Book Description: A decade ago, Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk everything he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?
And throughout the worlds, other destinies entwine with Darrow’s to change his fate forever:
A young Red girl flees tragedy in her refugee camp and achieves for herself a new life she could never have imagined.
An ex-soldier broken by grief is forced to steal the most valuable thing in the galaxy—or pay with his life.
And Lysander au Lune, the heir in exile to the sovereign, wanders the stars with his mentor, Cassius, haunted by the loss of the world that Darrow transformed, and dreaming of what will rise from its ashes.
Review: I absolutely loved the “Red Rising trilogy. It was epic in every sense of the word: a sweeping landscape that sprawls across the entire galaxy. An intimidatingly large cast of characters whose political machinations were challenging (in a good way!) to keep track of. And a story driven by one man’s quest to begin a revolution that would shake an entire world order. But in Darrow’s success, and the trilogy’s success, where is left to go? Many, many places it turns out!
From the get go, “Iron Gold” sets out to be its own story. It’s been ten years since Darrow’s revolution, and yet he, his comrades, and his civilization are still at war, both with the remnants of the old system who seek to bring back their own ways and privileges, as well as with those in their own fledgling government who struggle to direct this new world order from within a different political and societal perspective.
The narrative is also split between four characters. Alongside Darrow, we have Lyria, a Red girl who grew up on a “freed” Mars where all is not as well as they had been promised when her family and their colony were brought up to the surface from the mines below. Back on Luna, an ex-solider-turned-thief struggles to find meaning in an existence void of his fiance who died years ago and finds himself caught up in an underbelly mafia that might be more than he can handle. And far on the out reaches of the galaxy, Lysander, the exiled heir apparent, drifts along until he unexpectedly finds himself pulled into a revolution of its own.
Both of these tactics, the expanded POV cast and the time jump, were managed extremely well. Not only was it a great choice to set the story 10 years later, but by splitting the narrative, “Iron Gold” was freed up from some of the constraints that were beginning to niggle at me back in “Morning Star” when Darrow’s hero complex and habit of speechifying was just beginning to annoy me.
Here, not only do we have the three other characters, but Darrow is very much a changed man from the hopeful, conquering hero that we saw at the close of “Morning Star.” Through him, Brown tackles complicated issues surrounding ongoing warfare, the effects to the psyche on career soldiers, and the simple truth that winning a revolution doesn’t magically deliver up a new world freed of the systemic social classism that was at the heart of the old one. Darrow doesn’t know how to come home, and his discomfort while there, surrounded by friends, his wife, and his son, is palpable. Further, Brown gives us a more complicated Darrow. No longer is the reader assured that however morally grey Darrow’s decisions may be, that of course he is on the right side of this issue, he’s going to save the day! This Darrow is operating in a world where the black and white issue, upending the Gold class system, has already happened. But Darrow’s own legend has become a burden and throughout this story I often found myself questioning not only his actions but his justifications. Darrow almost becomes an unreliable narrator, and I loved it all.
This discomfort and moral greyness carried over throughout much of the series. While the first trilogy was in many ways a simple mission with the good guys saving the world, this book challenges much of what we took for granted before. Through Lysander, we see a young man who was torn from the only life he had been trained to and cast out into the wilderness. Alongside him, we see the fallout of decisions that were made years ago to support Darrow’s revolution, but had their own catastrophic consequences on other parts of the galaxy and felt by other people. I enjoyed Lysander for the most part, but I also struggled with his decisions towards the end. While I understood them and why he, specifically, would choose as he does, this discomfort of both rooting for AND against a character at the same time was challenging.
Lyria, growing up in the slums on Mars, highlights the fact that winning a war isn’t all that is needed to save a downtrodden people. She and her family are essentially refugees on their own planet, forgotten by the very people who set out to save them who are now caught up in the “bigger picture.” Yes, that big picture is important, but through Lyria, we see the very real image of a revolution that is still actively failing the vulnerable. Lyria was the one character who was entirely sympathetic, and I loved all of her chapters.
Ephraim, the Grey solider-turned-thief, was almost the most “Darrow-esque” character of the whole lot, at least as far as you can judge from the original trilogy. Which is funny, since of the four, he’s also the one most in the wrong throughout the book. But through him we had much of the action and adventure we had in the first series. More jokes, less brooding.
There was also, of course, the return of many characters from the first book. Most notably, Sevro is right along Darrow for much of this ride. I loved that for all of his craziness, of the two, Sevro was by far the more balanced individual, able to carry the trials of war more lightly, and, most importantly, still able to retain a healthy, loving relationship with his wife and children. His wife, Victra, was probably my favorite character in the book for the simple fact that she had a battle suit fitted for her 8 month pregnant body and didn’t let it slow her down one bit.
The biggest disappointment, however, was Mustang. Not in anything she does, but by the simple fact that she has very little page time in this book. It’s not unexpected, considering her role as Sovereign, but I still wish we had more from her. I did enjoy the conflict that arose between her and Darrow. They are on the same side, obviously, but Brown masterfully illustrated the fact that a ruling Sovereign and a general on the front lines might still find themselves in very different places and making very different decisions, even when reaching for the same goal.
This is clearly the first book in a trilogy (?), and while many of the storylines are wrapped up well enough for the book itself, there are just as many ongoing challenges that are only made worse in this first book. Things go pretty badly for almost everyone involved and it definitely seems to be heading towards a “darkest before the dawn” type place. Further, given this book’s willingness to confront the moral quandaries and grey zones of warfare, it feels like less of a given that all will end well for our heroes. As we’ve seen here, winning the battle doesn’t get you very far if you don’t know how to live without fighting. And what’s more, what is the line in a war to save a galaxy? And are you even saving it to begin with? This book challenges its readers in ways that the original trilogy did not, and that is one of the highest marks in its favor. If you’re a fan of the first series, definitely get your hands on this one soon! But make sure to browse through those first few books again first, cuz, man, there are A LOT of characters and connections that I had to try and remember as I went along!
Rating 9: Darker and more complicated than the first, but just as excellent, especially with its expanded POV character cast.
Reader’s Advisory:
“Iron Gold” is a new book and isn’t on any relevant Goodreads lists, but it should be on “Sword and Laser Sci-Fi.”.
Book Description: “Beneath the Sugar Sky” returns to Eleanor West’s Home for Wayward Children. At this magical boarding school, children who have experienced fantasy adventures are reintroduced to the “real” world.
Sumi died years before her prophesied daughter Rini could be born. Rini was born anyway, and now she’s trying to bring her mother back from a world without magic.
Review: I read and loved the first book in this series of novellas, had complicated feelings about the second, though still largely enjoyed it, and was counting down the days until I could get my hands on this one (even better, I got it early so I was able to do away with my “counting calendar” before the madness really took over).
“Beneath the Sugar Sky” introduces us to Cora, yet another girl who has been unwillingly returned to a world where she feels she no longer belongs. New to the Home for Wayward Children, she is just beginning to make friends with the others around her and beginning to understand the far-reaching and complicated network of other worlds that children have traveled to and from for years. But, like them all, she wants only to find her door and return as soon as possible. Instead, what she finds, is a girl who has traveled to this “regular world” with one goal and one goal only: to resurrect her mother, Sumi, who died so tragically way back in the first book.
First off, I loved the combination of introducing a completely new character and world through Cora, but also directly tying the plot to the action from the very first book in the series, and using this contrivance to more naturally bring in characters from the first two books with whom we are familiar and enjoy. I particularly loved the surprise appearance of a past main character and exploring more fully the world she loves.
And that was another great thing! We got to visit multiple fantastical worlds in this book! I always love adventure/quest stories, and that it was lovely following our band of strange heroes through various worlds and seeing how they reacted/experienced each of these worlds. We know that the worlds choose children who are natural fits for those worlds, so seeing those characters out of place in a strange new world was very interesting, highlighting how “high nonsense” worlds would have a negative impact on characters who are more aligned to “logical” worlds. And how the world itself could actively resist those rules being pushed upon it.
Alongside some returning characters, the two new faces are Cora and Rini. Cora, our main character, was an excellent addition to a ever-growing pantheon of characters who push against conformative exceptions of society that make quick judgements of who a person is. In this particular story, we see Cora dealing with the judgements based on her weight. Her athleticism, particularly in the water, was continuously dismissed before she finds her own door that leads to a water world where she goes on adventures as a mermaid. There, in the freezing depths, her extra layers and strong, poweful body are an asset. So, here, returned to a world that sees only a “fat girl,” Cora is struggling to re-assert the powerful self within her.
While I did like the exploration of the judgements and insecurities that Cora deals with in this aspect, I was also a little underwhelmed with its resolution. Namely, there never was much of a resolution to speak of. Throughout the story Cora remains insecure about the judgements she assumes others are making about her. At the same time, she knows her own strength and begins to see how truly in-tune her own world was to her particular strengths. But she also finds ways to use those same strengths in other environments. However, I felt that this particular thread was left a bit hanging in the end. The plot itself was resolved, but this arc seemed to just peter out without any true revelations, either on Cora’s part or on other’s.
Rini was very fun, being the first “native” other world character we’ve seen. It was fun watching her character travel through the book with a “nonsense” perspective on everything. So far, we’ve only seen children from our world who, while particularly attuned for one world or another, understand that strangeness of it when compared to our “real world.” Through Rini, we see a character who has grown up in one of these strange lands and understands its rules and history (there was some great stuff with a creation story here) as as “obvious” as we consider our own world’s rules and history.
This was an excellent third story to McQuire’s Wayward Children series. While some of the internal conflicts weren’t resolved to the extent that I wish they had been, I very much enjoyed her combination of new worlds and characters with familiar faces. Further, each book seems to build upon the last as far as the mythology and connection between all of these various worlds. Even more fun, the characters themselves are learning right along side us! For fans of this series, definitely check this one out. And for those of you not on this train yet, get on, but start with the first as it’s a “must read” to fully appreciate this on.
Rating 8: Whimsical and dark, but coming up just short on a few of its character arcs.
Book Description: Seventeen-year-old Alice and her mother have spent most of Alice’s life on the road, always a step ahead of the uncanny bad luck biting at their heels. But when Alice’s grandmother, the reclusive author of a cult-classic book of pitch-dark fairy tales, dies alone on her estate, the Hazel Wood, Alice learns how bad her luck can really get: Her mother is stolen away―by a figure who claims to come from the Hinterland, the cruel supernatural world where her grandmother’s stories are set. Alice’s only lead is the message her mother left behind: “Stay away from the Hazel Wood.”
