Tag: Fantasy

Serena’s Review: “The Tainted Cup”

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Book: “The Tainted Cup” by Robert Jackson Bennett

Publishing Info: Del Rey, February 2024

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In Daretana’s most opulent mansion, a high Imperial officer lies dead—killed, to all appearances, when a tree spontaneously erupted from his body. Even in this canton at the borders of the Empire, where contagions abound and the blood of the Leviathans works strange magical changes, it’s a death at once terrifying and impossible.

Called in to investigate this mystery is Ana Dolabra, an investigator whose reputation for brilliance is matched only by her eccentricities.

At her side is her new assistant, Dinios Kol. Din is an engraver, magically altered to possess a perfect memory. His job is to observe and report, and act as his superior’s eyes and ears–quite literally, in this case, as among Ana’s quirks are her insistence on wearing a blindfold at all times, and her refusal to step outside the walls of her home.

Din is most perplexed by Ana’s ravenous appetite for information and her mind’s frenzied leaps—not to mention her cheerful disregard for propriety and the apparent joy she takes in scandalizing her young counterpart. Yet as the case unfolds and Ana makes one startling deduction after the next, he finds it hard to deny that she is, indeed, the Empire’s greatest detective.

As the two close in on a mastermind and uncover a scheme that threatens the safety of the Empire itself, Din realizes he’s barely begun to assemble the puzzle that is Ana Dolabra—and wonders how long he’ll be able to keep his own secrets safe from her piercing intellect.

Featuring an unforgettable Holmes-and-Watson style pairing, a gloriously labyrinthine plot, and a haunting and wholly original fantasy world, The Tainted Cup brilliantly reinvents the classic mystery tale.

Review: There were many reasons this book quickly ended up on my TBR list. For one thing, I really enjoyed Bennett’s “Divine Cities” trilogy when I read it years ago (I enjoyed those books so much that I’ve toyed around with the idea of trying to sneak a re-read in here on the blog). I also somehow never got around to reading his most recent series. So I was pleased to see this book coming out as it was a way to re-acquaint myself with a favorite author without having to commit to a series with a number of pre-existing books. But, almost as important as the author, I’m pretty much always interested in reading a book that is a play on Sherlock Holmes and Watson. And this one sure sounded like a unique take! Not only do you have the classic brilliant detective/assistant character dynamic, but somehow that is then superimposed on a fantasy world that is besieged by kaiju like creatures?? What an odd mix and also count me in!

Let’s start with the world-building first! I was impressed by how fleshed out this world was, and by the careful balance the author struck between the various aspects of the story. It would have been very easy for the entire plot and world to be sucked up by the grandiose nature of the Leviathons. Obviously, gigantic creatures that besiege a continent during certain seasons are an intriguing focal point for a story. However, I was impressed by the way these gigantic threats were held largely in the shadows, serving as a looming threat which inspired more dread than anything else. Used carefully in this manner, the book was then better able to focus on the kind of society and world that would be built up under these sorts of conditions. Not only do you have the balance of constant military action needing to mingle with civilian life, but the Leviathon bring extreme contagions that affect the environment. In many ways, it was these contagions that served as the greater point of horror throughout the story. Not only is the central murder gruesome (a tree bursting out from within a living body), but as the story unfolds, we see many examples of the ways that humanity has had to work to survive in a environment and ecological system that is actively adapting to kill them off.

For all the excellent fantasy elements that went into the world-building as I described above, this book is truly a mystery story at its core. You could take almost the entire plot, adjust the manners of death and a few other small details, and plop it down in any old real-world story and it would largely work as it stands. And, again, the fact that the mystery itself is not over-shadowed by these, at times literally, larger-than-life fantasy elements is proof of the tight control that Bennett has over all of the elements that make up this book. While the fantasy stuff was, well, fantastical, as the story unfolded, my investment was largely focused on these two main characters and the increasingly complicated mystery that they were slowly working through. There were all of the good red-herrings and misdirections that one looks for in a mystery novel, as well as the satisfying payoff when all is finally revealed.

The third point of success came down to our two main characters. The story is told from the perspective of Din, our “Watson-like” character, as he works with a brilliant, but eccentric investigator, an older woman named Ana. I think Bennett did a brilliant job with these two, perfectly honing in on many of the dynamics that make the “Sherlock/Watson” duo such time-tested favorite. Din is endearing and an approachable “everyman” type character. He is at times bewildered by his strange boss and her ways, but loyal and devoted to supporting her in their investigation. I also liked the hints of his own struggles and secrets that are slowly revealed over the course of the story. We also see the strengths that he brings to this team and that, while brilliant herself, Din has unique contributions that are crucial to their success. In this instance, he has a unique skill (pulled from some of the magic systems of the world) to essentially permanently memorize everything he sees. But, even here, not everything it as it seems.

For her part, Ana is an excellent character in that she is used effectively but sparingly. The risk is always to overplay a character like this, but Bennett wisely and carefully chose his scenes and moments during which to play up Ana’s strange, but brilliant, approaches to investigation. The author also nailed the perhaps predictable, but no less appreciated, moments where Ana effectively lays out all of the pieces of the puzzle as if they were oh, so obvious. While anyone who reads a mystery novel with a detective like this at its heart knows that these sorts of scenes are coming, these moments are somehow always just as satisfying as ever. Especially when the author has been sparing with the build up, as Bennett is here.

I really enjoyed this book! I could probably go on and on praising it, but I think we all get the idea. I’ll say perhaps that the pacing, especially in the first third of the book, was a bit on the slower side. But as that time is spent laying down the building blocks of this world and who both Din and Ana are as characters, I think the slower start is earned. If you enjoy mystery novels as well as unique fantasy settings, definitely give this one a shot!

Rating 9: Genre-blending at its finest, Bennet’s brilliant take on the Sherlock/Watson character duo is only one part of many that makes this creative fantasy novel a must-read!

