Tag: 10 Rating

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Book: “The Everlasting” by Alix E. Harrow

Publishing Info: Tor Books, October 2025

Where Did I Get this Book: ARC from the publihser!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Sir Una Everlasting was Dominion’s greatest hero: the orphaned girl who became a knight, who died for queen and country. Her legend lives on in songs and stories, in children’s books and recruiting posters―but her life as it truly happened has been forgotten.

Centuries later, Owen Mallory―failed soldier, struggling scholar―falls in love with the tale of Una Everlasting. Her story takes him to war, to the archives―and then into the past itself. Una and Owen are tangled together in time, bound to retell the same story over and over again, no matter what it costs.

But that story always ends the same way. If they want to rewrite Una’s legend―if they want to tell a different story–they’ll have to rewrite history itself.

Review:I got to meet Alix Harrow at ALA, which was incredibly fun all on its own. But as anyone knows who’s been to a convention, much of your time is spent standing in line. That being the case, I got to overhear her conversations with many other readers in the same line as me, and they all went along a similar line: the reader would come up and wax poetic about their love for Starling House and how excited they were for her new books; Alix Harrow would begin to look more and more nervous and then say something like this at the very end, “…well, the next one is a VERY different book, but I hope you like it..!!” I wasn’t too concerned, as I’ve loved everything I’ve read by her so far. But after picking this one up, I can understand why she was concerned. For, readers, this book is written in a combination of first- and second-person perspective! And I loved it!

The really funny thing about this is that right before I started reading this one, I was talking to my husband about how I thought that first person was one of the most difficult perspectives to write from and that I’d only read one book/series EVER that had pulled off second person (N. K. Jemisin’s Broken Earth trilogy). And then I picked up this one and had to eat my words! The biggest concern with this sort of thing is that it could come across as a gimmick. But, wisely, Harrow created the perfect story for this format, with the plot and themes of the story directly tied to the reason the story is told the way it is. I don’t want to go into too many spoilers, but not only did these perspectives not distract from the reading experience, they greatly enhanced the emotional impact of what was going on in the story.

Time travel is another tricky concept to pull off, and I think Harrow does an excellent job exploring different ways to use this device without getting too bogged down in technicalities. Whenever I felt myself getting too caught up on details, I was hit with another massive twist or emotional gut punch, of the sort that I quickly forgot any questions I may have had. By the end, I feel like everything was neatly tied together in a way that left all of my most pressing questions answered.

As for characters, there are three main characters in the book: Owen, the scholar; Una, the knight; and the primary villain. Each of these three was fantastic. We probably spend the most time in Owen’s head, and his story explored themes of courage, heritage, and history. Una, however, was probably my favorite, with her complicated, tragic story that only becomes more so as the book progresses. Her life is tightly bound by duty, loyalty, and sacrifice, and the discovery of a love that doesn’t ask anything of her shakes her world. I don’t want to discuss the villain too much, but there were so many fascinating layers here as well. By the end, I both despised and sympathized with this character, as misled and terrible as they ultimately turned out to be.

This book is a work of art; there’s no other way to say it. It’s like a perfectly tuned machine, with every aspect working together perfectly: theme, format, voice, and characters. While Harrow is correct that this book is very different from Starling House, I think she failed to account for a simple fact: readers will follow a talented author through any narrative device in pursuit of an excellent story. And such was the case here.

Rating 10: Nothing less than a work of art, and The Everlasting is a masterpiece!

Reader’s Advisory:

“The Everlasting” can be found on these Goodreads lists: My favorite Medieval Fantasy novels and All the New Fantasy Books Arriving in October 2025.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Wild Reverence” by Rebecca Ross

Publishing Info: Saturday Books, September 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Born ​in the firelit domain of the under realm, Matilda is the youngest goddess of her clan, blessed with humble messenger magic. But in a land where gods often kill each other to steal power and alliances break as quickly as they are forged, Matilda must come of age sooner than most. She may be known to carry words and letters through the realms, but she holds a secret she must hide from even her dearest of allies to ensure her survival. And to complicate matters . . . there is a mortal boy who dreams of her, despite the fact they have never met in the waking world.

Ten years ago, Vincent of Beckett wrote to Matilda on the darkest night of his life―begging the goddess he befriended in dreams to help him. When his request went unanswered, Vincent moved on, becoming the hardened, irreverent lord of the river who has long forgotten Matilda. That is, until she comes tumbling into his bedroom window with a letter for him.

As Fate would have it, Matilda and Vincent were destined to find each other beyond dreams. There may be a chance for Matilda to rewrite the blood-soaked ways of the gods, but at immense sacrifice. She will have to face something she fears even more than losing her magic: to be vulnerable, and to allow herself to finally be loved.