Alice has long steered clear of her grandmother’s cultish fans. But now she has no choice but to ally with classmate Ellery Finch, a Hinterland superfan who may have his own reasons for wanting to help her. To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother’s tales began―and where she might find out how her own story went so wrong.
Review: I judged the book by its cover. And the cover is beautiful, so I picked it up. Also, dark fairytales, a mysterious family history, travel between worlds, and this book sounded right up my alley. And while pieces taken outside of the whole were enjoyable, I found myself not as enamored by this one as I had hoped.
Alice and her mother have been running their entire lives, pursed by nameless, faceless, bad luck. That, and from the mystery and cultish fervor that swirls around Alice’s grandmother who is best known for writing an obscure book of fairytales. Other than flee when bad luck arrives on your door, Alice knows there is one rule: don’t interact with fans of her gradnmother’s book. But when her mother disappears, Alice has no choice but to turn to a fan and fellow classmate, the only one who will believe the strangeness involved. And neither are fully prepared for what they get: perhaps those fairytales weren’t fiction after all.
Part of my struggle with this book was due to the fact that it was simply incredibly slow for the first half of the book. It’s not a monstrously long title by any means, but half of a book is still too long to take to get to the meat of the story. There’s quite a lot of build up to Alice’s mom’s disappearance, and then, afterwards, it takes even longer somehow for Alice and Finch to get into the actual magical aspects of the story. This was even more frustrating because it didn’t seem that this extra time was spent building anything. Alice and Finch, early in the story, have already bought into the concept that there are magical elements at play, so it’s not character development that necessitates the slow movement. Further, there are about three or four mini adventures that they go through before even getting out of the city which felt like three or four more than were needed.
This slow beginning also had the unfortunate effect of making me begin to dislike Alice herself. Since the story goes some interesting places with her character in the second half of the book, the fact that the slowness of the first half had already damaged my enjoyment of her was pretty unfortunate. Yes, Alice had a non-traditional childhood and one that was made up largely of isolation and instability. And the author lays the groundwork for her anger early in the story. But all of that given, she’s just kind of a mean person a lot of the time which made it hard for me to become invested in her emotional arc. Like I said, there’s a payoff for some of this in the end. But I do think the slowness of the first half is directly responsible for the fact that damage control had to be done at all. Had we more quickly gotten into the actual story itself, there might have been less time for me to wallow around thinking that Alice was just kind of being a bitch to a bunch of people most of the time.
In the second half, things do pick up, and it was here that I found much of my enjoyment of the story. I loved the fact that the author fully embraced the darker side of fairytales. Throughout the story, we get to hear some of the stories that were in Alice’s grandmother’s collection, and they are perfectly pitched as darkly creepy and strange, without any clear moral or predictable pattern. This just makes it all the more shivery when the characters and worlds themselves begin to come to life.
Readers’ mileage for this part of the story could also vary. There’s a lot of mystery and obfuscation. Characters withhold information simply because they can. There are definite elements of “Alice in Wonderland” with the strangeness, nonsense, and bizarre mini scenes that Alice travels through. I enjoy nonsense fairytales, and I especially liked the darker aspects of this one. However, I can see how it could read as disjointed and, again, hard to connect to for some readers. Even I struggled a few times with the strange juxtaposition of classical dark magical elements with other very modern references. It was definitely jarring at times, but by this point I was so relieved to have the story picking up that I didn’t mind.
This book was very hit and miss for me. There were parts of it that I absolutely loved (the fairytales themselves, most of the action in the second half, and the nice twist at the end), but I also very much struggled to get into the story. It starts slow and there were certain writing choices, just the way certain sentences were strung together, that were confusing and required me to read through twice, something I never love doing. I also wasn’t sold on Alice as a character, though I did enjoy the later reveals with her. If you like dark fantasy stories and can handle a slow start and a healthy dose of the strange, I’d recommend giving “The Hazel Wood” a go!
Rating 6: A dark “Alice in Wonderland” where Alice is kind of a brat. But the fairytales themselves were on point!
Reader’s Advisory:
“The Hazel Wood” is a newer book and so not on many Goodreads lists. I’m not sure whether I agree with this classification or not, but it is included on “2018 YA Horror.”
Publishing Info: Scholastic Paperbacks, October 1998
Where Did I Get this Book: own it!
Book Description:David, the newest Animorph, is not what he appears. His need to control the other Animorphs and Ax is all he thinks about. And the things he does are starting to break up the group.
Narrator: Rachel
Plot: Part two was where things got real. Part three is where things get dark. Real dark. And I retreat to a hole of my own making and cry forever.
Ax shows up in the middle of the night, waking up Rachel with messages of doom. David has truly gone off the deep end, Tobias is likely dead, and Jake is MIA after sending Ax to get her. They are able to figure out that David and Jake are at the mall and rush there only to find tiger!Jake unconscious and bleeding on the floor. Knowing David must be lurking nearby, Rachel takes charge and has Ax demorph to look around. Lion!David attacks her, but with some fancy gymnastic skills, Rachel is able to avoid him. In the process, David shares, again, his gross little philosophy about not murdering humans only “animals.”
The police show up and David takes off. Cassie’s parents show up as the local animal experts. Cassie’s mom, in particular, is confused since she recognizes the tiger as one from the zoo (Jake’s tiger morph original). Cassie shows up too and they are all concerned about not only Jake’s recovering but about needing him to wake up to demorph before the two hour limit. With Jake in Cassie’s (and her parents’) hands, Ax and Rachel fly to Marco’s to gather the troops, essentially. On the way there, Rachel thinks about how challenging this is all going to be, and even empathizes a bit with the frustration that Visser Three must feel: with the morphing ability, David could be anything and anywhere.
They arrive at Marco’s to find him sleeping in his bed, but as they fly in, Marco smashes Ax with a bat. It’s David in morph. He quickly demorphs and remorphs a golden eagle and chases owl!Rachel. Behind her, she is relieved to see Ax demorphing.
As David chases Rachel, he begins taunting her about killing Tobias. Up to this point, Rachel had been in a state of confusion, but with his words, she goes cold and knows what she has to do. She takes advantage of her better knowledge of her owl morph and manages to just stay ahead of David, leading him towards some power lines that he won’t be able to see with his daytime bird eyes. But just as she nears it, David manages to attack her. Just in the nick of time, David is attacked by a red tailed hawk. Tobias to the rescue! Not liking the odds anymore, David runs off. (How does David not put two and two together with this? Throughout this book, the fact that Tobias is still alive is a huge secret. Maybe David didn’t pay much attention to what kind of bird attacked him here).
Later, the group are back together. Cassie managed to jab tiger!Jake with a syringe and wake him up so that he could demorph and walk out of the vet’s office (Cassie’s mom was super freaked by the whole thing, discovering later that the tiger was somehow magically back in its cage at the Gardens and free of any injury). Marco had woken up to find David standing over him with a bat and had been tied up in a closet
They go to school, all exhausted and scared. Marco!David shows up and Cassie rushes to get the real Marco to hide. He sits with them and is his usual blowhard self, going on and on about how they should just give up now as he has their same abilities and is oh, so much smarter than them all.
He wants them to hand over the blue box to. They refuse and David gets up to go, issuing more threats. Rachel follows, cafeteria fork in hand. Outside, she catches up with Marco!David and warns him that if he tries to rat them out to the Yeerks that they’ll know. David doesn’t know about the Chee, so Rachel is able to convince him that the Animorphs have a source within the Yeerk organization since how else would they have known about the world summit meeting. She goes further to say that if he did rat on them, they’d still have time to retaliate and would go after his parents.
“You know, maybe you forget this sometimes, but you are a girl, Rachel.”
“And you’re a worm,” I shot back. “Want to see who wins that fight?”
He swings at her and she neatly avoids it and jams the fork in his ear, getting her point across. After he leaves, Rachel is shocked by her own actions, especially her threat against his parents. Further, she finds herself becoming more and more angry at Jake. For sending for her in the first place, and all the implications that come with that. And the fact that he let her go after David here too, knowing what she would do, but also making her feel judged for being the one to do it.
What made me feel stupid was that I hadn’t realized I was changing. But everyone else obviously did. Jake did. When he knew it was coming down to kill-or-be-killed with David, he’d sent Ax to get me. Not Marco. Not Cassie. “Get Rachel.”
After school, the group meets back at the barn. After grilling Marco to make sure it’s really him, the group begin planning what to do about the world summit, since they still need to deal with that. Ax privately thought speaks Rachel telling her that they are putting on a show, assuming David is in the barn listening. After they all morph birds, they discuss the real plan. Rachel compares the new plan to a game of chess where you know you’re going to lose so instead you simply throw the board across the room.
They go to the Gardens to get morphs and then head to the ocean. There’s a huge storm rolling in, so the transition from bird to dolphin in the middle of the ocean is a difficult one. Cassie’s skill with morphing helps them all make the change safely. They swim to the beach outside the resort and then put their plan in motion: morphing big animals. Rachel, Cassie, Tobias, and Ax go elephant. Jake and Marco go rhino. The security at the resort was pretty unprepared for a bunch of huge animals to barge out of the ocean, so the plan to wreak havoc is pulled off well. Once the big guns show up, including Visser Three, the group retreat back to the ocean. Ultimately, the storm plays in their favor, hiding them and preventing the boats from getting in close.
But as they swim away, killer whale!David shows up (a question mark here: it seems fairly unlikely that David would have been able to anticipate all of this and have a killer whale morph on hand. He also wouldn’t know what ocean animal morphs the Animrophs would use. They could have all had killer whales themselves.) David, again, starts taunting them and tells the group about Rachel’s threat to his parents. The others are silent, infuriating Rachel, especially with Jake whom she thinks is a hypocrite for letting her go after David and then seemingly judging those same actions later.
David goes after Ax, but Rachel calls attention to herself and gets him to switch to her. Just in time, Cassie shows up in humpback whale morph (she manages to slip away during all of the taunting) and scares David off.