Reader’s Advisory:

“The tainted Cup” can be found on a lot of generic Goodreads lists like this Can’t Wait Sci-Fi/Fantasy of 2024, but it should be on Sherlock Holmes Retellings and Reimaginings.

Kate’s Review: “The Bad Ones”

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Book: “The Bad Ones” by Melissa Albert

Publishing Info: Flatiron Books, February 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC23.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Goddess, goddess, count to five. In the morning, who’s alive?

In the course of a single winter’s night, four people vanish without a trace across a small town.

Nora’s estranged best friend, Becca, is one of the lost. As Nora tries to untangle the truth of Becca’s disappearance, she discovers a darkness in her town’s past, as well as a string of coded messages Becca left for her to unravel. These clues lead Nora to a piece of local folklore: a legendary goddess of forgotten origins who played a role in Nora and Becca’s own childhood games…

An arresting, crossover horror fantasy threaded with dark magic, THE BAD ONES is a poison-pen love letter to semi-toxic best friendship, the occult power of childhood play and artistic creation, and the razor-thin line between make-believe and belief.

Review: Thank you to Flatiron Books for providing me with and ARC of this novel at ALAAC23!

It has been more than half a year since Serena and I attended to Annual ALA Conference in Chicago, but we have my last straggler of an ARC that I got while on that fantastic trip. When I saw that “The Bad Ones” by Melissa Albert wasn’t coming out until February, I placed it in an organized pile, and coming back to it in January was like letting go of that trip (though we’re planning on going to San Diego in fourish months, so, I’m not exactly shedding nostalgic tears). I loved the cover when I first got it, and it still really stands out as an eerie yet poppy image of a creepy angel. I didn’t really know what to expect, honestly, and once I was in it I started building expectations. Some of which were well exceeded! Others of which were not.

But as always, first the good. I really thought that Albert captured the complicated, sometimes toxic, and certainly enmeshed relationship between our narrator Nora and her missing best friend Becca. You get to see through Nora’s perspective as well as a series of flashbacks for Becca just how close these two girls are, and how they mean so much to each other, but how that can also lead to codependence and an unhealthy relationship. I thought it was great that neither girl was being judged for this, per se, but how it is also pointed out that both girls, especially Becca, have some pretty hefty baggage that is seeping into their interactions, and how that isn’t fair to either of them. Albert is careful not to villainize Becca, and instead looks at the ways that teenage girls can be failed by a community that tries to hide or look away from trauma or predation, and how that can damage a person. I also did like seeing Nora slowly piece together the mystery of her missing best friend, and the other missing people who disappeared on the same night, and how that connects to the town’s past. The mystery itself was well conceived and it had me guessing for awhile.

But the downside of all of this is that “The Bad Ones” is a horror/supernatural/dark fantasy tale, and I think that this was the weaker aspect of the novel. I liked the slow reveal of Becca and Nora’s Goddess Game and how it was far more powerful than Nora realized, and I REALLY loved the imagery of the creepy angel statue in the cemetery that was looming throughout the narrative (it reminded me of the Black Angel in Iowa City, which I loved to visit when I was in town seeing my Aunt). But once we got into the full on nitty gritty of the horror and supernatural aspects, and we got one of the big reveals in the last third of the book, I was left underwhelmed, as it was suddenly a whirlwind of wrapping things up and tying it all together. The revealed motivations of the bigger picture (no spoilers) were also pretty well worn territory, thematically wise, and while I liked said motivations, it didn’t set itself apart from other stories like this. This could, however, be more about my own vast experience with these kinds of stories, and me not being the target audience.

“The Bad Ones” is a book I found entertaining and enjoyable, and I know exactly who I would recommend it to. I will definitely be keeping my eye on Melissa Albert going forward, as this one had lots of potential, horror wise, and lots of wins, realism wise.

Rating 6: I really liked the mystery at hand and thought that the exploration of enmeshed friendships was interesting, but the supernatural and horror bits weren’t as fleshed out as I had hoped they would be.

Reader’s Advisory:

“The Bad Ones” is included on the Goodreads lists “Bubblegum Horror”, and “Horror to Look Forward to in 2024”.

Serena’s Review: “A Tempest of Tea”

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Book: “A Tempest of Tea” by Hafsah Faizal

Publishing Info: Farrar, Straus & Giroux, February 2024

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: On the streets of White Roaring, Arthie Casimir is a criminal mastermind and collector of secrets. Her prestigious tearoom transforms into an illegal bloodhouse by dark, catering to the vampires feared by society. But when her establishment is threatened, Arthie is forced to strike an unlikely deal with an alluring adversary to save it—and she can’t do the job alone.

Calling upon a band of misfits, Arthie formulates a plan to infiltrate the dark and glittering vampire society known as the Athereum. But not every member of her crew is on her side, and as the truth behind the heist unfolds, Arthie finds herself in the midst of a conspiracy that will threaten the world as she knows it. Dark, action-packed, and swoonworthy, this is Hafsah Faizal better than ever.

Review: Yet another book that is promoted as a “Six of Crows” read-alike! And, spoiling my own review, I will say that this is one of the few of these books that I’ve read recently where that comparison does seem to hold true! I hadn’t read any other books by this author, but I do know that other readers very much enjoyed her other fantasy series, so I was excited to see what all the fuss was about on that front, too. There were a few things that I think could have improved this read, overall, but it was also such a fun time that I mostly didn’t mind!

But let’s start out with the unequivocally good parts of the book. The story was definitely at its most successful during its main character’s, Arthie’s, POV chapters. And, really, if you have the main character right, you’re already mostly there as far as a good reading experience goes! This is also where the book most resembles “Six of Crows.” Arthie reads as a very similar character to Kaz from that duology. Both are morally grey characters with dark histories that are slowly revealed as the story unspools. And in both cases, morally grey means, you know, actually morally grey. In that Arthie can be manipulative, cold-hearted, and single-mindedly focused on her own goals in spite of others.

