of book you want with your holiday cheer.

Is this a scene from “Gremlins”, or is this me stuffing my face with Christmas cookies? (source)

Shaffer is known for his satire and cheeky humor, so it’s safe to say that “Secret Santa” isn’t the scariest book you could read this time of year. Luckily, I wasn’t expecting it to be terrifying, so that worked for me, for the most part. I liked Lussi, our ambitious protagonist, as she fits the ‘ambitious woman in a man’s world’ mold in a way that adds to the story. You understand her wants and her determination to succeed in the publishing industry, especially as a young woman in the 1980s. I liked her sarcasm and her wit, and I felt that her characterization fit into the story as a whole, reflecting a snide and cutthroat time and place. The mystery as to what is going on at Blackwood-Patterson when things start to go awry is a slow build, and it reads less like a horror novel building up the dread and more like a strange whodunnit. By the time we circle back to the actual origin on what is going on (I don’t want to spoil TOO much, but do know that occultism and Nazis do enter into it. Take that as you will), the lack of scares was a little frustrating. That isn’t to say that there aren’t creepy elements involved with this tale. Let’s just say that if you don’t like dolls, you will find a lot to be scared about. But overall, the scary elements are very obviously harkening to a very specific time in horror publishing, when pulp paperbacks were the rage and strange concepts weren’t hard to come by (I seriously suggest looking into “Paperbacks from Hell” by Grady Hendrix if you want more information on this). This will work for some people, but it may leave others in the cold.

But what worked the most was that this book is clearly a love letter to 1980s horror fiction, be it paperback pulp horror novels or films that involve tiny beings that wreak havoc and gaslight those around them into thinking they are losing their minds. You can tell that Shaffer really loves the horror of this era, and the winks and nods to the genre are fun for someone like me who has an affection for it. Sometimes the 80s references in general got a little heavy handed, but you feel like you’re in on the joke, so I was able to deal with it with minimal eye rolling. This book is very clearly a love letter to a very specific kind of fiction, and I, for one, really loved seeing it all unfold. You can just feel the fun he was having writing this book, and frankly, that’s charming as hell.

“Secret Santa” is a tongue in cheek ode to horror paperbacks with a festive holiday bow placed right on top. If you’re looking for some holiday creeps, it could be the right book to have by the fire with a glass of eggnog.

Rating 7: Entertaining and sardonic, “Secret Santa” has some Christmas fun as well as some creepy moments if you don’t like dolls. It’s not terribly scary, but it has more than enough 80s horror nostalgia to make up for it.

Reader’s Advisory:

“Secret Santa” isn’t included on any Goodreads lists as of yet, but it would fit in on “Creepy Christmas” to be sure!

Find “Secret Santa” at your library using WorldCat, or a local independent bookstore using IndieBound!

Kate’s Review: “This Is Not a Ghost Story”

Book: “This Is Not a Ghost Story” by Andrea Portes

Publishing Info: HarperTeen, November 2020

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: I am not welcome. Somehow I know that. Something doesn’t want me here.

Daffodil Franklin has plans for a quiet summer before her freshman year at college, and luckily, she’s found the job that can give her just that: housesitting a mansionfor a wealthy couple.

But as the summer progresses and shadows lengthen, Daffodil comes to realize the house is more than it appears. The spacious home seems to close in on her, and as she takes the long road into town, she feels eyes on her the entire way, and something tugging her back.

What Daffodil doesn’t yet realize is that her job comes with a steep price. The house has a long-ago grudge it needs to settle . . . and Daffodil is the key to settling it.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I love haunting and eerie ghost stories of the Gothic variety, though I will admit that I sometimes find them to be predictable. The genre itself has such specific building blocks to it that a little bit of a road map is in place from the get go, which is perfectly okay. Because of this, I thought that I knew where “This Is Not a Ghost Story” by Andrea Portes was going to go when I picked it up. I was still excited to read it, mind you, but my overconfident ass thought that it wouldn’t have much new to say. But lo and behold, this story took me by surprise in all the best ways possible.