When Rachel gets home, she hears that her cousin Saddler is likely going to die. Rachel comforts her younger sister, Jordan. Back in her room, she hears David, talking to her in morph, hidden somewhere in her room, demanding the blue box again. Rachel asks what he’s going to do with it, make new Animorphs who can do to him what he’s doing to them? He’s silenced, but she doesn’t know if he’s left or not. She avoids the shower.
With her family, she heads to Jake’s house where they’re meeting to travel together to the hospital to see Saddler. Rachel tells Jake about David’s invasion of her room and that it’s gotten personal between her and David. She also confronts him about the hypocrisy of his actions, sending her to do his dirty work and then judging her later.
They travel to the hospital where a miracle has occurred: Saddler simply woke up, completely healed. Rachel and Jake realize the sick joke that this is: David has done away with Saddler and morphed him in his place. They go to the hall to try and frantically plan, since it’s one of the few times when they’ll know where David his. But Rachel is still angry about Jake’s hypocrisy.
“Look, Rachel, every one of us has his strengths and his weaknesses.”
“And my strength is being some kind of crazy killer?” I practically shrieked.
“Okay, fine, Rachel. You want to do this, fine. I think you’re the bravest member of the group. I think in a bad fight I’d rather have you with me than anyone else. But yeah, Rachel, I think there’s something pretty dark down inside you. I think you’re the only one of us who would be disappointed if all this ended tomorrow. Cassie hates all this, Marco has personal reasons for being in this war, Ax just wants to go home and fight Yeerks with his own people, Tobias . . . who knows what Tobias wants anymore? But you, Rachel, you love it. It’s what makes you so brave. It’s what makes you so dangerous to the Yeerks. I thought you’d scare David. I thought you’d say the things it took to scare him. I thought you’d say whatever you had to. And I thought that of any of us, David would be most likely to fear you.”
Rachel responds by saying that she has a line, and she knows where it is. Jake says he has his own line, but he learned here and now that it wasn’t where he thought it was: he was willing to use his friend and cousin to do his dirty work, and apologizes.
Back in the barn, the group put on a masterclass performance for David whom they know is lurking around inside spying on them. Everyone plays their roles, with Cassie upset about Saddler. Marco taunting Rachel about being beaten, Tobias not being there and them all referencing the fact that David killed him. Cassie tells a tall tale about having Ax break the blue box down into pieces and “slips,” mentioning that Rachel was the one to hide it with her. They all go home, poor Jake returning to his house where now Saddler!David is in residence.
The next day they arrange to meet with David at a Taco Bell. David swaggers in and Rachel forces herself to not smack him, but play the humiliated and defeated role that they all figured David would want to see. David announces that he wants Rachel to lead him to the box because he was (surprise!) spying on them in the barn and heard everything. (Again, it’s so shocking how stupid David thinks they are. Even the brief amount of time he had with them, you’d think he’d have a better read on their abilities, but guess not). They head to the construction site.
Rachel morphs rat, and then snake!David threatens to bite her unless the group all morph cockroach and climb into a jar he found lying nearby. He seals them in, knowing that they can’t demorph without crushing each other. He then morphs rat and Rachel leads him into the maze.
They get one piece (a blue lego block, but the rat’s poor eye sight can’t see that), but as they head for the second one, Rachel realizes that she can small fresh air and hear a jet plane, belying the fact that they are supposed to be deep underground. David begins to put things together, and Rachel makes a dash towards the exit pipe. They wrestle and Rachel privately thoughts speaks to the others to be ready. She turns, chews off her own tail, and dashes out, just avoiding getting hit with the box lid slamming shut behind her, trapping rat!David within.
The group explain to David that they planned it all, that Tobias wasn’t dead, and then they sink into silence as David tries to talk his way out of it, saying they won, he’d just be going now.
“You tried to kill us,” Jake said. “You threatened to turn us over to Visser Three. Not to mention what you’ve done to Saddler’s family.”
<You can’t judge me!> David cried. <You’re not God!>
“David, we have fought the Yeerks for a long time now. It seems like forever,” Jake said wearily. “We are not going to let you beat us. We are going to save the human race if we can. There are larger issues . . . more important . . .”
They all leave, but Rachel and Ax. Ax to keep time. Rachel because she volunteers, saying that she can take it. After two hours, David is trapped in rat morph and they fly him out to a rock on the ocean that is known to have a thriving rat population. Later, they hear rumors that the rock is haunted and that passing boats have heard yells of “No!’ coming from the rock.
Xena, Warrior Princess: This is a huge book for Rachel. Some fans, myself included, have theorized that the action of this book (not only her own choices with regards to David, but her realizations about how the others, and particularly Jake, see her) are a tipping point in her arc and a direct point of reference for the further struggles her character goes through, particularly in the last few books of the series.
From the very beginning, it’s clear that Rachel is pretty messed up by the fact that Jake sent Ax to get her specifically. At the same time, she completely agrees with his decision. Not only because she is particularly close to Tobias, but after Marco!David tries to kill Ax and is chasing and taunting her in bird morph, she knows that she is capable of leading David to his death. Jake was right.
But what seems to be the killing blow is the fallout from her one-on-one with David where she threatens his parents. Jake allows her to go. She does her thing, knowing it needs to be done and that that’s what Jake “sent” her to do anyways, but still feeling sick about it. And then, worst of all, later when they’re all in the ocean and David begins taunting her once again and exposing what she said to the group, they all just….leave her hanging out to dry. It’s not a good look for any of them, but particularly not Jake.
I’m completely with Rachel on this. It’s one thing to send someone to do your dirty work, it’s another to leave them at the mercy of your enemy’s psychological mind games and let your silence serve as judgement. They completely abandon her in this moment. And while when Rachel and Jake are fighting at the hospital, Jake apologizes and even owns up to the hypocrisy of his actions, it’s still not enough, in my opinion.
He lays too much of it at Rachel’s own feet, and doesn’t acknowledge the fact that the entire group let her down here. Regardless of their opinions on her actions and threats, several of them (definitely Jake, and we’d assume Ax and Marco would likely agree with this too) essentially approved of what she did when she did it. And beyond that, even if they disagreed, not sticking together in this moment, letting David pick out one of them and letting it stand, is a huge breach of teamwork and mutual support. So, badly done, y’all.
Through this all, through being used and judged by her friends, Rachel still proves her own strength in several small scenes. When they are all dolphins, as is typical of her, she draws the attention of the threat away from another (this time Ax) and to herself. We’ve seen her do this countless times now, and it’s pretty unique to her character. In a very human moment, she comforts her younger sister as she grieves the imminent death of their cousin Saddler. And, most importantly, in the end, she volunteers to stay behind as David is trapped as a rat. This is the ultimate self-sacrificial move. Beyond simply staying, she tries to relieve the others’ guilt for not staying themselves, saying that it won’t bother her. She muses that some of them may actually believe that. But it’s hard to really think any of them would (Cassie is her best friend, Tobias is her…something, Jake definitely knows this isn’t true after their conversations in this book. Maybe Marco? But he seems too smart to fall for this line).
Our Fearless Leader: Another big book for Jake and his leadership skills. This book is a good look at how cold Jake has become when he begins evaluating situations and the assets in his arsenal. In this case, his assets are his friends and he’s beginning to see and use them like tools. He’s surgical, accurate, and, yes, cold. When he’s confronted by Rachel in the hospital, he seems to be almost surprised by his own actions. But, while he does apologize, it also seems pretty obvious that if he had to do it over again, he’d do the same thing. Because he didn’t make the wrong choice, even if it was one that almost broke his cousin.
His biggest mistake, I still think, was not standing up for Rachel to David when he begins coming after her while they’re in the ocean. It’s pretty unacceptable to leave a team member hanging there, vulnerable to an enemy’s jabs. Better to support her in the moment, and then, if he had qualms, confront her later. It’s even worse because the confrontation never comes, at least not on his part. He never expresses any regret that Rachel threatened David’s parents, so the judgemental silence is even worse in the moment.
In the end, Rachel also admires Jake’s leadership abilities when he makes the rest of them leave her and Ax with rat!David. She recognizes the fact that he knows he needs to spare as many of them as he can from the traumatizing scene that is about to unfold.
A Hawk’s Life: David is really terrible at counting (as is Visser Three in Jake’s book when he fails to see cobra!Marco). I mean, there are a bunch of times when David had to have been lingering around and Tobias was there in morph. Most notably, all the points during the world leaders summit mission. Flying there. As rhinos/elephants. As dolphins. Clearly David was around since he was so easily able to intercept them in his killer whale morph. So how did he not catch this? Highly questionable for some who is a self-proclaimed “genius.”
Tobias is pretty instrumental to the final plan in helping get them out of the jar. But, other than the moments when David should have spotted him, he makes himself scarce for much of the book to keep up the facade. I do wish there had been more Tobias/Rachel scenes in this book. Their reunion was nice, but too brief. And poor Rachel was left without all of her support systems it seems. Not only did she not have any scenes with him to talk through all of this, but she also doesn’t get any time with Cassie, her other primary support person.
Peace, Love, and Animals: Cassie is on top of her manipulation skills in this trilogy! Her biggest move came during the cafeteria scene when David showed up to threaten them. She pointedly sits right next to him, reminding him that they are, in fact, people and not animals. And then talks very clearly to him about what he’s doing and the realities of trying to bargain with the Yeerks. It’s pretty slick.
Her morphing abilities are also paramount to their success with all of their morphs in the ocean during the storm. Rachel is pretty clear about how dangerous the water is and Cassie’s ability to quickly morph is one of the only reasons they manage it, with her able to be in dolphin morph to help the others. She’s also able to quickly leave, morph out of dolphin and then morph back to humpback whale during the fight with David.
In the end, she’s very broken up about what they have to do to David. But she also was the one to come up with the plan (again, probably largely due to her knowledge of animals and what morphs would work, but mostly because she understands people and could predict what David would want/do).
The Comic Relief: Marco ends up being the one to get sidelined a few times in this book. First getting attacked and left in a closet (more on that below) by David in the beginning, and then also needing to be shuffled out of the cafeteria once David shows up at school in a Marco morph. Part of me wonders if part of the reason Applegate did this was an attempt to work around the fact largely it was Marco, not Rachel, who had been set up as David’s primary rival (not only in his POV book, but Jake references the particular animosity between David and Marco several times in his book).