But also like Kaz, she is supremely loyal to those she cares about, in this case, her chosen brother, Jin. As I’ll get into, I think the romances were the weakest points of this book. In counterbalance, this sibling relationship between Arthie and Jin was the true heart of the story. Through Jin’s perspective as well, we see how these two characters have essentially re-constructed their lives around one another and their shared goals. As the story unfolds, this relationship is tested and pushed, and much of the stakes regarding their character arcs came down to this counterbalance of trust and secrets.

The world-building was also interesting, with a unique take on vampires and half-vampires, essentially. Some of the details about these beings, and about the world itself, were delivered in a bit of a ham fisted, expositional manner early in the book, but as the book continued, I was pleased to see this tendency smoothing out. I liked the general themes that explored colonialism and imperialism, but, again, I wish at times there had been a bit more subtlety in some of this messaging. Our characters’ stories speak for themselves, and I wish authors would trust readers to draw the correct conclusions without having characters just outright say some of these points.

The plotting was also good, though the story does take a bit to really get going. There’s a lot of planning that goes into the heist itself, and then when it all actually goes down, we find that that’s not even the true peak of the conflict. Instead, the last 25% of the book really sweeps the reader up into a rush of action, reveals, and numerous twists and turns. I was able to predict a few of these switches and turns, but I was also honestly surprised by others, which is always refreshing.

I will say, however, that the book is let down by its romances, both the unfortunate love triangle that is set up for Arthie, and also Jin’s more straight-forward romance with the third POV character, Flick. This was frustrating because I feel like a few adjustments to these romances would have easily elevated this book to a truly excellent level.

First off, Flick didn’t need a POV of her own. Her story had a few interesting moments, but it all could also have been explored through Jin’s perspective and his burgeoning relationship with Flick. Not only would this then allow Jin and Arthie to have more page time, as the true main characters, but by pushing Flick’s development to character interactions with others, we’d actually have better relationship building between her and Jin on the page. As it stands, the reader is mostly just told that Jin and Flick have this burgeoning relationship, but we barely see them truly interact or speak to each other.

And then with Arthie, do away with the love triangle all together. As it stands, it feels like this book spent almost the entire time building up one side of this relationship, only to pull the rug out and point to the other relationship as the end game on literally the very last page. Which, frankly, is a waste of the reader’s time and energy. Arthie is such a great character as it is, and her history and relationship with Jin was more than enough to ground her story in an interesting arc. We could have had small teases of a relationship in her future, but we didn’t actually need anything in this book. As it stands, because there are three POVs and then two love interests for Arthie, her page time is so reduced with each of these romantic options that there’s no opportunity for anyone’s interest in one another other to be more than pure lust-at-first-sight. Which…does not make a compelling love story for any of them.

So, that’s how I’d move this book from an 8 to a 10: remove Flick’s POV, get rid of the love triangle, limit Arthie’s “romance” to more hints of a future plot point, and spend the increased page time (without Flick’s POV) to further build on the Arthie/Jin sibling bond, which is clearly the true heart of this first book, regardless of what comes next. Fixed it! As it stands, however, I still very much enjoyed this book. Arthie was a fantastic character, not only in her own POV chapters but as we see her through other character’s eyes, and the plot and final action of the book perfectly primed me to want to jump into the next book. If you’re looking for a fun, fantasy heist book, this is definitely one to check out!

Rating 8: Some adjustments to the romances may have improved it, but this was a still a romp of a fantasy heist ride that is sure to please fans of “Six of Crows!”

Reader’s Advisory:

“A Tempest of Tea” can be found on this Goodreads list: Some of the Most Interesting Covers

Serena’s Review: A Fate Inked in Blood

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Book: “A Fate Inked in Blood” by Danielle L. Jensen

Publishing Info: Del Rey, February 2024

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A shield maiden blessed by the gods battles to unite a nation under a power-hungry king—while also fighting her growing desire for his fiery son—in this Norse-inspired fantasy romance from the bestselling author of The Bridge Kingdom series.

Bound in an unwanted marriage, Freya spends her days gutting fish, but dreams of becoming a warrior. And of putting an axe in her boorish husband’s back.

Freya’s dreams abruptly become reality when her husband betrays her to the region’s jarl, landing her in a fight to the death against his son, Bjorn. To survive, Freya is forced to reveal her deepest secret: She possesses a drop of a goddess’s blood, which makes her a shield maiden with magic capable of repelling any attack. It was foretold such a magic would unite the fractured nation of Skaland beneath the one who controls the shield maiden’s fate.

Believing he’s destined to rule Skaland as king, the fanatical jarl binds Freya with a blood oath and orders Bjorn to protect her from their enemies. Desperate to prove her strength, Freya must train to fight and learn to control her magic, all while facing perilous tests set by the gods. The greatest test of all, however, may be resisting her forbidden attraction to Bjorn. If Freya succumbs to her lust for the charming and fierce warrior, she risks not only her own destiny but the fate of all the people she swore to protect.

Review: I was really excited when I saw this book was coming out this spring. For one thing, I would have been interested purely on the cover alone. I really like the style of this art, and I think it’s a great example of a cover effectively conveying exactly the sort of book you’ll be picking up. It’s also nice to see character art on a cover that isn’t super cheesy. But, beyond this, I’ve had this author on my TBR list for a while now. I know her “Bridge Kingdom” series is incredibly popular, but I just haven’t managed to getting around to picking it up. So this was a great in for me to start up with this author without having to commit to a multi-book series.