Review: When I started reading this one and immediately fell in love with it (as I always do with Ross’s books it seems), I realized something: In many ways, Ross has taken up the reigns from Juliet Marillier in regards to these sorts of whimsical, lyrical, heartbreakingly romantic fantasy tales. Of course, Marillier is still writing, but her books are terribly difficult to get nowadays (her most recent one only released in Australia), so this makes Ross’s much more accessible titles all the more appealing. This little aside probably doesn’t mean much if you’re not familiar with Juliet Marillier’s works. But if that’s the case, and you enjoy Rebecca Ross and are looking for more, definitely give Marillier’s extensive back catalog a look!

It’s always a bit worrying when an author returns to a world/story that feels complete (I feel like Ava Reid’s “A Theory of Dreaming” is a good example of how it can go wrong). So when I heard that this was a prequel to “Divine Rivals,” I had concerns. But Ross proves here that there is a correct formula for making this work! For one thing, this book would be perfectly approachable to readers who have no knowledge of “Divine Rivals” and the world that was set up in that duology. Indeed, this book takes place so far in the past from those events that almost nothing is recognizable between one and the other. There are only the barest references to characters and places that show up in those books, and even these are of the sort that feel earned to this book alone, and not simply as empty “easter eggs” for fans of the other series.

The other factor that makes this successful as a prequel is the fact that the focus is on characters, places, and conflicts wholly unreferenced in the other duology. From my memory, there are only two gods mentioned in this book that showed up in the other books. And, indeed, the two gods at the heart of the conflict in “Divine Rivals” were some of the more obscure parts of that series, for better or worse. So getting a clearer look into what these pantheons looked like centuries in the past felt like being introduced to a fully unique world and lore.

And boy does Ross make up for that obscurity here! Not only does she create one pantheon, but two! Each with their own cultures, stories, and hierarchies. And then on top of those, she builds up the complicated dynamics that exist between them. Matilda’s story is told slowly and carefully, with the first third of the book devoted to her childhood and early adolescence. But what could have felt as slow pacing as we await the main action of the plot, instead felt like crucial world building and the introduction of a whole host of side characters, all of whom I wished to spend more time with, ultimately.

Matilda was fantastic, to put it simply. She’s a child between worlds and we see both the strengths and insecurities this brings to her. Because of how disconnected the two pantheons are, much of her existence has been shrouded in secrets and unknowns. There were a number of interesting twist and turns throughout the story that explored the tricky ways that her unique place between these worlds allowed her to manipulate events in surprising ways, even to her! I also enjoyed her internal journey, one that begins in fear, moves into a place where she has been taught how gods “should” behave, and then slowly comes into her own power, embracing that which her peers have deemed weaknesses.

Vincent is also a great romantic lead. He gets less page time than Matilda, but what we do see from him is so, so good. I was never quite as enraptured with the love story from “Divine Rivals” as other readers were, instead preferring the quieter, more adult romance found in other titles by Ross. So I was thrilled to see a return to that sort of love story play out here. Matilda and Vincent’s relationship hit on all of the right notes, mutual wariness that lead to deep feelings based on more than simple passion.

The conflict was also incredibly well done, with antagonists ranging from the mortal to the immortal. Once the plot starts up, it never really stops, with Matilda literally running from one action scene to another. And yet, at the same time, the story always felt keenly focused, precisely tuned to Matilda and Vincent and there journeys through these troubled times.

So, yes, I loved this book. In many ways, it was a return to the sort of love stories that I look for from Rebecca Ross. But it was also an incredibly well-drawn, detailed fantasy world with a twisting and intricate plot that will keep you on your toes throughout. If you’re a fan of Ross, than this is a must read! And I also strongly recommend it to romantasy fans and readers looking for a fairytale-like fantasy standalone!

Rating 10: Where romantasy meets epic fantasy, Ross is the reigning queen of the genre!

Reader’s Advisory:

“Wild Reverence” can be found on these Goodreads lists: Best Books of 2025 and “Matilda”.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Jasad Crown” by Sara Hashem

Publishing Info: Orbit, July 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org |Amazon | IndieBound

Book Description: Held deep in a mountain refuge, Sylvia has been captured by the Urabi, who believe she can return their homeland to its former power. But after years of denying her legacy and a forbidden alliance with Jasad’s greatest enemy, Sylvia must win the group’s trust while struggling to keep control of both her magic and her mind.

In the rival kingdom, Arin is caught between his father’s desire to put down the brewing rebellion and the sacred edicts he’s sworn to uphold. Arin must find Sylvia before his father’s army, but his search will call into question the very core of Arin’s beliefs about his family and the destruction of Jasad.

War is inevitable and Sylvia cannot abandon her people again. The Urabi plan to raise the Jasadi fortress, and it will either kill Sylvia or destroy the humanity she’s fought so hard to protect. For the first time in her life Sylvia doesn’t just want to survive. She wants to win.
The fugitive queen is ready to come home.