E.T./Ax Phone Home: Ax doesn’t have much in this book, other than being the second Animorph to stay behind with Rachel and rat!David. Supposedly this is because of his ability to track time. But…there are such things as watches, so I’m not sure I buy this reasoning for why Ax gets burdened with this.
Best (?) Body Horror Moment: There aren’t so much “body horror” moments in this book as simply “horror” moments. David’s psychotic philosophy with the supposed non-humanity of the Animorphs while in morph is just so incredibly messed up. The bat to the face that Ax takes is particularly vicious and it’s pretty surprising that he even survives it.
And the the sheer, traumatizing horror that is what happens to David at the end of this book. It makes Tobias’s situation look like a walk in the park. But did the Animorphs have much of a choice? They had to pick an animal that couldn’t hurt them. They had to find one that they could easily contain while in morph, preventing him from demorphing. And they had to find one that the could take somewhere away from the general population (so that he wouldn’t just start thought-speaking at anyone and everyone telling them all of the Animorphs’ secrets). So, supposedly Cassie (it had to be her, right?) already knew about this rock out in the ocean that had a thriving rat population and…well, there you go. But man, it’s cold. Luckily, Applegate spares us a blow-by-blow description of the two hour time period that they’re waiting him out, but even the brief glimpses are bad enough. It’s hard to think of anything in the series that is more horrifying than this.
Couples Watch!: When Ax first shows up to get Rachel in the beginning of the book, she assumes he’s Tobias. Another indicator that Tobias probably is a regular visitor to her room. She also shares this observation after hearing about his “death.”
And yet, as I completed the morph to fly, I knew Jake had picked the right person. See, I cared for Tobias. I don’t think I even knew how much I cared till right then.
If Only Visser Three had Mustache to Twirl: There a brief moment in the beginning when Rachel and Ax are at the mall and overhear two Controllers discussing how they know that the hurt tiger must be an Andalite in morph but that they don’t have enough Controllers on the police force. They both wonder aloud how mad Visser Three would be if they didn’t do anything….and agree to just not say anything about the whole thing. Another instance when we get a glimpse into the thought process of Visser Three’s underlings, all of whom seem to have a pretty good read on their boss and know that avoiding any interaction with him is always best.
But, again, David is the villain of this trilogy.
His biggest downfall in this entire thing is that he forgets that he’s not fighting regular teenagers, but kids who have been fighting a real war for months now. Not only are they more skilled with their morphs and know how to construct and pull off complicated missions, but, physically, they are capable fighters. Rachel’s own battle abilities were on display in the exchange outside of the school. David’s small-minded, sexist opinions of her abilities (as evidenced in the quote earlier) get him in trouble not only in that scene, but in the entire ending of the story. If he hadn’t been so firmly entrenched in his own need to validate his ego and look down on the others, he would have known better than to be tricked by their act. His sheer inability to view Rachel as the powerful threat that she is leads to his doom.
Another example of this, his inability to realize he’s not fighting normal kids, is his failure to anticipate the fact that they would anticipate that he would spy on them and to not simply buy their whole scene they put on in the barn. But it played to his ego a bit too much, and, like all ego-maniacs, he couldn’t look beyond his own assurance that he was the smartest one in the room, to realize that the Animorphs, again, have been doing this for a while and could guess David’s actions.
“See, David,” Marco said, “we knew you were in the barn, listening to our every word. How did we know? Tobias. So we played out that whole pathetic scene for you about how disgraced Rachel was. We knew you’d get so much sick pleasure out of forcing her to obey you.”
<All of your actions, even your emotions, were anticipated,> Ax said. <We anticipated how you would respond. So we were able to manipulate you.>
It’s also worth noting that David’s issues with Rachel largely seem to stem from a fairly insecure, sexist viewpoint. She’s the one to call him a coward in Jake’s book after he tries to turn himself over to Visser Three, and he knows that she’s widely agreed to be the bravest and best fighter in the group. And we have the quote earlier in this post when he tries to wave off Rachel as being “just a girl” when she’s not in morph. She proves that to be the load of bullshit it is pretty quickly. But his kneejerk judgements and insecurities with women are yet more nasty elements to David’s personality that were likely always lurking there before any of this happened.
Adult Ugly Crying at a Middle Grade Book: Um, the whole book?! Rachel’s arc in this is just so sad and hard to read, especially knowing the mindjob it works on her that carries on throughout the series. But I won’t go into that all again, or the horror of David’s situation at the end.
Instead, we never see the fallout of David’s decision to morph Saddler and essentially bring him back to life. And now, suddenly, he’ll just disappear. It’s unclear what David did with the original Saddler’s body. He had a longterm plan to live Saddler’s life, so you’d think he somehow must have pretty thoroughly hidden/destroyed it. Not sure about the logistics there, but oh well. So now this family that was grieving the inevitable death of their son are miraculously spared, think they’re out of the woods, and then…he’s just gone. No signs where he went. No body. Nothing. Beyond the parents and family themselves who would be in mourning, shock, etc., this had to be terrible for Jake and Rachel. There had to have been a hunt for “Saddler” for months, and the family trauma would be ever present. And there sit Jake and Rachel, knowing the truth but not able to say anything.
What a Terrible Plan, Guys!: For the most part, their plans are very good in this book. For one, the way they cancel the summit was the obvious route to take from the beginning. I’ve already expressed my opinions on their whole “expose to alien invasion” plan in the last book/review. For two, all told, they fairly easily predict, manipulate, and capture David. For all of their concerns, they take him out in one day, essentially. And, while so, so cold, their plan to force him to be stuck in rat morph is a simple and effective way of handling a situation that could have easily gotten a much more dark, more murder-y route.
But there were a few things that didn’t make much sense. There were several instances in this book where David has to demorph/remoprh that you’d think would present golden opportunities to the group. In the beginning, when he’s in Marco’s room posing as Marco, he has to demoprh and the remorph golden eagle to chase Rachel. It’s supposed to take around 3 minutes either way. So, here, that’s six minutes for Rachel to either do the same and get into a more powerful morph. Or to easily get out of there and disappear. Doesn’t make much sense that he gets through these morphs so quickly without the Animorphs doing something about it.
And another big one is during this same scene when Marco is tied up in the closet. Why the heck wouldn’t he have simply morphed bug and gotten out of there? This is a huge flaw since he could have easily escaped and managed to either nab David himself (during one of his vulnerable in-between morph stages) or at the very least, warned Rachel and Ax.
Favorite Quote:
At points in the book, it was almost physically painful reading David’s gloating.
<You guys made a big mistake: You got me. See, I was smarter than any of you. That’s why you lost. I’ll be more careful. I’ll only choose the kind of guys who are too dumb to do anything except obey me.>
I rolled my little rat eyes. This guy’s ego just kept growing.
But on a more serious note, one of the last chapters about the two hours during which David is becoming trapped in morph…it’s rough.
It took two hours for David to become a nothlit. A person trapped in morph. Two hours. But that two hours of horror will last forever in my mind. If I live a hundred years, I will still hear his cries, his threats, his pleading, each night before sleep takes me. And beyond sleep, in my dreams.
Scorecard: Yeerks 6, Animorphs 10
I’m giving a point to the Animorphs. Partly because their plan to break up the summit meeting worked out in the end (though why they didn’t start with this is beyond me), but they managed to handle the David threat pretty quickly and efficiently, for all the inner drama of the situation. David posed the largest legitimate threat they’ve ever faced, knowing all of their secrets, but also being a human kid whom they would have a bunch of moral tangles about attacking. But they find a neat (as in “orderly”) solution to the problem and the execute their plan with exacting precision.
Rating: Simply excellent. The re-read just reminded me why I love this trilogy so much. It really highlights the very adult themes that a fairly wonky, middle grade sci fi series takes on and why these books are definitely more than they seem on the surface.
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Publishing Info: Little, Brown Books for Young Readers, March 2017
Where Did I Get this Book: audiobook from the library!
Book Description: The dream chooses the dreamer, not the other way around—and Lazlo Strange, war orphan and junior librarian, has always feared that his dream chose poorly. Since he was five years old he’s been obsessed with the mythic lost city of Weep, but it would take someone bolder than he to cross half the world in search of it. Then a stunning opportunity presents itself, in the person of a hero called the Godslayer and a band of legendary warriors, and he has to seize his chance or lose his dream forever.
What happened in Weep two hundred years ago to cut it off from the rest of the world? What exactly did the Godslayer slay that went by the name of god? And what is the mysterious problem he now seeks help in solving?
The answers await in Weep, but so do more mysteries—including the blue-skinned goddess who appears in Lazlo’s dreams. How did he dream her before he knew she existed? And if all the gods are dead, why does she seem so real?
Review: This books if full of dreams and mystery. Moths and monsters. Poems painted onto a page leaving stardust in its wake, and images leaping from page to mind in a way that pulls you further in. And, while the audiobook version of this story was incredible, I spent much of my time while listening wishing and dreading that the story would unfurl faster. And, by the end, this combination of joy and dread was the perfect explanation of this book.
Lazlo Strange is a boy who grew up without a name. He has one, but it is similar to the “Jon Snows” of the world, and his childhood was that of an orphan raised among monks who finds his true home in books, and then later, in a library. (Obviously the librarian in my loved the fact that Lazlo was a librarian and that this fact, combined with his love of dreams, fairytales, and curiosity (traits that ring true for librarians everywhere, I’m sure we’d all agree) was repeatedly referenced and critical to the story.) And when he’s given the opportunity to visit the mysterious city of Weep that had suddenly cut off contact with the rest of the world years ago, Lazlo, armed with his dreams, is quick to take up the call. What he finds is much more mysterious, wonderful, and terrible than he ever imagined.
Beyond this basic plot, it’s hard to discuss much of this book due to many of the mysteries at the core of this story. I will say that I was surprised to find, about a third of the way into the book, that we were given another viewpoint character. One who was completely shocking and tremendously important to the story. But one whose history, motives, and role in this book would spoil much of it if I dug in too deep.
Lazlo, himself, was a fantastic character. It is easy to see how he falls into the roles he does and becomes generally beloved by those around him. He’s endlessly optimistic, creative, and sees the world in a way that is new and, most importantly, beautiful. And, like Jon Snow, Lazlo is much more than he seems. I was able to guess where the story was going with his character, but given the many other mysteries that took me completely by surprise, and the ones that are still remaining, this is hardly much to pat myself on the back over.