However, this book did leave me with a lot of mixed feelings. I’ll say right off the bat that I’m still very interested in reading this author’s original fantasy series. Reading this book, it’s easy to see that she’s a compelling author, and several of her strengths are just the sort that I look for in my fantasy authors. Her descriptions are clear, her prose runs smoothly, and her dialogue and banter are both funny and earnest. On this last point, I think that too often we forget how important good dialogue is to the appreciation of a story. I’ve read other books where everything else is perfect, but the dialogue itself is written in a way that is either cringey, corny, or simply doesn’t fit with the rest of the vibe of the story. Here, however, I often found myself enjoying the dialogue more than anything else!

There was also strong evidence that the author can write interesting characters. I think the love interest character, in particular, was very effective. I really appreciated that the book was told from a single POV, demonstrating the author’s strong abilities with characterization in that I felt like I understood and knew Bjorn just as well as Freya, even without seeing inside his head. See?? Authors take note! It is possible to write compelling love interests who don’t need chapters to themselves so they can just tell the reader how they’re feeling at all times. You know, showing instead of telling and all of that.

However, on the other side of the character coin, I did struggle with Freya’s character. It was tough, because throughout a lot of the book, I really enjoyed this character and her voice. She had a lot of the bullet point character traits I look for in my heroines, and even had a decent number of action scenes where we got to see these traits at work! But she was also incredibly frustrating to read. About halfway through the book, I found myself continuously putting the book down and trying to understand why I was struggling to remain connected to the story. And part of what I came up with was the fact that Freya’s own story had very few stakes, arc, or motivation Yes, there is action and violence and drama, but Freya herself is only every reacting to the things going on around her. Even worse, while Freya tells us why she’s choosing to allow others to determine her choices, the reader is never given a compelling reason to understand this choice. She must protect her family…but we never see most of her family and those we do see treat Freya terribly in the brief number of pages they have. So, throughout the bulk of the story, we have a character whose entire drive comes down to a choice that makes very little sense to the reader centered around characters the author has made clear are not worthy. It’s fine to write a character who’s been blinded to the realities of those she loves, but we just didn’t get that character work for Freya. She just tells us that she has to protect them…and that’s it. Nothing about why she’s so sure of this belief in the face of their poor treatment. Nothing showing us moments of kindness that she would use to justify her own mistreatment. Just…nothing.

Beyond that, the story was also incredibly frustrating with its central premise. It’s not a spoiler since it’s right there in the book description, but the entire plot is driven around a prophesy that whomever control’s Freya’s fate will reunite the land. Well, I give you approximately one guess to put together the clues of this fate and how exactly it works. Which, fine, I think there is a way to tell a story like this, even if some of its conclusions are obvious to the reader. But it wasn’t just the fact that Freya seemed completely oblivious to the obvious interpretation of this prophesy, it’s the fact that she paired this cluelessness with other wild jumps of logic and assumptions. Throughout the middle portion of the book, she jumps to a pretty crazy assumption, and then, even in the fact of others pointing out this wild leap, and even when she herself acknowledges that she has no real reason to believe this thing other than her own biases, she just…goes right on doing it! And, of course, there are a million clues that makes the reality of the situation obvious to the reader, which just makes Freya’s determined cluelessness all the more frustrating to put up with .

So, that was a fairly big rant. But Freya’s character arc and characterization was a huge struggle for me for much of the middle portion of this book. Which was really frustrating because at other times, I was completely into this world, this plot, and, even Freya herself. There were wild swings in my enjoyment levels; at times I thought I’d be rating this around a 9 and at others, I almost quit. But, overall, I do think there were a lot of strengths to be found in this book. I liked the world-building and the overall plot. And I can see signs that she also knows how to write some fantastic characters. I’m not exactly sure what happened here, honestly. I’ll probably pick up the second book, however, to see where the story goes. And I’m definitely curious about the author’s other books. Was Freya an exception that proves the rule?

Rating 7: There were a lot of good bones to this story, but the main character’s arch was nonexistent for much of the book which ultimately left it feeling a bit flat.

Reader’s Advisory:

“A Fate Inked in Blood” can be found on this Goodreads list: Upcoming Romantasy Releases 2024

Serena’s Review: “Heartless Hunter”

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Book: “Heartless Hunter” by Kristen Ciccarelli

Publishing Info: Wednesday Books, February 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: On the night Rune’s life changed forever, blood ran in the streets. Now, in the aftermath of a devastating revolution, witches have been diminished from powerful rulers to outcasts ruthlessly hunted due to their waning magic, and Rune must hide what she is.

Spending her days pretending to be nothing more than a vapid young socialite, Rune spends her nights as the Crimson Moth, a witch vigilante who rescues her kind from being purged. When a rescue goes wrong, she decides to throw the witch hunters off her scent and gain the intel she desperately needs by courting the handsome Gideon Sharpe – a notorious and unforgiving witch hunter loyal to the revolution – who she can’t help but find herself falling for.

Gideon loathes the decadence and superficiality Rune represents, but when he learns the Crimson Moth has been using Rune’s merchant ships to smuggle renegade witches out of the republic, he inserts himself into her social circles by pretending to court her right back. He soon realizes that beneath her beauty and shallow façade, is someone fiercely intelligent and tender who feels like his perfect match. Except, what if she’s the very villain he’s been hunting?

Review: I debated requesting this book for a while. This author has been very hit and miss for me in the past. While I struggled a bit with the first book I read by her (“The Last Nimsara”), I barely managed to not DNF the second book in the trilogy (“The Caged Queen”) and never even bothered with the third one. That said, I do remember thinking that the overall quality of writing was high and that the characters, especially in the first book, were fairly good. Those are two pretty foundational aspects of storytelling, so if an author has those in hand, I always feel like there’s a decent chance that a book by them will work for me. But, while this book didn’t sink to the lows of “The Caged Queen,” it also didn’t change my opinion massively about this author. Let’s get into the details!