Previously Reviewed: “The Jasad Heir”

Review: I’ve been waiting for so long for this sequel that I had begun to question whether the first book was really as enjoyable as it was. (This is an established coping technique for readers, when we have long waits between books, to prevent the onset of madness due to anticipation!) But the minute I turned the first page on this one, I remembered just how satisfying that first book was. And now, with the duology complete, I can say that the entire experience was all-around excellent!

There’s a lot of great things to talk about with this one, but given the current proliferation of the “enemies to lovers” trope in romantasy, I think this is an area where this book really shines. So much so that I’d almost say this should be required reading for how to correctly write this sort of romantic storyline. There are many ways in which the love story is successful, both in the first book and carried over to this one. The first book is appropriately a slow-burn, with both characters slowly, naturally progressing through their negative associations with the other. As is typical with this sort of plot, that book ends with a bombshell, revealing all of the secrets and lies between them.

The important part is now how this romance is handled in this book. The author does so many things right! For one thing, it’s not as if both characters suddenly, inexplicably, lose all of the friendship, trust, and even love that had built up between them. Yes, obstacles have been introduced, but both are mature characters who, to some extent or another, trust their own original judgement and, frankly, have more important things to worry about than too much ridiculous angst. Sure, these reveals have an impact, but there’s no overly YA “but she betraaaayyyeeed meeee” nonsense where it doesn’t make sense.

Further, and this goes back to work done in the first book, the author created two characters who are fully realized beings on their own, who have built-in personality traits, strengths, and weaknesses, that would independently drive their choices and actions through an enemies-to-lovers romance. For example, Arin has been well-established as a character who is highly strategic and highly invested in understanding everything that goes on around him. Thus, by the time the truth about Sylvia is revealed, his journey towards re-thinking his understanding of his own nation and the history of this world at large is based on his own intrinsic character traits, not just “but I luuuuv her!!” Too often, the entire journey from “enemy” to “lovers” requires one character to simply change who they are or change teams based on almost nothing but their love for the other character. Here, Arin’s journey has practically nothing to do with his feelings for Sylvia, and this makes it all the more realistic and interesting to read! It’s this point, giving characters their own inner motivations for change outside of the love story, that I think is so often missing in these sorts of romances.

Further, Sylvia doesn’t magically transform into the perfect leader of this rebellion. Indeed, she’s pretty terrible at it all the way through the entire book! What’s more, however, the book does an excellent job of portraying the foibles of the rebellion itself! All too often, again, stories like this have a frustrating tendency of dumbing down their political conflicts to the point that you can pretty much guarantee that whatever rebellion group you find will be coded as purely good and righteous at every turn. Here, this group is made up of humans, with their own grievances, misunderstandings, and tendencies towards self-centered motivations. Sylvia’s journey is one of balancing imperfections, both her own as well as the group of displaced Jasadis that she’s trying to lead.

Lastly, as far as the romance goes, I appreciated that the author didn’t string us a long with the love story! Even given their circumstances, Hashem found creative ways to throw Arin and Sylvia back in each others orbits at regular intervals, beginning fairly early in the book. I always find it incredibly annoying and contrived when authors feel the need to keep their characters apart to drive up “tension,” especially in books that are the last in a series’ run, as this is our last time getting to spend time with these characters. And for pages and pages to be wasted on unearned pining is the peak of annoyance for me.

I also enjoyed the introduction of a few chapters from various side characters’ perspectives. There weren’t tons of these, but through them, we got a better insight into various interested parties, all with their own priorities and motivations. These perspectives helped to further flesh out the world and raise the stakes for the ultimate conflict, one that affected more than just Jasad itself but magic as a whole!

I also really enjoyed the expansion of this world’s magic system and history. The book definitely took some twists and turns that I didn’t see coming, and the answers to many lingering questions were incredibly satisfying. I think the book also wrapped up in an excellent manner. It’s bittersweet, of course, but it also technically checks off the HEA requirements, so never fear!

This book is peak romantasy, as far as I’m concerned. It’s also criminally under-appreciated in a packed genre where, too often, lesser titles rise to the top based on nothing more than #vibes. This is a fantastically written, fully realized and developed, romantasy title that should be used as the gold standard for properly pacing an “enemies to lovers” romance. This is a great read for romantasy and fantasy romance readers alike and I can’t recommend the duology enough!

Rating 10: Great world-building, excellent prose, spot-on dialogue, and a love story that hits all the right notes, this book has it all!

Reader’s Advisory:

“The Jasad Crown” is on these Goodreads lists: Arabian, Egyptian, and Indian Fantasy 2 and 2025 Adult Fantasy/Sci-fi/Speculative Releases by BIPOC Authors.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Raven Scholar” by Antonia Hodgson

Publishing Info: Orbit, April 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Let us fly now to the empire of Orrun, where after twenty-four years of peace, Bersun the Brusque must end his reign. In the dizzying heat of mid-summer, seven contenders compete to replace him. They are exceptional warriors, thinkers, strategists—the best of the best.