Thematically, this story covers a lot of pretty dark and grim ground. I was surprised by the levels of brutality the author brought to play, but it became clear that nothing else would do to fully realize the true horrors and terrible choices that were before all the characters involved. Both “villains” on either side of the conflict were terrible and terribly tragic. It was easy to see how each ended up where they did, and to feel the brokenness of their characters, and question what one would have done differently in their positions.
Beyond this more individual level, the story explored systematic oppression and trauma. And, the other side of the coin, the ugly side of hatred and fear, even if those feelings are based in truths. There was one line in the book about good people being just as capable of committing atrocities as the bad ones, only in the good people’s case they call those atrocities “justice.” I loved this, and it’s just one of a million examples of the careful handling of difficult subjects that Taylor covers in this story.
But, to balance all of this darkness, there is the sheer beauty of Taylor’s writing and storytelling. I’ve read other books by her, but it’s been a while and I had forgotten just how creative and poetic her writing style is. It walks right up to the edge of purple prose, looks at it, and walks forward, fully confident that it is beautiful and that that accusation won’t stick. There’s not a single falter in the entire book in this aspect. And the style of writing is just half of it. The sheer expanse of creative and lovely imagery is staggering. Taylor creates worlds within worlds and then invites readers to immerse themselves alongside her characters.
The only point that knocks this down from a “10” rating is the fact that it ends on a cliffhanger. I didn’t know going in that this was part of a trilogy, so that’s on me. But I also feel that it is possible to write trilogies without cliffhangers, and I’ve just never personally cared for them. This, however, may not be as off-putting for other readers (especially for those who know about it, or at least the fact that this is the first in a series, going in). Even with it, I highly recommend this book for fantasy readers everywhere. I think this has been marketed as young adult, but I feel like it falls pretty firmly into “new adult” (whatever that really means in the larger scheme of things). Who cares! Any fantasy fan should check out this book!
Rating 9: Dark and mysterious, full of wonder and wonderful terror. A must read for fantasy fans!
Another a year, another almost impossible task trying to each choose our Top 10 Reads of the year! And don’t forget to check out our “12 Days of Christmas” giveaway that may even features a few books from these very same lists! Today I’m going to countdown my favorites reads, five to 1.
Pick Number 5: “City of Blades” by Robert Jackson Bennett
This is the special snowflake of a pick because it’s the middle book of a trilogy. And that’s when you know you have something special. Without the crutches of introducing a new world or wrapping up a complete series, a middle story must stand on its own. “City of Blades” capitalizes in all of the strengths of world-building and creative magic systems given to us in the first book. But it expands on them with a deep look at the cost of war and what it means to be a solider. Add to that the fact that we have a middle aged veteran woman as the leading lady who turns into my favorite character in the entire series, and “City of Blades” is a must for this list.
Pick Number 4: “City of Brass” by S. A. Chakraborty
“The City of Brass” has been compared to “The Golem and the Jinni,” and as someone who loved the latter, it’s quite something for me to now report that this book is even better! Especially for those looking for more magic, more action, and more complicated political and religious maneuverings ala “Game of Thrones.” I completely loved the lush descriptions of the cities (both real and magical) in the historical Middle East, as well as the brilliantly-drawn characters each exposing a new, and deeper, version of a history that is still playing out as the story progresses. I love books where I can’t decide who is right or really have any clue how this whole mess will be resolved.
Pick Number 3: “The Broken Earth” trilogy by N. K. Jemisin
The first of what, as you will see, is a cheaty pattern of mine in these reviews: the entire series pick! But really, it’s just a way of saving you all from hearing me blather on about multiple books in a series/by an author over and over again as they fill up the entire list. But especially in this case, I feel justified. In many ways, this trilogy reads as one long book that has simply been cut into three parts. If you had the wrist strength, you could mash all the books together and read it that way and probably not notice a thing. The story takes places in a diverse world where power and privilege don’t necessarily go hand in hand, where one woman unwilling finds herself in a battle for the future, with allies who were enemies and an enemy who may too have been a victim in its own time. These books are winning all the awards and they are all deserved.
Pick Number 2: “The Bear and the Nightingale” & “The Girl in the Tower” by Katherine Arden
It’s hard to believe that “The Bear and the Nightingale” technically came out in 2017, but it did, thus dooming me to a second (but not last) multiple-book-entry. But really, how can you ask me to choose? With both of these books, I absolutely adored the beautiful fairytale-like quality of the storytelling, the unique setting of Medieval Russia, and the haunting story of a young woman who doesn’t fit into the role the world wants of her. The first book was dark, quiet, and dangerous like a winter’s night. The second was moving, pushing, willing itself forward and through,like its young protagonist and her magical horse. They are both exquisite reads and I confident that the third book will make its way on next year’s list as well.
Pick Number 1: “Shades of Magic” trilogy by V. E. Schwab
I don’t know why it took me so long to pick up the first book in this trilogy! And while I have tons of side-eye for my past self’s decision making process, I also was lucky enough to blow through the first two books in this trilogy mere weeks before the third, so that dreaded cliffhanger was barely a blip for me. This trilogy had everything I could ever ask for: action, magic, world-hopping, romance, an awesome hero and an even more awesome heroine. Lila Bard is everything. Just typing out this mini synopsis is making me hanker for a re-read; maybe this will be my late Christmas present to myself! Gift yourself as well and check these books out immediately!
So there’s my complete list! What were your top five reads of 2017?
Another a year, another almost impossible task trying to each choose our Top 10 Reads of the year! And don’t forget to check out our “12 Days of Christmas” giveaway that may even features a few books from these very same lists! Today I’m going to countdown my favorites reads, ten to six.
Pick Number 10: “The Beautiful Ones” by Silvia Moreno-Garcia
This book was the perfect read at the perfect time. Featuring a compelling mix of Regency romance ala “Jane Austen, magical mysticism, and a compelling look at the limited options presented to women in this time period and how two women’s opposing approaches to life lead to vastly different outcomes, this was a complexly simple and beautiful love story. Not only did I get a main character whom I loved to love, but I had a villain whom I loved to hate. And while I was busy hating her, I also couldn’t help but feel sorry for and understand her. The romantic hero was also both frustrating and appealingly realistic. For fans of historical romance with a dash of fantasy fun, definitely check this one out!
Pick Number 9: “An Enchantment of Ravens” by Margaret Rogerson
For a book that I picked up simply based on its beautiful cover, this one blew me away. It’s as if the author knew my own person “wishlist” for fantasy fiction. Fairytale-ish setting? Check. Dark fairies/fairyland? Check. Charmingly arrogant/clueless leading man? Check. Brave, feisty, but non “snowflake” heroine? Check. Added bonus: a standalone novel that is free from the worry that somehow a perfect story will be screwed with sequels or the author will feel the bizarre compulsion to add a needless love triangle later in a series. And still, that cover!
Pick Number 8: “The Beast is an Animal” by Peternelle van Arsdale
On the other end of the spectrum from last two picks which were bright, and happy, and complete wish fulfillment, “The Beast is an Animal” was a dark, disturbing, and at times very hard to read story. It, too, has fairytale-like themes, but ones that much more closely aligned with the very grim and morbid themes that can be found in original fairytales. But don’t let this scare you off. Not only is the writing absolutely beautiful, but this book has a lot to say about Otherness, that which we create in ourselves and that which is created for us against our will by those outside as a form of self-protection.
Brian Staveley is the first repeat Top 10 author for me on this list, and there’s a good reason. His boundlessly creative fantasy world building is beaten only be his engaging characters. “Skullsworn” had the even trickier job of existing as a standalone novel set before his fantasy trilogy featuring a character who played a role (though didn’t star) in said fantasy trilogy. To all of this, he tackles complicated concepts like love, life, and faith, all through the lens of individuals whose religion’s focus is death. And man, that sounds grim, and yet I found myself routinely cackling and wanting to quote bits of dialogue out loud to my captive-audience-husband.
Another repeat! In fact, I think that White and Stavely simply swapped places on this list. “Now I Rise” continued the epic saga of White’s reimaging of the rise (and fall?) of Vlad the Impaler given the twist of turning Vlad into Lada, an equally troubled and powerful young woman who seeks to reclaim her homeland, regardless of others’ opinions on her abilities due to her gender. In this sequel, we also have Radu who is sent to the soon-to-be besieged city of Constantinople where he learns that there are never any winners in a war, and that his beloved Mehmed may be willing to pay a price that he, Radu, is not.
So that’s ten through six. Next time I will give a countdown of my top five. What have been some of your favorite reads of 2016?
Book: “The Space Between the Stars” by Anne Corlett
Publishing Info: Pan Macmillan , June 2017
Where Did I Get this Book: the library!
Book Description: All Jamie Allenby ever wanted was space. Even though she wasn’t forced to emigrate from Earth, she willingly left the overpopulated, claustrophobic planet. And when a long relationship devolved into silence and suffocating sadness, she found work on a frontier world on the edges of civilization. Then the virus hit…
Now Jamie finds herself dreadfully alone, with all that’s left of the dead. Until a garbled message from Earth gives her hope that someone from her past might still be alive.
Soon Jamie finds other survivors, and their ragtag group will travel through the vast reaches of space, drawn to the promise of a new beginning on Earth. But their dream will pit them against those desperately clinging to the old ways. And Jamie’s own journey home will help her close the distance between who she has become and who she is meant to be…
Review: It’s been a while since I’ve read and reviewed a sci-fi novel for the blog, so when I was looking for what to pick up next, I decided that now was a good time to fit this book into the reading list. Unfortunately, what I got was less sci-fi and more interpersonal drama, of the kind that I don’t particularly enjoy.
Looking at the book description, there were several things that intrigued me with this story. Not only is this set on another world in a time when space exploration and colonization is fairly common place, but the author throws in a nice humanity-ending virus to the works. I love survival stories, the more extreme the better. And how do you get more “out there” than strand your protagonist on a world light-years away, potentially the only one alive on this planet and with no way of contacting Earth? So, you see, the premise was awesome.
And the story starts out upholding this premise. We jump right into the action with Jamie waking up, alone, sick and confused. Even more creepy, the disease that she has survived kills its victims by essentially incinerating them. All around her is floating the dust of her peers, all that remains of them. Unfortunately, the story goes off the rails almost right away.