I’m going to start off with a point that may at first seem tangential, but I swear, I have a point. A few weeks ago, a reader left a comment on one of my more negative reviews expressing relief that they had passed on the book in question. Specifically, they mentioned being glad that they have a fairly thorough vetting process before accepting books for review. Now, I also vet my book choices, trying to balance what I prefer in my own read alongside trying to cover the books that I know many people are interested in and those for which they may appreciate having reviews that provide some insights. And there’s a whole debate going on currently about how much or little publishers/marketers should rely on tropes when advertising their books. You can definitely see where publishers are falling into the trap that a popular trope is all you need to make a popular book. But, for this kind of vetting process, some basic tropes up front can be very helpful in either grabbing my attention or warning me away. And (finally, my point) this book failed to mention anywhere in its book description that the love stories is not only a love triangle, but a love triangle with two brothers as the options. *sigh* Frankly, if I had know that, I could have steered clear.

I won’t go on and on about the love triangle itself, but I always find the whole “brothers” thing kind of icky in a love triangle. Add on that it’s barely a love triangle since once of the love interests has a POV and the other doesn’t, so you always know which way this is going. And it’s all the more frustrating when the one who is the (of course) enemy is set up as this great love, and the other is the solid guy who’s been Rune’s friend and support system for years. You know, helping her, keeping her secrets…not trying to genocide her people like certain (oh so hot) other brothers.

Anyways, that last point gets to one of my main struggles with this book: the characters. For one thing, it falls into the trap that I find all too often in YA where its main characters have to be teenagers for it to be YA, but the things they’ve accomplished already in life are so incredibly unbelievable in the time they’ve had to do them that my suspension of disbelieve is immediately and thoroughly broken right from the start. Why oh why can’t authors just age up their characters to their early to mid 20s, call it a NA book, and probably get the exact same readership out of their book, but at least now it’s all plausible? I honestly don’t understand it.

I also just didn’t buy the primary “love story” between Rune and Gideon. I’ve read other witch/witch hunter love stories, and there have been some that definitely prove this set up can work. But for me to buy any burgeoning love story, the witch hunter has to have a pretty serious change of heart and regret sequence. But…Gideon just seemed fine with his choices of genocide? Because he had been hurt by a witch? It read as strange, and, more over, it really made me struggle to understand Rune’s willingness to overlook the realities of this guy she was becoming so interested in.

The book also tackles some fairly serious topics about sexual assault, and I’m not sure how well it was handled. I don’t really feel that the book gave this serious topic the framing it needed to be useful. Instead, it felt more like shock value and as a way to justify the things that the characters were thinking and doing. The seriousness of this subject also paired strangely with some of the “Bridgerton”-like aspects of the story, when the book would switch into “society mode” with a strong focus on fashion and gossip. And, look, I enjoy “Bridgeton” and enjoy a good “fantasy of manners” as much (if not more!) than the next person, but it paired very strangely with some of the darker tones of this book.

Overall, I struggled to enjoy this one. Again, the writing itself was strong enough, but the author makes choices with her characters, especially with their romances, that just don’t work for me. However, that said, I do think there are a decent number of readers who will enjoy this one, especially if you’re a fan of this author’s previous work. And, I do think this is a case where the use of tropes in the book description might have helped get this in the right readers’ hands, as well as changing it from YA (why?!?!?) to NA.

Rating 7: For me, this was a 6, but I’ll admit this came down to some very specific preferences of my own. Readers who have a more flexible approach to their romances may enjoy this one!

Reader’s Advisory:

“Heartless Hunter” can be found on these Goodreads lists: Fantasy Romance and Female fantasy authors – Children’s, YA and adult.

Serena’s Review: “Projections: A Novel”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Projections: A Novel” by S. E. Porter

Publishing Info: Tor Books, February 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Love may last a lifetime, but in this dark historical fantasy, the bitterness of rejection endures for centuries.

As a young woman seeks vengeance on the obsessed sorcerer who murdered her because he could not have her, her murderer sends projections of himself out into the world to seek out and seduce women who will return the love she denied―or suffer mortal consequence. A lush, gothic journey across worlds full of strange characters and even stranger magic.

Sarah Porter’s adult debut explores misogyny and the soul-corrupting power of unrequited love through an enchanted lens of violence and revenge.

Review: It’s been a hot minute since I read “Vassa in the Night,” but what I do remember, I remember fondly. I vaguely remember struggling a bit with the characters, but enjoying the world-building and lyrical nature of the story. Don’t quote me on that, but I feel like I can remember some pretty interesting magical concepts, but at the same time, practically nothing about Vassa herself. From these mists of memories, I have to say I’m pleased to see the author jumping over to adult fiction! As is confirmed in this book, I think adult fiction much better suits the strengths found in her lyrical style to storytelling.

I wasn’t sure exactly what to expect when I started this one. The cover is fantastic and was definitely giving creepy vibes, and the book description was leading me to think we’d be following the ghost, Catherine, individually throughout the story. But I wasn’t expecting the multiple time lines and the manner in which the story unfolded. It was both intriguing and frustrating. Intriguing, because the stories explores a large period of time, giving the reader glimpses into many aspects of the world and systems in place. Frustrating, because like Catherine, the reader is left raging at Angus, Gus, throughout the book, longing for his demise, forced to witness him in all of his misogynistic glory again and again.

That said, I really appreciated the look into Gus’s character that we see here. He’s such a lowkey sort of evil, a man who think he deserves the love of those he chooses, and then reacts violently and viscously when he is denied. It’s as terrifying as it is familiar. But what have been a simplistic exploration of this theme rose to a new level through the author’s careful work in this book. The story is presented meticulously and intentionally, using its various timelines to really sharpen the fine point it is making. Catherine is angry, the book is angry, and the author does a diligent job in portraying this anger as justified, warranted, and, in its own terrible way, necessary.

That said, this book is long, coming in at just shy of 500 pages. Given the dark nature of its themes, and the ongoing struggles of its characters, this left the reading experience as somewhat challenging at times. I can’t point to any exact moments that could be cut to winnow down the length, but I do think the book would have been more readable to a general audience if it had been edited down just a bit. That said, if you enjoy the style of writing presented here and become invested in Catherine’s story early on, as I did, the length isn’t a deterrent. If you enjoyed lyrical, historical fiction with strong feminist themes, definitely check this one out!