While the set up definitely seems run of the mill (money strapped college student agrees to house sit an isolated home, strange things start happening), Portes has created a Gothic ghost story that feels unique and fresh specifically because of how she has chosen to tell it. Daffodil, our first person protagonist, has a stream of consciousness and anxious voice in her narration, and as she tells the reader what is happening to her in this house and in the town around it, we have a slow build up of dread in the way that Daffodil would be experiencing it. As she tries to write off strange occurrences as they happen, we see the panic rise and rise until she is unable to deny that something very bad is happening, which I REALLY liked. From things that could very easily be explainable to the absolutely disturbing, Daffodil’s stream of consciousness builds the tension and also becomes VERY relatable as the story goes on. And all along she is cracking wise, making funny observations, and generally cracking me up, which helped cut the tension but didn’t ruin it. But along with the present bad things happening inside the house and on the grounds, we also get a slow unfolding of Daffodil’s past, and why her anxiety and unease is ever present. Most of this involves a love story with her high school boyfriend Zander, someone that she had always felt was out of her league but who loved her very much. Their high school romance felt real, and as it runs its course in her memories and unfolds in tragic ways, you see a whole other side to Daffodil that makes her all the more endearing.

In terms of scares and plotting, “This Is Not A Ghost Story” has some elements that are old hat, and some reveals that didn’t quite catch me by surprise in the way that they were probably supposed to do. But Portes still manages to write these elements and reveals in a way that made them enjoyable, and they still felt pretty fresh and convincing. I worry that if I say too much we’ll start getting into spoiler territory, but I do want to mention two aspects that worked really well for me. The first is the uncanny creepiness, of things going missing or ending up in places that don’t make sense. The other is the slow building unease with the people on and around the property, from a construction worker on the guest house named Mike to a nosy and stuffy neighbor named Penelope. We think one thing about them at first, but Portes picks away at our perceptions of them and makes them suspenseful in their own way (though I will say that Daffodil does the thing that MANY women do when it comes to men who may be threatening: she second guesses herself and her instincts. THIS was so well done that it felt like a GREAT way to show the target audience that no, your instincts should probably be listened to).

So while it may not have shocked me or really scared me too much, “This Is Not A Ghost Story” was an enjoyable and poignant ghostly tale of trauma, forgiveness, and the things that haunt us. Fans of Gothic horror should definitely check it out!

Rating 8: A haunting, bittersweet, and sardonically funny Gothic tale, “This Is Not a Ghost Story” will keep you guessing, and will stay with you.

Reader’s Advisory:

“This Is Not a Ghost Story” is new and not on many specific Goodreads lists, but I think it would fit in on “Modern Gothic”, and “Not the Normal Paranormal”.

Find “This Is Not a Ghost Story” at your library using WorldCat, or a local independent bookstore using IndieBound!

Kate’s Review: “The Easton Falls Massacre: Bigfoot’s Revenge”

Book: “The Easton Falls Massacre: Bigfoot’s Revenge” by Holly Rae Garcia and Ryan Prentice Garcia

Publishing Info: Close to the Bone, October 2020

Where Did I Get This Book: I received an eARC from the authors.

Book Description: US Army Veteran Henry Miller embarks on a hunt at the edge of the Black Forest, but strays from the path and finds himself too close to the East Cascade Mountain Range.

Something lurks in the forest on the other side of those mountains. An ancient race of Bigfoot that have kept to themselves for centuries, until one of them defies the warnings and roams too far from the safety of their home.

When these two intersect, alliances are broken and events set in motion that will leave residents of the town of Easton Falls, Washington, fighting for their lives.

Review: Thank you to Holly Rae Garcia and Ryan Prentice Garcia for sending me an eARC of this novella!

Back when I was a kiddo, along with my supernatural and ghost obsession I was also very into cryptids and cryptozoology. I would check out books from my school library about The Loch Ness Monster, The Abominable Snowman, and, of course, Bigfoot. As time went on my fascination with such things waned, but I’m still game to talk about weird cryptic stories if anyone else is (especially if we are talking about my boi Mothman!). I haven’t really dabbled into much creature feature horror in my book repertoire. Enter Holly Rae Garcia reaching out to me asking if I would be interested in reading and reviewing the novella “The Easton Falls Massacre: Bigfoot’s Revenge”, which she wrote with her husband, Ryan Prentice Garcia. I was taken with the description, and said yes, yes I would. It’s been awhile since I last did a stint with some Bigfoot lore.