In only a matter of pages Jamie meets up with a few other survivors on her planet, something that seems statistically bizarre. There is a lot of detail about the rates of survival at the beginning to really show how deadly this disease was supposed to be, but then it’s immediately undercut by the fact that Jaime finds others quickly and easily. They all simply meet up in town. And, look at that, in a few days they also get a call from a passing ship and they meet up with a handful of other survivors and are off the planet in only a few chapters. So, nope on the “sole survivor” bit of this story!
Things like this always just frustrate the hell out of me. Part of it was a marketing failure for this book. My expectations weren’t properly managed so I went in expecting one thing and got another. But then the author also actively misleads readers in the first few pages with all the discussion about how deadly this virus is and the fear that Jamie lives with for the first few days (few pages) when she thinks she’s alone and the odds aren’t in her favor. But, of course, the odds mean nothing.
From here, the story shows its cards for what the author was really wanting to write: a character study for Jamie as she deals with the past trauma of her divorce and a miscarriage (all happening several years ago and which she was fleeing when she moved to a planet on the edge of the galaxy). And, while this isn’t the type of story that I typically enjoy, I might have been able to get on board if Jamie herself hadn’t been such an incredibly unlikable character.
She spends much of her time feelings sorry for herself, contradicting her own thought processes, and going off on the other survivors around her. The plot conveniences are sprinkled throughout to further fan the flames of her inner struggles. The other characters who surround her are perfectly primed to present Jamie with worldviews and opinions that challenge her own. But none of this leads to any deeper reflection on being the survivors in a depleted universe, but instead present opportunities for Jamie to come across as judgemental and hypocritical. And most of all, self-involved. She’s the main character, so yes the story is her story. But this is a main character who thinks she’s the main character or something. It’s all about her feelings, her pain, her loss, all the time.
Beyond this, her decisions and opinions were all over the place. In one chapter she’s condemning a character for not doing something, and in the next she’s getting in their face for doing that same thing and risking them all. These types of inconsistencies only made Jamie a harder character with whom to sympathize.
It became abundantly clear that the author was wanting to write a “women’s fiction” book and added space because…? I’m not sure? This book could have taken place on any location on Earth, separated by a continent or something, and Jaime could have gone through the same emotional path elsewhere. The fact that there were sci-fi moments sprinkled here and there only made it more challenging when the book again dove into Jamie’s inner arc.
There were a few interesting side characters who accompanied Jamie on this journey, but, again, all they did was make me wish to follow their stories instead of the one I had. So, in conclusion, this book mostly did a good job making me wish it was a completely different book. One that more closely followed the book description and marketing it was given (sci-fi, survival story) and that followed a more relatable and sympathetic main character. Perhaps for fans of more contemporary reads, women’s fiction in particular, this may be more of a hit. But for fans of sci-fi, beware. You’re mostly getting “whining in space” with this one.
Rating 5: Jamie may be one of the few survivors in this universe, but she wasn’t one I cared about.
Publishing Info: Grand Central Publishing, June 1997
Where Did I Get this Book: audiobook from the library!
Book Description: A masked stranger offers to reveal an Egyptian queen’s last tomb… and Amelia Peabody Emerson and her irascible archaeologist husband are intrigued, to say the least. When the guide mysteriously disappears before he tells his secret, the Emersons sail to Thebes to follow his trail, helped – and hampered – by their teenaged son, Ramses, and beautiful ward, Nefret. Before the sands of time shift very far, all will be risking their lives foiling murderers, kidnappers, grave robbers, and ancient curses. And the Hippopotamus Pool? It’s a legend of war and wits that Amelia is translating, one that alerts her to a hippo of a different type – a nefarious, overweight art dealer who may become her next archenemy!
Review: This is the most privileged-person reading problem ever: how do I continue to find creative ways of praising these books and this author without just sinking into repetitive gushing?? It’s problem, people.
Let’s just say that the strengths of this series are just as present in this book as they have been in the many before it. Amelia is ever the entertaining heroine (I’ve been listening to the audiobook version for the past several books, and it’s almost impossible now to separate the Amelia of the page and the Amelia that is brought to life with Barbara Rosenblatt’s expert and canny reading of her). Emerson, an excellent romantic hero, foibles and all. A mystery, complicated and full of new suspects. Villains, some old and some new.
But I will focus on a few of the newer bits of this story. For one, while there is comfort in the stability of Amelia, Emerson, and their relationship, it’s a nice balance to have it contrasted with the ever-evolving lives of their children. Ramses and Nefret are now teenagers, Ramses on the young teen side and Nefret right smack in the middle, an especially complicated age for a young woman of fortune.
For his part, Ramses is beginning to evolve his relationship from child-with-adults to putting out feelers establishing himself as an independent entity. His changing relationship with his parents is perfectly illustrated in small changes (calling them “mother and father” rather than “mama and papa”). But also comes into play in larger ways as he pushes for independence and respect. However, Ramses’s relationship with them is firmly bound in familial love and respect. So these struggles often present themselves instead in strained interactions with his “sister” Nefret.
The two are at a perfect point for frustration. Sixteen and fourteen are around the exact ages when two years represents a world of difference and both the older and younger sibling struggle. In this case, it is all the more challenging in the fact that while Nefret has been adopted by the Emersons, she is not their natural born daughter.
Peters strikes the perfect balance in this sibling relationship. They bicker and argue like all the best siblings, but there is also a clear underlying tension in the knowledge of their non-typical family relationship. Further, Nefret is still adjusting to life in British Society, with all of the ridiculous rules and impositions that come with it. Yes, she’s growing up with a “mother” who shirks much of this (lucky for Nefret!), but society itself has a way of pushing back, this time in the form of “suitors.”
I particularly loved Amelia’s attempts to parent a young daughter. She went from having one child, a very non-typical boy, at that. To having a pre-teen daughter who came with the added complications of being smart, headstrong, beautiful, and an heiress. But like anything, Amelia is up to the task. Theirs is a very nice example of female relationships, both maternal and friendly.
As I said, most of these stories come with the addition of new characters and you never quite know which ones are “one offs” or which are there to stay. We had Nefret introduced recently, but Peters wasn’t done there! Here we have the addition of David, a young boy (around Ramses’s age) who is loosely related to Abdullah, but through various mishaps has lead a life estranged from his family and raised to a life of crime. This will not do, of course! Particularly since Ramses forms a close, brotherly bond with David throughout this book. I feel confident that David is a character that is here to stay, and I’m excited to see what role he falls into in this strange family.
Beyond characters, this story is one of the first in a while to truly delve into a major dig, this time with the discovery of a queen’s tomb. While Egyptology is always important to these stories, there are varying degrees in each. I very much enjoyed having another mystery focused so closely on a dig.
Lastly, this book tackles some difficult topics with the sudden death of Evelyn and Walter’s infant child. Through Amelia’s eyes we see Evelyn’s struggle with this loss, the strain that is put on her and Walter’s marriage, and the process of living through grief. This also leads to Evelyn and Walter playing a much larger role in this book than they have for quite a long time. While the reason was tragic, I loved having these two characters back in a book. Evelyn especially. Not only does Amelia’s relationship with her lead to a deeper exploration of loss and depression, but Evelyn also rises through it into a role that was surprising and fun to read. Walter, on the other hand, had moments where I wanted to slap him upside his head. I can’t quite remember whether he always had some of the tendencies he put on display in this book, or whether this is evidence of Peters evolving his character over time and through experience. Don’t get he wrong, however, I still finished the book enjoying his character.
Well, hopefully I managed to cover some new ground in my praise of this book! But really, I’ll take the challenge of tricky reviews for the assurance of enjoyable novels any day. For fans of the Amelia Peabody mysteries, this is yet another to check out!
Rating 8: Yet another excellent story. This one tackles some tough issues, but handles them well and introduces another (hopefully!) main character.
Publishing Info: Scholastic Paperbacks, August 1998
Where Did I Get this Book: own it!
Book Description:“The Threat” is a new Animorph named David. At first he’s a valuable warrior. But as crucial battle plans unfold, the Animorphs realize they’ve made a terrible mistake.
Narrator: Jake
Plot: Part two of the David trilogy here I come! This is the one where shit gets real.
My feelings about this whole trilogy: It’s the worst! It’s the best! (source)
This books picks up immediately where the last one ends: with half the team falling through the air as cockroaches. The situation is quickly handled by Rachel and Tobias swooping in to grab them from the air. They all land and demorph. But David, notably, doesn’t have a morphing suit yet. Tobias goes to steal some clothes from a near by shop, but Jake warns that they will need to pay them back. David goes on for a bit about how cool their abilities are and how they could probably steal anything they wanted. Jake is unsettled by this, but has to keep moving. They decide to morph gull to continue scouting out the resort. David is all too eager (again unsettling Jake) to morph his eagle and take down a gull for him to morph, but Jake has Tobias to it (not killing it), and both Tobias and David acquire the gull.
In morph, they team begin circling nearer the resort, but all they can see is security, security, and more security. They can’t see a single way in to this place. All of sudden, Jake is hit by an incredible flash of pain. They realize that one of the guards below is using his sunglasses to shock animals flying nearby with low level Dracon beams to scare off any Andalite bandits. Jake tells the others to take the hit, and then fly away like a real gull would. David does, but is sarcastic about thanking Jake when Jake compliments him on doing a good job.
They all head home, with David crashing in Cassie’s barn. At home, Jake finds out that his cousin Saddler (a kid he never got along well with) has been hit by a bike, and they’re not sure he’s going to make it. Jake is appalled to realize that his first thought is how this will affect the mission. Short answer, it plays out well since his parents leave town for a few days, freeing up Jake to focus on the world summit problem. That is until Cassie calls, cryptically warning Jake that “Dave” from “Letterman” is suddenly off the air: David is missing. Jake heads to the barn and meets up with Cassie and Rachel (Marco can’t get away that night), and decides to morph Homer to track David. Rachel, in owl morph, goes to fetch Tobias, but can’t find Ax. Owl!Cassie follows along. Jake is enraged to discover that David used his lion morph briefly, but then morphed eagle. Looking around further, and after asking Cassie what David talked about that evening (whining about missing TV), they discover a Holiday Inn with a broken window. Jake demorphs and barges in. He confronts David and says they don’t break the law or use their morphs for selfish reasons. David is rebellious and tries to tell Jake that sure, he’s the leader on Animorphs missions, but he doesn’t get to tell David what to do in the mean time. Jake knows that there is a line that needs to be drawn.