Rating 8: Ambitious and powerful, Porter weaves a careful tale of misogyny, cruelty, and the anger of a woman who refuses to remain a victim.

Reader’s Advisory:

“Projections: A Novel” is on this Goodreads list: Books I’m Dying to Get My Hands On

Joint Review: “What Feasts At Night”

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Book: “What Feasts At Night” by T. Kingfisher

Publishing Info: Tor Nightfire, February 2024

Where Did We Get This Book: Kate received an eARC from NetGalley,

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: After their terrifying ordeal at the Usher manor, Alex Easton feels as if they just survived another war. All they crave is rest, routine, and sunshine, but instead, as a favor to Angus and Miss Potter, they find themself heading to their family hunting lodge, deep in the cold, damp forests of their home country, Gallacia.

In theory, one can find relaxation in even the coldest and dampest of Gallacian autumns, but when Easton arrives, they find the caretaker dead, the lodge in disarray, and the grounds troubled by a strange, uncanny silence. The villagers whisper that a breath-stealing monster from folklore has taken up residence in Easton’s home. Easton knows better than to put too much stock in local superstitions, but they can tell that something is not quite right in their home. . . or in their dreams.

Kate’s Thoughts

When Serena told me there was going to be a new “Sworn Soldier” story, I knew that I was already game to read it because of how much I enjoyed “What Moves the Dead”. I wasn’t sure of what to expect, as while the first book in the series was a retelling of Edgar Allan Poe’s “The Fall of the House of Usher”, I didn’t know if Kingfisher intended to do more Poe, or another classic horror author/story. But when I saw the description and saw that it had a ‘breath stealing monster’, and that the title implied that it was happening at night, I FLIPPED because I KNEW IT WAS GOING TO BE A NIGHT HAG!!!

HELL YEAH, one of my favorite folklore beings that fills me with ALL THE DREAD! (source)

Quick folklore lesson: a Night Hag, also known as a Boo Hag, a Mare, Karabasan, Witch Riding, and many other things, is almost certainly sleep paralysis, in which someone wakes in the middle of the night, unable to move, with a feeling of something pressing on your chest making it hard to breathe. I have been obsessed with Night Hag mythology ever since I went to Savannah for the first time and was fully terrified by the idea of a demonic force sitting on your chest and sucking your essence out of you while you slept. So “What Feasts at Night” is one HUNDRED percent up my alley, and I loved what Kingfisher did with it within her fictional setting of Gallacia. The slow build up of Alex slowly realizing that the people in the community they have recently returned to are falling ill by something mysterious and unknown, and starting to realize that perhaps it isn’t just superstition, was a great slow burn of eeriness and the exact kind of unsettling atmosphere I would want and expect from a Night Hag story. But Kingfisher always knows how to balance out the scares with some humorous moments as well, and there were PLENTY of moments that I was laughing out loud as well as reveling in the creepiness of the plot. And finally, I liked getting to know Alex a little bit more, whether it’s through flashbacks to their time in combat and how they are still coping with that, or with seeing them interact with familiar faces as well as new ones as they try to figure out what killed their old friend, and what may be targeting others as well.

“What Feasts at Night” was another spooky and spirited horror lite story from T. Kingfisher! Love seeing Night Hags in any story, and this one was pretty well done!

Serena’s Thoughts

Unlike Kate, I had no idea what type of horror story this was drawing from when reading the description. I’ve read other horror stories about beings that come in dreams or at night and sit on one’s chest (and the connection to sleep paralysis) but I didn’t know anything about the history of this type of being or any of its names. That’s all to say, even without any background knowledge, man, Kingfisher nailed the creepiness of this creature! I’ve never had sleep paralysis, but I do have “exploding head syndrome” fairly regularly, so I have a visceral reaction to this sort of story about some nefarious being/thing taking advantage of the vulnerability of sleep. While the horror stuff was definitely a slow burn affair, when it arrived, it was truly creepy. There was one scene in particular with the horses that really stuck with me, both because it was so viscerally horrifying, but also because…never mess with the horses!!

As for the rest of it, like Kate, I wasn’t sure what to expect from a return to this world. The first book was so successful on its own, perfectly introducing this character and world and neatly wrapping up that tale by the end in a way that felt complete. But I was pleasantly surprised by what we got here. Alex remains an excellent lead character with a distinct, often hilarious, POV. I also really enjoyed that the story took place in their homeland of Gallacia. We heard a decent amount about this fictional country in the first book, but we got even more here. I loved the whole “lovingly exasperated” take that Alex and the locals seem to have about their own country and its culture and history. Again, lots of laugh-out-loud lines to be found here.

Overall, I loved this book just as much as the first! Sign me up for a return to this world and character at any time! Can’t wait to find what other normal life event (like sleep) Kingfisher will manage to make terrifying for me…

Serena’s Rating 8: Leave it to Kingfisher to write a book that left me terrified to go to sleep but also cackling my way through the night.

Kate’s Rating 8: A fun take on Night Hag mythology and folklore, “What Feasts at Night” is scary, entertaining, and another enjoyable horror lite tale from T. Kingfisher!

Reader’s Advisory

“What Feasts At Night” is included on the Goodreads list “Can’t Wait Sci-Fi/Fantasty of 2024”, and “Horror to Look Forward to in 2024”.

Serena’s Review: “The Butcher of the Forest”

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Book: “The Butcher of the Forest” by Premee Mohamed

Publishing Info: Tor, February 2024

Where Did I Get this Book: ARC from the publisher

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A world-weary woman races against the clock to rescue the children of a wrathful tyrant from a dangerous, otherworldly forest.