Nuff said. (source)

“The Easton Falls Massacre: Bigfoot’s Revenge” is a bloody, tense, fun horror novella in which humans have to contend with the wrath of Bigfoot, and let me tell you, I had a blast reading it. The authors do a fantastic job of fitting in relationship angst, small town drama, and a sense of foreboding and isolation, all while building up to a gory and unrepentant gore-a-thon where a couple Bigfoots enter a small town’s city limits and fuck shit up. There is a little background given to the area (being the Pacific Northwest, Bigfoot Central U.S.A.), as well as hints dropped about how the Indigenous people who had been there before connect to the Bigfoot lore. While I’m always a bit skittish when it comes to Indigenous belief systems and mythology being used in fantasy and/or horror media, I will say that in this book it wasn’t trotted out repeatedly or focused upon too much (that said, as a white woman, I can’t speak for Indigenous People). Along with a solid setting, we have some pretty solid characters too. Our protagonist, Henry, has a tough backstory which gives him a pall of sadness, and there are enough fraught and messy aspects to him and his relationship to his lover Kate that make you connect and feel for both of them. You also get a good sense about the town and how the people function within it, and how their relationships grow, change, and sometimes turn toxic. All of this is accomplished in a short novella, and I was impressed that so much was explored in the number of pages we had to work with.

And now the Bigfoot stuff. Fun as hell. I don’t want to give many spoilers, of course, but just know that the reasons behind the ‘revenge’ aspect that is promised in the title is pretty understandable. While I could sympathize with Henry, and certainly the townspeople that we encountered, ultimately I was here to see Bigfoots take out a bunch of humans, because humans are the WORST. And this book certainly delivers that. The descriptions of the various death scenes, and the aftermaths, are gruesome and over the top, and absolutely feel like they could be those you’d find in a B-schlock horror creature feature from Troma. Which makes the read super entertaining.

Halloween may be just behind us, but if you’re like me and always looking to extend the season by a hair, you should definitely consider picking up “The Easton Falls Massacre: Bigfoot’s Revenge”. And hey, if you live in the Pacific Northwest, just be careful when you wander into the woods. You never know what you could find!

Rating 8: A quick bit of creature feature horror for cryptid enthusiasts especially, “The Easton Falls Massacre: Bigfoot’s Revenge” reads like a cheesy horror movie in all the best ways possible!

Reader’s Advisory:

“The Easton Falls Massacre: Bigfoot’s Revenge” isn’t featured on any Goodreads lists as of now, but I think it would fit in on “Sasquatch Books”, and “Cryptids”.

Find “The Easton Falls Massacre: Bigfoot’s Revenge” at the authors’ website!

Kate’s Review: “The Haunting of Beatrix Greene”

Book: “The Haunting of Beatrix Greene” by Rachel Hawkins, Ash Parsons, and Vicky Alvear Shecter.

Publishing Info: Serial Box, October 2020/January 2021 (this is expanded upon in the review)

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Beatrix Greene has made a name for herself in Victorian England as a reputable spiritual medium, but she’s a fraud: even she knows ghosts aren’t real. But when she’s offered a lucrative job by James Walker—a scientist notorious for discrediting pretenders like her—Beatrix takes the risk of a lifetime. If her séance at the infamously haunted Ashbury Manor fools him, she will finally have true financial freedom. If she fails, her secret will become her public shame.

But James has his own dark secrets, and he believes only a true medium can put them to rest. When Beatrix’s séance awakens her real gift—and with it, a vengeful spirit—James finds that the answers he seeks are more dangerous than he could have imagined. Together, with a group of supernatural sleuths, Beatrix and James race to settle the ghost’s unrest before it strikes— or else they might not make it out of the haunted manor alive.

New York Times bestselling author Rachel Hawkins, along with Ash Parsons and Vicky Alvear Shecter, weaves darkness, death, and a hint of desire into this suspenseful mystery for fans of Sherlock Holmes and Crimson Peak.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

We are wrapping up our Horrorpalooza reads, and Halloween is this weekend. First and foremost, Happy Halloween everyone! What better way to end the spooky reading season than with a good old fashioned haunted house story? “The Haunting of Beatrix Greene” is that, but with some modern lens tweaks and a unique storytelling style that I’m still kind of trying to wrap my head around. But if a fraudulent medium and an old manor on the English moors are involved, I’m going to be on board regardless of stylistic choices.