“No, that’s not what it’s like, David. I don’t want to come down on you, but the way it is is like this: You want to go around using your powers in selfish ways, then we can’t have you around. You’re just a danger to us. And you’re against what we stand for.”
His eyes widened. He rolled off the bed and stood up. “Are you threatening me?”
“No. Just telling you the way it is. We’re the only family you have now, David. The only people you can trust. The only people who can help you. We’re all you have. Deal with it.”
David sullenly goes with him. The next day, Cassie comes up with a plan of attack for getting into the resort. Jake morphs a dragonfly (the one bug they can think of that has good eye sight) and the others morph flea and jump on his back, having to bite into him to hold on as he flies. Tobias carries them as close as he can to the resort and then sends them off. To get in, Jake flies under a bellman’s hat, and manages to sneak into some air vents inside. By this point, they are all running low on time in morph (it took quite a while for the fleas to get on his back as they couldn’t aim their jumps very well). Jake gets caught in a spiderweb at one point, and David begins panicking and demorphing, risky crushing and exposing them all. At the last minute, Jake is able to escape and make it to an empty room that seems strange. They all demorph, right up against the time limit. All but Marco, who only makes it part way. Cassie, the fastest morpher, grabs him and begins calmly talking him through his demorph. He manages to finish it, and cries and hugs Cassie. Everyone is awed by Cassie’s abilities, even Ax, who says he’s always known she has a rare morphing talent, but this is almost miraculous.
They look around and discover they are in a hologramed pillar that contains a mini Yeerk pool. Jake goes out to look around and has to hide under a table when some people enter the room, arguing about the change in plans for the banquet. Jake realizes that the man they saw Visser Three acquire in the book wasn’t the President, but this man, the social coordinator for the White House who is now directing that all world leaders will need to pass behind the column when they go up for their speeches. They all eventually leave, and Jake sneaks back to the column. The only way out seems to be up through the hologram that is being projected through a hole that the Yeerks must have made in the ceiling. But before they go, Ax asks about the Yeerks in the pool. Jake says to leave them.
David volunteers to pull a fire alarm to distract everyone from a bunch of gulls emerging from the roof all together. He manages it, but trips on his way back. The others escape, but Jake rushes out to help David. David hides under a table and begins morphing lion, ignoring Jake emphatically mouthing “no” at him repeatedly. Jake frantically crawls towards him and just manages to grab him before he attacks a Controller who comes in to check the room. The Controllers decide that since the Yeerks in the pool are alive, it couldn’t be Andalites. Jake and David escape as dragonfly and flea once again. As they escape, David wonders aloud which would win, a lion or a tiger?
Back in the barn, they discuss the Yeerks’ plans and Cassie hits the nail on the head, saying that the reason they didn’t simply infest the social planner guy all came down to character. Notably, Visser Three’s character and his need to be on the ground when his biggest success goes down. Jake thinks hard about what Cassie has said about character, evaluating how little he knows about David and going over in his mind some of David’s more questionable choices that hint to the fact that his moral compass isn’t quite pointed the same direction as the rest of theirs.
He mentions the situation with his cousin and is even more unnerved by the strange look of excitement in David’s eyes. Later, he talks to Cassie who also admits that she’s confused by David and that he doesn’t quite seem upset enough about losing his family and home (I mean the guy was whining about TV for Pete’s sake!!).
The group regather with plan in mind to disrupt the Yeerks’ plot to infest the world leaders. That night, they all fly back to the resort. On the way, Cassie, the only one in owl morph with good eyes, thinks she spots the President wandering around near the pool in his shorts. But they fly on. They manage to get into the hologram above the building. From there they can spot three Controllers below them in the hologram pillar. Carrying fishing weights, they dive, release the weights, and knock them out. Rachel, carrying cobra!Marco, swoops down to join them.
They all get in place, ready to nab the passing world leaders and hopefully frantically convince them that the world is being invaded. But as the banquet ends and the speeches start, something is wrong: the world leaders are all walking directly to the stage, not behind the pillar at all. Jake realizes that it’s a trap, a hologram within a hologram, and sure enough Visser Three steps out from the hologram, and drops the facade all together, revealing an army of Hork Bajir surrounding them. Then, of course, he begins to gloat and threaten to kill them, but it doesn’t seem that he’s spotted Marco, still a snake on the ground.
As he continues to threaten to shoot them, David begins to break, calling out that he doesn’t care about the rest of them, and yes, he’ll demoprh. Wolf!Cassie grabs lion!David’s leg to stop him and they begin to fight.
<Rachel! Explain to David that he needs to knock it off!> I snapped. Rachel was on all fours. She half rose up to a sort of bear crouch. She reached out with her left paw and swung hard. She connected with David’s snarling, snapping jaw. David staggered. Cassie released David and jumped back.
Throughout this all, Jake’s been thinking. How did these Hork Bajir get in here when they could barely get in as one little dragonfly? He has Marco slither out, knowing that if he’s wrong, Marco will die. David continues to panic, yelling to Visser Three that they (the Animorphs) are threatening him and running towards him saying he’ll demorph and he’s on his side. Just them, Marco bites a Hork Bajir and it is confirmed that they are all holograms and it’s only Visser Three and a few human Controllers in the room. A fight breaks out, David quickly saying he can get Visser Three since he’s closest. It ends at a standoff after Cassie’s been shot and Ax has his tailblade at Visser Three’s neck. They all retreat, and the Animorphs fly back up and out of the hologram.
On the way home, Jake privately thought speaks with the rest, telling them not to confront David about his cowardice. David is busy telling them how it was all a trick anyways, that he was just trying to get close to Visser Three. As the others agree and nod along with him, he goes even further and starts bragging about how he could have taken Visser Three on his own and how he saved Cassie. (It’s all very intolerable and you can almost feel Jake’s skin crawling as he listens to it). In the end, Jake doesn’t trust David at all, but still wants to give him the benefit of the doubt; after all, he really could have been playing a trick.
They all head home, but after rigging his bed to look like he’s sleeping, he heads back with Tobias and Ax to watch Cassie’s barn. If David stays there, maybe things will be ok. Of course, he doesn’t, leaving in the middle of the night in golden eagle morph. Jake has Tobias follow him while he and Ax morph bird to join. They lose track of them, and as they’re flying Jake becomes more and more worried, unable to contact Tobias. He tells Ax to keep an eye out, not in the sky, but on the ground.
They head to David’s house, thinking that must be where he is heading. Ax wonders what they will do if David is truly joining the other side, and Jake doesn’t know. Outside David’s home, they spot a truck and know that there are likely Hork Bajir stationed there in case David returned. Jake has Ax go to the back of the house and demoprh to provide back up. He heads to David’s room, still in falcon morph. Eagle!David is watching TV (what is with his obsession with TV, btw??), and beside him there is a bloody, brown mass of bird.
Jake is stunned, frantically calling to Tobias and trying to listen for a heart beat. David goes into a whole speech about his having no choice, that the Animorphs were just like cliques at school and would never accept him. He has no life, but now he has this power and he’s going to use it to create one for himself, morphing some other human and making his own way.
<You murdered Tobias because you think this is some stupid school thing?!> I yelled.
David says Tobias was just a bird. And so is Jake right now. He attacks. Jake, more familiar with his morph than David is with his own, manages to escape to under the bed, and then when David begins to demorph to try and grab him out, Jake flies at his face, scratching him up. The commotion draws the Hork Bajir and they both escape out the window. Ax scoops up Jake and runs away. Jake tells Ax to go get Rachel who lives the closest, and takes off after David.
David leads him to roof of the mall and Jake knows what he wants, a showdown between his lion and Jake’s tiger. The two morph and fight, with Jake struggling against the lion’s mane. They end up on the skylight and break through. As they fall, Jake feels the lion bite him on the neck. End scene!
Our Fearless Leader:
This is the perfect book to illustrate the many, many strengths that Jake brings to the team as the leader. He has to make tough calls, he’s the first to realize that they’re being tricked by Visser Three in the resort, and, most importantly, we see how crucial his understanding of his team is to their success.
I knew each of the others. Name any situation. I could tell you exactly how Cassie or Marco or Rachel or Tobias or even Ax would react. But David remained unknown. Unpredictable. He’d been brave, mostly. He’d done what he had to do, mostly. But there had been things . . . the way he’d been in eagle morph and attacked some passing bird for no reason. The way he’d gotten weird in the lion morph. And the thing with breaking into the hotel room. All totally understandable. Nothing really awful. Not given how his entire life had been ripped apart.
Throughout it all, he’s off balance with David, something that isn’t helped at all by David’s erratic behavior and his tendency to get on the wrong side of everyone else on the team (yes, the biggest one is Marco, but there is at least one example of him coming up against the wrong side of every single member of the group in this book).
There are probably two big moments for Jake in this book, leadership-wise. The first is how he handles David’s break-in to the hotel. He knows that coming down on him will change their relationship forever, but Jake knows his role and that protecting the group, and enforcing these rules, is crucial to their survival. He doesn’t really have an option to be soft on David. And, importantly, he walks a fine line with this confrontation. He’s not soft, but he also isn’t needlessly cruel. One can only imagine what Marco or Rachel’s responses would have been. Jake is firm, leaving no room for questions, but he also doesn’t shame David.
And second, after David turns coward, he knows that he must go into damage control mode. By silently contacting all the others, he lays out their game plan, making sure to leave room for the shrinking possibility that David really was trying to play a trick. It’s clear that Jake doesn’t really believe this, but his actions here prove why he’s the leader. He wants to be as optimistic as Cassie, and knows that he can’t be as harsh as Marco and Rachel. So instead, he lays the groundwork to test David’s character by letting him think they all believe him, then gathering a select group to spy on him, knowing that if he leaves the barn, they have real problems.
And then, once David “kills” Tobias, Jake doesn’t hesitate to call in the big guns, sending Ax to go get Rachel in case they need to do something drastic. But Jake doesn’t back away from fighting David himself, either.