Then one of them is murdered.

It falls to Neema Kraa, the emperor’s brilliant, idiosyncratic High Scholar, to find the killer before the trials end. To do so, she must untangle a web of deadly secrets that stretches back generations, all while competing against six warriors with their own dark histories and fierce ambitions. Neema believes she is alone. But we are here to help; all she has to do is let us in.

If she succeeds, she will win the throne. If she fails, death awaits her. But we won’t let that happen.

We are the Raven, and we are magnificent.

Review: No delay: I absolutely loved this book! It was one of those special reads where I went in with zero expectations and was blown away! I wasn’t familiar with the author (this is her first fantasy novel) and all I really knew about this one was that it featured yet another deadly, magical competition. Which, at this point, is more of a red flag than an interest point, given how flooded the genre has been with these sorts of books for the last several years. But man, this one proved why, in the right hands, even a tired trope can really come to life!

Part of this is the simple fact that, while the competition is the structure around much of the plot is built, it’s not really the main focus of the story. Instead, the central premise of the book is much more heavily focused on what starts as a murder mystery but quickly spirals out into a much larger conspiracy. And this larger mystery encompasses decades of history, some plot points from over 20 years ago, some events from a decade before, and others from more recent years. Much of this is slowly revealed throughout the course of Neema’a investigation, but the author also neatly uses a few chapters of a prologue that follows another character from years before. This was such a brave choice, as this character becomes central to the story, but is also never seen on page again. It’s a show of confidence that the author felt that the narrative voice and Neema herself were strong enough to reclaim the story back from a very different starting focus. With all of this, as the story unfolds, the reader is lulled into a sense of putting things together only to be smacked over the head with several huge late game reveals, some of which truly took my by surprise!

As for the competition, it did stand out from others, both in its simplicity and in its unique points. Some of it is just straight forward fighting, no real gimmicks. And as far as the magical competition portions went, the book was much more focused on the qualities of the groups who put these portions of the event together, what they wanted to see from a winner and a leader. In this way, these trials felt much less like the typical dangerous escapades we’re used to seeing. Instead, several of them are fairly generic, but made interesting by what they say about the individuals who participate in them based on the choices they make. This was also helped by the steady hand the author utilized throughout in creating this cast of competitors. Very early, I felt I had not only a strong understanding of who each of these characters were, but they all felt fully fleshed out and individual from one another, bringing their own baggage and their own motivations to this competition.

And, at the heart of it all, we have Neema and the Raven. Neema was simply excellent, everything I want from a protagonist. Smart, but awkward. Thrust into a situation she was completely unprepared for, we see all the stumbles of a flawed individual, but we also see the way her particular strengths lead her through. And most importantly, the ways in which she navigates these trials and the investigation all felt natural and believable to her history and abilities. Sometimes it’s really easy to see the author’s hand on the wheel with the creation of situations that seem to conveniently just work out for a main character who, by any rights, should fail miserable. Neema doesn’t glide through. People don’t trust her, don’t like her, and if she hadn’t attracted the interest of the Raven, it’s clear she would have done terribly. I also enjoyed the quirks of her characterization, the ways in which her strengths (her incredible scholarly knowledge) has and continues to create barriers to her ability to form connections to others. At times it was hard to see her treated so harshly by those around her, but the bright spots of the Raven’s narration and the very subplot-y love interest balanced these tough moments out.

And, of course, there is the Raven themself. What a unique narrative quality! There’s a way that this could have gone very wrong, that a quirky style like this could have been overplayed and over done. Instead, this has to be one of the most fresh feeling narrative styles that I’ve seen in a while! For those who are concerned, the majority of the story is told in your typical third person past tense approach. But sprinkled throughout, we are reminded that we are being told this story through the eyes of a very specific being with their own goals and perspective. Not to mention, the Raven was hilarious!

This book was pretty much my perfect read! Incredible fantasy world-building, an excellent main character, mystery, action, romance, it has it all! For a book that is 700 pages long, by the final portion, all I could think about was the fact that I wanted it to be even longer and how am I possibly going to wait for the sequel! This one doesn’t end on a cliffhanger, per se, but by the end of the book, this world looks very different than it did when it began and Neema’s journey is a wild ride, sprawling out before her. If you enjoy epic fantasy, this is a must read, as far as I’m concerned!

Rating 10: In a word: magnificent. Hodgson blasts onto the epic fantasy stage with a book that will quickly become a must-read for fans of the genre.

Reader’s Advisory:

“The Raven Scholar” can be found on this Goodreads list: 2025 Adult Fantasy & Science Fiction