Would I do that? Can’t be sure. Would I READ about it? Every time. (source)

Since I’ve been noting the format, that’s the aspect of the story I’ll address first. “The Haunting of Beatrix Greene” is published by Serial Box, an organization that releases books and audiobooks in weekly episodes, each episode written by different authors. Our authors for this book are Rachel Hawkins, Ash Parsons, and Vicky Alvear Shecter. It feels like it’s a Round Robin writing exercise, which is definitely unique and not something that I’ve really encountered outside of fan fiction. I think that when you are experiencing it in this way, that is in weekly episodes like a TV show or podcast, that is a pretty cool thing. But in this format where it’s just a book that collects them all together but still calls them episodes as opposed to chapters, it feels a little strange. That is a bit exacerbated by the fact that the actual complete book isn’t going to be coming out until January, but the episodes have started dropping on Serial Box now, something that I wasn’t totally aware of when I requested this book. I think that this is confusing, frankly, and the ‘one chapter a week’ format may not appeal to all. If you want to do the whole book in one go, January will be when your time comes, according to Amazon.

But, there was a lot that I liked about this story in terms of the bare bones of the haunted house theme. The biggest stand out for me is Beatrix herself, a woman who is making a life as a medium during the time in England when Spiritualism was having its first big boom. Beatrix doesn’t actually believe in ghosts, and uses the kinds of tricks and strategies that many of those charlatan spiritualists used, like cold reading and ringers. But we also get to see that Beatrix isn’t doing this because she’s conniving or sociopathic. Rather, she’s trying to survive as a single woman during a time where options are limited. When she is invited by skeptical scientist (and charlatan exposer) James Walker to conduct a seance at an old manor called Ashbury Hall, she feels a need to prove herself to a seemingly arrogant scientist, and to protect her reputation so she can keep making a living. I loved Beatrix, and felt that she was nuanced and complicated. James, too, had some complexities and nuance to his character, and didn’t just serve as an antagonist foil who is ultimately going to be a love interest to Beatrix. He has his own personal stake in wanting to have her come to Ashbury Manor.

And yes, there is a romance between them, and yes, it feels a little unrealistic given that this story takes place in such a short time AND they find themselves in a very haunted and dangerous house. But the chemistry and banter between Beatrix and James sizzles, so I was very easy to forgive it. Along with the romance, of course, is a ghost story, and I thought that that part of it was also pretty well done. We have some fun nods to the genre, with believers and unbelievers getting in way too deep, and a house with a tragic history that goes back far beyond the time that the first brick was laid. The horror aspects have some moments of genuine scares and a little bit of gore, but I would also say that this is a friendlier read for horror lite people who may not want to be SUPER scared. A lot is crammed into this short tale (clocking in at less than two hundred pages), but I feel like Hawkins, Parsons, and Shecter are able to pull it all together and never make it feel rushed or haphazard. And going back to the format for just a moment, even though the chapters alternate between different authors, their styles meld together well enough that it always felt like a unified narrative, which isn’t always easy to do.

“The Haunting of Beatrix Greene” is fun and just a little bit spooky, and a nice addition to the many other ghostly Gothic tales that came before it.

And that wraps up Horrorpalooza 2020! I hope that you all have a safe and happy Halloween!

Rating 7: A spooky and entertaining Gothic tale of (semi)terror, “The Haunting of Beatrix Greene” has some good scares and some good characters, but the format seems unnecessary and the way it’s released may be confusing to some people.

Reader’s Advisory:

“The Haunting of Beatrix Greene” is new and not included on any Goodreads lists yet, but it would fit in on “Haunted Houses”, and “Historical Ghost Fiction”.

Find “The Haunting of Beatrix Greene” at Serial Box. In January, find it at your local library using WorldCat, or a local independent bookstore using IndieBound!