Xena, Warrior Princess: Like Marco, Rachel has a hard time not blowing up at David. She immediately comes down on him when he tries to turn himself over to Visser Three, calling him a spineless coward. David later rants about this, trying to say that maybe Rachel is the real coward. As we’ll see in the next book, these two’s power struggle is being set up in this book for a big pay off later. When they’re flying back, Jake has to very firmly hold Rachel back from continuing to come down on David.
And, in one of the most important moments for Rachel in the entire series, likely, Jake tells Ax to get Rachel after he thinks David has killed Tobias. He notes that Rachel lives the closest, but that is clearly only an excuse.
<Yeah. Get Rachel. If David’s killed Tobias, we may have to do a terrible thing, too. Get Rachel.>
Jake knows his team well, and this is the right call. But we, as readers, know how much this decision, and the action of the next book, will ultimately mess up Rachel.
A Hawk’s Life: Tobias is along for most of the missions in this book, but doesn’t have a lot of stand out episodes of his own. At one point early in the book, Tobias makes a comment about gulls being like rats of the sky, and David says that Tobias must be really into this bird stuff and says he’s kind of a “bird racist.” Cassie is quick to jump on this and point out that birds are different species, unlike people. David just answers with a sulky “whatever.” (A good example of David casually saying stuff that gets him on the wrong side of members of the group, this time both Tobias and Cassie).
Later, when he’s raging at Jake in the hotel room about what the long term plan is for him (and how much he misses TV, I’m sure), he mentions that he’s not like Tobias who isn’t human. In some ways, yes, this is factually correct that in his current form, Tobias is better equipped to live out in the woods. But it is also another disturbing little reminder of David’s skewed way of looking at the world and serves as some pretty dark foreshadowing for David’s main justification for becoming a murdering psychopath. Tobias was a bird; it wasn’t “murder” to kill him.
Peace, Love, and Animals: Cassie has some big stuff in this one. Not only does Ax essentially admit that her being able to talk Marco through almost getting stuck in morph is a feat of talent virtually verging on the miraculous, but she comes up with the entire plan to get in to the resort in the first place. This has to be one of her biggest ongoing contributions to the group, her ability to think creatively about the animal kingdom and then neatly pair morphs with the unique challenges of any given mission. Usually, they’re super gross solutions, but hey, that’s out of her control.
“You’re a very disturbing person sometimes, Cassie,” Marco said [in response to her suggestion of the dragonfly-carrying-fleas idea.]
Jake also specifically seeks Cassie out to get her take on David, saying that he trusts her judgement of people more than anyone. This is a fine line between Cassie and Marco. Marco, too, is a good judge of character, but Jake knows that he falls on the suspicious side of things. But Cassie, as seen in a couple of scenes in this book and the first in the trilogy, can also fall on the optimistically naive side of things, too quick to believe David’s lies and wanting to think the best of him. A balance between the two points of view would probably give the clearest answer.
And then, when David tries to give them up to the Yeerks in the resort, Cassie is the quickest to act, biting lion!David’s leg and preventing him from running off. Jake notes this with surprise, but it’s a nice example of Cassie also understanding the stakes involved with this new member and quickly seeing and doing what needs to be done.
The Comic Relief: Early in the book, Jake worries about Marco and David’s interactions. At first he chalks it up to the fact that Marco often doesn’t mix well with new people and that it will probably blow over. But as things progress, he becomes more concerned that it is an issue that he is going to have to deal with. And then, as the book goes on even further, I think he begins to understand that Marco may have simply been on to something the rest of them were late to see (which we, having read Marco’s book, know to be true). Marco misses out on some of the action in this book due to his Dad’s dating life. But that’s mostly the mission to retrieve David from the hotel, and given that even level-headed Jake lost his temper on that one, it’s probably for the best that Marco wasn’t there.
Marco, along with Rachel, also has the hardest time biting his tongue in the end of the book when they’re flying away from the disaster at the resort where David tried to give them up.
E.T./Ax Phone Home: Like Tobias, Ax doesn’t have a lot action in this this book. He’s always there, but no really big moments. Most notably, probably, he’s the one to get up close to Visser Three during their mid-book battle and hold the Animorphs’ side of the stalemate. You have to wonder if Visser Three, somehow, subconsiously respects the threat of an Andalite tailblade more than he does the animal morphs he runs into. It seems that often it comes down to Ax and Visser Three in these moments.
He’s also the one to explain all the hologram technology that the Yeerks use at the resort.
Best (?) Body Horror Moment: When David and Jake are escaping from the resort during their first infiltration attempt, Jake has David bite him on the back and hold on while they both morph together, so that when David turns into a flea, he’ll already be on Jake. This is all to avoid the circus that was the fleas trying to aim their jumps the first time which took quite a bit of time. I mean, yes, this makes a lot of sense. But there’s no getting around the fact that it’s completely disgusting. Even more so because David is a disgusting individual on his own. I mean, if this had been Marco, it would have mostly been pretty funny. But knowing what we do about David…
Couples Watch!: Other than Jake relying on Cassie for insight into David’s character, there really isn’t much couple-wise in this book. I wonder if another reason that Jake calls specifically for Rachel is due to her burgeoning relationship with Tobias, and the fact that he was the one first attacked?
If Only Visser Three had Mustache to Twirl: Cassie is right on about Visser Three’s ego. And, per usual, whenever they’re in a standoff that involves his own life, he backs down. But for the purposes of this arc, David is the true villain and the one more worth discussing.
David is Applegate’s reminder that humanity itself can’t be trusted. We’ve seen it before even with Chapman in “The Andalite Chronicles.” With examples like these, we see why the group of kids that make up the Animorphs are so special. It’s not shocking, maybe, that David doesn’t handle it well; perhaps it’s more shocking that all of these teens have held it together as well as they have. That they all had similar ideas about responsibility, loyalty, and bravery. Sure, they all come down on different sides of some things, but in the end, through David, we see what could have been. He does pretty much everything wrong. He uses his powers for selfish and illegal reasons, breaking into the hotel. He’s needlessly violent, killing the crow earlier. He’s too eager for battle (unlike Rachel who trusts Jake’s judgement), morphing the lion in the resort. He’s a coward who gives up his friends in a moment and breaks under pressure. He’s a liar. He’s a murderer.
And yes, David’s situation is terrible. Jake thinks about it himself early in the book, knowing that they will need to come up with something long term for David. But not every kid would turn into a psychopath. Given his words and actions from the very beginning, David is not a healthy-minded kid even from the start. And once he’s given power, his descent into complete psychopathy is sure and steady. In many ways, David is the worst villain in the entire series. Visser Three can come across as campy and is a comfortable villain: he’s a bad guy doing bad things because that’s what he does. But David, David is a kid, a kid who had the chance to save the world but instead chose to murder the kids who saved him so that he can become powerful using the gifts they gave him. He’s utterly despicable.
Adult Ugly Crying at a Middle Grade Book: In this re-read, knowing how everything turns out, I wasn’t too upset by most of the action in this book. Not sad at least, still very enraged. But I do have clear memories of reading it the first time and being legitimately concerned about Tobias’s death. I never bought that Jake would actually die, as is implied in the last scene of the book. In many ways, he’s almost the main character and as the leader of the group, he’s irreplaceable. But Tobias….I had real fears there. As we’ve seen, Tobias, even with his morphing abilities, is often the first character to get shuffled off to the side. Thinking about it now, I realize that there’s no way Applegate would have killed off Elfangor’s son without resolving that story line somehow, but as a little girl who had a major crush on Tobias and was fully shipping him and Rachel, I was very, very upset by this last scene.
What a Terrible Plan, Guys!: These plans to “reveal” themselves to big heads of state are always just so stupid, and this one in particular is bad due to the extremely short window of time they have to work with. Not only do they need to convince each of these head’s of state within their brief hologram-recorded speech when the Yeerks would think they’re being infested, but they also need to count on these same people calming walking back out and taking their seat again, as if nothing had happened. It’s just ridiculous.
Favorite Quote:
This quote comes before the botched resort mission and the confrontation with Visser Three. It perfectly highlights how much of a creep David really is, and makes you wonder how Jake wasn’t put on high alert from things like this even before David tried to switch sides and save himself.
David’s gaze was somewhere else. He was looking at us, but from far off. Like we were each animals at the zoo. Like he was sizing us up.
Scorecard: Yeerks 6, Animorphs 9
I’m going to give the Yeerks another point for this one, simply for managing to so expertly trick the Animorphs into infiltrating the resort on the wrong day. Sure, it didn’t go completely to plan and they escaped, but it does show that Visser Three is trying to go on the offensive, rather than just waiting for the “Andalite bandits” to interrupt his own plans.
Rating: Excellent! The stakes are just shooting through the roof, and this book makes it clear why David is probably the most hated character in the entire series, even more so than Visser Three. Beyond that, the cliffhanger at the end of this book is much more crippling than the first. We all knew Tobias and Rachel would save them when they dropped out of the plane (plus, we’ve had about a million scenes of Animorphs seemingly tumbling to their deaths from high heights, so we’re pretty numbed to it). But here, it’s almost believable that Applegate may have killed off Tobias, and either way, the options for dealing with David are pretty limited, right from the beginning, so the tension is sky high when it ends.
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Book: “Iron Gold” by Pierce Brown
Book: “Beneath the Sugar Sky” by Seanan McGuire
Book: “The Hazel Wood” by Melissa Albert
Animorphs #22: “The Solution” by K.A. Applegate
Book: “Strange the Dreamer” by Laini Taylor
Pick Number 5: “City of Blades” by Robert Jackson Bennett
Pick Number 4: “City of Brass” by S. A. Chakraborty
Pick Number 3: “The Broken Earth” trilogy by N. K. Jemisin
Pick Number 2: “The Bear and the Nightingale” & “The Girl in the Tower” by Katherine Arden
Pick Number 1: “Shades of Magic” trilogy by V. E. Schwab
Pick Number 10: “The Beautiful Ones” by Silvia Moreno-Garcia
Pick Number 9: “An Enchantment of Ravens” by Margaret Rogerson
Pick Number 8: “The Beast is an Animal” by Peternelle van Arsdale
Pick Number 7: “Skullsworn” by Brian Staveley
Pick Number 6: “Now I Rise” by Kiersten White
Book: “The Space Between the Stars” by Anne Corlett
Book: “The Hippopotamus Pool” by Elizabeth Peters
Animorphs #21: “The Threat” by K.A. Applegate
The Library Ladies 