At the northern edge of a land ruled by a monstrous, foreign tyrant lies the wild forest known as the Elmever. The villagers know better than to let their children go near—once someone goes in, they never come back out.

No one knows the strange and terrifying traps of the Elmever better than Veris Thorn, the only person to ever rescue a child from the forest many years ago. When the Tyrant’s two young children go missing, Veris is commanded to enter the forest once more and bring them home safe. If Veris fails, the Tyrant will kill her; if she remains in the forest for longer than a day, she will be trapped forevermore.

So Veris will travel deep into the Elmever to face traps, riddles, and monsters at the behest of another monster. One misstep will cost everything.

Review: I’m a sucker for “deep, dark woods” books. I see that pop up in a book summary and you’re already halfway to me requesting the book immediately! Add on top of that a creepy, fairytale-like cover, an adult leading lady, and the mention of “traps, riddles, and monsters,” and yeah, I didn’t hesitate to slot this one down for review. And man, it was both everything I expected and wanted, and yet somehow also much more.

There was so much that I loved about this book that I don’t even know where to start! I will say, this is a novella, so readers are plopped down fairly quickly into this world and left to piece together an understanding of its politics and dangers fairly quickly. To accomplish this, the book relies on fantasy readers’ knowledge of some of the tropes commonly found in this type of book: a deep, dark cursed forest that everyone know not to enter; a cruel, tyrannical lord who is as brutal as he is unpredictable; and, of course, a leading character with a particular set of skills and a mysterious past. But while all of these elements are familiar, the fantastic skill of the author deploying them raised it all to a new level, allowing me to not only easily orient myself but to also find myself quickly invested in Elmever’s story.

She’s the exact sort of character I love: brave, but not foolhardy; sad and worn down by a cruel world, but unwilling to forfeit all hope; willing to take action, but also capable of dealing with the blows dealt to her. I also loved the slow reveal of the mysteries in her past, with the final clincher coming late in the story in a way that completely took me by surprise. Not so much what the reveal was itself, but how it played into the current events unfolding on the page.

This book is also incredibly dark and would comfortably fit under the “horror” umbrella. And while “horror” isn’t my preferred genre, I do like seeing aspects of the genre pop up in books like this. There’s nothing more disappointing than a fantasy book with a cursed forest that turns out to be fairly…tame. This is not that. Scene after scene buffets the reader with gruesome creatures, terrible choices, and the inevitable feeling that there’s no way Elmever can possibly keep this up much longer. The stakes always feel high, and by the midpoint of the book, I was frantically reading at a pace that could almost be described as “frenzied.” And on top of these horror elements, this book is dark in the sense that it tackles some very tragic themes. These characters have not had easy lives, and no one is safe. I was honestly surprised by just how willing the author was to fully go there with some of these scenes.

It’s hard to say I “enjoyed” this book per se, given how tragic and tense it was for much of the time. But I did love it and was incredibly impressed throughout the story. For such a short book, it packs a powerful punch. I never felt like a scene was wasted, unnecessary or not fully explored. Instead, the book felt succinct, sharp, and incredibly poignant at times. I highly recommend this one to readers who enjoy dark fantasy novels and are looking for a short, satisfying read.

Rating 9: Heart-breaking and fear-striking, this book will catch you up in its claws and wring you out, all in the best possible way!

Reader’s Advisory:

“The Butcher and the Forest” can be found on these Goodreads lists: Animal Sculls on Cover and Cottagegore

Serena’s Review: “Sun of Blood and Ruin”

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Book: “Sun of Blood and Ruin” by Mariely Lares

Publishing Info: Harper Voyager, February 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In sixteenth-century New Spain, witchcraft is punishable by death, indigenous temples have been destroyed, and tales of mythical creatures that once roamed the land have become whispers in the night. Hidden behind a mask, Pantera uses her magic and legendary swordplay skills to fight the tyranny of Spanish rule.

To all who know her, Leonora de Las Casas Tlazohtzin never leaves the palace and is promised to the heir of the Spanish throne. The respectable, law-abiding Lady Leonora faints at the sight of blood and would rather be caught dead than meddle in court affairs.

No one suspects that Leonora and Pantera are the same person. Leonora’s charade is tragically good, and with magic running through her veins, she is nearly invincible. Nearly. Despite her mastery, she is destined to die young in battle, as predicted by a seer.

When an ancient prophecy of destruction threatens to come true, Leonora–and therefore Pantera–is forced to decide: surrender the mask or fight to the end. Knowing she is doomed to a short life, she is tempted to take the former option. But the legendary Pantera is destined for more than an early grave, and once she discovers the truth of her origins, not even death will stop her.

Review: So, I went into this one with some trepidation. On one hand, I love the idea of a fantasy re-imaging of “Zorro” with a gender-swapped main character and taking place during the 16th century in the Spanish-colonized part of Mexico. So many parts of that premise have me interested, and, as a massive “Zorro” fan, I’ve been looking for a great version of this story for ages and have yet to find one. But on the other hand, this is one of those examples of a book that definitely suffers from its publication date. In that, it was published several months ago in the U.K. and picked up by various book boxes since then. That being the case, there are a ton of reviews available with readers thoughts on the book. And, unfortunately, they’re largely middling. However, given how excited I was initially and the fact that I often find myself disagreeing with the prevailing take, I still wanted to give this one a shot.

So, right away, I can understand why this book was a struggle for many readers. And while, as you’ll see from my rating, I largely agreed with the general consensus of this book, there are a few points that didn’t work for others that bothered me less. First of all, the book starts out in a very disjointed manner, with lots of jumps in time from the present day and then back in time Leonora’s days training in the jungle. I have no problem being plopped down in books like this, with very little information to start with, but it is a problem point for many readers. I will say, that while this basic structure wasn’t a problem for me, the overall execution of it was not the best. The way it was done severely impacted the pacing of the story, preventing me from connecting with the characters or really finding as solid footing in this world.