Kate’s Review: “Night of the Mannequins”

49246963Book: “Night of the Mannequins” by Stephen Graham Jones

Publishing Info: Tor.Com, September 2020

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?

Review: Thank you to NetGalley for providing me with an eARC of this novella!

While the “Scary Stories To Tell in the Dark” books had many stories that messed me up, the one that scarred me the most was that of “Harold”, in which two farmers create a scarecrow to be a joke of a friend, which then comes to life and wreaks havoc. The idea that an inanimate but human looking object could come to life and kill you really scared me. So doing some research into “Night of the Mannequins” by Stephen Graham Jones (beyond the appropriately vague description) got me pretty hyped for the idea of a mannequin coming to life and killing teens in a friend group. After all, mannequins are a bit creepy enough on their own, right?

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And we can buiiiiild this thing together, staaanding strong forever… (source)

Now, it is admittedly going to be hard to talk about this novella in detail without potentially treading towards spoiler territory, and I REALLY don’t want to spoil anything for those who don’t want to be spoiled. So just be warned…. there may be hints of spoilers in this review.

Our protagonist/first person narrator is Sawyer, a teenage boy in a group of friends who like to pull pranks on each other, and who at one time found a department store mannequin that they decided to make into their mascot. They called him Manny, and brought him along on all kinds of adventures. As they grew up, Manny was left behind, but as they are nearing the end of high school Sawyer thinks that one more prank with Manny could be fun. And it is… until Sawyer sees Manny stand up and walk away. What comes next is a story that reads like a slasher movie, with a lot of weird deranged action, a very funny narrative voice, and a lot of ambiguity as to what exactly is happening to Sawyer and his friends, and whether or not a mannequin has come to life with a taste for revenge. There isn’t much dread to be found here, but what you do have is a lot of splatterpunk gore descriptions, action that reads like a movie, and a twisted up perception of what is real and what isn’t.

Sawyer is both incredibly funny to follow as well as authentic in his frenzied teenage voice, his ruminations and planning clearly leaving some logic out of his plans in his hopes to save people from Manny the Mannequin. I found myself laughing out loud, even at moments where it probably wasn’t appropriate to be doing so, but like in a slasher film, part of the entertainment is seeing the crazed and over the top kill scenes. Jones sprinkles a little bit of interesting pathos in every once in awhile, be it hints as to Sawyer’s family life or the lives of his friends, as well the fear of losing your childhood and what comes next. I also have to say that Jones does a really good job of making the reader question almost everything in terms of reliability and reality. By the time I got towards the end I thought that I had everything clear in my mind, but then Jones managed to pull the rug out from under me again! His stories have a bit of a brutality to them, but there is always a bit of wryness to go with it, and I really like that.

“Night of the Mannequins” is strange and filled with splatterpunk themes, but it definitely has some inner machinations that are intriguing to find and explore. Plus, it’s a quick read, the perfect one for a season-appropriate afternoon of horror leisure reading. Discover Stephen Graham Jones if you haven’t, and you could totally start here.

Rating 8: A weird and disturbing (but also fun) slasher kinda story. It’s a hoot as well as a trip, and it’s exactly the kind of entertainment a slasher kinda story should be!

Reader’s Advisory:

“Night of the Mannequins” isn’t on any Goodreads lists yet, but I think that it would fit in on “Haunted Dolls”, and “Indigenous Fiction Books”.

Find “Night of the Mannequins” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “The Silence of the Lambs”

Book: “The Silence of the Lambs” by Thomas Harris

Publishing Info: St. Martin’s Press, July 1988

Where Did I Get This Book: I own it.

Book Description: A serial murderer known only by a grotesquely apt nickname—Buffalo Bill—is stalking women. He has a purpose, but no one can fathom it, for the bodies are discovered in different states. Clarice Starling, a young trainee at the FBI Academy, is surprised to be summoned by Jack Crawford, chief of the Bureau’s Behavioral Science section. Her assignment: to interview Dr. Hannibal Lecter—Hannibal the Cannibal—who is kept under close watch in the Baltimore State Hospital for the Criminally Insane.

Dr. Lecter is a former psychiatrist with a grisly history, unusual tastes, and an intense curiosity about the darker corners of the mind. His intimate understanding of the killer and of Clarice herself form the core of The Silence of the Lambs—an ingenious, masterfully written book and an unforgettable classic of suspense fiction.

Review: I first read “The Silence of the Lambs” when I was a freshman in high school. My mom and I were at a local drug store and they had the mass market paperback for sale, and she was kind enough to purchase it for me because she never censored what I wanted to read (even if she probably sighed to herself about her daughter’s morbid curiosities). I read it very quickly, completely immersed in the story. I saw the film shortly thereafter, and both are now very high on my lists in terms of favorite books and films. There has been a debate lately between film fans on Twitter as to whether “The Silence of the Lambs” is horror or not. Given that I watch it ever Halloween Season and my friends and I did a Netflix Party of it on one of our weekly Terror Tuesdays, I can see the argument for it being within the horror genre (though I myself flip flop between yes and no). Because of this, I decided that it was time to revisit the story in book form, and that I would include it in this year’s Horrorpalooza. And picking it up again felt like I was visiting an old friend.

But not one that I’m planning on having for dinner or anything… (source)

This book is still so good. While I think that I PROBABLY like the movie better, that is only because the movie is so perfect at bringing all of these three dimensional and amazing characters to life. Hannibal Lecter is a literary villain who stands above so many, but this book is 100% Clarice Starling’s. Harris created a ‘badass female protagonist’ who feels so real, so relatable, and so nuanced that I’m continually shocked that a man wrote her (given that sometimes male authors can miss the mark when it comes to writing lady characters). You feel Clarice’s ambition, her frustration, her smarts and her anxiety and her need to solve the Buffalo Bill case, and you completely understand why she would go to the lengths she does… like getting close to Hannibal, even though he is incredibly manipulative and dangerous. I also really appreciated the moments of misogyny and sexism that she has to endure, as for 1988 for a guy to put those in, and to make them sting and hurt without feeling overdone or corny, that’s impressive. Clarice is such an important and formative feminist icon for me, and I was worried that revisiting her might not hold up as well. But it did. Hannibal, too, is a fascinating character, and while he doesn’t have the same amount of page time as Clarice (which is just fine), his insidiousness and his charm makes him very creepy, as well as vastly entertaining. But for me, it’s all about Clarice.

I had also forgotten how well Harris slowly builds to the Buffalo Bill mystery that is the true heart of “The Silence of the Lambs”. You get small references to it here and there, but it takes awhile to realize that this story is the one that Clarice is going head first into. Seeing her slowly gather her evidence, be it through talking with Lecter or going into a storage container to find evidence, or going to an autopsy and finding a bug, we get to go along with Clarice, see the pathology unfold, and then see Bill in action. And Harris really knows how to write a suspenseful scene. Even though I have read the book before and seen the movie countless times, I found myself getting nervous and anxious during some of the action moments. Especially during the Buffalo Bill kidnapping we get to witness on the page.

I will say that Buffalo Bill, while a really well done villain (and completely under appreciated in the movie. Ted Levine is GOD TIER and gets overshadowed by Hopkins. I get why, but my GOD, every time I watch Levine just blows me away), feels problematic now given that Bill is clearly dealing with some kind of gender dysphoria. I do know that Bill is based on a whole smorgasbord of serial killers, and that Jerry Brudos is almost assuredly the one who manifests in Bill’s obsession with womanhood (as during one of his attacks he was dressed like a woman, would dress up in his victims clothing, and had a huge thing about womens shoes). But while it’s stated that Bill isn’t ‘actually transsexual’ (paraphrasing from the text here) in the book, it still feels like there are shades of transphobia with the character. I think it says more about the time it was written than much else, but it’s definitely something to think about, and stands out for all the wrong reasons today.

Overall, “The Silence of the Lambs” is still a gripping, scary, and masterful classic that blurs the lines between thriller and horror. Re-reading was a joy, and I am glad I jumped back into it.

Rating 10: An enduring thriller classic that touches on real life horrors and (mostly) holds up.

Reader’s Advisory:

“The Silence of the Lambs” is included on the Goodreads lists “I Like Serial Killers”, and “Best Female Lead Characters”.

Find “The Silence of the Lambs” at your library using WorldCat, or a local independent bookstore using IndieBound!