This was made more difficult by the need to rather regularly check the glossary at the back of the book to understand what was actually being discussed at times. Here, again, I like glossaries for the most part, but in general, I feel like they should support the story, rather than being required for basic comprehension of plot points of the story. This wasn’t helped by the fact that this is a very political book. I do like political stories, and, knowing less about this particular region and time period, I went into this one excited to learn more. However, again, the actual plotting and progression of the story that explored these ideas was so disjointed that it made the reading experience itself a challenge, and it wasn’t until the mid-point of the story that I really began to place how everyone was interacting with one another.

On top of this, I was disappointed in the “Zorro” aspects of the story. For all that we’re told that the Pantera is this badass vigilante, we get to see very little of this on the page. I was interested in the politics, sure, but I’m a simple woman at heart: I just wanted a bunch of badass Zorro/Pantera fight scenes, and I felt like that was severely lacking.

The writing, overall, was ok. I think the author had more success with her world-building and descriptive prose, however, than with the dialogue. Much of the latter felt stilted and scripted in a way that constantly took me out of the story. This wasn’t helped by the fact that I wasn’t super invested in the heroine or her love interest. There wasn’t anything actively bad about either of these characters, but I also simply didn’t care about their stories or their romance.

Overall, unfortunately, I have to agree that the general consensus for this book was largely right. Perhaps it will find its place with readers who are more interested in a political fantasy story than a “Zorro” story and who aren’t thrown by the slow start. But, sadly, my search for the definitive “Zorro” book continues.

Rating 6: Kind of a mess, with a plot that was all over the place and a main character who spent a lot of time telling us about being a badass vigilante, but less time showing us.

Reader’s Advisory:

“Sun of Blood and Ruin” can be found on these Goodreads lists: Historical Fiction 2024 and 2023 Debuts.

Serena’s Review: “Infinity Alchemist”

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Book: “Infinity Alchemist” by Kacen Callender

Publishing Info: Tor Teen, February 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: For Ash Woods, practicing alchemy is a crime.

Only an elite few are legally permitted to study the science of magic―so when Ash is rejected by the Lancaster Mage’s College, he takes a job as the school’s groundskeeper instead, forced to learn alchemy in secret.

When he’s discovered by the condescending and brilliant apprentice Ramsay Thorne, Ash is sure he’s about to be arrested―but instead of calling the reds, Ramsay surprises Ash by making him an offer: Ramsay will keep Ash’s secret if he helps her find the legendary Book of Source, a sacred text that gives its reader extraordinary power.

As Ash and Ramsay work together and their feelings for each other grow, Ash discovers their mission is more dangerous than he imagined, pitting them against influential and powerful alchemists―Ash’s estranged father included. Ash’s journey takes him through the cities and wilds across New Anglia, forcing him to discover his own definition of true power and how far he and other alchemists will go to seize it.

Review: While I hadn’t read any other books by this author, I was aware that he had written a good number of books before this one and was generally quite enjoyed! So I jumped at the opportunity to see what types of books he had in store! Plus, I’m always down for a good alchemist story! Unfortunately, however, I really struggled to enjoy this one. But, as always, let’s start with a few things I did enjoy!

While heavy-handed at times, I enjoyed the world-building and society that this book presented and the ways in which the author used these fantastical features to make commentary on the real world struggles and prejudices that people may face. I wouldn’t say any of it was particularly subtle or ground-breaking, but it also got the job done, and I think readers who enjoy a good social commentary built into their fantasy novel will likely enjoy this aspect of the story. I also enjoyed the unique take on the magic system, in which everyone is capable of alchemy since it pulls from one’s life force, but use of this magic is still heavily regulated and licensed. It sets up a good foundation for our main character, a young man who practices alchemy in secret.

But while this premise is good, I found myself really disliking Ash throughout much of this book. Yes, it is YA and Ash is young and thus somewhat excused for bursts of emotion, but this character really took it to new levels. He would react so explosively to situations that it was immediately off-putting, especially given how often these reactions placed him and his friends in more danger. At a certain point, “fiery” becomes just plain dumb and unfortunately, Ash crossed this line more than once. And then he’d swing wildly back to swooning over love interests the very next moment.

And this got to another struggle point: love interests, plural. As far as my romance preferences go, throuple stories are fairly low in my interest. For me, they’re like love triangles that just…continue. And all of the struggles I have with love triangles then just…continue. In that I often don’t feel like enough has been done to build up actual relationships between all three of the characters and everything quickly begins to feel superficial and like instalove (more really, instalust, given the lack of time/development given to these relationships). Such was the case here. On one hand, this is on me. If I had dug a bit deeper, I may have just passed on this book, knowing that I’m not going to be the best reader for it. But on the other hand, objectively, I do think these relationships are lacking in any real substance, unfortunately.

And, lastly, I do have to touch on some readability issues. One of Ash’s love interests is a character named Ramsey who is genderfluid. This is then expressed on page by switching the pronouns from “they” to “him” between chapters. I’m not sure what the solution is to writing these types of characters, but this approach really left me struggling and more often than not pulled me out of the story while I re-read sentences to find the context that might clue me in on who the “he” was at any given moment. Given that the character also used “they,” it might have been best to just leave it at that. I’m not sure if switching pronouns between chapters served any real purpose, narratively, and, for me at least, it took me out of the book enough times to severely disrupt my reading experience, from a practical point.

Over all, I really struggled with this book. While there is a lot of action on the page, I felt disconnected from all of the characters and had a hard time maintaining interest in their stories. Fantasy readers who enjoy throuple stories and are looking for a good fantasy world with social commentary built in nicely may want to check this out. But I do think there are better books out there with all of these things.

Rating 6: A dislike of the main character and a struggle with some of the writing mechanics left this one as a bit of a downer for me.

Reader’s Advisory:

“Infinity Alchemist” can be found on this list: 2024 Dark Academia Releases.